#i love when... criminals use their knowledge of How Criminals Act to beat Other Criminals

[trashnotfound]

ARCANE WRITERS EXPLORE VIS MENTAL HEALTH AND TRAUMA CHALLENGE

If you really think about it Vi has never had the time to process her truama properly( I mean she’s literally been in fight or flight mode since she was like 7) and I’d love to see them explore that more in depths with how it would change her as a person but also how it would impact her actions. Would she be less guarded, not be a prone to fighting

We’ve seen how she handles mental breakdowns ( with alcohol and fighting, which kinda mimics her childhood surroundings. With her dad owning a bar and her constantly fighting) she automatically diverts her attention to the one thing she is 1 good at plus has known since she was very young. It’s almost like her comfort of sorts ( once again very BAD comfort she is not mentally OKAY)

But when you think about her and what she’s been through, it’s too much for a young mind to handle ( as we saw with jinx)

First she’s thrown into a prison, beat, tortured and isolated for god knows how long. By the time she’d process what has happened more would be on the horizon ( as we know she got beat almost daily) plus it probably lead to some stint in her development either mentally or physically ( which is a whole other can of worms to process)

then when she FINALLY gets out she learns her sister is a war criminal, her uncle has drugged the under city, she gets stabbed and beat up repeatedly, almost dies, gets kidnapped, mentally tortured and then witnesses her sister commit and act of terrorism

The only time in the show she could of mentally processed what she’s been through is the weeks after the attack on the council ( since she was staying with Cait * it’s assumed) but I doubt she would have since she was probably too busy making sure Cait was okay plus thinking about how to stop jinx. Or when’s she was a pitfighter but as we saw, she just drunk her issues away and when she felt that anger towards people she went and fought individuals who had no connect to that feeling, just to have an ounce of control over her mental state.

I’m getting the sense too that she was only taught how to protect others and not herself. She’s kinda self destructive ( in the nature of getting into usless fight, putting her self in danger and being impulsive) she doesn’t know what to do when mentally crashing, she doesn’t really know how to read her emotions properly and that leads to her impulsiveness because she thinks she’s feeling a specific way and thus acts upon that feeling. Not taking the time to process her emotion and figure out her thoughts!

I just think Vi is the most interesting character in arcane when you REALLY sit down and study her character. So much underling lore exists to her when you dig deep into her actions specifically and I’m so sad the writers didn’t focus on that this season. They could make her one of the MOST complex characters but just stick with “anger issues and she likes to fight” but they never explore WHY she does those things. I know a lot of it is *show and not tell* and as I said if you actually use your brain you can figure this out and use just general knowledge. their putting to much trust in the viewer to read between the lines. When most just wanna be told what’s going on and how characters feel or think.

I just really like Vi guys….

[transvaltrans]

Looking back on the books I read this year, and was reminded of just how much Megan Whalen Turner's The Thief- absolutely frustrated and disappointed me. Spoilers ahead.

To some degree, this was going to happen; the whole series has been heavily hyped up to me, it's hard for any book to live up to such lavish yet vague praise. But, you know, I actually got through most of the book without being distracted by my own expectations. It was tense, and spare- it felt like every word mattered and hinted at an underlying truth. I love when books withhold from the reader, and nudge at you to consider what might be left unsaid. And I was so, so satisfied when my predictions paid off (totally called Gen palming the stone rather than losing it).

The worldbuilding was interesting and unique, I enjoyed that the author wasn't committed to a super specific and our-world-accurate timeframe for technology, and I found the characters compelling and variable. I always enjoy travel stories, nevermind stories about thieves.

Which is exactly why I was so annoyed by the ending.

Again: I love twists. I love being able to predict them, and I love being surprised. I did not feel like any of the twists in The Thief were unearned; it's a well-composed book, with plenty of foreshadowing.

However, one of the twists, despite being foreshadowed, absolutely blindsided me- because I would not have considered it as a possibility, due to undermining exactly what had me so excited to read The Thief in the first place. Fantasy literature sometimes shies away from politics, into pure escapism and fluff. Even some of my favorite fantasy books are pretty hollow when it comes to their fundamental beliefs, and shy away from challenging the status quo- unless it's to restore old glory (cough The Old Kingdom series).

But I can almost always count on stories about rogues, and thieves, and con artists, to at least bring up the issue of class. These characters so often come from disenfranchised backgrounds, from the poor and displaced. They're street rats and gutter scum, who have clawed their way up from the bottom, and never forget where they came from- can never forget, from the way others treat them. Theft is subversive; there's a reason we won't let go of Robin Hood, but even more self-motivated thieves often have something to say about the unfairness of wealth distribution. Stories about thieves almost always have something to say about the relationship between the wealthy and the poor.

So, yeah, I was really fucking annoyed at the reveal that Eugenides was actually the Queen's cousin. That pretending to be from a lower class background was so insufferable to him; that of course he's only so educated and knowledgeable because he's a noblemen, that it was so hard for him to pretend to be stupid and crass like a peasant. That the reason he was so pissed about being disrespected by his captors wasn't because they beat him and imprisoned him and insulted him constantly, that they treated him as less than human because he was poor and a criminal, a tool for their own use and disposal- but because he was one of them, and it injured his pride- his noble pride, not his human pride- to be treated like that. Like he wasn't one of them, and deserving of their respect.

Fuck, I hate it so much. It immediately took away my favorite parts of the book- the tension between Gen and the magus's companions, the weight of the magus having been a commoner once, the way Gen constantly stuck by himself and refused to just accept his shitty treatment- the way every monarch treated him as a means to an end. I thought there would be more tension in Gen having conflicted feelings of resentment and camraderie with the magus- I thought it would pay off with either some of them acting in his interest for once, and/or some of them rejecting their freindship and leaning back into that class difference between them.

I'm not opposed to Gen having been working for the mountain kingdom the whole time! But there are so many other ways to do that- I was suspecting that someone was holding his family hostage in some way. It's easy to imagine a story where Gen is a lower-class thief, who was also being used by his own country's royalty.

But, making Eugenides a nobleman is a subversion of the classic trope- which means it's clever and interesting. Uugh. It just exhausted me, and- disappointed me. I loved so much of this book, and it had been a while since I'd read a good low-fantasy story about thieves. It was suspenseful, with rich descriptions, and interesting character dynamics. I thought I was getting something like Fly By Night by Frances Hardinge, or The Goblin Wood by Hillary Bell- not necessarily stories about thieves, but stories about the underestimated and undervalued, peasant con artists and hedgewitches. But with more of the tension and bite of your average dnd rogue getting up to stupid shit (my go-to class since I was a kid).

I totally understand why people love this book. There is a lot I really admire within it. But man, I don't think I can get over how much that final twist- not just rejected my original interpretation of the story. That's fine, plenty of good science fiction or horror does that. But that it specifically rejects the character and story type of the lower class thief. The very name of the series, The Queen's Thief, had me expecting a story about that seeming contradiction; about the power imbalance, and a constant game of cunning, of maintaining autonomy despite being bound to a royal power. And I expect there will be some of that, in the later books; it just loses a lot of its appeal, when it turns out Gen himself is a nobleman, who was doing a favor for his cousin, the queen.

I liked that the book ended with more insight into the mountainous kingdom, and Gen's feeling of belonging and pride to a cultural group everyone else had been deriding- but that didn't have to be accomplished by him being related to the nobility of that country. None of this had to be accomplished through Gen being a nobleman; it just felt like a 'gotcha' subversion, taking away, rather than adding more.

[qumiiiquinnquin]

its almost going to be 10 years since i was sa’ed. and im still trying to find a justification for it and trying to figure out who really was to blame.

did i ask for it? i remember being a bit daring because i thought he was bluffing. but it happened. and i remember a lot of it vividly. some of it feels like the blurriness of a dream.

im still trying to understand. but im only understanding nothing. he insulted every other girl in that cul-de-sac. he insulted my sibling and called them ugly. he made dirty jokes a lot. but he called me beautiful. and on the day , he made a bet with me. if i performed the act he requested , he would give me candy or money. i dont remember which it was. during the incident , he still called me beautiful , and called me baby.

sa is a criminal act. you can go to jail for it. but he was 12 or 13. i do not know if a kid so young who did it to a 10 year old girl would have gotten in trouble. i had no proof myself to present to anyone. and i laughed off a friend at the time who told me i need to talk to someone.

ive said his name , but it may have come off as like a name of endearment. especially regarding my comments of how i cant exactly let him go , even though i have an indescribable hatred of him. his name was angel. i hate that i still remember that , even after all these years.

the incident has only left me thinking for the past year or so to just give my body up for others pleasures. i think that's all im worth. ive been gr00med as well , by adults online. and i will not be surprised when i get four letter r worded one day. im expecting it.

i cant let myself fall in love because im afraid to encounter someone like him again. i want to be loved , not used.

it feels so paralyzing. each time i think about it my freeze response is triggered. each time i want to say something about it , it feels like i lose my ability to speak or type. the flashbacks have been terrifying. i cant escape it. the memories lead to shaking and feeling very hot and embarrassed , and his touch comes back. there's no possible way to distract myself anymore from the memories and flashbacks. i got up to get cantaloupe not long after thoughts came on tonight to just eat and forget about the incident , but it does not taste like much now. and its not blocking out the taste of the french kiss you forced upon me 8 years ago , as well as biting my tongue. even though he did not...have i word with me nor did he four letter r word me , if i did not escape i know it would have happened. and i beat myself up relentlessly lately for escaping. i tell myself i should have stayed and made him happy. after all , i agreed. though i did not really know what he meant. and i thought it was a joke. until he had taken my hand and led me to the small foresty area of the cul-de-sac , and your friend tagged along. he watched as everything happened. i remember very vividly that you and him were making jokes and laughing at my under clothes , and you stopped and started being sweet with me and calling me affectionate names when you saw i almost burst into tears.

and you got off somewhat free. i havent told too many people at all. the first time i said it aloud to my psychiatrist , my voice shook so bad that you would think i was about to start sobbing. even though i laughed it off like usual. and even though what you did was a crime , there'd be no way for me to report you now. all that happened to my knowledge was that one kid’s mom thought you had done it to her daughter , not me

since it will be the tenth anniversary in two years , i may make a cake with something like “congrats! you survived ten years :)” written on it in frosting. i dont recall the exact day or even month that it happened. or time of year either. so i think ill just celebrate myself in late november of 2026.

i wish i could go back to the 5-year period of my life where i had completely forgotten about what you had done to me, Angel.

[copperpieceharlot]

speaking of Oots On Tvtropes, the other page that’s got oots at the top is the Kansas City Shuffle, which has Haley’s speech at the beginning of the battle of Azure City from strip 428 (aptly titled “It Takes a Thief”) as the page quote

[bakubub]

In which racer!kuroo is your roommate, and seems to only like it when you treat his wounds... (word count: 1.9k)

Ngl quite proud of this one!!

Warnings: 18+, a whole lot of swearing, a whole lot of blood, innuendos and implied nsfw, reader almost vomits (NOT from pregnancy chill, I know we're all scarred but its going to be just fine) and if you're squeamish perhaps skip the scene where reader stitches his wound?

Also bit of a disclaimer: I am in NO WAY a med student and literally all of my knowledge is from movies and other fics... so if you acc know what to do in this situation this may be a torturous for you :D

All due credits go to @aikk00​ for this AMAZING fanart!!!!

I watch as my roommate enters the penthouse, once again scratched up and bleeding, covered in so much blood there is no possible way that it was all his- if it was he would not be standing.

I launch myself off the couch- where I was sitting for the past hour nervously waiting for his return- and slip my arm under his, supporting him as we inched towards the bathroom.

"I can do this by myself you know," he grumbles, his grimace revealing just how much pain he was actually in.

"Mhm, I'm sure you can. Just like you boiled that poor egg by yourself last week, hmm?" I say sarcastically, trying to keep my mind calm and clear, because oh my god it looks really bad this time...

"Oi, its not my fault it fuckin' exploded," he mutters, voice laden with pain.

"You put it in the microwave because 'the shitty water wasn't doing its job.' Of course it would explode," I say, gently seating him on the closed toilet seat and taking out my supplies that I unfortunately have become rather accustomed to using. He's made it a habit to get himself injured.

"Where's the injury?" I ask, setting down my half-empty bottle of antiseptic and box of bandages. He peels off his shirt, cringing at the pain it brought him as the fabric was stuck to the gash that went from his left pectoral down to the middle of his chest.

"Pissed off a bidder after winning a race, fucker took out a knife once he realised he couldn't beat me up," he huffs out, arrogance still lacing his tone even with sweat dripping down his brow as he leans the back of his head onto the tile wall behind him. His Adam's apple bobs down his bloodstained neck as he speaks, and I quickly look away, focusing on the injury at hand.

Not his blood soaked, but nevertheless well defined pectoral muscles, nor the abs that my hands occasionally brush up against and know how hard they really are, and definitely not the trail of black hairs that lead down, down, down...

"What's wrong, the view too hot to focus on the work at hand?" He asks suggestively, raising his pierced brow, even in this state.

I'm quick to reply, having gotten used to his flirtatious remarks from the second I moved into his penthouse, "nope can't even see the view from that massive head of yours. Not to mention your permanent bed head."

He huffs out a laugh, then proceeds to flinch from the pain it must have caused.

"Stop moving, idiot. You're going to exacerbate the cut!" I say, quickly grabbing a damp towel and beginning to clean up his abdomen, whilst simultaneously pressing another rag to his wound to stop the bleeding.

“At least you admit that there is a hot view,” he says in his low voice, gazing at me from his position.

I simply roll my eyes.

No falling in love. That was the deal we had made on the day he offered me a place to stay in exchange for my services as a maid and apparently, a nurse. I cook, clean and basically keep the house running while this moron goes out and acts like the idiot he is. In my defense, dorms are expensive as hell, and his penthouse is nearby. Plus, I don't have to pay rent. It's a win-win situation.

But the feelings stirring up inside my heart might just ruin the dynamic we have going on and simultaneously take out a whole lot of cash out of my pocket.

At least, that's what I keep telling myself.

Once his skin isn't completely saturated in blood, and the wound has (thankfully) stopped bleeding, I add some antiseptic onto a make-up pad and begin to dab at his wound, earning winces and slight grunts from the massive man.

"The cut looks deep, Kuroo. You need to go to the hospital," I say, worry lacing my tone as my eyebrows crease and earn yet another huffing laugh.

"Do you want me to rot in prison for the rest of my life?"

I roll my eyes at his response, deliberately dabbing just a little harder which earns me a yelp and an attempted glare in my direction.

"First off, illegal street racing won't send you to prison for your entire life, just for like, half a year. Second, this wound needs stitches, and believe it or not, I'm not a fucking licensed medic. In fact, the only experience I have is with you!" I say, immediately regretting my choice of words as I wait for his remark.

"That's what she said," He says, chuckling at his own innuendo.

I sigh in frustration, pouring more antiseptic to make sure there was no chance of infection from whatever grimy ass knife stabbed him, and beginning to gently scrub the wound with a soft towel, so as to make sure there was no debris left in there.

"You're gonna have ta do it," he mutters, his hazel eyes boring into mine.

"I- I can't Kuroo, you can't possibly think-"

"Fine. I'll do it. Go get me a needle and thread," he states, struggling but nevertheless, sitting upright on the red stained toilet.

I stare at Kuroo in disbelief as he utters these words. Was he dumber than I thought? Does he have some sort of head injury too?

I examine his face and all I come up with is unnerving determination. I exhale out of my nose sharply, "fine, dammit. I'll sew your fucking wound shut."

I am extremely handy with a sewing needle and thread, used to really be into embroidery back when I had the time so...it should be fine.

He just shrugs, leaning his head back against the tiles and closing his eyes.

"Fucking asshole. Can't believe I'm saving your damn life," I mutter, leaving the bathroom to dig through my wardrobe for my sewing box and taking out a gold silk thread that I was saving for a special project.

Well, I guess that will never happen.

"Hey, I found some silk thread. It's literally known for its strength and durability in high temperatures, so it should work like a charm!" I say, walking back into the blood stained bathroom and trying to psych myself up.

He grunts in response. I sigh as I begin with mopping up the excess blood and sanitising the needle and thread before chucking on gloves.

I wipe the antiseptic over the wound once more, and examine it carefully.

Well, if his condition worsens, I can always knock him out and call an ambulance...

I decide, screw it, and thread the needle, pretending it was just another embroidery project.

It's okay, it's okay, it's okay, I chant as I puncture his skin with the thin needle.

Kuroo gasps in pain, and I place a hand on his knee, telling him to suck it up and deal with it, half talking to him but also to myself.

To my surprise, he listens, stretching his head back once more and gritting his teeth.

"Don't do that, here put this in-between your teeth," I say, grabbing yet another towel and shoving it into his mouth.

He obeys as I continue to stitch. I feel my gag reflex kicking in as I think about how stitching skin feels as though I am stitching leather, it feels hard and tough while pushing the thin needle through.

Must hurt like a bitch.

Once I've completed my neat stitches down the wound, without vomiting, I tie it off as I would with any embroidery, and clean the area free of any remaining blood. After rubbing some antibacterial ointment over the gold stitches, I stick on a particularly large bandage over the wound and start tidying up.

"Thank you," Kuroo mutters, still seated on the toilet seat and practically panting for breath.

"Ah, the criminal knows his damn manners!! Now get up and get in the damn shower. You ruined my pristine bathroom!" I complain, putting the last of the materials away before walking to the door.

"Wait, I- I can't get up." I turn around and look at him incredulously as he utters his next few words, "will you... shower me?"

My eyes just about pop out of their sockets at his request. "Are you insane?! I'm not your mother, nor your wife! Call your pudding haired friend and tell him to come shower you!"

He shakes his head, a rare pleading look taking the place of his usual arrogant smirk, "Kenma's too lazy to shower himself, Y/n, please!"

I contemplated it for a moment. Sure, I've seen him naked before, accidentally of course, and so what if I have to scrub him clean. God knows he can't do it himself with that damn injury.

Fuck this shit.

"Fine, get up right now." I bark at him, leaving to change out of my blood soaked pjs into a pair of shorts and a tank.

"...I just said I can't."

---

"Ow, y/n, you're scrubbing too hard!" He complains, his exfoliating glove around my hand as I rub his toned back clean of any dead skin-cells and blood remains.

"But look how much stuff is coming off!" I say gleefully, enjoying this a little too much.

Kuroo, seated on the built-in bench in the open shower with his red boxers on, looks back to see the satisfaction dripping from my features.

"Are you secretly a sadist?" he whispers. In response, I begin to rinse off his raw back with hot water, causing him to screech like a cat.

"It burns, it burns-”

“Shut the fuck up, moron! It's 4 in the morning, you’re going to annoy our neighbours. I tried very hard to get in their good graces, and Mrs. Suzuki still doesn’t like me! She definitely thinks I’m some kind of hooker…” Kuroo laughs at this, and I can’t help but watch as his whole face brightens up from his usual emotionless expression. I find myself smiling in response.

I grab his expensive shampoo and pour some into my hands, beginning to massage it into his scalp. With wet hair, his raven strands are for once flat on his head and reach down to his defined jawline. Kuroo groans under my touch, leaning into my fingers. I snatch my hands back and pour hot water over his head.

"ARGH! Y/N!" He screams, hastily getting up and wetting me in the process.

"Ah- what are you-" I don't get to finish my question as he grabs my arm and yanks me next to him under the hot water, soaking my clothes and my hair.

"You asshole!" I screech as I reach up to pull his hair in defiance, but he only grabs my arm and hooks it around his neck, leaning down to look directly into my eyes.

Our noses brushing against one another, he mutters, "You look pretty with your hair wet and your shirt see through."

It takes me a moment to get past the compliment and to hear the perverted comment that he just uttered.

He sees my look of confusion and laughs, bends over, clutches his stomach and laughs, before bellowing in pain because of his injury.

Smiling smugly down at him as he grimaces, I force him to sit back down and continue massaging the shampoo into his hair, warning him that if he so much as moaned I would leave him in here, dripping wet and in pain.

"That's what he said," is his reply.

I smack his head in response.

Notes, interactions and reblogs are highly appreciated <3

[lovee-infected]

This idea just hit me like a train. How would twst boys react to WAP from Cardi B?? 😂😂😂

I'm trying to ignore the fact that I might've never discovered WAP without this request...🗿

Warning(s): What should I even tag as the warning idkk ckcjxjsjsjdjdjck- Mentions of WAP's lyrics, mentions of nsfw, Warning for Idia's part bc I think it went a bit too far-

Riddle Rosehearts

Heard of this song named WAP being trending between students -> Searched it up -> Riddle:... Riddle: *Turns off his phone*

Bans WAP from the whole Heartslabyul afterwards, and every student found listening to it will have to face Riddle's: "NOOOOOOO- NO WAP IN THIS HOUSEHOLD - GO TO HORNY JAIL OFF WITH YOUR HEADS YOU UNWORTHY CREATURES- "

Trey Clover

Searches: "What does WAP mean?" before wards and after reading the search results he decides that he doesn't really need to listen to the song itself anymore.

He just clears his browsing history and returns to baking cakes. Nothing has happened, he knows nothing.

Cater Diamond

He is the guy making those "Night raven college react to WAP!!" videos on magicam. His reaction videos get over 100k views and people from all over the Twisted Wonderland start following this dork for them.

Who cares about the WAP itself? As long as he can gain followers over these videos he doesn't care how the song is supposed to be.

But at last Riddle discovers his videos by finding other dorms' students laughing over them and forces him to take them down💀 Man, Riddle really did ruin his once-in-a-life time chance for becoming popular.

Ace Trappola and Deuce Spade

Riddle has banned WAP Heartslabyul so they're going to illegally listen to it. It was Ace's fault though, Deuce is innocent.

Ace searchs up the music video, Deuce just sees the thumbnail and tells Ace that he doesn't think that this is going to be a good idea but Ace cuts him off by asking him not to be such a chicken-

Though they had to stop because Deuce was all shaky and embarrassed after just 20 seconds :"Stop this-STOP THIS- I CAN'T DO THIS- WE'RE STILL TOO YOUNG" and Ace had to stop to shut Deuce because they could've gotten caught at any second because of his unholy screams.

[a few minutes later...]

Deuce: It was saying DOORS in this house

Ace: Bruh what the- we both know it was saying Wh*res.

Deuce: Y-you dirty minded bastard!! It was clearly saying doors in this house!

Ace: Why the hell would they say doors in this house!??? It was wh*res!

Deuce: Doors!

Ace: WH*RES

Deuce: DOORS

Ace: WH*RES

Deuce: DOOOOORRRSSSSSSSSS

Leona Kingscholar

See he might be a jerk but he hasn't yet gotten to the level of appreciating this way of presenting women in songs-

He's just going to pretend that WAP doesn't exist,but most of the Savanaclaw on the other hand are going wild because with WAP, now he can't even take a peaceful nap without WAP being looped in his brain.

Ruggie Bucchi

WAP isn't beyond his power, he's handled stronger songs.✨ He'd regularly rap WAP in public when he's feeling like it.

Now he goes around to recommend WAP to naïve students and taint their virginity by making them listen to WAP without knowing what it is-

Jack Howl

Catches Ace and Deuce listening to WAP and ends up listening to it because of them. He doesn't knpw what to say...

He isn't mad, just disappointed. Disappointed parent noises. Out of all these students, why should he best buddies which these two?

Time to drag Ace and Deuce to a corner and give them a long speech on why young men their age need to be focusing on mastering skills and achieving success through these golden years instead of violating rules and tainting their pure minds.

"Trappola-kun, Spade-kun, you've greatly disappointed me. You need to be more mindful of your actions as fellow freshmen of night raven college. Is this how the future's great magicians are going to be? How do you think your parents would feel about this new habit of yours? Have you thought of how despicable women are being presented through such songs? Are you going to support such a taboo message toward ladies?"

And Ace and Deuce end up having to listen to him and think of their bad actions for the rest of the day...

Azul Ashengrotto

[Before listening to WAP]: He hears of this WAP song being super trending between students. What might it secret be? What kind of magic would make a simple song so hecking popular? He has to find out.

Azul thinks that by learning WAP's ways, he might be able to produce songs that are even better for mostrolounge and even start his very own music company! But before that he needs to listen to wap itself...

[After listening to WAP]: ...He discovers what kind of magic is making it so popular, but decides that it'd be better for him take a step back from the world of music for now. Yes, he's traumatized

Floyd Leech

"Hey hey koooeeebiii chaaannnn have you seen my new dance~?" ah yes, he's got the WAP dance and he's proud of it. These are the time when he's genuinely thankful for getting to have human legs.

But the WAP dance isn't his only target, he realizes that Jamil doesn't seem to want Kalim to know anything about WAP, but thankfully, Floyd is going to be kind enough to bless the young Kalim with his wealthy knowledge on WAP. ✨

Jade Leech

"My...my...that was savage," Jade is amazed, it's quite wonderful how these fragile creatures can go from Micheal Jackson's smooth criminal to WAP in a matter of years.

He's still having trouble keeping up with latest human trends and popular songs but, he's slowly liking humans a lot more than before. These creatures have already reached the level to make put p*rn in music, impressive.

Kalim Al Asim

He hears students whispering about an epic song named WAP during the classes, and of course he'd be intrigued!

He looks up the song but Jamil has already blocked his access to any sources that he might find WAP in, yet Floyd was kind enough to lend Kalim his phone to let him listen to this masterpiece. Later on, Floyd tells him about the WAP dance and bam, Kalim is addicted.

"Everyone watch me! I've got the WAP!"

Poor Jamil doesn't know which is worse, having Kalim signing it loudly in the dorm or watching him showing off his skills in that WAP dance in public. It's time for Jamil to go on a long, long trip and never come back until Kalim graduates from this school.

Jamil Viper

Listens to WAP once, is going to spend the rest of his life pretending that he has never heard or watched it. The most ironic part about it is how he watches the music video instead of just listening to the song and...the snakes. Good lord the snakes- He isn't sure if he likes snakes anymore.

The snakes part seriously traumatizes him but not like Kalim does when he asks Jamil to learn him the WAP dance. And heck no Jamil isn't going to learn him how to dance like a wh*re. At this point, he decides to deny WAP's whole existence.

Kalim: At least tell me what a WAP is!

Jamil:

Jamil: Worship and prayer.

Vil Schoenheit

Hasn't listened to WAP and refuses to do so. He's got standards.

Rook Hunt

"Bravo!!! These Mademoiselles have taken the art of music to a whole nother level! Beaute! 100 points! 💯" (...what else did you expect him to say?)

Just as always, no one can really tell if Rook really liked it or not but from the way he acts he seems to be... intrigued. Apparently WAP starts to get too famous in school and Rook would always be the first one to find out if a student is secretly listening to WAP in public, so he doesn't mind popping up and reminding the students not to listen to such a potentially stimulating song so carelessly: "Monsieur (x), it's adorable to see you appreciating such a glorious piece of art in this lovely day, but I don't think that all of these students staring at us right now are yet prepared for such a beauty,"

Epel Felmier

He just asked Ace for some music that'll make him sound more badass and Ace gave him the WAP:

Epel listening to WAP be like:😳😶😨😕😭

His face is redder than a tomato after the first 30 seconds of WAP, but Ace tells him that he'd be the bravest human being ever if he takes the urge to listen to this in front of teachers.

Tries to dance to WAP and make a video with it to upload on magicam, but Vil catches him in the middle of process.💀💀💀 The video turned out pretty good though. It looks just like a mother (Ehm- Vil) getting into her child's room (Epel-) and finding them doing some crazy shit.

Idia Shroud

He's the silent and seemingly shy dude who's listening to WAP in the highest volume under those head phones during classes.

Divus Crewel: CaF2(s) + Br2(ℓ) → CaBr2(s) + F2(g)...

Inside Idia's headphones: " ~ Wh*res in this house~ there some wh*res in this house~ there some wh*res in this house~ there some wh*res in this house~"

Bonus: He once forgets to connect his headphones to his tablet before playing WAP:

[Wap is being played at max volume inside Trein's class]

Idia: *Thinks that the sound is coming from his head phones*

The classroom: "Beat it up, n*gga, catch a charge

Extra large and extra hard

Put this p**sy right in your face

Swipe your nose like a credit card"

Trein: 😳

Students: 😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳😳

Crowley about to jump down: 🤭

Idia still not realizing what the hell is going on: 'Lucy lucy baby~ hihihi- wait- why they all staring at me now...? Did they hear me internally flirt with Lucius?'

No need to say what happened to Idia after this...

Ortho Shroud

No WAP for him. You may find him reacting to "If you're happy and you know it clap your hands" if you're interested.🗿

Malleus Draconia

Thank goodness he just finds the censored version of WAP... Listens to the whole song, but doesn't understand most of the lyrics. The "Put this cookie right in your face" part confuses him the most, he doesn't get it. Why would you put a cookie in your face? Is this something humans usually to do with their desserts? Like, would they put ice cream in their faces too?

Virgin dragon keeps on asking people, including Lilia, to tell him what it means to put a cookie in one's face, yet no one seems to give him any proper answers ):

Perhaps human music just isn't his thing, he's getting back to sad violin noises which he listens to when he isn't invited.

Lilia Vanrouge

WAP go brrrrrrr. Our sassy grandpa is legit in love with this piece of gold and all of the humans for achieving such a glory. The beat is superb and the lyrics are: Delicious, motivational and creatively written.

Even better, WAP has an unofficial but smexy dance too. Old man Lilia is never too old for performing a sexy physically challenging dance.

You can now hear savage rock sounds combined with WAP playing in the background coming from his room when he's vibing in the afternoon.

(I can totally see him wearing a neko maiden costume while dancing to WAP and you can't tell me otherwise)

Silver

Finds WAP in papa Lilia's playlist...

Silver:

Silver:

Sebek Zigvolt

Sweet mother of love Sebek feels like listening to WAP has taken his virginity away-

He is a good boy, no, he once was a good boy. He's no longer the worthy man he used to be now that this unholy song has tainted his soul.

Legit feels guilty and and sinful after WAP, so you can find him praying for forgiveness to that Malleus portrait in his room every night.

"Oh young master forgive my thoughtless deeds, I beg for your mercy upon me now that I've sinned..."

Dire Crowley

Not saying that a drag Queen Crowley dancing to WAP would be a thing, but a drag Queen Crowley dancing to WAP would be a thing- Everyone bow down to the Headmaster, the most gracious of them all 😩😩😩👌🏻

Please, don't blame him. Birby is under too much of pressure after the very recent overblot cases and he needs a way to let go of the stress😔😔😔

Sam

Is illegally selling copies of the WAP because most of the dorms had blocked access to this song for the students...

"Helloooooo little demons I've got the WAP! In stuck now-"

[bigskydreaming]

You think when Jason first went to Bruce’s him and Dick had an interaction that went like this,

Jason: you don’t know what it like

Dick: Bitch I’m sorry which one of us went to juvie

LOL I get the joke and all but see, I do wanna be clear:

(And this is just in general rather than aimed specifically at you or this ask, anon).

I spend a lot of time talking about being anti-Trauma Olympics and that extends both ways. I don't want Dick perceived as more traumatized or having had it harder than anyone else in his family, just that his own traumas and hardships aren't erased or invalidated in favor of propping up someone else. At most, I'll talk about something like the Forever Evil situation and how he was 'more' the victim there than they were, but that's because that's a specific situational thing where both he and other characters' feelings and hurt in regards to the exact same set of circumstances are being compared, and I'm like, well if you're GONNA do that, you kinda gotta look at who was most directly impacted by events versus had feelings about what HAPPENED to the first person in the first place, just....conveniently leapfrogging over that dude's actual feelings about those exact same things.

But ultimately, although I'll spite-LOL about this sorta joke in response to other fans Doing the Most in the other direction, like.....tbh, I wouldn't be any more in favor of this kinda interaction in fics or canon.

What I WOULD love to see is rather than the kids being pitted against each other in a kinda pseudo competition, see them use traumas and parallel situations as a basis for common ground and building stronger bonds. Like, how much more powerful would it be if what we got instead was Jason finding out about Dick's past experiences with juvie in order to make Dick someone he feels DOES get certain things. I mean, Dick never DID experience various things that Jason did living on the street or earlier living with Catherine and Willis....but like I've always posited that in the early years Dick had a primal fear of fucking up and being sent back to juvie by Bruce, Dick absolutely would be able to understand the fears of a kid who was caught committing an actual crime by Bruce in their first encounter and feared what might happen if Bruce ever decided he wasn't worth giving the benefit of the doubt and ultimately would never be more than a criminal.

Part of what bums me so much about the direction most fics and headcanons take towards Dick and Jason's earlier interactions, is there's a huge chasm in experience, perspective and privilege between Bruce and BOTH his two eldest. That chasm is not nearly as vast between Dick and Jason themselves. Where they diverge in prior experiences tends to have a lot to do with specific situations and circumstances rather than axis of privilege. (Especially when you consider - and god I'm tired of this - how often people default to being like 'well Dick at least had loving parents' when ahem, HOW OFTEN has Jason made clear that he has very affectionate memories of Catherine because she was at times a very loving and attentive mother, and that's WHY her addiction and death hit him so hard, not unlike how the murder of Dick's parents hit him so hard BECAUSE they were loving and nurturing? Like, how often do people throw characters' own stories and canon away JUST to make the case that they have it harder than another one? Can we stop this? Forever preferably?)

But point is, there are tons of areas where Bruce just fundamentally didn't relate to Dick and never was going to be able to, because Bruce was never in a position of being at the mercy of various institutions. Bruce never had to worry about being thrown out by his guardian, Alfred, who technically worked for his family even as he raised Bruce. He never had to deal with peers looking down on him because of who he WAS rather than giving him shit for specific circumstances or events. He never had to worry about his parents or past being demeaned as worthless, he never had to balance trying to retain a sense of self without being subsumed into Bruce AND the Waynes' larger than life shadows, history, and perception in the eyes of the public.

However all of these and more are areas where Dick and Jason absolutely overlap and this could be greatly of benefit to each other, if it was ALLOWED to be. For Dick, Jason's arrival can be an opportunity for him to finally have someone who gets various aspects of growing up with Bruce that will just fly over other peoples' heads as being a problem or them having issues with at all. For Jason, Dick can be an opportunity for him to have an easier time understanding Bruce when these gaps in perception and experience appear, or making himself understood by Bruce, by drawing upon and learning from Dick's own experience trying to navigate those very same gaps between Bruce and himself in years prior.

And even where Dick and Jason's experiences diverge, there's still plenty they could learn from each other that they STILL couldn't have in common with Bruce. Like yeah, Jason - even with a loving relationship with Catherine factored in - didn't ever have the benefit of Dick's history being part of a huge communal family in the circus, and around people who were open and generous with their affection and all that.....and frankly, Bruce never had this either, even factoring in his own relationship with HIS parents. But its something that Dick could definitely impart wisdom in, that would be helpful to Jason in learning to be part of a larger community of superheroes overall, and how to interact with a bigger family that wasn't limited just to himself and his guardian or guardians....as well as helpful after their family grew to include more siblings.

And Jason did have a ton of experiences and perspective born of living on the streets and being entirely self-sufficient from a young age, with wisdom he could share with Dick there, who was MORE likely to get the benefits of that than Bruce even, because Dick did have experience with a closer mindset to what Jason had had at the time, and even if Dick's own experiences running from juvie or in Robin Year One were far more finite than Jason's ever were, there's enough of a foundation there for them to build a common awareness of major events in each other's past and like....thus be able to talk about them, unpack them with each other and not have to worry about being judged by someone who just fundamentally might not get it or understand where they were coming from when they made certain choices based on those mindsets.

And then back again, part of why it bugs to so often hear Dick's years growing up in the mansion talked about as wholly a good thing when there's no separating them from the years he spent as Robin, is because Dick has knowledge and awareness of the streets and crime that's predicated entirely on his years as Robin, that's still broader than Jason's in the sense that Jason's knowledge is limited just to his personal, more contained experiences, whereas Dick as Robin interacted with all sorts of crime and criminals and victims. And who better than Dick to learn from in regards to what its like to even BE a teen vigilante, because for all Bruce's experience as Batman, he debuted as an adult, he'll never be able to relate specifically to the fears and finer points of taking on people who are older, bigger, more experienced than you, when you're that young and small. But again, all of that requires like, ACKNOWLEDGING that Dick went through some SHIT when he was younger, and that doesn't have to TAKE AWAY anything from Jason's own hardships, but it has all the capacity in the world to ADD things to Jason's toolbox for dealing with his hardships.

But yeah, ultimately, like....it annoys me to see Dick's own experiences so often glossed over or romanticized in order to act like he's so oblivious to what someone like Jason's life was like, but more than that, it just bums me because its a waste of so much potential material and just.....erases the opportunity for so many stories that could explore actual new, uncharted territory rather than just retread the same old beats about how oh Dick is just oblivious to what REAL hardship is like but Jason gets it, see.

That's gonna get a yawn from me, lads.

[justanotherpersonsuniverse]

Demon Alya: Ladybug learns the truth

“Hold on a minute,” said Alya as she scrutinized the billiard-ball sized object on the bed in front of her. It glowed with several different shades of purple that swirled around each other just slightly faster than was comfortable to look at. “This is a very difficult case.”

Sitting next to her on the bed, Juleka stifled a giggle. “What’s your prognosis, Dr. Alya? Am I going to make it?”

Alya grinned at that. “Your soul looks mostly fine,” she said. Her tail flicked in pleasure; Alya liked it when her ‘cult’ — or, as she had learned to think of them, her friends — were doing well, and Juleka was one of the closest friends she had. Alya’s wings fluttered a little too, creating a slight breeze which blew a few strands of hair into Juleka’s face. Juleka blew them back with a mock-grimace while Alya chuckled and then continued. “No blemishes or spots that I can see. Just a little agitation. And as for what might cause that…” An idea came to her. “Are you planning on asking Rose out later?”

Juleka blushed, her skin reddening to the point where it almost matched Alya’s devilishly-red hue, and the colors in Juleka’s soul began swirling even faster. “Maybe,” she admitted. “I’ve been, um, trying to build up the courage for a week or so, but it’s hard.” Her hair drooped over her face, and this time she didn’t try to push it back. “She’s so amazing,” Juleka went on. “And I’m—“

“Also amazing,” Alya cut in. “And I’m not just saying that because you’re the best high priestess ever. I know that Rose likes girls who are kind, compassionate, wise, and have a strong moral code—and you’re four for four. Forget that prohibition against angels dating humans; if you ask her out, I’m certain she’ll say yes.”

Juleka smiled a little, but she said, “Everything you say makes sense, but I just have trouble making myself believe it. It’s hard to feel it, you know?”

“Yeah,” said Alya, thinking about one of her other friends. She’d been hanging out at Marinette’s house a couple hours ago, listening to the girl excitedly detail the pastries she was going to make for a charity bake sale, and she’d found herself wondering once again if she could risk revealing her true identity. It would be so easy to let her demonic veil fall and show Marinette her true form, and surely Marinette was kind enough and non-judgmental enough that she’d be able to see past the horns, wings, flickering tail…

But if she wasn’t, if Marinette panicked at learning that Alya was a literal demon from Hell, then the friendship would be over. And Alya couldn’t risk that. Even if Marinette didn’t do anything else (like call Ladybug to banish Alya back to Hell for the next few eons), Alya would be devastated to go through her time on Earth without being able to call on her best friend. And so Alya had once again decided the risk wasn’t worth it, no matter how much she yearned to be able to tell Marinette about her true self.

But even if she couldn’t solve her own problem, she was sure she could help her High Priestess. “Let me try,” said Alya as she cupped Juleka’s soul in her hands. “I think I can calm your soul enough that you can at least ask Rose without panicking halfway through.”

“Thanks,” said Juleka with gratitude in her voice. Alya could tell that she’d been worried about losing her nerve at the worst moment. 

Alya focused on Juleka’s soul, reaching out with her demonic senses until she could feel Juleka’s love-fueled agitation. Then she began to exert her will on it. “Yield to me,” she chanted in quiet Latin. “You who have entrusted me with your soul, yield and let me calm you…”

After a few minutes, the colors in Juleka’s soul slowed down a little, and Juleka took a breath. “I feel better,” she said as a smile crept across her face. “Seriously. Thanks.”

“No problem,” said Alya as she continued to focus on Juleka’s soul to make sure no traces of agitation could remain and screw things up for her later.

“I’ve been meaning to ask,” Juleka said. “You told me that demons usually use their soul-influencing powers to torment the people whose souls they take, as part of their torture. You know, like making them fanatically loyal and ready to sacrifice everything else for their demon, or driving them into fits of rage, or things like that. But you use your powers to make me and the other people in your cult feel better and be more functional. Do you have different powers than other demons? Could other demons act like you if they wanted?”

“They could; my powers aren’t unique to me,” said Alya as she inspected Juleka’s soul again and noted that it was now in perfect order. “After all, any of the things I’ve done for you guys could be used to hurt someone. Take right now: I just calmed you down, and that’s good, but another demon could calm the soul of a soldier to mellow him out so much he couldn’t be roused to defend his position, resulting in the bad guys overrunning it. Or look at yesterday. Aurore was still feeling a grudge against Mireille for beating her to get that TV job, and she asked me to help her get over it so she didn’t get angry whenever Mireille was on TV. I was able to use my influence over her to make her more forgiving and remove that blemish in her soul, and everything was fine. But another demon could do the same thing on a judge so that judge decided to ‘forgive’ criminals and release them, even knowing they were going to commit more crimes.”

Juleka inclined her head. “I see. But I guess most demons stick to the more obvious types of harmful influence? Making people angry, or greedy, or things like that?”

“Yeah,” said Alya. “The seven deadlies are classics for a reason. They usually work for tempting and damning people, and they don’t require a lot of knowledge—make a human really angry and he’ll usually commit a sin. So they’re useful for demons who aren’t interested in humans, the ones who just want to bag their quota of souls and go back to Hell.” She grimaced. “But those demons are idiots. And the idea of squishing all humans down to being a bunch of angry, greedy jerks is just… it’s ridiculous.” She shook her head. “I mean, I was taught otherwise and I even believed that at first when I showed up here, but that crumbled as soon as I met actual people.”

“Specifically, Marinette,” Juleka noted.

Alya blushed a little, but said, “Not just her. So many of the humans I’ve met are amazing, and I’d rather help you be the best humans you can be than turn you all into a bunch of psycho cultists. Yes, there’s humans who are already awful, and I’ve got no problem yanking their souls and doing all the traditional devil stuff to them. You guys heard what I did to that exorcist who tried to banish me, I’m sure. But corrupting someone like you, or Mylene, or Alix… taking away what makes you girls unique so you can become yet another generically-terrible person… that would just be wrong, no matter what my bosses say.” She paused. “If you girls are in my cult, if I’ve got your souls, I want to use that to help you. Not torment you.”

“Well, you’re a pretty amazing demon yourself,” Juleka said. “And we appreciate that.”

Alya beamed at that. “I do try,” she said in a faux-haughty voice. “And as long as my high priestess continues to supply me with regular deliveries of Dupain-Cheng pastries and anime to watch, I’m sure I shall continue.”

Juleka laughed, then stilled herself while Alya picked up her soul and gently pressed it against her chest. After a moment the soul slid in through Juleka’s shirt and body, and Juleka gasped slightly at the now-recognizable (but, somehow, never totally familiar) feeling of suddenly being more ‘herself.’ Once her soul was back inside her, she let out a happy breath and said, “I really do feel calmer now. Thank you so much, Alya. I think I can ask Rose out without panicking.”

“Well, if you need any help, you know who to call.” Alya hopped off the bed and stretched, her wings flaring out and her tail flicking backwards to poke Juleka’s nose. Juleka giggled and playfully flicked at it, and it recoiled for a moment only to dart in and begin tickling her under her chin. Juleka quickly dissolved into helpless laughter.

Alya glanced back and smirked for a moment before laughing herself, and it took a moment before either of the two girls could stop. Then Juleka managed to get up, a silly grin still on her face. “I’ll look over the souls,” she said as she motioned to the large shelf where Alya kept the now-considerable number of souls from her ‘cult.’ “See if anyone has any new blemishes or spots.”

“Just don’t mix them up,” Alya said. “I remember the last time my little sisters got in here and put them all out of order, and then when Mylene needed her soul back for the day so she could go to church, she accidentally got Chloe’s soul and spent the whole service calling the priest ‘ridiculous’ because he kept asking for donations to buy fancy artwork for the church but wouldn’t commit to using any of the funds for actual charitable causes.”

“I won’t,” said Juleka. She went over to the shelf and began looking at the souls. First was Chloe’s, which was yellow and orange and vaguely spiky (though the spikes were gradually shrinking as Alya and the others worked to bring the prickly girl out of her shell). Then came Alix’s, which was pink and almost vibrating with energy, to the point where it actually bounced if dropped or tossed against a wall. (Alya knew this because Alix had idly tried to dribble her soul one day, and it had bounced around the room until it bonked Alya in the head, at which point Alya had instituted a no-dribbling-souls policy). Next was Nino’s, a gentle blue ball in a comfy little doll bed and had tiny headphones playing Nino’s favorite music. And so on, down the line.

While Juleka looked over the souls, Alya gathered up a few dishes and went to put them in the kitchen. Technically, it was the job of her cult to do any chores that she needed done — and it was Juleka’s job to manage the cult and make sure that happened — but Alya didn’t feel comfortable making them do that. Besides, Marlena would get mad, and—demon powers or not—Alya knew better than to disobey her.

Alya entered the kitchen as she idly whistled a tune she’d heard on the radio. Her little sisters were over at Nino’s house, which meant that there should have been nobody in the house who didn’t know that she was a demon, which meant she didn’t need to bother with her veil. As such, she was in her full demonic appearance, with red skin, horns, wings, cloven feet, and a flickering tail as she rinsed off the dishes.

And then, when she turned around, she saw Ladybug staring at her.

For a few moments Alya didn’t believe it. Then her mind almost crashed as she realized what was going on — that one of the superheroes, someone who wielded the power of the kwami and was more than capable of banishing her to Hell for half an eternity, knew her true nature — and scrambled to find a way out of it. But none came to mind. Ladybug was staring at her, Alya Cesaire, in her demonic form. 

A half dozen potential options for escape flitted through Alya’s mind, but none survived a second of scrutiny. Ladybug was fast, strong, fiendishly clever, and she could summon magic objects which always somehow managed to be whatever she needed to catch her quarry. Then Alya thought if there were any possible ways to fight Ladybug and win — if she could throw Hellfire, or Whisper distractions, or draw on her cult — only to dismiss those ideas too. This was Ladybug. She couldn’t win a fight against her. And besides, even if she somehow did, that would leave Paris defenseless against Hawkmoth. It would leave her cult—her friends—without protection from that lunatic.

And so Alya didn’t run or fight. She just lowered her head and whispered, “Please don’t banish me…”

“I wasn’t going to banish you,” said Ladybug.

Alya blinked. “You weren’t?”

Ladybug shook her head. “If I was, I wouldn’t have waited for you to notice me,” she pointed out. “I’d have zapped you from a neighboring rooftop.” A slight smile appeared on her face. “You’ve fought alongside me for how long, Alya, and you think I’d give someone a free shot?”

Despite everything, Alya couldn’t help giggling. “No, you don’t usually subscribe to the ‘that akuma needs to have a fair chance of killing me or else it’s not honorable’ school of thought. You’re more about wanting to win.”

“Damn right,” said Ladybug, which made Alya smile a little more. Ladybug returned a smile of her own, though it quickly faded. “So no, I’m not here to banish you. But I do want to talk to you. I need to know what you’re doing in Paris. And if you’ve…” She took a breath. “If you’ve done anything that, as a hero, I would need to correct.”

Alya nodded, but then something occurred to her. “You don’t seem surprised that I’m, uh, who I am,” she said. “How long have you known?”

“About two weeks,” Ladybug said. “Do you remember how Mayor Bourgeois signed that law to bulldoze that forest preserve and put up a shopping mall?”

“Yeah,” Alya said. 

“I knew that a local girl named Mylene cared a lot about saving the park, and I was worried that she might get akumatized once Bourgeois crushed her hopes,” said Ladybug. “I went to her and found her just in time to see one of Hawkmoth’s butterflies touch that pin in her hair. Before she actually got akumatized, though, I could see her trying to fight it off. And I could… sense, I guess… something helping her. Something was trying to keep her calm and urge her to fight off Hawkmoth’s promises.

“Whatever was helping her, it was able to keep her from giving in for long enough that I was able to get to her, smash the pin, and purify the akuma.” Ladybug shrugged. “She thanked me and said she felt better, but I could tell she was still a little tense, and that whatever was helping her was still influencing her. So I tried to follow that magic, and it led me to your apartment, where I looked in through the window to see… well, to see you, looking like that, holding a lilttle rainbow-colored ball and chanting something at it.”

Alya frowned as she thought back. “Wait a minute,” she said after a moment. “Two weeks ago, right? I remember. I was home when I saw her soul begin flashing red and vibrating, like something was attacking it. So I tried to calm it down.” Then, despite everything, a tiny smile spread across her face. “You’re saying I stopped her from being akumatized?” she said. “I didn’t even realize that was happening, but… I’m glad I was able to help.”

Ladybug nodded. “You did. But Alya, I need to know why. I talked to my kwami afterwards and she said this isn’t normal for demons; they don’t usually stop destruction in the human world unless there’s some ulterior motive. But you did stop her. So: why?”

Alya hesitated. “I mean, Mylene’s one of mine, you know? She’s in my cult and she’s my friend. I have to look out for her. I don’t usually like messing with my cult’s souls without their permission, but if one of them’s about to self-destruct, I can’t just sit back and let that happen.”

“Why not?” pressed Ladybug. “Isn’t that why demons come to Earth? To lead humans astray, get them to sin, and ultimately take their souls to Hell?”

Alya’s mouth opened but no sound came out.

“Alya,” Ladybug repeated. “This is important. If there’s some weird demonic plot going on, then as the protector of Paris, I need to be aware of it so I can derail it.”

“I know, but… I don’t want you to think less of me,” said Alya softly. “You’re an amazing hero and a good friend.”

Ladybug smiled a little at that, then went to Alya’s side. “I don’t want to think less of you either,” she said. “And I promise you, whatever I think, it’s not going to be influenced by your species. So just be honest with me, Alya. Tell me everything.”

Alya paused, again torn. But she finally said, “Okay. I will.”

The two girls sat at the kitchen table and then Alya said, “When I first came to Earth, it was exactly like you said. My job was to collect souls and that’s all I cared about. I figured I’d just find people, tempt them, grab their souls, and move on. That’s what most demons do.”

“So what changed?” Ladybug asked.

Alya blushed a little. “You might think this is stupid, but I met someone. This girl in my class. Her name’s Marinette Dupain-Cheng.”

Ladybug froze, though Alya didn’t understand why. She was pretty sure Ladybug knew Marinette; after all, Marinette had used the Mouse Miraculous once, which presumably meant Ladybug had given it to her. Then Ladybug shook her head. “What about Marinette?” she asked.

“She was so kind to me,” Alya said. “I was new to the human world, I didn’t have any friends or connections, but as soon as I got to school—that was my cover, I was a local student—she befriended me and helped me fit in. And… look, I know humans are nice to each other a lot, but in Hell, that never happens. Everyone’s always out for themselves. The only reason someone down there would help me is so I would owe them a debt or a favor. But Marinette was just so compassionate, so kind, and she genuinely didn’t care about being paid back.” Alya smiled a little dreamily. “She was amazing. And she made me want to… to be different.”

“Different how?” Ladybug asked, still seeming slightly stunned.

Alya shrugged. “She’s the kind of person who can… inspire people to live up to her example, I guess. At least, she inspired me that way. I loved her kindness, the way she so obviously cared for me and for others without worrying about herself, and I found that I wanted to be like that too. I wanted to keep feeling the way I felt when Marinette was kind to me, or when I was kind to her. And also, the idea of doing the standard demon thing, of using twisted magic to warp some innocent person into committing a heinous sin so I could seize their soul… it didn’t feel right anymore. It felt awful. Cruel. I couldn’t bear to be like that, not after having experienced real human kindness.” 

“So m—Marinette’s kindness helped convince a demon to stop tempting people?” Ladybug asked.

“Yeah,” said Alya with a little chuckle. “Seriously, if you haven’t met her, you should. I think you two would be amazing friends.” Then Alya paused. “But, um, it wasn’t just Marinette. I don’t want to sound like a stalker or something. I made other human friends too and they also helped me be better.”

Ladybug seemed to shake herself, as if breaking out of a stupor. “So you don’t take souls for your bosses?” she asked.

“I do,” Alya admitted. “But only people who have already committed serious sins. Criminals and the like, especially the ones the police haven’t caught yet. I get their souls so I can fulfill my quota and stay up here on Earth, and I don’t mess with them too much. Mostly I just influence them so they won’t work with Hawkmoth by making them too despondent to respond to his summons, or too paranoid to trust his promises, or other things like that.”

Ladybug blinked. “Wait, that’s you?” she asked. “So that’s why Hawkmoth never worked with felons and why he’s just picking random people who happen to get mad one day! I would have figured they’d be the most likely to join him! That makes a lot more sense than my prior theory.”

“What was your prior theory?” Alya asked.

“That Hawkmoth is an idiot,” Ladybug said.

Alya couldn’t help giggling at that. “Well, he did summon Mr. Pigeon dozens of times, so that wasn’t a bad theory,” she joked. “The man is not as smart as he thinks.”

“Nope,” Ladybug agreed. “Seriously, I mean, the guy has total control over the powers he gives people, and yet half of them are useless. What was Reflektra even supposed to do? Make us look ridiculous while we kicked his butt? How does that help him?”

Both girls laughed before Ladybug brought the conversation back around. “If you’re really just targeting people who have already committed serious crimes—and making sure they don’t commit more—then that’s one thing,” she said. “But I do know you’re collecting the souls of others as well, like Mylene. Why is that?”

“To make sure other demons don’t get them,” Alya said. “I’m not the only one here. And I can’t tell you who the other demons are—literally, I’m under a demonic geas that will set me on fire if I say their names to someone who doesn't already know them—but I can tell you they’re a lot worse than me. The other demons have no problem at all with warping innocent people into Hellbound monsters. But if I get the souls of my friends first, the other demons can’t lay their claws on them.”

“Hmm.” Ladybug gave Alya a long look. “I imagine you had to trick these friends into losing their souls at first.”

“Yes,” Alya admitted. “Some made deals—Mylene wanted me to resurrect her pet ferret, for instance--but others, like Alix, lost bets or fell into a minor temptation I set up. I didn’t love doing that, but if I hadn’t, they’d be in the clutches of a far worse demon.” She shuddered at the thought of what Lila would have done. 

“Now that they know the truth,” Ladybug went on, “If these friends wanted their souls back so they could leave your cult, would you let them?”

Alya hesitated. “It hasn’t come up,” she admitted. “They aren’t hurt by losing their souls, except that they can’t go into churches or do a couple other ‘holy’ things. And I don’t use my power over their souls to make them worse. I try to help them when they ask for help, instead.”

“Even so,” Ladybug went on. “If Mylene went to you tomorrow and said she wants out, what would you do?”

Alya was tempted to just lie and say that of course she’d return Mylene’s soul, but she had a feeling Ladybug would be able to sense that. So instead she tried to give the question as much thought as she could to come up with her honest response. “I’d be worried about her, and I’d try to convince her otherwise,” she said. “But if Mylene was adamant, I’d give her soul back. Some demons treat their cults like slaves or prisoners, but I can’t do that.”

“Because Marinette would disapprove?” Ladybug asked.

“Not just that,” Alya said. “Maybe for the first few days after I met her, but I’ve moved past that. My ‘cult’ are my friends and I wouldn’t keep them against their will.” She let out a breath. “But again, it hasn’t come up. Honestly, I think they like knowing that if something goes really wrong and they become upset or angry, there’s someone looking out for them who can calm or polish their souls. Especially Chloe. Her mother is… not great, and Chloe has panic attacks when she’s around. She was really happy when I said I could monitor her soul and try to soothe it when her mother came to visit.”

Ladybug carefully considered that. “You wouldn’t mind if I didn’t just take your word for it, right?” she asked. 

“I can give you a list of the people in the cult,” Alya said. “You can ask them for yourself. Plus my high priestess Juleka; I don’t keep her soul on my shelf, since she’s got both warlock and paladin powers to defend it with—long story—but she'd be happy to talk to you about what I'm like.”

“Thanks,” Ladybug said.

The two were silent for a moment, and then Alya asked, “So… what now?”

“Well, now I need to talk to your cultists,” Ladybug said. “But assuming they verify what you said… I don’t see anything here that I’d need to banish you for. As far as I can tell, you really are trying to be a good a friend, and you’re doing a good job of it too. As long as you don’t take any innocent souls, and you don’t do anything abusive to your friends in your 'cult,' I don’t need to get involved.”

Alya felt a wave of relief rush through her. “Thank the Devil,” she breathed. “I’m glad.”

Ladybug smiled. “Out of curiosity, is being banished that bad?” she asked. “My kwami said it’s not permanent and you could come back once the spell wore off.”

“That could take centuries,” Alya said. “All the humans I knew would be dead by then. I couldn’t bear to lose them, especially Marinette.”

“Maybe you could see her after she dies,” Ladybug noted. “Her soul has to go somewhere, right?”

“It won’t go to where I’m from,” said Alya at once. “Seriously, I peaked at her soul once when I was sleeping over at her house and…” She smiled wistfully. “It was so incredibly pure… the purest I’d seen. No, she’s Heaven-bound for sure, and I won’t be able to see her once she dies because I’m not allowed up there. So I just… I want to make as much of my time on Earth with her, and all my other friends, as I can.”

Once again, Ladybug didn’t seem to know how to respond for some reason. Alya, though, thought of something else she really needed to say. “Speaking of Marinette,” she said. “I… look, I loved having the chance to help you fight Hawkmoth as Rena Rouge. I’d give anything to be able to do that again. But if you can’t trust me because of… of this…” She gestured at her horns and tail. “If you need a replacement, I’d suggest you look at her. The girl’s heart is so pure I can’t imagine Hawkmoth ever corrupting her, and not only is she strong, but she’s incredibly clever. Trust me, she’d be a great hero.”

Ladybug’s cheeks colored slightly. “Thank—I mean, I’m sure she’d thank you if she’d heard that,” she said. “But like I said, unless I learn that something you told me wasn’t true, I don’t see any reason to take your powers away from you. I’m happy to have your help in the battle against Hawkmoth. In more ways than one, apparently.” She smiled. “In fact, once you give me the list of the people whose souls you have, if I learn that one of them is getting upset or is likely to get mad about something, I hope it’s okay if I text you and ask you to check on their souls.”

“Of course,” said Alya at once. “Anytime you need.”

Ladybug nodded. “You’re a good friend, Alya,” she said. Then she turned on her heel before pausing. “Ah, one more question. You said you took your friend’s souls to protect them. Why not Marinette’s? You don’t have her soul, right?”

“No, I don’t,” said Alya. “I thought about it, because I know there’s other demons who would love nothing more than to corrupt someone as pure as her. But I…” She hesitated. “If I took her soul, she’d know what I really am. And I can’t bear the thought of her rejecting my friendship over that. She’s… she means a lot to me.”

“I see,” said Ladybug. “Well, I won’t spill your secret, but I’d encourage you to tell her. I know her pretty well, and trust me: she might surprise you.”

Alya smiled, though inwardly she wasn’t sure if even Marinette could be that tolerant. Still, though, Ladybug’s word had a lot of weight. “I’ll keep that in mind,” she said at last. “And I’ll also keep a close eye on Marinette. I might not have her soul, but if I see demons moving to attack her I’ll do everything I can to hold them off. And I’ve got my paladin/warlock high priestess to help, plus this angel I know. We should be able to keep her safe.”

“An angel?” Ladybug repeated. 

Alya grinned. “Yeah. I know demons and angels aren’t supposed to get along, but this one’s cool.”

“I don’t suppose Marinette influenced her too?” Ladybug said in a teasing voice.

“Marinette seems to influence everyone for the better,” Alya said. “Marinette will never know it, but yes, I think the angel is happy to know her too.”

“Why won’t Marinette know it?” Ladybug asked. “Are angels not allowed to reveal themselves?”

“It’s more that they only do so if they’re smiting an evildoer, or if they need to save a human from temptation,” Alya said. But Marinette’s so pure that she’s not really in any danger of that, so I don’t think she’ll be getting any angelic intervention unless she spontaneously gets tempted to rob a bank or something.” She giggled. “Which really isn’t like her.”

Ladybug laughed too, though she seemed slightly disappointed for some reason. “I need to get going,” she said. “I’ll see you later, Alya. Thanks again for all that you do.”

Alya waved as Ladybug launched herself back out the window. Then, feeling a bit overwhelmed, she went back to her room to tell Juleka everything.

——

The next day, Alya found herself invited to the Dupain-Cheng bakery. “Hey, girl!” said Alya as she walked inside. “What’s up?”

“Alya!” Marinette said. She ran over and exchanged hugs with her best friend. “I just came up with some new pastries and I wanted you to be the first to try them!”

“Anytime!” said Alya. “What’cha got?”

Marinette took a few pastries off the shelf. “This one here is a Mexican chocolate cake,” she said. “I remember you saying you liked the spicier pastries, so I made it with a little cayenne pepper. Please, try it!”

Alya bit into the cake and grinned as the fiery sweet flavor danced over her tongue. “This is really good,” she said. “Seriously. And—“

“Oh, there’s also this other one,” said Marinette suddenly. She took down a donut. “I wanted to get back to my roots a little,” she said. “But I also wanted to make something you’d like. So this is a cinnamon donut with green and red chilis, the sort you find in Hunan cuisine.” She handed it over. “What do you think?”

Alya tried the donut and gasped, because it was possibly the best thing she’d ever tasted. The sweetness matched the peppers perfectly. “This is amazing,” she said. “Damn, girl, you know how to bake. Although, I thought you said you guys weren’t working too hard on developing spicy pastries because your parents didn’t think they’d sell well?”

“I’m going to prove Maman wrong about that,” said Marinette firmly. “Because people who enjoy spicier deserts should be able to get treats they love, just like anyone else. I’ll make spicy treats that are so good they sell just as well as everything else we’ve got.” 

Alya blushed. Marinette really was one of the kindest people around, she thought.

“Besides,” Marinette went on, “even if these didn’t sell, it’d still be worth making some for you. After all, you’re my best friend.” She moved closer to Alya. “You’re an amazing person and a wonderful friend,” she went on. “I don’t think anything could drive us apart.” She gave Alya a quick hug. “Maybe I don’t tell you that enough, but it’s true.”

“Um.” Alya wondered if Ladybug had maybe hinted to Marinette about some of the conversation they had. “Right back at’cha,” she said. “I think you’re a great friend too.”

Marinette smiled.  

Alya hesitated, on the verge of asking Marinette to go somewhere private so she could remove her demon veil… but she still didn’t feel quite confident enough. Someday, she thought. But not just then. “If I”m so great,” she said, “maybe you could let me have a few more of these?”

“Have the whole tray!” Marinette chirped. “But one thing in response: the concentration of chilis is slightly different in each one, so I need you to rank them. That way I know which one is the best one!”

“You’ve got it!” Alya grinned and reached for another donut. She was truly blessed, she thought, to have a friend like Marinette.

——

Later that evening, Marinette was in her room with Tikki, trying to relax after a long day of helping her parents in the bakery.

“I’m just saying, Tikki,” Marinette said quietly, though her voice was light and she was clearly joking. Well, mostly joking. “It would just be one bank. I might get to see an angel, and then I could give the money right back!!”

“No, Marinette,” said Tikki in a stern voice.

“It could be a bank owned by bad people!” Marinette went on. “It—“

“No, Marinette,” Tikki repeated.

Marinette smiled softly. “I guess you’re right. But I hope I get to meet that angel anyways.” She blushed. “I can’t believe that I convinced a demon to be good.”

“You’re a very special person, Marinette,” said Tikki. 

Marinette grinned before settling back on her bed. The idea of having helped to make Alya the amazing, compassionate warrior for good that she was… well, it was stunning. It made her feel really good. 

Of course, as Alya had explained, there might be such a thing as being too good. “What if it wasn’t a bank, but it was just some jerk like XY?” Marinette asked. 

“Marinette!” Tikki complained before tossing a pillow at her. “No sinning just to meet an angel!”

Marinette giggled. “I know,” she said. “Still, it’s fun to dream.”

Across the neighborhood, Alya was also dreaming. “Someday,” she promised herself as she thought of telling Marinette the truth. “I promise.”

“Hey, Alya,” called Juleka from across the room. “We’re about to start the show. You want in?”

“Sure!” Alya said. She scurried to the couch and slid down between Juleka and Mylene. And then she settled back to watch the show with some of her best friends in the world.

-------

AW THAT WAS WONDERFUL

I loved that thank you!

Just imagining this is how the akuma charms are made, via Alya being a smart cookie and smart soul user. That was just so delightful

[inlustrissss]

Puzzle to solve

Puzzle to solve

Death Note: L Lawliet x fem!Reader

Warnings: “spoilers”? If you haven’t watched DN, mentioning of death, some slight angst but a bittersweet ending... maybe?

summary: When the greatest detective L was feeling that his life is coming to an end, he recognized his last seconds were like a cheesy book would describe it: his life flashed before his inner eye and recalled his first meeting with his lover, as she was the last thing he had seen

My requests are open!! submit here .

“Making money off of your niece with her intelligence?” 

The moment she had decided to help her beloved, (Y/N) knew what she was getting herself into. It was the first topic every night when the investigators parted ways and only her stayed behind to enjoy a little bit of privacy in their lately secluded relationship. It hasn’t been this dangerous since the Los Angeles BB murder case.

“Yet she isn’t intelligent enough so you plan on combining our abilities?”

While Watari was on the line with the investigators who had gathered in front of Ryuzaki, the main head of the Kira case.  “Wait Ryzaki!”, said Aizawa, one of the members of the Japanese Task Force, the very organization to catch Kira. “It does sound a little bit off and dangerous Ryzaki.. another humans life is at stake.”, said (Y/N) calmly as the delicate hand got a grip on her chin, thinking about what plan the detective just proposed. “What does it even accomplish?!”, yelled the same male at the pale man who sat in front of the computer screens. 

“Obviously, to see if the notebook works.”, he answered. His plan was to pick one criminal who was scheduled for an execution and write their name into the Death Note. “Watari, I want you to contact a leader of a country who would agree to this.”, Ryuzaki stated calmly into the microphone, awaiting his butlers response, although nothing came. The only sound that came through the speaks flying into the ears of the investigators was a loud crash- “Watari?”, asked (Y/N) with concern lacing her voice, eyebrows furrowed she takes a step forward.

“Would you still like to meet her, L?”

“Watari what’s wrong, answer us.”, stated Ryuzaki in a low tone, although he as well was concerned for the man he knew almost his whole life.  One thing led to the other and- “Data deleted?”

“What’s going on!”, asked Matsuda as he stepped forward too, to get a better look at the situation unfolding before everyone.  All of the screens in front of the Task Force read “All data deleted.”, were the computers perhaps corrupted? No, this can’t be.

Ryuzakis head lowered, his long and soft dark bangs falling into his face. “No, this can’t be-!”, almost dropping the act, (Y/N) stopped herself. Even in situations like these, she cannot afford to risk her life and give away her true identity, even if something had happened to her beloved uncle.

Luckily, (Y/N) lover and partner in crime beat her to it, cutting her off by an explanation and confirming her dangerous train of thought: “I told Watari to delete all the possible files he can delete if something would have ever happened to him.”, his eyes growing as colder and fixated as a rock on the screen reading the letters, “If something would’ve happened to him.. you don’t mean that he could’ve died, do you..?”, asked the usual cheerful Matsuda carefully.

“H-hey, wait a second-”, stuttered Aizawa as he was glancing around the room, (Y/N)s ears perked up, “where is the Shinigami?!”

Taking a spoon, ready to dive into the plate full of sweet chocolate cake, Ryuzaki spoke up, “Everyone, the Shinigami--”, but before he could continue his sentence, he stopped in his tracks, sucking in the air sharply, making (Y/N) turn around quickly, as if a lightning had forced itself through her veins.

It was silent, “Ryuzaki..?”, asked Matsuda quietly.

L’s grip loosened as the cold spoon softly made its way out of the grasp of the males slender, pale fingers before meeting the ground harshly. A few seconds in and soon L’s body had followed the spoon, right about to hit the linoleum floor. 

(E/C) orbs widening, seeing her lovers figure fall, she acted quickly, catching up to L’s body and falling with it, only to land in Lights- “L, what’s wrong- hey!!”, she started, softly yet harshly at the same time touching L’s cheek.  Her heartbeat quickening, “Answer me, damnit!”, she said as she tried to shake the man back into consciousness, yet he wouldn’t come back.

All that his onyx eyes caught on to were the ones of the most beautiful woman in his life.

“Yes.”

“Would it be alright if I’d bring her around tomorrow by 8?”

“Yes, mister Wammy. I will make sure to be free of any cases.”

“L don’t you dare to joke around, wake the hell up!”, switching back and forth to japanese and english, (Y/N) called out to L. He on the other hand hadn’t found the strength to respond in any form- he didn’t feel pain, strangely enough, he couldn’t feel anything.  Thoughts clouding his mind he couldn’t decipher which was real and which were memories of his life. He heard the voices of the Task Force, Light, Watari, (Y/N)- it was all a mix, echoing in his head. Feeling a certain wetness on his face, like a gentle and warm rainfall a piercing scream was heard.

“Uncle Quillsh, will we go meet the boy you were telling me about?”, setting down her teacup, the little girl smiled as Quillsh Wammy answered with a ‘Yes Miss (Y/N)’. “We will leave today?”, another yes and another excited giggle: “So this is why you made me dress up this fancy.” Letting her short legs dangle down the seat, she let her uncle Quillsh finish up tying her hair neatly into two cute ponytails, before jumping down and taking his hand into hers.

“Why do you think am I suited as his partner, uncle Quillsh?”, asked the smart seven years old. The old man only chuckled at his niece curiosity, “I am almost certain you will get along quite well with L.”

Opening the door to the mansion he left the orphan to solve ‘puzzles’, as he’d like to call it, he lead his little niece inside. “With your outstanding knowledge about human emotions, I’m sure it will be easy for you to keep the little guy in check.”

“In check you say...”, pouting at Quills choice of words, too lazy to attend to more work than the investigations the little girl had to go through under her alas. Waiting for a response after they had knocked on to a door leading to the detectives room, the little girl wondered: would he be another puzzle to solve? Not that she didn’t mind, just like the mastermind himself, she loved the difficulty. But humans are sure far more difficult to deal with.

Stepping inside the room, she noticed a boy sitting in the middle of it, in front of a seemingly uncountable number of computers. “Good morning, L.”, said Quillsh, “This is my niece, (Y/N)”, gently pushing her into his direction, the boy didn’t mind to turn around. He didn’t say anything, but that never necessarily meant that he wasn’t interested into something.

One simple look at the little boy was enough for the girl to determine, that he actually wasn’t as hard to solve as she thought he would be. She wouldn’t even have to keep up with his intelligence, for some reason, that she can not explain, had an easier time than anybody else to read the mononymous person L. He seemed emotionless (that’s how Quillsh would describe him as) but he was still human after all. 

As the silence grew, L slowly turned around, wondering why she hasn’t spoken up- that’s how girls usually are right? Not like he would know though, he never had a friend. 

Th darkest sets of eyes, circled by an unhealthy dark tone met up with beautiful (E/C) globes. 

Yet it wasn’t for her beauty that sparked his interest, it was her unique nature.

He secretly cursed himself in those 40 seconds that he was not able, in his whole life, to ask this very girl- this woman- to be his wife.

“Please, (Y/N), calm down..!”, one of the investigators tried, yet Light only dismissed them. Maybe for his amusement to continue watching his enemy squirm, but something stirred inside of him.

Gently gazing intently into her visage, it was like L was just laying there, untouched by the deaths kiss. But now he was gone, and yet here she was, her  puzzle left unsolved.

[postmodernmulticoloredcloak]

I decided to watch the Walker pilot so you don’t have to. #2

Because I don’t love myself enough, I guess. Let’s continue.

Recap in case you missed the first part: it’s boring, Jared acts like he stumbled on the set and never heard about it before, Texan law enforcement must wear very pristine shirts and cowboy hats or they will die, I guess, the cinematography wants to be good but I’m not sure it knows how to do it.

The last thing I mentioned in the first post was Jared doing a thing with his mouth but I think you need to see it. It’s basically the extent of Jared’s acting in this show. I had nothing against you, man, I swear. I even got your autograph once. I’m not a hater. I’m just looking at him...

THE TITLE CARD! I had paused the episode riiight before the title card. You have to witness it in all its embarrassing glory

Whose idea was it??

Some shots of the city of Austin. Walker and Martinez (Mexican Lady Cop) are having lunch. She says she’s heard about him, he asks what she’s learnt, she says, I textuallty quote, “I hear you are the edge of the coin”. Again, we are not allowed to have any kind of slight metaphor without the dialogue slapping us in the face with it.

“Not head or tail, just... your way” Jared didn’t even come up with the metaphor in that interview, it was in the script. Unless he came up with that line, which isn’t even a good line.

She basically tells him not to get in the way of her career. Being a Mexican-American cop is hard! Such deep commentary.

They start discussing the case, which I had already forgotten about. The cop who was slightly assaulted and won’t talk about it. “Maybe whatever was in that truck spooked him enough to abandon his oath” maybe it was a monster. god I wish it was a monster so that’d mean I’m watching Supernatural and Jensen is in it. The “oath” thing is kinda icky, like they want to remind us that being a cop is a noble path. It is in some places under some conditions. But we’re talking about Generic American conditions.

He’s like “let’s use the traffic cams to see if we can see something” and he slips right into his Sam tone. Admittedly that’s a Sam kind of thing to say.

It was day, and now it’s night. Walker house. He arrives when his family have already started dinner. Except the daughter isn’t there, she’s out with a friend. “Isabel, some Mexican girl” Walker’s father calls the friend. “Mexican American, dad” the gay brother corrects him, a deep and interesting commentary on ethnicity in the United States, we’re weeping with emotion.

Walker apparently isn’t happy that his mother has enrolled his daughter in a Catholic school, his father snaps back at him. We don’t care. We’re not emotionally invested in any of this.

There’s some awkward dialogue because he mentions the daughter playing basketball, but she’s switched to soccer. Wow, it’s like she’s become an entirely different person in those eleven months he was undercover! Can you believe? Apparently she used to play soccer before, she’s come back to it. Whoa. She’s an utterly unrecognizable person now, it’s going to be so hard for Walker to get to know her again from scratch. Can you believe?

Then he gets a call. He needs to pick up the daughter from the police station. He does some Jared awkward faces and leaves.

The daughter (Stella) was at a party and was arrested for possession. I miss when possession meant demonic possession. Dramatic music plays. She’s there with the Mexican American friend, whose parents arrive and he starts a speech on how they should get to know each other better. It is so not the right context to start making friends. “Epic first meeting” Isabel says. “I’m so sorry, this is so embarrassing” Stella says. “For who?” Walker quips, like a normal person does.

He’s like, let’s go, and the girls hug, which is the only believable expression of affection I’ve seen so far in the episode. Can’t the story be about Stella and Isabel?

Father-daughter conversation in the truck. Apparently we have emotional moments in cars, which we have never seen on television before.

He asks what she was thinking, she’s like, duh what do people use drugs for. She calls him out for disappearing completely. She mentions how it was bad enough that they didn’t have mom. He says “we both got to stop acting like she’s gonna come back and put us right” which makes absolutely zero sense. It’s like someone wrote it on a note for how to develop the characters and they just decided to slap it into the script of the pilot. Remember these people haven’t seen each other for eleven months, he left shortly after his wife died. They didn’t have the time to process the grief together, why is he even saying that line here?

Meanwhile Martinez get home and we meet her boyfriend, a very cute Black man. They’re cute. Why can’t the story be about them?

He asks her about Walker, she says he’s a mess. Oh god. She says he was a Marine, “signed after 9/11”. Holy shit. He’s a Marine who signed up after asdfghjkl can’t you feel the Manly Trauma here????

He’s a Marine who signed up to fight Muslims after 9/11 and now has a dead wife, he’s exactly the kind of male lead character we need right now.

She says she’s trying to figure him out. Her boyfriend is like “dude stop thinking about that guy, he’s not at home trying to figure you out” and she replies “oh I’m pretty sure he thinks he knows everything about me already”.

This is the first scene that hasn’t felt bad so far.

Meanwhile Jared and his brother go to a bar. It’s very ~Texas Aesthetic~, and they’re wearing cowboy hats, of course. You are not allowed to go to a bar without a cowboy hat in Texas. “The brothers Walker” the flannel-shirt-clad bartender says, coming with drinks. Jensen Ackles makes a face somewhere in the mountains.

The brother goes to call his partner and the bartender starts chatting with Walker. She has a conversation with Jared’s awkward faces and she’s like, I guess you left because I couldn’t answer your questions about what happened yo your wife. This is how people converse in real life.

She asks him if he’s alright and he doesn’t answer, instead is like “let’s have a dance”. He doesn’t say he’s fine, but I think it still counts as a I’m Fine Lie Moment #2 because that’s what it is in spirit.

I know you’re bored, I’m bored.

They dance in the Texan bar, I’m distracted by the pool tables and wish this was Supernatural so we’d see Jensen Ackles play pool.

Obviously the dance is interrupted by work - a text from Ramirez who says she’s got something, “office 8am?” so he leaves because he has to wake up early. I’m not kidding.

I was kind of warmed over by Ramirez and her cute boyfriend and by the bar who was kind of nice as a location, when the next scene at the office immediately starts with Ramirez saying “My mom wouldn’t let me play with dolls when I was a kid, so Iearned about cars instead”. I die a little inside. It’s the second time she’s referred to her mother wanting a son...? So she’s badass because she wasn’t raised to be feminine...? Ew.

So they have this lead thanks to her knowledge of cars. They go investigate. I’m bored.

I shouldn’t have said I was bored, because Walker destroys my boredom by having Jared pick up a cross and start talking to “JC” sarcastically asking him for guidance about his kids going to the Catholic school. “Can you stop” Ramirez says, along with all of us.

By the way they’re in a workshop run by an ex-convict who employs former criminals to make figurines (like that cross). I got a bad feeling about this. Former criminal in cop shows is always code for current criminal.

The investigation leads to two guys who work in the store - “oh I know you,” one immediately says when he spots Walker, “you’re the ranger with the dead wife”. Walker is like, what did you say. And the guy is like oh I heard the story of a ranger’s wife biting a bullet near the border, guess you couldn’t protect her uh~~~

They exchange more provocations - Walker calls him some lowlife something and the guy goes to punch him and Walker beats him up. Violently. I’m uncomfortable. We’re supposed to think he’s exaggerating here but... he does get very violent and should not be a cop. Period.

They go to Ramirez’ house because he cut his hand. Her boyfriend is like “baby there’s a dude bleeding on your couch” I want a season of him, exclusively him.

She scolds Walker. Not because he beat up a guy with more force than needed, but because he acted stupid and that’s bad for her career. I’m uncomfortable.

Also, what’s bad is that they’re supposed to work *together*. He says he has his own way of doing things. Yikes yikes yikes.

She says that her theory is that they put them together because he always break the rules. Apparently she read up his cases and he always break the rules. The main character of the show is a cop who break the rules in half the cases he works. Yikes yikes yikes but also did I mention yikes?

No, wait, he acknowledges that he “bends” the rules, like that’s better! Yikes!

More bad dialogue, then Stella’s school calls him. She hasn’t been at school.

He goes to ask Isabel’s mother, who reveals they haven’t their papers yet, so any criminal activity would mean deportation. He talks about it with Ramirez and mentions that his brother who’s a DA could get in contact with the Feds to speed up the papers. Are we supposed to be like “oh what a good guy”? The thing is just creepy to me.

Well, at least Ramirez says something about it, or actually quotes her mother who used to say that the law doesn’t protect us. That’s why she ~burned bridges~ with her family! Apparently because she became a cop.

Ow. Her mother is not speaking to her because for her, her daughter being a cop is like a betrayal. But for her it’s a way to set things right! We’re supposed to think her mother is exaggerated. #notallcops #individualgoodcopscanchangethesystemfromtheinsideforsuredefinitely

Meanwhile their investigation continues. Remember the cross Walker randomly picked up to mock the concept of Jesus? Ramirez stole it. And now they find out there’s heroin in it. Alright... obviously the business that was supposed to rehabilitate former criminals is a cover for cartel drug dealing. What were we expecting. I’m tired.

Ramirez decides to work the case alone and sends Walker to look for his daughter. “I was that kid once, I always wanted to be found”. The impression you get from the scene is that Walker had forgotten about his daughter missing lol. Ramirez insists he goes. I’m uncomfortable with how many times people put on cowboy hats. Someone should count. We’re only 30 minutes in and it feels like it’s happened 80 times.

Alright, a break now! My laptop’s ventilation is running like crazy, VLC and long tumblr drafts are a bad combination. Or maybe it’s just my laptop being allergic to this show.

[riverdale-retread]

Riverdale S5 E12 (Jaime/Hiram) - 5 Things I loved/ 3 Things to consider

5 Things I loved

1. The music selections for the Jaime to Hiram transitions were delirious and filled me with joy.  I admit up front I’ve never heard any of these songs before, so if they turn out to be a horrible kind of misappropriation or desecration or something I will feel bad. In any case - Riverdale commits to giving you a dose of the surreal every episode.  The difficulty with doing that in this episode is that  the stories being told in it are unusually straightforward, even staid, for  Riverdale.  So they went to town with the sound track.   

There’s a song  (Demolicion by the band Narco) that sounds like it’s being sung by the Tasmanian Devil from Looney Toons on a bender - it’s just rawararwrarawrar. All these songs about Hiram ‘being bad’ and mentioning the ‘devil’ are so on the nose that the nose gets broken and pushed right into the skull (the title of the song is literally Devil Devil).

2.  I love that Hermione Gomez wears huge 80s glasses that completely overwhelm her little face and yet Jaime hits on her and thinks the world of her.  It helps to have that face, I grant you, but as someone who took the Dorothy Parker quote, Men seldom make passes at girls who wear glasses, very very personally back in the day, I LOVE that Jaime/Hiram has no such qualms.  Did everyone notice the bust of Nefertiti that’s positioned right behind Hermione the whole time Hiram is successfully asking her out? I did and it cracked me up.

3. I loved that nothing in this story about Jaime Luna makes Hiram Lodge even a little bit sympathetic to me.  Hiram is an out and out villain, and I love that.  I’ve been sick of villain backstory narratives that are like, Bad Things Happened To This Man So We Must Identify With His Homicidal Impulses that keep coming out, but this episode didn’t do that.

a) Hiram is in so many ways a textbook abusive husband, and the only thing that distinguishes him from the more stereotypical abuser is that he doesn’t actually punch his victim (he just shoots at her using other people’s guns).  Abusers blame their victims for ‘causing’ them to commit abuse.   The same is true here. The story that Hiram tells Reggie about his life pretends to be about his father, but is actually all about the fact that it’s Hermione’s fault that he’s a gangster.  She’s the one who likes the fancy clothes and the fancy car, the one who names him Hiram Lodge,  the one who is turned on by Hiram working for gangsters, the one that goes to the gangsters (rather than his father or her mother or any other adult) to get Hiram out of jail.   It’s all her fault and she owes him.  This is in addition to his usual, You’re my wife and I own you.

I am right back to being very worried about Hermione.

b) Hiram pretends to be giving ‘life advice’ about fathers and sons to Reggie.  Hiram has direct knowledge that Marty Mantle is a piece of shit, and that Reggie has a very trouble relationship with him, and that Marty absolutely does not respect Reggie at all whatsoever (“Reggie is a fool.”)   Hiram uses Reggie and then ditches him when he’s done.   Hiram makes Reggie an accessory to murder, which nets nobody anything at this point other than Hiram’s own blood lust - and possibly tying up loose ends because Vito is someone who can correct this yarn that Hiram is spinning about his origin - then breaks his heart.  Marty Mantle is not only a dad who beat his son - he’s a dad that does not ask his son “Where did you get the money” when the son pays off a huge debt to a known criminal, and is only relieved that he’s no longer on the hook.  He also tellingly asks Reggie, “That’s what you got from my story?” indicating that this is a story rather than a testimony. 

4. I loved the very anti-straight men commentary the show keeps sneaking in.  Like, straight marriage is the worst, especially the ones that produce biological offspring, according to Riverdale.  Marty Mantle absolutely despises sex. He’s a guy who sells sexy cars to other guys for a living, and yet he hates talking about getting laid in one. He hates his beautiful sensual son, too, for being sexually successful and comfortable in his body. Both Reggie (described by the gay-bi Fangs as “very straight” even after kissing him) and Hiram (who is basically a Hermione-sexual at this point) have comically fetishistic relationships with cars and shoes, lovingly wiping down these objects at the start of each day.  All the straight men say the word “shame” several times -I’m ashamed of you/ I feel shame/ so ashamed/ shame.

5. I continue to adore “I am not in high school any more” Reggie Mantle.  Growing up to be a slightly sleazy car salesman is the one of the few character developments for Grown Riverdale that both makes sense and isn’t depressing.  Core Four, Cheryl and Polly are all extremely depressing and supportable with logic.  Toni and Fangs make out OK but they were also underdeveloped in the first four seasons. (I am too upset to talk about Sweet Pea).  I was moved by his tearing up while very quietly confronting his father, and I was moved by his boyish attempt at trying to show his new boss that he’s not just the muscle.  Oh and he’s so beautiful, did I say that already?  There’s so much face in Reggie’s face - strong brows, deep set eyes, those cheekbones, that jawline, that MOUTH. 

Three Things to Think About

a. Why is Jughead narrating this?   Jughead is unusually wrong about a lot of things in his opening narration, and I assume this is intentional.  Jughead seems to use the words hero and protagonist interchangeably, and also I guess hasn’t seen Joker because most villains and antiheros also always get their origin stories too. (There’s a theory that what we’re watching is the Betty Cooper serial killer origin story, for example).   Has Jughead not watched “Citizen Kane” because he asks “What is his rosebud?” about Hiram,  BUT WE ARE NOT TOLD.   Jughead sounds jealous of Reggie, frankly, and he’s wrong when he says Hiram collects lost souls.  What OTHER lost souls does Hiram have near him?   And who the heck is S5 Jughead Jones calling LOST?

b. What Reggie really wants to do - and possibly also Hiram - is to wear a suit and carry a briefcase.   It’s just very White Collar Aspirant that isn’t fully explored. Like, how the 50 shades of grey movie was really about sitting in a board room negotiating a contract and having pretty women in suits bring you tea -  that was the erotic highlight of that movie.   We live in capitalism, so getting to use the accoutrement of the Wall St capitalist is the true fantasy.

c.  The point of this episode that the show is making to the viewer is this: A straightforward narrative, where gangsters act like gangsters, and fathers and sons have realistic misunderstandings and conflicts, is something we’re capable of doing.  We just don’t want to. 

[moral-turpitudes]

College Headcanons: Modern!Peaky Blinders Edition

Part 1 | Part 2

A/N: This came to me in a dream. Enjoy. 

Thomas Shelby:

Double Major: Political Science and Business Management (bc he likes to work himself to death) Minor: Military Sciences/ROTC

Likes debating and trying to outsmart the professor.

Often seen on campus with bloody knuckles from rocking someone’s jaw.

Would 100% punch a motherfucker for being mean to someone he cares about.

Doesn’t need to be in a fraternity to be known around campus, just don’t mess with him and you’ll be fine.

All the girls whisper as he walks by but he don’t give a fuck cuz he has to go to his lectures.

He’s on time for every class and pulls out his pocket watch if the professor is more than 5 minutes late. If the professor can’t bother showing up then he dips out.

Almost got suspended for one too many fist fights.

Has a “thing” for the barista at the campus Starbucks. He learned after frequent visits, that her name was Grace and that she liked black coffee just like him.

Mysterious and moody af. No one knows if they’ve ever seen him smile, except when chatting up Grace.

Tries his best to study, but ends up getting dragged into his siblings shenanigans or into his head about the family business.

Keeps to himself for the most part, except for having a few close friends.

Hates technology so he uses a typewriter and prefers receiving letters/mail over emails.

Can’t figure out how to use Grace the baristas phone when typing in his number and tells her to write it down instead.

Often tells her to meet him after her shift. 😏

Professors hate him because of his reliance on paper. Totes not eco-friendly but he doesn’t care. Tommy always gets his way.

Grace always gives him a cookie for free cuz she knows he forgets to eat.

Always seen smoking or sneaking drinks of whiskey in a flask, even at 7am lectures.

Binge drinks on weekends with his bros, and drunk calls barista Grace when he has maybe 3 working brain cells left for the night. On other weekends when he’s coherent, he meets with Polly and tries to discuss business plans since their dad dipped out like a bitch.

To make matters worse, after dating for a while, Grace just leaves him. He thinks his aunt Polly may have been too hard on her, but he didn’t know until later that she lied when she said she didn’t know about the business. But barista bitch knew everything, and was gonna expose them to her higher-ups in the criminal justice department before long.

Arthur Shelby:

Major: Agriculture Minor: Military Science/ROTC

Graduated just barely.

Ended up in some trouble with his peeps in the military science department, probs for cussing someone out.

Angry, loud, and emotional af.

Loved drinking with John and his frat boy friends.

No one messed with him if they valued their life.

Started one too many fights and got suspended for reals. Almost beat a man to death but we don’t talk about that.

He gets stressed really easily so in his free time he draws horses.

When he gets real mad he takes it to the campus boxing ring and punches to his hearts content.

On his way back to his dorm one night he saw a girl who was in his agriculture class. She was cute and also in a “Christian” ministry group on campus. He decided to chat her up when she was preaching, just to see what it was about.

They later dated but then she cheated around with a fellow churchy man and just went off the rails. When he found out it wasn’t pretty.

Her friends and pastor most likely shamed her cuz she be ✨sinning✨. Therefore not helping her mental state.

Her name was Linda. Never trust a Linda.

Everyone tried to console Arthur but only boxing and drinking at Johns frat house did the trick.

Tommy often had to run to his dorm in the middle of the night to talk him out his mental breakdowns. College is hard.

In the end, he was glad he did agriculture even if his crazy ex would constantly stare at him during lectures, probably plotting his demise.

Some days he’d take out his frustrations by chopping wood and helping out on the farm where he worked and studied most days.

But you bet your ass fuckin’ Linda showed up to his dorm one time though with a gun and tried to shoot him, but she didn’t know his brothers and aunt were there too. Polly may have shot her in the arm tho. But when the campus PD showed up shit really went down.

We don’t know where Linda is now, but that’s probs for the best.

John Shelby:

Major: Music (idk I felt like he’s a musical boi) Minor: Military Science/ROTC

He’s a frat boy through and through. He drops it low on the dance floor and is known to dive onto beer pong tables.

Constantly going to parties and hooking up with sorority girls, that is until he meets a girl named Esme who’d been dragged to the party by her friends.

Suddenly he ain’t no hoe no more, he’s head over boots in love with her and she loves him too.

They be sneaking around in various buildings, often having to make a run for it to escape security.

He’d play her songs after hard training days with his military buds cuz it helps him calm down.

He’s not as violent as his older brothers, but he’ll fuck a person up if needed.

His fraternity is the second most important thing to him besides his girl. He loves the energy of the fraternity, the partying, and acting a whole fool with his friends, but Esme has him whipped.

His studies are struggling though cuz he loves to get turnt. He hates the studying aspect of college.

Always getting his brothers into trouble.

Snorts coke off Esme’s tits on occasion at the frat parties. It’s a wild time.

Has the mouth of a sailor but a heart of gold.

Talks of kids with Esme after dating for a year. Can’t afford a ring yet tho, but their bud Jeremiah marries them anyway on a whim.

After Arthur and the Grace fiasco ensues, he drops out of college because Esme falls pregnant. In the end, she ends up getting the chickens and wild cottage!core house she’d always wanted. They both decide to raise their kids there, living their best lives until Tommy drags them into more family matters later on.

Ada Shelby:

Major: English Minor: Gender & Women’s Studies

Always seen in the most stylish clothes.

She’s quiet most times but can be very knowledgeable on various subjects.

She’s constantly going off on her older brothers and trying to smack some sense into them.

Feels like something is off with the barista Tommy’s been seeing, but it’s not her problem.

Can 100% find her chilling in the back of Starbucks reading old novels or writing literature reviews.

When she’s not there, she’s holed up in the library where she works part time, studying and practicing for debates.

10/10 would fuck in the library cuz she knows all the best secret places to go to. 😏

Organizes meetings with different campus associations and demands equality for students.

Spends her free time surfing the net for clothes or keeping an eye out for a potential new bae.

Is probably the best at studying. She earns the best grades let’s be honest.

Will not hesitate to call a bitch out. She may not throw hands but she’ll throw words that can cut you like a knife.

Works for the campus paper, spilling all the tea on campus life. Her brothers often reluctantly agree to be her mock interview subjects for a range of assignments.

She breaks necks when walking around campus, everyone moves out of their way for her.

She’s a bad bitch.

Finn Shelby:

Major: Photography Minor: English

He hates how violent his brothers are but would 10/10 back them up if needed.

Often asks Ada for advice on studying and girls.

Doesn’t like the frat boy scene like John, but goes to the parties anyways with his best friends Isiah and Bonnie.

He’s a freshman and you can tell. He still has a glimmer of life in his eyes and a pep in his step as he walks around campus.

When he’s not taking pictures for class, he’s taking pictures of his girlfriend.

She’s his muse even when doing the simplest of things like sitting in a chair or reading one of his English books.

Each week he’d surprise her with a picture he took when she wasn’t looking, telling her how beautiful she is.

He may not look strong, but after many nights at the boxing ring with Arthur, he knew how to throw a punch.

He almost flunked his studies a couple times, getting too caught up in partying or being with his girl, but Ada and his Aunt Polly set him straight.

Voted by his family as most likely to not get arrested or suspended from college.

He’d have deep conversations with his friends, often confusing them because it was just that deep.

In his spare time he’d go boxing with Arthur or would try to help Tommy with his essays, but Tommy would get frustrated and tell him to fuck off within the first 10 minutes.

Polly Gray:

Profession: Business Management Professor Side Job: Managing the blinder business with Tommy

When she’s not teaching class, she’s managing the blinder business that was left to her and Tommy to tackle. This also means covering up any suspicions that arise on campus. She has her hands full.

She’s Tommy’s only shred of common sense some days when he gets too stressed out from his 10,000 majors and minors, or wants to plan to overthrow the university.

Will not hesitate to slap someone, preferably her unruly nephews.

Anyone can lie to her but the truth always falls through the cracks, and when she finds out, you’d pray you faced the devil instead.

In her spare time she reads tea leaves and prays for the corrupt souls of her son and his cousins. She really just begs to god that they can come together for once to get the business in line, but even that may be asking too much.

Knows a snake when she sees one. *cough* *cough* Grace the barista.

She’s the first one to tell someone I told ya so, especially her students when they flunk her tests because they decided to get drunk the night before.

When she’s not yelling at her nephews or grading papers, she can be seen at the local bar chatting up coworkers and old flames, hoping to find “the one” eventually. She ends up having a “thing” for the quirky Philosophy professor though. He’s kind of shady cuz she finds out he’s in a similar business on the side, but it only makes her like him more. She craves the danger.

They later end up in a whirlwind romance similar to John and Esme, and everyone loves that for them.

She can also be seen with her head in her hands when trying to persuade Tommy to use technology.

“What is copy and paste Pol? Can’t I just write it down? What’s up with all these gadgets aye?”

“If you want your hand to fall off and to make me lose my mind, then yes, write it down. Grading is bloody hard enough as it is, let alone grading your papers. You’re just like your father ya know, always doing things the hard way.”

Tells Gina off when she gets the chance just like she did Grace. She didn’t shoot her like Linda though, she just hurt some feelings.

May have aided in Grace’s “sudden” departure…maybe…just a little bit.

Secretly ships Tommy with a woman named Lizzie who had been her assistant at her office. She knew she could trust her more, at least.

Despite her harshness, she’s just trying to keep her family from completely fucking up their lives.

Michael Gray:

Major: Accounting Minor: Business Management

Like Tommy, he doesn’t get the hype of fraternities so he just hangs out with his cousins or his small circle of friends, they aren’t saints though.

His mom, Polly is his business management professor. She always calls on him and gives him a hard time when he spaces out in class.

Is often seen around campus with a few friends or his girlfriend Gina who he met in business class. They’re sickening and it was like a whirlwind romance tbh.

He usually finds himself cleaning up his cousin’s messes when it comes to fighting, but if he has to throw some punches he will.

He’s not as impulsive when it comes to matters of business, but where matters of the heart are concerned that’s another story.

When the blinders and Polly were all at her house for dinner one night he announced he was going to marry Gina. Arthur and John laughed and Tommy smirked slightly, still butt-hurt after his Grace left him for little-to-no reason. Ada grinned and bared the news whilst Polly nearly smacked him on the head.

People didn’t dare mess with him, and that went for all his cousins as well.

He spent a majority of his days in class crunching numbers, and most his nights out with the boys getting drunk or fuckin’ with Gina.

Because his mom held him accountable, his grades rivaled Ada’s causing them to get into some friendly competition at times.

He’s cunning like Tommy though. He got into many a screaming match with the older blinder after trying to take over his position in the family business. It ended in some black eyes and Polly smacking both of them with her newspaper. He knew better than to mess with the devil himself.

Despite the tensions between the cousins at times, he’s always the one they go to when they can’t figure out their math homework, and he’d always have to meet one of them in the library at 3 am to smuggle in some cocaine and a drink to keep them studying.

[clanwarrior-tumbly]

I got escape for the word generator, so can I get yandere trigger happy havoc boys with and s/o who's the ultimate escape artist?

Ooooo I haven’t written any yandere content in a hot minute *eyes emoji*

.............

Mondo

Not too knowledgeable on how to properly tie someone up himself.

His gang usually takes care of that with rope, chains, and bent metal pipes.

So it’s rather easy for his s/o to slip out of any restraint they’re put into.

Of course, Mondo will throw a massive temper tantrum every time to scare them into staying hidden.

But if any of the members tried to beat them up to get them to comply...

Well, let’s say they’re never seen again and Mondo’s gotta wash tons of pink off his hands.

Crazy Diamonds could disband for all he cares--they come second, his s/o is first.

His s/o feels bad for the gang, and wonders if Daiya would ever approve of this.

Taka

He’s madly in love with his s/o--finally being able to experience romance without studies or family matters hindering him.

But is it to the point where he’d try to restrict their free will so they couldn’t abandon him? No. 

The first time he tried to, he only managed to approach them with a chloroform rag....

Before giving up and crying into their arms, ashamed of his intentions.

His s/o is alarmed by his bizarre change in behavior, but comforts him and promises they won’t leave him.

He just becomes overly affectionate and clingy instead, trying to study all he can about romance to be the perfect lover.

Taka is the nicest type of yandere...if you could even call him that.

Kiyondo

If Taka’s soul-bond takes over, he pretty much acts like Mondo.

Minus the biker gang.

Though he’ll try barriers, zip ties--anything he can find to keep his s/o from leaving him.

But his work is often sloppily done, since part of him is still somewhat convinced his actions are wrong and immoral.

When they do get free, he just huffs and has a brief temper tantrum.

Though eventually he walks away to cool off.

Usually he’s back to normal sometime after that.

Leon

Doesn’t care about music, baseball, or even his own looks anymore.

But when he sees someone being a bit too “friendly” or rude to his s/o...

Suddenly he feels like practicing some swings with that baseball bat in his closet.

When that’s taken care of, he’d try to imprison them in a batting cage, using whatever kind of lock he can get his hands on...

...only to turn around and find his s/o outside of it, holding said lock with a bored expression.

“A common lock? That’s child’s play. You really need to step up your game, sugar.”

*insert the ghostly face Leon made when Makoto demanded he showed his toolkit to the class*.

Chihiro

With this seemingly sweet and innocent boy, it’s hard to believe he’d be a challenge for the Ultimate Escape Artist.

But you’d be wrong.

He learned how to program locks with complex codes and ciphers that are nearly unsolvable by anyone except him.

Keyword is “nearly”, because he does feel some guilt if he keeps his s/o confined for too long.

So he’ll scatter numbers and letters around the room, allowing them to piece together the code on their own.

Usually the keys are things of “importance” to him like their birthday, the day they met Chihiro, their anniversary date, etc.

Yasuhiro

Any type of restraint he tries only has a 30% chance of working.

Which is quite low, and so his s/o escapes quickly.

Though he did manage to put them into the Robo Justice suit (minus the helmet), having learned how it works and making sure he destroyed the blueprints.

For once they’re actually stuck for a bit, and he’s shocked but pleased with himself.

“Hiro, we can’t have dates or properly hug when I’m in this suit, y’know..”

“....really?? Awh man..”

He’s gullible as hell and decides to drop the whole yandere thing after they get free.

Hifumi

He’s thought of..interesting ways to trap his s/o.

But he’s too nervous to actually try anything, given how smart and skilled they are at escaping.

So he just writes fanfics about it instead.

Definitely calls himself “yandere” and looks into yandere-based animes.

But he’s fairly harmless.

So his s/o doesn’t have much to worry about.

It’s safe to say his love for them surpasses his love for 2-D.

Togami

He’s read about many escape artists and other criminals/delinquents in his spare time.

So he knows their tactics--their methods of escape.

He doesn’t see his s/o any differently from them.

But he still loves them dearly, so he makes the traps/restraints he utilizes like a game for both of them.

If they break free, he tries something else the next day. Something more difficult.

He just wants to see how long it takes before they quit and surrender.

But they’re stubborn, like him, so it’s entertaining.

Makoto

He won’t even try anything.

Although he worries about his s/o leaving him for being “average”, it’s not like he wants them to live a restricted life.

From time to time, he might corner them and ask them where they’ve been.

But he’s quick to drop the act and apologize.

Like Hifumi and Taka he won’t cause any problems whatsoever.

He only trusts that with his luck, they’ll stay with him.

[dalekofchaos]

What DCEU’s Lex Luthor should’ve been

The problem with Lex Luthor in the DCEU is this. Jesse Eisenberg’s Lex Luthor... is just annoying, whiny,  sleazy, annoying little know it all brat who keeps bringing up his father and acts more like a mix of The Joker and Riddler than Lex Luthor. All Eisenberg’s Lex was…just annoying. He is not a threat that could be the brains to Superman’s brawn or pose a threat that brings the Justice League together and he is just an annoyance. 

Lex Luthor is cunning, he’s a genius, a criminal mastermind and will ignore all ethical boundaries until his goals are met. When Luthor is in the room, he owns it. Every word that comes out of his mouth is meticulously planned and he is a master manipulator. The reason why he is such a brilliant Superman villain is because even though he has no physical powers, he can always beat the Man Of Steel on intellect alone. And the worst part? He believes his crusade against Superman is just and to some degree would have reasons some might believe him. 

Here’s why the DCAU Lex will always be the Lex we all want in the movies.

“Do you know how much power I’d have to give up to be president?” Is such a terrifying line. Clancy Brown again and again demonstrates he is THE definitive Lex Luthor as a cunning, intelligent and egotistical villain.

The other problem with DCEU’s Lex and even Clark is the way they directed Clark in MOS would justify comic and DCAU Lex Luthor. The reason why Superman isn’t scary is because he was raised with such strong values. Taking that away and replacing it with “Maybe you should have let those kids die” and “You don’t owe this world a thing” makes him very frightening, because it means that it’s a lot easier for him to do stuff that essentially proves Lex Luthor right. Oh, but wait. there is nothing that could make Lex right because he’s essentially an idiot and literally has no message or motivations to warrant that claim. Because if he did, then he’d be inadvertently portrayed as right. Snyder knows what he’s doing.

Like you had major destruction in Metropolis in Man Of Steel and you didn’t use that angle for Lex. Like there could’ve been major segments in BVS where Lex is promoting Lexcorp for cleaning up and rebuilding Metropolis. Giving jobs to the good citizens who lost their jobs and reparations to those who lost their homes and loved ones in the Kryptonian attack on Metropolis. Lex buys out the Daily Planet and orchestrates slander campaigns against Superman, like “Put your faith in humanity and Lex Luthor, not the Kryptonian.” Even convinces Batman that Superman is the enemy. Like come on...it was practically RIGHT IN FRONT OF YOUR STUPID FUCKING FACE ZACK, AND YOU WENT IN THE COMPLETE OPPOSITE DIRECTION FOR LEX LUTHOR...

  Also as much as I hate Brian Azzarello, especially after the Killing Joke adaptation.

I would've preferred if Zack Snyder took inspiration from Lex Luther:Man Of Steel. 

At least then. Lex would've had a motive and actually had a message worth telling.

Imagine this. 

Lex worked hard all his life. Studied for years to increase his knowledge. Did everything he could to escape his abusive father and the town he grew up in, and eventually became one of the richest people in the whole world. And then this alien comes out of nowhere. He sees all the destruction he's caused and sees the terror he could represent. But the people love him? and suddenly everything is all about him and everybody seems to love him...and Lex can't understand that at all nor can he do anything to be like Superman. He's human after all. All he can do is view Superman with distrust and think of the worst cases possible.

What if this flying man decided to rule us all? What effects will this flying man have on humanity? Will he actually prevent humanity from evolving by making them dependent? Those are the questions Lex Luthor has and in his mind, he's the one in the right...and if you really think about it, some of his concerns are quite valid. In his own way, He believes he's helping humanity by trying to eliminate Superman and that one day, humanity will understand why.

In his mind, Lex Luthor is the Man of Steel determined to save the world from the evil alien.

But we’d see this is all a facade. The true Lex is nothing but a megalomaniacal maniac, a genius who gives a reason why he hates Superman, but at the end of the day, is just a petty jackass who refuses to help advance humanity until he gets what he wants. 

And in this case, Zack should’ve casted Billy Zane, Mark Strong or Bryan Cranston as this version of Lex.

Like, I’m not for rationalizing characters like Lex, but come on it’s better than the whiny idiotic spoiled brat we actually got in the DCEU. 

[infinitecrime]

Spoiler free TFATWS Episode 5 review:

Another very solid episode. A huge amount of pay off for many of the various subplots at play and a great progression of the overall story. Some conversations that really needed to be had were finally had and it was immensely satisfying. Other than a strong opening action sequence, this episode was mainly character and dialogue focussed, which I think is going to upset some of the fanboys, but for me it might have been the strongest episode yet.

Spoiler heavy review:

Writing/Plot: 

The opening fight was fantastically choreographed and heart breaking in a lot of ways. The acting was noteworthy which is rare for a fight scene where people normally phone it in or we don’t really see much of their expressions because they’re stunt doubles. I’m glad this was the only real action this week - it felt nice to get a break and return to character and plot driven scenes.

Overall this episode was just really satisfying in terms of plot progression and pay off. We resolved Bucky’s beef with Wakanda, Zemo’s fate, Bucky and Sam not seeing eye to eye, Isaiah’s story, Sam’s issues with the shield, and closure for Lemar’s family. We’ve progressed Sam and Sarah’s money/boat issues and whatever the fuck Sharon and Batroc have going on. Next week we’re setting up to give Yori some closure and put an end to John and the Flagsmashers.

Even the Flagsmashers, who we barely saw, got more development than it seems they have for a while - we now know they are all in on criminal behaviour, are willing to kill, have a distinct target (the GRC), and a distinct goal (stop the Patch), and have a mini army to do it with.

The vibe of this episode was just... soft, which is surprising for a hyper masculine superhero bro show. The whole community coming together to help the Wilson’s and Bucky being inducted into the family was just so wholesome. Even the Isaiah scenes, heart wrenching as they were, would have been intercut with violent and graphic torture flashbacks under some other director, but Kari knew that the story was powerful and upsetting enough on it’s own.

Sam:

Sam and Sarah are just amazing. Really really hope we see her in future Marvel properties. It's so nice to see the perspective of someone so grounded in a world of wizards and shit. I love that he seems to tell her everything and values her advice just as much if not more than that of soldiers and superheroes. 

Watching him grapple with Steve and Bucky’s expectations of him vs Isaiah’s expectations of him vs Sarah’s expectations of him vs his own wants and needs was very impactful, and in the end, he’s going to honour them all and pick up the shield, but on his own terms, as his own man, because he wants to, not because some old men told him to/not to.

Sam finally got some of those deeply emotional beats that I have been hoping for this whole time, which gives Anthony a chance to really flex his acting muscles. He’s great at subtlety but he really shines in this episode now the writing has allowed him to. Everything with Isaiah and the scene of him wiping blood off the shield was so raw.

Isaiah, who gets his own section this week:

God, his entire section was so powerful and well done. I’m so glad he came back and we got to learn more about his story and his situation. I’m so glad it was explicitly addressed what was done to him, why it was done, how it affects Sam and his perception of the shield, how it affected his family, and how he still carries all that trauma to this day. I’m so glad it was a one on one between them.

Carl Lumbly was absolutely fantastic and Anthony played off of him wonderfully. The injustice and pain is so stark in this scene. I would love to see more of him in the future but I also want him to be able to finally rest.

Isaiah did exactly what Steve did. Went against express orders to do the right thing and saved a group of POW's that the top brass had written off as expendable. In return, Steve got his fake Captain title made real, a fancy new shield, and was lauded as a hero. Isaiah was imprisoned, tortured, experimented on, and treated as a criminal. For the same. damn. thing.

I was perplexed in previous weeks about people condemning Bucky for not telling anyone about Isaiah, when doing so would have disturbed his well earned peace and put him in extreme danger. In this episode we get the confirmation that Bucky’s choice was right: Isaiah is legally dead and in hiding and the government don't know he's alive. He wants to be left alone ("Leave me dead, my name is buried") and that’s more important than what Sam wants or what you think Bucky should have done. It’s up to Isaiah; and Bucky (and later Sam) respected his wishes.

Bucky:

Ayo calling Bucky White Wolf, telling him to steer clear of Wakanda “for the moment” but not forever, and making Sam a vibranium Cap suit shows he’s fully forgiven. To be honest, they likely don’t have an extradition treaty with Germany so they actually never would have gotten their hands on Zemo if Bucky hadn’t broken him out, so they’re probably happier with him than they let on right now.

The Zemo-Bucky relationship and the grudging respect and understanding they have for each other is so interesting. I honestly don’t believe this is the last we’ll see of Zemo. He’s straddling the anti-hero/villain divide and he’s just so fascinating. Bucky getting his closure with Zemo and showing him that he isn’t the weapon Zemo treated him as was powerful, although I don’t think Zemo actually thought he would kill him. He knows that Bucky wasn’t corrupted by the serum, and even admitted as much.

Fighting John with the shield must have given him flashbacks to the helicarrier fight with Steve which can’t have been pleasant. The pure rage on his face at seeing the shield misused was clear here.

Seeing him helping the Wilson’s and being integrated into the community and the family in a way he hasn’t had since the Howling Commandos (and even then, they were at war) was just so, so sweet and wholesome. And his boat fixing skills corroborated my science nerd/mechanic Bucky headcanons.

Bucky and Sarah lightly flirting is very cute and I would like to see that relationship be developed more. 

It was nice to see him explicitly apologise and recognise why Sam didn’t want the shield, as well as explaining why he reacted the way he did. I don’t understand the people saying it wasn’t good enough at all - it was a clear and sincere apology and completely proportional to the actual offence, which was not quite understanding a perspective that he wasn’t really equipped to immediately understand. He doesn’t need to beg or plead - just acknowledge his ignorance, say sorry, and improve, which he did. Sam was perfectly happy with it and accepted the apology, his gift, and his help on the boat. Drama over nothing as per usual amongst the Bucky antis.

I still wish they would be more explicit about Steve’s fate and how they both feel about it, but I liked the scene we got.

Other characters:

“You built me.” - Wyatt is extremely good at mining sympathy out of an otherwise unsympathetic character. As much as I hate him, I did feel for him in the courthouse scene and with Lemar’s parents. He's an example of the veterans that are exploited until they crack then left in the dust as damaged goods when they do. I’ve been so, so impressed with Wyatt and the nuance and complexity and sympathy he’s managed to inject into the character. In anyone else’s hands he would be a two dimensional power crazed villain, but in Wyatt’s he’s a lot more than that.

Val is intriguing. Skrull? HYDRA? Power Broker? Something new entirely?

I wish John’s wife got a name. This is the second love interest minor female character (after the bartender) without an onscreen name, unless I missed it.

I am still somewhat perplexed by Sharon. Is she a double agent? A triple agent? Is she the Power Broker? Is she against the Flagsmashers, or with them, or only out for herself and against everyone? I’m not sure how this can all be resolved in only one episode but I guess we’ll find out. I wonder if she’s being set up for a future project. Is she a Skrull?

I knew Batroc would be back when we didn’t explicitly see him die - is he being used by Sharon without his knowledge for some other purpose, or does she genuinely not give a fuck if he kills Sam?

Nice to see Torres and to see that he has an obvious crush on both Sam AND Bucky. He’s for sure swooping into the final battle next episode having fixed Sam’s wings.

Is the inclusion of Eli Bradley setting him up for a future Young Avengers series, or is he just a nice comic cameo and nothing more?

Lemar's parents had me tearing up. Fuck Walker for lying to them but at least he gave them some closure I guess? Poor Lemar. He deserved so much more and we deserved more of him.

Fuck John Walker and his fake shield.

[jebazzled]

They can’t ALL be serial killers: keeping your villains funky fresh

Ah, villains. Spicy assholes. Tricky buggers.

Villains can be very intimidating to write: writing requires you to put yourself in the shoes of another person, which is one thing to do with a decent person. But when you are putting yourselves in the shoes of a bad one - whether it be someone who is simply not very likeable or someone who functions in an antagonistic capacity to a story or rp universe’s hero - well, it can be uncomfortable. 

I didn’t start writing villains until well into my rp career, and I can’t think of a single character I wrote in my undergraduate creative writing degree who was an asshole. I now write a small handful of them - and like most things, I don’t think writing a villain is quite as scary as we sometimes build it up to be in our minds!

That said, writing a villain is an exercise in nuance, and this is something that is often missing from antagonistic characters. In this tutorial, we’ll talk about what makes a villain, and what makes a villain a well-rounded character. 

Triggers, mentioned largely in passing as examples: criminal activity, murder, assault, child abuse, car accident, drunk driving, animal abuse

What makes a villain?

Generally, when we talk about villains, it’s in the context of a narrative, some sort of overall plot theme where there is Good and there is Evil. Think: Death Eaters, the Dark Side, the Horde, the Daleks, the Orcs, etc, etc etc. For the purposes of this tutorial, I’m talking about characters who serve in that antagonistic role, but everything can also be applied to characters who are just shitty people without a part to play in any larger scheme. 

In a plot context, per Oxford Languages, a villain is “a character whose evil actions or motives are important to the plot.” To be important to the plot, you do have to post, and if that’s something you’re struggling with, you might want to check out my Writer’s Block TED Talk ;)

A villain can have any number of reasons for being Like That: perhaps they were raised with a particular worldview, or were targeted by a negative influence at an impressionable and vulnerable stage, or genuinely believe they are doing the right and good thing. Maybe they’re just an asshole. In-character, your character likely doesn’t identify as a villain (because everyone is the hero of their own story) and in-character, your character might have friends, allies, and others with varying knowledge of your character’s misdeeds. 

However, out-of-character, you and other writers should recognize that your character is a shitty person. Writing one-dimensional, universally terrible assholes isn’t much fun, though. Which is where nuance comes in. 

Give your character other traits than “evil.” 

Unless your character is THE Big Bad - the Voldemort, the Sauron, the Hordak Prime - there is no reason for them to be Ultimate Evil, and writing them as an endless wash of evil will be boring for you to write and boring for other people to read. Your character should be something other than naughty. 

Using my own handful of villains/bad guys as examples, since obviously I take my own advice, and with apologies that 99% of my rp writing is in the HP verse:

Claude is a Death Eater as well as second-in-command of the magical mafia. He’s an expert blackmailer, has no qualms with murder, and can get pretty gruesome about it if he’s pressed to make a point. He also doesn’t drink, is a devoted father (has framed finger paintings in his study! drinks the pink lemonade his daughters love in crystal rocks glasses!), uses weird slang (”beat it, bozo!”) and takes the family spaniel on daily walks through Kensington Gardens. 

Cleo is a Death Eater and a lifelong bully, prone to theft, physical abuse, and with a knack for the Cruciatus Curse. She’s also deeply insecure, with an unshakeable need to be seen as useful; she’s competitive, and she’s horny enough to drop her purist pretense if a Muggle girl is what’s easiest to get her rocks off. 

Sadie is a squib spying on Order-organized safehouses for the Death Eaters. She’s also intensely curious and ambitious, determined and self-directed, and if she doesn’t understand emotions, it certainly doesn’t stop her from understanding how to manipulate them to maintain the illusion that she is not a threat. 

All three of these character concepts are more compelling than:

Veronica is rude, hates people, is outwardly mean to everyone she meets, uses cultural slurs on the regular.

We get it! Veronica is a shitty person! What else is she? In real life, shitty people typically do find camaraderie somewhere, somehow. Maybe Richie is a total asshole but has made a lot of money from his hedge fund, and he is generous enough with his yacht, ski condo, and jet that he has an entourage he thinks are genuinely his friends. Maybe Kaiytlynn is selfish and entitled, but her access to the entire royal family of Spain keeps her gainfully employed, and she’s genuinely good with her bedazzled bra business. Maybe Claudia is a giant racist, and she’s also YouTube’s most popular craft video creator. 

In real life, maybe there are some shitty people who exhibit fully antisocial behaviors and are rewarded for it. But this is fiction writing, and moreover, it is collaborative fiction writing, and Veronica is not a character who is fun or enjoyable to plot with. Antagonistic plots can have more trouble finding their footing than strictly romantic ones - but they can be fun and rewarding, provided that the antagonist is a compelling one. 

Let your character be something other than “evil.”

Give your character a cover.

More specifically than a trait other than “evil,” give your character a cover. By this I mean: give your character an angle that obscures their true colors, something that lures people - good people and bad people - into a sense of safety. 

Give your character something that keeps other characters from taking one quick look at yours and immediately clocking them as a bad guy. 

In real life, it often takes time to realize toxic people are toxic. In real life, people enjoy circumstances that make people less likely to view them as toxic - just look at the number of people who think Jeff Bezos’s obscene wealth is a marker of his merit as a human being. 

If your character commits a murder a week, is actively abusive to everyone they meet, and has no relationships with any other characters who might vouch for them - idk, man, I think your character is going to get caught! If your character is a quiet and unobtrusive owner of a vintage boutique, however? Well, they certainly don’t scream “IT’S ME! I’M BAD TO THE MOTHERFUCKING BONE!”

In the case of my bad guys:

Claude is a doting husband and father, notably not ascribing to purist tendencies that discourage women from work outside the home. He does legitimate work in real estate and investments, in addition to his shady dealings, to have a legally-sound paper trail should he ever be investigated. His family money funds an entire wing at St. Mungo’s Hospital, and he contributes to political campaigns for centrist politicians. He presents as a harmless goofball. He killed a man well before he turned seventeen. He almost went to Azkaban before graduating from Hogwarts. (”Oh, but he’s on the straight and narrow now!”)

Claude’s cover is that he masquerades as a genuinely good person, and a nice person. When people think about his old-money Sacred 28 family and what that might mean for Claude’s political activity, they also think about how he is a Gryffindor - not known for churning out Death Eaters - and they think about how he doesn’t seem intense enough to be a Death Eater. They don’t suspect enough to have much to go on. 

Cleo works as an Auror, and she’s genuinely good at her job - if only because she manipulates cases away from incriminating Death Eaters and their allies and occasionally Imperiuses a contact or two from her days as a Knockturn Alley bouncer to frame them for a crime. She doesn’t use slurs like “mudblood” at the office and doesn’t talk about blood status there, either. She doesn’t pretend to be nice, and her honesty there makes it easier to believe she’s not pretending when she does her job. It helps, too, that she is not Marked. 

Cleo’s cover is that while she seems like an asshole and is an asshole, she works in the agency tasked with eliminating Dark wizards and she’s good at her job, as far as anyone can tell. She is an asshole, but there isn’t reason to suspect she is an asshole who is part of the Death Eaters, and it is not illegal to be a dick.

Sadie goes out of her way to be friendly to every new safehouse occupant, acting as a guide to newbies about how to live in the shadows. She performs the role of caretaker, therapist, and confidant, carefully doling out the reveal that she is a squib for sympathetic effect. 

Sadie’s cover is that she manipulates other people into viewing her as too weak to be any kind of threat, and she intentionally manipulates people into relying on her for support and guidance. 

If your character is not experiencing social repercussions for being an asshole, they need to have a cover. If they are being an outright asshole, this should negatively impact them somehow. 

An outright asshole might be stuck in a dead-end job because no one wants to promote someone who’s not a team player. An outright asshole might be super lonely without the self-awareness to realize that their garbage personality is the reason for their romantic troubles. An outright asshole might not be able to talk their way out of a problem. 

If your character is an outright asshole and experience no repercussions whatsoever, they’re probably a bit OP. 

Give your character a motive. 

Now the big question: why is your character Like That? Like, for real. It’s so easy not to be a dick. Why are they a dick? What’s in it for them?

Yes, some characters might be an asshole because they think it’s fun and they like to watch other people suffer. But if all your characters are like that - isn’t that kind of boring?

If all your characters are like that - are you actually writing distinct, well-developed characters, or are you just spitting out the same edgelord with different faces?

Some of your character’s reason for being a dick can be because they think it’s fun. It can’t be the entire reason. It especially can’t be the entire reason all the time. 

Of course you can come up with a big tragic reason why a character is an asshole - but it truly doesn’t have to be that deep. (Tips on tragic backstories here.)

Of my baddies:

Claude is a purist because someone has to be a lesser class, and it’s sure as shit not going to be him! Claude is a Death Eater because his father saw a business opportunity - both direct work (e.g. the DE contracting Claude and his goons out for a hit, trafficking dark goods, doing deals with purist groups in other magical organized crime outfits across Europe) and indirect work (e.g. having stronger appeal to some of the most influential wizarding families.) He doesn’t love being branded with the Dark Mark (HE is the master of his fate, goddammit!) but hey, it’s a living.

This is a motive centered around financial gain and expediency. Claude is shitty to value money over human life, and he has no qualms about violence - but the motive is not “fun.”

Cleo is a Death Eater because, as a girl from a pureblood family of no importance, she recognizes that many of the people in the Death Eaters are important and influential, and she wants that kind of power. Additionally, she does get a kick out of violence, but she’s a weapon more than she is a fighter: she’s a tool who needs someone to wield her, to give instructions, to give her purpose. The Death Eaters offer both.

This is a motive centered around status and around order - Cleo being a person who needs order externally forced upon her. 

Sadie is working for the Death Eaters because she believes they will win the First Wizarding War, and she wants to secure a place in their new order - ideally something more than she had previously as a squib. She figures if the good guys are really good they’ll forgive her for keeping herself alive - but that the bad guys won’t forgive disloyalty. Also, her boss in the Death Eaters indulges her research in the Dark Arts, which is fun. 

This is a motive centered around security and self-satisfaction. It’s very selfish and cold, but it’s not, like, Sid from Toy Story. 

Why is your character Like That? What do they get out of Being Bad? What do they like about it? What purpose does it serve for them? 

If you can’t think of a reason your character would be a Bad Guy beyond that you want to write a Bad Guy, you should probably rework the character. It’s tricky to write someone who really should just be a Good Guy as a Bad Guy because, depending on your site’s setting, you might end up being a Bad Guy Apologist, leaning into the positive qualities of your character without writing them as an actual villain/antagonist/baddie - and remember, Death Eaters are shitty people! Antagonists antagonize! They should be complex, but you should never lose sight of an abusive class being abusive! 

And finally,

They can’t all be serial killers.

It’s tempting, since we’re writing fiction here and we all love drama, to reach straight for a Big Evil when we’re writing a baddie. They murdered ___! Egads!

If all of your baddies murdered their spouse/parent/sibling, again I ask you: are you actually writing distinct, well-developed characters, or are you just spitting out the same edgelord with different faces?

(If all your baddies specifically murdered a woman, might I ask you to examine this choice? Misogynistic violence is not a shortcut to character development.)

Cast of characters aside - what is it your character does that makes them evil? It is worth noting that bad behavior exists on a spectrum, and to jump to the far end of that spectrum without building the character up to it is often jarring and confusing. There are many, many things your character can do that might contribute to their Bad IdentityTM without killing anyone!

Baby Bads: No one gets hurt in a serious way, but the character is unpleasant. Think: a schoolteacher might not let you go to recess. You might get detention. Examples:

petty theft

general assholery

bullying

lying, small & large scale

general unkindness

minor manipulation for personal gain

Middling Misdeeds: These might cause some harm - physically, emotionally, or otherwise - but there’s some room for smart-talking or otherwise evading major consequences. Think: suspension. Examples:

larger theft and other money-related naughties: money laundering, ponzi schemes, etc

physical assault/battery

blackmail

bribery

large-scale manipulation for personal gain or for fun

hate speech (to be clear, I, JB, think this is way more than middling, but in art as in life, a lot of characters are going to do it and get away with it.)

Terrible Transgressions: The far end of the spectrum of antagonistic behavior. If your character is doing this shit, it shouldn’t be coming out of the blue. If your character is doing this shit, there’s got to be a character-driven reason beyond “flavor.” These are things that would get you expelled and moved into criminal court. A lot of things that are viewed as standard topics requiring a trigger warning fit into this category. 

murder

sexual assault

torture

child abuse

It’s easy in rp, where there are often way more criminal types in a character population than we hope exist IRL, to forget that murder is.... like.... it’s a BIG DEAL. It’s not something everyone has done. And thank dog, right?

If you’re attached to your character being someone’s cause of death, for specific character-driven reasons, you might think about alternatives. For example, if you hope to convey that Brandon Baddie is a callous asshole, instead of having him kill his roommate over a household chores dispute, you might have him drive drunk, hit a pedestrian, get out of the car, see the body, and drive away. If you hope to convey that Sandy Sadist is cruel, you might have her threaten her sister’s dog, but not actually hurt it, enjoying the fear of the sister and of the dog more than she would enjoy actually hurting either. If you hope to communicate that Ruthie Reckless is thoughtless, you might have her driving 100 mph speeding to the edge of a cliff while her father sobs in the passenger seat, stopping just inches from the edge. 

There are so many ways to make a point. If you’re going to kill someone to make a point, do it sparingly, and with very deliberate purpose.

Whether you’re starting your first villain or hoping to hone your villainous sword, I hope you found this tut helpful! Best of luck, and happy writing!