#i love them theyre so fucked up

[fazgoo-connoiseur-1987]

do you. have headcanons on bill’s whole god-henry thing.

Okay okay okay

The whole idea comes from that one line in the Silver Eyes (you know the one) but I do really really like how it interesects with Henry's role in the plot and themes

Henry does make life, and William is deeply in awe and jealous of this ability.

Up until the 70s it was just a regular type of envy/repect- if particularly pronounced. Bill does a lot of the coding for the animatronics and he chose coding because it's the area Henry is weakest in and he wanted to feel better than him. But obviously Henry physically creates the structure of the robots- Bill thinks this is really impressive.

Then the Springlock accident happens around 77'. I've talked about this extensively before but, basically, Henry had to pry the suit off of Bill and Bill got really weird about it- particuarly he felt like one of Henry's machines.

So Bill makes this subconcious connection between his own being and the animatronics Henry creates and he filters this through his rasied-Catholic-brain and comes to the conclusion that Henry is literal actual God from the Bible.

Now Bill's relationship with religion is complicated as a baseline and you mix in his waring feelings about Henry and it gets weirder.

God is real and I love him but he does not love me back.

This makes the worship/resentment ping-ponging he does more extreme. This also worsens over time as he spends more time away from Henry. He turns into a memory in Bill's brain and gets boiled down to these extremes as the memory distorts.

When he sees him again in 2023 in Faz-Frights these muddled, violent feelings manifest in wanting to kill him- as they do for Bill.

Henry guarding him in the afterlife doesn't really resolve this issue at all it kinda makes it worse- Henry finally being the one to actually kill him didn't help either.

So yeah he spends literally all eternity still being really fucking weird about his buisness partner.

[bigbagofgabriel]

FINALLY some MEAN, UNHINGED DYKE REPRESENTATION ON THIS SHOW

[relgnira]

I had the most vivid dream…

Those Oak boys……… they are tearing me up at all hours!! I am so normal about them!!

Without the overlay:

[heartorbit]

i just wanted to draw the ave mujica outfits .

[lotus-pear]

bsd rewatch w my friend means obligatory art of my fav found family ever

[many-gay-magpies]

i love crystal and charles having an emotionally inadvisable hookup charles can't even FEEL in one room while niko and edwin sit cross-legged on niko's bed watching scooby doo in the other

[apocalypsebi]

i love seeing andys jealously kick in

[chilledstrawberrysoda]

Say it with me kids

Andrew never thought he was hallucinating Neil

"you were supposed to be a side effect of the drugs"

His FEELINGS for Neil were supposed to be the side effect that would disappear once he was sober.

"I'm not a hallucination"

Andrew never thought he was, Neil misinterpreting this because Andrew speaks in riddles half the time is acceptable since he canonically has to have everything spelled out for him when it pertains to people's feelings toward him. I.e. being called a friend, thinking Andrew will choose Aaron over him, etc.

"you are a pipe dream"

This is both Andrew correcting Neil and a statement about his feelings toward Neil. A pipe dream is defined as an unrealistic and unattainable goal or an impossible hope. This sentence is as close to a confession of feelings as we get from Andrew. He WANTS.

This is the same scene, mind you, where Andrew says he hates Neil. And that's relevant because in order to hate something you have to care. This entire exchange happens in response to Neil expressing his desire to protect Andrew. When was the last time someone wanted to protect Andrew at their own expense? Insisted that Andrew was important?

"if it means losing you, then no"

Andrew knows Neil is real and here and he Wants him but Andrew is not delusional and knows that wanting things is pointless and only leads to pain.

"you are a pipe dream"

As much as this is a confession, it is also Andrew denying himself what he wants by declaring it impossible. Why hope for something when it's impossible anyway? When Neil finally finds out about Andrew's attraction to him he's shocked.

"you never said anything"

Why would he say anything to Neil or proposition him if it's impossible? Neil has said he doesn't swing and Andrew does not Want.

"nothing will come of it"

Andrew will not ask for something when he knows the answer is no. He's through being disappointed.

"I am self-destructive, not stupid"

For someone self destructive, this sure is an act of self preservation. Andrew won't pursue something pointless. He would rather pine and wait for it to pass than subject himself to trying to hold on to something he cares about. Not again. Never again.

"I know better"

[bacchuschucklefuck]

okay unironically I love so much that porter is like this world SUCKS its BAD here and it HURTS you why do you care abt it!!! and literally every single bad kid is like ngl we just hate ur ass it does not matter what ur philosophy is

[toddtakefive]

one of my favorite things about dps is the completely irrelevant background conversations/comments you’re probably not meant to hear but are still just barely audible? like the two guys in the study room arguing over their turns on the dart board, or the guys laughing under their breath and making ridiculing remarks when knox reads out his poem for chris, or the people in the opening scenes you can hear finding their friends and saying hi. it literally doesn’t matter at all, but it makes it feel so much realer and like you’ve really just been dropped into the setting with todd on the first day.

[carnivalcarriondiscarded]

warlock wizard Wally scribbles... Thinkings! oh and a bonus bard-ish Barnabys in the corner for flavor

outfit ramblings:

first of all that is a Terrible rendition of what Home looks like in my head. i just needed to fill empty space </3

the staff was the toughest part honestly. bc it Had to be paintbrush-themed, but then halfway through scribbling i was like "oh shit. there are only so many ways to draw a paintbrush-wizard-staff and Weevmo already hit it out of the park." so if you're seeing similarities! you're right! i tried to make it as different as i could! there is Inspiration from their marvelous design, however accidental or subconscious! Apologies!

he gets a pointed hood instead of a hat because a) it looks great on him! and b) it has less of a chance of messing up his hair! also c) it helps muddle the difference between Wizard and Warlock. typically hoods have evil/duplicitous connotation - blur the lines! i want his long gloves and forearm wraps to have the same vibe. his neckerchief is a big help in hiding Home's seal!

his layered (loosely apple-themed) capelet (which the hood is attached to) has a nice high collar & hides the details of his loose shirt - eye embroidery! and some flowers on the shoulders but yk, mostly eyes. on one side of the shirt buttons has open eyes, the other side they're closed! there's also one big eye on his back!

his belt buckle is two halves of an apple! he wears tall thigh-high boots w/ low heels to feel Taller! he has a book-holster hooked to the back of his belt, which holds his grimoire! and he has a lil thigh-bag that has been magicked to be Bottomless and warps size! he can fit pretty much anything in there! canvases! paint! apples!

his half-skirt thing (idk what the word for it is!) is really plush, like a quilt - his capelet is the same fabric. soft, cozy. sometimes he'll use the skirt thing as a blanket in a pinch, or as a picnic placemat!

is his outfit a little Complicated? is it annoying to replicate? yes and yes. but im a maximalist at heart and Nothing But The Best for the blorbo <3 layers my beloved <3

[oceanwithouthermoon]

sometimes i think about how nendo, kaido, saiki, (and sometimes kuboyasu but usually only when associated with them) are canonically the losers of PK and people actively dislike them, talk bad about them, make rumors about them, etc.

[kristalijah]

HE'S CHECKING OUT GARY!!!! I REPEAT, HE'S CHECKING OUT GARY!!!!

[shadow0haven]

I'm slightly insane about how in Intermezzo, Kayne basically set John up for the bait. He made a lot of comments about John's mistakes, lies, how he fell back into his old ways and basically became like the King in Yellow again. That he didn't want Arthur to know that, because he knows if Arthur knew, he'd lose him.

He cares about Arthur so much. All that time in the dark world, all the time being stuck and reverting back to old habit, *but he still remembered Arthur and wanted to go back to him*.

And John sees how Arthur is treating him because of his memory, he sees how Arthur is relating to other people, and their snappiness and impatience with each other, and then Kayne gives him the choice to get rid of Arthur's memory.

Saying YES. Because he doesn't want to lose Arthur's relationship and wants it to be good.

God they are both such messes. Arthur has made so many fuck ups and mistakes, and so has John, and their friendship makes me very unwell.

[alien-bluez]

Why'd You Only Call Me When You're High?

+ more under the cut!

check out this fic inspired by this piece above! It's very very good.

[kelocitta]

In honor of the @rw-ship-showdown I wanted to write about Artihunter as someone who jokingly slapped them together pre-downpour and still thinks they are actually very compelling. Just not in the super soft love wins kinda way (Although I get why people like that more) And the only way I know how to do that is talking too much so heres a far too long slug essay-

Obviously the slugcats don't offer a ton of characterization but theres not nothing to work with. Their stories, whether by their roles in it or the overarching themes do provide a backbone to work with. Even gameplay itself can provide a bit. (for some more than others) Hunter, to me, is ultimately a story about selflessness. The goal is to revive Moon, which is very much an act of kindness from both Hunter and NSH. But the weight of that action is much more significant for Hunter- Hunter is deeply sick. They're on the clock, and for all their skill in combat none of that will ultimately help them to survive longer than their body can hold out. Moon is a close friend of NSH but that means little Hunter- Hunter really gets next to nothing out of helping them, and ultimately pays quiet a bit spending their limited time alive fighting to deliver that neuron so that someone else can live.

To spend ones limited days on helping another, in a game that very much stresses the unwavering cruelty of the world and nature- is pretty notable. (And you could even say that Hunter being the Hardmode of Rain World adds another layer to this)

And then we have Artificer. A storyline that very much stands out to people as more… villainous (so to speak) than the other slugcats. Artificer's story covers a lot of things. Trauma, violence, revenge, etc. Revenge is a bit of a selfish desire- That need to see someone hurt as they have hurt you. A punishment that ultimately does not fix whatever harm was done- but feels good to see because you were hurt and now those responsible share that pain.

Artificer's actions are founded in that need for revenge, their pups killed for overstepping boundaries they didn't know existed. Is it not fair for them to be angry at that, to punish the scavengers for their violence with their own? Why should the scavengers ever be forgiven when they and their pups were not? And that's how you get that loop- Harm for harm over and over.

The original action has been lost in a spiral of violence for violence. And here stands Artificer- their very spirit scarred. Not just because they sought revenge, but because they never ceased trying to scratch that itch for violence as an answer. Artificer only has two paths for their story- killing the scavenger king (Someone who, really, has little to do with the original 'crime' of the scavengers, but represents an important individual to them- as did the slugpups to Artificer), locking themselves as karma one for good and spending the rest of their life chasing creatures that no longer even fight back in a warped sense of closure- or to dissolve themselves in the acids of the void sea because they're too far gone to find any real peace.

They can't meaningfully recover from that state, not alone, twisting in on themselves. Even if they halt their actions, they've been using violence as a feeble defense against their own pain- violence that no longer has any real direction or basis. Artificer gets no real closure from killing the scavenger king. All they can do is continue the cycle, or try to scrub it away. No real peace in a prison of their own making. So you have a creature, who even with a strict timer on their life- a body that will crumble to disease, spends its last bit of time on saving another. And another who was so caught up in the pain of loss that were eaten alive by their own anger, poisoned their own soul on such a deep level even self-proclaimed gods have no solution for them. What peace can they offer each other? For Hunter, its only a fleeting moment of happiness- of selfish love, before their own body fails them. A bit of indulgence in something for themself. For Artificer, its a single, comforting thread to ground them again, something tangible to protect and care about again. But thats a thread that will ultimately be snapped under the cruel indifference of the world. Hunters timer will tick down regardless of if it takes another with it. Its a tragedy- its doomed to end badly. Whatever good it offers to either of them to find each other will only provide the fleeting comfort of a band-aid that will be ripped away too early. But all that can be worth indulging in anyway, if only for the moment. It doesn't change the ending, but the ending was never going to be happy. Its can so yuri