#i love the show but seriously S4 is just all of this

[10yearsatleast]

About damn fucking time I see someone discuss why SNK/AoT while good in the moment fell down into the toilet/sewer in S4.

Thank you for killing me slowly by a thousand mental cuts the ask, anon! First of all, lemme apologize for taking so long to answer, but in my defence, you asked me quite the question here.

I want to say first that I used to be a big snk fan. And then the final chapter was released. It was so bad that it made me look at the whole series with a very critical eye, which made me realize that snk has never been that great to begin with. What really made this story good was the anime produced by WIT, and what really carried the story was its big mystery box. The moment we opened it, everything went downhill bc this was no longer a fantasy world, but a lazy parody of ww2 Germany & Japan.

But more importantly, and referring to the final arc, I started to notice all the rot hidden in plain sight: its fascist and antisemitic undertones, the awful writing, the lackluster worldbuilding, the braindead politics and the inconsistent treatment of characters.

Despite my newfound interest for the cautionary symbolism of Reiner and his character arc, I still think it was handled poorly. I have the same problem with characters like Gabi, Annie, Magath, and Pieck. Their individual arcs ended with them facing no real consequences for their crimes. Magath, despite being a literal representation of the nazi, was rewarded by the plot with a heroic death (a baffling choice when you think about who he is and what he did, and just how brutal and meaningless all of the Scouts deaths were pre timeskip). Reiner, Annie, Pieck, and Gabi were all rewarded with the promise of a new, happier life ahead of them, despite being responsible for hundreds of thousands of deaths directly or indirectly.

Gabi herself is proof of just how bad the writing is: RBA lived inside the walls for around 3 years, and yet they still went on with their mission. They still killed Marco. Annie still massacred those Scouts. It took Reiner 7 years to fully acknowledge that what he did was wrong and to finally make amends ... by joining an alliance that had the same goal as that of the warriors for the whole goddamn arc: take down Eren. However, Gabi realized she was wrong in like what, just a few months at best? Their development is dictated by however the plot needs them to be or act. But there's more:

Marco, the Levi Squad, Sasha, and -- as victims of similar circumstances -- Pixis, and Hange, the embodiment of pacifism, were all condemned for being good people, and some of them for believing that there is good in everybody, even in their enemies; and punished for believing that conflicts could be solved in peaceful ways. Does the cautionary symbolism of their brutal deaths still holds up when the story rewards violence and crushes pacifism?

I don't think it does.

Showing that even the worst of the worst are capable of change and doing the right thing in the end is an important message, but. The idea that everyone is just a victim of their uprising or their circumstances is simply wrong. Ideologies don't exist without people, cowardice does not justify orders carried out that lead to attrocities. This idea fails to acknowledge that evil exists. Not just nuanced evil, but pure evil as well. It also goes the other way around. This idea also fails to acknowledge that good can exist.

And also to sympathize with Pieck. And Magath, who in his final moments, revealed that he actually cared about the kids he was indoctrinating and instructing to commit genocide all along. I can't ignore the similarity with the way neonazi like to bring up hitler's friendship with Bernile Nienau, a girl of Jewish origins, as an attempt to humanize him. Heck, even Zeke's final moments painted him as more sympathetic than he was. Such is the case with Floch, and the way Jean reacted to his death. All those characters were redeemed in the audience's eyes without facing any substantial accountability.

I also have a huge issue with the false equivalences that were supposed to show us how morally grey everyone and everything is.

-> The link to the post in the screenshot

Jean and Connie and the Scouts that attacked Liberio aren't just wrongfully presented as something they're not, they're also used as tools to rationalize what Reiner and co have done to them throughout most of the series. Jean briefly does that with what Reiner did to Marco before he punches him to a pulp. Then again with the "we're the same" bs. Then again with implying Reiner is one of them as a Scout. There's also no real tension between the warriors and the Paradis side of the alliance. What the warriors did to Paradis is truly horrific, so their only way for redemption is through their victims.

The mistake that most people do when they interpret their relationship or the characters themselves is to only look at the characters' in-story intent. But there's also this thing called the author's intent that overrides everything. Sometimes, you cannot separate an author from their work. Especially when it comes to the final 12 chapters, where the quality of the writing is in the sewer.

But there's actually another way through which these characters were redeemed: the introduction of a much greater evil and a much horrific event that makes everything else pale in comparison. The main conflict of the story was revealed to have always been Eldians vs Eldians. But that wasn't always the case. Not until isayama retconned Eren, and then treated him the same way he treated the warriors. Eren's friends refused to condemn his actions, and instead repeatedly rationalized, then absolved and thanked him for what he did. It doesn't matter that they still did what was right in the end, that Mikasa killed him, or that Armin admitted they're both going to hell for the atrocities they've individually committed. In the anime. Which came out almost 3 years after the release of chapter 139+the extras and the massive backlash that followed. Let's not forget how that conversation went in the manga:

None of that matters because there's a dissonance between their actions & words and their attitude. isayama couldn't condemn any of his genocidal characters in a way that matters, in a way that would leave no room for moral ambiguity. But perhaps the greatest injustice isayama has committed to his own characters, story and messages was to retcon Eren, the character that was at the center of a message as powerful as the idea that we're all special because we're simply born in this world, into a genocidal maniac that cared about no one and nothing (if he actually cared about his friends, he wouldn't have put them through living hell, not when he actually had the power to prevent it, and if he actually cared about his mother, he wouldn't have killed her) through one of the worst executions of the time travel trope I've ever seen.

Snk is not a story that condemns fascism, let a lone a "masterpiece" when it comes to social or political themes, because it's centralized on justifying the oppression of the Eldians and making it an integral part of the plot. Not only are the Eldians an obvious metaphor for Jews, which is antisemitic on its own given how it's executed, but isayama ends up making them truly horrific because he takes real world antisemitic conspiracies and turns them into factual realities in his own story, all while seemingly acknowledging that Jews have been oppressed and the victims of the worst genocide in history. Moreover, the Eldians also seem to be ideologically inspired by imperial Japan, Paradis in particular. As @ shangyang points out in their essay, we shouldn't forget the fact that this is a manga authored by a Japanese man, nor that Japan has its own history with fascism. (Plesse don't skip any of the posts linked here)

All that being said, isayama's true intent is more than clear: violence is praised because his characters were written so to see violence as their only option, and the fascist mentality of eternal warfare as the status quo. Pacifism is not presented as an option. There's no nuance, only extremism. Even the cycle of hatred at the very end only serves as proof that the intent of the story is to present an extremely narrow worldview in which the human species is only capable of perpetual warmongering, hatred, destruction, and death. Which is wrong and is the very opposite of what I'd call "nuance", imo. And the reason this bothers me so much is because snk and other "morally grey" works alike aren't portraying evil people as just that, people, and evil as something that exists in all of us - no, what they're doing is making the unlikeable likeable, the unjustifiable justifiable, and they're making people sympathetic towards things they shouldn't be sympathizing. Such narratives are banalizing evil (if I had a nickel for how many posts I've seen justifying what Magath did or outright saying they love the guy, well I'd have a lot of nickels) and depreciating good (lots of nickels for all the posts I've seen bashing the Scouts). Such narratives serve as propaganda for the things they claim to condemn.

The result is that such stories beget ignorance, and ignorance is a fertile ground, whether is the case of people who are only interested in shipping and blorbofication, or the people who are not properly educated to know what they're dealing with.

And there's a reason actual fascists and neonazi are circling the series like flies, identifying with the yeagerists, and saying that "Eren was right". They're not taking control of the narrative, they're seeing it for what it really is. The progression of Eren's character arc, his motivations, the retcons, the conclusion of the story, Ymir's motivation, the undeserved redemptions, the characters not behaving in ways they should based on their history, none of those things make sense because they don't have to make sense. They're only pretexts meant to mask the actual intent of the story. The cycle of hatred didn't end because the rumbling truly failed. Because "the enemy" (the people outside Paradis, all of them, as Eren made it very clear) wasn't completely obliterated. Because as long as there's "the enemy", there can't be peace. Fascists have a complex relationship with war. They don’t like it, but "the enemy" is always forcing their hand. The rumbling was meant to succeed.

This is not a cautionary tale for anti-fascists.

Snk is a cautionary tale for fascists.

Now recontextualize all of that in present-day fascist politics, and see where it takes you. But ofc, this is only my interpretation, based exclusively on the story itself.

[butterflysonnets]

yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

[cookinguptales]

So… I’ve been turning all this over in my head since last night, and I wanted to make a post about vampiric transformation as sex, and how it’s being used in wwdits as a metaphor for sexual repression, sexual freedom, virginity, and cuckolding.

Before I even get into the obvious metaphors about virginity and cuckolding, I think we need to talk about the elephant in the room. Guillermo’s sexual repression and how that’s come to find an outlet in his vampiric longing.

Guillermo is highly repressed, sexually speaking, but I don’t think he’s asexual. He’s shown interest in sex several times, but in an uncomfortable “this can’t be for me yet” kind of way. He was clearly raised Catholic and has internalized a lot of that shame re: sex, especially gay sex. He wants intimacy, but he’s also internalized the idea that wanting these things is dangerous and shameful.

But… the vampiric world seems to symbolize all the things that Guillermo wants but cannot have. He wants to be strong, powerful, attractive, and sexually liberated. As much as their openness about sex embarrasses him, there’s a certain longing there, too. He didn’t just want to be handsome as a vampire — he explicitly used the word “sexy.”

A vampiric Guillermo is a version of Guillermo that gets to have sex. Loudly, proudly, and without shame. It’s a version of him that is wanted, that wants, and who gets to have the precise kind of intimacy he's always craved.

Now, how much Guillermo has actually done sexually is still up for a lot of debate in fandom, but I think that’s kind of immaterial. For most of the show, Guillermo clearly wasn’t having the kind of intimacy that he wanted to be having, and he only started to even begin to allow himself to seriously consider all that in s4, when he got a boyfriend and came out to his family.

As being gay and wanting to be a vampire. 

Guillermo is finally starting to own both his homosexuality and his vampiric life, and that means he’s finally starting to explore sex.

Now… At the end of s4, I talked about how Guillermo going to Derek in the finale had the air of a person who’d been fantasizing about losing their virginity in a certain way all their life — but then they finally give up on those dreams and hire a sex worker instead. There’s a resignation there in Guillermo that he couldn’t get it “the old-fashioned way,” he’s disappointed and jaded when it comes to intimate relationships, and now he’s tired of waiting for love and just wants a business transaction.

I wasn’t quite expecting for them to push that metaphor even more in s5! The money aspect was almost forgotten (Did… Derek even take the money? Why is he still cleaning toilets?) but the scene with Derek biting Guillermo was clearly a metaphorical virginity scene.

Guillermo’s nervous eagerness, his growing realization that this wasn’t actually the way he wanted it to happen. Asking Derek if he’d ever done this before and figuring out if he was “ready.” Taking off his clothes (that his grandmother got for him, even, that’s a whole meta post right THERE) and trying to make the vibe “right.” His insistence that though Nandor had never done this for him, they still had a caring and intimate relationship.

But… it was also a metaphor for bad sex. Many people lose their virginity in a way they don’t find satisfying, and Guillermo definitely seems to fall in this category. It was awkward, it was bloody, it hurt, his partner didn’t listen to him, they weren’t on the same wavelength, they didn’t connect, there was no emotional bond, and most importantly, he didn’t feel changed.

Like a lot of people do, Guillermo thought losing his virginity would change him. He’d be cooler, sexier, more powerful. His station in life would change. He’d become an adult his ideal form. But he’s still just Guillermo.

As he told Laszlo, as soon as he did it, he regretted it. He immediately knew that he’d been right, that this wasn’t the way he wanted to do it. He wanted to do it with someone experienced who loved and cared about him, who listened to him, and he wanted that person to be Nandor. But he wasn’t patient, he paid an inexperienced acquaintance for a one-night-stand instead, and he was left feeling deeply unfulfilled.

Most upsettingly, he immediately discovered that, like virginity, you can’t lose it twice. He can’t just have a do-over with Nandor now. He’s given something up that he can’t give to anyone else, and he’s going to have to live with the consequences.

Because like sex for humans, transformation has social implications in the vampire world. It can only be done in very specific situations. Guillermo seems to have grown up in a human world where sex should only be happening within a heterosexual marriage, and now he’s finding that in the vampire world, transformation is only supposed to happen between a master and familiar currently in a contractual bond.

So… him going to Derek and finding “outlet” in another relationship, so to speak, is effectively vampirically cuckolding Nandor. He’s given that honor to another vampire, which Nandor seems to find both vampirically humiliating and personally hurtful. It would in fact hurt him so badly that he would probably not survive it, in Laszlo’s words.

(There’s also definitely an element of an abusive “if I can’t have you, no one can” vibe in Nandor’s threat to kill Guillermo and then himself if Guillermo got what he needed from another vampire, but since when have we ever liked them well-adjusted?)

Guillermo is realizing that, as much as he’s been thinking of this in sexual terms, so have the vampires. He thought he was the only one who thought it was a big deal. He thought he was the only one placing intimacy and partnership and loyalty into this event. But now he’s realizing that as much as it meant to him, it might have even been a bigger thing for Nandor.

For Guillermo, vampirism-as-sex represents the idealized transformational aspects of losing your virginity. He’d built up this big event in his mind that represented his intimate bond with Nandor, he’d built up this idea that the event would change him, would make him better, would make him free. But he’s finding, like many first-timers do, that sometimes it’s not transformational. It’s just awkward and disappointing and the only thing that’s changed is that you ache in the morning.

He still doesn’t have the intimacy he wanted. He still doesn’t have the ability to be loudly himself. He still hasn’t been able to fully own his sexuality and ask for what he wants. He wasn’t ready. He didn’t enjoy it. He regrets it.

He also regrets it because now he knows it will hurt Nandor and the relationship they’ve built. Because for Nandor, vampirism-as-sex represents the societal aspects of sex. The rules people follow. The societal humiliation you feel if you’re cuckolded. The personal agony you feel when you’re cheated on. The sense that your home is broken if your partner goes to find satisfaction with someone else.

Guillermo, who has had to deal with societal disapproval of his desired type of sex in the human world his whole life, was viewing vampiric transformation as a way to be free of all that. The shame and the repression and the societal penalties for being himself.

But he’s just found himself in a mess of new rules, hasn’t he? Different culture, same struggle. And while the vampiric world has always symbolized a sexual liberation that both repulses and attracts Guillermo, he clearly doesn’t have as much freedom here as he thought.

So… to sum up, Guillermo always kind of thought of transformation as losing his virginity. He associated vampirism with sex, and he thought this would be his entrance into the sexual world. He wanted to have an intimate experience with Nandor, but eventually gave up on that and decided to pay for it — and then immediately regretted it, both because he found it personally dissatisfying and because it came as a betrayal to the man he loves.

The problem is that he thought he was the only person thinking of it as sex — he didn’t realize that Nandor does, too, just in a very different way.

Nandor was also thinking of vampiric transformation as this special act, and one that belongs only to him as Guillermo’s master/partner. He was thinking of it in intimate terms, but also in societal partnership terms. He’s thinking of his household, while Guillermo was thinking of things on more individualistic terms.

If only they’d both talked about all this shit even once. :’)

But that’s not how we do things here in Staten Island!!! We just long for things ineffectively, keep secrets, and fuck everything up!

(There’s also a whole thing here about how Nandor wasn’t keeping his side of the relationship bargain and that’s why Guillermo looked elsewhere in a moment of weakness, but I guess that’s probably a separate post. This is long enough already.)

[hotluncheddie]

For the @steddie-spooktober day 19 prompt : zombie

rated: T | cw: none | tags: post s4, Eddie Munson has a crush on Steve Harrington, Steve is giving

📼📼📼📼

Eddie knocks on Steve’s door at exactly 7pm, precisely when he said he would.

Partly because he’s been looking forward to watching his favourite film again all week. And, well, mostly because he’s been looking forward to watching his favourite film alone with Steve all week. He set enough reminders and planned his day ahead so he’d be right on time.

Steve opens the door a few seconds later, soft and glowing in his glasses and yellow sweater.

Time alone with Steve is still something Eddie can’t really believe is real. Let alone when the guy listening to his rants and actually, genuinely seems interested in what he has to say.

‘Hey Ed’s.’ He says and Eddie bows slightly, presenting his prized VHS of ‘Night of the Living Dead’, the one he found in Indi months ago and hasn’t stopped being obsessed with since.

‘Come on in then.’ Steve smiles at Eddie’s seriousness, walks him towards the low cozy light of the den with a hand on his lower back. ‘I’ll just get us a soda.’ He says softly, leaving Eddie to put the movie in and sit with the tingles that are travelling up his spine.

‘So this movie is, like, a big deal then?’ Steve asks as he comes back in and sits down. Handing Eddie a coke.

‘It is a big deal! He reimagined and reinvented a whole genre of horror. It’s like, it’s actually culturally significant yeah?’ Eddie says, swinging his coke around and darting his eyes around the room.

He looks to his side. Steve staring at him with his head resting in his palm, little smile on his face. ‘Go on.’ He says.

‘So yeah.’ Eddie swallows and shifts, tugging at his shirt. ‘It was released in the 70’s along with some other movies like Pink Flamingos by John Waters and fuckin Eraserhead and Rocky Horror Picture Show dude. Seriously weird shit. And they travelled around and screened late at night. So basically only freaks and weirdos went to see them. But that was perfect because these movies were made by and for freaks and weirdos, you know?’ Eddie finishes, buzzing with excitement.

‘I know now.’ Steve says softly, still looking at Eddie with his little please smile.

Eddie blinks, feeling too hot under Steve’s gaze. ‘Yeah so, anyway, it’s super important that you watch this, I mean you work at Family Video and Halloween is next week. You gotta know the fundamentals Stevie.’

Steve nods and Eddie watches his hand as he presses play. They both relax back against the sofa, Steve scooting a little closer and putting his arm across the back cushions. Eddie tries not to act weird. Tries to focus on the movie, he loves this movie.

But he can feel the heat radiating off of Steve’s chest. Can hear his breathing and smell his cologne.

He can feel his horrendously huge crush for the guy banging at his rib cage, begging to be let free.

But, it really is his favourite movie, so it engrossed Eddie in the end, the thrill of the story unfolding in that little wooden house never gets old.

But then the soft flannel of Steve’s pyjama pants is pressing against Eddie’s jeans. And Steve’s warmth is getting closer, the arm on the sofa shifting to around Eddie’s shoulders. ‘I know you said it was a horror but, it’s kinda spookier than I expected.’ Steve whispers to Eddie in the near darkness. So close now he’s sure Steve must be able to feel the rapid beat of his heart.

Eddie almost pulls away. Too afraid by the potential, by the what if of it going all wrong, of everything he has with Steve falling apart in his fingers. But he’s seen Steve on a battlefield, he’s seen Steve by his bedside in hospital. He’s seen steve in so many ways, and each one is the bravest thing he’s ever known.

So, Eddie decides to be brave too, he leans in close and wraps a protective arm around Steve’s waist. ‘I got you.’ He says, serious. ‘Won’t let the zombies hurt you.’ And he watches Steve’s smile grow, teeth glinting in the light of the television.

Eddie’s cheeks are on fire. But there’s no place he’d rather be, as Steve settles with his head on Eddie’s shoulder. Eddie holds on for dear life.

‘Night of the living dead’ is definitely the best movie ever made.

📼📼📼📼

Tag list : @scoops-aboy86 @xxfiction-is-my-realityxx @pearynice @marvel-ous-m @thecatkingsthrone

@cheesedoctor @chickensinrainboots @chameleonhair

[urhoneycombwitch]

hold me like water

Eddie Munson x shy!Reader in the aftermath, you and Eddie learn how to live again.

foreword: followup to my unofficial eddie x shy!reader series. not necessary to read in order but here’s one and two if u want. this takes place after the events of s4 but everyone (including the trailer sorry i’m too attached) is mostly fine and so is the town. except for all that pesky PTSD… lol. written epilogue-style but I just wanted to give them something soft… not done w them yet!!

cw: PTSD, nightmares, trauma bonding, medical stuff, scarring/wounds, light smut post-traumatic event, R has breasts+a vagina, R wears a bikini

wc: 3k

___

For the first month, you don’t leave the trailer.

More specifically, you don’t leave Eddie. 

While he’s recovering from the attacks, you confine yourself to his room; Wayne had pulled in a comfy armchair for you when he realized you’d been sleeping on Eddie’s floor for three nights in a row, just to be closer to him than the guest bed down the hall. 

Now, with the chair, you’re actually getting some sleep at night- enough to tend to Eddie’s wounds every morning and evening without yawning comically loud. 

After the first few weeks of healing, while Eddie is still tender but learning to walk shakily with the use of a cane, you still stick to the boundaries of the trailer. Neither of you really want to go anywhere, anyways: Hop’s instructions to keep a low profile while the dust settles on the murder investigation have to be taken seriously. 

Plus, Eddie and you are very well taken care of by your friends-turned-family. Anything you could ever want for shows up on your doorstep and kitchen counters by a rotating crew of familiar faces; Mrs. Byers brings groceries and finds excuses to stay longer, busying herself by making tea, doing the dishes; Mrs. Wheeler brings casseroles and her son, who steals Eddie away for intense D&D discussions (Eddie made Mike interim DM, and the power’s really gone to his head). 

The trailer is almost always filled during the day, bikes in a heap on the front strip of grass, Beemer parked at an angle to avoid a popped tire. Steve picks up Eddie’s medication every Friday, brings it over along with a bunch of VHS’s and Robin. Sometimes Jonathan and Argyle join in on movie nights, too, and Nancy when she’s not busy with work.

It’s easy and peaceful, spending time with people who understand and share the same traumas. People who don’t stare at the bandages or Eddie’s cane or ask why you won’t leave the trailer any more. 

The government officials from the now-defunct Hawkin’s lab call every few days, wall-mounted landline ringing like a toll bell at 3pm sharp. You tell them the same thing, every time, curt and firm- if they want to interrogate you and Eddie, they’ll damn well have to come here. Or drag you, kicking and screaming.

Steve asks about it one afternoon, naive and confused with the force of your phone slamming- “Y’know, they probably just want you to sign one of those Don’t-Talk-About-This papers and give you a bunch of money. I heard they’re setting up college funds for all the kids-”

“Good for them.” Your dry remark cuts in smoothly from the couch, hand on Eddie’s knee as a lifeline. In a voice wobbly with anger, eyes glittering with unshed tears, your chin tilts up, defiant- “It’s the least they can do. I want them to look me in the eyes when they try to grovel for my silence. For Eddie’s. After all they fucking did to us, to the town-”

Eddie’s hand slips over yours, squeezes. Steve raises his hands in a placating gesture, surrendering with haste, then retreats to the kitchen for movie night snacks. 

“Never heard you so bossy before,” Eddie murmurs, at the shell of your ear. Goosebumps cascade across your neck when he rests his heavy palm there, cold rings warming to the temperature of your skin. “Goin’ to bat for me. It’s hot.”

You’re a couple of steps removed from the quiet, shy thing Eddie’s known for years. Seeing the love of your life almost bleed out in an alternate dimension will do that to a person.

Owens shows up at the trailer one morning, at the end of summer after all the phone calls provide no results. Him and two of his muscliest-looking lab guys are met by you in the threshold of the door, arms crossed and somehow looking fierce despite the fuzzy blue bathrobe you’re swathed in.

“The goons stay outside.” Your word is final. Even the doctor knows it.

The two men in coats settle on either side of the porch, while Owens is allowed to sit at the kitchen table indoors, accepting a mug of coffee Eddie generously supplies (you certainly aren’t in a hospitable mood, glaring daggers at him from the opposing chair).

Predictably, the doctor explains he’s here with some NDA’s for both you and Eddie to sign, the shiny promise of a government-allotted chunk of change waiting on the other side.

Hidden from view under the table, your fingertips skate over Eddie’s palm, lying open and pliant for you. Calmly, like you’re stating the weather, you tell Owens to double his offer.

By the time he’s done using your phone, Owens is wiping sweat from his forehead with a kerchief. Once the papers are signed, him and the lab goons load back into the shiny black car like silent sentries. 

They leave, and Eddie laughs, a full, rich noise that makes your heart ache. His fist slams the table in excess of humor, mugs jumping with a clink. “Goddamn. You just made the richest guy in Hawkins run off with his tail between his legs.” 

“Pretty sure Harrington Senior has him beat,” you mutter around the rim of your coffee, unable to repress the satisfied smirk that tugs at your lips. 

The payoff is a sickening amount, more money than you or Eddie have ever seen- enough to send you both to college, twice, with a hefty nest egg for the future leftover. You put the bulk of yours in a savings account, just so you don’t get dizzy looking at the numbers. 

Eddie does the same, with the exception of a down payment on the vacant trailer at the end of the park. Along with the new place, Wayne gets a fresh mattress, a couch that doesn’t have holes, and a proper, working stereo to play all his “old man country” tapes (in Eddie’s words). The quiet and deep thankfulness Wayne gives you both makes you feel like you’d do it all over again, like the fight was all worth it for the Laz-E-Boy in the corner and the new mug collection shelf. 

Eddie floats the idea of college again, now that you’ve got the funds to make it possible. You’ve certainly got the time, too- neither of you have any need to work long shifts at the diner or garage anymore. 

Unfortunately, this makes it all the more easy to form reclusive habits. By autumn, the solidness of your refusal to leave the trailer has less to do with helping Eddie than it does with your own fear of what lies beyond the comfort of your home. 

Most days, you work on healing. Eddie’s still your lifeline, gentle encouragement turning stern when you need it the most- he talks you into visiting Max by yourself, a veritable feat; the short walk between the two trailers feels like death, your knock shaky with nerves. It feels horrifying, to walk the thin line of being both braver and more scared than you’ve ever been.

You stay for an hour. The next day, for two- Max has a new kitten that passes the time easily, the girl giggling behind her new thick-rimmed glasses while pulling string across the floor for the tiny thing to pounce on. One night, you bring dinner for both the Mayfields and stay well past supper; it’s nearly 11 by the time you return to Eddie’s open arms, triumphant in your success with a tupperware of Mrs. Mayfield’s cookies to boot.

Your bravery builds in increments. Eddie cleans the rust from his van that’s been sitting untouched since spring, and takes you on drives that go a bit farther each time. The Byers’ place for lunch, Dustin’s to pick up an extra radio, then all the way to north Hawkins for more of Mrs. Wheeler’s plastic-wrapped dishes she asks you to relieve her of. 

When winter rolls around, Steve takes advantage of his now-permanently empty home to throw a holiday party. It’s loud with chatter and overwhelming with noise but it feels so good to be surrounded by it, by everyone, Eddie’s hand a steady comfort on your waist or lower back as you eat and drink and make merry with your friends. 

Hop pulls it off, a Christmas miracle- all the murders get pinned on Jason, buried six feet under with parents who skipped town ages ago. You’re out for groceries one cold morning and realize that not a single shopper has even given Eddie a second glance, conspicuous as he is in black leather and flashy silver jewelry. 

The strings loosen with a sigh, fluttering in release, allowing some space for you both to breathe.

Sex has been… different, lately. There’s been lots of readjusting, both physically and mentally- accounting for unforeseen muscle spasms, bone-deep bruises hidden beneath rippled skin, tissue and scarring pulled taut, testing the limits of new pains.    

The first time, just a few weeks after the attacks, Eddie had begged to go down on you. He wanted the comfort of your thighs, your taste and scent, all-consuming, to think about anything else other than his wounds. 

You’d been more than hesitant, terrified of hurting him, of letting your focus shift inwards. More in your head than ever, it took Eddie over an hour to coax an orgasm from the walls that’d been built back up around your pleasure; even with his lithe tongue and long, seeking fingers, it took forever and an age to get you anywhere close to the edge.

Eddie didn’t complain once- in fact, he kind of got off on the amount of time you let him spend between your legs. The muscles in his right arm were trembling by the time you clamped down on his fingers, jaw burning but keeping the suction at your clit even while your hips rolled strong as a tidal wave against his face.

And before you could open your mouth to apologize, or say something equally silly, panting and wrung-out and heartbreakingly beautiful against the pillows, Eddie’s teeth flashed at the inside of your thigh. 

You’d jolted, breathless and giggly, endorphins soaring as he’d tenderly crawled up the length of your body to slip his tongue between your lips, sharing the earthy tang of your release. 

“One more,” he’d said, uninjured arm taking the bulk of his weight while he dipped down to mouth at your breast. “And this time, put your hands in my hair. I’m getting jealous of the sheets.”

As Eddie’s physical limitations lessen with time, your mental barriers ease, as well. There’s still some stilted moments of relearning, of working together in bodies that don’t always respond the way you want them to. 

There are raw, stripped-open emotions that have you clawing at Eddie’s back, his nails leaving indents on the flesh of your hips. To keep pressure off the worst of his side wounds, you find new positions, usually some form of your thighs draped over his or the welcome weight of you in his lap. 

He’s endlessly patient. The kind of patient that makes you want to run, far and fast, and he knows it; when your pleasure recedes, frustration in the form of tears and hands pressed to your face, Eddie’s there to soothe. To try a new angle, to slow down or speed up, offering a break or an extra pillow to keep you comfortable and feeling good. 

If you were comforted by each other’s presence during the night before the Spring Break from hell, it’s tenfold now. Neither of you will sleep a wink if Eddie’s not wrapped around you like a koala, snoring gently, overheated and tacky with sweat by morning but neither willing to compromise the closeness. 

Nightmares are easier to handle, too- you’re there to soothe the sweat-coated bangs from Eddie’s forehead when he wakes up whimpering in fear, coaxing his panic and adrenaline back down. He’s so fine-tuned to the rhythms of your body that even though your own nightmares rarely end in noise, Eddie often wakes anyways from the disturbance in your breaths. 

Just as you do for him, sometimes all it takes to get you back to sleep is a tender voice, a stroke of the arm, a reassurance in the dark that he’s with you. 

A year after it all happened, Eddie hears you singing in the shower.

If he wasn’t craning to hear the gentle splashing noises as confirmation of your presence, he would’ve missed it. Eddie leans with his good shoulder on the wood frame, door partially cracked to let the melody of your voice float through.

Stevie Nicks is crooning sweetly from the handheld radio on the bathroom counter, and you, just as sweet and twice as pretty singing along. 

Eddie closes his eyes, puts a hand to his chest; through the fabric of his shirt he feels the raised, bumpy edges of scar tissue, but there’s something beyond it. Curling around his heart, making it ache- it feels like healing. Like getting better, at least well enough to sing.

He’s dumbstruck with it. 

That summer, he takes you to Lover’s Lake.

It’s just the two of you, which makes it easy for Eddie to go shirtless; currently, he’s enjoying the way you’re watching him from the back of the van, bare feet swinging and paired with a killer black bikini that he begged you into.

He’s not so sure the scars that criss cross his front and sides are as “metal” as you claim they are, but he’s trying. He’d drag himself over hot coals just to get half a smile; going shirtless is nothing. 

You reach for him, and he walks into the V of your legs willingly, your arms wrapping around his torso, head pressed to the middle of his sternum. Eddie plants his hands on either side of your hips, drops his chin to fit you under it.

“Come swim with me.”

In response, you sigh- a longsuffering, worried sort of noise that leaves your lungs and enters his. He’s been trying to talk you into it for weeks- it’s a miracle he’s gotten you both this far, dressed and ready to take the plunge. 

Eddie’s not really sure why this swim is so important to him. It might have something to do with the fissure at the bottom of the lake, all scabbed over and sewn back together; or maybe it’s the surface, skimmed by a light breeze  and rippling gently, nothing of monsters or alternate dimensions leftover to disturb the placidity. 

Eddie wants to prove that it’s safe, for you and for himself. That the nightmares and the sticky feelings and the tears, they all mean something, of course they do- but the only way to is through. 

So he takes you by both hands and you only drag your feet a little until he’s walking backwards on the shore, water lapping up to his ankles, and you freeze. Heels digging into the wet earth, tense under Eddie’s grasp, eyes wide and darting around like something might come crashing through the treeline.

“Hey. Look at me.” In a voice that’s reserved for you and you alone, Eddie speaks softly, calmly, letting out all the tension of his pull to just hold, instead. “You’re safe. There’s nothing out here that’s gonna hurt us, okay? Steve went all the way back down to the bottom to make sure. No more gate. No nothin’. It’s just a lake.”

“Just a lake,” you repeat, like a mantra as you take another step. The water rolls over your feet; Eddie murmurs his encouragement while leading.

“That’s right, sweetheart. It’s just a lake. Our lake.”

The water rises, up the back of Eddie’s calves, swishing around your shins; the pebble-rock floor shifts with each step. You and Eddie used to spend long summer days here, swimming and picnicking and fucking in the back of the van, syrupy-slow and stretched with time. 

“Our lake.” You’re shivering, teeth chattering, even though the air is hot and the water is just-cool.

Eddie rubs at your upper arms, allaying the goosebumps; waterline up to your waists, now. The rock you’re balanced on beneath the surface jolts, and you stumble forward into Eddie’s arms; in a smooth maneuver, he catches you while sinking into a crouch, pulling you both from the safety of the shallows.

Then, your kicking feet meet nothing but the vastness of the lake, nails biting into Eddie’s arms, fear rattling through your spine until Eddie- treading water while valiantly supporting you, too- tosses his black hair back and whoops. 

The sound is loud, joyful, ricochets across the lake and bounces back from the other shore. He crows at the sun, startles a laugh out of you as he clings harder, kicking to keep you both afloat- “Holy SHIT! We’re swimming in Lover’s Lake!”

“Holy shit,” you agree, giddy and breathless, nerves turning over into disbelief, excitement. “We’re swimming in our lake.”

Eddie kisses you. It’s sloppy and he misses the middle of your mouth as you both try to keep the other from slipping under, teeth clashing, giggles escaping around the sides. He puts a hand dripping with lake water to your cheek, holding you in place, thumb pressing gentle just under your eye. 

“I love you.”

“Love you.” Your reply is swift and just as eager, hand coming to rest at the puckered line of scarring at Eddie’s chest. 

Somewhere at the bottom of Lover’s Lake, a twin crack, a Something that was never supposed to be but now just Is. 

You feel extraordinarily grateful, awash with we made it, as you and Eddie swim out further, shores in the shape of a heart holding you both from all sides.

___

for more shy!Reader content: masterlist

[phantasmicfish]

Long ranty list of stuff that majorly Sucked in s4 of tua:

- number one thing I loathe is the convenient way tua got their powers back. We get this brief vignette of them without their powers in episode 1, and then by the end of the episode they conveniently find the marigold and *voila* have powers. Where were the stakes? The consequences? Show me TUA struggling to adjust to powerless life. Five annoyed that he has to use the stairs to climb a four story building. Diego failing to chop expertly w knives. Luther struggling to open jars idk give me something. Don’t just do a six year time skip and ignore the mundane!

- Adding onto ^ that I feel like it would make more sense to me if we saw TUA without their powers for maybe 3 eps in s4, and they go through a mini Journey to get them back. Instead it’s like the entire hook of the s3 finale is immediately resolved in episode 1, it annoys me to no end

- Five working for the CIA I sorta get… cuz it’s sorta what he did with The Commission. So now unmoored and powerless he’d probably go back to that lifestyle. But Five, paranoid violent genius in the room Five, not noticing the completely obvious umbrella tattoo on his boss’ wrist?

- Jennifer being introduced, immediately shrugging off the fact that her entire town was murdered/a Truman Show sham, and joining Ben with basically zero questions

- Jennifer getting no character arc beyond she was born in a squid and she loves Ben

- Getting zero recognition that Reginald is an alien. Like. Hello?? You just found out your pos father is AN ALIEN! Are the siblings seriously not going to talk about this

- Also what year is s4 set in. Why do they always dial rotary phones but mention cryptocurrency? What is this universe where everybody knows Reginald and he’s colloquially referred to as “the elite?” Are Reginald and Abigail the… President and Vice President? King and Queen? Just some people who started a massive corporation and got rich?

- No mention of Grace is criminal. It would have made waaaaay more sense if the lady who played Abigail was actually played by Grace. And it would add some heart to Reginald as a character too. Otherwise, instead of secretly loving Grace his alien wife, Grace is just some woman who was alive in the 60s and Reginald made a replica robot mom of her in 2019. For some reason. Idk I feel like the puzzle pieces were all laid out and for some reason TUA writers did not assemble them

- No mention of Pogo or Ray is also incredibly disappointing. Allison betrayed her siblings in order to be with Claire AND with Ray in one universe, but he’s not even in s4. Why even included him in the end of s3 then

- Okay maybe I’m pulling a blank but who tf is Quinn? Why does he know Klaus? Why does he hate Klaus so much?

- Why does Claire know Klaus is immortal? Why is all of sudden cool w her mom having eye glowy powers? You have no questions about that Claire huh…

- It also made sense to me that Lila and Diego would hate domestic life… and to me it seemed like even introducing their kids (not one, but three) was sort of silly. We only really saw Grace at the birthday party and then it seemed like Lila and Diego would forget and then remember the kids existed at weird parts

- Five and Lila giving up searching for a way out of the subway stations six years in seemed sus. Yes, take a break/eat strawberries but why would you stop searching for a way back? You’re supposed to be the best agents in the commission so like… where did that grit/determination go

- Ben dying and being mutated with zero understanding of what was happening to him… just sucked

[cocogum]

Weird things I want Ankama to explain.

Why did Tot develop the adventures after season 2 into a manga? Was it because of budget related reasons? Because it couldn’t have been for its maturity. Tot follows the audience as it kept growing and at the time, the majority were still young. The only reason why the Great Wave, on the other hand, got turned into a manga was because it was apparently going to get graphic.

Why did Tot jump 6 years into the future instead of making more adventures when the gang still had no responsibilities or duties?

Why did tot not make up a new queen outfit for Amalia in the Great Wave instead of making her feel limited to her strict s4 budget? I thought the entire point of converting the story into a manga is to be finally be free from restrictive animation budgets.

Why was Arpagone added into the story??? Ruel specifically stated in two moments that he never got married. In season 1, he spoke to Kabrok and when the wife topic came up, insinuated that if he ever had a wife like Miranda, he'd stop his adventures. And in season 2, when Yugo asks Ruel if he has ever fallen in love, Ruel says that he did and had many lovers in the past but ALMOST married one of them. In season 3, we see that he officially married Arpagone, which completely contradicts what he has said in season 2.

Why are there good concept arts of the characters from seasons 3-4 from the yt videos Ankama uploads for us but these same concept arts are not included in their respective season artbooks??? I thought the whole point of an artbook was to show ALL character concepts and sheets.

Why did Nora have this entire redesign? Don't get me wrong, I think she looks cool as hell but it threw me off so much when I first watched the S4 trailer. I had to get used to it lol

It's funny how Wakfu's main role was to introduce the eliatrope class but then finally opted to introduce a sub branch of it being the 'eliotropes' instead. Like Tot please give us more info in Season 5, you literally did an entire reboot of the eliatropes' history FOR SOME REASON and it now feels like we're back where we started because of Season 4. We now have more questions than answers and it literally took us 16 years to get here and we BARELY SCRATCHED THE SURFACE.

Sooo are we just gonna forget about how Amalia dreamed of Sadida telling her to go out and help a hero? The hero being Yugo? She literally tells Eva in Season 1 that she had a dream of her GOD, but Eva doesn't believe her cuz she thinks she's making up things or whatever. But when Amalia says the same thing to Armand, again, NO ONE BATS AN EYE??? Tot you seriously need to give me an explanation for why Amalia was able to meet her god like this, AND why she seems to have a special connection with the Tree of Life SINCE IT SPECIFICALLY CHOSE HER TO POSSESS DURING NOX'S WAR. Also, why would Sadida willingly make Amalia meet Yugo?? I ain't complaining, I think it's such an interesting thing to know about, BUT EVEN AFTER FOUR SEASONS AND THREE SPECIAL EPISODES, we still don't know why she is so special! She was even able to find a solution for Pandiego's village CUZ HER FUCKING TEARS HAPPENED TO BE THE SOLUTION FOR THE MILK PROBLEM ‼️‼️‼️‼️

[heartilywrites]

hi hi!! can i req a kuvira x fem!waterbender reader where the reader is on team avatar and they met in s3 and we’re all flirty, what would kuvira do to r in s4?? ty!!

،، Everlasting love ; Kuvira

resume: where Kuvira and you started something you didn’t know how it could end.

content warning: fem!waterbender reader x Kuvira ; description of eye color ; you're part of team avatar ! ; time skip ; kinda long os ; no use of y/n ; open ending

wc: 3k

a/n: I'm sorry I took too long to write this one, but I was trying to get everything I wanted to explore in just one post and apparently I can't do that in under 2k words🧍🏽‍♀️ HOPE YOU ENJOY :D

“ Once upon a time, I was falling in love, but now I’m only falling apart.

Blue eyes wandered around the landscape with such fascination, you were so immersed in your own thoughts about the city that didn't realize when the group stopped by a big salon, your body bumped with Mako.

‍ ‍ ‍ ‍‍ “Shit, sorry...! Where are we?” you asked to the bender, clearly you didn't pay attention to anything said before.

‍ ‍ ‍ ‍‍ “Meeting the mother of the airbender.” he said making you face the other way were some metalbenders were doing a choreography.

Now you stood still watching the dance unfold right infront of you. You were so amazed at the way they used the metal to catch people and how easy it looked to bend.

At the final stand, your sight got caught by one of the girls at the very top, even from afar you could spot a little dot below her left eye.

‍ ‍ ‍ ‍‍ “Let's take a break, everyone!” you heard the matriarch say and giggle a little bit at how fast everyone scatter.

Your eyes followed the girl and Kuvira could feel your gaze in her, so when she turned around to get a glance of who was looking at her your hand waved timidly.

Korra called your name when she saw you distracted, her head made a movement about going out of there and you were quick to follow.

It was safe to say that now the metalbender was all you could think of, you went with the team to the city in a mission to meet the new airbender and take her to the north with the rest of the nomads, but that was all. You couldn't do much as a waterbender in a city made of metal, so you went wandering around the place, still mesmerized with the architecture.

‍ ‍ ‍ ‍‍ “Hey!” you smiled at the captain when both paths bumped each other. “You're the one in the dance group, aren't you?”

‍ ‍ ‍ ‍‍ “Kuvira.” the soldier presented herself, you said your name back. “You're the one that came with the avatar.”

‍ ‍ ‍ ‍‍ “I am, she's with Su's daughter right now.” you explained, tilting your head to the left. “And I wanted to explore a little bit...” both your hands went to your back, you didn't lose anything trying to shoot your shot, right? “Do you know any good guide that could show me around?”

Kuvira looked confused for a good second, she couldn't seriously don't catch that. “I thought Aiwei showed you around.”

‍ ‍ ‍ ‍‍ “I mean... Not really, he showed us like two places at best.” you said, shrugging. “Just if you can, maybe you can show me around?”

‍ ‍ ‍ ‍‍ “Oh...” you saw the girl's cheeks change to the most subtle tone of pink, her head moved trying to hide it. “Well, right now I'm on duty, but..”

She stood in silence, thinking for a bit while your bottom lip was trapped between your teeth for what felt almost an eternity.

‍ ‍ ‍ ‍‍ “How about at dawn we meet at the door of your dorm?” she finally said, you nodded way too fast for your liking.

‍ ‍ ‍ ‍‍ “Would love to!” your smile grew being met with one smile of hers, a little bit smaller. “See you at dawn, then.”

She made a little bow which you reciprocated and both continue each respective way. 

The rest of the day you were humming a melody while walking around, sitting down or even just existing. Your friends were quick to catch up your change of acting. The first one to point it out was the avatar.

‍ ‍ ‍ ‍‍ “Spill it, what got you so happy?” she asked once your group was alone, Asami giggled.

‍ ‍ ‍ ‍‍ “Not what, who got her happy? Is the real question.” the inventor corrected the girl, Korra opened her mouth surprised looking back at you after looking at Asami.

‍ ‍ ‍ ‍‍ “No one!” you started, trying to hide a smile, a couple seconds where needed for you to get closer to the girls. “Okay, there's this girl in the guard team...” your friends assemble with you, Bolin taking place beside the non bender, interested too in what was said about your new crush.

Mako rolled his eyes funnily before getting pulled in by his brother.

Now that your friends knew, you totally regretted it when the time came and you were waiting for Kuvira... with the rest of the team at your back. At the very sight of the metalbender, you were so quick to get water out of the container you always carry on you and threw it at them gaining a small scream from the earthbender and some grunts from the fire nation pair. A mufled 'bitch!' was said by the avatar in a friendly way, everyone went inside to hide giggling when they heard the captain greet you. Clearly peaking out the window, fighting each other in whispers and dropping to the floor when Kuvira almost got them in the act.

‍ ‍ ‍ ‍‍ “I'm sorry if I made you wait too long, there were some matters I needed to take care of.” she excused herself, you were quick to shake your head.

‍ ‍ ‍ ‍‍ “Don't worry!” you almost shouted, blinking a couple times before clearing your throat. “I mean, uhh, it's okay, let's go.”

Almost in a desperate manner, you took Kuviras wrist and made her walk with hurry away from your friends, you already knew they would make fun of you.

The first ten minutes were a bit uncomfortable for both parties, Kuvira would point a spot and tell you the history behind it and you would nod while looking at her instead of where she pointed, but you making questions about them was what made the metalbender relax in your presence and once you felt that from her, you relaxed too.

At one point of the night, Kuvira led both of you to a viewpoint in the city, the moon was starting to rise in-between the mountains surrounding the valley and the captain stopped right at the handrail.

She stopped your talking about how the night started to feel cool and pointed for you to look: they were closing the domes, your mouth opened amazed at the view of big pieces of metal rise on your surrounding and close on top like a cocoon would. While looking up you walked backwards and bumped into the dark haired making her laugh in low voice, her arms got you so you wouldn't fall.

Once the show was over you turned to the body next to you and took a step back from her almost embarrassed, Kuvira stopped her hands from looking for you again. “Sorry, heh, I don’t have good balance while looking up.”

‍ ‍ ‍ ‍‍ “It's okay...” she murmured smiling a little bit, her hands rubbed against each other before putting them behind her back. “I think that's all the history and places of Zaofu that I can teach you so far.”

‍ ‍ ‍ ‍‍ “It was great,” you confessed, your body looked to sit on the handrail, moving your feet in the air. “You should be a tour guide, it suits you.”

‍ ‍ ‍ ‍‍ “I'm okay being a captain.” she said after laughing at your idea, you smiled big. “Want me to walk you back?”

‍ ‍ ‍ ‍‍ “Let's stay a little bit more, yeah?” you requested leaning on your hands. Kuvira nodded before starting a new conversation.

The next couple of days were mere chaos for everyone since the infiltration of the Red Lotus, so you and Kuvira saw each other less and less, but everytime both were in the same area she would wink at you and you would smile back or vice-versa. Before leaving the metal clan to follow Aiwei on his plan you left a note for Kuvira on her hand on your way out and waved her goodbye without saying a word.

“I had fun with you this days, call me when all of this is over. ;)” followed by your land-line number and your name as signature.

If you were honest, the following days were a big blur in your memory. Fighting some crazy powerful benders and seeing your best friend so close to dying got the best of you, but you were so glad to have all of your friends alive and well.

A couple of weeks passed and after Jinora's ceremony and Korra's departure to the south, you received Kuvira's call.

You were so happy when you heard her voice again, the feeling was the same from her side. The first call would be filled with silence and some other typical question from the other, but both of you dragged it as much as you could to not hang up so quickly.

The next calls were more interactive, she would tell you about her day and you would tell her about yours, the thoughts on your mind, her descriptions about training or dance practice, both promising to visit the other as soon as possible.

But it didn’t last long.

‍ ‍ ‍ ‍‍ “You... You want to unify the Earth Kingdom?” you asked stopping your pace in your apartment, on one hand you had the phone's base and the other the phone close to your ear.

‍ ‍ ‍ ‍‍ “Someone has to.” she said, on her end you could hear noises of people walking and talking about loading stuff. “Bataar and I are going to take the role on that since Suyin is too self-centered to do so.”

Your body had moved to the closest sofa and you sat down in there while bitting your nail. “Are you sure about this? It could... I don’t know, be a bad idea? There are way too many bandits in every state. They will eventually choose a monarch, no? They can handle it.”

A deafing silence filled the line, Kuvira sighed.

‍ ‍ ‍ ‍‍ “I knew you wouldn't understand it, your nation is not the one on the verge of falling apart.” her voice hardened, you blinked surprised. You tried to call for her by name. “I have to go, there are things I need to do.”

And she hung up leaving you with a frown while looking at the phone.

That was the last you knew about her, you tried to call her back but only got through Bataar and when asking about the metalbender he would just say she wasn't there and hang up.

Weeks passed, everyone started on their own things and you could only get more worried about the girl. You knew Bolin got into her team and you thought that if maybe he was there it meant that the situation couldn't be that bad, right?

Wrong, as the time passed by you only heard bad to worse things about Kuvira. They called her the great uniter and with that name you heard about the way she would make the states surrender to her. After three years you had totally gave up on having contact with her, but you continue to have contact with Bolin, after all he was one of your best friends and you wanted to know about him.

He would tell you about the train, the destinations and how Kuvira was doing in a "discreet" way since he knew about how you liked her, Bolin was lucky to not be near you when you read those parts.

On the day of the coronation, you were in the north water tribe with your family; you've been living there after the second year with the excuse that your parents needed help at home and it would also give you time to breath familiar air with the whole team dispersed, but your peace wouldn't last much as you heard on the radio news about how Kuvira named herself the leader of the new Earth Empire.

It took a call from Mako saying how they needed all hands on deck to stop Kuvira to get you back in Republic City. Bolin was in charge to update you with everything after you greeted everyone with a hug.

You couldn’t believe how the ex–captain got so power-hungry to the point of initiating a dictatorship, you felt as she was a completely different person to the one you met at Zaofu.

‍ ‍ ‍ ‍‍ “You need to talk to her.” you heard the detective say, snapping you out of your thoughts.

After blinking for a moment and digest Mako's words, you frowned. “Why me? Korra should try to talk to her again.” you pointed to the shorthaired one.

‍ ‍ ‍ ‍‍ “Because she's crazy about you.” Asami said in a almost funny tone. “Bolin told us how she would ask him all the time how you were doing.”

Your eyes shot to the earthbender, clearly he hid that from you, the boy tried to shrink himself in his place.

‍ ‍ ‍ ‍‍ “She used to say she wanted to talk to you and try to make you part of the army somehow, I used to tell her that it was a crazy idea because you are a waterbender and the army was all earthbenders... and Varrick, but he was the engineer and she would say that you could be her right hand at everything and–” his word vomit got interrupted by the avatar.

‍ ‍ ‍ ‍‍ “See?” the other waterbender took your hands into hers. “Try it, for us... For the city, we don't have too many options and I know you still care about her.”

Korra said that last part with such caution, trying to not get a bad reaction from your side, expectant to your gestures and face. You were static in your place, how could you do that? It was true, you didn’t disagree with the avatar, you still cared for Kuvira. After all, the time shared with her was one that you always thought about when you felt nostalgic, she made you feel good, you had discovered feelings you didn’t thought you ever had with anyone ever and it did hurt seeing how the earthbender changed for worst.

Your hands squeezed the ones holding them and a faint smile appeared on your face.

‍ ‍ ‍ ‍‍ “Okay, I'll try it..” a cheer burst in the room by your friends.

You were amazed at how fast they got Kuvira on the line ready to talk to you, with everyone at your back you took the radio on your hand and cleared your throat. She talked first, calling you by your name.

‍ ‍ ‍ ‍‍ “Hey, you.” you said, nervously and bitting your inner cheek. You would never know, but she softened at the sound of your voice, thankfully she was alone. “It's been so long, huh?”

A small giggled left her mouth and you got goosebumps at the sound. “It has... I'm sorry at how I ended things.”

‍ ‍ ‍ ‍‍ “You don't have to apologize, Kuvira, I'm just glad you're okay..” you said in a whisper, there was silence then, you were thinking and she was waiting for you. Korra poked your side making you wiggle a bit, saying non-verbally that you needed to start. “But you are in time to stop your plan.”

She sighed exhausted, shaking her head a little bit. “I knew this was about the unification.”

‍ ‍ ‍ ‍‍ “Kuvira, you need to stop.” the avatar tried to jump in, your arm stopped her from taking the radio off your hand.

‍ ‍ ‍ ‍‍ “...Can we talk privately? Just the two of us.” she talked to you, saying your name at the end. You turned to your friends who were looking over your shoulder expectant.

‍ ‍ ‍ ‍‍ “I got this,” you assured the group with a smile. “Please leave us alone, it will be fine.”

Everyone was hesitant about leaving, but finally let you by your own with only the radio.

‍ ‍ ‍ ‍‍ “Kuvira, please, think this through.” you started once they left the room.

‍ ‍ ‍ ‍‍ “Join me.” she spat suddenly, taking the words out of you. “Be my right hand in the unification.”

‍ ‍ ‍ ‍‍ “Kuvira... I don’t—”

‍ ‍ ‍ ‍‍ “Rule the Earth Empire with me.” she interrupted. “There was not a day I didn’t imagine us together ruling the empire, of us being together.”

Your mind turned blank at what was said, she didn’t stop thinking of you. Just like you didn’t stop thinking of her...

‍ ‍ ‍ ‍‍ “I would give my army if that means you will be with me in this new era for my nation.” Your eyes were dancing everywhere, looking for something that could give you answers. “Please, primrose, be my consort. Rule with me.”

The nickname and title said threw you out of yourself.

You were ashamed to say there was a part of you considering the offering, but how could you do that to your friends? to Republic City? Your feelings for Kuvira were strong, but were they that intense to betray everyone else? To betray the friends who lend you their hand when you needed them? Those who you have gone through hell and heaven with, the ones on the other side of the door waiting for you to have an answer for them, the group of people that wanted to save a whole city and called you in because they knew it would work out with you there as well.

After giving her your answer you stopped the communication and went to open the door, making the four fall at your feet as they were over the door trying to listen. “Oh, hey, how are ya?” Bolin asked like nothing.

‍ ‍ ‍ ‍‍ “And? How it went?” Korra asked once she got back on her own feet, one look at your expression and she knew something was wrong with you. “What happened? Are you okay?”

You nodded and breath in deep before breaking the news. “We need to get ready to defend the city.”

Even though your feelings for the girl were strong, they didn’t blind you to follow her in the dark. With the hurt of your heart, you had to stopped her, even if that meant that what you two had would disappear.

[teambyler]

Will's anti-Vecna song should be David Bowie's "Heroes"

We know from the new BTS pic that he has headphones and a Walkman. Like Max, he might be fending off Vecna:

Max's anti-Vecna song was highly personal to her. It helped her through her guilt and depression and feeling like she deserved to die.

For Will, "Should I Stay or Should I Go" is cute, but it doesn't have emotional weight. It might have helped a child Will in the Upside Down in s1, when it made him think of home and Jonathan, but he's all grown up now. He's changed.

If Byler becomes realized, David Bowie's "Heroes" is the perfect song for Mike and Will's relationship that would help Will resist Vecna. It's canon that Will likes David Bowie: kid Mike prefers the androgynous rock star over Kenny Rogers (s2e1).

@surferbeto on YouTube comments:

This is a heroic love song. Bowie starts out crooning but pretty soon he ramps up and belts it out hard. This song is about risking getting shot by East German border police and dragged over barbed wire for love. This is about young love against impossible odds. It's about that gloriously tragic fantasy... of giving our life in some grandly romantic way to save the life of our beloved. Maybe by taking a bullet for them and dying in their arms in the shadow of the Berlin Wall.

Having David Bowie's "Heroes" in the show would call-back to Peter Gabriel's somber 2010 cover from s1, when Mike hugged his mom thinking Will was dead. But Bowie's original is defiant, triumphant, and bittersweet. (Seriously, if you haven't yet, listen to it before reading further. It's perfect.)

It would play when Mike and Will have their first kiss. Their song of losing each other is now of finding each other.

If Byler is realized, it could play as Mike and Will dare to hold hands in the school hall, as we fade out to the end credits.

Will would put it on his Walkman. If Will and Mike are bullied for their relationship, "Heroes" perfectly expresses their defiance and willingness to love each other despite the harm that might come to them.

It's the song that would most help Will in case he gets Vecna'd. It doesn't just remind him of Mike; it culminates his journey over the five seasons. As a kid he told Jonathan he's not a baby, not just a victim. Despite seeming shy and weak, he has a huge amount of quiet courage, but his struggle in s3 and s4 was largely internal. ("I'm not gonna fall in love.") Show creator Matt Duffer says about s5: "Will's going to be a big part and focus... We're starting to see his coming of age, really... You're starting to see him come into his own." If Byler becomes real, then his fight becomes external, confronting the homophobia in Hawkins and the literal hell threatening his friends. He will rise to the occasion.

"Will really takes center stage again in [season] 5," Ross Duffer told Variety. "This emotional arc for him is what we feel is going to hopefully tie the whole series together. Will is used to being the young one, the introverted one, the one that’s being protected. So part of his journey, it’s not just sexuality ��� it’s Will coming into his own as a young man."

In s2, Will only allowed Mike to protect him because he didn't feel pitied by Mike; Mike saw his strength. A stronger Will will pay him back and protect him from the twin dangers they face.

It's Will's turn to be the hero. His fight for others is his fight for himself. "Heroes" perfectly expresses his journey of defying all odds to fight for HIS RIGHT TO LOVE.

-teambyler

[tastywormfood]

Ive tried to get my feelings about Moominvalley s4 into words, but im having a really hard time even accepting them. But ill try!

So here's my thoughts in Moominvalley s4.

Im 23 now and i remember being 12 - 15 figuring out my identity, and the only "representation" in mrdia being basically either "Bury your gays" trope or just queerbaiting. I grew up on a base level thinking i wasnt allowed to exist, and if i still dared to, tragedy would be my only birth right.

I believed i wasnt allowed to live a happy, soft AND queer life, cause no media i had seen had ever showed me that, that was a possibility.

Both the 90's Moomin series and Moominvalley 2019 are my comfort shows. I fall asleep to them at night, i listen to them like a podcast while im working or outside, they even calm my panic attacks. I collect cups, plushies, i collect the Comics and even some of the books.

I have 3 Moomin tattoos. This universe means a damn lot to me, and to thousands of ppl world wide.

As a queer person i find incredible comfort in Tove Janssons work, and you have to be a fool to be unable to see the way Snufkin and Moomintroll are written together.

I have been following this show since early 2020 and have watched interview to interview, ive listened to the podcast more times than i can count, and they knew what they were doing.

From the beginning of the show they deliberately wrote Snufkin and Moomin to be something more, they even confess In a BTS that their Moomin might like Snufkin more than Snorkmaiden. Even the podcast talked about it!! We are not crazy!!!

I feel incredibly gaslit by the entire situation, and suddenly im 14 again being told im reading too much into it.

Idk what happened inbetween S3 and 4, but it felt like all the love and care that came from the show, just disappeared?

Ignoring Snufmin for a second, every episode this season felt like a filler. It has no plot, followed up on nothing from the last seasons, and had an extreme amount of loose ends.

The former seasons, especially s1 and 2 has such amazing writting, character development and just a feeling of patience and of softness, i would watch it and think everything would be okay... But this season felt stripped of every inch of the care Tove Jansson put into her universe.

I want to talk a little about Moomintroll.

One of Moomins character Arcs is his want to grow up, its his need to be taken seriously and his need for independence and adventure. His need to step out of his dads shadow, and to be his own moomin! The character development he had built up through out the seasons, completely and utterly disappeared. There is no trace of anything in s4.

He is right back to where he started in s1, not being able to stand up for himself and say no, not having the confidence to go on adventures and right back to idealizing his dad. If anything this entire season felt like a prequal! Cause at least s1 Moomintroll wanted to learn, and was activily trying to change.

Moomintroll truly felt like a side character this season, i dont even think he has any important moments. Unless you count Comet in Moominvalley (which i dont), where all his independence has disappeared. Moominpapa literally has to push him out. He made one decision that eps, which was to float down the river instead of walking, which ended up being the wrong and slower way.

The regression Moomintroll went threw this season is heartbreaking, and thats not my Moomin.

Focusing for a bit on Snufkin, this season felt like a slap to the face.

They know that Snufkin is one of their most popular characters right? If not the most popular. If anything he is at least in the top 3, not only in Moominvalley but in the rest of the moominverse.

So why did this season feel like Snufkin erasure?

He was barely in it, and when he was all of that glow that normally radiats from him was all gone. He felt like the husk of a character.

This version of Snufkin was on of my favs, cause you could actually see his flaws and disagree with his actions. He had room to grow, and he did, he truly did.

He learned from Moomin just like Moomin learned from him. Their characters Arcs co align witch each other, their relationship and interactions are the pillars of the entire show. Snufkin and Moomintroll are what make the show proceed.

Finding the 2019 show for the first time as an 18 year old gave me confirmation and trust, that i was allowed to live a soft and slow life as a queer person. If Moomintroll and Snufkin could have that kind of beautiful queer slow burn romance, then i had a chance to as well.

They knew that a big part of their viewers are queer, and they knew how popular Snufmin was. They knew what kind of ppl they attracted, or they wouldnt have made it like that.

All the soft moments, the longing, the zoom in on eye contact, the zoom in on hand holding. They said trust us, they said be patient, and then they threw everything they had been building up out and set fire to it.

We got Queerbaited, and i truly havnt felt this feeling for a while. We got actual queer shows now, ofc they all end up being cancelled! But they exist!

This show felt like it was crafted with so much love and care, that i completely let my guard down. The entire queer Moomin community did a 5 year long trustfall, just to hit the floor the last second.

Season 4 of Moominvalley felt empty. It felt lost of all care and love. The first 3 seasons felt handcrafted by warm hands, season 4 felt machine made. Easy to digest, with no real soul.

Season 4 of Moominvalley feels souless.

I have chosen to live in a world where Comet in Moominvalley is a prequal to s4 and that s4 is a prequal to s1. The true last season was S3 and Moominvalley ended with Snufkin and Moomin walking arm in arm. Thats the only way i can Rationalize everything.

I have so much more to say, but ill stop here for now. Hope all of you are doing okay<3

[ciaomarie]

The Bear S3 Thoughts/Feelings at 4am

Warning: So much hateration below. I'm disappointed overall. It's gorgeously shot and the acting is still top tier from the main cast, but OOF.

See below the cut

I want to say this first. Napkins, Tina's episode, was lovely. Okay, moving forward...

The first couple episodes started off so strong and then….what was this?!?I LOVED THE FIRST EPISODE SO MUCH. Episode 2 was pretty good, but soon the energy was off, it was painfully slow in some places, THE FAKS ARE NOT FUNNY, Claire "haunted" the whole season and it wasn't even her fault. Most of the "comedy" came from those Fak morons, instead of our LEADS, like Richie for example. It got so bad, I faced an existential crisis during "Ice Chips." I literally started thinking, "It's just a show. It doesn't matter." Seriously, I have real life problems and this show is not only, not an escape right now, but who cares?!?!

Anyways, Donna and Nat acted their butts off, but Ep 8 was too long when we needed more development from the others. And where was Carmy during the delivery?!!? And finally Sydcarmy, FINE, if they want to go the platonic route, after placing her at the literal center of his relationship all S2, but it felt like their soul connection was severed now. They teased us so bad at the end of Ep 1, gave us a trickle in the ep 2-3, and then...nothing, unless you count Syd's panic attack. My heart dropped when she wasn't the first to notice how messed up Carmy was at the Ever dinner. Plus, he's hasn't picked up on her inner turmoil for weeks!!!!! Aren't these two supposed to be close friends with a shared passion according to Chris, Joana, Ayo, Jeremy, and the Anti-BW/WM Brigade on Reddit? I doubt I'll be staying up until 4am to binge S4 next year.

Did Chris and Joana let the acclaim get to their heads and they fell off? Matty (Neil Fak) is a producer, but is he blackmailing them to be in 9/10 episodes?? John Cena's cameo felt like it was 4 hours.

Saddest part I have to go back to. I guess the cast really wasn't lying about Sydcarmy for S3. Basically, Syd and Carmy barely know each other anymore. I HATE IT HERE. Looking forward to other more positive takes on the season and Sydcarmy.

[maarigolds]

Since we all know how much of a shitshow umbrella academy s4 was, let's revisit the good old days. Here's my reaction to ep1 s1, which I haven't seen in like 5 years:

We're starting off strong with the sudden pregnancy scene: this is how you get the viewer's attention

Cunty shot of Reggie walking with the seven nannies and the seven baby carriers

Viktor playing the violin while all the other characters are introduced 10/10 stunning no notes

Rehab worker saying "We'll see you soon Klaus" and him immediatly overdosing and being reanimated in the ambulance. Now we know he probably just came back to life by himself!

"You got big, Luther! What's your secret, protein shakes?"

Pogo!!! I missed you, you ape butler!

Baby Viktor leaving sandwitches for Five 🥺🥺🥺

Klaus-Allison alliance going strong since the beginning I see

"Did you see Diego?" "Yeah, with that stupid outfit" "Do you think he wears that thing in the shower?" I love siblings being siblings

Ok I had forgotten about the Allison and Luther thing. Maybe it wasn't ALL great.

"Dad, could you just stop playing tennis with Hitler for a moment and take a quick call?"

"Ok, sorry, I'm just gonna go murder mom, I'll be right back"

Klaus is seriously the best

Bank robbery flashback!!!

"Guns are for sissies! Real men throw knives!"

"That's one badass StApLeR" god I miss five's voice cracks so much

*Ben covered in blood* "Can we go home now?"

Back to the present with Klaus spilling Reggie's ashes lmao

I THINK WE'RE ALONE NOW AKA BEST DANCE SCENE IN TV SHOW HISTORY

No seriously Diego absolutely killing it, Luther doing the hand-krabs, Klaus dancing with the urne

And then boom! Five is back! Honestly iconic entrance

Also Klaus trying to stop a temporal anomaly with a fire extinguisher whyyyy lmao

Five interrupting his speech about the future to look Klaus up and down and 100% seriously say "nice dress"

Klaus responding with "ah, danke"

"That makes no sense" "well, it would if you were smarter"

Also unrelated but Viktor being such a shy wallflower in s1... he's come such a long way!!!

Luther throwing reggie's ashes on the ground "probably would have been better with some wind"

Luther and Diego beating the crap out each other. Viktor: "stop it!" Klaus: "hit him!"

Also Klaus trying to protect Five and him having none of it, too cute

"An entire square block, 42 bedrooms, 19 bathrooms, and not one single drop of coffee" "dad hated caffeine" "well he hated children too, and he had plenty of us!"

"Alright, guess I'll see you guys in another ten years, when Pogo dies" Diego please 💀💀

"You know, every time I close my eyes I see a diarrheatic hyppo about to shit on my face" this was robert sheehan improvising and honestly what the fuck how does someone even come up with that

The Istanbul was constantinople fight was honestly art. This was really the moment I knew I would love this show with all of my heart. Also masterful way to show exactly who Five is in just a couple of minutes

BEN!!! I MISS OG BEN SO MUCH!!! He was baby

Five going to Viktor when he needed help. Honestly we should have gotten more of them being besties it was so good

"The world ends in eight days, and I have no idea how to stop it" and that's how you end a first episode! I'm hooked! Except I'm not cause I know how it ends 🫠

Well this is it. This show was honestly so good in the beginning. I have no clue what happened. At least we'll always have season 1.

[gleefullypolin]

Initial thoughts on first watch through of Part 2

I will need to watch the season again a few more times as I was overwhelmed to be sure as a lot was going on. But my quick thoughts on storylines...

I'll start with my least favorite part. Sorry but it's the elephant in the room.

Ben.

I cannot. Every time they wasted screentime to go back to him fucking, I was like. God no, please make it stop. I mean I got it the first three times we showed it. Was it really necessary to keep harping on it. Honestly, shit or get off the pot with Ben's story. I'm bored and I don't know where they are going with this. I'm disinterested now.

Fran/John

This got better for me in the back half than the first half. I took no interest in them in the first 4 episodes. it was a snooze fest and while I would not watch a full season of them, they were cute in the back half and while the "dying breath" line was a bit harsh (seriously writers was that necessary) I'm even less interested in exploring a full season of Fran's actual story, not because it's been gender bended to Michaela, I just don't care for Fran's character. Personal opinion, sorry.

Kate/Anthony

Loved competitive Anthony at game night, we are the same Anthony, truly first borns. Kate has relaxed him for sure tho. Loved how he seemed to truly support his siblings, first with Colin and again with Fran in their choices to marry. Wished we could have seen his face when Pen announced she was LW after he was so clear that there was no way anyone could be her under his nose as RULER over the Bridgerton lands or some shit. Would have been a delight to see, yet...he did once again run off and leave his duty as leader of the Bridgerton family once again. For all this fandom screams that Anthony is the only man of the house with the actual job and responsibility he has yet once again disappeared from it yet again. No matter, there was little of this duo for me to take true aim at this season and thus not much for me to say other than what I have.

So moving on....

Cressida

What is there to say...Who's afraid of the big bad BITCH. Well not Pen. And no one else, for off to the country she goes and good on ya! Sorry, don't let the door hit ya on the way out. I'm not sad to see you and your big ass sleeves go.

Violet/Marcus

Tend that garden girl. TEND THAT GARDEN! That's all I gotta say, S4 is gonna bring Mama Bridgerton her just desserts! It was lovely seeing her navigating the dating mart and being nervous herself. I can't wait to see her needing to lean on Lady D and her children as she tries to figure this out herself next season.

Eloise

I was up, I was down. I was on the floor in anger and tears and then crying with joy. I understood you, I swore at you, I still love you dearly. There is much for you to learn about love and the world and I will welcome you home to do that. I did feel like she grew a lot this season. She was confused by love. Love of Pen, Love of Colin, love of being a woman in society and finding her way in what all of that means again. It was nice to see that. I loved her scenes with Colin and Pen and even with Benedict. I do look forward to her season as I feel like she had the most growth this season and while I feel like Ben's is next (boo) she can't be far behind, though I would welcome them doing her and Ben together in 4 at this point since it takes so fucking long to film these.

The Featheringtons

The most growth came from the family. Portia, Pru, and Phillipa had a lot of growth. Between mama being put in her place, then having to face how she has treated her daughter, how she sees her daughter, and then realizing how her daughter is stronger than she realized was quite the journey. And then beyond that seeing the jealousy the sisters had for Pen all along, the way it burned in them because some part of them always felt that their mama loved her most, favored her most even with her treatment. That all the girls really wanted was love of their mama. Seeing that family all together at the end, not jealous of who had the heir, just happy, with their families was beautiful.

Colin

Oh dear sensitive Colin Bridgerton. You really are a soft angel boy. He was so in love, so smitten and we needed that for him to understand how he felt up front but the moment he found out about Pen, you could feel the heart break, the confusion, the anger, the loss. And it didn't just magically heal. He loved Pen, he knew that but the burn inside to reconcile that he couldnt tear LW from her, couldn't rip it from her soul was literally a dark cloud over him for the back half. I took no issue with his words in anger, the were to be expected. He no more meant them or believed them than the stupid ass words people say in anger or stating he would never court her. They were simply words.

His mother was right. He is sensitive. Sleeping on the couch, pouting everywhere. He could not reconcile his thoughts. Could not get her to give up LW for anything and his brain could not comprehend. It was only when he went back to her letters that he realized Pen was not LW, LW was Pen. He loved ONE woman and they were the same woman. He also needed to stop taking control and stop trying to save the day. Pen was a capable woman and he needed to stop trying to control her.

I think the greatest thing about Colin as a character is that he is a sensitive person who loves wholly. He is able to put away the notion of the MAN needing to be the one who runs things. He lets her be a partner with him, in sex, in life, in their roles. This is shown not just in the fact he lets her take on how to fix the LW situation in the end, but also having her on top in the bedroom in their final sex scene. She's a participant in their marriage, not a submissive wife. This is refreshing in this world and I'm happy to see it in Colin.

Penelope

What a ride for Pen she had. She was faced with giving up her dreams to let Colin thrive in his. And she was willing to do so, lets just preface they gave us that scene where she put away LW for us to transition to Colin finally losing his writers block and happily writing away. She gave it up only to be faced with a challenge and needing to take up the quill again. Pen needed to save the Bridgertons and did so later on but she was willing to give everything up for Colin.

I loved her convos with Gen and how it was another woman who allowed her to see that women did not need to give up their worth for men. AMEN! No one said, Colin needed to give up his dreams but Pen absolutely was able to have hers too. I loved this and then to see her stand up to Colin in their second fight, to let her voice be heard to him and not let him talk over her was also important.

The fact that Pen stood up for herself, diverging from the books where Colin does this for her in the books, having Pen stand up for herself thus saving herself and outing herself to the ton, I liked this. Pen was able to put LW away and use her OWN voice to the ton and explain to everywhere why she created this entire empire. I thought this was beautifully done and then having her let Colin out of the marriage afterwards so that she basically put them now on a level playing field was perfect. His speech at that point should be put in a museum because it leveled me. I think this put them finally into the right place for their marriage and lets them begin as equals. They both have a career, they both have a purpose, they have each other and they do things together. She's not out there alone anymore.

What a fucking journey. God I love this show.

So yeah, I know I'm seeing people upset, they didn't get the spoilers they wanted, didn't get some pieces they built up and you are allowed to feel that way. I think my only gripe I have is that our sex montage was cut from the show and instead we got too much Ben and his tiresome threesome that went no where. So that is my only gripe. Give me that deleted scene and I'll be happy forever. Otherwise....

Polin is life! I loved everything they gave us and I have no complaints.

A+++ They have a happy fan from me.

[menaceoffandoms]

LMK analysis rant: Mei

I said I was gonna do this and I'm keeping to my word! The only thing that may stop me is my procrastinating... and the fic I'm slowly writing but uhhhhh-

ANYWAY- We're here to talk about Mei, our favourite white horse dragon pepper girl!

Mei stands out as the most different from her inspiration, something the writers perfectly portray in the yellow-robed demon episode of s4, which is likely to do with how little they had to go off of. Despite being one of the pilgrims in jttw, Ao Lie dose very little in the novel. His most notable chapters being when he's introduced and when the group faces the yellow-robed demon, which is why we met him in that memory in the scroll. Combined with my belief that Mei isn't a reincarnation of Ao Lie -- just his descendent -- means that Mei is one of the most unique characters in the entire show.

There's just less source material for her to draw from, it let's the writers have more fun and do more things. It's not that they don't make the others characters unique -- they like to play very fast and loose with things over all -- but Mei feel like her own complete and original character. She's inspired by Ao Lie in the same way Mk is inspired by Monkie King basically and she all the better for it.

Being the female lead (isn't it interesting how most of the female characters in this show are villans?), Mei is a refreshingly strong, confident girl who begins the show as the most powerful cast member. Being a descendent of the great dragon gives her amazing powers that no other cast members have, a birth right that leads to her being the most protective of her friends and the first to help out in any fight.

What she has in power, however, she lacks in experience. Mei has no mentor -- other than her parents, but I believe its safe to assume they weren't very focused on teaching her combat -- which leads her to trust her gut more, rush into things and learn through observation, like when she mimics what her great x1000 uncle did in s3.

Overall Mei is an excitable, energetic and loving person with a "You only live once" kinda attitude, for lack of a better explanation. Even still, she has her own insecurities and flaws which make her all the more interesting. Due to the shows run time, Mei and many of the other main characters don't really get explored as much as Mk, however what we do see of these struggles and fears is incredibly interesting even on a surface level.

Her tendency to rush head first into danger without first examining the situation or creating a plan, truthfully, tends to work out for her, but it can't always. It's something shown perfectly in s4, when Mei is the only member of the group to not get a star from Master Subohdi, however what a lot of people seem to miss is how Mei actually did earn that star eventually.

When they leave the temple and head to the celestial realm to try and stop Azure, Mei leads them there with no plan at all. As such, they fail and need to be saved by Mk. Faced with proof of Subohdi's criticism, Mei makes the more important amendment to Mk's plan in the s4 special. I don't think we've even seen Mei make a serious plan until this point, which feeds back in to another one of her flaws: being unable to take things seriously.

This isn't something I see said about Mei often, but when watching her character I think it's externally obvious. Don't get me wrong, Mei can be serious, but usually only in moments of vulnerability or high stress. For example: when talking with her pearents, after she gained the Samahdi fire and whilst imprisoned by the Yellow-robed demon.

I think this flaw is Mei's own version of Mk playing dumb. They both behave this way to lessen the emotional impact of serious things, to protect themselves and help those around them deal with trauma or difficult topics. Mei and Mk really are two sides of the same coin and I'd love for them to do more with that in the show.

Going back to Mei's parents, one of her biggest struggles is reconciling who she is with who she's meant to be. She is a noble dragon, a descendent of the great dragon of the West Sea and practically the successor to Ao Lie. It's a lot to live up to and -- evident in episode 3 of season 1; Welcome home -- she doesn't believe she dose.

Mei is confident in her abilities, she's sure of her strength and quick to help those around her, but in the face of her legacy she stands uncertain. It's another thing her and Mk have in common, though in vastly different flavours, and it's interesting how this legacy colours Mei as a character.

She wields the dragon blade, proving herself as a worthy part of her family and gaining the approval of her parents, however the stark difference between her and the rest of her clan is more blatant than ever. We see this perfectly in season 3 when they visit the great Dragon of the East Sea, Mei being put into fancy clothes she instantly ruins in order to have a place to hold her sword. She fights against her uncle, fights against her family, because she knows they'll never understand her. But even still, she knows she's still one of them and she's so proud to be.

Becoming the vessel of the Samahdi fire is only more proof of Mei's legacy and connection to her family. It gives her a moment of pure vulnerability where she vents her frustrations and fears before rushing away, wanting nothing more than to protect the people she cares about.

When Red Son finds her she's still serious, but even with just a basic understanding of the fire within her Mei falls back to her normal nature; a silly excitable girl not taking things seriously. We see this after Red Son attacks her with the spears and when she's eating later on, but even if her attitude doesn't show it, she's still listening and taking the training seriously. She just needs to be silly so she won't freak out again.

Since we're on the topic of the Samahdi fire, I think most people can agree that the way it was handled post s3 was very poor. With only one mention of it in s4, by Master Subohdi no less, I assumed that the fire had been resealed, this time correctly. Something that dangerous should be locked up, even if a capable wielder is around. It would also prevent power creep and stop the show from having another Wukong predicament, by which I mean a character so powerful they need to find a way to prevent them from trivialising whatever threat they have to face in the plot. Wukong will get his own post soon don't you worry...

Instead, we learn in s5 that Mei still has the fire, she just kinda forgot? She learned to fully master it when breaking out of LBDs mech, so since the fire was no longer a raging uncontrollable inferno she just didn't realise it was still there... for an entire season. Yeah it feels lazy and honestly is probably the worse written choice the show has even made. Even still, it dose lead to a very interesting and in character moment for Mei.

When attempting to seal the willow wisp with Red Son, Mei loses her confidence, believing that she lost the Samahdi fire and thinking she's lacking. Mk getting Monkie Kings powers was one thing, but the rest of her friends now having cool weapons and magic? If their all so strong and only getting stronger, then what's the point in Mei? She was the strongest but now she might be the weakest, and that terrifies her cause if she's weak she can't protect people. How can she act when she's powerless to do so?

This dilemma is quickly resolved by Red Son telling her she's had the fire the whole time, amending it's use to Mei's lightning motif she's had since s1 -- I know fire benders in ATLA use lighting but come on -- and basically saying she's been using the fire the whole time. It takes away from Mei's whole struggle to be honest, but I do think there's potential for her to relearn this now tamed Samahdi fire so she can better use it. Just depends if the show wants to do that...

Moving on from my thinly veiled complaints about season 5 (I like it I swear but it is the weakest seasons to me so far), let's talk about Mei's role in the group a bit. Aside from being the token girl, she's also Mk's best friend and the only other character his age and acts around the same age as the shows target audience. Mk's the main character and leader, Tang is the lazy historian smart guy, Sandy the loveable giant, Pigsy the cynical brute and Mei's youthful and silly power house.

I would love to go into some narrative tropes, specifically the 5 man band since jttw is one of the primary bases of the trope, but I've realised I have far too many thoughts about that to fit here. This is the 21sh paragraph and I'm sure at least some of this is a mess, but I hope I'm getting my point across! Overall, Mei is an extremely compelling character how often gets side-lined due to run time and other stuff, but is honestly one of my favourite characters in the show.

[nalyra-dreaming]

hi nalyra, a couple of days ago i saw you answering something about the possibility of tr*mp being elected and that not being great for iwtv and shows in general i think. i'm not sure i understood what's going to happen now that the nightmare came true. would you mind explaining to me?

Well….

I mean, you heard about Project 2025, maybe?

If you haven't... well, I posted about it months ago, and ... it might be too late now, but the Trump administration and his enablers set up this nice little playbook. It's worth looking into, because that's what they want.

We'll see if they manage, but... remember how fast the environmental websites disappeared last time? The LGBT ones? Yep. I remember. First day. And it's easy to check the shit show that happened because of Trump's first term, and still...

Anyways, what does that mean for IWTV?

Let me be cynical for a moment - what do you think it means?

A show, addressing racial issues, with a color-conscious recast. A show, featuring more or less all queer characters. A show, about to feature non-binary and genderqueer characters. A show, not afraid of putting its fingers into wounds.

It is a good thing they're about to start filming s3 already.

I hope we will get s4.

For more I do not dare to hope for.

I ... don't think it's going to be cancelled immediately. And maybe we'll get lucky and AMC will continue to thrive through the people loving the show. Luckily AMC is situated in New York, too.

But if they implement legislation, like they plan to?

Then that will impact. You probably cannot quite fathom how much - yet.

If the Trump administration manages to implement half of what they're planning it will throw back the US for decades.

And with it the culture, and ... well. TV shows, too. Remember all the porn bans, and - even more benevolently - the cookie popups?? LEGISLATION. The wet dream of these people. And they just scored a major victory.

IWTV is the very antithesis for a lot of their beliefs. Queer, racially sensitive and highly critical.

It will be a thorn in their side, and they will seek to remove it.

It will be up to us to make it lucrative enough for AMC to put up with the backlash btw or even fight back against legislation/censorship. Like, seriously. Should IWTV get 10 seasons? YEP. Does AMC plan to do so? Yes. At this point at least they do.

Will they be able to fight against legislation? Debatable.

So maybe this fandom can fucking stop infighting about fucking fictional characters and maybe actually work to keep this friggin' show.

Hope dies last. -.-

Oh, and while we're at it: It's a good thing Ao3 is in CA, but please don't think that they are absolutely safe there. Four years is a long time, and I don't think Trump is going to hold any election after those four years.... -.-

[wakeupthemembersofbylernation]

If Mike really loved El romantically, they wouldn’t have dragged out a weird plot of not being able to say ILY for two seasons. One season? Sure. I can let Season 3 slide somewhat if one discounts all the queer longing that takes place and the odd finale kiss. You could interpret S3 as an awkward kid building up the courage to say the L word.

But two seasons? Nah. If the first interpretation were true, things would’ve been resolved when El confesses that she loves him back at the end of S3. But things were not resolved? And the show goes out of its way to emphasize that Mike isn’t even writing “I love you” in his letters? And they have a big, explosive fight about it… and he still can’t say it? Nah Michael, I diagnose you with homosexuality.

“But saying I love you is scary and a big deal and yada yada…” Okay sure. Saying ILY is a big deal. But middle school kids still say it pretty casually. And they certainly at least write it. It’s not uncommon for a kid to drop the “L” bomb to someone they’ve only been dating for a short period of time, only to break up the next day. Things are fluid and chaotic and unpredictable and messy. In Romeo and Juliet, Romeo thought he was in love with Rosaline until seeing Juliet, and he immediately changed his mind.

But even if we just assume it’s harder for Mike to say ILY to El because Mlvn is serious and more meaningful than a fleeting crush, that still doesn’t let Mike off the hook. If Mlvn really is as soulmate-coded as Mlievens believe, when have you ever heard of a soulmate-coded relationship in media where the writers went out of their way to show that saying ILY was like pulling teeth? Imagine if there was a whole section of Titanic where Jack struggled with saying ILY to Rose? Imagine Leia got into a fight with Han because he couldn’t write “love” in his romantic letters, and Han was all like, “I care for you so much, Leia.”Imagine Katara pulled out the receipts, and Aang was like, “Okay, okay. Katara, you’re being ridiculous. Like what is this?”

That would be absurd. And you’d either demand an explanation or stop rooting for them. It’s not that ILY isn’t often a big deal in stories. It’s that when it’s emphasized in a weird way and dragged out for two seasons, you have to side-eye it. It’s one thing when the big ILY is the logical and natural culmination of an arc, whether at the end of a season or the end of a series. That makes sense. It’s another thing entirely when someone is literally begging you to say it, and you still can’t say it. And then when you finally do say it, it’s in the penultimate season, and it’s extremely anticlimactic. And everyone has to emphasize how you said it 9 times to cope/compensate.

If Mlvn was meant to be endgame, and Mike really loved El romantically, they would’ve just… shown Mike and El being in love with each other. There wouldn’t be any doubt. None of the other couples, other than Stancy, have ever gone through this weird kind of ritual where words are emphasized over actions. No one doubts that Lumax, Jopper, and Duzie are in love with each other. Jancy is a little more complicated cause they were separated throughout S4 and doubts were raised, but even so, it’s nowhere near the odd situation with Milkvan. Jancy, Lumax, Jopper, and Duzie have all shown they love each other through their actions. They don’t rely on big gestures or words to prove it. In fact, Lucas even specifically says to Max, “I don’t want a letter.”

All I’m saying is, if Mlvn is treated with a considerable lack of seriousness post Season 2, if the show keeps them in a weird Groundhog Day plot of constant fights and lies and not being on the same page, and if it takes a third party with vested romantic interest in the situation for Mike to finally monologue a measly ILY to his girlfriend, then maybe there’s a reason for this? 🤔