#i love prophecies like that

[donutsalami]

The Silent Orchestra is one of my favs abnos from lob corp, but I just thought of something that might be a small waste of potential, like, you know how they're only vulnerable to one type of damage depending on the current movement?

It goes Pale -> Black -> White -> Red

As far as I know, there's no reason behind this, although, I feel like it could've gone like

White -> Red -> Black -> Pale

Why? Because that's the order of the four horsemen of the apocalipse.

The four damage types correspond to the color of the four horses of the horsemen, and the apocalipse would fit The Silent Orchestra given their quote: "From break to ruin, the most beautiful performance begins"

btw, the order of the horsemen matters, since the idea is that first comes (war of) conquest on a white horse, then comes (civil) war on a red horse, followed by a black horse carrying famine, (caused by the division among classes, where luxury is produced at the expense of famine to others) and lastly, comes death, mounted in a pale horse, bringing with it, afterlife itself.

Hell, even the idea that death brings hell itself would fit, considering the "Finale" it does after it finishes it's performance.

[lemonsharkgirlfriend]

so rhaenyra starts s3 with a god complex, believing herself to be the prince that was promised from aegon the conqueror's dream... but hugh and ulf will betray her, mysaria will misunderstand her, coryls will undermine her, bartimos will underestimate her, daemon will abandon her, her people will turn against her and burn her castle and kill her dragon. and when everyone who accepted rhaenyra as queen rejects her, the only person left to love rhaenyra will be alicent, who never loved rhaenyra as queen but rhaenyra as a person ("she was the vision that sustained him [...] it was his love for her that kept him resolute in his choice of heir."). alicent, who abandoned her gods and duty to go to rhaenyra on dragonstone and appeal to the person beneath the crown ("i cast myself on the mercy of a friend who once loved me."). alicent, who's made a god of rhaenyra, not as queen, but as the girl she read with beneath the godswood ("come with me.").

[demigods-posts]

they're filming season two, but i'm thinking about the potential adaption of the mount tam scene in season three. you know, the one where annabeth could apologize for pushing percy out of the way and falling off the cliff in his place, and how she knows that sounds terrible but they didn't have time for another plan and she didn't want to lose him that way. but percy just engulfs her in a hug because he's so relieved that she's safe now and everything else be damned. and annabeth doesn't understand why he's snickering to himself after that last statement, but she melts into the hug anyway because she missed him. and thalia and grover stand in the background happy for their friends on the outside but internally mortified, because their friends are definitely falling for each other but fate may not allow them to see it through.

[formulanni]

Assorted baby Verstappens

Tags: @st-leclerc @rubywingsracing @saviour-of-lord @three-days-time

[bakudekublogblog]

izuku giggling over kacchan’s antics is sweet and fun until you remember it’s to remind us of how much joy kacchan brings izuku before he’s forced to see his lifeless body and process living in a world without him

[doctorsiren]

he’s mad she ratted him out

[fairypaw]

Well good luck, Babe!

[luck-of-the-drawings]

[OLD ART ALERT] A COLLECTION OF SCENES FROM THE GILLIONS CATSCRATCH ARC THAT BROUGHT ME GREAT JOY. i love fishy chips especially when its just gillion being delirious and violent and hostile

[yrlocalghost]

Will there be weeds or wildflowers when you're done?

[gingermintpepper]

So, one of the most interesting things that's come from my recent exercises in writing the Olympians as young deities is all of the very fun and somewhat painful conversations that come from the young deities acquiring and consequently settling into their domains.

Apollo and Artemis especially have been really fascinating under the microscope. They start off identically, with extremely similar interests and similar domains over the hunt and wilderness. They spend their days under the stars and foraging for fruit and dancing and singing in the fields, two rustic god-children exploring and learning together. Then Apollo goes off on his own to slay Python.

Now, a lot of things change when Apollo kills Python. That is the act which transforms the bow from a tool of survival and sport to an instrument of murder, bloodshed and ultimately war. It is Apollo's first act of wrath which separates him from Artemis - both spiritually because she has not yet shed blood herself as a goddess and physically because it leads to his exile. Most importantly however, the slaying of Python is the act that grants Apollo his knowledge.

If violence is what first separates Apollo from Artemis then it is knowledge which keeps them apart.

This can refer to a lot of things; that Artemis continued to be at home with the wild beasts of the forests and mountains while Apollo grew to prefer the domesticated sheep and cattle, that Artemis continued to avoid mortals while Apollo grew to know their ways and endeavoured to teach them more. The point that has been the most interesting to me however has been Artemis, who remains free of slaughter, and thus remains pure and Apollo, who becomes acutely and entirely too aware of it, and thus must be constantly purified.

Apollo's infatuation with medicine specifically is the place where this becomes most apparent. When he leaves for his exile to travel as a mortal, without nectar or ambrosia, without power, Apollo is without the privileges of the divine for the very first time. He sweats, he smells, he grows weary when he travels, he grows hungry and thirsty. He experiences fatigue and nausea, the fever of sickness, the chill of infection, the delirium of poison. The blood Apollo shed does not only make him impure spiritually, it strips him of the purity of his birth and station. Likewise, medicine is not a divine practice. What use do the unkillable immortals have for something as finicky as medicine when they have nectar and ambrosia? Apollo however, knows of the pains of the flesh and the suffering of the mortal coil. He pursues medicine in all its horrors and difficulties because of the knowledge he gained with blood.

Artemis then, cannot understand the medical Apollo. When her brother returns possessed by this spectre of ill-gained knowledge, she does not recognise him. Who is this boy who scores the deer and studies the shape of their intestines before he cooks them? What good is there in rescuing a chick with a broken wing? The Apollo-of-the-Wild in her memories would have done the correct thing and left the thing for dead - let the forest take what is its due. Who is this Apollo whose hands are always stained to the wrist in the blood and gore of the living? What is his fascination with the mechanics of mortal bodies? Artemis does not know and Apollo does not tell her.

That has, by far, been my favourite effect of the whole Python watershed moment to explore recently.

[makingapril]

Can I ask it for a prophecy on how my day tomorrow is going to go?

always!

your prophecy for tomorrow is:

UNACQUAINTED.

AFTERWARD.

FROZEN.

BEAST.

UP.

[tweedfrog]

I think the core issue that causes such surface level takes when people analyse relationships in HOTD (romantic, platonic, sibling, parental whatever) is that lots of people think that you can't love someone and hurt them or treat them badly at the same time.

You see a lot of "oh Alicent never cared about Helaena!!! Look at how she regularly touches Helaena even though she is obviously uncomfortable with it" like idk guys I don't think the former 15 year old who's father pimped her out to a 30 year old while wearing her own mothers dress is really going to understand respecting the physical boundaries of her neurodivergent daughter in a 2024 therapyspeak kinda way?

[tcfactory]

I was talking with someone the other day and it got me thinking about something.

I generally run with the idea that part of the reason why Luo Binghe became THE target for Shen Qingqiu's abuse was because Shen Qingqiu fell for the 'white sheep' routine. Like, it was a lot of things all together: coming to the sect at an unfortunate time (Shen Qingqiu was in a mental health freefall because he was at a bottleneck and struggling to form his core, and here comes Luo Binghe with his perfect aptitude who's expected to blitz through all of the hurdles Shen Qingqiu sweated blood to scale), the pettiness he felt towards Liu Qingge when he picked Luo Binghe out (another bitter association), Luo Binghe having Ning Yingying right away as a friend and support (who stuck with him even against her shizun's orders!!) when Shen Qingqiu was all alone, the jealousy that however briefly Luo Binghe had a loving mother

and the crown jewel on this cake was that Luo Binghe, despite having suffered the death of a loved one and poverty on the streets, still seemed like a naive little ray of sunshine. And no matter what Shen Qingqiu does to him, he remains pathetic and vulnerable in the way that makes kinder people want to take care of him and protect him.

Shen Qingqiu is not a kind man and he knows intimately that the world isn't kind either. Not to pathetic children who don't grow up with the power of a rich family to put them somewhere safe where they can become pathetic, maybe well-meaning maybe not adults. To him it's the harbinger of failure.

The Luo Binghe he sees after picking him up is not smart, not crafty in the way he expects a street kid to be. He's not driven (wanting to make his late mother proud... motivation like that ought to fade with the memories. In four or five years Luo Binghe won't even recall the face or voice of his beloved mother and then Shen Qingqiu will be left with a child with no drive whatsoever). All Luo Binghe has going for him is his bright eyed optimism and his servile nature (which cannot, should not last in a cultivator) and his exceptional aptitude, which is useless on its own.

I struggle to believe that Luo Binghe was the first on the peak who was naturally talented (Shen Qingqiu's ruined cultivation base put him so far behind that even with his hard work, he lagged behind Shang Qinghua whose cultivation is mediocre at best). Or the first to have a support network of friends or a loving family. And as much as Shen Qingqiu resented them for having these gifts that he didn’t, he never tried to destroy them the way he tried to destroy Luo Binghe.

Luo Binghe has all the tools of greatness and the hallmarks of failure all in one and it's that combination that triggers Shen Qingqiu's hate. Shen Qingqiu, in his rush to spite Liu Qingge, picked up trash that glitters. He can never admit to this mistake, so he decides that he's going to drive off Luo Binghe or destroy him, whichever happens first, because he can't imagine being stuck with this, this... pathetic little beast. One way or another, he will get rid of him before he can become a stain on Shen Qingqiu's reputation.

And we know how all of that turned out...

But what if he did see through it. Luo Binghe slipped up in his introduction and Shen Qingqiu immediately saw him for the white lotus that he was.

Shen Qingqiu knows the world, he knows its monsters and its beasts. So he looks at this child (not as weak and battered from his life on the street as others, the promise of strength and a bright future written in his meridians) pretending to be small and weak and pathetic and he's terrified.

Only the most dangerous predators pretend to be prey. He took a cuckoo into his nest, he accepted a wolf into his flock. Now it's his job to deal with it, before it grows fangs and bites the hand that feeds it.

He doesn't trust his martial siblings to listen to him on this, to hear him (unpleasant and sharp and biting, hated and hateful) out over the little beast (teary eyed and pathetic, pretty little thing you want to take home and keep safe).

He always did hide his fear the best with hate.

He will wear down this intruder until he can find out what his goal is and destroy him, before the beast can destroy them first.

It's almost a relief, when Luo Binghe stands on the edge of the abyss, his sheepskin torn and staring at him with the resentful eyes of a demon. It's the one moment when he doesn't hate Luo Binghe; he is a demon who will act as a demon does, as is his nature.

Pushing him into oblivion is

relief.

[visenyaism]

Is it ever said what happens to alys and/or her baby I can't remember. Like did she just decide to fuck off to Essos or smth after doing All That

I think that they say that her planning and plotting was waylaid by the outbreak of the spring fever of whatever year it was, but they do not specify whether her and little aemondcito rivers survived or what they might have gotten up to after 

[deviledminion]

ok but what if the season finale delivers louis & armand’s divorce, louis angry with daniel for pushing too hard, louis waltzing into the night, leaving daniel with armand. daniel is a bit dazed by the vampire dramatics and pyrotechnics, and he really thinks he should be going, only now armand is laser-focused on…him. on daniel alone. “you’re mine, beautiful boy,” armand tells him, and daniel thinks he’s heard those words before. armand holds onto him like he did in the 70s, a visceral shock to daniel’s system. and he closes his eyes and feels like he’s shifting back and forth through time, the only constant being wrapped in armand’s arms. and armand says, “are you ready for our lessons to finally begin?”

[i-really-like-phrogs]

Franken-Lyds I conjured up a bit back. I loved this look—Well— to peices! (Bwahahaha)