#i love me some villains

[zebratimw]

"All those empty rooms

We could have been anywhere, anywhere else

Instead, I made a bed with apathy

My heart knew the weight

Ten years worth of dust and neglect

We made our peace with weariness and let it be..."

(Song: The Moon will Sing by the Crane Wives)

[acid-ixx]

"hostage situation"

series masterlist

nightwing, to his siblings: okay, so we have to be real careful because the joker and harley quinn are holding our baby sibling hostage and we can't put them in anymore danger.

nightwing, looks at red robin: i'm sure they have some traps laid around the lair so you'll be disarming it.

red robin, nods:

robin: then me and todd will be handling any spare targets, no?

nightwing: of course. cass, steph and duke will be guarding the entrance. babs?

oracle, speaking in the intercoms: this is the closest point of entry where (name) is being kept hostage.

red robin: security cams suggest there's more than just harley and the joker in the lair. a bunch of their goons are heavily guarding both the entrance and the exit. we should thread carefully.

oracle: there's no camera's where (name) is exactly at, but there's a specific room where it's shown that the two are often visiting.

batman, who had been lurking behind them: this is a priority mission. we can't afford to make mistakes.

robin, eyebrows raised: though, is it necessary to bring the entire family? me and my father could handle this entirely by ourselves.

jason, sighs: don't pretend like you weren't the first to suggest the entire justice league to come searching for them, kid.

batman: enough arguing, (name) needs all the support they could get after this. so on my count, we are to bust open the door.

dick: alright, everybody, prepare.

*meanwhile, inside the lair, in a makeshift "house"*

(name), sitting on a comfy chair whilst holding a cup of hot chocolate and a book in the other, sneezes: oh— did anyone mention my name?

harley quinn, already on her way to wipe their nose: oh my baby! is our baby sick?!

(name): no, i just suddenly sneezed?

the joker, in another room: i spy with my little eye, a child way past their bedtime~ c'mon babyboo, let's get you to bed!

(name): awe, but it's like, 10pm. i wanna read some more.

harley, about to pick (name) up: then let momma read the book for you in bed, cutesy pie—

*the door to the kitchen slams open*

dick, with his escrima sticks on-hand: surrender (name) to us now or—!

dick, absolutely befuddled: wait, what?!

damian, with bruce in tow: what's the hold up, nightwing?!

damian, about to jump right in front of dick before he was stopped by bruce's hand on his shoulder: what is... this?

bruce: ... explain the meaning of this, harley.

harley, holds (name) closer to her chest as she's equally confused: what do ya mean, bats? ain't it obvious i'm taking care of my child?

(name): uhm...

damian, visibly offended: what do you mean, your child? (name) over there is ours.

the joker, walks over to the room in a hurry: what's with all the commotion over here?! (name) is supposed to be in bed, harle— batman?!

bruce, with squinted eyes: don't act stupid, what is this all about?

nightwing, surveying the room: wait, why is (name) in pajamas?

(name), trying their best to shrug in harley's tight hug: i'm... supposed to go to bed...?

the joker, about to walk over to (name) before he's stopped by a batarang almost hitting the side of his head: hey! what's that for? i'm clearly not trying to attack my own child!

bruce: (name) is my child, not yours.

the joker, glaring at batman: well, it's not my fault they choose me over you!

(name) wayne, interrupting the two: uhm... i did technically disown myself from the family so—

damian: disown yourself?

(name): i have every reason to—

dick: look, baby bird, you don't know what's right for you, these guys are dangerous—

(name): i literally got nearly killed by some nobody criminals if not for harley saving me but okay, nightwing.

bruce, whose attention is now on (name): you almost got what now?

(name), rolling their eyes: i almost died, batman. now if you excuse me, i think i deserve a good night sleep tonight.

(name), looks at harley who still hasn't released them from the protective hug: can we?

harley quinn, facepalming in her mind as she stares back at (name): oh, i should've bought you to pam and selina instead.

[dukeofthomas]

I find the fact that the confrontation at the end of UTRH is often summarized as Jason asking Bruce to kill the Joker for him fascinating.

Because that's not what happened.

Jason holds a gun up to Joker's head, gives Bruce another, and tells him that if Bruce doesn't do something (shoot Jason), he will kill Joker.

Jason doesn't give the gun to Bruce so that he would shoot Joker. He isn't expecting Bruce to pull the trigger on the clown. He's asking Bruce to do nothing. To be inactive. Because that will still be a choice, and despite having done nothing, everybody clearly agrees that Bruce would still, at least in part, be responsible for Joker's death.

...And to me, this moment is a kind of- microcosm, of the rest of Jason's point. Because after being captured and carted off to Arkham, the villain will escape again, and will kill more people. The only way to truly prevent that from happening would be to kill them; Bruce refuses to do so, and I respect his right to choose such a thing for himself, but it is still a choice, and if we agree that Bruce's inaction during the confrontation would leave him at least partly responsible for the Joker's death, then we must also agree that his inaction in permanently preventing the Rogues from killing more people means he is also, partly, responsible for all of those deaths.

[benevolenterrancy]

May your hardened heart be woken By the soft and distant song Of all you left here unspoken All the shards we keep stepping on - Take this body home Take this body home Call the wind, and let her know Take this life outgrown Take this broken soul Call the stars, call them all And take it high, take it far, take it home

[disgracefulthings]

Shen Qingqiu: Since the story is now over, what should we do now?

Shang Qinghua: Well, since we're immortal, I say we write down every future atrocity and stop them from happening

Shen Qingqiu: I CALL KILLING HITLER!

Shang Qinghua: FUCK YOU I WANT TO KILL HITLER!

[kens-ramblings]

so ik it’s not cannon accurate but,,,

i need a fic of tim just crashing out.

like he gets so sick of like damian and jason talking about how weak he is and shit like that that he’s like “yall realize lady shiva was my one of my FIRST teachers, and i was the first robin she trained. i had to train under b AFTER he already lost a robin. you DONT think he was 10x harder on me than any of you guys???? there’s a reason my training videos are mainly redacted without bruce’s or my permission. i got ra’s al ghul BEGGING ME to join his league or have my children. i get gifts from him WEEKLY. do you KNOW how many of his little ninja i fight per DAY??? nahh im sick of this shit let’s take it to the mats” and just demolishing both of them at the same time.

i just think it’d be very funny. i just like fics of people who pretend to be weaker than they are(or they just never really have a reason to go full tilt so they just don’t) get sick of holding back and just losing it :D

[starry-bi-sky]

yall ever think Shen Yuan went through like, internet withdrawal after being transmigrated into Shen Qingqiu? Like, he's canonically a NEET shut-in who did nothing but spend his time online, you can't tell me that for the first week or first few weeks of being SQQ he wasn't twitchy.

Like, reaching instinctively to his pockets for a phone that wasn't there, having an obsessive itch in the back of his mind that he should check and see if X or Y novel or webcomic has updated -- only to realize he can't anymore and being irritated by it. Wanting to go and see if there's new posts about this or that, but again realizing that he can't.

When he's bored or uncomfortable or just feels like wanting to escape he tries to go for his phone to distract himself, but oops! Not there anymore, and now he has to find a new and different way to distract himself from his feelings. And going through system notifications, quests, etc only does so much.

And there's that Tetris Effect too. SQQ makes a mistake while writing and instinctively goes to backspace on it except hey-ho that's not a keyboard and now he just dipped his pinkie into a bottle of ink or on a still-drying letter.

With him scrambling to fix his reputation and learn how to be a peak lord, I think his abrupt cold-turkey from all things internet would just be another straw on the camel's back that he promptly Ignores until it goes away on its own after he acclimates to his new surroundings.

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.

[turtleblogatlast]

No but like every time I think about Splinter and what he had to go through just to keep the boys alive, my heart hurts for him so badly. Is he perfect? No not at all, but none of them are and by god does he love his sons.

The fact that all of them are alive, and grew to thrive despite the circumstances surrounding them is a testament of how much Splinter loves his boys. He raised four babies following the most traumatic time of his life, all alone with nothing but the sewers to house them (to hide them.) I feel like he’s not given the credit he deserves for all he’s done.

And I get that it’s easy to hold up his flaws and faults when it comes to parenting, I myself like looking into them because flawed characters are super interesting and said flaws make them more realistic and engaging, but he tries, and again, so many others would have given up on the boys or failed along the way but Splinter didn’t.

He’s their father, for all his faults he did his damndest to make sure they survived.

[orengejoshi]

morning cat yoga (yeah those 🏳️‍⚧️ colors were chosen like this on purpose)

[nibbelraz]

When your brother wants to betray the powerful demon king you both work for but you know that's NOT going to end well so you try to convince him not to do it but he's also seen those LUSTFUL gazes you do to said demon and calls you out

[paradoxbeta]

I'm curious, how would your Suns design look during more serious situations, such as one of the Spearmaster broadcasts?

something like this

and now for a (slightly long) addendum: i know i depict SRS as jokey and kooky, but when it comes to not shitposting and actual characterization, i have Thoughts and Feelings about them. the entire story, they just want to do what they hope will help the people around them, even though it all ends up horribly, HORRIBLY wrong. that's tragic, and it has my interest. considering the heaviness (and intrigue) of SRS’s storyline, for me to only ever depict them as a goofball be way too shallow of me, and unfaithful to their canon characterization.

so to answer your question: they hold themselves together, of course, but the shame, regret, and embarrassment is still evident.

[markantonys]

i'll be interested to see if this holds true for WOT s3 since the s1 finale had so many extenuating circumstances and can't really be included in the comparison, but based off of the s2 finale, i believe that season finales tend to bear the brunt of "It's Different From The Books!" ire because they are the culmination of all the smaller changes made throughout the season.

this turned into a bigger analysis post than i expected lmao par for the course with my blog! read on for exploration of how the 2x08 conclusion of each season-long arc is the the most emotionally satisfying conclusion and/or the most thematically appropriate conclusion possible based on the show's particular version of the story, plus a bonus tangent on the nature of adaptation.

for a finale episode, the writers' prime concern 100% has to be "wrapping up all the season's arcs in a way that feels satisfying with everything that's happened in the first 7 episodes, using the book version of the finale event as the framework" rather than "recreating the book version of the finale event exactly as it is with all the same scenes and themes". the nature of storytelling inherently means that every single person who tells the same story will focus on different themes (just think of how many versions of the hades & persephone story there are), and a good adaptation knows that being internally consistent with its own Emphasized Themes is more important than copying-and-pasting scenes from the source material without making any changes to account for the specific way this adaptation is telling the story.

(but a lot of people can't even get past this first point because they don't understand that this is how adaptations - how storytelling in general - work. like, person B literally cannot tell the exact same story that person A told without putting their own spin on it. it's not possible! unless they're simply reading out the exact words that person A wrote, which can't be done when putting 14 massive books into maximum 64 hours of tv. so many readers like to meet this point with "but why does the books' version of the story need to be changed at all?" which is just a non-starter because a) medium differences require a ton of changes, and b) even if no changes were *required*, they would happen anyway because that is human nature when it comes to storytelling. when it comes to story-listening too! ask a hundred different book fans what WOT is about and you'll get a hundred different answers. rafe & co can't possibly make an adaptation that captures every single reader's idea of What WOT Is About, and nobody in the world could ever re-tell the story of WOT in the exact same way that RJ told it, not even the most die-hard book fan; all rafe & co can do is focus on making sure the show honors the core of the books' story while also telling a good story in its own right, independent of the source material.)

i was a classics major, okay? it gets to me! anyway, corralling myself back on topic.

for 2x08, it's very telling just how far Minority Reader Opinion deviates from the general audience opinion. general audiences fucking LOVED this episode (it's the highest-rated on imdb out of the entire show, currently at a 9.0; most episodes are in the 7-8 range), but a bunch of readers call it disappointing and one of the worst episodes of the show. if it was actually a poor quality episode of television, the general audience ratings would reflect that too (as they do for 1x08, currently at a 6.4 (i personally think 1x08 gets way more hate than is deserved and i thoroughly enjoy that episode, but i accept that's just me)), but they don't.

so what does that mean? to me, it means that 2x08 is objectively a very good episode of television which general audiences found satisfying, but which some readers disliked because it prioritized the emotional & thematic needs of its own version of the story over the exact nature of the falme events in the source material. which is exactly what a good adaptation should do! if you forget the books and just look at the show (which the vast majority of viewers are doing), then every resolution that happens in 2x08 is the most satisfying resolution possible and/or the only resolution that was thematically permitted for that particular season storyline.

egwene: her season arc was about learning to stand on her own two feet and not cling onto her mentor figures or compare herself unfavorably to others. thus, her freeing herself from the a'dam is the most satisfying possible conclusion to her season arc. nynaeve and elayne freeing her in the books is nice, but in the show version, thematically, it would've undercut egwene's Overcoming Impostor Syndrome arc to go "yeah actually it's true that she's not good enough on her own and when it comes down to it she does always need nynaeve to help her out". that version worked in TGH where she didn't have an Overcming Impostor Syndrome arc, but it wouldn't have worked in the show where she did. (but, yes, egwene learning in 2x08 that she doesn't have to rely on others is a double-edged sword, which nicely sets up her later-series struggles with trying to shoulder too much herself and not letting even her friends or partner help her.)

rand: his season arc was about learning to lean on others and not isolate himself or try to protect his friends by withholding his burdens from them. thus, him failing to defeat ishamael until all his friends come to lend aid in various ways is the most satisfying possible conclusion to his season arc. rand defeating ishy singlehandedly in the books is nice, but in the show version, thematically, it would've undercut his Learning That Strength Is In Numbers arc to go "yeah actually it's true that rand is capable of winning his biggest battles all by himself and thus it's no problem for him to push his friends away". given the themes that s2 emphasized for rand, the only appropriate finale outcomes were either success with his friends' help or total failure on his own, and they chose the former. (that being said, rand pushing his friends away is a continuous issue for him throughout the series, so i doubt he's perfectly learned his lesson after 2x08; we shall see!)

interesting to note that rand and egwene have inverse arcs in a way (foils!) and that some elements of their book falme climaxes were swapped, and that the way the show has done it subverts the expected gender roles. typically, men are expected to be Lone Wolves and women to be Team Players, and the WOT books absolutely play into these stereotypes throughout the series (sometimes intentionally as social commentary, sometimes unconsciously as an accepted truth of the world), but 2x08 and s2 more broadly did the opposite with our yin-and-yang co-protagonists. it's egwene who has the arc about learning to be a Lone Wolf and rand who has the arc about learning to be a Team Player. and imo these subconscious gender role expectations are a part of why some readers (esp reddit) got SO heated about "how come egwene can succeed by herself but rand can't", because it feels Wrong to them and Not How Things Are Supposed To Work (they've never questioned why rand can succeed by himself but egwene needs her friends' help in TGH, or all the other times in the books when men succeed by themselves and women succeed by relying on each other). but it's a totally apples-to-oranges comparison because egwene and rand had totally different season arcs and focal themes (but many paralleling & foiling moments within that), and so they each get a conclusion tailor-made to their individual stories.

mat: his season arc was about realizing he's a good, worthy person, finding the inner strength to overcome his worst impulses and temptations, and coming through for his friends after leaving them at the waygate. thus, him getting his Big Damn Hero moment with the horn of valere, getting validation that he is literally a hero, and overall spending the episode doing all he can to support his friends is the most satisfying possible conclusion to his season arc. (but stabbing his bff just as he was flying on a confidence high and trying to save the day was a downer note to end on, so we've complicated his relationship with heroism and set up some more internal issues for him to wrestle with next season.)

perrin: his season arc was about learning to acknowledge his inner wolf but also coming to regard it with fear and to believe that wolf & human sides can't coexist and he must Choose One (.......suddenly being struck by the bisexuality metaphor of it all. nice!) thus, him giving into violence to murder a human to avenge a wolf is.....well, it's pretty upsetting for him and serves to reinforce his growing belief that his two sides can't coexist, but thematically, it's fascinating and sets him up for some really great internal (and external) conflicts in s3. he's just gotten what he thinks is pretty strong evidence to corroborate ishy's claim that embracing his wolf side means embracing the shadow, so he's set up for a season 3 of deep-diving into his relationship with violence and his inner wolf. it's also a neat parallel with 1x08: there perrin's avoidance of violence allowed fain to escape, whereas here his embracing of violence has traumatized him (again), so our poor guy is really feeling conflicted in the pacificism-or-violence question because both sides seem wrong to him right now. huh, i guess perrin's full-series arc is about finding a middle ground rather than one extreme (pacifism/tuatha'an/human) or the other (violence/aiel/wolf). i feel like i've just had an epiphany lmao this is why i love the show! it tells the same story as the books, but tells it in a different way that makes me think about it differently and gain new insights!

nynaeve: her season arc was about learning that she, on her own, as she is today, is not enough to protect her loved ones. this is a tough pill for both her and the audience to swallow! but it's needed for her character, and we see it in the books too. nynaeve has an incredible amount of power, but she's terrified of having that much power and wants to pretend it doesn't exist. she's resistant to change, she's used to being in charge, and she's very "my way or the highway". these are all things she needs to grow out of (or moderate, at least) in order to be able to step up and do her part for tarmon gai'don. she has to learn how to embrace her power instead of being afraid of it or being too stubborn to let other people guide her and teach her, so s2 shows her what happens if she doesn't, first hypothetically in the accepted test (everyone she loves dies because she's blocked and refused channeling training) and then for real in falme (she couldn't help elayne fully or rand at all because of her block). so her 2x08 conclusion being Total Failure is not emotionally satisfying, no, but it's thematically exactly what she needed and will goad her into facing her block head-on next season. thematically, like rand, nynaeve only had 2 options for falme: break her block and succeed, or retain her block and fail, and it was too soon for the former (we gotta let her cook a while longer, plus the story will become too easy if nynaeve, or rand, reaches supernova capability too soon), so it had to be the latter. if the show had gone with a third option of her succeeding without breaking her block, then that would've taught her and the audience that it's fine to leave the block in place and she doesn't need to challenge herself to grow as a person, because when it TRULY matters she can always get around the block.

other characters get appropriate resolutions too! moiraine and lan get to work together to succeed after being at odds and failing on their own all season (rand foils!). elayne gets validation that she is an essential and trusted part of the friend group after feeling like somewhat of an outsider earlier in the season. ishamael getting vanquished and lanfear betraying him only to be betrayed by him in turn is exactly where their mutual mistrust was leading them (and it shows us why it's so important that Team Light be able to work as a team rather than as self-interested individual operators; the contrast between ishy & lanfear looking at the seals together while plotting to betray each other vs. rand standing on the tower with all his friends behind him makes me cry your honor. imagine hating that ishy's defeat was a team effort, could not be me!)

(it's also worth noting that the characters who had the least individual success/victory in 2x08 (nynaeve, rand, perrin) are the ones who will have the biggest individual storylines in s3 (tanchico & moggy, waste arc, two rivers arc), whereas the characters who had the most individual success/victory (egwene, mat, moiraine, lan) are the ones who will be taking a bit more of a backseat (of course they all have their own stuff to do, but none of them is *the* lead character of their TSR/s3 traveling group). this is intentional!)

so there you have it. 2x08 is adored by the general audience, and it's because of this: it gives us some damn satisfying conclusions to all the season arcs (and some exciting and visually stunning battle sequences to boot), and all the viewers who AREN'T beleaguered by "But The Books!", which is most of them, recognize that for the good storytelling it is. i for one will always care far more about the show telling a good story within itself than the show being identical to the books, and rafe & co will too, as they should.

the only downside to the episode is that, yes, it is quite cramped for time because there are a lot of arcs to wrap up. this should be less of an issue in future seasons when the season finale isn't "every single major storyline converges in the same place at once". for example, judging by the "goldeneyes" episode title it seems s3 might split it up so that perrin's conclusion in the two rivers is in 3x07 while other conclusions in other locations are in 3x08, giving each more breathing room. whereas 2x08 had no choice but to stuff everything in that episode into that specific episode because it's not like perrin could just do his falme stuff an episode early and take a nap while everyone else was doing THEIR falme stuff in the next episode, nor could the full falme sequence have been split into 2 episodes since that would have disrupted the flow of the story. the only solution would be for 2x08 to be extra long, which is nice to imagine, but we all know that streaming shows almost never deviate from their set episode lengths and so there isn't much point sighing about "this episode should have been 90 minutes long!" because that just is not on the table, never has been, and never will be. the first step to being able to jive with an adaptation is making peace with the limits of its particular medium!

plus, the only things i might deem "missing" from 2x08 are non-essential (ingtar darkfriend reveal - that is NOT important fight me, it's only important in the books as our first example of a morally-gray shadow-aligned person but the show has already been doing that in spades) or will likely be included in 3x01 (the gang spending some time together to breathe and process and catch up). at the end of the day, the show is always going to need to be paced very very tightly with not as much breathing room as those of us accustomed to entire books dedicated to reacting to the previous book might expect. and 2x08 did manage to pack in a LOT of character work amidst all the action and did a good mix of resolving s2 arcs while leaving some unresolved to carry into s3 and introducing some new arcs/issues/conflicts, all within 70 minutes, which i find pretty impressive. in conclusion, 2x08 my fucking beloved <3

[edwardbonnets]

johanna hezenkoss: #1 emmrook hater

bonus:

[seirei-bh]

Jason Mendal headcanons

I wrote these headcanons for fun, however, keep in mind that there is only a few episodes of MCL NG out by now, so I may be wrong about some ideas due to later revelations. (I've also added some NSFW headcanons under the cut!)

-He loves luxury restaurants, especially Italian food, and everything expensive and exotic that is the specialty of five-star chefs.

-He has a limousine and a driver, but he only uses them on special occasions, since he prefers to drive his own car.

-If he were an animal he'd identify with a panther, a wolf or a shark

-He likes to listen to jazz.

-He made an anonymous Twitter account that he uses to insult Devemenentiel members (later Thomas found it and hacked it to permanently ban it, lol)

-He usually wears cologne, his favorites are “Sauvage” by Dior, and “Eros” by Versace (obviously very expensive and brand name)

-He doesn't feel close to his family. Most of them are unbearable to him, with a few exceptions.

-He tends to think that stable romantic relationships are a waste of time. Most of his romantic relationships in the past didn't last very long, almost all of his former lovers complained that "he was married with his job" or that "he was a self-centered asshole". He never had enough time for them and he got bored of them because they were not intelligent or interesting enough to him (something that changes with newsucrette/Ysaline)

-He likes women with self-confidence, who know what they want and are capable of challenging him.

-His poliosis was a consecuence of his Waardenburg syndrome. That syndrome also causes on him to suffers from partial deafness and has vision problems. However, he hides all this by using a very discreet hearing aid and contact lenses. Almost no one knows this except a few people very close to him, Jason hides these problems from the people at his company and any competitors to avoid look weak.

-He's afraid of one day becoming completely deaf, so he learned to read lips and sign language.

-He doesn't want to have children, partly because he doesn't have time to raise them, but mostly because he fears they could inherit the physical problems he has, like a partial or complete deafness.

-Since he was little he was always very good at maths.

-Jason pretends he was always popular, but he was quite nerdy at school, something that he decided to change later in high school and college, he went from being the nerd boy who other made fun of to being the popular boy who insulted and bullied the others.

-During his childhood and teenage years he used to dye his hair so that other children would not mess with him, but as an adult he learned to leave his natural white streaks with self-confidence and to see them as an attractive and unique feature.

-He likes the beach, the pool and going on a yacht. He hates mountains and nature.

-He likes to go to the theater and museums. He knows a lot about the life and work of artists, but he doesn't know as much about art itself, although he pretends he does.

-He has the philosophy of “the end justifies the means” and also that money does give happiness, or at least it can help buy it.

-As a child he learned to play the piano, but as an adult he has thrown away most of his former hobbies from his little free time, because he no longer has time for any of that.

-He got that tattoo on his arm because he lost a big bet once, but since Jason never talks about his defeats, when someone asks him, he says that he got that tattoo just because he wanted to and without any reason or meaning beyond the aesthetic.

-Devon was one of the few true pals Jason really respected and appreciated in the past, before “something” happened between them and they became enemies. Each of them has a different version about what really happened in mind, so that hostility due to differences in povs became increasingly stronger as the years went by. (Probably in this case it is Jason who is not right, but he is too proud to admit that he was wrong.)

-He felt attracted to newsucrette/Ysaline from the first moment he saw her. At first it was just desire and he wanted to manipulate her, but over time that feeling grew stronger and turned into love. Something that he also tried to ignore and deceive himself, denying it until he realized about the truth. He knew that maybe she would hate him, that maybe he would hurt her, that everything could end very badly, but still he couldn't resist to try it.

NSFW headcanons

-He loves bondage, specially tying your hands with his tie.

-He enjoys giving you orders in bed and see you obeying them, but also he enjoys secretly even more when you're a "bad girl" and refuse to do what he orders.

-Praise kink (both give and receive)

-He absolutely adores when you claw your nails on his back, so he has more excuses to call you “kitten.”

-Also when you grab him by his tie to drag him to the bedroom and passionately tear off his clothes.

-His favorite place is in his house, although it can be in bed, against the wall or on a table.

-Too excited by the idea of f*king you in Goldreamz's office, on his desk table sometime.

-He almost always prefers to be the dominant one, but also loves when you fight for dominance and you get to be the queen in his bed who is able to doms him.

-He loves to tempt you beforehand, whispering sexy and dirty things in your ear, kissing you on the neck and caressing you softly and subtly, until you can't take yourself anymore.

-Hard. Savage. Passionate. Sometimes very fast for all the sexual tension you two can't handle, sometimes unbearably slow on purpose because he wants to hear you beg for more and praise him how good he is and how much you want him.

-You two always end on a bed after an argument. He's turned on by how beautiful you look when you're angry and how you fight back fierly. Sometimes he makes you angry on purpose because how much he enjoys the moment and what comes later.

-He loves when you tell him that you hate him. That turns him on too even more.

-Skilled with his fingers and proud of it *wink*

-Proud of his own body. Yeah, his size too.

-He loves to kiss your neck, caress your legs and grab your thighs and butt.

-He loves looking at you. His gaze is especially intense and challenging when you're riding him, and he likes to hear you gasp as he watches your beautiful face and body.

-Sometimes is a competition between the two to see who shows better skills in bed and how much you both can last (how many hours and poses). He'll give you his best sexy smirk and won't stop f*king you until you beg him, but you would never beg your enemy... right?

Extra! A few nsfw sweet headcanons too:

-If he notices that you feel too uncomfortable and nervous, he makes humorous comments to break the ice and make you laugh.

-Although he likes BDSM, he will always ask you if you feel comfortable or not with it and will stop if you ask him to do so.

-He's not very used to aftercare, but he knows that you need them, so he tries to give it to you. Plus, he likes it when you rest your head on his torso, close to his heart, and he thinks you look gorgeous while you sleep.

[ministarfruit]

day 9: it's time for crime ♡

(prompt list for femslashfeb)