#i love it so damn much i have no words
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poorly-drawn-mdzs · 13 days ago
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How much longer 'til your luck runs out?
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#poorly drawn mdzs#mdzs#jiang cheng#wei wuxian#Aaargh...I have so many thoughts about this scene.#This is a hard goodbye. I'm not your burden to bear. Not anymore.#This is the culmination of years of miscommunication. There was so much love there. They trusted each other with everything once.#I think it is easy to hear the anger in JC's voice and consider him the aggressor in this but listen to the words not the tone.#It is anger yes - but it is an anger born out of love.#Jiang Cheng wanted him to live - damn the rest of the world to hell if that's what it took. And Wei Wuxian chose strangers over him.#Sometimes two people who once flourished together become each other's worst wounds.#A goodbye to someone you once would have done anything for is a wound you don't easily recover from.#Jiang Cheng could have stood at Wei Wuxian's side and joined him. Consider though; as a sect leader his life is not his own anymore.#JC cannot just abandon the fledgling New Yunmeng Jiang without also dooming people.#And that is the lynch pin of it all. Both of them are trapped by duty. And the older they got the more tangled the web became.#The song I linked (Hi Epic fans) is such a good JC and WWX song that doesn't fit this scene exactly#But it does fit *them*. The words of warning that go dismissed. The Tactical Genius who continues to press on.#The seeds of doubt that grow louder until they creep towards mutiny. Ultimatly this *is* a mutiny! It *is* betrayal!#'You rely on wit and people die by it'. Is that not Wei Wuxian?#Just smashing my brainworms together over here. Don't mind me.
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deoidesign · 2 months ago
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I met the me who made different choices
#idk what this means so dont ask#got the words stuck in my head and this is what I wanted to draw for it immediately#me at my desk. so.#I dont look exactly like this obviously. doesnt matter. anyways#hard time recently in a lot of different ways#lots of work to do!#given up on getting everything done I kind of failed at that. it was too much#so now I'm just trying to get anything done that will make the next 6 months not kill me again#ideally. 3 episodes. or the book#or like at least close enough to that that its basically that#I'm feeling really screwed LOL#I dont know how I've been working every day for so long and still havent done enough...#(its because the work load is way too much)#every time I take 1 hour for myself. to cook. or clean. or draw something else. or play a game. I feel so guilty auauau#I hate webtoon I hate this damn green app...#DOESNT MATTER!!!#what DOES matter is my art is good as hell... look at this shit...#the light. the colors. I love you red I love you green#I need to get more red pants I only have the one pair.#I saw this guy with red pants that had skeleton legs on them and I was like FUUUUUUUUUUUUUUUUUUUUCK!!!!!!!!! I need them!!!!#I need to start sewing again. I dont have a sewing machine cause my apartment is too small so I havent sewn in years but I really want to..#I want to make clothes again... I need some vests I need some dresses..#I will not make pants or sleeved shirts because I dont hate myself#sketch#art#vent art I guess LMFAO its not#its just this fun little thing we like to call self expression#also this isnt how my desk setup actually is I scooted things around cause I didnt wanna draw anything twice. fuck it we ball#ok back to work
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juthemagicalclown · 2 months ago
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fukutomichi · 2 months ago
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"The shadow has not only overcome you, it has overcome all Elvendom. In the end, your drive to prove your virtue will work right into Sauron's designs" - Adar S2.E6 ∙ Where is He? / S1.E5 ∙ Partings
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radioactive-earthshine · 1 year ago
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NGL I have STRONG opinions about digital releases omitting the letters to the editor section of older comics. I feel like the letters are a part of comic history and should be aggressively preserved.
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copia · 5 months ago
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THIRTY-ONE DAYS OF GHOST ⛧ DAY TWO
the song that made you a fan — Spillways
“This is an elegy for the darkness that most people have inside. When you have a dam, spillways are the run-offs so the dam won’t overflow. That darkness inside us needs to find its way out,” — Tobias Forge
Job 10:1 "I loathe my own life; I will give full vent to my complaint; I will speak in the bitterness of my soul."
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just-french-me-up · 3 months ago
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If you'd still like Dreamling kiss prompts, how about 7 or 17?
@martybaker asked : Hello, your fics are so lovely! May I humbly request ‘A kiss to shut them up’ if you’re still taking prompts? 👉👈 @anonymous asked : Thoughts on dreamling 7 or 17 (to shut them up or to distract - maybe even both at once?) for the kiss prompts?
We're shutting him up, yall! This is a Retired!Dream one, in which Dream struggles with the human body and human condition, and can't see how he can measure up to his old self in Hob's eyes. Angsty you say? Deceivingly horny I raise you! I kept this sorta M rated but... hey if there's more to come *winkwink* who knows?
The human body was a curious thing. It required constant attention, fluids, fuel, maintenance, care. And yet it was so... limiting. Morpheus could still remember how it felt, to think of a place and feel the ground shift under his feet without ever having to move. There had been no hunger then. No thirst. No itching, for his skin had never had the notion that it could be too dry.
If he had ever felt those things, it had been because he had chosen to.
Now the world imposed itself to him, there wasn't much of a choice.
Urges baffled him the most. The dryness coating his mouth on a particularly hot day, his mind conjuring up images of cold, condensation-weeping bottles. The drowsiness taking hold of him after dinner, weighing on his eyelids. The burning, devouring heat flaring in his abdomen as Hob would step out of the shower, a towel lazily tied around his hips, the line of hair trailing down his navel guiding Morpheus' gaze downwards.
It was a strange thing, to be overcome by such sensations. An infuriating thing, really. He ought to be able to resist them. He had been able to resist them, once, to ignore them, dismiss them into nothing if he so chose. How vexing it was, to be a creature of wants and needs, when your existence had been nothing but careful control.
He would not tell Hob, but he could not help but feel... lesser. How clever could his mind be, now that he only had access to his own? How good could his hands be, he who had been able to breathe life into dream clay, fashion lands and castles with a single thought? How pleasing could his touch be, now that he was barred from his lover's unconscious? How could he compare to who and what he had been, once?
They had not made love ever since his encounter with the Kindly Ones. Hob had never pushed, reading Morpheus far better than Morpheus ever could, now. There had been times, here and there, when Morpheus had thought they would, with lingering kisses growing deeper, embraces in bed tighter, but something had held him back. Some bitter gnawing feeling at the pit of his stomach. Yet another thing he could not seem to control.
Yet he wanted. Desperately, frustratingly so. The most mundane things would strike him as the most erotic sights he could fathom. Hob drinking his coffee in the morning, his Adam's apple bobbing as he'd swallow. Hob reading the day's papers, his gaze intent, focused. Hob reaching up to grab this or that from a cupboard, his shirt riding up and showing his navel, while his tired pajama bottoms hung from his hips, revealing the slight dips there, a hint of hair...
Morpheus' body would betray him often, subjecting him to fantasies and erections that, much like the rest, he held little control over. Unlike food, lust was a hunger he never seemed to satisfy. It only grew.
If Hob had ever caught him staring, he never said anything. Instead, he was highly skilled at noticing when Morpheus' mind would start spinning on itself, feeding the loop of existential dread looming over him. He had taken to giving Morpheus tasks, then, something to focus on. Although it would not quite clear the storm, it muffled it somewhat.
Perhaps he'd sensed another one of Morpheus' spirals that night, when his voice rose from the bedroom.
"Oh, bollocks! Love? Might need a hand here."
As he stepped inside the bedroom, Morpheus found Hob standing by the mirror, struggling with his button-up. He flashed a quick contrite smile at him, emphatically tugging at the fabric.
"Can't manage to button those buggers off," he explained.
"Allow me."
The human condition was one thing, but buttons he could handle. Morpheus' touch was methodical, surgical almost, as he focused on the task at hand, yet three buttons later, he could not help but feel his focus slip. He could feel Hob's warmth under his fingertips. His heartbeat. As he breathed in, Hob's scent filled his lungs, distracting him further. By the time he was done with the shirt, his mind had gone elsewhere.
Hob wore an undershirt, a thin, almost see-through thing. It required barely any effort to see his chest in spite of the fabric. Morpheus' eyes trailed down, heat flushing his cheeks. Mindlessly, his thumb traced the line of hair down Hob's abdomen, his mouth filled with want. He could feel hot breath against his lips. Humans were not meant to withstand such hunger.
They were kissing before Morpheus could articulate another thought, Hob's mouth warm and soft against his, the coarse brush of his stubble adding fuel to the fire overtaking him. No doubt Hob had meant for this to be tender, but Morpheus was famished, taking, and taking, and taking all that was offered until his lungs might explode. He found himself gasping against Hob, nose to nose, forehead to forehead.
"Hey," Hob whispered, gentle to a fault. "It's okay. There's no rush."
Morpheus swallowed hard, feverishly catching his breath. Hob's palm was invitingly cool against his cheek.
"I will keep," he continued. "We don't have to―"
"I want to," Morpheus rasped, weeks of frustration pushing the words out of him. "I want you. I just―"
"Just what?"
The patience in his voice was the lifeline Morpheus held onto as he sighed, embarrassment flooding through him.
"This form, it feels... finite. Flawed. Lacking."
Fallible, he did not say. He watched as Hob's eyes grew round, ridicule joining embarrassment.
"Duck―"
"I am not as I once was," he continued, overcome with the need to justify himself. "I am no longer suited to anticipate your every want. I can not satisfy you to the degree I once could. Everything I have to offer is bound to disappoint in comparison."
Hob's stare felt heavy, too heavy for Morpheus to hold, but as he looked away, Hob took his chin between his fingers, directing his gaze back to him.
"Love, I―. Sex is not about making some kind of... of ranking."
"Your unconscious would rank it, regardless."
"Fuck my unconscious. It's my conscious self who wants you, magic dick or not."
The corners of Hob's mouth twitched at his own joke, but seriousness soon took over.
"I love you," he said, prompting Morpheus to look away again. "I love you. I would love you Endless, I would love you human, I would love you if you were a tentacled monster and hell, you've been that before if you'd recall!"
Morpheus fought back the smile creeping up on his lips.
"I never cared how we'd fuck. Well, I did, but― I did because it was you. I wanted to be with you. I still do."
Hob sighed, and they stood in silence for a moment, looking at each other.
"At least now we know that mind of yours is well and truly yours and not a Dream of the Endless exclusive."
"An unfortunate discovery."
Hob's hand settled on Morpheus' waist, his thumb brushing the fabric of his shirt.
"I do want you," he said. "Whenever you're ready. If ever. But I don't want you holding back because you've convinced yourself I may not enjoy it well enough, according to some cosmic standard you've set for yourself."
Morpheus nodded slowly, his own thumb back to tracing the happy trail on Hob's stomach.
"I have always found you pleasing enough, after all," he dared, shooting a tentative look at Hob. "As human as you are."
Hob made a face, pulling him closer by the waist.
"Your compliments need work, duck. But I do think there's a silver lining to this whole human condition you are overlooking."
"Is that so?"
Hob smirked at him, fully conscious of how devilishly handsome that made him. He had had, after all, centuries to hone those skills. How long would it take him?
"You no longer have access to my unconscious, right?"
"I do not."
"Which means you can no longer anticipate my every want, as you said."
Now that was rubbing salt into the wound.
"Yes," he conceded with a frown.
"Well imagine how arousing it is, my love," Hob said, his eyes darker by the second, "to be able to surprise you."
A warm shiver went down Morpheus' spine, sending his pulse into a frantic race. He swallowed thickly, holding Hob's gaze.
"How arousing?"
"Very. Cock-achingly, one might say."
Morpheus glanced down, finding Hob's trousers tight, his hard cock pressing against the fabric, making his knees weak. The human body truly was weak in the most delicious way.
"I could dare you to surprise me," he teased back, his breathing loud in his ears.
"You could."
Gods, that mouth of his, Morpheus was quite certain he could be undone from that tone alone. But still.
"But should you find me displeasing, you ought to―"
The rest of his words were swallowed into a kiss, unheard and discarded, replaced by tender sighs and wanting hands, and after a while, Morpheus found he'd forgotten what they even were, his mind blissfully blank save for pleasure.
The human body was a curious thing. A highly pleasing thing, at times.
Send me a kissing prompt?
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miraculouslbcnreactions · 4 months ago
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I wouldn't really agree that boys are just arm candy in magical girl shows and only there to look cute. Yeah, sure the girls' friendships are the focus, but the boys are usually very much involved in the plot and most shows do explore their feelings about the odd things that happen due to magical shenanigans even if they aren't in the know (It's why ML baffles me even more with how they screwed up Adren's arc when he's the deuteragonist, when all these boys are supporting cast and get well rounded arcs)
I'm not much of a winx fan, but the specialists were very much not arm candy. Did the girls talk about them being cute? Yes, it's what teenage girls do. Did the narrative suggest they were good looking? Yes, but that's standard for most love interests in any genre. But we still got scenes with them talking amongst themselves about how they themselves feel and they got a fair share of badass fight scenes even if they wield no magic. A large amount of episodes actually included the boys and girls working as a team solving a mystery or fighting a villain. The girls might deal the finishing blow but the boys were still integral to the plot.
I hope this doesn't come across as hate, it definitely wasn't my intention. I'm just a bit too passionate about the magical girl genre.
I do think you have a good point with ML having a problem choosing a genre or blending two genres successfully.
For the CCS fans, I will add though that Cardcaptor Sakura had both Tomoyo and Syaoran serve as sources of motivation for Sakura. And both Sakura and Syaoran collecting cards even if Sakura is the only one who could seal them and yet never made you question whether Syaoran was even necessary for the job the way ml does with Chat.
I wasn't trying to say that boys have no part to play in magical girl team shows or that they're always treated as having no lives beyond the girls, that's why I mentioned that the Winx Club boys - aka, the Specialists - have their own (mostly off screen) lives and occasionally show up help the girls:
the boys are usually off doing their own thing and only occasionally show up for a date or to give the girls a ride on their cool bikes or magical spaceship
Even then, this is certainly a simplification of the roles that they play in the story, but I kind of had to simplify their roles down to their base components for the original post's discussion as I was talking in broad strokes of how these stories are written.
In terms of those broad strokes, the Specialists are absolutely only there for shipping fodder. That's why each one is assigned to a girl from the start and why their main role in the narrative is supporting their assigned love interest or causing relationship-based drama for their assigned love interest. If it weren't for shipping, then the Specialists would not exist.
While the Specialists do have fleshed out characters and may even effect the plot, the execution of those elements is designed around the girls. A really obvious example of this is the character Timmy, who has character development as the boy's tech guy. Why is he into technology? Because he's the designated love interest for the fairy of Technology and we have to show why they're a good match. Along similar lines, the boys don't really get plots that are removed from the girls because this is the girl's show. Every episode features one or more of the Winx, but the boys are optional and often don't appear.
This is because, narratively speaking, the boys are just love interests and that brings us back to Miraculous' big problem. You can't have a show where Adrien is written like a Specialist while also being part of the Winx Club and where Alya is written like she's part of the Winx Club while technically being more of a Specialist in terms of power set and actual narrative role.
I'm was thinking back to my memories of various Winx Club plots to find one that really highlighted what I mean here and I remembered that one of the big dramas in season one was the reveal that Bloom's love interest - Sky - was in an arranged marriage and had just never told her. As it turns out, that's a great example of what I'm talking about re Adrien!
Is that plot line technically based around Sky and letting his life effect the plot? Sure, but the fallout of that reveal revolves around Bloom, not Sky. The story doesn't really care how Sky's feeling as the conflict progresses. Instead, it focuses on how it affects Bloom and her friends because of course it does! She's the main character. It would be really weird if that plot suddenly focused on her side character love interest and his friends during one of her darkest hours/biggest moments.
Think of that and then consider how the ending of season five is written. Notice any similarities? Sure, this is Adrien's family drama, but because he's just a Specialist, the focus isn't on him. It's on Winx Club member Marinette and Adrien only shows up at the end for a kiss. That is the problem. That is what I'm talking about when I say that Miraculous will randomly write him as if we're watching a magical girl team show where Adrien is just the love interest.
In fact, let's really dig into this example because it's a good one.
You can have a look at the transcript for the finale episode of Miraculous season five here and see for yourself that Adrien doesn't even show up on screen until the final scenes when the big drama is over. The Winx Club wiki also has episode transcripts, so I took a look to see what happened in Winx land during the arranged marriage reveal plot (I love that this is a thing. It's so useful for fact checking myself!) This is the script for the episode after Bloom learns the truth. Sky does not appear even though his lies and family drama are the fuel for this episode's events, which are a major part of the season's arc. Note how perfectly that matches Adrien's writing?
Similarly, Sky's dialogue in the reveal episode is all about Bloom. He's worried about her learning the truth and thinking less of him. To match that, here's Adrien's only real dialogue in the penultimate episode of season five (full transcript):
Adrien:(Covers his ears.) I cannot transform... (Looks at his ring and tries taking it off.) Plagg: What are you doing?! Adrien: I'm not in my right mind. I'm too angry — at myself for falling short of Marinette's love, at my father for sending me here in London, at this stupid app and these rings that use my image... it makes me sick! This nightmare is giving me the horrible feeling that, if I transform, I'll get akumatized and destroy everything with my Cataclysm — Marinette, Ladybug... (Takes off the ring and hands it to Plagg.)
Switching back to Winx. After Bloom learns the truth about Sky, bad things happen because she's depressed. This results in her and the Winx going off on a journey to learn the truth of who Bloom is. After the girls share this big plot moment and Bloom gets her mojo back, the boys show up to be their ride home and to give Bloom her romance moment where Sky wins her back by declaring that he broke off the arranged married because he loves her.
Sky notably doesn't get an arc about choosing between his arranged marriage and his true love. We don't even know that the marriage is broken off until he tells Bloom because that was never really a conflict as far as the narrative was concerned. Of course he's going to pick Bloom! He's her designated side character love interest! He only exists to be with her. We don't need to treat this as a serious thing for him. The arranged marriage plot was never about him anyway. It was about giving Bloom a reason to have a darkest hour moment that moves the plot forward. Similarly, Sky calling off the marriage is nowhere near as important as him telling Bloom that he's called off the marriage to be with her in a grand romantic gesture.
This perfectly mirrors Miraculous' season five ending where Adrien doesn't appear until after Marinette is done fighting her big girl power fight against his father. As far as the writing is concerned, that fight isn't about him. His connection to the villain only really matters in terms of how it affects Marinette's actions during the final battle. Then, when the battle is over, Adrien shows up to give Marinette her big romance moment because, while the plot may be driven by Adrien's family, he is not a Winx club member. He's just a Specialist. Or, in the words of the head writer:
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[image text: She's Barbie, he's Ken. You don't like it. I get it. It won't change. Anything else?] (The full, even more damning context of this tweet can be found here.)
What else can I say other than, "I rest my case."
Oh, and also that I didn't take this as an attack. I just thought it was a good opportunity to really dig into the nuances of this and what I was talking about in that original post as I never know how obvious this stuff is if you don't closely study story telling. As this case study hopefully shows, if a show is about a group of girl friends using the power of friendship, then their love interests may have important roles, but the boys are never going to be more important than the girls and most of the boy's screen time will be focused on romance and how their existence effects the girls because it's ultimately the girls' world. Without them, the show wouldn't exist. Without the boys? Well, then we just wouldn't have a romance plot.
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russilton · 2 days ago
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Guys some of you have got to process grief better— you can’t be watching Lewis clearly explain how leaving Merc makes him emotional because it’s his family, and he’s been processing that sadness all year, and think he’s saying they’re making him sad on purpose
People get sad when they leave things, people get sad and struggle moving on even when they know it’s the right choice. People leave things they love for new adventures all the time and they can still feel sad.
Feeling sad isn’t an emotion to be banished, sometimes it’s an honour to have loved something so much it made you sad. Grief is the persistence of love
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beanghostprincess · 6 months ago
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Sorry I really didn’t mean I’m attacking you or your ship. I also don’t think it’s a red flag, most gay men I saw don’t really like shuggy either. I mean, probably the entire world prefers any other shanks ships? On almost every site, con or store there’s always tons of mishanks and Bennshanks and never shuggy. I get it’s also about dynamic and connection those two pairs have, like with the parallels to other ships the base for them is extremely strong. But the minimal shuggy does speak volumes. I genuinely wonder about this. Shuggy is unpopular and again while I do agree there’s strong connection between “rival ships” I don’t think that’s the only reason… and like…. Buggy is ugly, isn’t he? He doesn’t have cool style, doesn’t look cool, makes ugly faces all the time, also is a coward. I like him as comedy character and shanks brother though!
I understand where you're coming from when you say Shuggy is unpopular amongst some people (actually, before anyone says anything. It IS an extremely popular ship in Japan but I have seen A LOT of hatred towards it in this side of the fandom, so that's what I'm talking about when I say it's unpopular). I have talked about this before. And I have said a lot of times that the reason why is often because people only focus on looks and Buggy is not conventionally attractive for the fangirly twinkified sexualized gaze numerous sides of the fandom and the general audience seek. Like, I am not forcing people to ship them, but I have had people admitting the only reason they don't is because of the looks, and I personally believe that is a very (despite valid, of course) dull way of seeing ships. And respectfully, I don't care that other gay dudes or all the people in the world agree with you. It's not a red flag to not like Shuggy, what it is a red flag, though, is to come into people's inboxes to do what you're doing!
I know you don't mean to attack me or anybody who ships them but your tone does wonders showing otherwise. Your perception of shipping is just based on looks and the fact that you came here, to a blog that explicitly ships these characters and is fond of Buggy, talking shit about one of the characters' looks... Is just straight-up mean and not following the social etiquette this site should follow, which is "let people do whatever the fuck they want".
So with all due respect, what makes you think I won't find your questions offensive in any way? Because you keep talking bad about a character I like in my inbox for literally no reason. Do you expect me to admit that the ship is unpopular because Buggy is ugly and boring? Well, I do admit people view him as ugly and only a comedy relief, but I don't. Expecting others to find beautiful and interesting the same things you do is having a very close-minded vision that One Piece's plot itself is against.
By the way, you're showing that you clearly don't like Buggy in the slightest because you're only talking about the traits that you find negative about him. But of course, you like him as comedy relief. Of course, you like him as a character in Shanks' story and not as a character himself. Despite Buggy having lots of depth. Your perception of these characters seems, in my opinion, extremely empty and, as I said, only based on looks. And you're free of shipping whatever you want however you want! But please, please, don't do this anymore. This is just petty high school mean girl behavior. Even Regina George would word this in a more polite way.
So, as a little advice for you, let people ship whatever they want without questioning their favorite characters! I am sure you will live a more peaceful life!
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carnivalcarriondiscarded · 9 months ago
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What’s up with the ties between Sally & Eddie?
There are quite a few - to the point where I’m starting to suspect that they may be foils, or at least inherently tied together in the story.
First let's bring things back to the clocks. The “day” side has an obvious resemblance to Sally, like how the “night” side resembles Eddie. There’s not really much I can say here since we don’t know much more yet, and who knows if this has changed behind the scenes. But just think about that, the rarity of the color purple, night vs day, and the “monster”. Keep it in your head, I think it may be important. 
Also the fact that Eddie is the only one with a watch, but Sally’s face has an incredibly similar face on her door.
Obviously Sally has some sort of beef with Eddie, despite him being nothing but friendly and (to our knowledge) being undeserving of it. One thought I entertained was “maybe Sally is dismissive of him because he’s a worker,” but that holds zero water when you consider how perfectly friendly Sally was with Howdy (karen Sally debunked <3). The second thought I had was “maybe Sally senses the queer in Eddie and it intimidates her” - which would make sense if Sally is a lesbian like I suspect. Internalized homophobia, anyone? This holds up if Eddie is going to turn out to be - not open about himself, but comfortable in his skin in a way that, say, Frank isn’t. Which I have a feeling that will be the case, which would likely make Sally put on airs even more so than usual. 
Anyone else seeing a continuous trend of (social) masks and performances unfolding in the Neighborhood? I sure am.
But let’s talk about why I think they might be foils. They balance each other out in an interesting way, despite their only solid similarity being that Both will work/perform no matter the weather. They have a lot of closely related differences:
Eddie has been mentioned (and implied within the story so far) to have a deeper well of knowledge than he lets on, but acts humble about it. Sally has been mentioned (and implied) to know less than she portrays, but acts like a bit of a know-it-all - she pretends to know things that she doesn’t. 
Eddie’s role is about helping others at his own expense, while Sally’s is using others to reach fame. 
Eddie strives to connect with his Neighbors and is all about accuracy/precision. Sally is in her own little world and has proved to be more than willing to improvise / not think things through before acting.
Eddie is slow to anger, and Sally is easily irritated. 
Selfless vs Selfish.
Night vs Day. 
And to put them in the Johari Window - i believe that Sally resides in the Blind Spot (known to others, not known to self), and Eddie resides in either the Facade (not known to others, known to self) OR the Unknown (not known to others, not known to self). Personally I’m starting to believe that Eddie may reside in both. 
It’s far too early to draw any real conclusions, and theorizing on all of this is difficult. I feel as though - as usual - we have puzzle pieces but no frame of reference for the way they fit together, what picture they build. And who knows, tomorrow’s update may shred this to ribbons, but I doubt it. 
One thought I had was that they’re in cahoots about something - it doesn’t have to be something malicious or some sort of secret plot, it could simply be something they both know and are trying to keep quiet about. Eddie is trying to connect with Sally since they have this in common, but Sally is actively putting distance between them to preserve their secret / plausible deniability. Do I actually believe this? Meh. I’m just throwing spaghetti at the wall to see what sticks.
So current base thoughts: Sally is dismissive of Eddie either because he intimidates/scares her on an internalized level, or she’s actively trying to put distance between them for a currently unknown reason. There’s probably a secret third option I haven’t even considered!
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deoidesign · 5 months ago
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Hi, how did you learn to draw Steve's physique?
Ohh what a complicated thing to answer...
When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.
(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)
The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.
For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.
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In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.
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I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)
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I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.
The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.
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This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.
I also, of course, have done many figure, gesture, and master studies...
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These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.
What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.
The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.
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And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.
It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.
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This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!
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Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part
But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...
There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.
I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.
I hope even one thing in here helped you! Sorry it's so long.
#asks#somewhereinasgard#anatomy#art tips#anatomy tips#don't like... take my word as gospel OF COURSE#I am sure there's like one thing or more in here that's like. genuinely wrong#but whatever#anyways. I love steve LMFAO#I was thinking about zagan a lot too in this one tbh LMAOOOO cause he's got a similar body type#and when I just did that action animation of him#and people were like how the fuck did you do this so fast#I sort of have been realizing all this knowledge I have about anatomy#and how much easier it makes my life pretty much every single step of the way.#those action poses did not need reference.#I almost never need reference for drawing people#unless its like... realism. but I mean in my comics or animations#when the arm is coming towards the camera I know what's going on in the arm and what the form of it ACTUALLY is so I can properly draw it#there's no guesswork. I know what I'm doing.#which makes it so that when I'm depicting someone like flipping all around or whatever#I just know what the body looks like. how it moves. how it balances. etc.#I would say it comes naturally to me but it doesnt.#it is subconscious at this point#but it is very extremely studied#not a damn bit of this came out of nowhere LOL#ok anyways this was a really fun ask#I got extremely carried away I am so sorry#this is like my biggest artistic passion I LOVE anatomy SO much#I love drawing muscles#I love the technical feelings that happens in my brain when I draw an arm moving and figure out how the muscles are engaged
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glass-warehouse · 6 months ago
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me @ kenshi
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thisantithesis · 1 year ago
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i’m so normal about mark bennett and gordo livingstone actually. i have 100 pages left to read in ravensong and i am completely normal. totally fine. fucking dandy, if you will.
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bacchuschucklefuck · 6 months ago
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the boy-but-not-that-way-ism of riz gukgak send tweet
#not art#have been chipping away at a more... proper? so to say. piece of the kids for keepsake. and since its of them at the beach Im rotating#gender stuff in brain again. riz and gorgug ping a lot of the like funny gender stuff in my brain#very specifically adjacent to cultural understanding of it all... like I did say I do think riz has a gender and it can be#translated to ''man'' in solesian understanding but also that boy has close to no self awareness nor does he want to#he grew up as ''goblin'' before ''boy'' and it's kinda how he perceives himself. got a gender but doesn't wanna do much with it#kinda imagining him seeing his grandparents again and realizing that there's a gap there between himself and his grandpa too#and sitting with that for a bit. not for long that kid doesnt do that but for just a little bit#man I truly really do love that riz is aroace. my boy of the unquantifiable unimportant margins....#gorgug though is 100% trans lmao. there's a kinda distance to his own body in how he acts#that's kinda common in ''mad scientist'' characters? (or maybe my perspective's just skewed due to willow jenkins lmao)#kid spent the first two seasons fitting himself in places he Should be able to fit. and s3 is pretty much all about him Making New Spaces#thing is despite looking ardently for like. the reason Why he can't fit in in the first season I think gorgug really does#love his gnome parents and love being their child. and its confusing and tough to have to learn why something you love still hurts you#he wants it to not. he wants to make sense. and then it does and it changes nothing really#until he actively makes choices based on what he's learned. like. damn idk how to word it but#just like the ability to say ''actually this Is my life what are u gonna do? stop me from living it?'' is a powerful force#its rly fun to look at these two guys in these contexts thats like#they will never win the gender game just by virtue of being who they are. it's not designed for folks like them to win#but riz would simply not play and gorgug would design his Own game he's the champion of. and I think that rules
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fencer things i hc the team as doing:
seiji is one of those people who do the little high jumps before the start of a bout and who are bouncing back and forth during it
aiden and eugene flick on their own foot to check whether all the electrical is working, meanwhile harvard/seiji hit the ground outside the strip
nicholas doesn't scream during high tension points but he does gesture/pump his fist/ect.
eugene and aiden instead do scream (to harvard's dismay). seiji only screams at the end of an important bout like a final.
harvard for sure gives firm handshakes at the end of a match and does the full greeting before (a little sloppy bc no one does it perfectly) (except for seiji who does it perfectly)
eugene hugs/high fives other athletes he knows at the end of a bout, no matter who wins or who looses
eugene is also a wrist/foot hitter (canon amazing accuracy) and is strong enough to knock a blade to the side easily. he also rarely bounces his blade and has a very firm stance
nicholas accidentally hits the ground an embarassing amount of times (and the score table, and the score machine, and gets tangled in people's cables/gloves)
aiden doesn't try to get into close combat situations but when he does he is very good at drawing his blade out and hitting once, cleanly
nicholas on the other hand does riposte after riposte and it WORKS. he understands very well the "it's not over until the referee says something" rule
aiden loves a bitch ass everyone-will-hate-you move like a third disengagement and flick to the back. or a flick to the wrist. or a flèche right at the beginning of a bout
coach is the kind to smile and go shake the hands of both the rival coach and fencer, only to turn around and rip the team's performance to pieces
but also, she's the kind to grab the waterbottle of whoever is fencing during the one minute pause and have them drink while she explains tactic changes (without an epée in hand, just directly with her arm)
eugene is the type to hit everyone in the foot/shin when he's walking by to get their attention
similarly aiden and harvard are poking each other when either are fencing non-serious bouts, nicholas tried to do so once with seiji and was immediately destroyed by a glare with the power of a thousand suns (all during practice ofc)
aiden is a feinter extraordinaire. harvard is one of the few who never follows these feints/lounges past them (other than seiji who is just a great fencer)
aiden has been yellow carded for having his hair poke out from his mask before, meanwhile harvard is likely to be yellow carded for the one minute inaction rule. nicholas is most likely to get yellow carded for close combat. eugene and seiji understand the damn rules and don't get carded often
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