#i love how unapologetic gay they are

[tumblethroughthekaleidoscope]

Love Lies Bleeding (2024)

[oceanwithinsblog]

i was minding my own business while listening to this bbm inspired playlist and i accidentally heard the (official?) lyrics to 'the wings' for the first time

* i usually listen to the official soundtrack on spotify, i didn't know there was a version of this song with lyrics lol

well ... i will never recover.

[findusinaweek]

"She's beautiful, she is. Kisses like summer. From the first time I saw her, I wanted to eat her all up-".

"Not helpful".

Alexios, stop rolling your eyes at the lesbian and let her wax poetic. You'll understand in a few months.

[ale-jate-misericordia]

YOUR POST ABOUT SIRIUS YOU'RE SO RIGHT plsss when he didnt have the password to get into gryffindor tower as en escaped convict he lashed out with a knife to the fat lady and traumatized her. he's not passive, he's a bitch with a mad temper and he rocks for it.

e x a c t l y. he's still so dramatic and bratty even after azkaban. i literally can't stand when people make him cute and soft. it makes him and wolfstar boring. it feels so heteronormative because it usually comes with people making sirius super feminine. nothing wrong with a fem sirius, but he's also a prick and that's what makes him fun. let sirius be an unapologetic dick! it's a good time!

[guardianspirits13]

And look. Netflix has cancelled a lot of beloved and well-received shows over the years. This is far from their first shameless cancellation.

But this one really feels like a tragedy in a way the rest really haven’t, for me.

If you have not seen it, this show has some of the tightest writing I have ever seen. It explores so many ideas and character arcs in the span of eight episodes, and there is not a dull moment to speak of. Every line feels intentionally crafted for the character it is assigned to, and the actors never fail to follow through.

Speaking of the actors, almost the entire main cast are in their breakout roles but you would never know it because they are phenomenal. Need I remind you that everyone’s favorite homosexual from hell (sorry, Cas) is played by George Rextrew, and is his first onscreen role beyond acting school. It’s easy to forget that considering how seamlessly he melts into such a nuanced and uniquely expressive character.

Steve Yockey, the director/writer/producer who made this show happen deserves accolades for his brilliant creative direction and an adaptation that took an under-the-radar comic property and made it into the show stopping narrative of cycles of violence and abuse and learning how to grow from your past and be loved as you are. In EIGHT EPISODES.

The cinematography is also stunning and combined with the sharp editing decisions make it just as visually impactful as it is narratively.

I have not enjoyed a show as thoroughly as this once perhaps since season one of Daredevil like, a hundred years ago. I’ve watched other shows, I’ve liked other shows, but none without a healthy dose of criticism. I struggle to find something bad to say about this show because it is just that good.

Now I’m not going to go into the fact that this show was unapologetically queer and that Netflix has a history of cancelling any show that features a gay character that isn’t either comic relief or has two lines. However, it is hard not to notice that the less divisive a show is, the more market appeal that it has, and Netflix definitely cares more about a majority audience of passive users with autopay subscriptions than they do a dedicated fanbase excited to have something to call their own.

To quote Bo Burnham, “Art is dead.”

[tomfrogisblue]

i forgot to post this during june but i think one of the reasons qsmp was so important was how unapologetically Gay it was

for starters, the number of creators and admins involved who are irl queer of some variation, just chilling in a place where any kind of phobia would get Philza's legendary ban hammer faster than you could say "rainbow jelly"

and then the characters.

i remember showing up that first day and being shocked that somehow foolish had an ex-boyfriend already (I had missed the squidcraft lore apparently)

that server. gay. all the gay. all kinds of gay.

govermentally assigned platonic husbands that stayed together the whole time (despite one of them being gone for months at a time), not a chance in hell of infidelity. Proud fathers of two wonderful children.

governmentally assigned partners who yelled full volume at each other about cheating any time they were in the room together and between the two of them killed two children.

a grieving father and ex-convict becoming one of the most solid couples in the server, with a beautiful wedding and consistent public displays of affection via the in-game chat.

a demon ashamed of who she was and a lonely detective struggling with family trauma, now with a lil girl of their own, to love together and take care of, with more moms than could ever allow the little girl to ever be lonely herself.

a 2b2t warrior coming to terms with his sexuality with the support of his beautiful baby boy at his side, slowly but surely opening up to his eventual Brazilian Boyfriend. Where they went from the most cautious couple (baby steps) to the most sickeningly sweet couple on the server.

- and this list doesn't even scratch the surface.

gay characters, trans characters, ace characters, aroace characters, gender fluid characters, all kinds of relationships and families.

all presented without negativity or shame.

the point of the server was to exchange languages and cultures, without the biases and barriers seen so much in both the content creator scene and the wider world.

it also had a beautiful little side effect, practically by accident.

our lgbtqsmp.

[hotvintagepoll]

Propaganda

Jane Fonda (Barbarella, Sunday in New York, Barefoot in the Park)—Feminist icon, LGBTQ+ rights activist since the 70s, Civil Rights and Native American rights advocate, environmentalist… she really is THE woman ever

Eartha Kitt (Anna Lucasta, St. Louis Blues)—My friend and I have a saying: NOBODY is Eartha Kitt. A thousand have tried, and they've all come up empty and will continue to do so. Everyone knows her for something: from "Santa Baby" to Yzma in Emperor's New Groove to Catwoman to making Lady Bird Johnson cry for the Vietnam War. She was a master of comedy and sex, an extremely vocal activist, and she aged like fine wine... I honestly don't know what I can say about her that hasn't already been said, so I'll stick to linking all my propaganda. Like what else do you want from me. She was iconic at everything she ever did. Literally name another. How can anyone even think of her and not want to absolutely drown?

This is round 6 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Jane Fonda:

"I assume she's already been submitted but I gotta make sure. I think there's an element to movies like Barbarella or her segment of Spirit of the Dead of those having been directed by her husband, who famously made movies about her being hot, and the incredible costume design also helped, but good lord. Look at her"

"She was so pretty, dear lord! She was and still us stunning. She’s great at comedy and drama."

"Shes so hot im so gay for me i will let her hit me with hers car"

"Gorgeous and also still getting arrested at climate protests, which is sexy behavior"

"Watching her in Barefoot in the Park seriously made me, a straight woman, question things"

"PLEASE I LOVE HER SO MUCH"

"Her vibes in these movies are so interesting because she, the daughter of an Old Hollywood star, went on to make both poignant dramatic movies and the some of the silliest things you've ever seen but even in the silly space adventures and sexploitations there's always this undeniable gravitas to her. It's like she's able not to take herself very seriously but at the same time never stops having this grace and elegance and makes it all work together. And she's always been very politically active which is also sexy. Her famous mugshot is from 1970 so right at the cutoff mark but come on"

Eartha Kitt:

"A hot vintage woman who was not just known for her voice, beauty, poise, and presence, but also her unapologetic ways of speaking about how she was mistreated in the show business as a girl who grew up on cotton fields in South Carolina in the 1930s through the 1940s coming to Broadway first and then Hollywood."

"Have you watched her sing?? Have you seen her face?? Have you heard her talk?? How could you not fall instantly in love. She makes me incoherent with how hot she is."

"She can ACT she can SING she can speak FOUR LANGUAGES she is a GODDESS!!! Although she is (rightfully) remembered for her singing, TV appearances (Catwoman my beloved), and later film roles, her early appearances in film are no less impressive or noteworthy!! She’s an amazing actress with so much charisma in every role. She was also blacklisted from Hollywood for 10 years for criticizing the Johnson administration/Vietnam War, so. Iconic. Also Orson Welles apparently called her “the most exciting woman in the world.”

"She had such a stunning, remarkable appearance, like she could tear you to shreds with just a glance- but the most undeniable part of her hotness was her voice, and it makes sense that it's what most people nowadays know her for. Nothing encapsulates the sheer magnetism of her singing better than this clip of her and Nat King Cole in St. Louis Blues, she pops in at 2:49. Also I know it's post-1970 but her song that was cut from Emperor's New Groove is likely to make you feel Feelings."

"Even with as racist as Hollywood was in the 1950s and 60s, Eartha Kitt STILL managed to have a thriving career. She also once had a threesome with Paul Newman and James Dean, and called out LBJ over the Vietnam War so hard that it made First Lady Johnson cry. Eartha Kitt was talented, sexy, and a total badass activist."

[nachosforfree]

Fnaf in universe discourse tweet

"I love how unapologetically queer Fazbears has always been, even in the early 80s"

"Uh.... you know fazbear has a history of covering up disappearances and crimes right? Yall will support anything as long as it's got a rainbow on it I s2g"

"Okay? None of those """""crimes""""" were ever even proven and most were made up to smear a company made by queers for queers"

"HENRY EMILY AND WILLIAM AFTON BOTH LITERALLY GOT ARRESTED FOR SEVERAL CHILD MURDERS IN 1985 BUT THEY COVER IT UP. THERES LITERALLY A THREAD ABOUT FAZBEARS MANY CRIMES YALL JUST IGNORE IT CUZ FUNNY GAY BEAR"

"Henry Emily is literally dead and William Afton hasn't been seen in literal decades why does this even matter"

"Bcuz you people like to act like fazbear has no blood on its hands cause ur attached to ur nostalgia and I'm sick of it"

"Wdym by "you people" huh? Why are all your replies to this tweet specifically to queer fazbear fans?"

[alexwilltellyouthings]

You know what really gets me in Dead Boy Detectives queer rep???

It's that it's both endearing and honest and it balances those things beautifully!

You know how there are some shows in which being queer is a given and there's no LGBTphobia at all? I love it. It feels like the safe space I have within my friends and found family.

And then there are stories where the real world happens and it's important, because we're still very much fighting, and media should also show that.

But dead boy detectives!! Has!! Both!!

Not one person (that matters) in Port Townsend has a problem with queerness, no one bats an eye at it, presumably everyone is queer actually. And yet, one of the main characters was murdered in a hate crime for being gay.

They have Monty and the Cat King and Jenny all being unapologetically queer, and they also have a heartfelt conversation about punishing yourself for being who you are while in HELL.

Honestly, I don't remember any other show doing it like this.

[fratttymatty]

A New Type Of Art

(All characters are 18+)

Luke had always been the kind of guy who didn’t fit into a mold, and he liked it that way. He was an artsy, liberal college sophomore who spent more time with his paintbrush than his textbooks, more time discussing philosophy than politics. His long, blonde hair was usually in a messy shoulder-length style, a reflection of his creative, laid-back personality. People often joked that he looked like he’d stepped out of a 90s indie film, and he was fine with that.

He was proud of who he was—gay, unapologetic, and fiercely liberal. His friends in the dorm loved him for his passion, his endless debates on everything from climate change to gender fluidity. He wore the brightest colors he could find, mismatched patterns, and unashamedly displayed his individuality through his clothes. He didn’t care if people stared—he wanted them to. Being different was his art.

Luke was someone who lived openly. He was out, loud, and proud. He believed in change, in equality, in breaking barriers. But then something strange happened that would turn his world upside down.

It started when he wandered into the obscure little gallery downtown. The art was... different. No, it wasn’t just different—it was weird, unsettling even. All the paintings were of men—clean-cut, athletic, stoic figures that seemed too perfect, too polished, as if they were all carved out of the same mold. They stared down from their frames with proud, almost smug expressions.

Luke felt a tug of unease, but his curiosity got the better of him. He walked deeper into the exhibit, looking for something new, something that would spark his imagination. But what he found was something far more unsettling.

The curator, a sharply dressed man with cold eyes, suddenly appeared at his side.

"You’re not from around here, are you?" the man asked, his voice smooth, almost hypnotic.

Luke didn’t know how to answer. “I just came to see the art,” he said, glancing at the paintings again, the faces of the men still haunting him.

The curator smiled faintly. “Art is not just for seeing, my friend. It’s for becoming.”

Before Luke could ask what he meant, the curator’s hand landed on his shoulder. And everything changed.

Luke awoke with a start, his heart racing. The room was unfamiliar. The air smelled different—stale, almost like rubber or plastic. He rubbed his temples, trying to shake off the sudden dizziness that had overtaken him. His mind was foggy, his thoughts spinning like a broken record.

He glanced around. The walls were bare except for a few sports posters—one of a football team, another of a group of athletes holding up trophies. A large computer sat on a desk, the screen blank but sleek, high-tech. The bed he was lying on was too small, too clean.

Then, something caught his eye—a full-length mirror on the wall. He stumbled over to it, his feet feeling heavier than usual.

The reflection staring back at him was... not Luke.

It was a completely different person. His face—his features—were different. His once soft jawline was now square, his cheekbones high and pronounced. His blonde hair was gone, replaced by a rich, dark brown mane that was tousled perfectly, messy but in a way that looked effortlessly stylish. It was a little wavy, but in a way that made him look... well, hot.

The messiness of his hair gave him a rugged appeal, like he’d just rolled out of bed after a late-night party or a spontaneous game of pick-up basketball. His chest was broad, and his body had more definition—muscles that didn’t exist before now rippled under the tight-fitting T-shirt he wore, and his skin had a deep tan that made his features pop even more.

He reached up to touch his hair, the strands feeling thicker, softer than he remembered. There was a strange sense of satisfaction in how it fell around his face, like he was born to have it that way. As his fingers ran through the tousled locks, he caught the faintest whiff of cologne—something strong, athletic, and masculine.

Something inside him—a feeling that had been buried before—shifted. This was right. He was... supposed to look like this.

And then, as if to confirm it, a sudden wave of memories flashed before his eyes—high school memories. Football games. High fives with his teammates. Laughter with his jock friends. A pretty girl’s smile as she flirted with him in the halls. The vague recollection of endless hours spent playing Call of Duty in his friend’s basement, of sports cars and parties. The memories were his now, and they felt... good.

He glanced back at the mirror again. The face staring back at him was someone completely new—someone named Ethan Clark.

Ethan.

It sounded... right. It felt like the right name for the guy he had become.

Ethan’s first full day in this strange new life was a blur of sensations, conflicting memories, and awkward realizations.

He stood in front of his high school locker, the red-and-black track jacket feeling tight against his shoulders. The hallway buzzed with activity around him—students laughing, chatting, rushing to classes—but his attention kept wandering.

He couldn’t help but notice the girls.

They were all looking at him—some giving him shy smiles, others openly admiring him, especially the ones who whispered to each other and then giggled. Ethan had no idea how to handle it, but something inside him surged at the attention. It was like he wanted it. He liked the way they were looking at him. The way his tousled brown hair framed his face just right, the way it somehow made him look cooler, more attractive.

He caught a glimpse of himself in a locker mirror, and his heart skipped a beat. He looked good—like a guy who played varsity football, who could crush a bench press, who wore his hair just so in a way that drove girls wild. It was different, but it felt natural. Comfortable.

“Hey, Ethan,” one of the girls said as she walked by, her gaze lingering on him for a second too long. “You’re looking extra hot today. What’s the secret?”

Ethan blinked, confused at first. Was she talking to him? She smiled, and he suddenly felt this unfamiliar surge of confidence flood his chest. Without thinking, he ran a hand through his dark hair, giving her a slight smirk.

“Just, uh... woke up this way, I guess,” he said, his voice rougher, deeper than it used to be.

The girl giggled, clearly charmed, and kept walking, throwing him one last glance over her shoulder. Ethan watched her go, a mix of pride and something else stirring inside him. He couldn’t quite place it, but he didn’t need to.

This was who he was now. The guy with the dark, messy hair who turned heads, who was adored by girls, who fit right in with the team, the jocks, and the “normal” crowd. He was straight, athletic, confident—and he had no idea who he was before. The memories of his old life were slipping away, like sand through his fingers.

He walked down the hallway, his steps firm and sure. The world was different now. And for the first time in a long time, he was okay with it. In fact, it felt pretty damn good.

As Ethan settled further into his new identity, he quickly realized he was getting a lot more attention than he ever had before. It wasn’t just the girls; the guys on the football team were treating him like one of their own, giving him high-fives, calling him “bro,” and acting like he was the man.

He loved it. And he made sure everyone around him knew it.

One day, during lunch, he walked into the cafeteria with his new crew—a group of jocks who clearly saw him as the alpha in their little pack. The guys were laughing and slapping each other on the back. Ethan’s loud voice cut through the chatter as he cracked a joke about how the girls were practically throwing themselves at him now that he’d "finally started dressing like a real man." His comment earned a chorus of laughs from the table.

“I swear, bro, these chicks don’t know what to do with themselves,” Ethan said, leaning back in his chair and running a hand through his now perfectly tousled hair. “Like, calm down. I’m just a normal guy.”

He smirked as the guys around him laughed, but the joke was all too familiar to him now—this was how they all talked. How the guys had to talk to be part of the crew. The alpha energy. The mocking of others. The jokes about the ‘liberal snowflakes’ and the ‘woke culture.’

“So, bro, what do you think of that chick in your history class? The one with the, like, big eyes?” one of his teammates asked, nudging him.

Ethan’s lip curled. “Pfft, she’s cute, but, like... I’m not really into the whole ‘intellectual’ thing,” he said with a scoff. “Girls should be, you know, fun. And pretty. That’s the only thing that matters. Politics are for losers anyway.”

The guys around him laughed, and a few clapped him on the back.

Ethan’s transformation was complete, or so he thought. Each day that passed, the remnants of his old life—the life of Luke—faded into oblivion. The whispers of art, of activism, of painting vibrant canvases of rebellion and love, all became distant echoes, drowned out by the thumping bass of his new life. The image of his blonde, shaggy hair, the colorful shirts, and the feeling of freedom in being himself—they were all gone now. Ethan Clark, the confident, athletic, and straight high school senior, was who he was meant to be.

And honestly? He couldn’t be happier.

The guy who once hated the idea of conformity, who argued endlessly with anyone who didn’t share his beliefs, had morphed into a version of himself that didn’t question anything.

Girls flocked to him. He flirted effortlessly, his tousled brown hair always falling just right, his posture always leaning casually against the locker with a smug smile that made their knees weak. He could tell that they adored him—hell, everyone adored him. The jocks respected him, and he’d even made it to captain of the track team. He was the star athlete, the alpha in his group, and nothing felt more exhilarating.

The few times when a flash of Luke’s old world would flicker—like when he’d overhear a conversation about climate change or a new art exhibit downtown—he’d feel a weird, nagging sense of discomfort, but it never lasted long. He’d push it aside with a loud joke or by tossing a football to one of his buddies, and the feeling would evaporate.

The most recent instance had come during a heated debate in his government class. A kid who sat in the back—one of those annoying guys with a patchy beard and a mind full of "woke" ideas—had dared to challenge Ethan's casual dismissal of LGBTQ+ issues. Ethan had shrugged it off with the kind of condescension that only someone truly at ease in his masculinity could muster.

“Dude,” Ethan had said, his voice dripping with arrogance, “I don’t know what kind of crazy world you’re living in, but we’re not doing that whole ‘gender-fluid’ thing here. I’m straight, I’m proud, and I’m not going to sit here and listen to some liberal lecture about equality. It’s simple: be a man, get a girl, and stop with all this nonsense.”

The guy had opened his mouth to argue, but Ethan had silenced him with a mock chuckle. “Honestly, I don’t have time for this bullshit,” he’d said, and with that, the room had gone quiet.

The looks of approval from his teammates and the laughter from his group had only fuelled Ethan’s growing sense of power. He was right, and everyone else was just wrong.

It was after that incident that the strangest thing happened—one night, alone in his room, Ethan stood in front of his mirror, adjusting his hair for the hundredth time, as he always did. His tousled, perfectly messy brown locks had become his trademark, and he ran his fingers through them with the kind of pride only a high school jock could have. He looked good. He knew he looked good. And for the first time in weeks, he allowed himself to enjoy the full force of that knowledge.

But then... it hit him.

The reflection wasn’t the problem—it was what was missing.

For a brief, disorienting moment, he could almost see it—the flash of blonde hair, the open, unapologetic expression, the vivid colors in his clothes. The warmth of a smile that wasn’t just for the girls or the boys who wanted to be his friend. It wasn’t just for the applause or the attention—it was a smile that came from being who he was, not from performing for everyone around him.

But the moment passed quickly, replaced by the face in the mirror that he now recognized so well—the face of Ethan Clark, the confident jock, the proud guy who didn’t care about the world of art or politics anymore.

For a second, though, Ethan’s gaze faltered. There was a slight hesitation—a small, uncomfortable ripple in the stream of his new identity.

“What the hell are you doing?” he muttered to himself, shaking his head. The thought felt foreign, even stupid. He smirked at his reflection, his confidence quickly returning.

“Get over it, man,” he told himself, his hand running through his messy hair again, his grip tight as he styled it just right. “This is who you are now. This is who you were meant to be.”

The unsettling sensation lingered, but only for a moment. Ethan stood tall, shoulders squared, and he smiled—genuinely, arrogantly—at the guy in the mirror. He had everything now. He was popular. He was strong. He had girls after him and the guys at his back. And most of all, he didn’t care about anything that didn’t fit into this new version of himself.

The weeks passed, and the echoes of Luke’s old life grew quieter. Ethan’s friendships with the other guys on the football team deepened, and his bond with the girls only grew more intense as they swooned over his rugged good looks and cocky charm. He spent less time reflecting on his past—less time worrying about the strange feeling in his gut that tugged at him when he thought about what he had lost.

One night, at a house party thrown by one of his teammates, Ethan stood with a group of his closest friends, a drink in his hand, and the girls around him laughing at his latest joke. Everything felt perfect. It was what he’d always wanted—what he’d deserved.

One of the girls, a blonde who’d been flirting with him for weeks, pulled him aside, her voice low and sultry. “Ethan, you’re like... so different from other guys,” she whispered, brushing a lock of his messy hair out of his face. “You’re just... amazing.”

He grinned, the compliment going straight to his head. He ran a hand through his hair, feeling the familiar rush of confidence flood him. “Well, babe,” he said, his voice smooth, “I’m just a man’s man.”

The girl laughed, leaning in closer, and Ethan kissed her on the lips. He’d become so used to this attention, this life of being the center of everything. It was a feeling he didn’t just enjoy—it was the only feeling that made sense anymore.

But as the night went on, as the alcohol and the party noise blared around him, a thought flickered again in the back of his mind. It was small, almost imperceptible, like a whisper from a distant past he couldn’t quite grasp. A memory of a world where being himself didn’t mean fitting in. A world where being free meant embracing everything that made him who he truly was.

The thought came and went, but this time it was different. It didn’t make him feel scared—it didn’t make him feel sad. It just... faded.

Ethan Clark was who he was. The boy who had been Luke was gone now. Completely gone.

And as Ethan kissed the blonde girl again, he couldn’t help but smile. He was everything he was meant to be.

There was no going back. There was no reason to.

Ethan’s transformation was complete. Every morning, he woke up in his new life, slipping effortlessly into the role of the popular, athletic jock—his tousled brown hair falling perfectly into place as if it had always been this way. His body was strong, chiseled from hours of training, and he was the star of the track team. More than that, he was a leader among the jocks, a natural at commanding attention without trying. He had the kind of quiet confidence that came from knowing he had it all, and he knew the girls were obsessed with him.

The girls couldn’t get enough of his athletic frame, his perfectly styled hair, and the cocky, yet irresistible smirk he threw their way. He had a certain swagger now—one that came from both his physique and the newfound belief that he deserved to be admired. Ethan was a magnet for attention, and it felt so good.

But there was something else—something he didn’t always let the jocks see.

Ethan had always been a gamer. Sure, he was now the track team captain, the guy everyone turned to for advice on their bench press, but late at night, after practice, when the house parties were over and everyone had gone home, Ethan logged into his gaming setup.

The gaming chair, the massive monitor, the LED-lit keyboard—it was all tucked away in his bedroom, hidden behind a door that only his closest friends knew about. But even now, as captain of the team, as the guy who’d casually broken the 400-pound squat record and was getting invited to college recruiters' camps, Ethan was still that guy—the gamer who lived for the thrill of the digital battlefield.

He had always been good at it. No, scratch that—he’d always been great at it.

Every night, he dominated the leaderboards in Call of Duty and Fortnite, racking up kills with ease. He had his own Twitch account, but it wasn’t for the fame. It was just for the adrenaline, the rush of hearing the ping of a headshot, the satisfaction of topping the scoreboard with his friends.

There were nights when he played until 3 a.m., still wearing his track hoodie, drinking a monster energy drink, the glow of the screen lighting up his face as he obliterated opponents. He'd be wearing his headset, yelling at his buddies—laughing, trash-talking, keeping it light. No one knew about his online identity, but to Ethan, it was just as important as any track medal or touchdown. It was where he could be himself without the weight of the jock persona, without the expectation of being perfect all the time.

The football field was where Ethan thrived. The air was thick with the sound of cleats pounding the turf, the shouts of coaches pushing their players harder, and the constant rhythmic thumping of the ball hitting the ground. Ethan, naturally, was right at the center of it all, a strong, imposing figure in his football gear, his dark hair peeking out from under his helmet, his chest heaving with every breath.

As the captain of the football team, Ethan had earned the respect of every player on the field. They respected his strength, his unrelenting drive, and his ability to motivate others. He was ruthless in practice, always pushing the team harder, making sure no one slacked off. But despite his hard-nosed approach, he kept a certain arrogance that kept the guys in line. He wasn’t just the captain—he was the guy who set the tone for the team, the one who was feared and admired in equal measure.

Today’s practice was intense—punishing drills designed to improve agility and reaction time. Ethan’s muscles burned with the effort, but he wasn’t about to let up. He was determined to lead his team to victory this season. They had a big game coming up, one that could secure them a championship spot. And Ethan was more than ready.

He finished his sprints with ease, his lungs pushing through the burn, his legs feeling stronger with each stride. The guys were panting behind him, but Ethan didn’t even break a sweat.

“That’s how you run,” he said, smirking as he jogged back to the sidelines, his teammates panting behind him.

“Jesus, Ethan, you never slow down,” one of the defensive linemen, Jake, said between breaths.

Ethan threw him a lazy grin. “That’s because I’m built different, bro. You’re just not on my level yet.”

The guys chuckled, and Ethan felt the familiar swell of pride. He loved it. This was his world now. It felt right. The jocks who had once laughed at him in high school now admired him. The girls who had once ignored him now threw themselves at him. Ethan was the epitome of what every high school athlete dreamed of becoming—the guy who was good at everything, effortlessly cool and untouchable.

But then something caught his eye—a flicker of doubt. It was subtle. One of the guys on the team, Alex, had been showing Ethan something on his phone earlier in the locker room. He’d been talking about the new Star Wars Battlefront game and how he was crushing it with some of his online buddies. Ethan barely registered it at the time.

Now, as he caught his breath, he couldn’t help but think about it. Alex had mentioned a team—a clan that all played together late at night. The more Ethan thought about it, the more he realized that even though he was crushing it on the field, there was something oddly thrilling about those nights alone in his room, the camaraderie of his gaming friends, and the rush of winning in a world that didn’t care about how many touchdowns he scored or how big his biceps were.

His thoughts were interrupted when Coach shouted across the field.

“Clark! Get your head in the game! We’ve got a season to win!”

Ethan snapped back into focus, mentally shaking off the random thought. He was Ethan Clark, football captain, jock, the guy everyone looked up to. That was who he was.

Later that night, after the last of his teammates had left, Ethan headed back to his room, dropping his gear on the bed and collapsing into his gaming chair with a deep sigh. His muscles ached, but the comfort of his familiar setup—the glowing RGB lights, the cool click of his mouse, and the hum of the PC booting up—was like an old friend welcoming him back.

He was back where he belonged.

Ethan fired up Call of Duty, glancing over at his phone to see if any of his friends were online. Sure enough, a notification popped up: “Your Squad is waiting.”

He grinned.

Sliding on his headset, Ethan clicked “Join” and immediately heard the familiar voices of his gaming buddies flood through the speakers.

“Yo, Ethan, we’re about to wreck some noobs. You ready?”

Ethan’s grin widened. “Always, bro.”

As they dove into the game, Ethan’s body relaxed, his muscles still sore from practice, but his mind fully focused on the game ahead. This was where he felt free. This was where he could shut out the expectations of being the perfect athlete, the perfect teammate, the perfect son. Here, on the battlefield of the game, there were no rules about how to act or what to be. It was just him, his friends, and the rush of winning.

The hours slipped by in a blur of headshots and jokes. The adrenaline was just as real as it was on the football field, maybe even more so. Ethan was still the dominant force here. His reflexes were sharp, his aim precise. He dominated every match, and when they won, the rush was the same as it was when they hit the game-winning touchdown.

"Man, you're on fire tonight," one of his buddies, Tyler, said, laughing.

Ethan leaned back in his chair, a satisfied smirk curling his lips. "Just like always, bro. Who else can carry the squad like I do?"

The guys laughed, and Ethan reveled in the sound of their praise. It felt good. It felt right.

For a moment, as the squad geared up for the next round, he thought back to earlier that day on the football field—the sweat, the cheers, the hard work that had earned him his place as the team captain. Then, without even realizing it, his mind drifted back to his gaming chair, to his gaming world, where everything was just as real.

He wasn’t just Ethan Clark, the football player, the alpha jock. He was Ethan, the gamer, the guy who could lead a team to victory in both worlds—whether on the field or behind a screen. And for the first time in a long while, Ethan felt a sense of balance between these two sides of him. He had it all.

In this life, no one could touch him.

And that was exactly how he liked it.

Ethan's life seemed to revolve around two worlds: the football field and his gaming chair. But then there was Sophia—his girlfriend—who lived somewhere right between them, a perfect accessory to his newfound high school popularity.

Sophia was the blonde girl everyone noticed—the type of girl who was the center of attention at every party, with a laugh that made guys turn their heads and an effortless grace that made other girls a little jealous. She was the kind of girl who belonged on the arm of a guy like Ethan—athletic, handsome, and undeniably cool. And now she was, and she knew it.

The two had started dating a few weeks ago, and it had been a perfect fit. She was beautiful, outgoing, and obsessed with the idea of being with someone like Ethan—someone who could give her all the status and attention she craved.

Ethan wasn’t the kind of guy who spent a lot of time on his emotions, but when Sophia smiled at him, he couldn’t help but feel a certain rush of pride. He'd caught her eye first, but now she was his, and it felt good. There were whispers in the hallways, and every girl who tried to get his attention was met with the same smug, “I’ve got my girl” attitude. It was the kind of confidence that only someone who knew he had everything could pull off.

Sophia didn’t mind the attention. She was used to it, and she loved the way Ethan’s popularity amplified hers. It was a match made in high school heaven.

Later that day, after practice, Ethan found Sophia waiting by his truck, her arms crossed, a playful smirk on her face. He had been walking out with a couple of the guys from the team, talking about the upcoming game, but when he spotted her leaning against the tailgate, all conversation stopped. His friends shot each other knowing looks, and one of them, Alex, made an exaggerated “Ooooh” noise.

Ethan didn’t even acknowledge them. He made his way over to Sophia with that familiar swagger, not caring if anyone was watching.

“What’s up, babe?” he said, giving her a kiss on the cheek.

Sophia grinned, her eyes gleaming. “Not much. I was just thinking about how awesome you looked out there today. You were like, on fire.”

Ethan couldn’t help but smirk. “Of course I was. It’s what I do.”

She laughed, the sound high and melodic, and stood up straight. “Well, I’m glad you’re on fire... because I was thinking you could use some company tonight,” she said, teasing him a little as she walked toward the passenger side of his truck.

Ethan raised an eyebrow as he followed her. “What kind of company?”

She shot him a wink as she slid into the seat, settling in with a practiced ease. “Let’s just say I have plans for us—and they don’t involve any football or video games tonight. Just you and me, Ethan.”

Ethan grinned, his chest puffing up with pride. This was the life—the kind of life he’d always imagined. Popularity. Strength. A beautiful girl who loved him.

It was almost too perfect.

As he drove off, his mind wandered briefly, but it wasn’t to his old self—the person he used to be. There was no trace of Luke anymore, no reminder of the boy who’d been scared to even talk to a girl like Sophia. No, this was his world now. He was Ethan, and Sophia was his, and that was all that mattered.

At least, that's what he told himself.

[spxdyr]

im going to try to be nice because bucktommy's are going to inevitably see this and im not trying to start shit.

i'm seeing a lot of confused bucktommy's about the breakup. claiming it was a last minute decision, it was because lou didn't want to keep dealing with it (wtv that means), that it makes no since because of 8x05, and a lot of other spiraling bs.

i even saw someone say that buddie is never going to happen because oliver said eddie is straight...

i'm going to break this down as clearly as i can, because i've historically had issues with bt's and comprehension skills.

1. the bucktommy breakup was inevitable from the moment they got together. if for no other reason than tommy himself. from the beginning of their relationship, tommy has decided if buck was ready. not buck. tommy left buck standing on the side of the road aftet their first date because tommy decided he wasn't ready. because buck was nervous to come out to his best friend in public. tommy decided that buck would break his heart and that he wouldn't be buck's last. tommy came into that relationship assuming it would end. not buck, and not the audience. we were just picking up on what tommy was telling us. especially, given the fact that buck was fully ready and able to move past the abby clark of it all. tommy was a bad partner to buck, that's why they broke up.

2. i said this after 8x05, it wouldn't have made since to give us an on screen breakup if the only thing we saw of tommy was the thirty second birthday scene in 8x01. 9-1-1 loves a three ep arc and buck's side of whatever realization he might have started on 8x05. we needed to see more of tommy so it made sense when he broke up with buck. throughout all of 8x05, we saw the seeds of doubt being sowed in tommy. from the hospital scene after denny, to the closing one, tommy realized he didn't fit or at least wouldn't for long. because he never got that built-in family. he doesn't trust/believe that anyone would have his back like that. and he made that choice all on his own.

3. lfj is fine. he's a mulit-million dollar nepo baby. one whose been callled out for negative past behaviors and some people consider that bullying. lfj knew how long he was going to be on the show when he signed the contract to come back. the networks choice not to renew that contract had nothing to do with buddie stans. his storyline was over.

4. i can't even be confident that he's gone. there was a lot of stuff left unsaid or moved past too quickly. now 9-1-1 has a history of bad writing in that regard but they also have a habit of dropping things to only come back to them episodes or even seasons later. if he's really gone well thank god, but if he's not im not totally shocked.

5. i don't know how many times i have to say this. if eddie is gay or bi or demi or wtv, the cast wouldn't be able to say so because it would be a MAJOR spoiler. does no one remember andrew garfield and tom holland lying their asses off about spiderman ffh??? actors are liars, its like the whole bit. buck was straight until he wasn't. let's stop being dense and accept that maybe they aren't telling us everything because that would the defeat the purpose of the show.

look at this point im not just in this for buddie. im in this for an eddie that gets to be unapologetically himself. and im going to emphasize one more time how dangerous and disrespectful it is to force eddie back into the proverbial closet because it doesn't fit your ship.

[love-takes-work]

I've seen a fair number of people interpret Rebecca Sugar's (and the Crew's) decision to put Ruby in a dress as subversive, and I want to discuss why that feels like a clear miss to me.

Every time--every single time--I've heard Rebecca Sugar talk about the queer relationships on this show, it comes with this expression of wholesomeness, and often glazed with a sheen of wistfulness, flavored something like "I needed this as a child and young person, and I didn't have it." Much of Rebecca Sugar's work to bring this wedding (and other unapologetic queer relationships) to the screen was framed as an emergency--as in, we HAVE to get this out there for those kids we used to be, because we know they're drowning.

Yes, it's funny sometimes when people make jokes about Sugar deliberately "adding more gay" or "making it gayer" as a big eff-you to the people who spoke against it, but that doesn't sit right from where I'm standing. It took so much strength (and resulted in so much battle damage) to fight that fight, yes. But from everything I can see from the interviews and conversations I've seen and read, this wasn't served up in a "ha-HA, take THAT!" kind of way. These characters having these kinds of relationships should have been a non-issue, and the fact that their very wholesome kids'-show wedding and very sweet kiss and very adorable love for each other was seen as Political when it should have been just two characters in love is so sad to me.

I've seen dozens of people suggest that Ruby is in a dress and Sapphire is in a suit "to fuck with the bigoted censors in other countries" or "to give the finger to gender roles," but again, I think it is simpler and sweeter than that. Rebecca's said that Ruby in a dress is how she feels in a dress. Celebration and exploration of feminine-coded stuff felt wrong to Rebecca for a long time, like it wasn't hers, because she wasn't really a woman and didn't want it forced on her. As a result she was robbed of all the beauty that should have been a non-issue, from what TV shows and toys she was supposed to enjoy as a kid to what kind of person she was supposed to marry and what she should wear as an adult.

Ruby never got a choice about how she looked really. Once she got to choose her presentation for a significant event, this is what she chose. It means so much more to see that than to construct it primarily as a reactionary measure, as if it would somehow foil the sinister censors in more homophobic countries (who, incidentally, are not therefore forced to show Ruby in a dress even though they tried to hide that Ruby was a "she" or that she was in a romantic relationship with another "she"; y'all, they just don't show the episode).

We see plenty of other examples of gender-role-related expectations being casually stepped on and squashed, like when they took the trouble to give traditionally masculine and traditionally feminine "clothes" to some watermelons to make the audience think there was a husband and wife watermelon only to have the wife be the warrior and the husband stay home with the child. With stuff like that, yeah, sure, maybe it's designed to make you think "oh isn't that very feminist of them!" Or maybe it's more "well why do I see this as a 'reversal' when it's just a thing that happened?" This show is full of ladyish beings who fight and have power. And as for Steven. . . .

Nobody has negative reactions onscreen (or even particularly confused reactions) when Steven wears traditionally feminine clothes, and it is (of course) also not presented as a "boy in a dress gag"--it's not supposed to be funny. When they go all in slathering Steven in literal princess tropes throughout the final act of Season 5, we understand that it's because the powerful Diamonds expect him to be Pink Diamond, not because the show is trying to girlify him or embarrass him or even make the audience think positive thoughts about boys in girls' clothes. It's more neutral than that in my interpretation: "these are literally just pieces of cloth, and while some of them have meaning, they don't inherently have a gender." I don't see this as transgressive. It's just in a world where putting on what you want to wear doesn't HAVE to be a political statement. (Though obviously it CAN be, and plenty of people wear a variety of clothes as a fuck-you to whoever they want to give the finger to. I just don't see that as happening here.)

Don't get me wrong; Rebecca Sugar certainly knew about the politics (intimately) and has lived at many of their intersections. She was not ignorant of how queer people are seen in this world. She was silenced as a bisexual person because her identity supposedly didn't matter if she was with a man and planned to be with that same man forever. She was shunted into "omg a woman did this!" categories over and over again, which she wore uneasily as a nonbinary person while accepting that part of who we are is how the world sees us. But what is it like if everything someone like her embraces is seen as a statement synonymous with "fuck you" to someone else?

She is married to a person who happens to be a man and happens to be Black. Her relationship isn't a "statement" about either of those aspects of his existence; her love is simply something that is. She is Jewish working in a society that's largely Christian. Her cultural perspective to NOT center her cartoon around Christian holidays and Christian morals; her choices to make an alternate world in this specific way is simply something that is. Her queer perspective as a nonbinary bisexual person has helped inform the Gems' radical philosophy of "what if we learned to explore and define ourselves instead of doing the 'jobs' we're assigned and being told it's our nature?" Her decision to include queer people in a broadly queer cartoon isn't designed PRIMARILY as a battle against baddies, or to drown out all the relentless straightness, or to deliciously get our queer little paws all over their kids' TV. It's an act of love.

So this is just to say that though I DO understand that sometimes subversion and intentional transgression are very necessary, I do not think that's the HEART of what's going on at this Gem wedding. We got a wholesome marriage scene between two of the most lovely little flawed-but-still-somehow-perfect characters, and I very much want to see their choices as being about them. About how Ruby feels in a dress. About how Sapphire feels about not having to always wear a dress. About them incorporating a symbol of their union into their separate lives so they can have some independence in their togetherness. About them celebrating their love by letting Steven wipe his schmaltz all over them.

There are many choices in the show that ARE carefully constructed to counter existing narratives, you know, giving the Crystal Gems' only boy all the healing, pink, flower imagery; having a single-sex species that's ladyish with all the members going by "she"; featuring many nurturing male characters who cry and cook and raise kids without mothers; pairing multiple fighty ladies with gentler guys; and importantly, intentionally loading up the show with stories, characters, and imagery any gender will find appealing despite being tasked with expectations to pander to the preteen boy demographic.

But it's very important to me that the inclusion of queer characters and the featuring of their choices be seen primarily as a loving act, and way way less of a "lol screw the bigots." I want our stories to be about us. Yes, I know it's a necessary evil that sometimes our stories are also about fighting Them. But every time I see someone say they put Ruby in the dress to "piss off the homophobes" or "stump the censors" I feel a little gross. Like the time I picked out an outfit I loved and my mom said I only dressed in such an obnoxious way to upset her, and I was baffled because my aesthetic choices, my opinions, my choices had nothing to do with her. Yet they were framed like I chose these clothes primarily to cause some kind of petty harm to her, when not only was it not true but I was not even that kind of person who would gloat over intentionally irritating someone.

The queerness of this show isn't a sneaky, underhanded act trying above all to upset a bigot or celebrate someone's homophobic fury. It lives for itself. Its existence is about itself. It's so we can see ourselves in a show, and it's so people who aren't queer or don't have those experiences can see that we exist, we participate, we want very similar things, and definitely are focusing way more about celebrating our love at our own weddings rather than relishing the thought of bigots tearing their hair out and hating us.

It's dangerous to turn every act of our love into a deliberate movement in a battle strategy when their weddings just get to be weddings.

I think there’s this idea that that [queer characters] is something that applies or should be only discussed with adults that is completely wrong. And I think when you realize that talking to kids about heteronormativity is just like air that you breathe all the time, it’s kind of amazing that that is not true in any other capacity. I think if you wait to tell kids, to tell queer youth that it matters how they feel or that they are even a person, then it’s going to be too late! You have to talk about it—you have to let it be what it gets to be for everyone. I mean, like, I think about, a lot of times I think about sort of fairy tales and Disney movies and the way that love is something that is ALWAYS discussed with children. And I think also there’s this idea that’s like, oh, we should represent, you know, queer characters that are adults, because there are adults that are queer, and you should know that’s something that is happening in the adult world, but that’s not how those films or those stories are told to children. You’re told that YOU should dream about love, about this fulfilling love that YOU’RE going to have. […] The Prince and Snow White are not like someone’s PARENTS. They’re something you want to be, that you are sort of dreaming of a future where you will find happiness. Why shouldn’t everyone have that? It’s really absurd to think that everyone shouldn’t get to have that! --Rebecca Sugar

[fandomfaeofveryfewf4cks]

I'm seeing a lot of people saying they're excited to see Charles realize he's in love with Edwin, but...y'all... I think he knows? The whole season he seems like he knows exactly how he feels about Edwin, but was denying himself the romantic aspect of those feelings. And there are SO many reasons for why he'd be doing so.

First off, he has said he doesn't want to end up like his dad. I'd wager he doesn't want to have a serious romantic relationship with anyone because he's worried he'll end up treating them like his dad treated him and his mum. I do think he had feelings for Crystal, but maybe he didn't believe it could become something lasting. She is living after all. He very well may have figured she'd grow up and move on to someone else, but at least he'd have had a girlfriend for a little while, almost like he would've if he hadn't died.

Similarly, as well as wanting a girlfriend/ partner, he may have always thought he HAD to have a girlfriend like lots of people think they HAVE to find a significant other of the opposite sex to settle down with like they're expected to. For someone who clearly wants to be alive, it's understandable for him to be reaching for what he was taught to be the "normal" experience for normal teenage boys.

It doesn't help that his dad very well could've been homophobic, so Charles never felt like it was safe for him or the boys he might've crushed on. Not to mention, it was the 80s, so he was probably being taught boys liking boys was wrong and/or would get you killed, even if his dad wasn't the one saying it.

I feel it's also worth mentioning that he's known Edwin for 30 years. That's nearly twice as long as he had been alive. Edwin had shown Charles a kindness he'd seen little to none of before and then kept being kind to him. He was unapologetic and sometimes harsh about voicing his opinions, but also listened to Charles'. He knew what it was like to hide things about yourself like Charles did. Charles may have even clocked Edwin was gay from very early on.

I headcanon he probably more or less went from ignoring it cause it's Edwin, to feeling weird about it but not showing it, to getting curious and learning more about it, to looking up "how to be a good ally" to accepting Edwin and reassuring himself that if Edwin does come out to him, he will make sure he knows that Charles will always accept him for who he is, and that this wouldn't change how much they mean to each other nor the respect they have for each other. (Really, he seemed so ready for that confession. It wouldn't surprise me if some planning went into what he was gonna say. Just didn't expect it to happen in Hell.)

Anyway, my point is that Charles seems to have put Edwin on something of a pedestal. He sees him as kind and good, and Charles will protect him with everything he has so that he may remain so. Charles can't help but love Edwin, but he will make sure that love is from a selfless place. Partially so he won't be taking anything Edwin shouldn't have to give, but also because he may not think Edwin would want to give or take anything to or from Charles if he saw the things Charles hates so much about himself which possibly includes: all the things his dad said was wrong with him, everything he grew up being told was wrong with people like him, all the things he sees of his dad in himself, and possibly more.

AND! Edwin is an upper-class(?) white boy from 1916. Charles is a queer punk from India. He may have thought Edwin would have had some prejudices against him even subconsciously for a while when they first met, which would have also been an acceptance-of-feelings deterrent.

Ultimately, if it turns out Charles also needed over 30 years of looking at his friend like that to figure out he like likes Edwin, I'll still love it. But I'd also be surprised. Boy was blushing and giggling for Edwin since they first met even while dying of fucking hypothermia. I swear.

[v7n5]

More experimentation with acrylic markers. I wanted to make some concept art for my designer/model au so here’s Nacho as a DSQUARED2 model (mostly inspired by their SS24 show)

I tried to lay down more natural looking colors this time. One thing that bothers me is that the small set I got didn't allow me to go darker on his skin tone because the shade range is horrid. I had to digitally alter it to my liking the best I could or else it’ll kill me. If you think some parts look weird or blurry, that’s because I edited tf out of these.

Inspo and references under the cut.

Poses and looks from the runway (kinda obsessed with the cut of that pink mini tee and the gender affirmation it's giving. I need it. There's also a "It's a girl" one.)

Denim and oversized sagging pants would be Jesse's signature. It's in no way his to invent or own, but he'd adopt it during his teenage years.

Adult gay magazines and a zine from the 70s - 2000s. I love how the third one sounds like it's taking a dig at some straight people who cannot seem to recognize the existence of queerness in media unless it's deliberately spelt out for them lol, but that's just my personal interpretation.

Adult TV channel from the 80s.

This certified classic & banger that opened the SS24 show.

I also came across this motivational message by Dean and Dan Caten themselves and think it's so iconic and endearing. Jesse would definitely hype the models up in his own fun and unapologetic way like this.

[thexfridax]

D.E.B.S. at 20: a Queer Cult Classic

Bessie Yuill Photo: Sundance/WireImage

There is a secret film hidden within the shadowy sapphic corners of Letterboxd. Some call it escapist trash, some call it an underrated cult classic, fools call it a male fantasy. It calls itself D.E.B.S. As other early-2000s chick flicks like Charlie’s Angels and St. Trinian’s have been reevaluated and embraced for their candy-floss aesthetics and campy wit over the years, the lesbian community was quietly reclaiming its own equivalent with 2004’s D.E.B.S.

The precursor to contemporary high-concept lesbian films like Bottoms, the spy flick is filled with something that queer female moviegoers still often yearn for: fun. That includes Jordana Brewster and her era-defying eyebrows as the impeccably named supervillain Lucy Diamond, John Woo–style fight scenes that parody the action genre in the same way as Charlie’s Angels, and a cheerfully cheap aesthetic where spies run around in plaid schoolgirl skirts.

D.E.B.S. was written, directed, and edited by filmmaker Angela Robinson. While “unapologetically queer” might be an overused phrase, it does apply neatly to Robinson. The Chicago-born director’s first project was a short film called Chickula: Teenage Vampire, calling on the long history of vampiric queer women that began with 1872’s Carmilla.

Her love of playing with genre led her to later put a lesbian spin on the movie musical by writing the underappreciated Girltrash: All Night Long and exploring polyamory in a period biopic about the creators of Wonder Woman, Professor Marston and the Wonder Women. On the small screen, she also burnished her lesbian credentials by working on several episodes of The L Word.

When D.E.B.S. started life as a short film, Robinson described it as “a story about a trio of superspies who are all chicks. I love all the comic-book characters: Charlie’s Angels, Batman, Josie & the Pussycats … But I always wanted them to be gay and they never were, so I wrote my own.” Success at Sundance led to Sony snatching the short up and deciding that D.E.B.S. should be a full-length feature.

Two decades later, the joy of this movie lies in the details. The tone is immediately set by a gravelly voice-over telling us that there is a secret test hidden within the SAT to recruit young female superspies (and establishing that, like Bottoms, this is a film aware of genre archetypes and willing to push believability). Our main character Amy (Sara Foster) is an academic overachiever — like many lesbians overcompensating for their perceived failure to live up to social norms. Her perfect score on the secret SAT test makes it even more scandalous when she falls for the aforementioned supervillain Lucy Diamond.

Queer friend groups may delight over the nostalgic frosty eye shadow and lip gloss worn by the D.E.B.S. (which stands for “discipline, energy, beauty, strength,” naturally) at all times. Flip phones, CGI holographic screens, and Goldfrapp’s appearance on the soundtrack will also remind you that you’re watching a film made in the early 2000s. And many will squeal when they spot Holland Taylor, over a decade before she came out, as the academy’s head.

Admittedly, the special effects are goofy enough to cross over into comedy, especially when our girls are abseiling into a restaurant or climbing walls with plungers, and the lighting could be charitably described as resembling teen soap operas of that era. But the chemistry between Amy and Lucy is crackling enough that YouTube compilations of their scenes have racked up hundreds of thousands of views online. Their fun enemies-to-lovers plotline begins with the pair pointing guns at each other and quickly progresses to a whirlwind romance (the other D.E.B.S. think Amy’s been kidnapped and launch a national manhunt, just as many friend groups have had to organize rescue missions for lesbians on weeklong first dates).

You could argue that espionage serves as a metaphor for the closet and that Amy is such an effective spy because she’s used to lying to herself about her sexuality. But that almost seems like too much weight to put on this meringue confection of a genre spoof: Its campiness liberates the characters to inhabit a fun, exaggerated universe with no serious homophobia or consequences. Guns are used, but the so-called superspies have such consistently terrible aim that there are no real casualties. And Lucy Diamond’s supposedly nefarious crimes are all reversible — the murders pinned on her are revealed to be misunderstandings, and she returns all of her stolen goods in order to win Amy back.

When this live-action Totally Spies with a lesbian twist debuted, it only made $97,000 and was dismissed by critics. But there were enough moviegoing gays impressed by its snappy dialogue, fun romance, and stunning supporting cast (including Meagan Good, Jimmi Simpson, and Devon Aoki with a French accent) for its reputation to grow online over time. In forums and YouTube comment sections, young girls were asking, “Are there any lesbian films where they just fall in love and have fun and don’t die at the end?” Their answer was D.E.B.S.

[canichangemyblogname]

Hot take? A show with queer people in it from the beginning was never queerbaiting and— very literally and technically— never could. In the first episode, a gay man comes out to his family. And he doesn’t stop being gay after that; it’s a major plot point and part of his character going forward. You’ve had a married lesbian couple from the jump who are proud and unapologetic about their love for each other. The story has also portrayed several queer couples and stories in episodic plots, including featuring queer weddings.

Buck didn’t suddenly “become” bi. Queerness is not when straight people “turn�� queer. He has been attracted to men the entire time; he has always been bi. Understanding yourself and your sexuality as a queer person is often so difficult under heteronormativity. Sometimes, it takes time.

Hell— Buck checking a guy out some time in season 3 or getting flustered by the idea he might like a guy, etc, etc, are not even examples “queerbaiting,” nevermind how the show already features queer stories.

I genuinely think some of y’all are just mad that he’s not sucking face with the man you want him to, and are being weirdly homophobic about it. “Buck kissing this man is kinda off-putting, lmao.” “Buck and his bf’s relationship is awkward. IDK, but it weirds me out.” “There’s something so cringe about Buck’s relationship—” “Who dates someone they haven’t been friends with for years first? It’s kinda creepy…” “I think their relationship is a weird mess. It’s not as meaningful as a slow burn.”

Life isn’t fanfiction and fanfiction tropes don’t make good writing. Most relationships start out with a “hey, I’m interested in you, let’s get to know each other.” You’re just transparently uncomfortable with two men expressing that interest in each other outside the arbitrary rules you’ve established to make a mlm relationship “legitimate” or “meaningful.”

[Fanfiction] tropes— from “there’s only one bed” to “we’re forced together, but fall in love anyway”— are responses to the sex-negativity and purity culture norms forced upon gender and sexual minorities. They provide a workaround for these norms but never a direct challenge. It’s like the Family Guy episode “Prick Up Your Ears,” where conservative Christian abstinence-only sex education leads to kids having ear sex. Ear sex is the workaround to the abstinence and purity rules they’d been taught, not the challenge. We still have stringent rules around who can touch whom and under what circumstances. Tropes reflect this. So, a trope like “there’s only one bed” provides the characters with a justification for their intimacy without directly challenging why it is taboo.

You’ve convinced yourself that shipping— and thus the tropes it employs— is more subversive than actual representation, and the people caught in the crossfire are actual queer people.

Also— for the love of fuck— stop comparing every mlm relationship to RW&RB.