#i love drawing the fire hair

[sukibea]

[hinamie]

so just know, I'm healing / even though it don't feel like it

insp

[demaparbat-hp]

Izumi (steambaby) sketches.

[lycoristyx]

I wanted to try drawing as like Twst as I could, so I (naturally) had Ortho be my assistant in the matter

[dvrtrblhr]

portrait of saint cethleann

(actually a study of vigée le brun's portrait of countess anna ivanovna tolstaya, but featuring flayn)

i rendered most of this with dilated pupils and now i'm dying. anyway, happy birthday flayn!

[t0bey]

byleths the fe3h character I enjoy drawing the most so! two of them

[selenadem]

Fafnir <3

[imjustapoorwayfaringgeek]

Cat and her kittens

[kastillia]

[skittlesking]

Can you draw Lux? :3

she deserved to be colored :]

[stevens-pastrami-sandwich]

screenshot redraw YIPPEE 🐁🐁

We NEEDED to see more of the monkey sidekick having duo 💔 It's okay though, im not angry about this. *my nails dig into my fists*

[sysig]

Growing closer than expected (Patreon)

[a-chaotic-dumbass]

can you draw alicent hightower please please please

personally if i had a wife w big brown gorgeous eyes i would do whatever she wants too

rqs r open on this blog and art sideblog @snoozingfae✨

[carefulfears]

we've both talked about how scully isn't jealous fire. what differences do you see between protective scully vs jealous scully?

yeah to me the main difference is that one is more external and the other internal. she gets very emotional when she’s jealous. in episodes like alpha (literally sitting that woman down and going “i’m watching you.” cracks me tf up. Dana nobody is taking your man.) and war of the coprophages, it’s kind of angry. it’s louder, but still something very vulnerable and true to her (hater-ism). in episodes like the end, it’s heartbreak. that’s one of the very few episodes where i think she was purely jealous, and sad. she usually understands what’s going on and i think she knew as soon as she heard him call diana by her first name that something was going to change. i think it hurt her feelings, that specific display of connection, usually reserved for her.

when she’s jealous she retreats. she watches quietly. she cries alone in her car. she needs a moment to herself.

it’s when she’s protective that you can’t shake her for anything. one of my favorite images in fire is her standing in the doorway while mulder and phoebe meet with the arson specialist. i didn’t even notice she was there the first time i saw it. she wasn’t invited. she’s just keeping watch. later, she’s standing in the hallway. after that, she’s in his hotel room, and doesn’t leave when phoebe comes in. says “are you okay?” the moment they’re alone.

people write off her behavior in this one as being “jealous” because she has a lil crush and there’s another woman there, but i honestly find that dismissive. sometimes people discuss scully through such a wide lens, not taking into account who she is. she’s really surprised throughout the time that phoebe was there. it’s that soft edge that still shocks to cruelty, that she never really loses. it’s what shocks in the pilot when the doctor hits mulder twice. what shocks in the following episode when the government agents punch him on the side of the road. (look at you you’ve radicalized scully). it’s what makes her wary of jerry lamana, even before he stole mulder’s work.

but phoebe is so cruel, and so personal, and has so much history. it’s not jealousy that makes scully linger in doorways. it’s not jealousy that spawns that folie a deux. no one else understands. no one else can be trusted. (which i do kind of think started in fire, i’ve said before). she isn’t jealous that he startles when he hears this woman’s voice.

and i know that’s a lot on phoebe as an example, but it doesn’t stop. she doesn’t stop keeping watch. she doesn’t stop shocking to cruelty. she’ll get loud. she’ll make plans. she’ll surprise herself. and it doesn’t come with jealousy’s mortifying intimacy.

(don’t have much else to say but i found this from an old post of mine and wanted to share: “scully has that kind of protectiveness towards him that you have towards a child that hasn't been touched by the world yet. it's very 'the world is at least half terrible, though i keep this from my children.’ 'good bones' by maggie smith. scully in the beginning is like......there is something here that should have broken by now. and she wants to watch him be able to walk into every room with the most hopeful answer and a hand out to every stranger.”)

she shares him with the world only reluctantly, Etc etc

[bl00doodle]

DOODELS

[cheesecake801]

Take those Volkner and Flint sketches. Take them.