#i love characters who are religious and sad

[crooked-wasteland]

I’m weirdly torn about Lite’s character arc.

On one hand, feminine rage (yes please), she’s the only one who understands Hell can BE A THREAT (sure, Charlie and Pentious are nice and all, but there are other people in Hell who are probably not well intentioned), she’s rightfully pissed that her role as second in command was overlooked for some (admittedly sweet) guy who doesn’t even wanna be here, and she’s rightfully upset that her sisters and best friend/man she loved were murdered in a job that she was authorized to do by the supposed good guys. She shouldn’t be seen as the bad guy for being convinced by others that what she was doing was right, and is upset when she’s told all her work, her allies, and Adam being killed meant nothing.

On the other hand, she’s being depicted as the bad guy. I’m not saying she needs to be sympathetic, 100% likable, uwu babey. But her pain and issues are being brushed aside to make her appear like the stereotypical “crazy bitch” who will probably be the villain of the season, or at least A villain. Not the antagonist, the VILLAIN. Her grief and valid opposition is more than likely going to be villainized, when in reality, she may be cold and sadistic, but I don’t this Lute is ultimately a bad person. She spent her existence fighting for what she was told is right by a holy figure. Not some cultist or priest who says God talks to them, but THE ACTUAL HIGH SERAPH. She was convinced angels don’t make mistakes, to the point she never questioned that in all her cruelty, if she was right or wrong. She believed she was right. If this were on Earth, on could compare this to crusaders or people who force conversions or kill anyone who doesn’t agree with their beliefs. But I don’t think that can really apply, because Lite isn’t human, she lives in HEAVAN. Religious asshole humans aren’t comparable to ANGELS who are familiar with THE SPEAKER FOR GOD HIMSELF. So her genuine belief she is doing good is understandable, but will probably be what makes her villainized. Or maybe it will be the fact she’s in mourning? Who knows! Viv will never skimp on presenting a woman as a villain for the flimsiest of reasons.

And on the other other hand. Yes, it suck a huge part of her motivation is her connection to a MAN (the first man, no less) who is a douchebag. But idk if that’s that big of an issue. For all her being sad her boss/love interest/a dude died, there’s also her being angry that her position as leader was passed over for some guy as well. I’m not saying it evens out, but maybe it does? Not to mention that even though Adam was a dick, he was more than just a man/asshole/boss/probably misogynist, he was also her friend, someone she looked up to as a leader, and still was comfortable enough to hang out with when not on the job. He called he names, but that might’ve been out of familiarity rather than genuine malice or sexism. Then again, Viv never really let us learn Jack shit about Adam as a person, other than CHARLIE GOOD, ADAM BAD. So while it is kind of iffy from one perspective for Lute’s arc to be connected to Adam, I don’t think it’s an issue of gender, and more of the fact that she meant something to him.

Sorry for the long ask, but what’re your thoughts?

I agree with pretty much all of this. I think she is an extremely compelling character and I think her deeper character reasons for being a real villain are solid. I even think the song itself is genuinely good at showing that Lite isn't only raging about some guy. The actual meat of her character is really well balanced on paper, and the song does a decent job of depicting that ...

Until it gets to Adam.

The issue is the poor pacing of the writers and how we never got to see Lute and Adam as much. Lute is extremely formal in most of the scenes in the early part of Hazbin. Calling Adam "sir" doesn't give the impression of "best friends", so she does come off as oddly obsessed, especially with the rushed "crazy bitch" routine as you pointed out. We don't actually have a strong foundation for their relationship. Additionally, the revival of Adam as a figment of Lute's imagination as she falls into some form of psychosis is just rather silly. I understand it's to give Lute someone to talk to, but it makes Adam as a love interest is the most important characterization.

I do completely agree with your points on Lute's character. She has excellent motivation, and a clear arc that I also think is worth the effort. It just suffers from weak world building and lazy shortcuts.

[cestacruz]

In F/SR, Chiemon was the victim of the Shimabara Rebellion, his family and his village all died because They were christians

He doesn't ever stop being religious, he still prays to God, even if he has given up everything else

He has no hopes of going to Heaven, so what he wants is to see that Hell he lived again

Because that's what he believes that he deserves

And yet, at the end of the day, the only thing Chiemon wants was to be saved (from the DLC 1, Lancer's Team ending, he prays at (possibly) his mother's grave)

But he can't allow himself that because he doesn't even believe he should have survived at all

Why only him

His mother, his father, all of them killed

And he was the only one who survived

Left in that hell

And then you have Lancer

He prayed her summoning, he started the chant as a prayer

Jeanne, who gave her life to save everyone

Who was fine with being killed because she had saved her country

They are opposites and they are one and the same

[velvetbunniie-archive]

“they don’t want people to know that their daughter is a monster” 1) look who’s talking, and 2) literally what did she DOOOO that was so unforgivable, except be a teenage girl that was kinda insane over her comphet crush and have access to spells. i jst think, in this fantasy world, aurora rlly didn’t even… do… that much…. like, out of all the actions she did, she mostly jst kinda handed ppl tools and then it was out of her hands. jacks fucking traded his heart to her willingly (for a protection cuff that didn’t seem to do that much for the end of the story, anyway). i’m an aurora defender, because you guys see one (1) female character that’s not perfectly feminine and submissive and you start screaming

[jonathanrogersartist]

How 'The Acolyte' Disappointed Me, and Why the Themes of 'Star Wars' Matter

Someone recently commented on my 'On the Dark Side, the Jedi and the Moral Decay of Star Wars' essay with these words: 

"A lot of words for saying 'I don't like the newer media, but I won't get into specifics as to why.'"

Okay! I shall then finally clarify those specifics....

That first essay has, so far, been my biggest success on this blog, and it's attracted a number of interesting responses. Full disclosure: I wrote that fresh off the heels of feeling depressed over how the Acolyte ended, and after reading/listening to several of Leslye Headland's interviews, where she went into great detail about her ideas behind the show's choices, the themes she's trying to get across, and what personal baggage she brings to Star Wars. 

Why was I depressed?

Because the show's finale ended with the deeply problematic implication that Osha, by killing Sol and joining Qimir, has achieved true self-actualization. As Leslye herself put it, it's a 'positive corruption arc.' Interesting way to phrase it. 

Furthermore, Vernestra's actions that frame Sol for several murders, all to protect her own reputation, and to avoid oversight by the Senate, confirmed one of the things that I was really worried this show would do as soon as we began learning plot details, which is that it's leaning into this very persistent edgelord take that the Jedi are actually big ol' bastards not worth seeing as heroes. 

It's the Dave Filoni gospel of the Jedi Order as a morally broken and fundamentally hypocritical institution, a decaying monument to religious hubris, who brought about their own destruction with their arrogance and so-called rejection of emotion making them lack empathy. 

This is, as many of my followers know already, a giant misreading of George's storyline in the prequels, and what he was actually telling us about the Jedi's philosophy and code. And in my experience, it gets us some vicious pushback when we try to inform fans of it, even if we back it up with proof of George's words. 

George really did intend the Jedi to be the ultimate example of what a brave, wise, and all-loving hero should be, and are very specifically inspired by Buddhist monks. They do not 'repress emotions': they learn to regulate their emotions, so as to not let the negative ones feed the Dark Side, and they have the moral fortitude to focus on their spiritual duty. They're professionals that have dedicated themselves to a higher calling, and who still feel and display the same emotions we all feel, unless I watched very different movies from everyone else. We see that Jedi characters can still crack jokes, cry when they are sad, become scared or anxious, feel strong love and loyalty to their peers, and can even be righteously angry in some situations BUT always knowing when to pull back.

The Jedi of the prequels were victims of manipulation by Palpatine, and were caught in between a rock-and-a-hard-place with the Clone War, and they were ultimately destroyed not by their own actions, but by the treachery of Anakin Skywalker, who failed to overcome his own flaws because he refused to really follow the Jedi teachings, and was gaslit by Palpatine for decades on top of that. 

Leslye's take on Star Wars, based on how she wrote the story of the Acolyte, is that "yup, the Jedi were doomed to destroy themselves by being hypocritical and tone-deaf space cops," and she also outright compared them to the Catholic Church (this reeks of Western bias and misunderstanding of Eastern religions). The one that really stunned me, was when she said she designed Qimir to be her own mouthpiece for the experience of being queer and suppressed, who isn't allowed to just be her authentic self in a restrictive world. Which, to me, implies that Leslye wanted to depict the Dark Side as actually a misunderstood path to self-actualization that the Jedi, in keeping with their dogma of repressing emotions, only smear as 'evil.' 

Let me remind you all: Qimir is officially referred to as a Sith Lord, by Manny Jacinto, by Leslye, etc. And what are the Sith, exactly? 

Space fascists. Intergalactic superpowered terrorists. Dark wizard Nazi-coded wannabe dictators, whose ideology is of might-makes-right, survival of the fittest, and the pursuit of power for power's sake. To depict followers of this creed as an analogy for marginalized people who have literally been targeted and murdered throughout history BY the real-life inspirations for the Sith.... I find revolting and tone-deaf by Leslye. 

SO.... seeing how that show ended, and reading up on how Leslye intended it to be interpreted (Osha's 'triumph' over the 'toxic paternalism' of Sol/the Jedi in general), really put me in a funk, because deep down, I could just sense that this was not at all compatible with the ethos of Star Wars. It made me go on a deep-dive into the BTS of the writing of the prequels and George's ideas about the Jedi, and it's how I discovered the truth that Dave Filoni has been pretty egregiously misrepresenting George's themes for several years now, usurping George's words with his own personal fanfic about the motivations of characters like Anakin, or Qui-Gon, or the Jedi Council, etc. 

His influence on the franchise has caused this completely baseless take on the Jedi to become so widespread as to rewrite history for modern fans. Who are utterly convinced now that this anti-Jedi messaging WAS George's vision all along, and they get real mad at you if you show them actual proof of that being a lie. 

And the Acolyte is perpetuating this twisting of the very core of Star Wars. This is what I meant by the 'moral decay of Star Wars.' 

The Star Wars saga was made by George Lucas in 1977 to accomplish these specific tasks: 

To remind people of what it really means to be good.

What evil actually looks like, and how it comes from our fears and greed.

To teach kids how to grow up and choose the right path that will make them loving, brave, honest people that stand up to tyrants.

To give the world a story that returns to classic mythological motifs and is fundamentally idealistic, to defy the uptick in cynical and nihilistic storytelling after the scandals of Vietnam and Watergate broke Americans' belief in there being such a thing as actual heroes anymore. 

THAT is the soul of Star Wars. That is what George meant for this remarkably creative universe to say with its storytelling. But I sincerely think that what the Acolyte told, was that morality is relative, the heroes of this saga are actually bastards, the fascist death-cult is misunderstood, and a young woman being gaslit into joining said death-cult is a triumphant girlboss moment. When it actually comes across as the tragedy of a broken person choosing the wrong path that will only make her miserable, full of hatred and powerlust, and hurt innocent people along the way. 

The Acolyte betrayed one of George's most critical lessons: that the Dark Side ruins people, and if you want to truly become your best self, you must choose the path of Light, and the Jedi are the ones who have best mastered that path. So if the future of Star Wars is to continue framing the Jedi and their teachings as some corrupt and immoral system that is making the galaxy worse, then I would rather stick to rewatching the classic scripture of Episode 1-6. George wrote a complete and satisfying story, that is thematically consistent, and in my opinion should have been allowed to rest. 

I will not hate on new fans that love the new material, but I will pity them if they really think any of this is actually faithful to George's vision (they may very well simply not care, either, which troubles me too), and I am afraid of a show like Acolyte teaching young people to see the Jedi's philosophy as wrong, and the Sith as having a point. 

(P.S. I have a moral duty to clarify this, given the discourse around the show: No, this is not a problem with 'wokeness,' or diversity, or representation; that side of the fandom is very sick in the head and not to be taken seriously. 

It's a problem with Leslye's themes and tastes as a storyteller, being fundamentally against the ethos of Star Wars and how it soured the entire show in hindsight for me... a show that I was actually really liking, before the finale dropped its thematic nuke.)

[cepheustarot]

What is the character of your future spouse?

Attention! This reading is for entertainment purposes only. This tarot reading does not give a 100% guarantee that all the described situations will occur or being ultimate truth. You build your own life and destiny and only you know yourself best.

✧ Masterlist ✧ Paid readings

Pick a pile. Choose one or more pictures. Trust your intuition.

Pile 1: At first glance your future spouse looks like a very inaccessible, complex person, whom it is difficult to get close to and generally interest them in communication but the closer you get to know them, the more reveals themself to you as a very kind, caring, gentle person, ready to support you and help you in difficult times. I can say that this person has two sides and they decide which side to show themselves, depending on whether they consider you close, trust you or not (but in your case they will definitely consider you close, a loved one who can be trusted). They are those who rely on their intelligence and rationality, but often act based on their intuition, they have a lot of life experience. They are prudent, they know how to solve problems, how to find a way out of a situation, they often "do not look for easy ways", they can complicate their lives but this is because they want to do something different, bring something new to life, get a new experience. They are quite hardworking, they work very hard, mostly their work is in mental activity, so can quickly get tired of this. They like to reflect, share their deep thoughts, they can also look for hidden meaning where it may not be. If you are interested in esotericism, then a person can support your hobby, discuss topics from this area with you, or treat neutrally and listen to you about it but they will never condemn you about it. Your future spouse will also treat you with great tenderness, love and care, will try to make you happier, you are a very valuable and dear person for them, they will always feel that they are not doing enough for you, although they may even overdo it in some ways, often cause you pleasant embarrassment. They also respect you, respect your opinion, your personal boundaries, your desires and they respect parents, yours and theirs.

Pile 2: Your future spouse is quite sensitive, gentle, romantic, sensitive, sentimental, a person of fine mental organization. They will love you with all their heart, will devote a lot of time and attention to you, most likely their language of love is words and gifts, they can often compliment you, notice details in your appearance or in your behavior, give you gifts. They are very kind people in themselves, they do not like to argue and participate in conflicts, they are quite calm in this regard, it is difficult to anger them but it is not difficult to offend or hurt their feelings. This person can also be private, someone who doesn't like to talk a lot about his sad thoughts and feelings, such as anger, sadness, resentment, etc. such emotions are suppressed and do not like to be exposed to the public. At the same time, your future spouse is a very smart, intelligent person, constantly engaged in self-development, improvement of their skills, promotion at work / study, they are quite active. They are also very fond of children and animals, so if you have any of these, they will treat them with all their love and care. They may also have younger siblings or nephews, whom they also treat well, do a lot for them. They may be creative people, engage in drawing, be interested in art, literature, music, may even work in this field or have a lot of knowledge in this field. They are also very spiritually developed, they can be religious. Your future spouse will support you in everything since you will be like the love of their life for them, they will protect you and treat you very carefully, they sincerely love you, they may even often tell their family, friends, and loved ones with great love about you. They show that they really love you, it is noticeable by their actions and by the way they look at you with love, talk about you, how they address you using affectionate words.

Pile 3: Your future spouse is a person who works very hard, both in terms of career and in terms of self-improvement, they are constantly busy with important things, they may hold a high position at work, they may have several businesses, they themselves may be business partners for someone. Also, your future spouse has a very attractive, beautiful and sexy appearance, good physique, they have an alluring charisma that is difficult to resist. They like to flirt with their lovers very much, they can be overbearing, as they love to feel dominant, they can be a little jealous and possessive. They are also very active, like a mobile lifestyle, like to travel a lot especially in the company of someone, like to be in a circle of people, they are quite sociable and will always find a topic for conversation, they know how to maintain a dialogue. They are very proud, self-confident individuals, and with this vibe they energize people around them, inspire and motivate them. At the same time, they are quite empathic people, they experience the hardships of others as if they themselves had encountered them, in this regard they can be quite sensitive. They also tend to think about their shortcomings, fixate on failures and at such moments it is important to support them, show that they are loved and very successful people.

Thank you for reading! I will be glad of any feedback 🖤

[bamfkeeper]

Beautiful Devil

RQ: 'Hi, I have a request: a fic about NightcrawlerxFem!Reader, Beauty and the beast AU, starting it like the fairytale (Reader decide to sacrifice herself for her father because the scared man THINK the mysteriuos blue creature ask him to bring one of his daughters in his place). Maybe in the finale you can add the mob attacking the castle like in the episode of the '90 serie, with Graydon Creed guiding the mob (you can't look at that man and don't think he's a variant of Gaston). Just don't turn Kurt into a human, I love our fuzzy Elf. Thanks!' - @historygirl93

Warnings: F!reader, some violence, minor character death. Unedited.

A/N: I think this is a cute idea, I love the story. I don't see how Kurt could ever be viewed as 'beastly' he's too sweet. The fairytale is a longer story and involving all the details would take me a long time to write, so I did what I could to get the idea of the story across. I did my best, it was slightly challenging, and I changed just a few details just because I thought it would be better for the story.

WC: 2.2k

The village held such a prejudice against the blue demon who lived in the abandoned church. Rumors of yellow glowing eyes and a shadow with a devil's tail flicking in the dark, crawling on the walls like a hellish insect. A monster, the children of the village feared him just as much as the adults, whom had weapons ready to kill if he dared leave the cathedral.

Your father was highly religious. He wanted to banish the devil from the church once and for all, to purify the holy ground, but believed that only a sacrifice would satisfy the creature. You were horrified at first, being so helplessly given away as a sacrifice, you were the lamb that was about to be beheaded for no reason.

Upon being abandoned at the cathedral, surrounded by the harsh cold and snow, you thought you'd freeze to death. To your initial horror and surprise, the devil appeared. He flashed in front of you in black and purple smoke, like they rose from the ashes of Hell. You were far too tired and exhausted, so before you knew it, your body was wrapped and you were inside.

You felt the warmth of the fire inside the stone furnace, you sat up and watched the orange flames dance quietly while the blanket remained wrapped around your drenched form. The snow melted away and left you wet and still somewhat cold. But you were at least inside...

Once you regained enough bearings, you looked around for the devil, wondering where he was and what he was going to do to you. You felt fearful, your mind having heavy thoughts invading your mind of horrific treatment. While you searched the dark room, you saw his eyes peering to you from the darkest corner, tiny irises of gold staring through your soul.

"It's you..." your voice muttered out quietly, "You're the devil." Your hushed tone made him tilt his head slightly, he slowly walked around the wall, the far shadows hiding most of him.

"Nein...I am no Teufel..." he spoke back, his voice was even and not nearly as intimidating as you thought it would be. "I was born like this. But I am no demon." He stepped closer as he spoke to you, his appearance becoming more visible in the firelight. He had blue skin and sharp teeth like the villagers said, a long tail with a devil's spade, sharp nails and pointed ears...

"You look like one," you shakily retorted, still on edge of what his intentions were and you weren't about to fall victim without a fight. He only chuckled back, empty and somewhat...sad.

"I know."

He sat down near you, a few feet away, looking at you and slowly giving a smile, trying to be friendly. "I won't hurt you, I wouldn't ever." He paused, then continued, "Besides, a demon cannot step inside a church." He reasoned, holding out a three fingered hand to you. "Hab keine Angst."

You were cautious, but after seeing he wasn't nearly as horrifying as the town made him seem, you reached out and touched his hand. His skin was warm, he was fluffy. He felt like soft velvet, not like cold scaled skin you had been told was the skin of the devil.

Over the following weeks, you became closer to each other. You warmed up quickly after his efforts to try to appear not so scary, and once you spoke more often, he was actually very sweet and kind. You watched him feed birds and squirrels, holding the seeds in his palms and speaking to the birds as if they could understand him.

His favorites were the blue jays.

He showed you the cathedral, leading you through the massive church and showing you around. He showed you the library with lots of books along the walls, the studio where old paints and canvases were. He gave you plenty of things to do, and he provided you with good food, a large space to sleep, he treated you well. He was kind and sweet and...attractive.

You couldn't help but feel yourself get pulled towards him. Feel yourself get swept up by his chivalry and charm. He showed off in front of you, entertaining you with his skills as an acrobat and swordsman, he even let you try to swing one of his swords.

It was much heavier than you thought, making his skills all the more impressive.

You got word that your father had fallen very ill, and you wanted to see him. Kurt didn't want you to leave, scared you'd never return again. He held your hands and looked at you in the eye, his worry etched on his face. "You won't abandon me, will you?" he asks softly, "I don't wish for you to go..." he brings your hand up to his cheek, rubbing his face into your palm.

Your heart melts and you sigh, "I promise I'll come back. I just...want to make sure my father is okay..." you whisper back. You knew how he felt, being abandoned was one of his biggest fears. All he had been in his life was abandoned, by his mother, this town, sometimes he felt as though God himself has abandoned him.

With great reluctance, he let go and you rushed back into the village, desperate to see your sickly father. You were still angry he left you to die, but he was still your father. When you made it back, you came to his bedside and saw how terrible he looked. You had no idea what he had, but he looked on the verge of death.

Word got loose that you were in the town, somehow surviving the 'demon' who resided in the abandoned church. The town's greatest 'champion,' Graydon, nearly stormed up to your home and forced his way in. His voice loud and demanding, he as angry and furious with you.

The vile man had attempted to court you before. You always denied him. Why would you want to be with someone as crude and hateful as Graydon?

"How did you escape that wretched demon?" he demanded, yanking you from your father's bedside. He held your arm tight and stared at you with fury in his eyes. "That beastly creature will invade our town because of you! You were his sacrifice! Leaving signifies that the deal is broken! You've doomed all of us!"

Your eyes were wide as he basically screamed in your face, his cool was gone and he looked like he wanted to hurt you. You tugged against his strong hold, grunting as you tried to get free. "He's not a monster, or a demon! He's just a man!" You shouted back, "He's kind, gentle, he wouldn't hurt a soul!"

Graydon laughed at you, yanking you closer again. "You are lucky you are pretty, girl...you are such a naïve little thing. That devil is evil, and you have succumbed to his incubi ways. Don't worry, I'll make sure I fix that little head of yours up and rid you of the corruption he has brought upon you."

He threw you down, you hit your head and everything became a hazy mess. You heard his footsteps leave, his heavy boots hitting the old wooden floors with anger. You tried to lift yourself up, but you hit your head too hard. The world was spinning around you, but you didn't want any harm to come to Kurt. Graydon was as ruthless as he was egotistical, and he was dead set on murdering Kurt. He always had been, telling tall tales of cutting off his head and hanging it over the statue in town square.

You could hear his voice, rallying the town and heading up the treacherous path to the abandoned cathedral. You felt your heart ache, your body fading to unconsciousness from the injury.

When you regained consciousness, your body ached but the thought of Graydon already at the church gave you a newfound form of energy. You jerked up, your father had been too weak and sick to help, while you worried for him, the memory of him giving you up to die was there. You had to make a choice, and your heart had been decided.

You needed to get to the church.

You stumbled out to the stables, your body staggering as your brain felt fuzzy and heavy. You probably had a concussion, but right now that wasn't important. You didn't have a horse of your own, you prayed that the one you made it to wouldn't buck you off. The stallion let out a soft nicker, you rubbed its neck, your hand weakly holding onto the mane and you forced your body to mount.

The horse moved a few steps, adjusting to your weight. No saddle, it'll have to do.

You squeezed your legs and held on, the horse moved forward and with your encouragement it began a steady gallop through the trail that led up to the church. The horse was fast and bareback was hard for you to hold on, especially with a head injury. the horse sensed your wavering weight and tried to steady its run.

Over the hill was the church, and the stallion ran you right inside the broken down doors. You heard loud shouting, men fighting, and the sight that came to view was horrible.

Most of the men were down, unconscious, and Graydon was shooting arrows at Kurt, who had been disappearing in puffs of smoke, reappearing in other places. His yellow eyes blazed and he hissed at Graydon, landing kicks and punches to the larger man. You shouted at them to stop, but your voice fell on deaf ears.

The torches the other men had been carrying caught the tapestries and the flames eagerly began to eat the fabric and grow. The horse reared up, and you fell off its back as it ran out of the church. You sat up and cried out at Graydon, "Stop it! Don't hurt him! Can't you see what you're doing?!"

Kurt's teleporting soon became predictable, Graydon memorized the pattern and he shot an arrow into Kurt's leg right as he reappeared again. Kurt let out a strangled cry, stumbling from the beams and to the ground. By now the flames had consumed the entire room, smoke became thick and Graydon towered over Kurt's body. His eyes reflecting the fire, his face red and his hair a mess. He looked like the devil now, the fire only adding to his hellish desires to smite out Kurt's existence.

"Die, I cast you down to the pits of Hell where you belong!" Graydon tore a blade from his sheath, raising it above his head. But Kurt's eyes were focused on the burning wood above him, and he managed to teleport from that spot right as the wooden beams fell from the ceiling. Kurt reappeared by you, his fuzzy arms wrapped around yours as he teleported you outside. The last thing you saw in the church were the large beams falling onto Graydon's body, crushing him.

When you reappeared outside, you saw Kurt was hurt from the fight. He had two arrows in his body, one in his leg and one in his back, several lacerations from fighting the others and some parts of him had been burned. He let out a deep cough and he laid beside you, unresponsive.

"Kurt?? Kurt! Wake up!" You shook him, gently at first but it became more frantic when you noticed his lack of response. "Please get up!" You felt tears prick your eyes, your head swiveled around, looking for anyone to help. You weren't sure what to do, you felt hopeless. After you thought he was gone, his tail twitched at your side, gently curling up around your thigh weakly.

"Kurt??" You asked quickly, glancing down at him. You could see the exhaustion on his face, the weakness, but he nodded back. He gave you a weak smile, his yellow eyes soft and pure.

"Liebe..." he whispered back, his hand held yours and he pulled you closer. Your body naturally obeyed and you let your lips find his, both weakly pressing together as the two of you kissed for the first time. It felt so right, his hand cupped your face and his tail wrapped around you, being so weak but loving all at the same time.

You hadn't noticed the other townspeople had been watching from the trees, seeing how gentle and sweet you were to him. They could see that Kurt didn't resemble a creature of Hell like they thought, while he did seem odd looking, he didn't look to be horrific as they predicted. Their imaginations took over and the tall tales took over their logic.

When you broke the kiss, he smiled up at you. "You....came back..." he rasped, he was hurt still, but he was okay. He'd live. That's all you needed to know.

"Of course I came back...I told you I would..." you whispered sweetly, guilt gnawed at your core, "If I hadn't left then..."

Kurt cut you off, shushing you, "Nein, liebe...do not worry...the church can be rebuilt...I am going to be fine. What's another small scar? My fur will cover it anyway." He added, giving you a playful smile.

You couldn't help but roll your eyes, "Oh, Kurt...don't make me laugh right now..." You muttered, some of the onlookers came to aid you in bringing him to the town to get treatment from the doctor there. You knew he'd be okay. The awful stories were debunked and the town appeared to accept him.

You had your love, safe and sound, and the real demon of the town had been snuffed to ash.

Thanks for reading.

*BAMF*

Dividers by @/adornedwithlight

[candyskiez]

so, you've heard shows be recommended because they had gay characters. you don't really know what they're actually about though, and don't know if they'd be something you'd be into and are worried about spoilers. here's spoiler free plot summaries of em!

The Owl House

The Owl House starts out as a typical teenage girl goes into a fantasy realm story, but with a twist. Actions have consequences. The protagonist is a girl named Luz Noceda, who was being sent to a camp to make her behave normally by her mother after causing too much trouble at school. She ends up finding a place she's always dreamed of: a fantasy world. A world where everyone's so much weirder than she is. And she thinks, maybe if I don't belong out there, maybe people will like me here. Maybe I can be special here.

It's a story about found family, propaganda, erased history, living with disability, religious trauma, and neurodivergence. It's fundamentally a show about people who's brains work differently finding each other and making a family that treats them right. Definitely my favorite of the ones on this list. It's about people who've been oppressed being pissed about it and about finding yourself again after giving up on everyone around you for so long. It's basically a show about being a minority and trying to be understood and to understand yourself in the process. It's about growing up neurodivergent and how isolating it feels and figuring yourself out. It's about repairing broken relationships and parents who fuck up. And it's just. Such a love letter to anyone who was the weird kid in school. It's sad and heartbreaking and also so hopeful, and it's wonderful.

Content warnings: Abuse, Death, Grief, Animal Death, Suicidal thoughts, Vague suicide attempts, Depression, blink and you'll miss it s/h, body horror, religious trauma

She Ra and the Princesses Of Power

Adora was raised in the Horde since she was a baby, being fed propaganda about how cruel the princesses were. After learning how the horde actually was, though, she defects. But there's one problem. Her best friend, Catra, stays behind. Adora finds a sword that can transform her into She Ra, and might be the key to figuring out who she really is, while Catra takes her place as force captain.

It's a story about abuse, at the end of the day. Adora and Catra were stuck in a golden child and scapegoat dynamic, despite how much they care about each other. This leads to them knowing everything about each other but not understanding it. There's a fundamental disconnect between them, because both of their traumas are completely different. They have complete misconceptions about each other. Even in their initial split, they both have completely different perceptions of what's going on and why the other is upset. It's not a story about magic princesses, it's about the cycle of abuse and what makes it so complicated. Does it have flaws? Yeah. But ultimately I really really enjoy it, and when it does something right it does something RIGHT. Get through season one, it starts kids show-y but it gets very good during later s1.

Content warnings: Abuse (obviously), body horror, gaslighting (and I mean actual gaslighting, not what the Internet thinks gaslighting is), suicide, depression, flashing lights and eyestrain during the finale

Steven Universe

Steven Universe is a sins of the father story. Steven is the son of the leader of the rebel group The Crystal Gems, who's name was Rose Quartz. He navigates the confusion of being half gem and half human, as well as trying to figure out the mess of the rebellion and what his mother left behind. He's constantly in her shadow, for better or for worse.

It's a story about grief. How it impacts relationships, how it taints history, how it impacts family. It has some definite flaws, but ultimately it's about very flawed people who have lost so many people in their life trying to cope with it. Trying to handle what they lost and trying to adjust to life without them. It's about how expectations fuck a kid up and about agency and just a show about complicated relationships in general, at the end of the day. Also, it has some FANTASTIC music.

Content warnings: Grief, Abuse, body horror, very creepy people I don't know how to tag, heavy allegories for homophobia

Nimona

Nimona is a story about a guy who gets framed for murder. His name is Ballister Boldheart, a commoner who hoped to become a knight. It seemed everyone was waiting to watch him fail, so it was no surprise when he was the immediate target. Heavily injured and away from the man he loves, he's left alone trying to figure out a way to prove his innocence- until a strange kid comes into his life. This kids name is Nimona, and while he is intent on proving his innocence, she gave up on being anything but a villain a long time ago.

It's about deconstructing the model minority myth, trans rage, propaganda, and with a healthy dose of "FUCK the police".

Content warnings: Heavy injury, on screen suicide attempt, flashing lights

feel free to add more shows! just remember to keep the summaries as spoiler free as you can and add content warnings!

[byerseason]

some ranting

people do not realize how important the representations are and it’s really pissing me off so much. they act like byler wouldn’t be a representation just because they don’t like the ship.

talking about my own family, they’ve always been homophobic due to religious reasons. i had a friend who was lesbian, and when my mom accidentally heard about that, she forced me to cut ties with her. that was how she was in the past.

we watched st with her multiple times. and whether you accept it or not, the queer characters do make a difference. my mom started to feel empathy towards will. he was always her favorite since s1 but in s4 she wasn’t disgusted by his sexuality or anything. she was in fact feeling sad for him.

these characters give the audience the chance to see what these people go through. to see the harshness of their lives and how they can’t even accept and love themselves, and for what? for the most basic human feeling ever, love.

i was talking about will and how he changed her with my mom and she told me if i ever experience some kind of things or anything i can always talk to her. that wasn’t something my mom from 3 years ago would do.

and now if byler happens, she will see how pure the love can be even if it’s between the same gender. how hard their lives can be. just because you don’t like the ship itself it doesn’t mean it’s not making a difference for good. and we need these representations in mainstream media like stranger things. you know my mom would not sit down and watch heartstopper or any other queer-based show. it’s important to shove it to their faces. and for byler, mike’s point of view is gonna be a perfect representation of internalized homophobia since we don’t have many shows that have that. it’ll perfectly show what people thought was love all along was STILL love but a queer one, which will prove them it’s not any different.

[thehollowwriter]

Maybe I'm being silly, but despite all my ranting abt Rollo's mischaracterisation making me seem angry, I'm actually more sad than anything. Idk, it just kinda hurts to see a complex character I love so much being portrayed as a racist, religious bigot.

He's a traumatised teenager who literally watched his brother burn alive and couldn't do a thing about it. Like. Do you understand how horrific that is? And the cause of this horrific situation that left Rollo scarred is magic.

Rollo is, again, a traumatised teenager who watched his brother burn alive, and likely never got the help he needed to properly deal with his grief. Of course he's going to blame magic, it's likely how he copes, how he brings a sense of reason to a complete accident that could have happened to anybody with magic.

It's easier to view magic as a malevolent force that caused this tragic event. That way, Rollo won't have to confront the fact that there wasn't any "reason" at all. And now, he can eradicate the "cause" of his brother's death and make everything better. It's much more fulfilling than not being able to do anything to make it right because it was just an accident.

I would also like to take the time remind you that Idia literally tried to end the world and is still treated better than Rollo is.

"But he's based off Frollo!" You cry, except you seem to forget the fact that Jamil is based off Jafar, an old man who lusted after a teenager and wanted to marry her, and while Jamil is horribly misunderstood by many people, he's still not treated like a bigoted monster.

A lot of people came to the conclusion that he's racist against fae, even though nothing he does indicates that. He hates magic users specifically, and of course he'll hate Malleus, Malleus is notorious for using magic for every little thing and mainly being revered for his magic.

I also think Rollo being religious/Catholic doesn't make sense for his character. Think about it. He sees magic as dangerous, a vile influence that will bring nothing but harm, but people are complacent to adore and use.

Imagine trying to tell him there's an all-powerful, essentially magical being he must submit to and worship? One which, may I remind you, many say "allows" bad things (like the death of a brother in a blazing torrent of fire magic) to happen? He'd hate that shit. He'd probably gear up to fight god himself. He wasn't even afraid when he fought Malleus, after all.

Idk, this is just from a culmination of far too many posts, memes, "analysis'", and fics portraying this incredibly complex and tragic character who challenges the ideologies of our main chast as a creepy, obsessive copy-paste of Frollo, when characters who have done much worse are adored and treated like little meow meows.

I just don't understand why people do this? Is this because he went against the fan favorite, Malleus? Is this because he's "ugly" (he's not, and it's gross how many of you think ugly = bad person)? Is it because nobody can read?

I really don't know. But it really frustrates me that the common portrayal of him is so far from his actual character, especially since I relate to him in the sense of feeling a burning rage at something that has caused suffering for you, and not being healthy in your response to it/not being able to get help.

Idk man

[inbabylontheywept]

Is your url based on the song Babylon canon?? I recently found the song through a camp that I’m doing and it’s absolutely beautiful :)

Kinda. My URL is based Psalms 137, which the Babylon Canon is quoting. When I first chose this username, I wasn't planning on that account being for writing - I was using it to access the exmormon subreddit. I eventually burned out on them because they were so, so bitter, and I just... I wasn't. I was sad. I would describe myself as very religious, but not at all spiritual. I loved my friends, I loved the ward, I loved all the insane bullshit that happened in scouts, I loved that there were grown men who had busy lives and kids of their own that worked together to give me adventures in my childhood. I talk about the disasters because they're memorable, but these were not incompetent people. For every disaster there were 10 things that just went great.

I wasn't angry. The worst thing they did was hurt people near me, and when people you love do bad things to other people you love, it's just miserable. I wish they'd treated all of my people as good as they treated me. They loved the house, but not its crows.

Anyway, I chose that Psalm for a handful of reasons.

It's a homesick song. And after leaving, I felt homesick. I sat down by the river and I hung my harp on the poplars, and I wept when I remembered Zion.

I know this is incredibly dorky - but the only piece of media I ever found as a Mormon boy that took the religion seriously was Fallout New Vegas. They weren't a punchline in that game. They wrote Mormons that had deep regrets and complicated pasts, who had lived through and did terrible things, and I loved them for it. The most well executed example of this was a character named Joshua Graham, and he spits Pslams 137 at you in a key moment, and changed my brain chemistry. Watch this if you want to get a sense of the character. Or this. Either works.

I had a really, really, crazy seminary teacher. I've got two stories (story 1, story 2) about him, but frankly, I could write like, ten. He talked about Psalms 137 a lot. He had a very strong belief in God's willingness to inflict a terrible vengeance, but he also had like, beliefs on what it took for that vengeance to be invoked. One of the most interesting people I've met in my entire life, and deeply thus deeply entwined with my relationship with Mormonism.

Good question, and well asked! I've had some people just jump into thinking I'm a Zionist. I'm not.

[reiding-writing]

hiii, i hope you're well! i saw that you are taking requests for spencer and i really like your angst fics so i was wondering if you could write one with unrequited love?

preferably bau!reader who has feelings for him but he doesn't and she watches him get with someone else and everybody knows how she feels about him but he is oblivious, ending is up to you but i love me a sad ending heheh 😸

transgression [ s.r ]

You’re in love with Spencer Reid. He’s in love with somebody else.

WARNINGS: SPOILERS FOR THE ENTIRE MAEVE ARC, LOTS of misunderstanding, Spencer is kind of a bad friend, lots of arguing, major character death

spencer reid x gn!reader || ANGST || 8.2k || masterlist!!

a/n: sorry for the delay, but i did warn you it was gonna be long so- also i listened to ceilings on repeat whilst writing this so take that as you will 🫶

did i bend the maeve arc to my will for this fic? yes. yes i did.

taglist (slashed blogs couldn’t be tagged): @babyspiderling @marsxoxo2 @vytvyvy @hpstuff244444 @frostooo @ohmysw33 @radioactiveinvisible @devilsadvcte @the-local-pendeja @kakashis-formal-simp @robinswrld

You suppose you did it to yourself.

Spencer’s migraines had gotten increasingly worse over the last few months, and after a few consecutive days of hounding him, he’d finally decided to go and see a medical professional about it.

You’d expected him to come back with news about how his brain stem was too active from how hard he was working himself, or that he’d managed to raise his blood pressure to an unhealthy high from all the stress he was under.

Instead he’d told you that they couldn’t find anything physically wrong with him and that he’d been referred to a geneticist to check if the cause of his sudden mind-numbing aching was due to an underlying condition that might have been passed down from his mother.

He’d come back and forth to you for weeks about his phone calls with the doctor.

How she was helping him with his sleep deprivation.

How she was helping to manage his diet.

How she loved classic literature.

How she and him had spent four consecutive hours on the phone debating over the logistics of a novel they both enjoyed.

You could see the change happening before your eyes, and you weren’t the only one either.

“Pretty boy’s chipper this morning,” Morgan joins you at the kitchenette, his eyes following Spencer as he takes a seat at his desk with all of the enthusiasm of a golden retriever puppy who’d been let off his leash for the first time.

You hum with a nod, focusing your attention on the two cups of coffee you were making, heaping tablespoons of sugar into Spencer’s Doctor Who mug to satisfy his insatiable need for sweetness. “They’re reading a book together,”

“Really?” You respond to Morgan’s raised eyebrow with a short nod and another hum.

“Thoughts in Solitude by Thomas Merton, apparently she finds the religious analysis ‘fascinating’,” You can’t help the small contemptment that seeps into your tone as you reiterate what Spencer had told you to Morgan, and you can practically feel his pitiful gaze as he watches you make your coffee.

“I’ve heard of that book before from somewhere,”

“I tried to get him to read it a few months ago,” You take a sip of your coffee at the end of your sentence, barely able to taste it over the scolding water but not finding the mind to care.

You leave your conversation with Morgan at that, taking the two mugs in your hands and walking back into the bullpen, placing Spencer’s mug in front of him and walking around the cluster of desks to reach your own.

He’s sure he doesn’t need to verbalise it, but Morgan feels increasingly sorry for your situation, noting how you skirt past Spencer’s “thank you” without a response as you bury your head in your files.

he can’t imagine how much the fact that Spencer had seemingly formed a crush on his geneticist ripped you apart.

And the worst part? He’d never met her in person.

All scientific laws of attraction be damned, Spencer Reid had fallen in love with someone he’d never met in the span of three months, and you we’re resigning yourself to sit on the sidelines and watch as the man you had been in love with for six years find the happiness that you longed for with somebody else.

How you managed to keep up your facade you didn’t know.

You’d offered him change for the pay phone he’d call her from when he was running short. You’d let him rant to you about her opinions on a novel that you had failed to get him to read. You made excuses for him to leave the office early so that he could spend his time on the phone with her.

You were the one that sent him to the hospital and caused him to meet her in the first place.

He never hesitated to remind you of that fact, thanking you vicariously every time he relayed his conversations with the doctor back to you.

As the weeks progressed he stopped calling her that. She wasn’t ‘the doctor’ anymore. She was Maeve.

He didn’t call you by your first name and you’d known him for ten times longer that he’d known her. He didn’t even call Morgan by his first name and those two were practically brothers.

And that part was probably what hurt the most.

Maeve.

A name of Irish origin meaning ‘intoxicating’. How fitting.

Apparently the Irish goddess of love and desire was named Maeve. You could see the glimmer in Spencer’s eye that told you his Maeve was just as important as the mythological goddess he was describing.

His Maeve.

“So why haven’t you two actually gone on a date or anything?” You take a sip from the mug in your hands, swivelling your chair back and forth with your foot as a pivot. “You’ve been talking for what, four months now? Surely it’s about time you actually met her in person,”

“It’s complicated,” Spencer sighs as he collects the loose papers he was working on in a pile. He didn’t want to divulge Maeve’s issues without her permission.

“You’ve been saying that for the last six weeks Spencer,” You roll your eyes as you discard your half-empty mug on the table. “If I didn’t know any better i’d say you’re putting it off,”

Spencer shook his head adamantly at your suggestion. You couldn’t have been more wrong. He did want to meet her. Desperately. He’d wanted to meet her since the end of their first phone call. But he also wanted to keep her safe.

How do you meet up with somebody who’s hiding from a stalker without endangering them?

“I do want to meet her. It’s just- she’s dealing with something personal and it’s put a rift our plans, that’s all,”

“So it’s her not wanting to meet up with you then?” You raise an eyebrow at him over your desks.

“Look it’s- You don’t get it okay? It was a mutual understanding from both of us.” You can hear Spencer’s tone become more defensive as you spoke, and you raised both of your hands in surrender.

“Okay, i’m sorry for prying-” You ended your apology with a laugh, trying to keep the conversation lighthearted despite feeling your heart deflate in your chest at the way the friendliness his his eyes fizzled out the longer you looked at him.

_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

Spencer’s late to work this morning.

It’s 8:06 when he finally walks through the glass doors, the coffee you made him stone cold after sitting lamely on his desk for the better part of twenty minutes. He doesn’t so much as offer an apology as he picks up the mug and makes his way over to the kitchenette to pour the coffee down the sink.

You follow behind him in a mix of intrigue and a want to refill your own mug, swilling it out with some water as you watch Spencer load a coffee pod into the machine. “Phone call last longer than you expected?”

“Hm? Oh- yeah, we were discussing the literary analysis of Annabelle Lee,” Spencer’s demeanour seems to brighten immediately once he’s given an opportunity to discuss the details of his phone call with Maeve, although the beginning of his ramble is quickly cut off by the beeping of the coffee machine.

You wait patiently for his coffee to finish before you begin making yours, raising an eyebrow as Spencer pulls out a regular teaspoon instead of the usual tablespoon he’d incorrectly use to load his coffee with sugar.

Your intrigue only heightened when he pulled a carton of milk from the mini-fridge. Not even normal milk. Soy milk.

“Since when do you drink coffee like a normal person?”

His eyes flickered from his mug to your face as he tipped a single teaspoon of sugar into his drink before replacing the bag back where it came from. “It’s a part of my managed diet, Maeve thinks that my increased sugar intake might be one of the risk factors for my headaches,”

“Did she tell you to put soy milk in it too?” You don’t know why you have the urge to be petty, Spencer had long since needed to change his coffee drinking habits for the sake of decreasing his sugar intake and Maeve’s suggestions were beneficial for his health.

It was just the fact that it was her that ticked you off.

“She did actually, it provides the same amount of riboflavin as cow’s milk, which acts as a soothing agent whilst also helping constrict inflamed blood vessels, but without all of the excess fats in regular milk that might make my migraines more frequent, it’s genius really,”

He thought that her ideas were genius. Him. Mr ‘I have three PhDs and an IQ of 187’, thought someone else’s ideas were genius.

You’re sure that he already knew the benefits of milk alternatives, and yet he attributed the ‘revelation’ of what they could do to Maeve. Of course he did.

“When was the last time you made a decision for yourself?” The question comes out much harsher than you intend it to, and you can tell by the way Spencer furrows his eyebrows that he’s taken offence to it.

“Sorry, that came out wrong,” No it didn’t. “I’m just a little surprised that someone as independent as you is so… willing to follow blind instructions,” Your attempt at saving yourself half-works, that wrinkle between his eyebrows disappears and you can see that the glimmer in his eyes is returning slowly.

“She’s a doctor, of course i’m going to follow her suggestions,”

You give him a soft nod as you pick up your mug from under the coffee machine. “Yeah, no, that makes sense, it’s just a little surprising is all,”

You don’t give him a chance to respond to you before you’re walking away from the kitchenette to retake a seat at your desk, fearing you might say something out of pocket if you continue the conversation any longer.

_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

You were really pissed off now.

You’d arrived back in Quantico three days ago, and you were still piled up to your neck in paperwork.

Maybe you would’ve had it finished by now if Spencer would stop talking about the fact that he was “-finally going to meet Maeve in person,”.

You had half the mind to snap and tell him to just shut up, although by the saving grace of Morgan you thankfully didn’t have to.

“Reid, give their poor ears a break man,” Your thankful for Morgan in times like this. He knew you were knee-deep in your feelings for Spencer, and he knew that every time Spencer so much as spoke Maeve’s name it carved another hairline fracture in your heart.

You were close to shattering, and Morgan could tell.

“Oh- right, sorry,” Spencer offered you an awkward smile which you mirrored back at him.

“It’s alright, don’t worry about it,” You shake your head in a polite dismissal of his apology before turning your head back down towards your files.

“I take it you’re nervous then?” Alex’s voice cut through the beginning of an awkward tension between the two of you as she entered to bullpen with a cup of coffee in hand.

“Well- I mean- you know…” Upon being unable to find a sufficient response, Spencer resorts to shrugging into his chair. “I just don’t want to ruin anything,”

“But aren’t you curious what she looks like?” Alex raises an eyebrow with concern like Spencer was he son going on his first ever date.

“it doesn’t matter what she looks like I mean- she’s already the most beautiful girl in the world to me it’s just-”

You don’t stick around to hear the rest of the conversation.

You sudden upheaval from your desk stops Spencer’s sentence as his eyes follow you across the bullpen and out of the glass doors, followed shortly by Morgan as he jogs after you.

“Hey- Wait up a minute-” Morgan catches your arm before you have a chance to get in the elevator, and as you turn your eyes towards him he can see the beginnings of tears forming in your eyes.

“I don’t know how much longer I can do this..”

Morgan can do nothing more than pull your head into his shoulder and wrap his arms tightly around your back with a soft mutter of your name. “I know kid, I know…”

“He thinks she’s the most beautiful girl in the world,” You turn your head up from Morgan’s shoulder to meet his eyes, a single stray tear cascading down your cheek, illuminated under the florescent lights. “How am I supposed to compete with that..?”

_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

Incidentally, Spencer’s date with Maeve didn’t end up happening. Conflicting work schedules or something, you weren’t really listening.

Maybe all of your subconscious thoughts had leaked into reality and finally gave you momentary release from the crushing defeat of having Spencer go on a date with someone else.

Maybe it was them punishing you further by forcing you to sit through him rant about the book she’d left him at the front of the restaurant.

It didn’t help that you already had a headache that made it feel like your eye sockets were being kicked by an annoying kid sat behind you on an aeroplane, leaving a dull ache in it’s wake and making you just want to bury yourself in a hole and hibernate.

“And right at the back she wrote ’Love is our true destiny. We do not find the meaning of life by ourselves alone; we find it with another’ it’s a quote from-”

“Thomas Merton. Yeah, I know.” You dig the knuckle of your left thumb into cavity of your eye socket over your closed eyelid, hoping to relieve some of the tension that’s lingering there and disrupting your thoughts.

“Thomas Merton’s ‘Love and Living’ specifically,” If Spencer noticed your discomfort he didn’t acknowledge it. “It’s a collection of his essays on the importance of love to live, so for her to have written it specifically knowing that I would read it means-”

“Reid.”

Your tone stops him from continuing any further, and he blinks at you with that sweet puppy-dog expression that would usually have you weak at the knees.

“No offence, but I don’t care about your over-the-phone girlfriend or the quote that she wrote in your book.” Your tone carried a harshness to it that Spencer wasn’t used to hearing from you. It was cold and detached and not like you at all.

“Are- you okay?”

“No, Reid, I’m not, and if you’d bothered to ask about my life every once in a while instead of using me like a human diary maybe you would’ve realised that already.”

You practically slam your file closed as you speak, pushing your chair out from your desk and leaving him sat in shock at your sudden change in attitude.

_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

After a bit of introspection, Spencer did realise that he hadn’t been treating you very fairly. He hadn’t asked you how your life had been in 3 months and 26 days. Four of those days he’d spent in damn near radio silence. He wasn’t sure he could take it much longer.

He missed you.

It was a bit ironic considering you sat directly opposite him for almost eight hours a day five days a week, but after you’d snapped at him last week, he truly realised just how much of his day he spent socialising with you, and just how much he missed talking to you.

So he decided that he was going to apologise.

And what better form of an apology for being dismissive of your feelings than putting a personal effort into something for you.

He walked into the office that morning with a leather bound copy of The Parasite by Arthur Conan Doyle stored cautiously in his messenger bag, pages scrawled with annotations from Spencer’s own reading of the novel that he hoped would be insightful to you as you read it yourself.

He’d remembered you saying how much you wanted to read the novel a few months ago, so he figured giving it to you as a personalised apology would show that he really did care about you and had listened to what you’d told him.

“Are you busy?” Spencer asks, though he already knows the answer to the question.

He’d been watching you from the other side of the room all morning, hoping for a moment or two of eye contact to see if there was a possibility of a conversation. A look from one to the other; even a smile would’ve been enough to make him feel validated and content. And he would have been willing to settle for that.

But you never looked up. Not even once.

"Mhm," You continue to not spare Spencer so much as glance as he speaks, turning over the page of the file you were working through.

“Can I take a minute of your time?” He tried to catch your gaze again, only to be met by your continued focus on your work. The last thing he wanted to do was disrupt your work routine, but he also knew that he needed to talk to you sooner rather than later.

“Please,” he said softly. “It’s important.”

You exhale heavily through your nose, exasperation written clearly in your expression as you leave your pen as a page marker to close the manilla folder on your desk. You turn your head upwards, raising an eyebrow and opening your hands to agitatedly indicate for him to continue.

You wouldn’t lie and say that it didn’t hurt being so openly cold towards Spencer, but you’d reached a breaking point, and you couldn’t bare sitting idly on the sidelines and letting him tear your heart to pieces anymore.

Spencer was relieved that you’d granted him your attention, but the look you directed towards him was enough to make him wince. You weren’t looking at him through a lens of indifference but rather cold, hard disappointment.

He took a deep breath, trying to gather the right words for what he had to say.

“I’m sorry,”

He seemed almost breathless as he spoke, like he’d just finished a tangent about something without taking the time to breathe. “I know that I’ve been spending too much time talking about Maeve and not enough paying attention to you.”

"You don’t say," You mutter the words under your breath to yourself, but your sure that Spencer heard you based on the way his eyebrows knit and the small gleam of hope in his eyes dwindles to barely a flicker.

He was trying not to react to your snide comment. Spencer knew that your tone didn’t leave any room to deny your meaning. He’d been selfish in talking exclusively about his relationship and hadn’t realised how it was affecting you.

“I’m sorry,” Spencer repeated. “You mean so much to me and I haven’t been showing that.”

"Thank you," Your thanks are polite but dismissive, like you were acknowledging his apology but choosing to not actually consider it as one, and it left Spencer with an expression of clear frustration.

He was used to being able to read your facial expressions and emotions in the past, but now you were just an unreadable wall of disappointment. He had hoped the apology would've been enough, but it was clear that you weren’t going to let him off that easily.

Time to pull out the last resort.

He bent over and fumbled with his bag for a few moments before pulling out the novel he’d brought with him face up.

“I uh… got you this,” He holds out the book towards you. “You said you wanted to read it right? So I uh.. annotated it for you to make it more enjoyable,”

You take the novel from him with a raised eyebrow as your eyes scan the cover, a clear flicker of confusion in your expression.

Spencer noticed your expression and furrowed his own brow in confusion. You didn't seem to recognise the book. In fact, the look on your face made him wonder whether you even knew this book existed at all before this moment.

“I hope you… like it,” he said nervously. “I was going off what you'd talked about before. You mentioned the book was a classic?”

"I… have never seen this book in my life,”

“B-But…” Spencer knew this was going to be awkward at some point, but he'd hoped not this early into the conversation. He could feel his cheeks burning from embarrassment, and it was only getting worse as he searched your face for an answer to this awkward situation.

“I… swear I heard you mention it once.”

You give him a short shake of your head and a pursed smile of awkward thanks as you put the book down on your desk.

Spencer looked away, embarrassed beyond belief. He hadn't even been able to deliver an apology properly, let alone make you feel special like he'd originally intended to.

How had he gotten it wrong? He had an eidetic memory for god’s sake.

When you put the book down on your desk, his eyes flicked back to the book. He'd spent almost 4 hours annotating and researching it and now it felt like all that effort had been wasted.

If you hadn’t mentioned it then who had? Someone must’ve. Someone he obviously equated with you to the point where he’d somehow managed to override his eidetic memory to mix the two of you up.

It takes him a few moments before you hear him whisper out a name under his breath, the palm of his hand dragging down the front of his face at the realisation.

"Maeve…"

The mention of her name had your eyes flickering away from the leather cover and right back to Spencer’s face, awkwardness completely rid of your features and replaced with a mix of negativity that Spencer wasn’t sure he wanted to dig into.

"Are you serious?" Your words come out less questioningly and more accusatory, and you hold the book up so that he can see it once more, the gold embossing on the cover glinting under the overhead light as if to only taunt Spencer further for his mistake.

“You apologise for continuously disregarding me for your girlfriend by giving me a book that she showed interest in?”

You could see Spencer's face fall as your words sink in.

He hadn't even taken the time to think over what he was apologising with. It was almost as if his brain automatically just reverted back to his girlfriend's interests as an escape from dealing with his own guilt and sadness.

"Damn it," he whispered to himself. And in that moment he realised he'd just committed the biggest crime someone could make when trying to apologise.

“Like you constantly flaunting your relationship in my face verbally wasn’t bad enough.”

"I'm sorry I-" he says again, voice teeming with sincerity and guilt.

"You are truly and utterly unbelievable Spencer Reid." Your words didn’t carry anger as much as they did disappointment, and he could see the astoundment in your eyes as you pushed your chair backwards to stand, dropping the book straight in the trash bin by your desk before walking off.

It’s where it belongs; Right alongside the small sliver of respect you still had for him.

Spencer could've said so much more: he could've admitted how ashamed he felt for his careless actions and he could've apologised again and again a million times if it meant you'd stick around and give him a chance to make it up to you.

But you had already made it clear that you weren't in the right state of mind to discuss this matter further.

The best thing he could do now was give you space as he watched you walk away, a deep pain in his heart that slowly ate him alive from the inside.

He’d well and truly fucked up.

_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

“Oh sweetheart, what’s wrong?” You were bordering tears by the time you reached Garcia’s office, unintentionally interrupting her lunch break with Alex in the process, though the two seemed to care less about the interruption and more about the fact that you liked like you were about to cry your eyes out.

You take in a sharp breath through your nose as you try to tape together the cracks in your composure, although with every one you seal three more seem to appear in it’s place.

“I-” You can barely get the first word out before the tears start rolling down your face, and Alex immediately stands from her seat to guide you to sit in her place.

“Hey, you’re alright, slowly,” Alex’s hands find your shoulders and rub reassuring circles against your shirt. The slow breath you take in doesn’t stop the flood of tears that’s blurring your vision, and you only manage to get out a single word, but it’s all the two need to understand what’s got you so overwhelmed.

“Spencer-”

“I swear I am two seconds away from smacking that boy over the back of the head,” You can hear the clear frustration in Garcia’s tone. “Surely he’s got to realise how much he’s hurting you by now,”

“He does… I lashed out at him and then left to come here…” You rub your eyes with the back of your hand alongside a small sniffle, trying to rid your vision of it’s blurriness from your tears.

“Good, the boy deserves to have some sense knocked into him,” You appreciate Garcia taking your side, but you can’t help that small lingering feeling of guilt that invades the back of your mind.

“He’s just in love, it’s not his fault…” The words almost physically pain you to say. The verbal acceptance that Spencer Reid was indeed in love with somebody. Somebody who wasn’t you.

“That doesn’t mean that he should be disregarding you though sweetheart,” Alex’s tone is soft and almost maternal, and your sure that it doesn’t help how emotional you are.

Garcia’s right hand reaches forward to straighten out the collar of your shirt, unintentionally crumpled as you try to wipe your face of your emotions. “You’re his friend, and you have been his friend for longer than he’s known this girl he’s talking to, it’s not fair for him to completely push you to the side,”

Garcia was right. It’s not fair. Nothing about how Spencer had been treating you since he’d started speaking to Maeve had been fair. And you were done making excuses for the boy just because you knees deep in your feelings for him.

You didn’t deserve to feel guilty. You didn’t deserve to feel bad for lashing out at Spencer for apologising for not showing interest in your life by further proving just how little he’d actually payed attention to you. You didn’t deserve to cry because he was the most stupid genius to ever live and couldn’t see that you were hopelessly in love with him. You didn’t deserve to suffer by his hand.

It wasn’t fair.

_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

“Maeve’s been kidnapped.”

You have to consciously suppress the small voice in the back of your head that celebrates the possibility that she might not be a part of Spencer’s life for much longer. It’s a horrible thought. You should never wish ill upon anyone, no matter how much you internally despised them.

Still, that part of you that was still petty, that was still infuriated with Spencer and Maeve, wanted you to tell Spencer straight to his face that you weren’t going to help him find her and that it was karma for how he’d treated you.

But you weren’t a bad person.

As much as you might hate her, she was still important to Spencer.

“I have a wealth of knowledge i should be applying to this case, but- i can’t focus on anything for more than four seconds at a time… which makes me the dumbest person in the room-” Spencer’s eyes are full of desperation as they scan across your teammates.

“So please help me… Please help me find her…” The desperation in his voice is heartbreaking, the remnants of tears staining his face as he explains the context of the situation through broken sentences.

“We don’t have an official case, so we’ll be working on personal time,” Hotch’s voice is much quieter than you’re used to. Softer, more considerate. “Does anybody want to leave?”

You can feel his eyes linger on you as he asks the question, and you subconsciously purse your mouth into a tight line to stop yourself from impulsively pulling out of the investigation.

You might be detrimentally frustrated with him, but you did want to help. Even if it ultimately resulted in your downfall.

Hotch gave you a short nod before turning to the rest of the team. “Good, let’s get to work,”

It didn’t take Garcia very long to track Maeve down, mostly attributed to her unique name and specialised job.

Dr. Maeve Donovan, a professor at Mendel University who took a sabbatical leave 10 months ago.

The group split into different groups once they’d found her, JJ and Morgan heading off to a loft her parents owned, Alex and Rossi heading to the lab she used to work at, and you and Hotch, accompanied by Spencer, going to speak to Maeve’s parents.

“Reid,” Garcia’s tone is soft as she looks over her laptop screen towards him as he begins to stand from the conference table. “I have a picture of her, do you want to know what she looks like?”

“No,”

Spencer’s answer is immediate, joined by a shake of his head.

_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

You and Spencer watched from behind the one way mirror as the interview progressed.

They’d last spoken to Maeve five days ago. Her mother had cancer. She was also a geneticist. They were suspicious of her ex fiancé Bobby.

Her fiancé?

You can see Spencer’s face drop at the words despite the low lighting in the room, and you can’t help but furrow your eyebrows yourself.

She had a fiancé?

Spencer practically storms out of the office after the questioning is over, and Hotch has to remind him to calm down as they reach the apartment of Robert Putnam with Morgan and Rossi in tow.

When the door opens the five of you aren’t greeted by Robert, but rather a girl, a girl who looked very confused.

You invite yourselves inside at the girl’s recognition that Robert was inside the apartment.

“And who are you?”

“I’m Diane, his girlfriend,” She raised an eyebrow as the five of you looked around, confusion cut short as Robert rounds the corner questioning the sudden voices coming from his living room.

“Hey babe what’s-“

“Robert Putnam, FBI we’d like to-” Spencer’s voice cuts him off harshly as he rushes to speak, although he stops his sentence halfway as a flicker of recognition falls across his features and his anger turns to dread.

“Hey, I know you,” Robert doesn’t have the time to say anything else to Spencer before Hotch forces him out of the room, shutting the door behind him to speak to Spencer privately whilst you Morgan and Rossi remained inside.

Hotch returned a few minutes later. Spencer didn’t.

You end up taking Hotch’s place as you push yourself out of the apartment with a small “excuse me,” to follow after Spencer as he walks out of the apartment building.

“Spencer- wait up a minute-”

He doesn’t stop at your call, and you’re practically running down the stairs by the time you get to him, already out of the front doors of the apartment building.

“Hey-” You take a second to catch your breath before turning your eyes back towards him again. “Are you alright?”

You could see the flicker of confusion in his eyes as he met your gaze.

The last time you spoke to him you threw away any remnant of your friendship with him in the bin alongside the book he’d given you, and now here you were, chasing after him to make sure that he was okay.

“Why did you agree to help?”

Your face falls from concern to surprise at his question, and he takes it as a sign to continue.

“I know that you don’t like her, so why are you here?” You could see the beginnings of tears forming in his eyes, clearly overwhelmed with how the investigation was going.

“She’s important to you Spencer. Like her or not I care about you. So therefore I care about her,” You don’t think as you speak, words spilling out of your mouth with no conscious filter.

“I’m sorry.” Spencer’s apology elicits a sigh from your mouth, and you shake your head softly at him.

“Forget it, let’s focus on getting Maeve home safe alright?” He obliges to your request with a purse of his lips and a small nod, turning his eyes towards the ground.

“What’re you thinking about?” His eyes fall on yours once more at your question, round with confusion and glistening with the starts of tears. “I can see it in your face, you’re calculating something in your head,”

He exhales through his mouth in a small laugh. You’d always been able to figure him out, and not just because you were a profiler.

“2,412 hours,” His tone is uncertain, mixed between gratefulness for you observance and something far more upsetting. “That’s how long Maeve and I have contacted each other counting letters and phone calls…”

“That’s what-” You take a second to do the calculation in your head. “100 days?”

“100.5…” He runs his hand backwards through his hair, pressing his eyes closed like he’s afraid tears will spill from them if he doesn’t. “What if that’s all I get?”

“It won’t be Spencer…”

“You don’t know that-“

“Yes Spencer, I do,” You have to consciously suppress the sigh that threatens to leave your mouth, pushing your lingering distaste for Maeve down with it. “She is going to be fine, I promise,”

_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

Turns out Maeve’s ex fiancé wasn’t the stalker. In fact, he was being stalked himself, and whilst JJ and Garcia were looking over the images posted to Robert whilst him and Maeve were still together they discovered something that changed the entire direction of the investigation.

Maeve’s face had scribbled out in eyeliner.

You and the team spent the next thirty minutes rebuilding the profile from the bottom up.

“Celebrity stalkers are usually non violent,”

“You want to tell that to John Lennon Rossi?” Spencer looked up from his lap towards the group at the table, having separated himself from the group to sit on a sofa lining one of the walls so he couldn’t bias the profile.

It wasn’t going too well.

“What was it that Mark David Chapman said after he shot him?” Spencer stood from his seat, anger flaring in his nostrils. “‘It was like all of my nobody-ness and all of his somebody-ness collided’,”

You could hear the rise in his tone as he worked himself up the more he spoke.

“Spencer-“

“Maeve is somebody. And this- bitch is a nobody.”

“Spencer.”

Spencer caught your gaze, and immediately fizzling out of his eyes and replaced with guilt. “I’m sorry- I can’t be very helpful right now I should leave-“

“Yes you can Reid, you have 100.5 days of communication with this girl and a recall everything verbatim,” Morgan’s gaze is entirely concerned with Spencer’s outburst.

“There’s too much of it, and I can’t sort through any of it clearly-“ Spencer is clearly on the edge of breaking, and you can tell he’s not going to be able to keep his composure for much longer.

“Then pick one of us and we’ll go through it with you,” Hotch leaned his elbows against the table, his voice again portraying that soft, parental tone that said he knew how overwhelmed Spencer was getting.

Spencer didn’t even say anything, his eyes just silently flickered over to you and you knew you couldn’t refuse him.

You return his silence as you get up from your seat and pat your hand on his shoulder for the two of you to exit the room together.

Time to torture yourself for the sake of Spencer’s wellbeing.

_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

Diane Turner, a research assistant working for her PhD in the same lab as Maeve. A student who had her thesis rejected because it contained a heavy sample bias that included both of her parents.

It took a while, but Garcia eventually managed to track down a loft that was owned under Diane’s parents’ names, less than 10 minutes away from Maeve’s apartment.

“Take your gun and vest off,” Diane’s voice is harsh through the receiver attached to the front of the building, and Spencer’s eyes flickered up from the silk blindfold in his hands to the metal box.

He doesn’t question the orders as he immediately begins stripping the vest from his torso, dropping it and his gun on the floor.

“Now come in alone.”

“Spencer.” You call out to him as he reaches for the door handle, and he gives you that look that makes your stomach do flips in your torso. Except this time it’s not that pleasant fluttery feeling, but instead an existential dread at the fact that he might not walk out of the building alive.

“I’ll be okay,” He gives you a nod of reassurance as he pushes the door open, and you find yourself clenching your hands around your gun to stop yourself from following after him.

The six of you wait outside for what feels like hours, and you lean back and forth on the balls of your feet as you become increasingly restless with the situation.

Then, a gunshot.

And a second.

And your heart drops in your chest.

You’re not entirely present as you rush into the building with the team following behind you, gun raised at your eyes.

Spencer had to be okay. He had to. He was going to be fine. You were going to walk into that room and he was going to be perfectly fine.

You hoped Maeve was alright too. As much as she was unintentionally causing you literal hell, you knew that she meant everything to Spencer.

You knew that he’d choose her over anything. He’d choose her over you.

And right now you don’t care. You just want him to be okay.

You force the door open to the loft with your foot, gun pointed straight ahead at the first person you see.

“Stay back-“ Spencer practically shouts from where he’s half lying on the floor, right hand clutching tightly at his left bicep, trails of blood cascading down his fingers and onto the floor.

“Stay back stay back don’t shoot-“

You let out an audible sigh at the fact that Spencer wasn’t critically harmed, although upon a whimper of his name from further across the room you turn your eyes up to the noise.

And you finally meet the girl that’s caused you ten months of hell. Held at gunpoint.

That small voice in the back of your head tells you that this might be your chance to finally rid her from your life, to let her succumb to whatever Diane had planned and leave Spencer to you.

But you take one look at the desperation in her eyes and any loathing that remained in your mind immediately fizzled out.

It wasn’t her fault. Of course it wasn’t. She was just a girl that happened to be in love.

“Diane,” Spencer pushes himself to stand, and you can see the pain in his face as he does. “There’s still a way out of this,”

“You never wanted me. Never!” Diane pushes the gun she’s holding hard against Maeve’s neck, and you can see her eyes squeeze closed as she attempts to keep herself from crying. “You lied!”

“I didn’t.”

Spencer shakes his head adamantly, and you glance over at Hotch as you spread across the back of the room, guns raised in Diane’s direction. “Diane, I offered you a deal, and you can still take it,”

“Me for her. Let me take her place,”

You only have a view of the back of Spencer’s head now, but you can tell by the tone of his voice that his expression is a pure display of desperation, one that you’re happy you can’t see because you’d lose your composure in an instant.

“You would do that?” Diane’s question is angry and accusatory, tears rolling down her face as she presses the gun against Maeve’s neck once more.

Spencer nods with no threat in his tone. “Yes,”

“You would kill yourself for her?”

“Yes.”

You practically feel your heart stop.

“Thomas Merton,” Maeve’s voice is almost exactly as you imagined it to be. Soft, smooth and, as Spencer had called it all those months ago, ‘dipped in honey’.

“Who’s Thomas Merton?” Diane’s tone contrasts Maeve’s tenfold, pitchy, uneven and overrun with manic anger.

“He knows,” You can see Maeve’s eyes flicker, and you assume that they meet Spencer’s as his shoulders drop. “He knows.”

“Who’s Thomas Merton?” Diane shakes Maeve in her grasp as if to intensify the urgence of her question, and you tighten your grip on your gun in instinctual response. “Who is he?”

“He’s the one thing you can never take from us,” Maeve’s voice is confident and defiant despite the clear tears in her eyes.

Thomas Merton could’ve been something between Spencer and you.

“No.”

You can see a clear change in Diane’s expression at Maeve’s words, and she lowers the gun from Maeve’s head only to hold it up against her own, staring directly into Spencer’s eyes.

“Wait-”

Spencer barely has time to shout the word before the gun fires, and you flinch at the sound as you watch Maeve and Diane both drop to the floor, dark red blood pooling around the two.

You can feel the tension in the room as everyone computes what just happened, guns lowering slowly as their eyes lock onto the two women on the floor.

You’re not focused on that. You’re focused on the tightness of Spencer’s shoulders as he takes sharp breaths in and out of his nose.

The way he seems to forget about the bullet wound in his arm as his legs give out underneath him.

The way a sob that leaves his mouth despite the fact that he tries to muffle it with his hand.

The way that Spencer broke.

He's crying. Big, heaving, heart-wrenching sobs.

His shoulders are trembling.

His hands are shaking.

His head is hanging downwards so that his hair is covering his face.

You approach him slowly, kneeling down at his side and placing a gentle hand on his shoulder.

His eyes slowly shift from Maeve, his sobs only seeming to amplify as he meets your gaze. His eyes are red and closely with tears, his cheeks running hot and his lips trembling.

You don’t speak, knowing that you’ll break if you do. Instead, you guide his head into your shoulder and let him crumble in your arms, grieving the loss of the love of his life.

You’re sure you’re going to cry yourself to sleep when you get home, but right now, you needed to be strong. For him.

“I’m so sorry-“ Spencer speaks through broken sobs as you hold him, the rest of the team moving to secure the scene.

“Shh,” You shake your head against his softly, rubbing the palm of your hand up and down his back as you let him cry until he physically couldn’t anymore.

“I treated you so horribly-“ He pulls away from your shoulder to look into your eyes once more. “I’m so sorry- Please don’t leave me…”

You purse your lips into a line, your expression full of so many emotions Spencer can’t distinguish any of them.

“I’m not going anywhere,” You pull his head back into your shoulder, leaning your head against his. “I promise…”

[feanoryen]

What you're favorite female Targ says about you

(For simplicities sake, I'll only mention the ones who have the last name Targaryen but I'll be skipping out on ones we don't know enough about from Daenerys of Dorne to Egg's daughters.)

Daenys - You hyperfixate on long dead characters who did 1 important thing that changed the history of the world.

Visenya - You want to bed her AND you want to be her at the same time. You heard "dark, sensual, unforgiving" and found it the sexiest description ever. You almost see her as a goddess rather than a person, you practically worship her.

Queen Rhaenys - You love a women with duality. You respect House Targaryen's matriarch for having hobbies, having fun with pretty boys, & burning entire armies. You also hate the Dornish.

Rhaena the Black Bride - Fat chance you aren't straight. You think she should have been Queen regnant (you'd be 100% right) & you're a Maegor & Jaehaerys's anti. You have a soft spot for sexy sad women

Alysanne - You love a girlboss who can manage motherhood & a 9 to 5 job. You also appreciate how she's the only Targaryen who fought for SEVERAL WOMEN's rights, not just her own.

Aerea - You're a rebellious teen who had a rough upbringing. Her death broke you because you know she deserved so much better.

Septa Rhaella - Are you sure your favorite character isn't just Rhaena?

Alyssa - You also want to ride 2 dragons (Meleys & Baelon).

Maegelle - You love a good nun.

Daella - You're want someone to take care of you for your whole life, except unlike Daella, you're not scared, you're just lazy.

Saera - You love a girl who serves cvnt (quite literally). You're the biggest Jaehaerys hater.

Viserra - You're incredibly pretty and incredibly petty. You know how the world hates to see pretty girls winning.

Gael - You probably have a helicopter parent.

Rhaenys the Queen who Never Was - You're a feminist & you love girlbosses. You 100% hate Jaehaerys and you have 0 love for Viserys I who you think she should have been Queen instead of.

Rhaenyra - You're a feminist & you were 100% the favorite child growing up. If you have a step-parent or half-siblings, you definitely hate them.

Helaena - You're probably a show enjoyer first & foremost. You probably simp for Aemond who you ship her with.

Baela - You might be a tomboy but not the "not like other girls" type of tomboy. You probably like at least 1 sport though & you're definitely a girl's girl.

Rhaena of Pentos - You love pretty aesthetics & Barbie was probably you're favorite movie of 2023.

Jaehaera - You hyperfixate on tragic minor characters. Bonus points if you're neurodivergent.

Naerys - You're either a sad catholic girl or you hyperfixate on tragic female chracters.

Daena - You love baddies who don't take anyone's shit. You might have grown up in a toxically religious household.

Septa Rhaena - You think Baelor the Blessed was the best Targ King.

Elaena - You like a woman with a brain.

Queen Rhaella - You hyperfixate on tragic female characters.

Daenerys - You love a bad bitch (affectionate) and you will not apologize. You also genuinely have good taste & hated GoT season 8.

[queenjulia11]

As I’m sure you’ve all (unfortunately) heard by now, Ben goddamn motherfucking Shapiro is producing a conservative Bluey knock-off called Chip Chilla, about a homeschooling family of chinchillas — starring Rob goddamn motherfucking Schneider — and I need to talk about it.

Done throwing up yet? Cool.

This is obviously disgusting for several reasons but the thing that infuriates me the most is that the dad in this rip-off is largely absent in his kids lives and development and finds them annoying. One of the great things about Bluey is how deeply the parents (ESPECIALLY Bandit) love their kids even when they can get on their nerves or aren’t as easy to manage.

I reject the notion that playing with and loving your children is weak and lame. Bluey is revolutionary in that it dives headfirst into love for one’s family and being un afraid to express it. That’s one of the most badass and radical things that can be shown in media regardless of the age demographic, especially with the stereotype of moms being caretakers and dads finding ways to shut their kids up while the game is on.

You think you’re cool for not caring about love? You think you’re breaking new ground for not listening to your kids and caring deeply about their interests?

The problem is that Bluey is a show for families, and this pile of shit excuse of an animated series is a show for parents. Because they’re scared of educating their children to be radical with love — because what if they end up loving “the wrong people?”

These people don’t want to raise kind, compassionate and and curious humans — they want carbon copies of themselves. Congratulations, you’ve completely missed the point of parenting. Have fun at the retirement home! Repression and censorship is just delaying the inevitable. It’s love that makes people. How dare you throw it away like it’s nothing.

What’s even weirder is I feel like Bluey doesn’t even have that much about it that would make conservatives raise their eyebrows? There’s no obvious political or religious agenda in any direction, there aren’t any canon queer characters yet — none of the things in modern kids’ TV that would make a right-wing dumbass clutch their pearls and say “I could never show my innocent children something so depraved!”

It’s just. A happy family. Living their lives. Loving each other. How fucking weird and sad do you have to be to look at that and be like “hmm, no, this is not the message I want my kids to come away with.”

Anyway I know I’m probably preaching to the choir, but go watch Bluey. Go watch something made by people who care.

Edit: Thank you @potato-head-kids for providing the image description.

[dancermk]

I’m a little disappointed to see so much discourse, fandom competitiveness, and plain arguing going around at the moment in regards to queer film/TV. People complaining about too much sex, not enough sex, too cheesy, made for the hets, too happy, too sad, too realistic, too unrealistic, and a million other petty issues. I, for one, am a queer person in my 50s and I grew up with practically zero representation! Yes, we want to continue onwards and upwards with quality and varied shows BUT let’s be HAPPY we now have representation! Like, actual shows where the central characters are queer, not just a side character who gets f*cking murdered! There is room for all different types of representation - so enjoy the types you like, and let others enjoy what they like.

And on a side note: progress is progress and film/tv is a business that has to turn a profit! If some queer content is made to appeal to the straight community, and will also act as a means of reducing homophobia and increasing understanding, then that’s a good thing. That means in the future more and more content will include queer stories and representation. If only 10% (ish) of the population is the maximum target audience then shows won’t keep getting made!

There is a huge backlash all over the world right now - a “push back” by conservatives and religious groups that want to wind back the clock, and specifically the last decade of advances.

So stick together queers and LGBTQIA+ allies.

I’m super happy knowing I don’t have to wait years between content anymore. And I’ve loved all different types of shows over the last 5 years, for lots of different reasons!

Interview with the Vampire - is giving me the toxic, passionate gothic love affair I’ve always wanted. And addressing interracial relationships.

Heartstopper - is filling me up with pure joy and hopefulness for the future.

Shameless - gave me Ian and Mickey - unique, anti stereotypical gays with a tragic yet ultimately beautiful love story spanning 11 years

Lone Star 911 - is giving me TK and Carlos whose sexuality barely factors into the storyline! Yay!

Looking - gave me an authentic queer experience and an intoxicating love triangle.

Red, white and Royal Blue - gave me a sweet, cute romcom that allowed reality to be sidelined. Fun escapism!

Young Royals - had me captivated by first love and intense angst.

Fire Island - an underrated romcom that made me laugh so hard I cried.

Sex education - shoved the realities of sex in our faces and provided me with laughter and drama and a range of queer identities.

Gentlemen Jack -gave me historical lesbians with spectacular wit, and feminine power.

And that’s just the tip of the iceberg- because there’s SO SO SO many more shows I could mention! Don’t at me because I didn’t mention YOUR favourite. This is my point! There is SO much great content it would take all day for me to include everything. This is just a sample - and that’s f*cking brilliant!!

So maybe we could all start posting/tweeting etc about what WE DO LIKE / LOVE / MAKES US FEEL LOVED AND SEEN and put down the device if we’ve got nothing nice to say.

Sending everyone a love filled week! 💜

[aaronsrpgs]

The Accursed Vampire: The Curse at Witch Camp by Madeline McGrane

Three young vampires go to a summer camp for magic. Only two can cast spells, so the third, Dragoslava (queer icon) bums around and gets sad. But all is not as it seems at witch camp! (Duh!) Everyone is drawn into a magical plot, and we get touching moments (for real) about what adults owe kids, what kids owe each other, and how to navigate rejection and difference.

The Seeds by Ann Nocenti & David Aja

I just love David Aja art. The flat, sickly colors, the bold shapes. And Nocenti is just a weirdo; her aggressively allegorical writing from the '80s and '90s is toned down now, and she gives the art lots of room to do the heavy lifting.

Mimosa by Archie Bongiovanni

I'm happy to see queer artists of my generation reach middle age and make stories that are about getting older in this insane world of ours. Bongiovanni creates a great cast of aging urban queers who struggle through claiming responsibility for their feelings and actions.

Shelterbelts by Jonathan Dyck

Somewhat in the tradition of the "great" male cartoonists of the Fantagraphics age (Chester Brown, Seth, etc), Dyck takes everything I liked about those comics (the meandering pacing, the clear spare linework, the simmering emotions) and separates them from everything I hated (the misogyny and queerphobia). Shelterbelts is about a growing town in Canada struggling with religious tensions, the generation gap, and everything else our towns are struggling with.

The Chromatic Fantasy by H.A.

A transmasc nun makes a deal with the devil to escape the nunnery. Outside, he commits crimes and falls in love. I loved the bright, flat colors that are equal parts stained glass and old anime. And I loved how the main character deals with his self-hatred, internalized by growing up in a system that demands he be anything but himself.

Adversary by Blue Delliquanti

Real gutpunch shit. What are our responsibilities in the ongoing crises of looming fascism and disease? And how do we see those responsibilities across the intersection of race and sexuality? But all this is contained in a tragic love story set in the height of the pandemic.

Grog the Frog by Alba B.G.

I never watched Adventure Time, but I gather that fans of the show got from it something similar to what I got from Grog the Frog: fresh worldbuilding, funny dialogue, and great art all layered over a surprising level of emotion.

Blessed by Baal by Tzor Edery

Beautiful art. Great porn. People struggle with sex, personal joy, and understanding the self in the wider erotic world.

[wen-kexing-apologist]

LITBC Ep 3-4: What Does Eating Pasta Have to Do With Your Tough Past?

One thing I really have to commend the book Love in the Big City for is how fucking effectively it utilizes information reveals to recontextualize entire sections of the book, entire understandings of Young’s character/psyche. So much of the time I spent reading LITBC was focused on getting to know Young as a character to learn about his life, his past, his present reality. So it is such a fascinating twist, and at least for me, a gift to enter this show with Young’s point of view in my head.

I’m really interested to see how people who have not read the book already engage with the show, engage with the character of Young, and engage with the reveals of some of the pieces of his past. Because for me going into it, experiencing Young’s life with the knowledge of Young’s history is such a different emotional experience than learning about Young for the first time. 

I’m thinking about the rockfish and flounder scene here and the way that Young tries to flirt by saying he’s chewy and should be called rockfish. And the way that Hyung responds and says he should call Young “flounder” instead because he can “see right through him.” And it’s fucking bullshit, and we see how that unfolds especially throughout episode four. I think it is absolutely fascinating not having that internal monologue to guide viewers through the television version of Young. Because the way Nam Yoon Soo plays Young has this smiley, care-free, proud sort of quality to him that is in large part still an act but a much harder act to identify because we don’t have access to how or what he’s thinking.

And while you see the losses of Mi Ae, for example, I think only watching the show puts you in a position to much less deeply understand the level of pain that Young is constantly carrying with him. Which, to be clear, isn’t a bad thing per say, it’s just interesting because even as the novel did recontextualize some things, I had a much different impression of how Young might present himself. The reveals of things like Kylie, for example, in the book serve more to provide an explanation as to why Young thinks Like That, is as dissociative from his own emotional state as he is, etc. So it is interesting to see Young be more of a happy!sad as he is in the show (at least in my opinion). 

I will be curious to see how people who haven’t read the book react/reacted to the reveal of Young’s institutionalization. It feels like a much smaller, less clear moment in the show than in the book, and there is definitely a complete lack of demonstration from the show that he wasn’t just hospitalized but that he was in conversion therapy. I don’t think that it is hard to make the leap, especially with Young’s mother’s religious zeal, but still they spend a lot less time on that piece of Young’s backstory in the show than they did in the novel. 

But to know from the second the show started about Young’s past, resulted in a visceral rage that hit me straight in the chest when Hyung told Young “you don’t know anything” after Hyung’s run in with his activist seniors. And again after they have sex when Hyung says “someone like you can’t even imagine [the suffering I’ve been through]” As if Young has had this easy, picture perfect life, when I know, I KNOW that Young is taking care of a mother that once forced him into conversion therapy when she found out that he was gay. 

Like, watching Young engage in queer culture as openly as he does, watching Young say that people don’t care, that Hyung’s seniors will still see him as their junior. To want to wear matching outfits, and go have romantic pasta dinners, and sit close to each other in public is so goddamn important because Young had a period in his life where other people were forcibly trying to make him believe, make him act otherwise.

And it is still so interesting because we don’t know that much about Hyung. We don’t know what Hyung has suffered outside of an alcoholic mother, we start to get a hint at it with the writing around Christianity and homosexuality that Young finds on his computer later, but for a man that said that he saw right through Young he has no fucking idea how much Young has actually overcome. Hyung is stuck in his own little rut, and Young is absolutely goddamn right to say “You call yourselves activists, yet why are you so ignorant? Fucking bastards. You only act progressive- ” it angers Hyung, but Young is fucking correct. 

And I love the little moment that Young pauses in his tracks while Hyung storms off. The way that Young is in fact the person that saw right through Hyung in that moment while Hyung is clinging to this false belief that Young has never suffered for being queer. I love this very charged cut straight to the Bible and Young’s mother right after that. Because I know. Because Young knows. Because Hyung does not, has not, and will never know. 

Hyung lives his life in hiding, wallowing in his own self loathing and internalized homophobia, so wrapped up in his own misery that he refuses to consider anyone else. He doesn’t tolerate anything that Young wants to do, he invents this completely loving, uncomplicated relationship between Young and his mother based on what he sees at a distance. Hyung has never looked at anything up close he refuses to, he exists in the universe, his scale is the universe, and his own suffering is as present and as powerful as that universe so there is no room for anyone else. 

Sure it’s dazzling to hear “I like the universe that is you” I get why that shit woos Young, but at the end of the day what does that fucking mean? It means nothing to Hyung, who is embarrassed of Young, who hides his affection for Young until they are behind closed doors, who doesn’t ever want to step a toe out of line despite saying he’s an activist, despite saying he’s progressive. And it has me thinking more about his Tree of Life tattoo and its association with the Revelations passage that talks about the tree of life being a reward for those who overcome. 

Hyung runs and hides from his desires, and he suffers for it. Young chases his desires despite what he has suffered. And in the end Hyung will continue to have a miserable life, and Young will live. As a lot of us know, there is more pain coming for Young, but there is so much beauty, learning, growth, and rain waiting for him too.