#i looked in the mirror. really looked.

[starry-bi-sky]

I am loudly pushing the batdad agenda i am loudly pushing the— DPxDC Prompt

“Woah. You look like shit."

Granted, that’s probably not the first thing Danny should be saying to the guy that just bit the curb, but in his defense; he’s not running on 100% right now either.

The man -- tall, towering, and broader than Danny is tall -- whips around on his heel, black frayed cape flaring out impressively. Danny would've whistled in appreciation, but he takes the time instead to wipe the back of his hand across his mouth, smearing the blood running from his nose across his cheek.

"Sorry." He blinks widely, not even flinching as the man with the horns zeroes in on him. "That was rude of me. I have a really bad brain-to-mouth filter; Sam says its what always gets me into trouble."

And she's not wrong either, per say. His smart mouth is what landed him in this situation -- with blood blossom extract running through his veins and cannibalizing the ectoplasm in his bloodstream. Thanks Vlad.

The man grunts at him; a short, curt "hm" that shouldn't make Danny smile, but he does because he's somewhat delirious and probably concussed. The man keeps some kind of distance, sinking towards the shadows of Gotham's alleyway like he dares to melt right into it.

If it's supposed to scare Danny, it doesn't work. Danny's never been afraid of the dark; he's always been able to hide himself in it. He blinks slowly at the mass of shadows.

"You look hurt." The shadows says, blurring together around the edges. Danny squints, and licks his lips to get the blood dripping down his chin off. Ugh, he hates the taste of blood.

"I am." He says, "My godfather poisoned me. M'dying." The agony of the blood blossom eating him from the inside out looped back around to numbing a while ago, so all he feels is half-awake and dazed.

"Hey," Danny stumbles forward towards the man, a bloodied hand reaching out to him. "You-- you're a hero, right? You're not attacking me; which is more than I can say for most costumed people I've met." Maybe it's a poor bar to judge someone at, but he's already established that Danny's not in his right mind.

The man makes no change in expression, but Danny realizes blearily that it's hard to tell with the shadows on his face. He stays still long enough for Danny to latch onto the cape -- stretchy, but almost soft under his fingers.

He looks up blearily into the whites of the man's eyes. "Can you help me? I don't-- I don't wanna die." Again. He doesn't wanna die again. He blinks slow and lizard-like. "I mean- I'll probably get to see mom and dad again, but I told them I'd at least try and make it to adulthood."

There's a clatter down the street, and Danny's ghost sense chills up his spine and leaves a bitter, ashy taste in his mouth. He immediately knows who it belongs to even before the deceptively gentle; "Daniel?" echoes down the way.

"Daniel? Quit your games, badger, Gotham is dangerous for children."

Danny's mouth pulls back, and blood spills against his tongue. "Please." He rasps, and grabs onto the shadow's cape with both hands. "Please. He's going to kill me. Please--"

"Daniel? Is that you?"

His lips part, dragging in air to plead with the darkness again. He doesn't need to, the whites of his eyes narrow, and the cape whirls around him before Danny can blink. Soon swaddled in shadows, the Night lifts him up, and steals him away.

[sweetsosos]

huh

[pineapple-frenzy]

Book 2 au: sparring sessions and short hair katara

They like to have sparring sessions in order to keep their bending skills sharp. They allow themselves to go all out and not hold back at all cause they know if anyone got hurt, Katara could just heal them

But anyways, wouldn't it be kinda funny if Zuko accidentally burned Katara's hair tho? Aofkqldkkajfjd

The "I think we can save the hairloops" line is from @linnoya-writes thank you for that!! :>>

[lotus-pear]

free will is drawing ur two favorite characters together and making them gay

[wolfywolfy]

I love how Astarion quotes The Tell-Tale Heart every once in a while. It's a rarer line, and initially I thought it was out of place (Neil is very well versed in theater, so I assumed it was a riff from him), but since reading an analysis of the work I think it was pretty purposeful.

The piece is all about fear and paranoia, things we know Astarion is plagued by despite how he might act. Similarly, the narrator of the story also tries to convince the reader that they are not as troubled as they seem. In the end, the narrator is consumed by the beating of the heart of the old man he killed and dismembered, the sound growing louder and louder until in a fit of rage he reveals the body to the police to absolve himself from the persistent beating.

Except the police never heard the heart beat, because it wasn't the old man's heart at all. The narrator was consumed by the sound of his own heart beating more and more rapidly in his chest from fear. He was the owner of the thing that forced him to reveal his true nature, he is the owner of the tell-tale heart.

And what happens with Astarion after you romance him? He realizes over time that, while he tried to deny his feelings and was initially only interested in manipulating you for his own means, he actually has grown to care for you. You have done something to his heart that hasn't happened in centuries, you have made it feel as if it has started beating again.

Therefore, his tell-tale heart leads him to admit his transgressions, which were committed out of fear and paranoia for his safety.

So the line is actually very, very apt. His confession during Act 2 is his own version of "Villains! Dissemble no more! I admit the deed! Tear up the planks! Here, here! It is the beating of his hideous heart!" Except, of course, it is his own heart that he is unearthing for us (and it's not so hideous, after all).

[medicalunprofessional]

never change, man !

[jessmalia]

Dear Bonnie, I’m a coward. I should be saying this to your face, not writing this letter, but I know if I do you’ll talk me out of running away from all my problems. You’re gonna make me face a future without Elena and you’re gonna help make me the best man I could possibly be, the same way she did. And I’m absolutely terrified of failing you both. So, I’m leaving. Because I’d rather let you down once, than let you down for the rest of your life. And I hope it’s the happiest life. Because you, Bonnie Bennett, are an amazing woman, a mediocre crossword puzzle player and my best friend. 

With great love and respect, Damon.

[freshbeeth]

god dammit marina ida one day you will wear a shirt

[lesbiamano]

i drew a second outfit design for sumi wayyyy back so now i've decided to redraw it and make it better! and also, i chopped her hair off! now THATS what i call character development

[vaggieslefteye]

ᴍᴀᴋᴇ ᴍᴇ ᴄʜᴏᴏꜱᴇ ↳ anonymous asked: HUSK and ALASTOR or angel and valentino?

[purble-gaymer]

simple thoughts on meta knight and gender euphoria

[bacchuschucklefuck]

and! barbarian!fig! its her

[ochiody]

scylla design

[thearvariblues]

Joe 1.0 vs. Joe 2.0

You know, I keep seeing posts that are like "oh, My Stand-In is doing it all wrong, we should see the face/body of Joe 2.0 more often, not just in random reflections, we should see Joe 2.0 when other characters comment on his appearance, it's confusing, we should–"

Guys. You are looking at it all wrong. You don't understand. You just don't fucking get it.

It. Is. All. On. Purpose!

Because Joe's story is told from Joe's POV. It's the story of the first Joe, the stand-in Joe, who, yes, is currently residing in the body of Joe 2.0, but his mind is the same. From Joe's POV, he's still the original Joe, you see? Maybe his hands look different to him or whatever, but unless he sees himself in the mirror, he isn't the model Joe, he's just Joe.

Like... You know that feeling when you dye your hair, you're well aware you've dyed your hair, you can sometimes glance the different color from the corner of your eye or whatever, but then it's two days later and you randomly look in the mirror and once again go "woah, hold on, that's right, my hair's bright red now".

That's exactly what's happening to Joe. He knows he is in the body of Joe 2.0, but his brain isn't really comprehending it unless he is literally seeing himself. That's when it hits him. That's when he realizes, again and again and again, that his old body is gone. But when he's just talking to other characters? He's still him.

(Unless they really need to drive it home that he's not, like when he meets Ming in that elevator for the first time.)

See, they are not failing to tell the story by not using Joe 2.0's face enough. They are actually telling it exactly the way they want it.

And it's fucking beautiful.

[melljam]

like father, like son

[spaghetti-machete]

just finished fantasy high junior year. relate to mary ann skuttle painfully as someone who had no sense of fashion a hyperfixation and a flat affect as a teenager. you can't tell me she isn't three years away from having a gender crisis