#i literally rewatched that episode before the season finale

[cosmik-koto]

*INCOHERENT LAUGHING*

CHEKHOV’S EXAMPLE WINDOW, BABY!!

CLASS DISMISSED!

[kirbyddd]

[kitnapz]

i dont think any other show has had an impact on me as huge as awae. that show consumed my entire life for months and months when i was 15 and nothing has changed its so so dear to me

[scarlettfevor]

There's this guy whose channel is rly popular on booktube whose rant reviews of bad books come across my feed sometimes, but I refuse to watch any of them because 1.) I like how majority of the people in book related communities are women 2.) I hate men but most importantly 3.) I honestly don't see how you can make these 3, 4 even 8-hour videos about one bad book

[thunderstomm]

Is “Prime Meridian Love” Forshadowing for “Battle of the Big Wand”?

With the most recent episodes of “Fairly OddParents: A New Wish” airing, everyone, myself included, is buzzing over what’s going to happen in the big season finale, what exactly is going to happen, and what’s the future state of Hazel and Dev’s friendship? There are many theories going around, but I want to pitch my own!

“Prime Meridian Love: Romance Cruise Ultra” is foreshadowing towards Hazel and Dev’s conflict and plot. Obviously, the show has drawn us a parallel here before, Duckworth looks like Dev. But rewatching the episode “Prime Meridian Love”, along with the context from new episodes and the description for the finale has me thinking that we may already know what’s to come.

Read the rest under the cut ! This post includes the episode description for “Battle for the Big Wand”, so if you want to go into that episode blind, don’t read further !

Starting with the most basic- Duckworth and Kennueth are stand-ins for Dev and Hazel. Duckworth is literally designed to look like Dev, and while less obvious, Kennueth seems to share a basic colour palette with Hazel, his skin and amulet being the colours of her shirt. There’s also the fact that Duckworth and Kennueth are described as “rivals”, and Hazel calls Dev her own rival.

This is where the backstory / history between Duckworth and Kennueth becomes relevant. The amulets are the one thing they share, and what’s something magical that Hazel and Dev have in common? Fairies!

The story goes that Kennueth and Duckworth were once friends, their friendship cemented by what bound them together. But Duckworth became jealous of Kennueth once he got promoted to captain. Sounds familiar? Hazel and Dev became friends, and shared the secret of having fairy godparents. They fell out over Dev’s jealously of Hazel, and that his dad seemed to care more about her, even if in an unconventional way.

Duckworth retalliates by stealing the magical pearl from the ancient sea temple, hoping for the power to overthrow Kennueth. Which brings me to my theory about the series finale, “Battle of the Big Wand”. Teaming up with Irep, I think Dev’s jealousy of Hazel having his father’s attention, as well as having two fairies while he only has one, will motivate him to steal the titular “Big Wand” during the takeover of Fairy World, hoping that it can grant him unlimited power, in his fleeting pursuit of satisfaction.

While the story of “Prime Meridian Love: Romance Cruise Ultra” goes on to say that this event cements their rivalry, the episode has Hazel and Kennueth stop Dev, and Hazel encourages Kennueth to re-write the story, and make things right with him, which he does !

I think the finale will follow one of these two beats. Hazel, Cosmo, Wanda, possibly Jorgen and Peri, and maybe even the citizens of Fairy World will all help to stop Dev and Irep, and we’ll either see Hazel and Dev’s bond cemented as a rivalry, or we will see Hazel reflect on the situation, and write her own story, and actually TALK to Dev about what has been going on. Personally, I would much prefer the latter. Dev is still a kid, and he’s a product of his environment. He deserves a chance to change and grow, and have good people by his side who actually care about him, to help him do so.

The only thing that I’m still unsure about is how Hazel’s rule free wish will tie into this all, but I do think she will use it like many of her other wishes, and do so selflessly.

What do you all think of this theory? I’m so excited (and nervous) for the big finale next week !!

[chheese-mmmhh]

actually i’m not done talking about that mf still so bear with me im gonna go on a quick rant

this is so going to be his “oh shit im in love with my best friend” moment for so many reasons my brain can’t function

Reason #1: that is lover stark’s realization face i SWEAR…it’s like the same face he made before and after he kissed tommy

this face!!!!! it’s the same one!!!!! that’s his smitten, i have a crush face i swear i swear

Reason #2: the lighting in the still is almost giving him a halo (?) with the way its bouncing off of his hair and maybe i’m delusional (i am) but they wouldn’t do that unless they were framing this as some kind of innocent or maybe religious (in the emotionally reborn way) experience (aka my bff is so marriage material)

Reason #3: the way the light is only on and around his head means it’s framed as some kind of lightbulb moment for him…this is something that happens fairly frequently in tv shows and it’s something we KNOW they do for buck because they did it in 7.04 with buck and tommy

this was right after they kissed for the first time and when buck was finally completely aware of his bisexuality so!!! lightbulb moment!!!!! it’s the same basic frame style as the still just like…less cinematic ergo buck is having yet another big realization

Reason #4: it’s in the locker room!!!! (i’m aware this one has less merit but i can’t stop thinking about it shhdbd) this season especially we have seen the locker room as somewhere that the deeper conversations are had… as far as i’m aware (i’d have to rewatch to be certain) we haven’t actually had a real scene in the locker room 7.01 “welcome back to the world of the living” scene (gay) and the 7.02 “three judas’s” thing…SO whatever scene this comes after will be an important conversation since it’s in the locker room (as long as it follows the theme)

Reason #5 (my favorite): it’s a callback to the 7.01 “welcome back to the world of the living” scene!!!!!! right as eddie is leaving after saying that we see a verrry similar shot

similar shot!!!!!! only difference is that in the new still the camera is moved so that buck is actually standing in the light…almost like they’re saying that the scenes are connected but now buck is able to fully realize what he could only partially understand????? maybe????? like at the beginning of the season he wasn’t aware of his bisexuality yet but he WAS aware that he felt safe or alive with eddie (since eddie was literally the one to “welcome” him into this new, moving forward stage) and now in the new still it’s in the same place with a very similar shot but framed as buck having that lightbulb moment i am going insane

ANYWAY this will be buddie confirmation i can feel it in my BONES…we don’t know when this still is from but i’d get my ass that it’ll be the last episode (like starting and ending the season with these scenes) and the next season will be their getting together arc i can FEEL IT I CAN FEEL IT I SWEAR

[olive-enthusiast]

Defending Aziraphale cause I KNOW y’all are gonna come for him:

1. a lot of people say that him deciding to go back to heaven is a character regression and doesn’t make sense- but it does! aziraphale has 6000+ years of repressed trauma from doing what heaven tells him! and even if he does seem to be taking steps forward (shades of gray), he never fully takes that big leap away from heaven (very LIGHT shades of gray). you can’t just recover from it!

2. also, we never actually see him get over the demons bad angels good thing. crowley is the only exception to this rule, in his eyes. he still views the Fall as a bad thing, which is why he wants them to be angels together!

3. people are also saying that it’s crazy ineffable bureaucracy got together so fast without too much internal conflict, unlike the (now divorced) husbands. but it makes sense because GABRIEL AND BEELZEBUB RAN THE SYSTEM. AND CROWLEY WAS CLEARLY A HIGH RANKING ANGEL WHO FELL VERY EARLY ON, MAKING HIM VERY DISILLUSIONED WITH THE SYSTEM. aziraphale mever got that chance- he was a lower ranking angel that was beaten down by this system, and as such doesn’t see that it’s the system that’s corrupt, not just the angels within. he still believes that heaven is a GOOD place filled with BAD angels, because he has literally never had the chance to learn otherwise.

and this is why it narratively makes perfect sense for him to become the supreme archangel- he’ll finally be able to see that the idea of heaven is corrupt because he’ll be in charge of it!

4. aziracrow have also been shown to be a direct parallel to nina and maggie. in the last episode, nina says that they’re not ready for a relationship because she just left her incredibly toxic and abusive partner. aziraphale and nina are in very similar situations! he literally just left heaven, which was incredibly toxic and abusive, and might not be ready for a relationship with crowley yet! however, unlike nina, he doesn’t fully believe that his previous situation was toxic, so he goes back- because he hasn’t seen enough to understand!

5. he clearly wants to FIX the system, not just be a part of it, because he is intrinsically such a selfless being. he still hasn’t learned to put what he actually wants before what he thinks everybody needs yet, because, again, he doesn’t understand how heaven works!

in conclusion i love aziraphale and i haven’t slept because i’ve been thinking about the finale so lmk if this doesn’t make sense but i will not be changing my thoughts about aziraphale

ALSO KEEP REWATCHING GOOD OMENS WE NEED SEASON 3

[theemporium]

Oh my god Maxie and trouble!!??!!!!! Literally my favs… no thoughts just domestic max and trouble trying to sleep but she just won’t stop talking and max just kisses her to shut her up and finally get some beauty sleep 😭😭😭😭🙏🙏🙏🙏🙏🙏‼️‼️‼️❤️❤️❤️❤️❤️

this was so cute and so self-projecting kqedjewfkqd thank you for requesting! and sorry not sorry to the team jeremiah girls!!🫶🏽

.

If there was one mistake Max made when it came to your relationship, it was agreeing to binge tv shows with you.

And yet, he fell for the trap every single time. 

Personally, Max was never one to get overly invested in tv shows or movies. He would enjoy them, there were a few he wouldn’t mind rewatching on the odd rainy day. But he never got attached, whether it be to the show or the plot or the characters. 

Not in the way you did.

He had to admit that he did find it adoring just how invested you got. If you liked the show, you were all in. You had your favourite characters and your comfort episodes. For the short time you watched the show until you finished, it was a hefty topic in most of your conversations. You got angry and sad and upset and excited over these shows. Max had never really experienced anything like it. 

And usually—usually—he genuinely did find it adorable. 

But sometimes there were moments like this one where he majorly regretted watching the show with you.

“I just don’t get how everybody can’t see the clear endgame!”

“Mhm.”

“Like, from music and cinematography and—”

“Mhm.”

“She has to end up with Conrad! She has to! I mean,” you paused for a moment as you let out a scoff. “Who would choose Jeremiah? He just lurks in the background with his creepy blue eyes and weird stare!”

“Mhm,” Max hummed like he had been doing for the last fifteen minutes before he paused. He frowned, opening his eyes to look over at you. “Wait, you don’t think my blue eyes are creepy, right?”

“Of course not, baby,” you murmured with a soft smile. “You have pretty ocean eyes. Jeremiah Fisher has the eyes of a white walker.”

Max snorted. 

“I’m serious, Max. They stare into your soul.”

“I think you forget that I watched the show with you, Trouble,” he murmured as his eyes fell shut again, taking in a deep breath as he desperately tried to fall asleep like his body was begging him to do so. 

But you had just finished the last episode of season two, you were riled up, and now instead of going to bed and cuddling with him like he wanted, you were sat criss-crossed on the bed as you rambled away about a show Max stopped thinking about the second the tv turned off.

“He is just the clear second option when Conrad is there, all dreamy and perfect and still in love with her and—”

You never got a chance to finish your sentence before Max had sat up, his fingers tangled in your hair as he kissed you mid-sentence. You felt breathless and flushed, and it didn’t take long for you to sink into his embrace as he pulled you back down onto the bed until you were lying on top of him.

“I know you’re angry but you need sleep,” he murmured against your lips as he settled his arms around your middle. “We both do.”

“Mhm,” you hummed, still a little dazed from the kiss.

“And I would prefer to have my girlfriend in my arms rather than talking about some other man being dreamy or whatever you said,” Max added.

You laughed lightly as you nuzzled yourself further into his embrace. “You are Team Conrad though, right?” 

“Of course, Trouble,” he murmured and pressed a kiss to the crown of your head. “Now for the love of god, please fucking go to sleep.”

.

[dreamchasernina]

So since the fandom has come back to life and there is not enough Kataang content on this app I will start sharing my two cents. Yay.

I want to start off by saying that as the show was airing, I, as a 10 year old, did kinda ship Zutara. Let’s face it, that scene in the catacombs was a turning point for a lot of shippers. But that was before I saw the final season a couple of years later. When I rewatched the show as a whole, as a teenager I was over Zutara, honestly their interaction kind of felt awkward to me, because they were enemies for so long. So I was all for Kataang. Now, that I’ve rewatched it for like a 1000th time, as a 28 year old, I finally see Kataang for the amazing pairing that it is.

Anyway, I’m not here to hate on anyone, you can ship whoever you like, and I love Zuko so you will not see me slandering his character here. Plus I don't feel the need to hate dump on a character to make my ship feel superior (*cough* unlike some Zutara shippers *cough*).

Ok, so. I feel that when people think of Katara, and her part in the show, they remember her as the responsible one in the group, the "mother" of the group, the sensible and caring one. Yes, when Katara’s mother died she had to step in and take the responsibility of the mother in the family, like Sokka says in the Runaway, and that stayed with her throughout the show. But, I hate that that’s the only thing she’s remembered for, because that’s just the result of her trauma. I feel like most people ignore a very crucial part of her character. Yes, she is the responsible in the group, but when she gets a chance to just be a kid, that's what she is.

People forget about the fun loving side of Katara. The one that goes penguin sledding and remembers how she hasn’t done it in a long time because life hasn’t allowed her to. The side of Katara that gets obsessed with Aunt Wu’s prediction because she is just a regular girl who’s fascinated by her love life, and dreams about what her future husband might be like. The girl that tries flying on the glider with Teo. The girl that relaxes on Appa and lets the hippie girl braid her hair, completely forgetting about the next task in their journey. People forget the side of her that dances in a cave, forgetting about the war and just enjoying life. Let’s not ignore that whenever Katara has a chance, she just enjoys being a kid, not just a badasss waterbender travelling with the Avatar.

And when Katara brings that side out, you know who’s right by her side? Aang. He’s not just by her side, he’s the one initiating those little fun moments. Penguin sledding is his idea, he’s the one to remind her that even though she’s been through a lot, and has a lot of responsibilities, she’s still a kid. He’s the one to organize the dance party, in a middle of a war, in the enemy's terrorory, he still finds a way for them just to be kids. And she’s right there with him, dancing. He’s also taking part in her obsession with Aunt Wu, not belittling or making fun of her faith, but taking part in it. Also sitting right next to her in a flower crown and enjoying the music the hippies play.

You cannot ignore that part of Katara, the part that shines when she’s comfortable, the part that just wants to be a regular kid and have fun. And that’s the part that Aang brings out in her. He’s the Avatar, the weight of the world is literally on his shoulders, but he still finds a way to enjoy life and be a kid, even after going through the worst trauma you can imagine. And he’s there to remind her that even if you’ve experienced the worst, you can still find joy in the little things. She literally says in the first episode - Aang brought something we haven’t had in a long time - fun. And that’s what he brings to her, this light, and that’s why she’s so drawn to him.

Isn’t that what we want for Katara, after the war is over? To just let herself be a kid, not to miss out on that part of her life, now that she doesn’t have to worry about their survival? And the best person to bring this joy and childlike wonder back into her life is Aang. And that’s why I think that Aang is truly the best one Katara could have ended up with.

[moments-on-film]

Moments on Film: Carmy IS The Bear - Opening Scene Analysis

Hello friends. I hope your year is going well. If we have interacted or you’ve read my work before, hello again! If you’re new to my blog, welcome!

This is the final part I’ve been building to in a 3 part character analysis series I have written about the character of Carmen “Carmy” Berzatto from The Bear. In the first part, I analyzed how 🔗Carmy doesn’t know who he is yet because he’s never had the safety and freedom to discover who he really is by connecting with his true passion, art. In part two, I analyzed 🔗Carmy’s true purpose and how I believe his destiny is to set everyone up for success, leave the kitchen behind and step into his light.

I have rewatched The Bear multiple times, but nothing ever captures the wonder, intrigue, and immediate empathy I felt for Carmy after that fascinating opening scene in the pilot episode. I have been thinking about it since I first watched it and it has stayed with me.

Since the first time I saw it, I have always believed Christopher Storer wrote the opening scene of The Bear to provide a portal into the entire arc for Carmy’s character. Let me explain.

Think about what Carmy is doing in the opening scene. He’s approaching a bear trapped in a cage. He speaks to it softly and gently, shushes it, empathises with it, coaxes it out and unlocks the cage. Look at the words used in the script:

Trapped, locked away

Whimpers, cries from inside

Emerges

A mass of dirty, matted hair

Mouth bleeding and ill

Shivers

“Shhh…..shhhh…it’s okay…”

Sad, abused eyes

There was a cute animal in there once

“Come on….go….”

“I know.”

Why is The Bear so personified in the script? Why is Carmy talking to it like it’s a person? Carmy looks into its “sad, abused eyes”, and tells it,

“I know.”

In my opinion, in the pilot episode, Carmy encountering the Bear is more than a dream, it’s a premonition because….it is Carmy talking to his future self.

Think about everything we have seen him go through so far and read the scene below:

I think Chris Storer has given us the arc of Carmy’s character in the form of a fevered dream Carmy has while watching over a slow cooking pot of gravy while he sleeps on the metal counter.

Carmy is the bear in the cage. S1 set the trap, by the end of S2, Carmy has fallen deep into it, and I think in future seasons, Carmy will suffer greatly, then will make great attenpts to heal, get in touch with what he really wants and will set himself free.

The fact that the opening scene in the series takes place on the State Street Bridge is an indication that Carmy saving himself—letting himself out of the cage—will save his own life. This is the same Bridge where his brother Michael, trapped in the same cage he is caught in now, separately, but somehow together, saw no way out and took his own life. The symbolism is striking. The Bridge is the connection between the two realms, and the difference between life and death.

I also think that the words used to describe the bear mean that things will get so much worse for Carmy before they get better. Season 1 ended with Carmy committed to opening The Bear. Season 2 ends with Carmy caught in the walk in freezer of the restaurant, a literal bear trap of his own making where he is buried alive by his unprocessed trauma, and inability to thrive in the very place he was supposed to lead, and crippling pressure to turn a profit to pay off his debts. This is because in my opinion, the restaurant, his cage, is not his natural habitat. This is why everything in it always seems like such a struggle and so painful, forced and joyless.

I’m worried to see how things will get worse for Carmy than they already are. In the script, the bear is described as tapped, locked away, crying, whimpering from the inside, a mass of dirty matted hair, mouth bleeding and ill, shivering with sad, abused eyes.

From the moment I saw the drawing on the wall in the pilot episode, I said, wow, look at the bars, it’s a cage. Of course, I didn’t know until 2x6 that Carmy himself drew the sketch himself, as a Christmas gift for Michael, who was trapped in a horrible cage of his own at the time, which makes it all the more telling and poignant. There’s a reason why Carmy drew the sketch this way, even if it was subconscious, with the same bear trapped in a cage, which we see again in his dream.

Photo credit: moments-on-film (me)

At the end of season 2, Carmy is trapped, pacing the cage of the walk-in freezer.

I’ve been so worried about Carmy as a character since the first episode because it is so clear that he’s sick and badly needs help that he’s not getting. He has undiagnosed PTSD, and inner trauma that manifests physically in the form of nightmares, trouble breathing and terrible panic attacks that ravage his body. This has been so visceral to me throughout S1 and S2 that I wrote an analysis post about 🔗Carmy’s Vital Signs, and how they are dangerously visible on screen through Jeremy Allen White’s exceptional acting. The Bear in the pilot script is described as whimpering, crying and ill. If I am correct, this is where Carmy is headed before it can all turn around.

One other little clue that Carmy is metaphorically the bear from the opening scene, is the physical look of Carmy’s hair. From the pilot episode, Carmy’s hair has bothered me. He’s a 3 Star chef, trained with the best, and worked under the abusive chef in New York who must have had him and his hygiene under a microscope. It never made sense to me that his hair at times looked dirty and unkempt while his shirts were immaculately clean, pressed, and white. Below is a quote from an article where Jeremy Allen White talks about his hair as Carmy:

"I also wanted Carmy to always look just a little dirty. There’s a sink on set — everything was functional — and before most takes, I would get water in my hands and run it through my hair to get it looking kind of greasy.”

This always stuck out to me. He’s playing not just any chef, but, in the words of Sydney, “the most excellent CDC at the most excellent restaurant in the United States of America.” A chef who clearly cares about cleanliness, who gets on his hands and knees to scrub the floor more than once with just his hands and a washcloth. Why would he want him to look dirty? But thinking of it now, if he too knows the arc of Carmy, which he has said Chris Storer has shared with him, then he understands that where we are headed is to witness him as the bear is described, emerging from the cage, “a mass of dirty, matted hair.” The slightly dirty hair is a physical clue into the journey he is on as a character.

I think in future seasons we are going to see a great deal of guilt and therefore self flagellation from Carmy to over correct his mistakes from S2 that is going to further impact his mental and physical health. As I mentioned in a prior post, just like his tattoo, he is constantly dancing on the knife’s edge, and literally putting himself in life threatening danger.

I also have predicted in prior posts that Carmy is going to push himself so hard that he has a major health incident that might finally force Claire (if she’s still around) to actually take note of how sick he actually is. I’m not sure if she’s going to be prominently featured in S3, but I would not be surprised if a health emergency forces Carmy into her life somehow. It never made sense to me that her (then) boyfriend is sick, she’s an ER Doctor, and doesn’t seem to really notice or care.

As I mentioned in my last post, Carmy’s True Purpose, I ultimately believe that Carmy needs to get out of the kitchen and into a life where he can be happy and healthy, and connected to his true life’s purpose. I do not believe that this means Carmy will abandon his found family, or that he will do anything to betray Sydney. I believe she’s his shining star and he will do anything and everything in his power to make sure she gets hers. I also believe they will be in each other’s lives forever because they are truly soulmates. This isn’t about anyone else, though, I think this is about Carmy coming to terms with decades of abuse, unspoken thoughts and feelings, buried passions, his precarious health situation, which is in fact, eating him alive, and letting go of his long held mantra to 🔗 “just keep going”, before it kills him.

Perhaps there’s a way to marry art with the restaurant. That doesn’t solely mean he is only drawing. Maybe what Carmy really should be doing is creating, planning and designing menus, traveling the world to discover new flavors and finding inspiration that can help the restaurant, and provide him with much needed creatively, peace and, yes, joy. Maybe the restaurant will become seasonal and he and Sydney can spend the off time traversing the globe and creating menus together. Maybe down the line he can get out of the commercial kitchen, and he and Sydney’s can revamp her catering company and they can create together is a different environment. I must believe we are headed for somewhere healing, positive and beautiful, despite the valley of despair that ended S2.

The character of Carmy honestly breaks my heart. In him I see someone who so desperately needs a breakthrough and help on so many levels. He so badly needs to discover who he is and what actually makes him happy before it’s too late. I think Carmy is subconsciously very connected to this. His dream, which started the series, continues to haunt me.

One great thing about Carmy’s life are the people who now surround him. In my opinion, he needs to be very careful about how he treats them moving forward. He has people who genuinely love him and who I believe have his best interest at heart. If he pushes himself to the brink and then decides to leave the kitchen for the sake of his health, I believe everyone would ultimately understand. However, no one can take the reins of his life and fix it for him. Only he has that power and create his own reversal of fortune.

If I am correct, for his character to follow the arc of the opening dream scene, all Carmy ultimately has to do is unlock the cage and set himself free.

How he will arrive at that point is the journey of The Bear.

©️moments-on-film 2024

[retrieve-the-kraken]

So after taking some time to clear my head, and letting the wave of relief and closure wash over me, and feeling like someone literally unclogged my brain, I rewatched season 3 of Young Royals, but only finished just the night before I was going away for Easter weekend, so I didn’t have time to write anything.

But now I can finally say this: I liked it much better the second time.

And it wasn’t just the trepidation and anxiety that i had for finding out what happened in the end that kept me from completely enjoying it the first time. It was also that annoying week-long gap that we had to endure before watching the finale.

(I get that they did it for promotional purposes, and it was a lovely thing to be able to have that event for the final chapter, which obviously could only be one chapter, imagine having everyone there for the entire season, everyone watching for nearly six hours… no good.)

That gap, I feel, made it feel like we just landed randomly on an episode that was meant to tie up all the storylines. And of course it is, and of course it still feels that way in regards to some storylines, but wow, what a difference it makes to watch the whole thing as a whole, the way I’ve enjoyed the previous seasons.

I definitely could process it much better the second time around, watching calmly and carefully, and once I jumped straight from episode 5 into episode 6, it definitely felt more cohesive. It felt like it followed the same pattern as the previous seasons, the conflict at the end of episode 5 is very similar in every season, and it felt right.

And the final episode of each season seems to follow a very similar pattern too, except that it shifts a little each time as Wille gains autonomy. In Season 1, the climax was that Wille had to do what the crown said, on the crown’s terms (deny the video, keep August’s betrayal secret, lose Simon), because he didn’t know what else to do, he didn’t have a choice, sad ending. In season 2, he has to do what the crown says (do the speech, play the part of the Crown Prince), BUT he’s doing it on his own terms (telling the truth about the video, being with Simon, even if it means keeping August’s secret), he has somewhat of a choice, bittersweet ending. In season 3… well, it looks like he’s doing what the crown says still… and then he finally realizes that he does have a choice. Sad ending? Nej! He finally gets his happy ending. He has come to terms that the can have a choice.

The second time around, just when we thought we were getting yet another sad ending or bittersweet ending like the previous seasons, it shifted. Plot twist, he’s getting out of the car. Of course there is a lot up in the air (was your first thought also literally “but Wille, you left your bag in the car! You don’t have a toothbrush! You don’t have a phone charger! You don’t have clean underwear!” or are you normal? I am not normal, I have anxiety about things like that), there are many things that will still need to be resolved after the credits roll, but… it felt right.

And of course there are things that got tied up and still felt a bit quick, and things that felt annoyingly left up in the air, but that was precisely what happened each season, things that felt like maybe would get properly addressed the next season, but that’s not how life works. Not everything gets resolved. And it feels a little sadder or more bitter because we’re not getting another season.

But we are. It’s playing in our heads right now. People are writing fanfiction about it. And I can’t wait to absorb it all.

I’m definitely watching the whole season again, and doing a play-by-play analysis like I did for season 2, because I love hyperanalyzing every detail of this show.

Can I just preliminarily warn that I will be gushing about Edvin and Omar, and Nikita and Frida and Malte, so so much? Because the second time watching season 3, I was in awe, true awe, of how good they have all gotten. I mean, they’ve all been incredible from day one, but I feel like there were nuances to their characters this season that highlighted so much how incredible they all are. Particularly my babies, Edvin and Omar, deserve all the awards. Can’t wait to see everything they do.

I will miss them with all my soul. But I don’t have to let go of them yet.

[rosemariad]

THE BITTER END | SPN 15x18 DESPAIR: About that Destiel moment in 15x18

Oh boy…the scene that sailed a thousand memes (and counting)…the scene that made us all go feral in the midst of a contentious presidential elections in one of the most disruptive, chaotic years in recent memory (2020 you son of a bitch)

Now i am super late with this since it’s nearly been 4 years since this was aired live on TV and posted like crazy all over the internet BUT…y’all Destiel shippers got robbed. Not just with this scene but the whole Destiel ship in general - just done so dirty.

I started watching this show on and off back in 2021 and I finally got to finish over the summer this year (2024) taking my sweet time, even rewatching certain episodes (for some fanfic writing 😁). I went into this to settle the debate for myself - is this Destiel stuff legit? Or was it taken out of context? Misconstrued.

No. It really wasn’t. They (the powers behind SPN) tried it, tried to pull the wool over people’s heads, with certain fans chiming in (the destiel haters, the homophobes, the anti-mishas, etc.) but no. The SPN showrunners fucked all this up.

From the beginning….

So it’s 15x18 despair - we’re in the last act - shit’s popping off, everything’s going tits up - Billie is trying to hunt Dean down, calling him chaos incarnate. Dean & Cas get trapped in a room with no apparent means of escape or defense - probably should’ve headed for the exit - but I guess since it’s the 3rd to last episode and the execs clearly want things to go back to the status quo 🙄 now’s as good a time as any to cash in on that plot thread from last season and kill Castiel once and for all 😭 (as 1 person pointed out, given the prior context they probably could've just waited Billie out, since them being trapped in that room - Cas was the one that blocked the door anyhow - but I get it SPN showrunners you wanted to get rid of Cas somehow - what a mess)

If you haven’t watched it - here’s where I gasp and scoff in disbelief - please watch it https://youtu.be/l_r9GZeQl1w?si=uVox8PlXByYEYKci

Basically Cas tells Dean he’s the greatest guy he’s ever known, that he fights for love and that Cas lurves Dean 😭 and he’s not the bad things enemies say Dean is. That he’s more than the worst parts of himself - oh Cas.

This was Castiel’s one moment of true happiness - telling the one person whom he adores more than anyone or anything else in the entire universe - that he is loved by Castiel himself.

The confession that triggers Castiel’s demise to go with the empty, takes Billie with him and before Dean can process the massive TRUTH BOMB Castiel just dumped on him, Castiel is gone.

Despair indeed.

They made too many fucking cuts to this scene, at least for Jensen’s coverage. Like if you don’t want Dean to reciprocate…fine. Don’t. But let him fucking respond! Let him use his words. Castiel just told Dean he was in love with him, that is one of the BIGGEST things you can say to somebody in your life. EVER. Especially on TV. And yes it was in love, like romantically. Not platonically because why make such a fucking fuss over fucking platonic friendship! There’s always been a tension between these 2 characters, it hung over between them since season 4. They just made it into a joke, never expecting to get the traction it did over the years. They even tried writing Cas off the show for good back in season 7. But they got stuck with Cas and never really made proper use of him. They literally just waited until the last minute to get rid of him in a way that couldn’t get the show cancelled until that decision had already been made by the network. to make things worse - COVID happened

So don’t tell me the confession doesn’t merit a response, either for or against on Dean’s part - whether he returns Castiel’s affection or not is another story but dammit let Dean speak! How could you not? Cowards!

And Would it be so terrible if Dean did feel something MORE than friendship for the only other individual that has stood by him for so many years? Like really? A relationship doesn’t demand sex (but let’s be honest, Cas probably wanted to fuck the shit outta Dean 🤣) it’s whatever the people in the relationship want! Dean isn’t young by the time s15 rolls around. Older people tend to just want someone to come home to, settle down with. Companionship. Cas fits that to a fucking T. When Dean dreamed of a future, Cas was right there with him (and Sam, cuz Dean always wants his family close as much as he can, given how he grew up).

Couldn’t find a gif of Dean talking about taking some time off after all the craziness of the hunting they do but I’m not crazy I know he wanted it.

The team behind SPN could have finished Dean’s narrative beautifully as man who was driven by fear all his life and opens himself up to a relationship he never saw coming but when the time came he didn’t run because he grew to love more than fear (and choose to live a life of peace after stuck in one of violence for so many years).

This is why Hollywood is shit! Great beginnings, shitty endings. But in this case, it was because they consistently chose NOT to indulge in queer-like narratives with enough care (aside from some other problematic stuff like the treatment towards women being more negative than positive, the inconsistent writing for characters and plot, etc.)

BUT not when it’s the main character 😡 Charlie can be gay AF but not Dean, seriously? That’s fucked. Like at least let him fucking explore/consider it. So people stop watching it who gives AF?! I never even watched the show when it was on air for 15 years, tons of people didn’t. There are still people out there watching SPN for the first time today! People who started but stopped because it’s a show that ran WAAAY longer than any other normally does.

Idk who made it so that Dean couldn’t explore his sexuality or fucked up the Destiel of it all but they SUUUUUUUUCK! You really shat the bed! at least explore it cuz at the end of the day, it may not work out. Gay relationships aren’t that different from straight relationships in that sometimes it just doesn’t work out BECAUSE we’re ALL people. And who knows maybe they could’ve been happy but we’re not allowed to know that canonically because Destiel was never given a CHANCE!

I mean if it was REALLY that big a deal – why introduce it? By making these little suggestions that (in a way that's funny but why would Dean be queer be haha funny - no that's not okay, queerness shouldn't be a joke) furthermore we’re talking about a show on basic cable - all it would’ve taken was fucking hand-holding or the same routine of staring into each other’s eyes like they’d been doing for 12 fucking years already! Just not shying away from the queerness that time. Legend of Korra did it. That 1 Disney show did it (i don’t remember the name). No kissing would’ve been necessary - nice, wishful thinking but not necessary if the kissing became an issue (but seriously it was 2020 man but ofc - that is a year where a pandemic that required social distancing decided to kick in during the final arc of this show) - just so we’re all clear COVID cock blocked Destiel lol jk 🤣

All those times they had Dean & Cas stare into each other's eyes – the forces at work – showrunners, writers, directors AND editors & the network who is showing this to audiences – if its such a big fucking deal - Don't leave it in. By leaving it in, you're allowing people to make assumptions about the relationship – it happens literally every time in every story ever told. You put 2 people in a scene and they're not family (though not always the case) or JUST friends (explicitly proven) there's a chance SOMEONE is gonna wanna ship them no matter how likely it is (OR NOT) they'll hookup or become a couple. That's just how it is. So don't fan the flames and then turn it around on fans that they're wrong, crazy or misinterpreting. If Wincest can exist, so can Destiel and any other ship. That being said, y’all Destiel shippers were ROBBED but I don’t need to tell you that.

I don’t think the relationship would’ve been perfect or smooth sailing - their friendship as it was on the show sure wasn’t. And Dean wasn’t the only one with issues - Cas had some bad qualities too - the angel liked to lie and for a while there he was extremely averse to conflict. And Dean…he gets real fucking angry 😬 not a good mix for a relationship- hell even a friendship.

But the two had a profound bond, with a great deal of affection for one another and that’s what got them through betrayal, fights, amnesia, curses, apocalypses, and all the ugliness in between. They could’ve made it. Or they could’ve just had Cas and Dean stay friends - but we’ll never know since Cas was pretty much omitted after 15x18 - there were references - like only 2 though 😒

Really SPN? 😒😔 so lazy. But sure, go ahead, blame COVID. It’s not like phones exist. It’s not like the actor couldn’t have just recorded Castiel’s voice nope. Totally not an option 🤦🏾‍♀️ same goes for the other characters - Jody, Donna, Eileen - you know all the other characters Sam & Dean cared about but sure - fuck ‘em too. Status quo is the only thing that matters - SMH.

[mcbride]

Daryl Dixon Rewatch S1E06 - Coming Home

it's the first ep with an English title and the last of the season. overall, i wanna say i was actually surprised how much i did enjoy watching. the complete focus on Daryl without all the background noise/storylines/characters, the way he still means what he says, but he's actually using his words and lots of sass instead of the typical nodding and grunting. good job!

but i gotta confess that if i hadn't known beforehand that Carol was going to be a part of this show, i probably wouldn't have bothered 🤷‍♀️. the fact Carol's not only back on screen, but she is such a great part of the whole vibe of the show, was actually unexpected. this show is straight up showing us Carol is the driving force in Daryl's relentless journey to get back home.

whoever tries to convince you Daryl is conflicted about where he belongs and where he wants to be is lying to you (pointing at you, Z!!). he literally spends 6 whole episodes reminding everybody he's got a home, people who love him waiting, a promise to keep, and a need to get back asap.

it doesn't mean Daryl does not form connections while on that journey. because he does - the strongest with Laurent, obviously, however, none strong enough to hold him back from his ultimate goal, which is going home to keep his promise to CAROL!

anyways, let's get to the season 1 finale:

the super!walkers fighting scene in the arena is pretty epic: from Daryl's super cool kill with the French flag to that Daryl/Quinn team up! the cherry on top being Daryl throwing that walker head at Genet. Loved IT!

Quinn eventually does help Daryl escape, and later, unfortunately, almost kills Isa, who is once again totally helpless against any kind of threat (killer nun, my ass!). in a scene eerie similar to the one in Daryl's underwater premonition a couple of eps ago, Daryl prompts Laurent to kill walker!Quinn with a "God will forgive you."

Laurent says something that sounds like it will be the whole point of Caryl's French adventure. "Sometimes you have to do horrible things, and no matter how bad you feel, if there is no other choice, God will forgive you." this feels like the key to breaking out of the cycle Carol has been stuck to since she was banished by Rick. (i'll probably post my s2 spec and theories next week!)

next, we see Daryl watching lovebirds Sylvie and Emile saying goodbye, they have to separate (i see what you did there, Z!), and reassures Sylvie that Emile will be alright before she asks him if he's ever been in love. BOY, has he ever!! Daryl's non response is quite telling. he knows what it feels like to say goodbye to the one you love without knowing if you'll ever see them again. and he's not alright, he's all the way in a whole different continent, separated by the Atlantic ffs.

we get some new insight into Daryl's origins when he and Isa share stories about their fathers. Daryl believes that his grandpa never returning home from war ruined their family for future generations and worries the cycle might repeat itself. has Daryl been reading about generational trauma? sharing this with her will bite him in the ass, later!

Isa's confession of her lie about the drawing gets absolutely no reaction from Daryl because it had zero influence on what happened next. Daryl didn't stay cause he believed in a new Messiah, he stayed because the kid was about to get in trouble, when Codron attacked his home; he stayed because it was a way of finding help getting him closer to a radio or boat to actually get him home; he stayed so he could take the kid to a place where he would be safe, and Daryl could finally leave without feeling guilty.

the great Daryl and Isa exchange looks compilation is trying too hard to show us, yes, Daryl has made a connection to these people, and is fairly content at the Nest with Laurent and the most mundane activities like peeling potatoes. they are showing us Daryl could stay here, make this his new home. why not? HE MADE A PROMISE! no matter what he could never be happy here, this is not his HOME.

Losang gives him a way out, but also tries to convince him to stay. "Sometimes, when a person leaves home, he comes to find he belongs someplace else." and it's true, if Daryl didn't know where, with whom he belonged. and it's not with Laurent and Isa.

it's really embarrassing how Isa tries to manipulate and guilt trip Daryl into staying with them using Laurent and Daryl's history. it has been like 2 months tops, and they acting like Daryl himself gave birth to Laurent, and wants to abandon his kid. bitch please, he has kids he actually raised and a wife back home!!

Daryl resents his grandpa for abandoning the family to fight in someone else’s war, and that's exactly what he would be doing if he chose to stay in France. that's what Isa will never understand - he had a whole full life with people who looked up to him, relied on him, loved him, before he even met her and Laurent. he wasn't lost. the connection he found with the people there isn't new to him, he has Judith and RJ, he has Connie and Zeke. but most importantly, he has a HOME (Carol!!!).

there's this beautiful emotional moment of Daryl quietly saying goodbye to a sleeping Laurent, and it's clear this kid means a lot to him. however, not nearly enough to make him stay. he still chooses to LEAVE. so many people trying to convince him he belongs with them, and he is still 10000000% sure he has to go back. there truly is ZERO hesitation.

i lost count how many times Daryl actually tried to leave, but it was always the kid's safety that kept him around again and again. he is so close to getting on that boat, literally fiercely fighting walkers to get to the beach, to get closer to HOME, and the same happens AGAIN. biggest FML moment for Daryl. Laurent, who is surrounded by walkers, is calling his name! FUCK ME!

and finally, we get to the highlight of this finale, Carol's badass entry. the way she's so absolutely calm with a big dude pointing a gun at her, PLEASE. she knows he's fucked around and is about to find out. no one takes Daryl's belongings and gets away with it.

"if you're lying, i won't be back." and she rides off on Daryl's bike. ICONIC. LEGENDARY. EPIC.

21 days left until the premiere of THE BOOK OF CAROL!!!!!

[chirpsythismorning]

Byler is a slow burn y’all!

While it’s possible milkvan could break up in early s5, or maybe they consider their fallout in s4 their breakup and are only now addressing it and how they’ve realized they’ve been better off as friends over the last year, it’s still gonna take some time for byler to confront everything over the last few years and both get to a point where they have clarity about their own feelings and finally accept that the other one feels the same.

I don’t think there’s enough time to explore all of that before Mike and El have that talk on the roof, or even shortly after that, even if it’s post-time jump.

It will still be interesting to see where Mike and Will are at in their relationship by the time the time jump rolls around.

It’s unlikely the painting will have been addressed without us witnessing it, unless they decide to throw in a flashback at some point if it happened during the time jump.

Which means there is still a lot they need to talk about, let alone for them be literally dating.

I think it’s also possible Will won’t know Mike and El are over for real, not until Mike or El tell him and the others.

What this might result in is an episode or two of Mike pining for Will (single 😁) while Will is none the wiser and maybe even trying to keep his distance, now under the assumption that Mike wants space to be alone with El since they’ve finally reconciled once and for all.

There’s gonna need to be episodes exploring their dynamic as friends that can be something more if they want to be and how they navigate that and how obvious it is that, in contrast to Mike and El, while they are indeed friends, they work even better as being something more too.

They’ve invested the entire series to building this up, in a way that most of the audience missed. They need to spend some time now making it obvious so that people can rewatch a lot of their scenes for what they truly are (romantic) now that they know the truth, as opposed to just being ambushed with them being together.

I need people that didn’t even want it to happen to have to endure the tension all season long, to the point where they’re screaming at their screen JUST KISS ALREADY! GET IT OVER WITH! JESUS CHRIST!

[scoobydoodean]

I was wondering if you, as a Dean fan have opinions about the different writers? Mostly because I see a lot of Dean fans really strongly dislike Dabb for some reason and I don’t really understand why. I’ve never seen a concrete explanation beyond “he can’t write Dean/doesn’t understand Dean/actively hates Dean” but with no examples as to what he does that’s so bad. And I see this in every shipping lane. I don’t have a strong opinion about him as a writer one way or the other.

I'm exploring this more as I rewatch the show (currently on season 6) so I'll speak mainly from that perspective on my most recent thoughts. I am not a big fan of Dabb or Loflin, but have tried to be fair about things so far when talking through each episode. I am a fan of "Alpha and Omega"—it's my favorite finale (it's also... a finale for a season Carver started as showrunner? So I don't know what the implications are there as far as storyboarding). Also points for having demon Dean stab a guy through in 10.02.

I'll focus on the negatives you asked about in this post, but in the links you'll find me moving the narrative this way and that toward much more charitable readings... I think. (I do have a tag #dabb disk horse which you can either peruse or blacklist at your leisure). What I can tell you is something almost always strikes me as a off about Dabb/Loflin episodes so far in this rewatch in terms of character work.

Dabb/Loflin's first ever episode was 4.06 "Yellow Fever". In the aftermath, Kripke felt the need to release a definitive interpretation of their episode to the public, stating, "Dean is not a dick... he's a hero." The whole episode toyed with, to an extent, the idea that all the victims of the MotW were bullies. You can take this other directions—for example, queer meta, or meta about Sam as the real bully. However, the story a lot of fandom latched onto was that "Dean is a jerk and deserves to be humiliated and punished for that" which obviously didn't make Dean fans watching live in season 4 happy—and this theme of Jerk!Dean continues into their next episode, "After School Special", where they once again parallel Dean with a bully literally nicknamed "Dirk the Jerk" by Sam, and throw what I think is transparent shade at Kripke's issued statement from before the Christmas break (post here)... or maybe they mean to throw shade at the Dean fans who got angry. In this episode, they also make illusions to Dean wanting to have sex with barely legal high school cheerleaders, which also did not ingratiate them to Deanfans at the time. I said on my last rewatch, "In After School Special, Dean seems more unlike himself than any episode ever in the history of Supernatural up to this point" (post explaining that here). I carry similar sentiments about portions of 5.06 "I Believe The Children Are Our Future". Yes—I am aware of performing Dean meta. I just... feel like they try a little too hard. It feels hamfisted—desperate. To the point it doesn't feel like Dean anymore sometimes. In 5.06, they also have Dean (guy who is generally very protective of kids) suggest to Jesse that he'd be good to have in a fight???? I can see how they got there, but again—it just feels... off. The last episode I rewatched that they authored, 6.04 "Weekend At Bobby's", also leaves a bad taste in my mouth—not in what it's trying to do with Bobby or what it's trying to do on a meta level—but once again, with dialogue from Dean that just makes me think "he would not fucking say that" (post here). I think looking at all of these, you can probably see deangirl ire toward Dabb has a long history. It's been around as long as he's been around, whether he deserves as much ire as he gets or not.

I haven't circled back yet on this rewatch, but Dabb and Loflin also penned season 7's "The Girl Next Door"... do I need to say anything specific? Maybe I'll just link my entire #amy tag. What narrative did they want you to get from that episode? Who the fuck knows. And that's often the problem:

When you watch various episodes I've mentioned, you can work around to a meta that tells you something different than you might at first think the page conveys—something hidden and maybe contradictory. The thing is... you could also... not do that? And that wouldn't be so bad, except that sometimes the two narratives you can most easily grasp completely contradict each other. "After School Special" can be an episode that points to Sam's envy of Dean and John deep down and foreshadows Sam becoming a bully, but on a meta level, it also just as easily says Sam becoming a bully is somehow Dean's fault, and Sam is some poor captive baby. Dean is a creep and a bully and a cheater but we should all coddle him because he saw his mom die when he was a child and he's sooo sad. "Yellow Fever" can be a queer meta story and might also foreshadow approaching Bully!Sam in 4.14, but it also very much does call Dean a jerk (should we take that seriously? should we not?) and implies Dean should be punished for the outcome of three decades of reality-bending torture. Even if it's a queer meta underneath... it's just as easily one about how closeted men should be humiliated for cowardice or how being closeted turns you into an asshole.

Jumping way ahead, I have to mention 15.10 "The Hero's Journey" just because. Yes, it is full of jokes and Garth goodness, but also tries to sell you the story that nothing about Sam and Dean is real, to a degree that feels like you are being flipped the bird for ever watching this show. And again—you can make meta that it's all a ruse! But is it? Or is Dabb actually just telling you to go fuck yourself? Like he totally wasn't when, after the SPN finale when fans were Not Happy™️, he tweeted a sign reading, "Don't feed the baboons"? Yet again—we play into the motif of the "hero" who isn't a hero at all but some pathetic loser who deserves to be publicly humiliated, bookended with Dabb's opening episode in his opening season. I'm not saying that's what it is on purpose—but I am saying you can make these arguments easily, and that leaves me consistently annoyed with Dabb for being fucking sloppy and leaving me to deal with some of the most insufferable meta imaginable that carries little support outside of episodes written by Dabb or the Dabb/Loflin writing team.... Yes—I am in fact saying that Dabb and Loflin's hamfisted episodes (regardless of their intentions) are largely responsible for some of the most insufferable, loathesome fandom metas about Sam and Dean's relationship around.

Look at 5.16 "Dark Side Of The Moon", and 7.08 "Time for A Wedding!" and 8.14 "Trial and Error", 11.17 "Red Meat", and 15.20 "Carry On". Along with 4.13, while they might or might not say something deeper or contradictory on a meta level, on a surface level, every single one of these episodes sows the narrative that Dean is needy and clingy and needs Sam more than Sam needs him—something I intensely disagree with for a multitude of reasons... but I'll just link this. Many of these episodes also follow a surface level narrative of "normal life obsessed Sam" (and here I'll link my entire #sam the hunter tag and #in which sam is not a helpless little waif with his hands cast over his eyes being carried along by the tides of the immutable sea). When I look at this episode list, I also don't find it at all difficult to believe that Dabb wanted Dean to die in the finale. There is nothing at all shocking about that. And yes—you can argue he's pointing to the opposite—that this fate should be subverted and that's what makes 15.20 the dark ending, but I think you can just as easily argue that yes it's a dark ending and yes Dabb has always dreamed of this ending. A "tragic" ending where Dean dies and Sam goes on to have a white picket fence... while also leaving you little hints along the way that maybe it's all a big ruse because how could he not? He never has to explain anything. Someone else will pick up the story and make it make sense. He's already fucked off to piss all over fans of Resident Evil.

That said, when I mention what I feel is off character work, I mainly mention Dabb/Loflin episodes from my recent rewatch, which suffer from the two of them being newer to the series (coming onto the writing team in season 4) and also leave questions about whether, perhaps, they had conflicting ideas about characterization. Was Dabb the one penning these lines? Was it Loflin? Was it both? Did they trade out who took the lead? I didn't really say anything negative about "Sam, Interrupted" or "Jump the Shark"... (though "Sam, Interrupted" also calls Dean "codependent") who wrote those? Is it possible that the messiness of the meta comes down to two writers at war? I have to imagine though, that they got along, or else they wouldn't have written together for four fucking years. If they didn't get along...? My mind always comes back to their first solo episodes, right after splitting up in season 8. Dabb's first solo episode is "Hunteri Heroici"—the only episode to lend any perspective to season 8 Sam's reasons for abandoning everyone—paralleling him checking out with Fred's catatonia, which Sam has to save Fred from. It is the only episode that lends Sam sympathy in the early part of the season. He follows it up with "Trial and Error"—where Sam promises to save Dean from suicidal thoughts. Loflin's first solo episode is what I would regard as the most scathing solo episode commentary on Sam in the entire series—"Citizen Fang". Then he writes again right after Dabb's "Trial and Error"—penning "Remember The Titans" where Sam tells Dean to get over the promise Sam so passionately made in Dabb's episode and face reality.

This is why we're exploring this rewatch.

DISCLAIMER: Now I just devolve into bitching because I'm writing at 3AM. Proceed at your own risk.

It seems like these days, everyone demands an explanation for disliking Dabb (something about some sort of destiel battle... I don't know what that flamewar is and I don't give a damn tbqh.) I guess I've just been wondering what's actually so great about him. Because it feels like people have overcorrected to basically acting like he's god's greatest gift to mankind. People point to how meta his episodes can be, but I think other writers easily best him on that front on multiple occasions (particularly enjoyed by me so far on this rewatch: 3.10 "Dream A Little Dream Of Me", 4.04 "Monster Movie", 4.12 "Criss Angel Is A Douchebag"), and without leaving their meaning so up in the air that you don't even know what the hell they were actually trying to tell you because there are two different completely incongruous narratives you could just as justifiably claim were the intended one. Some people may find that duality praise-worthy. I don't. I find it sloppy—and when I add in mediocre character work, I just land on the side of him being, at the very best, mid.

Add him in as showrunner, you have... at least two of my least favorite seasons (13 and 15). Add that he's a one-trick pony in terms of the Sam and Dean conflicts mentioned above that he continuously rehashes rather than come up with anything new or fresh, and the same conflicts between Dean and Cas being played out until they both die (shut UP I'm not talking about canon destiel as the alternative—I am literally just asking for more diverse conflicts). I can't say I understand what I''m supposed to find so impressive.

(Before anyone so much as breathes this near me, Berens also sucks and I am going to tear off your nose hairs if you start bringing him up as if disliking Dabb for some reason means wearing rose colored glasses about Berens. Berens can eat a whole cactus raw over "The Trap" alone.)

[wistful-pigeon]

This Is My Life Now (once again) and I love being able to share my hyperfixation with both the Interwebs and Everyone I Know IRL

I just found this blog and idk if you can tell from my spam-reblogging of the Good Omens Content but huge fan keep it up

Awww thank you 🥰

I definitely plan to keep reblogging Good Omens content! Glad you are doing so as well 😀