#i like the black hole one

[smile-files]

here are all of my new bfdi gjinkas, fully done! well, not "fully" fully. these are just colored sketches... i just wanted to get my ideas down, so you folks can see them, and so i can use them in later art! yay!

also, yeah, the proportions are inconsistent, and i pretty quickly forgot to put the squiggle under the team name. but whatever! hope you like them anyway :)

[linusbenjamin]

Prometheus stole fire from the gods and gave it to man. For this he was chained to a rock and tortured for eternity. Oppenheimer (2023) dir. Christopher Nolan

[sweetmapple]

Endure

[ghostpebble]

SONIC MOVIE 3 SPOILERS AND RANT BELOW :)

SOBBING. SOBBING. SOBBING. WATCHED IT YESTERDAY AND I WAS CRYING THE WHOLE MOVIE BECAUSE THEY USED IT. THEY USED LIVE AND LEARN. AND NOT JUST ONCE. A MOTIF. THEY GAVE SHADOW A LIVE AND LEARN MOTIF. I AM EXTREMELY INDESCRIBABLY HAPPY. LET'S FUCKING GO

PLUS: EGGMAN'S MOTIF!!! IT WAS HERE!! THEY USED IT!! AND IT WAS ORCHESTRAL. BEAUTIFUL.

SONIC'S ESCAPE FROM THE CITY PLAYED, TOO, BUT NOT AS CONSISTENTLY. BUT ALSO, WHOEVER WROTE IN HAVING SONIC SAY "FOLLOW ME" UH HUH. I SAW YOU. YOU DID THAT ON PURPOSE AND I LOVED IT

I WANT THE DONUT LORD SWEATER. THAT NEEDS TO BE MERCH. I DONT CARE HOW MUCH IT IS. IF SOMEONE MAKES IT DM ME I WANT ONE THANK YOU

SPEAKING OF DONUT LORD. I KNEW THEY WOULDN'T KILL HIM OUTRIGHT BUT OH MY GOD WAS I CONFLICTED. BECAUSE ON ONE HAND, OH MY GOD. SHADOW JUST BROKE LIKE ALL OF TOM'S RIBS. NO PLEASE NO. BUT ON THE OTHER HAND... OH MY GOD. YES. THIS WILL BE PERFECT FOR SONIC AND SHADOW'S PARALLEL.

AGAIN, SPEAKING OF: PARALLELS, SPECIFICALLY THE TIME HOPS IN SHADOW'S MEMORIES OF MARIA. BRUTAL. CRIED THE WHOLE TIME. THAT RECORD PLAYER ONE REALLY GOT ME. GOD DAMN. PLUS, THE PARALLELS FROM TOM'S HEART TALK THE ENTIRE MOVIE AND ESPECIALLY THE MOON SCENE. CRYING. I KNEW IT THE WHOLE TIME BUT STILL. CRYING.

ALSO, OPEN YOUR HEART. SPEAK WITH YOUR HEART. WE'RE WINNING

DAMN: WHY DID EGGMAN GET TO SAY DAMN BUT NOT SHADOW

AND ALSO, NO FAKER! THERE WAS THE CONVO ABOUT WHY DO YOU LOOK LIKE ME, BUT NO FAKER :(( MAYBE NEXT TIME

I MIGHT BE REMEMBERING WRONG, IT MIGHTVE BEEN FROM THE KNUCKLES SERIES I WATCHED BEFORE, BUT OH MY GOD. THE WACHOWSKI KIDS' BEDS. KNUCKLES AND SONIC IN THEIR CARS ARE CUTE, BUT OH MY GOD TAILS AND HIS AIRPLANE.

OSSIE!! MORE OSSIE!! LOVE OSSIE. THANK YOU

CHAO GARDEN! AGENT STONE BEING A BADASS CONSISTENTLY. I LOVED AGENT STONE THIS WHOLE MOVIE. HE REALLY GOT A LOT OF DEVELOPMENT. LOVE HIM. ALSO A LITTLE SAD SONIC DIDN'T END UP WEARING A SPEED OR DARK CHAO MASK TO LOOK LIKE HIMSELF OR SHADOW, MISSED POTENTIAL :( STILL FUNNY

WALTERS' DEATH WAS UNEXPECTED TO ME NGL, JUST BECAUSE IT WAS SO ABRUPT. LIKE... OKAY. I GUESS. COOL. MAN'S DEAD.

THE MARIA BEING PULLED BY SHADOW ON SKATES. EVERYTHING MARIA. EVEN WITHOUT THE ILLNESS, THAT WAS THE PERFECT MARIA AND SHADOW DUO. YES

TBH, I LIKED THE GERALD AND IVO DUO. IT WAS SILLY. THEY WERE THE COMEDY IN AN OTHERWISE VERY HEAVY MOVIE STILL SOMEWHAT AIMED AT KIDS. SOME THINGS HAD ME LAUGHING BECAUSE IT WAS SO WRONG, LIKE THE SPANKING AND HOW GERALD JUST GOT ZAPPED LIKE A FLY IN AN ELECTRIC SWATTER. ALSO, EASY TO EXPLAIN GERALD'S AGE, HE KEPT LICKING SHADOW'S QUILL, WHICH IS LIKELY WHAT KEPT HIM ALIVE SO LONG. SO YEAH. I DIDNT THINK IT WAS BAD, MAYBE A LITTLE WEIRD, BUT THATS THE ROBOTNIK FAMILY'S THING

SHADOW'S "BOO." ENOUGH SAID

DID SHADOW REALLY HAVE TO SLAM SONIC'S FACE INTO THE GLASS LIKE THAT LMAO

ALSO SHADOW KICKED TAILS!!! THE STREAK CONTINUES

IT IS NOT LOST ON ME THAT SONIC'S POV BEGINS AT HIS B-EARTH-DAY PARTY. FUN REFERENCE TO GENERATIONS

LIVE AND LEARN. STILL HAPPY. JUST WANTED TO SAY IT AGAIN. THE WHOLE DOUBLE SUPER SCENE AND THEIR OWN FIGHT AND THE FIGHT AGAINST THE BOTS. EVERYTHING. PERFECTION. SOBBED. THE SUN RISE AND LOVE STILL EXISTING EVEN AFTER THE SOURCE IS GONE LIKE THE LIGHT. STILL SOBBING

THE WAY THEY HAD ROBOTNIK LEFT ON THE STATION LEAVES ME TO BELIEVE THEY LEFT IT OPEN ENDED ON IF HE LIVED SO THAT JIM CARREY HAD THE OPTION TO COME BACK, AND THATS FINE BY ME :)

PISSED ON THE MOON AND THE BROADCAST?? AND IT WAS A BROADCAST FOR STONE SPECIFICALLY??? WE ARE SO FUCKING BACK

SHADOW'S INHIBITORS. YES. HIM FALLING TO EARTH, ALTHOUGH DIFFERENT FROM THE GAME. YES. YES. YES.

1ST POST CREDIT OF METAL SONIC AND THE MISS AMY ROSE. HELL YEAH. IM SO HYPED. METAL LOOKS ABSOLUTELY AMAZING AND AMY IS SO CUTE. WONDERING HOW THAT'LL LEAD INTO THE NEXT MOVIE THOUGH?? WHO KNOWS

2ND POST CREDIT WITH PARALLELS?? WITH SHADOW LANDING ON EARTH IN A FIELD ALL ALONE FOR A SECOND TIME, THIS TIME MAYBE AMNESIAC AND HAVING TO ADJUST TO EARTH AGAIN?? OH MY GOD?? I WAS SO HAPPY THEY DIDN'T END UP JUST KILLING HIM OFF, ALTHOUGH IT WOULDVE BEEN REALLY GOOD. IF HE HAD DIED THOUGH, HE PROBABLY WOULDVE GOTTEN A LAST WORD IN TO MARIA ANYWAY, BUT STILL GLAD HE'S IN IT TO WIN IT

PLUS SHADOW SPIN OFF SERIES!! AND NEXT MOVIE IN 2027. THANK YOU KEANU FOR MAKING OUR FIRST MOVIE DREAMS COME TRUE, THANK YOU SONIC MOVIE TEAM, THANK YOU ALL CAST

THIS WAS MY TED TALK THANK YOU FOR READING

[lorebird]

In which Ford struggles so badly to relate to other people that he wonders if he’s really human at all. The more isolated he becomes, the harder it is to reconcile with his own humanity.

[ckret2]

Do you have any headcanon about why during the event of Weirdmageddon, the invisible barrier around Gravity Falls and the surrounding area created by the Natural Law of Weirdness Magnetism, had become a physical barrier that prevented Bill and the Henchmaniacs of leaving the town? And why a equation would be able to collapse the barrier?

Yeah, because they were too weird.

If somebody has like 1 Cuil worth of weirdness in their body, then the weirdness magnet would exert 1 Cuil worth of force dragging their body into town. ("What's a Cuil?" it's a unit of measurement we're appropriating because there AREN'T any IRL units to measure weirdness, just roll with it.) The weirdness of an irregularly shaped jelly bean is like, 0.1 Cuils; so 0.1 Cuils is a strong enough force to counteract the force of gravity on an object that weighs as much as a jelly bean. Ford's weirdness is like, .5 Cuils, so the force dragging him toward Gravity Falls is like,, the same as the amount of force that it would take to make 5 jellybeans roll uphill. Enough to feel a small tug but it's not gonna physically drag Ford into town.

Bill has trillions upon trillions of Cuils worth of weirdness in his body.

The force dragging him into town is like unto the force of a black hole, and the barrier is its event horizon. Bill ain't escaping that event horizon.

As long as Bill's in town, his weirdness is adding to the "mass" of weirdness in town dragging everybody in, so it's sucking like a black hole on everything. Ain't nobody escaping that event horizon.

People take "there's a simple equation to collapse the barrier" too literally.

If I told you "there's a simple equation to halve the amount of cookies this recipe produces," that doesn't mean "if you write a mathematical equation on a piece of paper, this will somehow cause half the cookies to disappear." It means "you take your recipe and its ingredients, you divide all the ingredient measurements by 2 (a simple equation!), and now the recipe will make half as many cookies."

An action (unknown) needs to be performed to collapse the barrier. There is an equation to calculate the (force, direction, weight, duration, wavelength, temperature, whatever) of the action, and maybe even to narrow down what kind of action it needs to be. Ford knows what that equation is.

[lostthingy]

rough idea for an equinox skin

[icicleteeth]

Black sesame tea and checker cookies for meriby on af

[stardust-moth]

In order to fully understand why it was so hard for Mike to express how deeply he loves El, and why his speech at the end of season 4 was one of the biggest, most important moments for his entire character, we need to look at not just who Mike is as a person, but also everything that has happened since he met her.

Every single time he opens up his heart to her, something horrible happens to her or she's taken away from him almost immediately afterwards.

1x08; he's an awkward little ball of feelings that are way too big for a boy so young. He makes a nervous attempt at confessing and asking her out on a date; when he can't find words that she'll understand, swoops in for a kiss instead. She lights up immediately and smiles. It's a brief moment of hope and pure happiness. Maybe they can have some semblance of a normal life and be normal kids after this is all over.

Minutes later, all hell breaks loose-- they're almost shot, El pushes herself too far until she can barely move, she's almost taken away by the Bad Men, the Demogorgon appears, and she uses the very last of her strength to sacrifice herself to save him and their friends.

He has to watch helplessly as she disappears.

He spends a year caught between believing she's dead and hoping she's still out there somewhere (but if she is alive then why won't she talk to him anymore...?). Kept silent under threat by the lab, he can't confide in anyone or even acknowledge her existence, not with anyone except those involved... but everyone else is keen on moving on and pretending it never happened. He can find some solidarity in Will, at least, who is in a similar kind of emotional turmoil... but it's not the same and it's not enough.

2x9; he is finally reunited with El, and she runs into his arms like she missed him too. She tells him that all those nights he called out to her, she heard him; she was there reciprocating his feelings the whole time.

In a burst of emotions that he's been forced to suppress for an entire year, he lashes out at the reason they've been kept apart (Hopper), screaming and sobbing. It's a massive catharsis for him, and for once an adult is understanding enough to hold him and not punish him for it.

Minutes later, she is going to go headfirst into a pit of monsters, the place where Mike had just firsthand witnessed dozens of people (if not more) get ripped to shreds only hours earlier, and she is going to attempt to close the Gate-- a feat that he knows may take every ounce of her power, just like last time. He cries. He can't lose her again. She promises he won't, and before she can seal that promise with a kiss, they're pulled apart again.

He has to watch helplessly as she drives away.

3x1; all seems to be okay now. He and El are happily together, and he feels comfortable enough to be playful, romantic, and intimate with her. It's the most emotionally open we've ever seen Mike thus far.

For reasons he can't understand (bc there's no way Hopper explained himself beyond "I'm in charge so do as I say or else"), Hopper is angry about it and threatens to never allow him to see her again: the one thing he fears most.

He panics big time and fucks it up in the process by lying to her. During a frantic attempt to apologize while also abiding by Hopper's rules, he runs into her at the mall. He panics again-- if anyone finds her here, and knows that he was here too, it's all over, and Hopper surely won't hear reason. El dumps him cold on the spot, spurred on by Max and her rebellious attitude (and without any context of course). He isn't given much opportunity to respond. He knows he's in the wrong for lying to her, so what could he even say...?

He has to watch helplessly as she drives away.

It's a hard blow, and he retreats back into himself, unable to get any joy out of playing D&D (which he clearly hasn't lost interest in), back to the deadpan sarcasm and accidentally snapping a little too harshly at anyone whom he feels would take El's place.

3x6; no one seems to understand the danger El is putting herself in. Everyone is berating him for worrying about her safety. He's seen firsthand what these monsters do to people, he's seen firsthand how El pushes her abilities too far. No one is listening.

The words "I love her and I can't lose her again" burst out in his desperation, perhaps before he's even had a chance to realize how deep those feelings run, despite whatever protective walls he's tried to build around his heart to keep it from getting broken again.

Soon after, all hell breaks loose. El is nearly killed several times over, her leg is ripped open, she pushes herself so hard that she breaks herself and loses her powers completely. Her father is taken from her. She's shattered by all of this, and there's absolutely nothing he could do or say to make it better.

She tells him that when he admitted he loves her, she heard him, and indeed she loves him, too... But now she's leaving.

He has to watch helplessly as she drives away.

4x1; they've been apart for a few months, and write letters back and forth to each other. El's letters paint a picture of an ideal new life: she and the Byers family are doing well; she's starting school and it's going well; she's made new friends, she likes her new home, everything is going well. She seems to be thriving. She sounds happy, maybe even happier than she had been living in Hawkins. Maybe Max was right, maybe she's better off being her own person without him, and maybe the respectful thing to do is step back... It's a small insecurity that creeps up subconsciously. In his replies he holds back, afraid of clinging too hard.

Though there's little logic in it, he's afraid that if he tells her he loves her again, another disaster might strike and this lovely happy life she's finally found might get taken from her. After all, that's what always seems to happen when he does.

4x2; after months of waiting, they can finally see each other again. He wears her favorite colors, picks a handful of flowers for her, and falls happily back into step with how they used to be. Soon that same day, however, reality becomes clear and the facade crumbles. People he was told were her friends show up to torment and publicly humiliate her. She had been lying. She isn't happy here, she hasn't healed, she is right at the edge of a breaking point that he doesn't see coming at all. He can't believe she would lie to him, she's not the kind of person to lie... especially not about something like bullying, something that she was always so understanding about with him.

On that logicless subconscious level, he wonders if it's all his fault-- he should have known somehow, he should have been there for her. She protected him from his bullies, he should have protected her from hers. He tries to come to her rescue. She runs away from him.

He's helpless to save her, again.

4x3; after a night to process everything that happened-- and deciding that the betrayal he feels from her lying to him is nothing compared to the turmoil she must be going through right now-- Mike approaches her in the gentlest way possible, wanting to listen and trying to understand. El, however, isn't receptive at all to his attempts at reassurance. She is at an all-time low, she's given up. She believes she is unlovable, irredeemable, a monster, just a thing that doesn't even have those superhuman abilities to compensate anymore. Mike can't believe what he's hearing-- doesn't she know that she's always been so much more than her powers? She's always been so much more than what she lacks in quote-unquote "normalcy"... None of those things matter, they have absolutely no bearing on whether she's worthy of being loved, because he loves her, completely regardless of any of these things. He always has...

El starts flinging his restrained words back at him, the products of his insecurity and trauma-induced fear. That fear takes hold yet again, and he stumbles, afraid of saying too much or not enough, because surely both could result in pushing her away-- she's retreating, hearing none of it; nothing he tries to say consoles her.

Moments later, local police come knocking. She's taken away in cuffs, and she's so broken inside that she won't even look at him when he chases the police car down the street and promises he'll get her out somehow...

Once again, he has to watch helplessly as she drives away.

4x8/4x9; after days of driving through the heat and dryness of southwest desert, having narrowly escaped being shot at with military-grade assault rifles, witnessing the death of and burying a man whose last words were that El is in danger... After watching dozens of people get mowed down by a sniper in a helicopter, and watching that same helicopter be smashed into the ground in a ball of flames...

There she is. Just as powerful and beautiful and alive as she's ever been. When he runs to her and embraces her, she looks at him like she can't believe he's real. She's beaming a smile right from her soul and it's like all the insecurity and self-doubt that have plagued them both just vanish from existence now that they're in each other's arms again.

Like always, however, the universe comes crashing down soon after. Max is marked for a gruesome death and all of Hawkins is in danger. They're miles away and helpless, and the only possible way for El to save everyone is if she goes in alone. She's stronger than ever, but so is her foe. Once again, she descends to face all the demons of hell on her own, and Mike can't do anything.

She's losing. She's choking. She's dying. He's helpless.

He must be cursed. He must be. Being with her, loving her, allowing himself to admit he loves her, it always brings only pain and suffering and loss. His heart is so full that it's aching, it's bursting out of his chest, and he can't contain it any longer.

She's going to die and it's going to be all his fault, because he fell in love, and it's cursed her.

Just before it all crumbles into utter despair, the earnest support from his oldest and dearest friend-- one who's always shared and understood his feelings of helplessness-- sparks a light of hope in him: "You're the Heart." You're not helpless. You can save her.

The words that come spilling out of Mike's mouth are truer than any he's ever dared to speak before, and it's the most terrified he's ever been, but he has enough courage for this moment. Despite all of the fears that have been building, stifling, choking him to death for years-- fears that the light of his life will inevitably disappear again, and there's nothing he can do to stop it-- despite it all, he pours out his heart to her.

He loves her. He's always loved her. He loves everything she ever was, is, and could be. He can't imagine a world without her in it. She saved him, in every way a person can be saved. And he needs her to live. He believes in her.

And it works. It's music to her ears.

[unrelatedsideblog]

Offtopic but I think that if One Piece was more gory (?) Sanji would rip some sucker in half Nikaido(Dorohedoro)-style

The question is: would Zoro like it?

[padfootastic]

my sirius & harry thought of the day:

harry kept that firebolt alive for all 137 years of his remaining life through sheer willpower and magical strength. he did not let a single twig of it die off. not only was he absolutely unhinged about taking care of it, not letting anyone near it after 5th year, but he also basically single-handedly reinvented the field of broom-crafting just so he could keep his godfather’s gift to him alive. he didn’t do anything with this skill, basically driving everywhere who knew him spare bc !!! ‘harry do u know what u just did? most brooms don’t last over 6-7 years, not even a fraction of that if used at the pace and frequency as u. if u could just—‘

and he just flat out shuts them up bc how does he tell them that the reason his firebolt is still alive is bc sirius’ love runs thru it and harry would die himself before he let it bc he can’t lose the last piece of sirius he has left. he cannot perform this miracle on any other broom, tho he can probably make the single best non-sirius-gifted broom that the WW has ever seen just bc of how extensive his knowledge is now

and the thing, right, is he doesn’t keep the firebolt locked up in some display like some artefact. sirius would’ve never wanted that. his dad would’ve hated it. brooms were meant to be flown. so fly, he does. wonderfully. it’s forever his primary broom and he puts it thru all the paces, keeping up with all sorts of newer, flashier, pro models w utter ease.

it’s like this: when he uses this firebolt, it feels like perhaps he has his godfather back for just a second. and harry is forever weak to that feeling.

[artandbrimstone]

ohhhhh guess who finally watched the black rose pirates oneshot

oh my god chip just roll with it you’re so fucked man

[sanjiafterhours]

this ace and sanji parallel of feeling undeserving of love, your honor

[boxheadpaint]

love artist impressions based on data of exoplanets but for some reason absolutely thrilled by the Shittiest Actual Photographs we have of them. the obvious thing is that unlike stars, exoplanets are 1)small and 2)not usually emitting any strong visible light. this makes them near impossible to get a clear photo of and every image you see of a fully defined sphere with colors or clouds is entirely from the mind of an artist based on the available data and conclusions of said data of that particular insterstellar piece of Thing. every photograph of the real physical object is always Very small and ... doesn't tell you much because the planet itself only takes up maybe 3% of the image

if i had to take a guess, to get any visual on them you need them to be reflecting the light of their nearby star At An Angle Facing The Camera, and slash or giving off their own infrared light, and even then theyre still So Small that they show up as just little glowing jellybeans

when it comes to Different Kinds Of Stuff In Space just being able to barely see these things that we know exist makes me bizarrely nervous and delighted, not for the fear of like oh aliens are gonna fucking get me or anything but i think for just being aware of something unfathomable far out of our reach. like an ant suddenly realizing that its living on a massive globe larger than anything its ever understood and on the other side of that globe is like, a dilapidated barn or something else seemingly inane in the grand scheme of things and the ant has to sit and think about what that barn is like for the thrill i suppose

[anglerflsh]

Did some very surface-level digging for collector design reasons and reworked the colors of the prince a bit + the image on its own for clarity

[galaxostars]

presque vu (almost seen): the intense feeling of being on the very brink of a powerful epiphany, insight, or revelation, without actually achieving the revelation

Sirius Black is born.

Sirius Black dies.

Everything in between is the unknown.

—from the fic Presque Vu by @starsworth