#i like sharing stuff with you guys

[taraneeno]

Trigger warning: hospitals, blood 🏥🩸

I've started my fourth year of medicine and it's only been a week and a few days. I've had two intakes (intake is like the med student equivalent of being "on call" but obviously you are free labour (you're not actually free labour, you pay the university tuition so we're in a deficit here)) and oh boy. Hospital working hours are 08h00-16h00 usually, with intakes from 16h00-22h00. Running around dark, probably haunted, hospital corridors at night with nothing but the torchlight from your phone to light the way? The fourth elevator on the extreme right always opens twice and makes strange groaning noises. Once we heard something akin to a whisper ~ behind us in the elevator. My first block is on the 13th floor. The hospital I'm working at is built on the beachfront. When it rains, the sea mist is so thick and surrounds everything. You can see the harbor lights from the fogged up windows. The dark grey sea beckons you. Last night I was down in casualty. The doors were wide open, and I could see the parking lot, and then the beach, and then the ocean. The rain lashed down on the water. It looked so grey and dark but I felt oddly compelled to walk out the door and down to the water in the rain, until the cuffs of my pants tasted the salt water. To get to the new children's hospital, you have to walk past the abandoned, decrepit old wing of the children's hospital. It's a giant, hollow, shell of a building, mesh and wire twisting in the wind, the wind howling through it's empty corridors. Sometimes if you look into the broken windows you may see a pair of tiny, glowing eyes staring at you. Blink and all you see is darkness again and stained bricks. We always rush quickly past. Sometimes when you're on intake and exhausted and the 4 hours of sleep starts catching up to you, and it's late at night, past 10, you start seeing and hearing things. I helped take bloods today. When filling the blood collection tube, some splashed onto my exposed skin. I stood there, frozen for a few seconds, in shock. Paralyzed by the sight of it. My friend nudged me towards the sink. Mechanically washing my hands, the strong smell of the alcohol sanitizer lingering. It was so red. Sometimes, when we have a few minutes, we stand at the windows and watch the waves. We point at the surfers and laugh when they wipe out, the waves carrying them away. We talk about going down to the beach. On our way back to the ward, we see the cleaner lady wipe blood drops off the floor with a paper towel. The air smells like sanitizer, sickness, iron, and sea mist.

[teacupsandcyanide]

Something I miss from earlier eras of the creative side of the internet was things just being unabashedly low-budget. Just all unashamedly amateur, unprofessional, ‘I don’t own a good camera but I have a story to tell you’, ‘I can’t afford a good mic but I have a song to sing for you,’ ‘I don’t have any kind of background in editing or lighting and I only just picked up this guitar last Tuesday but here’s an entire musical me and my friends wrote about our favourite book, we filmed it on a potato and put it up on YouTube in ten minute segments because we thought it was pretty funny.’

[luna-loveboop]

So one thing I like about Time is that he will talk about his life and journeys

He talks about it! He'll tell the boys stories and answer questions. (...when asked)

Obviously he tells his family- Malon knows everything

But he has also never held back from telling the boys stories or answering questions

I'm still always cackling over him telling them about gerudo town- he is way too proud to brag about being a mischievous gremlin

"I proved to be a greater thief than all of ganons tribe"- oh yeah. He's definitely the good influence. (That's sarcasm, Wars is the one good example for the younger ones.)

He just. He looks so smug to tell them about his experiences with the Gerudo- I love how often we see him just talking to them and answering questions about his life.

Even if it's clearly painful memories- he has still always told them

*sobs*

Obviously Time talks to Twilight the most about stuff- and everyone knows that (to where Sky went to him for questions about Time)

But the thing that get me the most is Wind.

Wind asked about... everything! Wind asked about his first journey and his life- and Time told him

The sheer transition from

"I was wondering... about your original journey"

To

"You told me about your original journey. Everything you said... the sages you described, the old traditions, the old stories- all of it! ...)

And this literally drives me insane because Time told him- Time told him everything! He told him about the sages, traditions- Time literally openly talked to Wind about his first Journey because he asked.

The Hero of Time's story had always been a tragedy- I mean... yikes. Trauma much? But I think people overlook this part of him- that he's older. All the hurt and scars are still there, but he has learned to talk about it to deal with it. And I think I know why- (Read)

Malon Malon Malon Malon!!! Jojo showed this set up for their marriage- Time was and is traumatized. But he and Malon worked to talk through things. I mean. Can you imagine keeping secrets from Malon? I don't want to. I feel like she would throw a cow at me. Anyways.

It takes a lot to work through trauma and learn to talk through it. Malon claimed him tho, so I don't think he had a choice. But seriously- she helped him work through things as family. Which led to a successful marriage for both of them, and got Time to where he can talk about these things with the boys :D

But

Time is a troll, so although he will share his insane life stories.... he will also say he fought the moon with no more context, and tell his wife that they have a descendant but not freaking tell her which one it is.

He's so insane I love it <3

Just don't forget this part of him... don't forget that rather it's sad or goofy or whatever- he will talk about his life. If someone simply asks

:)

.

Art and comic by Jojo @linkeduniverse au! :DDD

@adrift-in-thyme

[wishfulsketching]

LOVEEEEEEE YOUR ZAUNDADS ART SM AAAAAAA ❤️💞❤️💞❤️💞💞❤️💞💞 saw the scene of them in ep 7 and first thought was “oh that one silco artist is going to go insane ab this” ajsbdhsbhsbs. love how u draw them sm. you get them. I officially bestow upon you the #1 zaundads truther award. you win.

The fact that two people have said that they thought of me when they saw AU zaundads gives me life. This is the reputation I want to have! To be the feral Silco simp and zaundads enjoyer. Hell to the fucking yeah

But tbh, I am merely mining in the zaundads mines, trying to find nuggets of gold to share with others, all the while a small crowd is booing me.

I wouldn't make this much art and have this much fun if people weren't people interacting with my art. I read the tags like they're my morning newspaper.

(Legit, when I saw Silco the first time I instantly had the "oh no. He's going to be my favorite" moment. And I was not wrong. Just look at himmmm)

[kindred-spirit-93]

thetis and her grandbaby

the second panel originally was going to read "hes mine now" lol.

achilles probably jumped in after his mother (who went to show off to her friends), forgetting that neo is very cant breathe under water XD

look at his tiny lil hand holding onto her robes dfghjk. held my baby cousin last night and shes so light and squishy ahh. very babbly too :')

[solplease]

meet cassian :]

close ups and more info under the cut!

gloomiest guy you’ll ever meet

pathetic loser

he’s an artist 

comes from a rich family

he barely leaves his house, he stays inside a LOOOOOT

insane attachment issues

clingy and dependant yandere

he guilt trips a lot (isn’t really aware of it lmao) can be really manipulative without trying unfortunately

texts you constantly but if you don’t answer back in like 5 minutes he starts freaking out 

sometimes he’s normal enough but if you take too long he WILL lose it

doesn't like it when you talk to other people, why can't you just talk to him? is he not good enough for you? what's so interesting about other people anyway?

he hates stairs (he's fallen down and up the stairs WAYYY too many times)

shy (lmao ok) and introverted (has a really hard time talking to people)

has a mascot! (his name is PopUp :] he made him for a school project and just ended up liking him a lot lol)

sopping wet cat

don’t be mean to him, he doesn’t like it, even as a joke

doesn’t get much social interaction cause he stays inside a lot

WAYYYY more comfortable texting, he’s like a totally different person when you’re texting him

spams a lot. like a lot

used to be a lot more outgoing and social

wishes you could be by his side 24/7

he’s sad a lot of the time

feels unloved, please shower him in love

really pessimistic when it comes to himself

he’s really passionate about art

you and art are the two things that make him extremely happy

if you thought nox was tired, meet cassian! he has an even worse sleeping schedule than nox

he’ll do ANYTHING to keep you by his side

so he can and will kidnap you! lol!

is also a stalker… great..!

has probably installed a camera somewhere in your room (um??)

you’re probably one of the only people that can convince him to leave his room

really loves shoujo manga, has fantasized about being the perfect male lead for you (he really wants a romance like that, only with you) 

he's a huge romantic, he wants the two of you to have a happy life together

so please don’t leave him. please

takes a lot of walks at night, don’t worry he doesn’t spend ALL of his time inside (he wishes he could tho.)

he wants to have his happy ending with you <3

[intotheelliwoods]

Little PSA

[swedenis-h]

I’m gonna tell you right now, they’re all I’m thinking about!

[alaskan-wallflower]

i think people forget that the gang is made up of hoodlum teenage guys living in poverty in the 60’s-let them be dirty and gross. like even soda and johnny, who pony paints in SUCH a positive light get up to their own amounts of trouble. soda literally got arrested for doing aerobatics with two bit and “disturbing the peace”—even he gets into trouble. darry too, like i don’t think darry would even attempt to do anything illegal now but like…he was hanging out with two-bit in high school, he’s probably stolen or driven recklessly too, and even now he still likes to get his knees scraped and his hands dirty. let them be dirty and gross and do illegal things.

[darkcreamz95]

It's been a good art year baby boos~ 💖

[jccatstudios]

progress for chapter 3

[makalyta]

Seeing Brynjolf alone at the Ragged Flagon as he brushes everyone off, stating that he's busy when he is clearly not, is... frustrating. I had to give this behavior an explanation, so I put myself in his position: Brynjolf has just handed over his life and afterlife to a Daedric Prince. Was there really no other choice to avenge the Guild, did he really have to sacrifice his freedom forever, even after death? Empty chests can be replenished with gold, a new Guildmaster can be elected, but he will never have his future back. Maybe he even starts to understand Mercer Frey's choice to betray Nocturnal. There at the tavern, drinking ale and keeping his face hidden to conceal the pain, Brynjolf realizes that there is no escape from the fate he was forced to accept.

[lunarharp]

played dragon age 2...just simple scribbles

[tinylongwing]

Vide Noir's dual narrative structure

All right, here it is, me making good on at least one of my meta threats. Lord Huron's album Vide Noir can be interpreted as an album with two parallel, contrasting narratives - that of the lead protagonist Buck Vernon, as well as that of Johnnie Redmayne.

Disclaimer: this is an interpretation I think is pretty sound and well-reasoned, but I make no claim to any of this being proven canon information.

---

For those unfamiliar or who need a reminder, the primary narrative is this: the year is 1967, and we start near the end of Buck's journey, as he awakens from being black-brained (Lost in Time and Space). Having just suffered an overdose on the drug vide noir, his memories are slow to return to him, but return they do - his fiancee, Leigh/Lee Green (from here on Leigh but both spellings have been used), left him without a word one night, and he decided to follow, heading west to Los Angeles from their home town of Detroit, Michigan. He's been struggling to find her, checking every bar in the city in case she was booked to sing at one as her move was the result of her chasing her dream of becoming a singer. He doesn't remember a lot about himself, really, after that overdose, but he remembers her, and his love for her makes him desperate to find her.

We're then taken back to the night he left to find her (Never Ever) and his journey is mostly linear from there - he meets a fortune teller, Lady Moonbeam, who tells him that pursuing Leigh will end in his ruin, but he refuses to accept her advice and pushes on (Ancient Names I & II). He laments that he's been some kind of fuckup, that maybe he chased Leigh away through his own behavior, but that he still loves her and begs for her to return (Wait By the River). At some point around here he also learns of the drug vide noir and contemplates using it himself for clues.

(Note that unlike in the movie, in the album, nothing suggests that Buck suffered from a murder attempt by Z'Oiseau's henchmen but that instead he may have overdosed himself in an attempt to find Lee. However, there's plenty of reason to suspect that the film is the canon interpretation here anyway and the henchmen kidnapping Buck just doesn't make for a song I guess.)

One way or another, he winds up black-brained, where some deep existential truths of the universe are revealed to him (Secret of Life - namely that everyone and everything dies in the end, and that a human life is brief, fleeting, and ultimately meaningless within the context of the universe as a whole). He somehow reawakens rather than dying (Back from the Edge) and, again, understands that nothing he does will ever matter, has never mattered*, but that *even though* he's suffered greatly already on this quest, he's still committed to trying to find Leigh, pitting himself against that careless universe (The Balancer's Eye).

So he keeps searching (When the Night is Over) until he finds a clue, or a helping hand of some sort, that leads him on the right path to his beloved Leigh (Moonbeam). We get one more reminder of the forces at work here - vide noir is some awful stuff, it nearly killed him, Leigh herself is hooked on it now, it shows you terrible truths and nightmares beyond human comprehension (Vide Noir) - and when all is said and done, as Buck thinks he's about to "rescue" Leigh from her fate and bring her back to his fantasy of a perfect happy life together, she rejects him. He came all this way through time and space, and she doesn't love him at all in the end (Emerald Star).

---

I consider this the primary narrative here because it makes use of all the songs on the album, it has a clear start and ending and a mostly linear structure, and the album basically serves as a soundtrack to Buck's fool's errand. The film agrees - every scene is centered around his journey, after all. But we have context from Lord Huron's other albums, as well as the lyrics and musical stylings of multiple songs on Vide Noir, that show us that Buck isn't necessarily the only narrator on this album. Strange Trails, of course, came out three years prior, and features songs by multiple fictional bands performing songs which serve as narration for a diverse cast of characters. Unlike on Strange Trails, where each track has a writer or band specifically named and assigned to it as well as a character narrative, Vide Noir does not give us such conclusive information, but we can still put clues together to understand at least some of who the in-universe performers might be on Vide Noir.

Most likely, multiple of these songs are by the Buck Vernon Band - this is pretty obvious. Buck's semi-autobiographical music is all over Strange Trails, usually referencing a girl he loves, sometimes referencing that the girl left him, often giving her different names, all starting with L (Fool For Love's "Lily", and "Louisa").

But the other band that we can easily identify as performers on Vide Noir are the Phantom Riders. For those who need an introduction, this is the band composed of four members of the World Enders gang, with Dale Redmayne at the helm as lead writer. They were seen previously on Strange Trails as well, with banger surf/rockabilly hits like Hurricane, Until the Night Turns, and The World Ender. As a storytelling tool, they are primarily brought in to tell us about the man-turned-undead horror entity known as The World Ender himself, and then otherwise mostly we get their songs about Dale's brother Johnnie Redmayne, who is introduced to us in Strange Trails as a fun-loving and presumably fairly young guy, a thrillseeker and hedonist, who lives for the moment as if the world could end any day. The Buck Vernon Band jumps in between some of these songs with an interjection to tell us that wait, Johnnie is dead, or was, but he got back up. In Dead Man's Hand, Buck speculates that Johnnie could have been murdered or may have killed himself, accidentally or intentionally, upon first seeing him. It's in Vide Noir that we actually learn more about the circumstances of Johnnie's death.

Before we get to that, let's first identify which Vide Noir songs are by the Phantom Riders. This isn't all that hard to do. Any song that references The World Ender is presumably theirs - that gives us Secret of Life right away ("I sit alone in the dark, and I try to remember the words you spoke when you summoned the Ender"). This is reinforced in the Alive From Whispering Pines webseries, episode 423 - Secret of Life, when played, shows a skeleton prop the band has jokingly referred to as Cobb Avery on their social media posts in the past, and after the song ends in this episode, the tune continues in a slowed and distorted fashion through a clip of a WBUB movie version of Dead Man's Hand showing Johnnie rising from the pavement when Buck is about to bury him.

Ancient Names Parts I and II are presumably written by the same band as a two-part song. In the Vide Noir film, the Phantom Riders are performing Part II in the underground club. Additionally, in Alive From Whispering Pines episode 426, after Tubbs Tarbell is done reminiscing about the band and their nihilism, Ancient Names Part II is the next song covered - and often in this series, the structure of the segments between songs are intentional and related to either the song they precede or the song they follow, so it's likely that the placement of the Phantom Riders' appearance followed by a track they're associated with is meant to help confirm them as the performers. In addition, Ancient Names Part I references a fortune teller, and we know from the film that the fortune teller in question, Lady Moonbeam, is associated with the World Enders and knows the Redmaynes.

The last track on Vide Noir that is most likely theirs is the title track, Vide Noir. We have two points of evidence for this - one lyrical ("Many evils have I enjoyed, prowling the night raising hell with the boys" which feels like a pretty direct reference to the World Enders' nighttime violence) and one musical - the main melody of Vide Noir is identical to that of Ancient Names (and Fortune Teller's Theme, actually). In Strange Trails, using the same melody for multiple songs was an easy way to tie Frankie Lou's songs together, and here we can see that it ties two Phantom Riders tracks together directly, indicating that not only are they both by the same band, but that Vide Noir is a followup to Ancient Names part I, in which our fortune teller did warn us things would go very, very wrong.

(And besides all of that, the Phantom Riders tracks on Vide Noir all tend to be similar in musical style - psychedelia-flavored garage rock with a heavy bass line, in contrast to other songs on the album.)

With those songs identified, we should also be aware of just how much Lord Huron seem to love their dual narratives. In Strange Trails, we have a really concrete example of this with The Night We Met. This song was in-universe written by Frankie Lou, presumably about her doomed relationship with Z'Oiseau and how much she wishes she had never met him to begin with (as she echoes in her dialogue in the Vide Noir film when speaking to Buck in her dressing room). However, the music video for this song shows not Frankie and Z'Oiseau, but instead Buck, driving west, while reflecting on his own failure to keep Leigh, wishing he could go back in time and fix things, and meanwhile kind of hallucinating her as he goes. In the album Long Lost, we get another dual narrative in I Lied, which is performed by Donny and Midge but is also sung by Leigh in Vide Noir, foreshadowing her breakup with and lack of love for Buck. There are certainly other dual narratives in both of those albums to be found as well - so what we should keep in mind here is that often, songs can be written and performed by a character or band in order to narrate for themselves or someone close to them, but that just as in our real-world movie soundtracks or our favorite character playlists on spotify, those songs can be applied to other characters in different (but somewhat similar) situations than the ones they were written for.

So! We have four Phantom Riders tracks on Vide Noir, all of which were presumably not written originally in-universe about Buck Vernon, because why would they be, Buck and the World Enders only briefly cross paths and at the very least we know that Ancient Names Part II was written well before he ever met them. Instead, it makes the most sense if like the bulk of the Phantom Riders songs, these tracks serve Johnnie's narration instead.

---

If that's the case, what does that give us? Winding around and through Buck's journey is this second storyline. Johnnie Redmayne, having used and enjoyed vide noir himself abundantly ("I had a vision tonight that the world was ending" as one probable example), decides it's time to get his hands on bulk quantities so as to get the Enders in on controlling the flow of the drug in LA rather than letting Z'Oiseau maintain a monopoly, thereby also increasing revenue for the members of the gang.

It's Moonbeam who warns him to knock it off first. We know, thanks to the film, that he'd spoken to her at some point about his plans to investigate the source of the drug at Tobey's arcade and try to get his hands on some to sell. Whatever his exact plan was, in Ancient Names Part 1, Moonbeam warns him that pursuing this is going to get him killed. Vide noir isn't just a drug, it's something extremely dangerous, tied to dangerous people, and he needs to get away from "her" (and note that frequently throughout music history, drugs have been personified as a "her" or an unnamed lover, whether for poetic reasons or to evade censorship that might come from talking directly about drug use - and Cursed, off Strange Trails, is one more in-universe example, where "her" refers both to Leigh Green and to drug use, specifically vide noir).

Immediately afterward, Ancient Names Part 2, in addition to serving as a very classic sort of World Enders nihilism anthem, can easily be interpreted as Johnnie saying "fuck that, I do what I want, you only live one life anyway and even if it kills me, I want to make my mark before I go out." Death is something hypothetical - sure, it'll get him some day, it gets everyone, and maybe Moonbeam is even right, but he isn't going to let her warning stop him.

On Strange Trails, Buck and Johnnie cross paths at Dead Man's Hand. On this album they only cross thematically, and the pivotal moment of intersection might be Secret of Life. This song may be the point at which Buck learns some forbidden secrets revealed by taking vide noir as discussed above, but its lyrics speak a lot more specifically to Johnnie's experience, implying some connection between him, vide noir, and the World Ender.

It may be that as we see with Buck in the film, perhaps Johnnie too has suffered the effects of being black-brained prior to taking it due to the time and space-bending effects of the drug (notice, for example, in Strange Trails we get Johnnie's story in a scrambled chronological order) and here he's confronted with the harsh truths of what those past visions of his possible future mean for him: he has been set on a path that is no longer avoidable due to his eventual future overdose. So perhaps it's at this point that he acknowledges that he is going to die sooner rather than later and that his life and death will not have meant anything to the greater cosmos, but this information, which was new to Buck, is not something Johnnie fears. Johnnie is hardly new to this point of view. He's seen past echoes of the knowledge imparted by vide noir throughout his life, both in his future visions of the end of the world (again see Until The Night Turns) and in the knowledge passed on through other World Enders, including their own motto ("The fair, the brave, the good must die", or in Secret of Life here, "The darkness comes for all of us").

(As an aside, there's still a lot to unravel with Secret of Life that I haven't touched on here. It's a fascinating song with some really mysterious lyrics. I've speculated at length in the LH discord about some additional interpretations this song could yield but won't veer off topic here.)

And yet despite what looks like a very certain and dire end, Johnnie maintains hope that perhaps he, too, will live past this. Because if Cobb Avery did, why can't he? This is part of the gang's core mythos - their founder is a dead man. He clawed his way back out of the grave for revenge, they thought it was just so fucking cool that he was unkillable that they had to join him, and together they dismantled the Winthrop Corporation, one murder at a time. When the police finally caught up to him, they lynched him - but the noose did nothing, for he was already dead, and now in the form of a skeleton, he called the gang to his side (see Strange Trails: The World Ender comic book). In the ensuing chaos, he flees, the gang heads west and relocates to east Los Angeles, and in the time contemporary with the events of Vide Noir, he is still present among them but this appears to be unknown to the public (Daily Trails prop, by Kim Berens, used in both Vide Noir and Alive From Whispering Pines where it was modified to Ten years later).

Whether The World Ender is readily visible to and known by most members of the gang at this point is unknown, but we know that those who were black-brained can see him (in the film, Buck sees him approaching, bumps into him, plunges into a hallucination of his own future, and when he comes too, the Ender is gone). Given the Secret of Life lyrics, it's reasonable to guess that Johnnie at least can see the World Ender just fine and one way or another, in speaking with him and in conjunction with consuming vide noir, has learned enough secret knowledge to make some kind of choice - and this is what later enables him, too, to drag his way back to the world of the living.

Fate catches up to Johnnie and as we learn in the film, his death was at the hands of Z'Oiseau's henchmen for trying to gain access to dealing in vide noir. Like Buck, he is black-brained - forced to swallow enough of the drug to kill him. And so the track Vide Noir opens with the Fortune Teller's Theme previously heard in Ancient Names Part 1, and that tune is woven through the track - Moonbeam's "I warned you, I told you so" to both of these fools who disregarded her advice. Although, again, the lyrics are clearly meant primarily to narrate for Johnnie - "Many evils have I enjoyed, prowling the night raising hell with the boys, getting high on a pure black void" sounds a lot more like what Johnnie gets up to than Buck. We are given a glimpse of his last words and final thoughts as life slips away and his consciousness is sent straight to the final edge of the cosmos.

---

So ultimately, this is what we're left with:

Vide Noir is an album that tells the story of Buck Vernon, whose fiancee has left him. His journey culminates in a near-brush with death, in finding Leigh, and in learning that she does not love him and that he's nothing, his life is worth nothing more than dust and that none of it mattered or will ever matter, that once he eventually dies he will vanish and be forgotten in time.

Vide Noir also tells the story of Johnnie Redmayne, who for once tries to do something that isn't just for his own hedonistic pleasure but that might actually help bring in money to support his friends and family, but he's too headstrong and impulsive to listen to the warnings he's given, and is killed in the attempt.

One lives who probably shouldn't have and comes out at rock bottom and now has to work out how to move on from here, and one dies a nihilist who should presumably just accept the inevitability of death, but has the knowledge and absolute stubborn determination to enable his eventual return, following in the footsteps of Cobb Avery.

And what happens to both of them afterward? Well, we don't know. Hopefully some day (SOON?? BEN PLEASE) we'll get the opportunity to find out!

[earthbovndmisfit]

jonawagons marcianitos 🌌🛸💕

(og base/reference by @/lilalienz4ever on twt!!)

[wormeats]

some stuff i want to say, bc it seems a lot of the time mostly only Jewish people speak up about antisemitism

it is antisemitic to claim zionism is across the board evil and fucked up and to wish violence on zionists. Israel exists and people live there and there has been a devastating war that has caused humanitarian crises in Gaza, but Israel is not evil, it has a right to exist and didnt just steal a bunch of land and start wars out of nowhere, the history is actually more complicated than "colonization", and while war is fucked up and horrifying, truly horrific, it is not the same as genocide. genocide is the systematic eradication of a group of people, and while civilian casualities have been horrific, that is why war is so fucking terrible and traumatizing.

Hamas also has contributed a lot to civilian casualties in the way they operated. celebrating and supporting Hamas is fucking horrendous. there can be reasons young people become so radicalized and violent, but that is Not something to cheer on as some sort of resistance movement when it causes so much devastation for people in Gaza and wishes for the destruction of Israel and Jewish people.

Wishing harm on hostages taken on October 7th or celebrating October 7th in any way is also fucking horrendous. These are human beings, random civilians, real people. they have families and loved ones and communities who are terrified for them and grieving them and it is beyond insensitive to cheer on the suffering from your place of immense privilege in this situation and shows a big lack of humanity/seeing people as human beings. i can't believe i see that shit sometimes (but i also can bc the state of things is dire). I can't know how it feels to see people mocking my loved ones who have been tortured for a year and could be killed at any moment or already dead, that must feel so awful, and to know that even if you dont have a connection to the hostages, it could be you or your family as someone who is Jewish or has loved ones in Israel. living in Israel is not a crime or moral failing, living in any country is not a moral failing what the hell. if you can understand people are not their governments for many other countries, why is Israel so hard to see that way for so many people? (antisemitism)

I'm really glad for this ceasefire and wish the best for Gaza/Palestine and its people and have a lot of hope for them to rebuild and recover from all this devastation (scared of shit trump has been saying though, what the fuck. thats a whole other thing tho, i am grieving the election still and scared and trying my best)

it has been so horrible to see antisemitism grow from this and to see such concentrated hatred for anyone who associates with Jewishness in the "wrong" way. the way antizionism has grown so much and into a "fuck all zionism" mentality is horrible. zionism has been warped to mean genocide supporter, and that is fucking horrible bc Judaism has references to it and intercommunity discussions around it, it is in some ways an inextricable part of Jewish culture to some and many people just see it as Israel is doing genocide and shouldn't exist

idk i just dont want anyone to be hurt, war is always horrible and the crisis in Gaza is horrifying, and ive also seen a huge rise in antisemitism in different forms and i hate it and wanted to say some stuff to make my positions clear so that's what im doing now

you can criticize the Israeli government and its actions without being antisemitic ofc, but this is referring to all the hamas support and wishing violence on Israel and thinking all zionists want genocide.

anyone feel free to talk to me about this if it is concerning or upsetting to you somehow, but if you arent a friend or mutual or follower and some random person who disagrees, i can also talk to you but im not a voice with any kind of authority on this stuff, i just have been kinda horrified when i see hamas support or people celebrating Israeli deaths and thinking the hostages deserve the horrible traumas that have happened or should die etc etc etc. horrible. why are you dehumanizing an entire country. (antisemitism is why.) horrible horrible horrible.