#i like music can you tell?

[starfall-calamity]

ignore how many WIPs i have going on shush shush

tmph one year old okay?

[making a piece for each song on its release date, this one his Grew On Me's messy sketch of it :} might post the others wips too]

[proxycrit]

LINKTOBER DAY 19! East Reservoir Lake

The Zora siblings gets that self sacrificing from somewhere, what can I say.

Anyways, the duo absconded with the crown prince. (Alchemist Yona, you’re going to stop them, right? RIGHT??)

This is a Totk au called Familiar Familiar, and it all started when Zelda didn’t get sent to the shadow realm (and everything fell apart from there). Here’s the masterlist!

Patreon here if you like my crimes and want to feed me a treat!

[tehcherrya]

For those of you who never knew as it's a detail one can easily miss (especially depending on which aspect ratio you're viewing in) but a lovely detail at that: Pippin was in the hobbit band in the background!

He's the one playing the banjolele!

These shots I have of the scenes where he is most visible are from the Fullscreen edition (A DvD I own and often watch for the different viewing experience). I believe in the Widescreen edition their heads are cut off by the aspect ratio-- so it's easy to miss!

And for those of you who haven't put it together already, yes! That is our beloved Merry standing next to him as they both watch Frodo dance.

Mind you, Merry is not in the band. A few scenes prior he was actually along the precession line of bringing in Bilbo's Birthday cake. He probably came up to the platform to talk to Pippin, give him a mug of something to drink and inevitably snatch him away for some mischief. Because after this brief scene, Pippin is then absent from the stage-- he and Merry are going to go swipe some fireworks!

[cubezart]

hello starkid fandom . are these anything

[yourlocalabomination]

Time bastard, You got some place else to be?

[anemonet]

pro tip: you can always put the bugs in little outfits :thumbsup:

[asgardian--angels]

my god bbno$ just got invited to riot hq because of the jayvik livestream either they're gonna tap him for jayvik marketing ideas or christian linke himself is gonna take him out back and shoot him

[sowearecleariamhere]

Penelope could easily be painted as the damsel yearning for her lover, the woman without much agency waiting for her husband to come home (which of course we all know she isn't, she is a literal and metaphorical queen), and in a lesser story*) she might have been cast into that stereotype. I think that is why I love her almost yelling "You're mine" at Odysseus in WYFILWMA.

It is so possessive and decisive, ruling out any "buts". It perfectly underlines her steadfastness, her loyalty, her agency. She claims Odysseus as hers without question once she knows it is really him, that he is finally back home. She is seemingly offended that Odysseus even suggests that she might not accept him after how much he has changed. (She will make her own mind up about that, thank you very much, and said mind has been made up for 20 years btw)

It is not only that Odysseus has come home and now she chooses him. No, she has been choosing him over and over and over for the past 20 years with every action she took. It is not him coming back that now puts her in the position to choose him - it only reveals that choice, that there never was another choice other than Odysseus. Which leads me to my honorable mention:

Ody: "[...] You’ve been waiting for love."

Pen: "I've been waiting for you."

Penelope definitely had a surplus of suitors (108) and even if their motives might have been questionable, she could have easily found a new husband if that was what she wanted, maybe even one that genuinely loved her. But Penelope's love is Odysseus. Love for her is synonymous with him. No one else is even worth considering, she would rather be alone or even die before she gives any other man the time of day.

tldr; I love love LOVE the wording in WYFILWMA, how it shows how Penelope is just not taking this shit from her husband. She knows what she wants and that is Odysseus, even if it is not the original model but the slightly banged up version, the heavily traumatized, now with grey hairs probably, war criminal, ruthless god torturer version of her husband.

Because he is still her husband, goddamn it.

This might very well not make much sense bc I am insane over them currently

*) "lesser story" is not referring to the odyssey or saying epic is better than the odyssey, I mean to compare them both to any completely different work (or franchise if you will) that does not give characters agency where they should have it

[boredomsbonedeep]

headcanons for albus severus potter!!!

i originally posted this on tiktok, but i've decided to post them on tumblr as well :) more are on the way for each character

[i-dreamed-i-had-a-son]

Another Les Mis musical connection that's making me feral: Jean Valjean uses the same melody with which he sings to Cosette, "Believe me, / Were it within my power, / I'd fill each passing hour-- / How quiet it must be, I can see, / With only me for company"...

When he sings "You are free, / And there are no conditions. / No bargains or petitions! / There's nothing that I blame you for. / You've done your duty--nothing more" to Javert.

In my journey to map out the various leitmotifs in the show, this one really flung me for a loop because what does it meannnn?? This is the only time we hear the melody in the show, and it's applied in two very different circumstances, where the relationship Valjean has to the characters involved could not be more opposite. What connects them?? But I think I have it.

It's a reluctant release. Not of the people, but of his own desires regarding them. Let me explain.

Valjean very distinctly wants things from both Cosette and Javert, which he sings about on the rising part of the melody. With Cosette, he wants to be the center of her life: "Were it within my power, I'd fill each passing hour;" on the other hand, he desperately wants Javert to leave him alone. When he has Javert at his mercy, he absolutely does want to trade lives, which is why he sings it on the rising part: "And there are no conditions, no bargains or petitions." He does want these things--but he's letting them go.

And that's where the falling part of the melody comes in. In both situations, Valjean knows he can't have what he wants. So he gives up that desire. He accepts that Cosette wants someone else, and doesn't blame her for it ("How quiet it must be, I can see, with only me for company,"), the same way he accepts the situation between him and Javert ("There's nothing that I blame you for. You've done your duty, nothing more."). That's why immediately afterwards, he tells Javert his address, and why shortly after that, he prays that Marius be brought home to Cosette.

Cosette is his biggest security, and Javert is the biggest threat to his security. But in this little melody, he sets them free (Cosette metaphorically, and Javert literally). He acknowledges what he wants, and accepts that he can't have it, even though it hurts.

And if that ain't the most Jean Valjean thing, I don't know what is.

[sunshines-child]

Goddess of Wisdom *music*

[sofiiif]

[pennysucks]

Have the gods being silly cuz I was bored during class 😘

Also an excuse to make a design for Artemis, Dionysus (even if they aren't in Epic) and Poseidon

@sewerpalette @your-ne1ghbor y'all might wanna see the designs, I like Artemis' personally 😜😜😜

[yourlocalabomination]

I’m personally a big fan of putting men in boxes.

[a-leg-of-lambb]

Wyd if me and my gang pull up on you 🥶🥶

[sporadicallyanenthusiast]

It's funny because I don't have daddy issues in the slightest (I have been blessed with the best dad in the world) and still I'm SO WEAK to good fathers in media???? Like, I KNOW I will bawl my eyes out for hours when Ithaca saga releases and Odysseus sings for Telemachus, it's going to break me for days