#i know this show is old and probably other people pointed this issue out long ago

[transdimensional-void]

the thing that frustrates me the most about bbc merlin’s “gwen chose arthur over lancelot” narrative is that if you watch the episode where the choosing supposedly happens, gwen has no say in it at all. lancelot is the one who chooses.

it’s season 2, episode 4, “lancelot and guinevere.” gwen and lancelot have had romantic tension out the wazoo all episode just like they did back in 1-5 where they first met, while arthur and gwen have had a few, tentative romantic moments since the end of season 1. personally, i think gwen seems much more interested in lancelot than arthur, but at the very least, it seems that she is equally open to either romance at that point.

but then once arthur and co. rescue gwen and lancelot, lancelot sees arthur and gwen interacting romantically and decides not to pursue her anymore. he pulls gwen aside and tells her he won’t get in the way of her relationship with arthur. and then he just leaves without giving her any time to respond. 

there is no active choosing on gwen’s part at all, and that’s what really bothers me. the show could have written her some response to lancelot’s words. if they wanted to leave the tension in place, they could have gone with a, “i barely know you. i don’t really know what i want yet. give me some time to decide?” or if they wanted to convince us that she ultimately wanted arthur more they could have had her thank lancelot for stepping aside.

but instead they just leave her in this passive position of having no choice but arthur. and we can try to frame it as, if she really wanted lancelot she would have gone after him, but that’s still only speculation. angel’s acting in that scene makes her seem very torn between the two men, or possibly more interested in lancelot but not quite sure what that means for her relationship to arthur, who is, after all, a prince and not an easy person for her to cross.

for me, it undercuts the idea of arthur and gwen as a real romance. that scene makes it seems like she’s only with him because she wasn’t given any other choice.

this fits with the pattern of nearly every romantic possibility she is given. in season 1, she’s into merlin, but he’s not interested so it goes nowhere. fine. that on its own isn’t an issue. but then in season 2, she’s into lancelot, but that relationship ends by his choice, not hers. in seasons 2 and 3, her relationship with arthur continues only as and when arthur deems it safe to pursue her. we’re never shown her initiating romantic contact whenever she wants it. in season 3, she does at least get to politely reject gwaine’s advances, though it takes several rejections before he’s willing to give up. in season 4, she’s non-consensually forced into attraction for zombie lancelot.

the writers seem afraid to depict gwen as someone with romantic agency. and they went out of their way not to show her actively pursuing a romance with lancelot once arthur had settled on her as the object of his affection. nearly every romantic interaction she is given is dictated by the decision of the man she is interacting with. it’s honestly kind of disturbing once you notice the pattern.

[queers-gambit]

Love What You've Done with the Place

song by Rascal Flatts

prompt: he's never been a man built for relationships, until you come into his life. now, the house feels like a home.

pairing: Tangerine x female!reader

fandom masterlist: Bullet Train

word count: 1.8k+

warnings: more brain rot rambles, probably cursing, NOT edited, very docile, fluff, romance, hardened men being simps.

It started with clothes. Just a few, here and there; left behind, forgotten, purposefully stuffed in his dresser for when you stayed the nights. He didn't mind, in fact, Tangerine encouraged you to bring whatever you felt comfortable with leaving since he hated how early you'd leave in the mornings to get ready for work. He found his mornings were peaceful when you were around; neither rushed, both content, starting your days on high notes with each other.

So, he made the decision and found an old sitting-vanity for you. He put it in his bedroom simply because he was fascinated with the hair and make-up process; thinking it was incredible that women had such skill. When he came home about 3 months ago, he noticed your vanity when he first got home from a particularly difficult mission. Your chair was draped in an old university tee shirt, and he smiled.

It was like watching your comfort grow and it warmed something deep in Tangerine's heart. Your make-up wasn't always in a neat array, sometimes just left from a quick touch-up; making the house feel more like a home.

Tangerine also bought a strainer for the shower's drain to catch your hair. He didn't get angry like previous boyfriends did when he found strands of your hair left behind - not on purpose or by some gross standard, but it was natural that hair shed in a shower and not every single strand could be picked up. So, to make life easier, he just quietly bought the hair trap, placed it, removed whatever empty bottles from the shower, and went about his day. But then he started to notice your hair left other places.

His counters, his sink, the floor, your vanity, his bed sheets and pillows.

Tangerine had his issues with possessiveness in the past, but this wasn't remotely similar. No, Tangerine found himself smiling when he would find your hair in his clothes; thinking it was funny, almost like a mark or badge of honor to designate him as yours. It was a brief thought, but Tangerine actually felt giddy by the idea of people just knowing he was off the market 'cause his lady's hair was clung to his suit jackets.

He liked it. He really did. He'd not admit it aloud, but he liked it.

Tangerine wasn't the most humble man in the world, but he certainly liked to flash what was his. Golden jewelry, expensive, tailored suits, shining Italian leather shoes. And now, you, the woman who invaded his heart and head - and now his home. He adored showing you off, feeling affirmed and invigorated by the longing glances men threw your way, and while he expected jealousy from other women, they seemed more impressed by your beauty and grace as well.

He remembers one night, after a several weeks long mission, he just wanted to hold you. His throat was a little choked up when he called you, knowing you were at home after reading an earlier text. So, you rushed over in the middle of the night and he'd yet to let you go home - three days later.

"You've gonna have to let me out of bed sometime," you smiled playfully. "I have work tomorrow - and no, I'm not calling out again."

"C'mon, love, don't leave me alone," he whispered, looking like a beaten down puppy. The mission was much harder than he'd let on, but Lemon usually always filled you in. He thought it was important for you to know certain details that Tangerine was sure to omit, knowing those were the details that haunted him.

"I'll be back after my shift," you promised, nuzzling his nose with your own. "I also need new panties and clean clothes."

He sighed, "Some in there," he pointed to his closet now.

"What?" You giggled.

"You've left enough behind, got a bit of a collection goin', yeah?" He smiled softly, wrapping you back up in his arms. With a sigh, he relented, "I'll let yah go to work, love, just... Need this a bit longer."

You obliged, but the next day, you were gone before he woke up. With a frown, Tangerine dropped back onto the bed - but inhaled deeply when his nose buried into your pillow. He hummed in pleasure, feeling himself brim with contentment, bringing the fluffy item to his chest and nuzzling it; your perfume left behind to soothe him.

Was Tangerine clingy? Oh, for sure! He didn't think so, but you knew better. The contract killer liked you close, liked his hands on you; even if it was just a hand on your waist or a nose near your neck. He missed you when gone, but he usually held himself back from texting you all day - wanting you to be able to focus on your job.

But that day? He was inept, just wanting you; wondering if he paid you the same salary, if you'd consider just staying home. So, he texted you several times.

This obviously threw you off a little, knowing him better than himself most days. But he just missed you, so, you sent a selfie - promising you missed him too and would be home right after work.

He saved the photo and tried not to dwell on how you said you'd "be home" and not "come to his place". He had to take a few moments to calm down, feeling his heart zing with unfamiliarity - but not being afraid of it like he had been when you first started dating. He could recognize he was happy, that he was excited to see you everyday, and that the idea of coming home to you was far too appealing to ignore any longer.

It seemed neither of you needed to actually have an official conversation about living together. Lemon didn't mind, in fact, he was the one who insisted you have your own key; adoring you and whatever affect you had on his emotionally constipated brother. So, some mornings, Tangerine wasn't surprised to find a slightly damp towel left hanging in the bathroom, nor by the make-up on his counter - you using that mirror because of the fluorescent lighting. He never put it back, he didn't move it - he liked seeing it. It meant you were still here, and the idea of it being gone made his stomach knot with anxiety. He also wasn't surprised when he went to use the shampoo you insisted would help his curls flourish (you were right), only to find it damn-near empty. His shower gel, too.

When you came home that evening, you had Target bags in hand; replacing whatever was empty, making Tangerine grin to himself by how in-sync he felt with you. He'd never had a connection such as this, only ever feeling close enough to Lemon, but you changed everything for them both.

How Tangerine ended up with someone courteous was truly beyond either of them. Someone kind, caring, adventurous, sweeter than pie - someone definitely out of Tangerine's league, something he never let himself forget. He adored you to your core - thinking someone such as you should never have gotten tangled up in someone like him, but he knew, if the time ever came, he'd never be able to let you go. In fact, most days, he had to convince himself not to just pick you up and carry you around while he did chores or ran errands.

The very idea of losing you sent his heart into his stomach; hallowing his chest in a harrowing fashion that made it hard to breathe. Just a week or two ago, Lemon found Tangerine in the kitchen, hand to his chest as if he couldn't catch his breath, heaving for air; his worry spiking, but quickly realizing what was wrong.

"Bruv, you've gotta breathe - calm down," he tried to coax. "You're having a panic attack, you've gotta just focus on breathing."

"Fuck off with that!"

"Seriously, man," Lemon insisted, catching Tangerine in a vulnerable state enough that he actually listened without much of a fight. When Tan seemed a little more under control of his own emotions, Lemon asked, "What the hell happened?"

Tangerine shook his head, "Nothing t'worry 'bout - "

"Bullshit," Lemon snapped. "I've never seen yah like that, mate, the fuck happened?"

It was embarrassing, but Tangerine managed to answer, "Just... Just started thinking that if she ever left me, I'd fucking crumble, mate."

This made Lemon frown, "She's not gonna leave you, man. You know that. The girl's madly in love with you, yeah? Like madly in love - like to a degree it makes her stupid in the head, all right? Obviously, you too," he chuckled, shaking his head as he affectionately ran a hand over the back of Tan's head. "You're workin' yourself up, 's all right. You don't have to think about that - ever - 'cause she's it for you, mate. Yeah? Hear me? She ain't goin' nowhere, not without you."

Tangerine needed the assurance. Being alone after having a taste of your love felt impossible to Tan now, something he was never bothered by before. Seriously, why give a fuck about a relationship when he had his brother? Someone who loved him unconditionally and wouldn't leave? And then he met you and understood why people gave fucks about relationships.

It was as if every room you ever entered was brightened up simply by your smile. Your laugh wasn't always the most ladylike, but it was genuine and true and always made Tangerine smile to himself. During any public outing, Tan was always close - we've established this - but he liked to play a small game. One of your love languages was physical touch, so, you liked kissing him if even just for a single second. He was aware of your lipstick, feeling the tacky substance stain his cheek, but he wouldn't wipe it off. His game was to see how long it'd take before someone would point it out; his reputation didn't always warrant others to feel secure enough to speak up. Some nights, Lemon would motion to his cheek, and other nights, you'd return home, remove your make-up, and swipe make-up remover over his cheek to clear the color away.

However, it wasn't often you ventured in public due to Tangerine's innate introverted nature. You went if The Agency made it mandatory or if you were feeling stir crazy, but majority nights, Lemon would find you both lounged on the couch in various positions.

Sometimes, you'd be watching a movie together or binging a show. Other times, you were reading a book while Tangerine poured over paperwork. And once or twice, Lemon's come home to find you belly laughing and playfully scolding Tangerine as he tried to paint your toe nails. It was a homey sight to Lemon: seeing his brother so in love and at ease, hearing your laughter, the entire flat filled with warm smells of burning candles and homemade meals.

It wasn't evident at first, but with you laying in Tangerine's arms, clothes left on the floor, bellies full of whatever meal you had prepared that evening, favorite show playing on the bedroom TV, he realized that he loved what you had done with the place.

requesting rules and masterlist

Bullet Train masterlist

[hannieehaee]

hello !! Could you make a svt reaction to you being very loud in bed ? <3 (nsfw) thank you !!

you being really loud in bed

content: smut, being heard by other people while having sex, established relationship implied, etc.

wc: 813

a/n: thank u for requesting sorry i took so long T-T

masterlist

seungcheol -

one of his main goals when fucking you would be to hear how loud you got for him (with his main goal being to make you cum, of course). he was simply obsessed with your sounds, and knowing that other people could hear you would just motivate him into fucking you even harder. he adored the thought of others hearing how pretty you sounded for him and only him.

jeonghan -

being real, he would probably be proud knowing that other people could hear you as he rammed into you. he loved everyone knowing how pretty and angelic you sounded for him. the thought of other people hearing you and feeling aroused by your pretty sounds would have him fucking you even harder.

joshua -

he'd chuckle and mock you a bit for how loud you were being. would imitate your moans a bit, just to get a rise out of you, eating up the way you couldnt help yourself. he would absolutely encourage you to be as loud as you could, not at all minding other people hearing you.

jun -

he'd panic a little bit whenever you got a bit too loud. he knew his members were just on the other side of the wall, so it was very likely that they could hear every single cry of pleasure you were letting out. his friends never let go of year's-old jokes, so he knew that they'd never let this go either.

soonyoung -

he'd wanna show it off to anyone (not that anyone asked ...) he loved showing you off in any and every other context, and this wouldnt be an exception. he would be incredibly turned on at knowing that other people could hear the cries and mewls of pleasure that only he could pull out of you.

wonwoo -

as someone who was usually pretty quiet in bed, you'd make a huge contrast to him. he'd be conflicted between wanting everyone know how good he made you feel and wanting to keep your sounds all to himself. would likely encourage you to be loud for him but would also sometimes muffle you in order to keep your pretty sounds all for himself.

jihoon -

oh, god, why did you have to be so loud? dont get him wrong, your sounds always had him feeling ways he was way too shy to explain, but that was the root of the issue. he was a bit reserved when it came to his sex life, he didnt need the members getting a front row seat to what you sounded like when getting pounded by him.

seokmin -

your loud moans would literally make him cry and whine like crazy, body losing control as the two of you seemed to have a competition of who could be louder. your sounds would make him lose his mind, realizing there was a sinister side to himself that made him proud at knowing others could hear the two of you as you lost yourselves in each other.

mingyu -

he'd be just as loud so there would be no issue! every single time the two of you ever did anything in the bedroom, he knew anyone around could hear both you and him. it kinda excited him, honestly. he loved knowing that you both made the other feel such insane ecstasy to the point where neither of you could possibly muffle your sounds.

minghao -

as much as he loved when you were loud for him, if there was ever any risk of other people hearing you, he would muffle you somehow. he'd either gag you or put his palm over your mouth, whispering against your ear for you to behave and keep your sounds for his ears only.

seungkwan -

o-oh? were you making those noises because of him? could everyone else hear you just as well as he did? he would find a new bit of information about himself through his reaction to your loud moans. turns out he was a bit of an exhibitionist, or else how could you explain how light-headed he got at the thought of everyone knowing how pretty you sounded – all for him?

vernon -

he'd get a little sheepish at the way you were twitching and moaning way too loud for comfort, knowing that his members were probably able to hear you also. this shyness would be quickly overpowered by how incredibly hard the whole situation made him, however. you just sounded so fucking pretty ... he'd be thinking of your pretty sounds for weeks.

chan -

a single moan escaping your mouth would have him rutting against you like crazy. he'd reel whenever you were loud for him, reaching a level of turned on that he thought impossible. he wouldnt even have half a mind to think about how any outsiders may be able to hear you. all he cared about was making you moan more and more for him.

[theoddest1]

Let's Actually Talk About The Issues With Vivziepop

Okay, first off, hello you beautiful people! Sorry about this foreboding title, but I needed to catch y'all attention on this so I can break down the issues that I and many have with "Hazbin Hotel" and "Helluva Boss" creator, Vivienne Medrano. Now I am sure you all on here are already aware of at least a couple of the controversies that revolve around this particular creator and if you have seen my posts floating around already, some have been greeted with the problems surrounding her social media presence and just her overall as a person. I know seeing another callout on her seems very very tiring at this point, but I felt that a lot of the current callouts missed key details that were not at all addressed or properly delved on. I plan on shedding light on my issues with her and I hope you get where I am coming from when I say that she sucks.

BULLYING

Okay, I am starting off with Vivienne's blatant use of bully mentality, her agreeing or encouraging her fans to call people who see flaws in her works sub-humans or harass those who find issue or simply jest about her works trademark cussing and and overcrowded designs. She has had this issue for YEARS and refuses to grow up and act her age despite many telling her, even her own fans at times, that she shouldn't be acting so unprofessionally. Clearly, she doesn't care and thanks to her fanbase caring more about her feelings than her being better she feels as though she doesn't need to change or do better. This goes for her friend group as well, who defend her tremendously and act as though she is never in the wrong. Name one time a friend of hers called her out for acting childish, I'll wait.

Now, you're probably wondering, "Wtf could they have done to warrant such a response?"

Criticism...That's all they did. (White Text is random peeps they would speak with or maybe mutuals)

Keep in mind...they used to be a fan as well. They were also a minor at this point

But, Viv doesn't care, this person's critical yet harmless tweets about her shows is what lead to her painting them in a horrible light and making them out to be someone who has attacked her personally and as "nasty".

Rich coming from Viv since she is completely fine doing exactly that for "Ava's Demon". Not only does she criticize it, she takes a shot at the creator as well, but GOD FORBID others do the same towards her.

And according to someone who knew her well, it's all cause they felt creeped out by her.

Her hatred for criticism is so prominent that Ima makes that a section of its own. But let's get back on the topic of bullying.

Vivienne has a fanbase filled to the brim with pushy and overall annoying individuals who have harassed, threatened, disrespected, and wished harm on many people, all cause someone had a negative thing to say about Vivziepop's mid af show. One of the earlier known instances is the one revolving around a MEME of all things.

This was what started it all, and it led to both parties blocking each other and people being mad pushy and calling them an idiot and the like over their opinions. Now look, their take and you're opinion on said take is fine so long as you stay respectful and humane about it all, but don't dogpike someone all cause they think HH sucks. And while Viv can not control her fanbase, for they are not a hivemind (some of y'all act it tho, ima keep it real) she is seen here ENCOURAGING the behavior. Tell me how someone who doesn't even like your trash ass show has the sense to tell people not to harass others, someone with a smaller following, but not your grown damn near 30 year old ass?

Oh, but people wanna act like she can handle criticism, is a sweet person, and grew from her past experiences. Fam, she was 27 in this screenshot [December 16, 2019] and has shown no change from 2013 to fucking 2024. Over a decade of the same petty ass behavior, and keep in mind, according to several of her old friends and workers, she is worse behind close doors. WORSE. She's already acting like she got no damn sense out in the open, imagine behind closed doors.

Last but not least, a glimpse into her outright blatant slander towards Dollcreep, a once good friend of hers that she even visited and spoke with frequently!

She stated that they fetishized pedophilia yet according to the victim and friends of the victim who were once friends with Viv as well, Viv actually threatened to end their friendship if he hadn't drawn NSFW art of her character and his character having sex [Addi was 15 at the time this was drawn]

On top of that, she liked the post, something she didn't need to do. The art also depicted things she had regularly drawn on her own. Addi being tied up forcefully, being sexualized, being harmed to some degree through bondage, etc. The claim that she forced DC to draw this out is backed up by her own art depicting similar elements. Also, if my memory serves me well, Viv and Doll were 17-18 years old [Doll was 17 Viv 18] and have a 1-year age gap. The way Viv frames things here is as if DC was way older and imposed some sort of power over DC, which sources say otherwise. If anything, Viv had a LOT of control throughout all of this drama, which deserves its own section.

I'll be making posts that talk about the different issues regarding Viv, so one post isn't too long (this one is already lengthy enough) and that you can just pick at one post targeting certain issues around this creator.

[the-snail-that-reads]

Please ramble about the Au I’m so curious

Well, since you asked so nicely~

(This isn't proof read. Forgive the incoherence)

I've just been calling this Traveling Companions Au. So basically, Odile meets Siffrin way before the events of the story, not long after the whole Island thing. So, when they're about eleven-ish and she's in her 30s.

And now Odile has this child on her hands who

Can barely communicate. (Going off the assumption that Siffrin was already taught some Vaugardian when he was young since the countries were so close)

Remembers nothing about where their from.

And seemingly just showed up out of the mist.

At this point, Odile has already begun traveling the world. So even if she was in the mood to take a random child in (which, she very much isn't) she isn't in any position to give them a stable home. So, she leaves them at the first orphanage she finds and that's that, isn't it?

Of course not. Because Siffrin just. Keeps. Finding her, having latched onto her like a duckling to the first thing it sees. And eventually she just kind of caves and stops trying to get rid of them. She understands what it's like to feel like you don't belong anywhere, after all.

She's not their mother, never tries to be their mother. She probably just calls them her ward until their old enough to reasonably be called a travel companion. Obviously she cares about him. She just. Never tells him how much she cares about him. In direct words.

And yes, while cute kid Siffrin stuff is all well and good. What I really wanna explore with this AU is how it affects the main story.

Sif grows up with a drier sense of humor. Though puns are still a thing. Odile will never be free from the puns.

Siffrin probably? Learns about her whole Familytale quest, but never pries into the context until the Friendship quests arc.

Self-esteem issues are still a thing, just in a different flavor.

He's definitely a lot more comfortable with making fun of Odile than he is in canon. Though it goes both ways. They've got over a decades worth of dirt on each other.

And if Odile was perceptive before, imagine how much easier to read Siffrin is going to be now? She's known them for like 2/3s of their life she's definitely going to notice somethings going on in most of their loops.

Mirabelle and Isabeau get two party members for the price of one in this AU! And with the way Odile and Siffrin behave around each other they assume they've been traveling together for a while.

One day, Mirabelle actually thinks to ask how long they've known each other. And when Odile casually replies, "oh... fourteen years? Fifteen?" She and Isabeau are baffled because ??? Siffrin's in his mid-20s????

At one point, Mirabelle or Isabeau mentions that Odile must be like a mother to Siffrin, and the absolutely disconcerted look Siffrin gives them in response is enough to make them never bring it up ever again.

So yeahhhhhh those are my rambles. Maybe I'll write a fic about this. Maybe I'll just release this into the wild and let people do what they want with it. Who knows?

[alatismeni-theitsa]

In "KAOS" nothing is anything, and everything is wrong

Two disclaimers: I am no stranger to modern art, and I have no issue with queerness in shows, or in my own mythology (I'm Greek). I am also aware that KAOS is a comedy. It's in the gutter of British comedy, but still part of the genre. At least I laughed every time they said "Oh God!". I don't believe this is the same person who wrote the great and amusing "End of the F**king World"! The premise of "The gods in our modern world" appeals to me a lot, so that wasn't my problem either. My general issue with KAOS is its horrible delivery, bad writing, and piss-poor Greek representation.

This is gonna be long and full of stupid gifs, so sit comfortably, grab a coffee or some popcorn and... pame!

The "ILoveGreekMythology" Kid

Art without context is just a pretty thing to look at. Most of the time, this context can be found within the art piece itself, as the artist has taken care to weave it in. KAOS refuses to connect itself to any context besides the names and a few vague powers. It aims to exist outside of those "boring old stories of the Greek myth" and be entirely "fresh and modern". Something impossible when the entire show and the meanings are based on ancient recorded material. In other words, KAOS is so meta that it ends up being nothing. KAOS cannot stand on its own because you need more than the viewers being familiar with the Greek myth basics to pull such a show off.

KAOS tells us "See? I know all the names of the gods, and what they did, and I know all the locations, so I am qualified to tackle this". More or less like any Western kid who takes all their knowledge from PJO and Marvel and proceeds to unironically hate ancient deities and make a girlboss out of Medusa.

Here's a Greek word for you guys, ημιμάθεια, meaning "half-knowledge". Α Greek saying very well declares "Half-knowledge is worse than no knowledge". The confidence of thinking you know enough often leads you to grave mistakes whereas the humility of not knowing prevents you from touching shit that you shouldn't. When you have no idea what the original myth is trying to say and spit on its meaning, knowing a few names and locations is just smoke and mirrors. I don't believe the audience fell for that.

And don't get me started on the "subversions". A good subversion is intriguing and thought-provoking. In KAOS, every twist was hollow - Greek myth related or otherwise.

"What if Euridice doesn't love Orpheus?" I don't know, babe. What if??? What was the point of that? What did you show us? That women's stories are dominated by men and men don't listen to women, perhaps? And you chose to twist... the love story of Orpheus and Euridice to show this?? One of the best and most tragic love stories Greek mythology has to offer?? You just mocked the myth, you didn't make anything profound out of it.

The Greek Stuff (Nothing salvageable)

I was surprised to see they had a Consulting Producer (Georgia Christou) and an Assistant Script Editor (Isabella Yianni) who happen to be Greek. And I stress that because those people probably weren't hired or utilized for being Greek. We are not sure they were involved in cultural decisions because we have no evidence and because shows with no Greek elements can have more Greeks than that on their staff.

Okay, perhaps they took 5 seconds to ask Isabella about a greeting - which they proceeded to say in a wrong intonation 🙄🤌It's where Poseidon says "ya sás" in the Fates, by the way. How he said it sounds more like "for you (pl.)" than "health to you (pl.)".

Surprise! The only Greek actor present (Peter Polycarpou) has less than 5 minutes of screen time and plays the caricature of an immigrant with a thick (and inaccurate Greek) accent. He has a canteen, selling falafel which is not Greek, and Dionysus buys from him an unidentified tortilla wrap (which... is also not Greek, if you haven't caught up).

For the show they brought in actors of Maori, Nigerian and Sierra Leonean, Pakistani, Black American, Latvian-Jewish, Iranian, Egyptian, Indo-Fijian and Malay descent and you tell me it was impossible for them to seek and find an English-speaking, skilled actor of Greek descent in a show regarding Greek heritage. Sometimes I wonder, do y'all hate us so much?

They considered Greeks only to give us a simple (and wrong) greeting and a stereotype. Crumbs, we are supposed to be happy with. By the way, there are over 70.000 Greek immigrants just in the UK, usually in the urban centers, many of them students or fairly young employees in the corporate workforce. Not the largest minority but not hard to spot either.

Another plague of Anglophone shows: Almost everyone's Greek name is shortened. Yes, we know their full names but we are told that we will use the short ones. Greeks and their "long and difficult" names am I right fellas? Because saying "Ariadne" apparently requires 5 years of Greek language training, and no English word ever has more than two syllables.

Coincidentally, short names are cool in Anglophone imaginary universes and the "long" names are not. it's so strange Anglophones never make universes where it's cool for Greek names to be spoken in full hmmm... They don't even want to practice saying a whole Greek name for just 2 minutes in preparation for a show full of Greek names. And don't give me that "Greek is hard" shit when we only talk about a few syllables. If Greek kids can learn English since first grade and people here can sing English songs and spell English names, you have no excuse.

They also said the name "Fotis" means light, which is close enough but... ugh.. It's like saying Sebastian means "respect". I am not sure if they asked anyone or what their research was here. If I had the writers in front of me, I'd be like:

(This character from an all-time favorite Greek show is called Fotis)

They also made the flag of "Krete" an alteration of the Greek flag and the local Cretan flag. Which is the stupidest move, because they had to remove the religious symbol of the cross to make the flag fit the universe. These are flags created based on 1) Christianity 2) the Greek Revolution of 1821.

National Greek flag to the left, local Cretan flag to the right:

Flag of the KAOS' "Krete":

The only time they seriously took into account anything Greek, was the time when they decided to remove the religious symbol of our ethnoreligion AND (from what I could observe) keep the nine stripes?? The nine stripes of our national flag represent the syllables in "Freedom or Death". The colors are from the white foustanela of the mainland attire and the dark blue vraka of the island attire, the clothing of the Revolution fighters. (That's more of a meta explanation but the characteristics of the flag were decided during and nearly after the Revolution.)

I think I don't have to explain it more but it's not a homage to put the nine stripes in an ancient era where they have no meaning, and to replace a cross??? Let's... not replace religious symbols on national flags, okay? Thank you.

Another cultural element they changed was making everyone have a dedicated coin to pay Charon. Orpheus has Euridice's coin, "her coin", and he's meant to put it on her before she got buried. In Greek culture, any coin would do. Sorry that our culture restricts your script, dear writers. I guess you had to bend this too, in order to create a cohesive plot with a semblance of a twist.

Finally, the many "Kerberus" dogs were cute and I can understand the creative decision behind that. However, in a show full of inaccuracies, this made me roll my eyes a little. I think the showrunners know that Kerveros is not a breed of dog, and there can only be one of him because he doesn't have any other "Kerveros" to breed with. On the other hand, as demonstrated from art/writing on the internet, quite a lot of Westerners are not exactly aware of how our monsters work, so forgive my uncertainty 😅

Nothing is Anything

Every element KAOS played with ended up meaningless. In the words of a Lifo article:

“Zeus is a paranoid authoritarian dictator in mid-life crisis who fears losing his power and murders his aides to vent. Hera is a promiscuous goddess who repeatedly betrays Zeus and has mutilated mute priestesses for protection. Dionysos is a spoiled and immature zoomer who, apart from pranks, indulges in orgies with all genders. Poseidon a sadistic god of the sea, who tortures the crew on his ship for fun. Prometheus is gay and killed his lover so he could overthrow Zeus. Orpheus is a famous pop singer and Eurydice does not love him. Theseus is black and gay. The Erinyes are tough-as-nails mechs that look like they stepped out of ‘Sons of Anarchy’. The Fates resemble a three-member jury in a talent show. The Trojans are a terrorist group that acts against the gods. Crete is more reminiscent of California than the Mediterranean.”

The "River Styx" is a sea, the "River Lethe" is a lake, the gods are nothing more than spoiled humans, the Moirai are drag queens, the Cave is a club where you have to take a quiz to enter the underworld, and generally everything is modern, flat, mundane and anticlimactic. The producers aimed to achieve a work so meta that a "river" is now a concept, a metaphor, whatever you have in your heart. And those who want to see a river when we speak of a river are probably uncultured swines and don't understand postmodernism. Never mind that rivers are rivers in Greek mythology for a reason. That's not culturally interesting enough to explore compared to the new, cool approach of not assigning meaning to anything. That totally shows love for the original rich and meaningful material...

And the reason behind all this subversion? Probably the shock factor. They brought the characters to a point where they said "We have to save the world from Zeus" - Zeus! The father of gods, heroes and humans! - just because they could. It gives off a certain type of smugness that I personally don't like. I mean, I would like the smugness and cheekiness of KAOS if it wasn't a vapid and practically meaningless show. As nothing symbolizes anything anymore, we are just led from hollow plot point to hollow plot point.

If you cut it out of any cultural influence and see it as a story then it's... okay, I guess. But when you consider that it's meant to derive from certain material and it fails spectacularly, it's not a good story. It forgets its bases and doesn't play with the ancient elements at all. Disney's Hercules did it better, FFS!

Bad Writing (pt.1)

KAOS is not without recognizable themes but their demonstration is so juvenile and heavy-handed that it fails to influence a viewer of average intelligence. For instance, "Riddy" says to her religious mother "You dedicated your whole life to Hera, what about me?" Okay, KAOS, we get it. At the same time, this theme nulls itself because it turns out that Ridy's mother was right to do what she did, as she had a greater goal in mind. (And this, kiddos, is called Bad Writing, because your themes and scenes contradict each other)

The biggest theme I spotted was a criticism of religion and religious people who say "Do as I say, not as I do" and create exceptions for themselves. Only, it's not a criticism of anything real, in this case. It's a fact that some people in the clergy tend to preach peace and love and then they do harm, but we don't know, for example, that The Goddess of Marriage is a cheater and yet she pressures everyone into strict marriages. By focusing their wrath on divine beings who are not known for their hypocrisy, the creators missed the mark.

I can give KAOS props for how it handled Trojans to reflect real issues regarding how immigrants and war refugees are mistreated and blamed. I'd argue it was the only (nearly) well-done theme in the whole show because it had the least on-the-nose delivery and some genuine/serious scenes. But that's it.

More Bad Writing!

Jeff Goldblum's Zeus is shit. He'd crap his pants in an argument with a stern Greek dad/uncle his age. Is this character supposed to be intimidating? (Laughs in Mediterranean) That's not to say that Goldblum is not a good actor, but this role wasn't for him. The same can be said for the other actors, too. They are competent but they only give off the air of "The Greek gods if they lived in London, from the minds of people who think beards and body hair are an affliction". In addition to being misplaced, the actors cannot show their talent when following a script that resembles a children's book.

Why does THE GOD Dionysus have the maturity of a 15-year-old? I repeat, The God Dionysus. He's a freaking deity, and a very old one at that. He is not a teenager neither in appearance nor in experience. In our culture, he is mystical, mighty, wise. Why did they downgrade him so? Just for the plot? This is not Dionysus just because you named him so.

The dialogue rarely takes itself seriously to the point it has you wondering at times "Do people talk and behave like that?". In a comedy where everything is meant to be already extreme and parodied. Even in comedies, something must occasionally be serious so there is a healthy fluctuation in tone and the funny moments can hit you. In KAOS very few scenes treated their impactful dialogue as it should be treated.

The queerness and diversity (good elements, in general) were worse off for being in KAOS. Like, I want these elements to be there. I'm just sad about the whole situation. It's not enough that the show is shit, now you also give an additional reason for conservatives to shit on diverse and queer characters because they are part of a stupid narrative.

I'm the type of person who doesn't mind the queerness of Astyanax and Theseus being lovers in the context of this specific show but they're still the oddest pairing to me because they're from the most irrelevant myths and eras. Also, Astyanax in my mind is a baby who died tragically, for little reason if we are honest, so to bring him back and make him a love interest is... ekh.

In addition, isn't Astyanax supposed to be crippled after a fall from the city walls when he was a baby? Sorry to change subjects but the show is so convoluted and with so many issues that it's extremely difficult to stay on track with what's wrong.

To the person who thought this show was a good idea:

Whatever. Bye. I'm fucking done.

[zvtara-was-never-canon]

Have you noted that no one from Azula's family was shown to express love and affection towards her?

That is mostly true. Ozai's affection is clearly conditional (and full on manipulation at worse, like we see in the finale), Ursa canonically favors Zuko to the point that we never see her spending any alone time with Azula like she did with Zuko, and while Iroh gave her a toy like he did to Zuko the toy in question was so OBVIOUSLY wrong for a kid like Azula that it's comical AND show's he did not really know his niece at all.

But there is a constant exception.

Zuko's relationship with Azula is complicated. He clearly admires her strength and power, but he hates how she uses it. She lied to him many times, was seen apparently cheering Ozai on during the Agni Kai, tried to have him imprisoned and even said she'd celebrate being an only child - and then allows him to come home as a hero after Ba Sing Se, even though SHE had the control of the Dai Li and was not yet aware Aang could have survived, meaning she had nothing to gain from it.

And when she lets him know that if he's caught talking to Iroh people might think he is a traitor too, and explicitly says "Believe it or not, I'm actually looking out for you" Zuko drops his innitial suspicion that she wanted something and that's why she was helping him.

On The Beach, he just follows her when she say their old family home is depressing and they shouldn't waste their time there. When she's asking him who she is angry at, she mentions herself and Zuko explicitly says that is not the case.

He doesn't trust her and know she has a tendency to mock or full on lie to him... yet when he wants to know about Fire Lord Sozin he asks her about it, and lets it slide when she mocks him by saying he should make sure the royal painter got his good side - for a character as quick to anger as Zuko, that is a big deal. In Nightmares and Daydreams he also goes to her to find out if he'll be allowed at the war meeting.

More importantly:

1 - Iroh's infamous "She's crazy and needs to go down" line was only said because ZUKO, without anyone putting that idea in his head before, suddenly went "I know what you're going to say. She's my sister and I should be trying to get along with her"

2 - Zuko only jumped into the fight in Ba Sing Se when Azula was being cornered by Aang and Katara.

3 - Zuko looked genuinely shocked and even distressed when she was falling off that cliff. He just sounded so shaken saying "She's... not gonna make it..."

4 - In the writer's own words, Zuko felt no hate but only pity when seeing her breakdown. Katara tried to comfort him because, canonically, even though Zuko and Azula are enemies, this was never what he wanted because he still sees her as family. That's why the Last Agni Kai's music is not the epic you'd expect from a battle, but a tragic one.

5 - Aaron Ehasz, the lead writter for the show, probably the person with the most influence after Bryke, has REPEATEDLY said that he always felt Azula should have gotten a redemption arc, Zuko being an Iroh figure to give her advice and be the only one still by her side when all else was seemingly lost to her forever.

Even the comics (most of which I HATE, mainly because Azula's storyline checks nearly every box for "the mentally ill are inherently evil/less human, so it's fine if literally every other person on the planet mistreats them") didn't fully abandon their complex dynamic.

Zuko is not a perfect sibling, and for a long chunk of the story he seemed too focused on his own issues for Azula to ever be a factor in his mind (aside from the moments in which she was a potential/explict threat), but he DOES still feel a sense of obligation towards her, to the point that it made him do something no one else in their family had done before or since - actually look at Azula. Not the prodigious daughter/perfect weapon, or the problem child that is difficult to handle, or the pontentially deadly enemy that was in the way, but Azula.

His 14-year-old sister that got on his nerves a lot, was far from the kindest person alive, and that he had a ton of issues with, but that he could never fully hate or even be indifferent to. Because she's family. Because he remembers a happier time in which the gap between them didn't seem so big. Because if things had been slightly different he could have been her. Because he went from wanting to be her to seeing just how miserable her life ended up being - especially compared to the one he now had - and feeling deeply sorry for her.

Now if you guys excuse me, I'm gonna go cry in the corner. Have some wholesome/bittersweet fanart if you wanna cry too.

[skyesdaisys]

Hi! Love your work, could you write a dick Grayson fanfic abt him and a quiet female reader warming up to each other (set between season 1 and 2)?

yes, of course!!!! god, i've wanted to write for titans on here so bad i just didn't have the inspo so thank you<333

—

talk to him

titans dick grayson x fem!reader

sunmary: you weren't exactly much of a people person. especially since you were 1 of 2 adults living in a huge tower in san francisco, watching over 3 kids you don't really talk to outside of training. and the only other adult being closed off so who knows what'll happen when he decides to talk to you out of no where

cw: not much, there's just some fluff with a teaspoon of angst because of communication issues (they both suck at small talk and beyond)

a/n: idc what anyone says about this show, it's given me so much comfort and a lot of fun and likable characters. so i'm so glad i can write for them as long as you guys send requests for them. as well as other characters from other shows like yellowjackets and etc. also i love dick grayson, even though he can be a bit annoying in this show (that i can admit) but he's hot so ajsjfndmfmf. also, i'm sorry it took sooooo long, writers block got to me badly these past few months, so i apologize if it's cringey and awkward. but i do give the benefit the doubt here because this story is suppose to be like that (also the fact i'm projecting my "bad at small talk" trait here). two grown adults that can't seem to have a normal conversation, like at all

after the trigon incident you were dragged in by circumstance, you were the only other adult to volunteer to help dick with... whatever he was doing. you didn't have any life to go back to anyways, and you made a connection to everyone else so why part ways and it be unlikely to see them again. sure, you weren't particularly close with the kids, but, what are you supposed to do in order to bond with them? so that left dick in titans tower, but he wasn't as much of a talker as you outside of training.

everyday for the past few weeks have been, eat, train, sleep, repeat on a loop, no 'how was your day' questions, because the days are always the same so there wasn't any point of asking. and you could tell the kids were getting bored of it, very fast, and you could not blame them. being stuck in a repeating pattern with nothing else happening started getting old after the first couple weeks. so, you didn't really know how long it would take til something changed, it couldn't be like this forever.

during this time, you admired the grayson from afar, he was attractive, what else could you say? you weren't an idiot. and you also were aware of his previous entanglements with kory and you didn't wanna be involved in that. and, well... you felt like a teenage girl having a crush on a guy who was going through some shit, so it was better not to bother him.

and not being much of a talker doesn't make the conversation about feelings be any better. like, maybe this was attraction and nothing more? you were aware of the difference between liking someone physically and liking them emotionally (specifically in a romantic sense). but even as you admired him, you learn things about him, paying attention to the little things. deep down, he cared for other people, if he didn't, he wouldn't have taken rachel in and helped her, and he wouldn't have done the same for gar or jason either. people just have their own way of showing their love and care.

but your admiring wasn't exactly subtle. rachel had noticed it when you were looking at dick from across the room, talking with jason. the roth wasn't sugarcoating anything when it came to this, "you keep staring, you're probably gonna be capable of shooting lazers from your eyes." and you knew she was joking around but she caught you by surprise, making you face the young girl. "why is it any of your business?"

"because it's kind of sad seeing you pine for him like this." she points out, "and also, gar and jason made a bet whether or not you'd confess. we have eyes, you know?" and she lightly bumped your shoulder with hers with a smile on her face, "and i'm sure dick feels the same way, though he's not very good of showing it."

"that is ridiculous." you shake your head, "one, i don't like him. not like that. i just think he's cool."

"are you sure about that?" the roth rose her eyebrow, "talk to him." but you were not moving from where you were so rachel decided to take matters into her own hands, she then gave you a push (a literal one) towards him, and now you couldn't run away. all you could say was, "hey..."

"hey." he responded. jason just stood there awkwardly in between the two of you, "okay, well uh—" he pretends to look at a watch that's not even on his wrist, "look at the time, i must be going." and he had immediately ran out of there before dick tried to stop him. there was an silent pause and you were trying to figure out what to say, but before you could, he asks, "do you want some coffee?" all you did was nod. after that, there was even more silence, you two haven't had a conversation that wasn't training related in like, a while. it just felt like you were both strangers who didn't know each other nor were you fond of one another.

"you're just as bad at small talk as i am, huh?" you finally had spoken up. and dick just shook his head, "i don't know what you're talking about, i know how to make small talk."

"oh really?" you rose up your eyebrow, "okay mr. 'i know how to make small talk', what do you wanna talk about? and please, don't let it be training related. because if i have to hear you talk about that one more time, my head is gonna explode." you tried to look irritated, but he could notice a small smile on your face. then he immediately went into the 'deep, emotional' stuff, "you never told me why you came here. you just did, and i'm surprised you stuck around as long as you have."

you answered it anyway, because why not, "well, it's not like i have anywhere else to go." you set down your drink, making direct eye contact at him, "besides, the second i got here, and realized how big this place is and i have my own room... what, did you expect me to pass it up?" and you ended up making him laugh, which was surprising, "what is so funny, i'm just being honest." you were unsure why he was laughing, so you just took a sip of your coffee. he explained, "your honesty is refreshing, that's all."

"really?" and he nodded as a reply. you just sighed, taking your coffee and leaving. it's not like you had anything else to talk about and just sitting there would make it more awkward, so you just left. does it make it any less weird? absolutely not.

you guys didn't talk much after in the next few days, up until you decided to play hero on solo when you see a woman getting mugged by this guy in a mask. it was like one of the many movie cliches that you see brought into reality.

too bad it didn't turn out like expected, where you got shot in the leg. thankfully, the kids were able to track you down and bring you to the infirmary, gar was trying his best to patch you up and rachel was there for emotional support. as for jason... there wasn't much else he can do than just stand watch, up until dick had walked in with a worried expression, and the three teens immediately rushed out of there as soon as he walked in the room. you could've left if you wanted too but, obviously you couldn't.

"jesus fuck, you could've gotten yourself killed, what were you thinking?" all of his emotions were being let out in that moment, it was the most emotion you've seen him express towards you in like... ever. yet you couldn't help but be a bit sarcastic, "yeah, keep yelling... it's not like i'm literally a few feet away from you or whatever."

dick sat on the edge of the bed and started to explain, "sorry, it's just... when i heard what happened, i didn't know how to feel, or express it correctly." he gently set his hand on your injured leg, softly, "just if anything happened to you, i—"

"i'm tougher than you think, grayson." you reassured him, and you noticed a tiny smile creeping up on his face.

"i know it's just... i don't wanna lose anyone else."

you lean up a bit to set your hand on his shoulder, "i'm not going anywhere, dick." you then stopped for a second as you come to realize, "and we just had a conversation that didn't involve small talk. maybe i should get myself hurt more often." you were obviously joking at that last part, but dick's reaction to it was priceless, "i'm kidding. you are just... not what i expected."

"the feeling is mutual."

a part of you wanted to kiss him, that it felt right, but another part was saying how the timing of it all wasn't. and maybe these feelings you're having are actually real. because now, there was something in your heart that was growing that wasn't just admiration, and it felt weird, but a good weird.

maybe when the timing is right, they'll get to it, but until then, your growing friendship in the moment is enough for now.

[superectojazzmage]

I really dig Qimir's characterization. He's a Sith and a lot of the brutality of Sith culture is on full display, but he doesn't really come off as necessarily evil or even especially malicious, at the very least no the in the typical way Sith villains are portrayed.

Mae's hunting of the Brendok Jedi seems to have been more of a personal thing for her that he reluctantly went along with as part of her training, and Qimir himself is evidently more concerned with keeping his culture alive than perpetuating old grudges. He hates Jedi because of all the bad blood between them and Sith and the ideological differences and has no issue with killing them, but also mostly just wants to be left alone to practice his faith, use his powers, and rear his own students/children as he sees fit rather than being forced to follow the laws of the nation that destroyed his own.

He bears no delusions about the Sith's current predicament as a tiny husk of it's former self hiding in the cracks of a society dominated by ancestral enemies, like many of the Baneite Sith do. He isn't interested in fantasies of revenge and conquest. As he says to Sol, the only reason he kills the hunting party is because Mae has caused them all to discover the Sith, and if the Jedi Council and Republic learn about Sith still existing they'll default to slaughtering or depowering them all for being "tainted by darkness", the exact same way they've done after every prior conflict with the Sith.

And while he disagrees with the Jedi Code, he also despises when Jedi fail to follow their own stated principles and gladly points out when they're being hypocrites (like how he mocks Sol for being upset over Jecki's death because she's "a child", as if he didn't personally lead said child into lethal combat after rearing her as a warrior and as if the Jedi in general don't use their padawans as child soldiers as a rule). His obvious disdain Sol and the Brendok Jedi specifically over even the other Jedi seems less motivated by the Jedi-Sith feud and more by him knowing about the very bad thing they almost assuredly did on Brendok and being livid about them continuing to act like they have the moral high ground despite it.

In a lot of ways, he's in the same position as the Brendok Coven, someone who wants to be free to live their own way and not be bashed into line by the Jedi and Republic, which would certainly explain why he and Mae gravitated to working together. They see each other as kindred spirits, both people left alone and in hiding by the imperialism of the Republic and the Jedi's refusal to let anyone who challenges their view of the Force exist in the long term, if at all. And that also adds to his anger with Mae when she turns on him; she was trying to throw him under the bus so she can ingratiate herself with the people who killed both her and his people. Even in a culture that values cunning and deceit, that sort of betrayal would probably be seen as unimaginable, the kind of dishonor that can never be atoned for.

All in all, the show is such a nice throwback to the more morally nuanced and even-handed works you used to see more of during the Legends EU days, showing the flaws and issues with all the involved groups while not coming down too hard and deeming any one pure evil, as well as treating the individual characters within those groups as varied in nature but usually sympathetic or at least understandable. The Jedi as an institution and a part of the governmental system are deeply flawed at even the best of times, but most of the Jedi come off as decent folk who are genuinely just trying to do the right thing. The Brendok Witches had their issues, but also justified reasons for everything they did and at the end of the day they just wanted to be allowed to live their lives without fear of outsiders storming in to take their children away and forbid them from passing their ways on. And now, with Qimir, yeah, the Sith culture is shown to be very harsh, ruthless, or even downright savage by the standards of the Jedi (and our own real world values), but they're still people at the end of the day.

[positivelybeastly]

Love reading through your analyses and I was wondering if you had insight on something I noticed with Hank/Beast and Kurt/Nightcrawler: writers often use both of them in the visible mutation metaphor and emotional cores, but Kurt's approach is more from faith and Hank's is more from curiosity. Often when one or either are gone/dead/changed, things seem to get worse for the Team overall.

Do you think those two would benefit each other's characters? Even just to have spirited philosophical discussion?

So, this actually touches on a funny thing that I've noticed with Beast and Nightcrawler over time - which is that they're almost never on the same team together, probably precisely because they serve an extremely similar function in a team composition, for the reasons you've kind of touched on here.

They are, after all, both heavily visibly mutated individuals who were, or are, considered figures of great integrity and morality, with a strong code of ethics and a depth of feeling that expresses itself in a deeply vivacious personality - romantic, friendly, charming, and erudite.

Therefore, having them both on a team is, unfortunately, somewhat redundant.

That being said! They do still interact, and they're shown to be sources of great comfort and friendship for one another. Their first meetings were - somewhat inauspicious . . .

See, this is the funny thing about old comics - storylines just flow and flow and flow. Comics didn't stop after ten issues and get restarted with a new #1 every few months, they just ran and ran and ran, and the pacing reflected that.

There aren't usually month long gaps where you can assume nothing happened and people just got to hang out, they're working hard! Hank has been working with the Avengers so much that he literally hasn't even had time to meet the new X-Men properly! Wild.

But, eventually, things did slow down, and they got a chance to properly socialise, and, as expected, they got along like a house on fire.

Like, these two are just born to be friends. They have so much in common. Where Hank leans more to the obscure, the erudite, and the scientific, Kurt leans more to the dashing, the swashbuckling, and, of course, the religious, but they're still both fundamentally cut from the same cloth - acrobatic, charming, philosophical, heroic, fun.

But, that same alike quality means you don't get a ton of interaction between them, so I cling to what they do have. One of my favourite interactions between them is in Nightcrawler's 2004 solo series.

First off, absolutely adore Hank in this art style. The fact that the artist decided to include the detail of his fur poking out of the shirt like that is just. It transfixes me. I really want to go over and just. Run my fingers through his side fur. But mostly, I just like their chemistry? Hank's a great supporting character because he's so emotionally intelligent and reflective, and he's great at giving people perspective, usually with a healthy dose of sarcasm and teasing.

That being said, this scene is always the one I point to whenever I say that the X-Men really have no idea what's going on in Hank's head a lot of the time, because this took place after Hank had been psychically brutalised, nearly beaten to death, and one of his best friends had just been murdered - and he's doing a really very good job of hiding that trauma.

So much so that Kurt thinks he's just fine. He's just fine. There's nothing to worry about. But it's not Kurt's fault, and it's nowhere near unique to him, either. He had no way to know, he had his own stuff going on (the subject matter of this solo series, as it happens), and Hank is doing well enough that it isn't interfering with things, so, let him deal with it in peace, I suppose.

At least on this occasion.

Kurt is, after all, an emotionally intelligent and caring individual. You can't stop Nightcrawler from trying to help where he can. And I think that even just the reaching out, just the show of support, can be enough for a character like Hank.

Moments like these matter, in my opinion. It's important to show that teammates and friends care about each other, in the moment to moment stories, otherwise it can all feel very impersonal and like no-one cares about one another. This is how you establish dynamics over years, even between characters who have, technically speaking, never really been on a team together before.

The next big milestone I can think of comes after the X-Men's move to Utopia, where, again, Hank and Kurt don't share a ton of panel time together, but . . .

This is one of the few times you'll ever hear anyone say that Hank was right. And it's not really a surprise that it comes from Kurt, because, again, these men are cut from the same cloth. They come at it from different angles, but they believe in much the same things.

And . . . that's why it hits so hard when Kurt dies.

I don't necessarily agree with the decision to have Hank break from the literal funeral procession to call Scott out for Kurt's death. Some fans of Nightcrawler really appreciate that moment, because it shows how much Kurt's death affected Hank, but I personally just. Don't think it tracks, for Hank to be quite that disrespectful.

After the funeral, or even before, but during it? Nah. Matt Fraction made a good few Hank characterisation choices I don't agree with, and this was one of them.

This felt a bit more apropos.

Remember what I said about how little moments build to dynamics between characters who have never been on teams together? I buy this moment so much more with the context of that moment from Endangered Species, where Kurt is literally positioned as the light trying to pull Hank out of the dark path he's following with obsessive fervour. The fact that he was trying went a long way. Hank felt it, even if he didn't take him up on it at the time. That moment mattered.

And that's why I absolutely buy Hank's reaction when Kurt came back to life.

Hank believes in Kurt. He believes the very best of him. On teams where Hank can often feel alone or isolated, someone like Kurt will reach out, and make him feel connected, and welcome, and pull him back. Temper his scientific pessimism and realism with optimism and belief. Restore his fervour, and remind him of simpler, happier times.

A lot of the best scientists, who have contributed the most to scientific inquiry, were religious, because for a lot of them, there's no real conflict between science and religion, they're both two sides of the same coin, in a way - a belief in a higher power. It's just how they react to that higher power that changes.

And while Hank was explicitly religious for a while, I always interpreted him as losing that faith over the years, becoming bogged down in the real over the sublime as what he went through wore him down. Someone like Kurt was able to spark that in him again. Maybe not his faith, per se, but at the very least belief in the human spirit.

It's important. As you say, massive benefit to each other's characters. Underrated dynamic, these two. Absolutely love 'em.

[condensed-ink]

I've been thinking a lot about #FixTF2 and I know that some might have their doubts about the movement, however, I've realized that, even if it does not succeed in getting Valve's attention, it will end up contributing towards an important development in recent years - the shift in the public perception of Valve.

If you are person who was growing up in the early 2010's then you obviously remember how Valve games were essentially the cultural zeitgeist of the time, how you would see pictures of King Gaben on every meme/YouTube thumbnail during a Steam Summer Sale. As I understand it, Valve essentially rode this wave of good will throughout the 2010's. Even when everyone was getting frustrated with the lack of sequels for games such as HL2 and L4D2, some people would just excuse it with "ah y'know Valve, not communicating and not doing anything is just their style, this is just probably part of Gaben's 5D chess - tier master plan". However, the cracks in this image have been slowly showing up for a long time:

Portal fans haven't had anything since Portal 2's release back in 2011. We have had some small VR titles but that's hardly any consolation.

Left for Dead 2 came out all the way back in 2009 with nothing afterwards. As of June of 2024, the game still has more than 10 thousand concurrent players yet it is also unplayable for a significant amount of people due to reported DDos attacks.

The suffering of Half - life fans at this point is a meme in itself. The only thing we got was HL:Alyx back in 2020 and, even though it's a very good game, it was inaccessible to a lot of people at launch due the costs and lack of VR hardware. We were left on a cliff-hanger AGAIN and four years later we have no news of any follow-up.

In my opinion, Valve to some extent could ignore these fandoms since they were smaller compared to their big earners. But it is the recent issues with these bigger titles that have started to test everyone's patience and tolerance for Valve's bullshit:

Team Fortress 2 - I mean what else is there to say: rampant cheating and idle bots, bot hosters doxxing and swatting people. The bots crisis has been destroying the game for the past 5 years. If we remember the original SaveTF2 movement, it had a more positive tone, i. e., people talking about how much they love the game and pleading Valve to fix it. Well, one shitty tweet and two years later the tone has gone from "Please fix the game" to "FIX THE FUCKING GAME YOU ASSHOLES" and rightfully so.

CS2 also has a myriad of issues. CS:GO became CS2 after the game jumped to the Source 2 engine, but the resulting game, by many accounts, is a downgrade. A lot of game modes and maps from the original game were not included and are still not present as of June of 2024. Cheaters are rampant. To what degree I cannot say but it is to an extent where a significant enough portion of the player base is affected. Also, the game hasn't had an operation (major content update) since 2021. The player count is still high, but a lot voices in the community have been chewing out Valve for this level of incompetence.

With DOTA 2 I cannot say for sure. Some people talk about neglect whilst others say the game is in a decent state considering the game still gets frequent updates and patches. At most I can say that there is a portion of players that are dissatisfied with the state of the game but most likely to a much lesser extent than in the previous cases.

HOWEVER

All of that is just one part of the double whammy, the second part is probably is much worse than the first - a lack of continuity for Valve's legacy.

I mean, let's think about it for a second here: most of us who grew with the Valve classics are probably in our mid-to late twenties at this point. Of course, I'm not saying that there aren't any younger fans but the bulk is the old guard. I'm pretty sure a lot of kids and teenagers don't even know a lot about these games and it's not their fault, they weren't old enough to experience them. The blame lies SOLELY with Valve because they have done NOTHING to boost the visibility of their older series due to the fact that they haven't bothered to make a single proper sequel for any of them.

And speaking of visibility, Valve's advertising strategy is non - existent and downright insulting . They really have this holier-than-thou perception of themselves, where they think "I am THE Valve softworks, makers of TF2 and Half-Life! How could you NOT know of us?!?!" and then expect everyone else to spread news of their games through word-of-mouth. Like, I'm sorry, Gabe, but we don't owe you shit. I'm not gonna advertise your shitty card-game and upcoming mediocre 5v5 hero shooter just because I had fun playing TF2 back in high school. Like, it's no surprise that you're not gaining any new fans when this has been your modus operandi for the past 10 years.

TO CONCLUDE

This is where we are right now: the old guard is either apathetic or straight-up hates Valve for their negligence, the younger generation barely knows about most of Valve's OG game series due to the lack of any meaningful output. At the end of the day, Valve isn't going to bankrupt, they're gonna keep taking their 30% cut from Steam and peddling gambling addictions to kids via cases. However, the era of good will is over, nobody is cutting them any slack anymore and, frankly, they deserve all the shit that's going to get thrown at them.

[notafragilething]

The Twitter Mess is Suspicious

So going through all the information that has been sent and shared with me today about Lou's twitter post I'm fairly sure it was a hacking. Obviously, we can't know either way and it's likely never going to be publicly addressed but that seems to be where it's pointing to.

I will say there is a lot of information out there that seems to just be made up so I'm only talking about what I have been able to confirm.

We know last night that Lou's twitter account followed an anti-BuckTommy, Buddie stan who had previously posted the old Instagram posts. His account also tweeted a random screencap of an Instragram profile that had an abliest joke about blind children in it. Shortly after the tweet was deleted and Lou's account blocked them. All of this was confirmed with by the owner of the twitter account his account responded two. I do not think the owner of that account has anything to do with the hacking because he seems equally confused by this behavior.

The first reason I think this is fake is because the account followed the anti-account. Which would make little to no sense for Lou to do. However, if you wanted to make sure that account saw and screencapped the response and shared it to their decent size following? Replying and following tracks.

The response is weird for two main reasons. The first being the fact that it's an ableist joke. The tweet was responding to criticism of Lou's previous posts. Even the account holder pointed out that this was a strange, strange way to respond. It wasn't an insult, it wasn't a response, it was a joke. If this was Lou responding to the criticism, you would think it would be more direct.

The second reason this response is weird is because it's a screencap of a profile on Instagram that has zero followers and no posts. The joke wasn't even a post, it was their profile message. To me, this seemed like someone was trying to replicated the style of early 2010s meme culture that was a lot of screencaps which include posts, usernames, etc. instead of just the actual image but wasn't around for it so they didn't fully understand it. People weren't screencapping profile messages, they would just screencap a post they wanted to share to make it their own that showed up on their feed. So this seems like a failed replica to me.

The quick deleting and blocking of anti-Bucktommy fans makes sense if this was a hacking. Lou is a verified account and I'm not sure how long he has been. But this means either he got verified because he's an actor (which proves he owns the account) or he pays for it (which is easy to prove by providing your credit card number to customer service). Either way, he was likely able to get it back pretty quickly, deleted the post in question and blocked people.

I know a lot of people are saying he would have said if it was a hacking but I disagree on that. To start with, it would have simply brought more attention to this and there truthfully doesn't seem to be a lot of traction around this. Second, if he did apologize it would draw attention to the original instagram posts (which are now deleted) and that wouldn't be good PR. So likely this just won't get mentioned moving forward.

Other weird thing I noted is both the anti-BuckTommy user and the screencapped acccount both have similar Chuu/Cuuh in their username. Which does make me think there might be some other options for what happened but I don't have enough information on that at the moment to express those.

Overall, I don't think this is the major issue that some people are making it out to be. I'm leaning towards hacking but there are a few other options. None of which are these awful, horrible things that some antis are making them out to be.

Until I get more information I'm opting not to give this anymore attention. It isn't picking up traction and it likely won't and most people will have probably moved on in another day or so.

If you have more information please reach out and share it with me.

[elsecrytt]

gojo only ever being needed and not wanted broke my hearttt noooo. i just love gojo x mundanity so so much. all he wants in life is a quiet peaceful life with someone who just sees him without his six eyes. there will always be something so bittersweet about that mostly cuz he'll never allow himself to have that life completely:/

i've seen that one post going around that's like "“if i cannot be wanted, i will be needed and if i cannot be needed, let me be used until there’s nothing left of me” and although i don't think gojo is actually that self-sacrificing, i do see a bit of him in there.

like, we know for sure he treasures "youth" and in particular his own "youth" very deeply. we see the s2 opening with him in high school with geto and the other students, doing just regular things, looking genuinely happy and having tons of fun.

gojo used to smile and laugh with people. people who were his peers. and maybe that was mostly possible because they were peers then, instead of him being the pinnacle of sorcerer society. when kenjaku shows up he gets a minute-long internal flashback of all those old times. it meant a lot to him.

on the other hand, though, gojo is absolutely a bit of a bully deep down. he was still a jerk sometimes in high school (though he DID have a good heart - hence the thing with riko) and he clearly has fun when he's fighting curses lol. he takes a lot of joy in his power, and why wouldn't he? it's kinda all he's got going for him. self-fulfilling prophecy and all.

ngl a bunch of the lines in that piece came from this yandere!gojo wip that's still in the drafts. basically gojo wants a non-sorcerer to play house with and he's ecstatic about this whole "relationship building" thing. he has no hobbies bc everything is easy for him, but his personality - and the circumstances - make winning your love an actual challenge that he can have fun with.

but internally his logic is actually kinda sad and understandable. gojo is worried he'll go insane like geto did. lose all sympathy for regular people, and for other sorcerers, too - maybe his own students.

and if gojo loses it, who's going to stop him?

if gojo loses it, and gives up on humanity like geto did, then what was the point of killing geto in the first place?

that can't happen if he has a non-sorcerer lover. and honestly? i do think gojo genuinely does like people, in the general sense. he likes getting specialty sweets and playing baseball. he takes his students out for meals. the memories we see of his youth? him in the arcade, walking home from school, eating out with his friends.

i think he likes ordinary, mundane things a lot, even if he loves the other parts of his life. he probably loves bugging baristas and fast food employees and passerbys in his life. he is lonely at the top, but with regular people, he can pretend he isn't.

it's tragic, but in a way, it's also an issue of his own making. i don't buy gojo's whole "you can admire a blooming flower, but you can't ask it to understand you" crap. gojo, loneliness and isolation are a part of the human condition. you are NOT the first or only person who feels this way. i'm optimistic that he could get through it if he tried... if gege didn't have it out for him LMAO

[amysgiantbees]

Mizora is TERRIBLE!

She prayed on a seventeen year old, a child.

She isolated him from his family and community.

She manipulated him into taking a bad deal because she knew he'd be too stressed at suddenly having the fate of his city (and maybe the world) on his shoulders to argue over his contract.

Never allows him to keep a copy of said contract which he couldn't possibly memorize. It seems like every time she shows up she pulls another clause out of her arse so this thing sounds long and complicated. Plus, legal documents are famously complicated and dry and would not be easy to remember.

She further isolates him by not allowing him to explain himself and their relationship to others but popping up whenever she wants. So he HAS to be the kindest most goody toe shoes person possible otherwise people will just reject him or worst when she shows up. Like it's great for Wyll that he's incredible at deception but is not a deceptive person otherwise you mightn't trust him when she shows up but there's truly no question that he's not a good person.

She replaced his eye with a sending stone. He literally can't escape her. That would make me feel so paranoid, incapable of feeling truly alone. It's so violating. She replaced part of his body with something of hers. He literally has a part of his abuser imbedded into him. It kind of reminds me of Astarion's scars.

She treats him like a slave. He is her slave essentially. He has to work for her with no real way out. And she hammers home his powerlessness by comparing him to an animal and her pet.

She tries to seduce his friends, driving a wedge between them and making him more isolated.

She owns his soul. He will be her property for all eternity in the Hells in whichever form she chooses, probably a lemur and definitely still a slave. He probably felt a little relived to be illithud because if he turned he wouldn't have a soul she could take.

She tricks him into saving her, the person he most wants dead.

Ransoms Wyll's only family for his soul.

She WILL NOT LEAVE your camp. Can you imagine if Cazador or Shar just hung around Astarion or Shadowheart's tents for WEEKS. It would be insane. They would be traumatized. But Wyll doesn't even get to react to it because of his lack of content due to the rewrites!

The cherry on the cake. The thing that got me thinking about all this in the first place. I'm playing an evil route atm. So I killed Karlach hoping to turn Wyll to a darker path like they promised in this article https://gamerant.com/baldurs-gate-3-wyll-early-access-story-change-karlach-explained/. But Larian would rather fix a million tiny issues than their black main character's story. But the point is Wyll killed Karlach and Mizora comes to reward him for a job well done. And she rewards him with THIS:

The infernal robe. A rare piece of CLOTHING not ARMOUR CLOTHING. Default Wyll can wear light armour so this isn't that useful for him but do you know who works really well if she wears clothing instead of armour? Karlach. Mizora rewards Wyll for killing Karlach with something useless for him but would of been great for her.

[leebrontide]

Ok so I said I would do a post on “reasons you’re not writing” from the POV of a writer/therapist who works with anxious, depressed, and neurodivergent clients. If you dig that, read on.

But firstly, a disclaimer. This list is far from comprehensive. Don’t yell at me if your experience isn’t represented. This is a tumblr post. Have realistic expectations.

Also, sometimes the reason you’re not writing is that your other obligations are just taking all of your energy and focus. Fixing that is well beyond the scope of this.

That said, here’s a bunch of barriers I see people run into all the time.

1) You’re afraid of failing, and subconsciously feel like it’s safer not to try.

This is a tricky one, because it's probably messing up many areas of your life, which in turn means you're going to frequently feel stressed out in general, which speaks to the point above.

This is around about where the general internet will tend to offer you an array of affirmations to use to sooth yourself. And that's fine. If those work for you, then use them! BUT, if the affirmations aren't working, then friend you have a bigger project on your hands.

You need to get comfortable with failing, particularly at creative projects. I know that can feel scary and vulnerable, but you won't take risks if you can't fail, which is going to hem in your creativity so hard that your motivation will starve. This is why people talk about writing a garbage draft. Not because they want to make garbage, but because they need the option of making garbage in order to take risks. That may or may not work for you, but either way, you really might wanna look at how to lower your stakes.

2) You’re not sure what you’re trying to communicate.

You can make things happen in the story, but you feel like you’re wandering around aimlessly. You don't find you're making decisions with conviction. It might be hard to really fall in love with any of your writing decisions.

For this one, I suggest stepping back and figuring out what the core of your enthusiasm for a story consists of. That CAN be a message or philosophy. It can also be a feeling or a vibe or a dynamic. That gives you a structure that you can build your decisions around, that you can be enthusiastic about.

3) You switched hyperfocus. And maybe your new hyperfocus is a lot of fun, but you feel sadness thinking about the WIP you left behind.

This one has a similar need to the one before, with an added layer of nuance, because you're probably already struggling with identifying what does interest you. This can make people feel really hopeless and helpless.

I have three totally different suggestions for this one. The first is to just be patient with yourself. Sometimes it's good for your brain to just indulge, and let your brain mine for dopamine where it can. Like, lean in. Spa day for your brain, as long as it's feeling good.

Secondly, see if you can find creative ways to weave your hyperfocus into your writing. Is there a dynamic in your favorite show that can inspire your writing, even if it's an original work? Do you want to take a moment to think about how transportation works in the history of your world? Can you consider your MCs relationship to old movies?

It doesn't always work, but sometimes instead of trying to switch things over, you can build a bridge, that gives depth and texture to your work.

Finally- consider embracing short fiction! Do some writing inspired directly by the hyperfocus du joir while it's around.

4) You feel like nothing you say will be interesting to anyone else.

We understand this is a self-esteem issue, right? You're gonna have to develop the trust that your experiences are not so utterly unrelatable to everyone else that your perspective has no value.

Friend, you are a human, with human experiences, writing for other humans. Trust me, you can do this.

It can help to think about your actual convictions. What do you know? What have you experienced? What matters to you? Funnily enough, the cure for feeling like nothing in you is worth expressing is to pour more of yourself into your writing.

5) You’re collapsed. It’s hard to feel enthusiasm and energy for things.

You're not gonna like this, but for this one I encourage you to put your keyboard or notebook down and stop trying to write right now. I know that when you're feeling better the writing feels good, and you're trying to feel better because everyone is telling you to feel better.

But it's not working, is it? If it was, you wouldn't be reading this.

For many people, writing requires them to be able to feel investment and excitement, because those feelings help steer them towards what's going to work and be exciting for the reader.

Your best bet is to focus your energy on finding gentle little activities that aren't so hard to focus on. Ideally, ones that get you moving just a little bit. You'll have a better time writing when you're less collapsed.

Shaming yourself and getting hopeless and anxious because you can't do this really difficult task right now will make you more collapsed, not less, which will be the opposite of helpful.

And yes, these are depression symptoms. Consider reaching out for supports and assessment around that if you can.

6) You can’t figure out the next step.

Thank God for the internet, this one is a lot more actionable than it used to be.

The first thing to do here is step back and ask yourself "where am I getting lost?" If you have someone to talk this through with, even better.

Then you hop on to your favorite search engine and type in "Stuck on my outline 2nd act" or "can't get started editing" or whatever. People LOVE giving writing advice. There's plenty around. Read some advice! Try things out!

Now here is the critical point- when and if that advice fails, stop and figure out why it failed. For example, I have a short term memory disorder. Most writing process advice is for people who do not have short term memory impairments. So a lot of the advice just plain didn't work for me.

By figuring out that my subpar memory was in the way of my writing process, I was able to put together processes that work for my specific brain and my specific process. You can read about that in more depth here and here.

Frankenstien yourself a process out of stolen bits of other people's processes, with an understanding of your own personalized needs as the lightning that brings it all to life. If you have even traits of ADHD or autism or other forms of neurodiversity (no diagnosis needed) you might also google "ADHD editing hacks".

Finally, and maybe most importantly, chuck anything that you can't adapt right into the trash. I don't care how great the writer who gave the advice is. That's what works for their life and their brain. You have neither. Writing advice is only as useful as it is adaptable.

7) You think of yourself as someone who doesn’t finish things, possibly with history to back that up.

Oh, I feel this one. This was me so hard. For so long.

Make room for the idea that you can and will change over time. Getting shit done is largely a matter of developing a bunch of skills. You've already developed so many different skills in your life that you might not even recognize some of them as skills. But I promise you that you have.

But you see #6? Go read that one again. If you're not finishing things, it's because there's something missing in your routine and process that you haven't developed skills around yet.

I'm not gonna tell you it's easy, but you can find and isolate the barriers and figure out ways around them.

8) You have too many projects and feel frozen when you try to pick one to work on.

Ask yourself if this is a real problem. It may be! Maybe you dream of making a living off of your writing! That requires a level of consistency.

But it also might just be that you've had it drilling into your head that not finishing things is some kind of personal failing.

Write out all your WIPs and story seeds.

See if some of them can be mushed into one. Some AMAZING stories come from people combining story ideas that seem separate into a single story. That's fun.

See if some of them are not for finishing. What's that post going around? Some stories are for finishing, and some are just for "getting the wiggles out"? That's solid advice.

Maybe some stories are just for daydreaming on the bus. Maybe some stories are actually only 1/3rd of a story, and you want to leave it to grow in the ground before you try to do anything with it. That's incredibly valid and common!

If you actually look at the stories that you have that are for finishing, right now, you may find a much more manageable number. And if you only have like 2 or 3 things you're working on, you can just let them take turns as the passion for each project takes you.

Keep a file somewhere of these undeveloped ideas. I have a scrivner file that has each idea it's own little sub-document so I can add thoughts to them for years as they percolate.

9) You get lost in preparation and don’t make it to the page.

A couple different things can be happening here. One thing that may be happening is that you're just a writer who needs a lot of research and prep time before you write. I'm like that. I will prewrite intensively for a year before I write a single sentence. That sounds ridiculous to a lot of people but it works with how my brain works and then when I do start writing I can easily and happily churn out a consistent 2-4k words per hour. If it works it works! Don't let anyone shame you!

The other option is that you feel like you're going to get something wrong/fail/get in trouble if you get anything "wrong". You feel safer doing research, so that's where you stay.

Only you can figure out which it is. Introspect. Then you know whether to focus on managing anxiety or just keep preppin.

10) You want to write, but when you sit down to write suddenly it’s two hours later and you’ve written like 5 words but curated 3 new playlists, read some fanfiction, and argued with some strangers on the internet.

Brains are rough, aren't they.

There are two schools of thought here. Both work, but not for all the same people.

Option 1 is to clear distractions. Download one of those apps that keeps you off the internet. Put your phone someplace that you need a ladder to reach, so you have to very actively decide to go get it. Noise cancelling headphones. Comfy clothes. Protein rich snacks and a beverage within easy reach. Pee ahead of time. Make a routine out of it to train your brain into associating this with focus.

Option 2 is to figure out the optimal level of distraction. When I write nonfiction I almost always have mindless home renovation shows on at the same time. Because nonficiton writing isn't quite stimulating enough to hold my attention. So my attention wanders and I end up doing something that WILL hold my attention. When I write fiction, I need music OR to be outdoors where I can look at trees or clouds or people on the sidewalk. I can't watch any kind of TV.

Think of your attention like a pie chart. Different writing tasks may take up different percentages of that pie. If you're awesome at focus maybe you can just put 90% of your focus on writing, and the other 10% is just making sure you don't forget to eat or something. But if you can't reliably conjure up more than 70% for one thing, then fill the rest of the pie with things you can easily pick up and put down. I only look up at the home decorating shows when my passive audio scanning suggests it's something I want to look up at.

These are both good approaches. Ignore anyone who demonizes either. That only means they've found the version that works for them.

You have your brain. Build a process for your brain.

I hope this helps. I have a free monthly newsletter if you like hearing my rants. It is...not consistently about writing advice or mental health. One time I wrote about how genetically modified goats are related to French colonized Madagascar in the 1800s as well as the modern US military. One time I broke down modern challenges to medical privacy practice policies. This is all to do with what I write but in an idiosyncratic way.

Cause I gotta write about what I care about.

[detectivereads]

Delicious in Dungeon vol 6 by Ryoko Kui

10/5

This post is for fan entertainment, I’m not being paid.

Dungeon Meshi Thursday!

Ok part 2 of the Red Dragon Arc, we need answers of what happen with Falin. I do have a lot to say about certain characters so this might be long.

I may rehash a rant that I had in Vol 5, just because it shows up a lot in here. I will get into it when it’s in full swing. But I also have some thoughts on what Laios did as well. I would like to apologize if I tend to go on a tangent about Shuro. This volume has a lot of drama.

Ok, Vol 6 it picks up where Laios’s group meets up with both Shuro’s group and Kabru group, after some friendly-ish banter between everyone, and getting a meal ready to eat.

I have issues with Maizuru, yes, I can see her as the brains of their group, however I don’t like how she comes off as superior towards Senshi. (I don’t like people being mean to Senshi. Senshi is a precious bean.)

With that aside, I did like Chilchuck in this volume, thinking which of the two people Laios and Senshi he needs to stick by in order to do damage control if they irritated someone of in the new groups, he picks Senshi. I can see with his enthusiastic nature towards dungeon cooking.

However, Chilchuck picked the wrong person to keep an eye on, because while that was happening Laios had given a play by play to Shuro on what happened, how Falin was brought back from the dead. Shuro freaks out, and when looking at the method of using old magic when it has been forbidden a non-magic person would freak out about.

I can see both sides.

Laios wanted his sister back and Marcille could do a spell that could bring her back. Now, Marcille knew what she was doing, and even said that the spell was nothing nefarious.

While Shuro being a non-magic user hearing this and obeying the law of black magic is outlawed, would immediately end relationships with Laios and Marcille.

This is the start of Laios being moved down in my favorite character tier. Laios was almost expecting Shuro not to tell anyone top side. Granted, I understand that Laios told Shuro out of respect towards the man.

Ok more drama happens with Chimera Falin entering the fight and totally whoops everyone, but at one point she retreats.

With a good chunk of the group dead, they bring back the magic users, but refuse to allow Marcille’s help fearing that she would cast black magic again.

Ok new rant time

Shuro had traveled with Marcille I want to say a for a while. Shuro should know Marcille by now she would cast powerful magic only when she needs it too. Marcille also probably could also read the room that everyone is on edge about the ancient magic she casted to bring Falin back.

I also understand since Shuro is not a magic user he and the other non-magic users have more of a reason to be a bit wary.

I am sorry, Shuro is one of my least favorites at this point when he does get into a fist fight with Laios. Shuro complains that Laios was unbearable to be around that he never takes the hints that Shuro wanted to be alone.

This is another thing that bothers me, again traveling with Laios and the rest of the group before the first red dragon fight. Shuro should have picked up that Laios to put it bluntly is not the brightest blub in the box.

My friend made a nice comparison, that when Chilchuck is getting annoyed with Laios he will tell Laios without beating around the bush. Laios then understands and backs off. Shuro doesn’t voice his issues with Laios. Some people may not pick up the hints that person A wants to be left alone, you have to be direct about.

Ok, rant over.

After the fight and some planning Shuro and Kabru’s group are going topside to tell the lord that there is a more powerful monster in the dungeon.

While Laios’s group is going to defeat the mad mage of the dungeon.

Laios group runs into some shapeshifters, that have taken on the form of the group. As the whole group agrees that Laios is Laios, they locked up the fake Laios and some very obvious fakes of the 3. Everyone agrees that Laios should be the one that figures out who is real and who is fake.

Now we meet a new character, a beast person named Izutsumi, ok I will tell you know I really didn’t like her when I first met them. She is demanding and she threatens the group if they don’t help Izutsumi, she will murder/hurt them.

Izutsumi wants Marcille to take the beast part of her curse off and keeps threating if they don’t help, she will kill them.

 Senshi being the generous soul that he is, makes her some risotto.

But Izutsumi is not really well versed in how to whole eating utensils, having issues holding a spoon but is still shoveling the food down quickly. I can overlook that no one is perfect, but Izutsumi doesn’t like mushrooms (Ok, I don’t care for mushrooms either.) But she lets them fall to the floor.

Senshi has the patience of a saint, but it looks like Senshi patience has run out (psyche! Senshi is a sweet bean) But then Izutsumi’s curse is activated and a Japanese looking ghost (I’m sorry the name of the ghost with a oni looking mask and craving knife escapes me at the moment.)

So, once again Senshi giving so wise wisdom and being a bad ass taking down the ghost/demon, why using utensils a certain way will maximize the usage.

However, Marcille breaks the news to Izutsumi, her curse is not going to come off. Which crushes Izutsumi. (Or Marcille is unfamiliar with the process of the removal, she also goes into detail about the different types of ancient magic. While she specializes in one type she doesn’t know this type.)

The last chapter, I got newfound of respect for Marcille.

Marcille is facing a nightmare and Laios goes into her dream and tries to help. Through his adventure, Laios understands the fear that Marcille faces being part elf.  I will leave it at that.

Ok I know I had some rants throughout this volume, but that doesn’t mean that I didn’t like it. I have my favorite characters (if it’s not obvious) while throughout the journey I get new respect for others or others are moved down on my favorites list.