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heph · 4 months ago

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TLDR: Got any drawing exercises to recommend?

I’m in loooove with the way you use lines, shapes and colors/shading to show form in your art. The way you draw bodies shows a lot of understanding of the shapes that go into them, and that’s something I often personally struggle with. I’m familiar with the shapes of a face, but when it comes to connecting them to the shapes of the body and so on, I get frustrated that it’s jumbled instead of cohesive.

I was wondering, when you’re looking to practice, whether that’s anatomy, line-making, still life shapes or whatever, do you have any exercises you’ve done and would be willing to share? I’ve been trying to crawl out of the no-art-depression-hole for a bit and want to start with things that don’t take much willpower but help me improve

I might be the worst person to ask this! My relationship with art is not typical and I do not practice mindfully! (I just draw whatever I want and that's my practice, y'know?

Anyways, here's my progress of how I learnt to draw :3

Step 1 is proportions - breaking up the human body into manageable blocks and pieces. And step 2 is learning the muscles that build up the body, and from there you can simplify as needed... Or do that thing anime art kids do and skip directly to the simplified bit! (You probably shouldn't do that but if it's a hobby who cares!)

For specific tutorials, I find that proko is probably the best mix of entertaining/educational content you can find, but aside from that I watch a lot of speedpaints.

As a sort of get rich quick scheme, I think the absolute easiest way to get stupidly good at art is studying perspective - but you at least need a basic understanding of proportions and anatomy before you can draw someone in a funky perspective.

Everything in life is in perspective, and every piece of work you will ever make will have perspective in it. Perspective is sort of like an all-encompassing thing in our reality that you don't realise is there, and maybe even not realise is missing in your work (just that something feels... Wrong) AND LIKE NOBODY EVER TALKS ABOUT IT! WHAT THE FLIP!!!

I don't really have a specific source for learning perspective, because I've been on-and-off trying to wrap my head around it for a few years (I'm still awful at it but I'm getting there...!) here's a video!

I do think that drawing with progression in mind might help, but I think with art (as a hobby) the most important thing is probably love for a special guy and joy of creation. You have to love what you're drawing and the simple act of creating, or it just won't work out. If you're in a depression hole maybe just try creating for the sake of it, and don't give yourself too many expectations :)

#and composition that one is important too #but comp is more “how make picture look good” and less “how get better at art”#but picture looking good does indeed make you better at art so!#and besides if you have eyeballs that work youre already further along with understanding composition than perspective #because again #its an all encompassing thing we dont notice is all around us #we know picture look good because we have eyeballs that work #but we dont know why this cube look weird and this one doesnt. because cubes all look normal irl and you dont think about it #ok done. anyways yeah i dont recommend figure studies that shit is boring #if youre just doing this as a hobby ofc #heph answered #im showing too much of my personality here im going to bed #also i realise that im not answering the question #but i do also think the not connecting to body shapes thing might be an issue of perspective #draw different body part in perspective. start connectimg them. boom profit

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asarigg · 11 days ago

Text

About: Part 2

DEVELOPMENT OF THEIR RELATIONSHIP. PATH TO HEALING: part 2

Despite all this tension and mistrust, the next scene is full of gentleness. Aoba is extremely embarrassed and worried that he vomited on Koujaku, staining his kimono. But despite having such an important goal in mind, and the distance he’s causing by not wanting to involve him, taking care of Aoba right now and carrying him back home is more important. Aoba is so worried about having stained his kimono and Koujaku brushes it off, not only that but also uses his sleeve to clean it up. A kimono that signifies his identity, that is reminiscent of his mother, of her nurturing, something so personal.

I feel that after seeing Koujaku leave, Aoba felt especially vulnerable, those feelings of helplessness and neglect, that jealousness, sharpened by his discomfort after the effect of the drugs. So now it’s not only about Koujaku’s care, but also the warmth and affection placed on him that makes him feel better.

The main reason for Aoba's distrust towards Koujaku happens when he discovers the amount of tattoos and scars he had running through his body. The person he shared unique and intimate things with, only for the two of them, was not only leaving him alone but also hiding something from him, and the tattoos only confirmed it. What could be so serious that Koujaku is hiding it from him? Like we said before, it being solely because of the yakuza is kind of unlikely because he’s friendly with Virus and Trip, and you can’t possibly compare them to the friendship he has with Koujaku. So the shock mostly comes from feeling like his trust and friendship aren’t reciprocated, that he isn’t anyone special to him, that Koujaku is pushing him away and doesn’t want him by his side, he feels betrayed, lonely, rejected. He put all his trust in him, his hero, but it looks like Koujaku doesn’t hold him in high enough regard to confide in him. And so his heart breaks.

If one doesn’t trust, the other can’t either. They’re equals, and one can’t be without the other. But now, in a way, Koujaku is leaving him behind, and it could also remind him of how he left when they were children, of his parents, it’s a devastating feeling. That’s why he dreams about his childhood, a return to his most comforting memories, in which there was no distance or mistrust, in which Koujaku never pushed him away, rather, he was always with him, searching for him.

Alright, this is completely unnecessary in my opinion. It’s something so obvious I’m still surprised to see people reading this the wrong way, so that’s why I decided to include it. It’s something so important and shocking that it’s a shame that it’s interpreted in such a wrong way by either extreme censorship (crazy being a dmmd fan) or simple bias, because it’s been something that happens the twelve years the game has been around that people talk about this scene as if this was something that Koujaku ever wanted to happen or had made this decision on his own. What’s funny is that this is the usual coming from people who don’t like him, but surprisingly enough people that do like him sometimes also agree and then you can’t excuse it with rage bait. I really don’t understand how this can keep happening because one of the main plots of the entire game that moves the characters to act is precisely the brainwashing and mental manipulation that Toue wants to force on people. Each character has some personal relationship with this and it’s so blatant that I didn’t think I would continue to see these kinds of conclusions to this day and age.

It’s raining, Aoba returns to Glitter and a little while later Koujaku arrives too, soaked from head to toe and with a grim face. Although Aoba isn’t sure who he is referring to, because he doesn’t know the danger he entails, we know perfectly well that he’s pissed off because he saw him talking to Ryuuhou. During the conversation Aoba notices he was looking at something behind him, all that happens here goes exactly as the tattoo artist wanted, it’s all part of his plan, of his manipulation. Like we said before, rain is representative of the dragon's influence.

Somehow, what Koujaku is feeling now is the same thing Aoba has been feeling when he saw him leave. Anger, jealousy, disappointment and betrayal. He has seen the person he loves talking to his worst nightmare personified, the person he was looking for with the intention of killing him. His emotions are already unstable, but seeing them together upsets him so much that he’s no longer in full use of his faculties, with the tattoo consuming him, only managing to get angrier and angrier until he throws Aoba to the bed. First thing he does is to bite him, because it’s like he’s marking him as his in some way, like territory. His tattoos take over his body, over his feelings, and externalizes them in the worst way.

He’s becoming more and more irrational. Before he had a serious face, but now he’s getting angrier and angrier. This scene isn’t supposed to be hot (unless you’re into noncon lmao), it’s a scene where they’re pushing their relationship to the edge of a cliff, to a point of no return, these are the consequences and they either act now or they’ll be broken forever. There’s no need to have the full rape package because the point has already been made. It would just be for the sake of making the trauma more painful just for the kink and it just doesn’t fit. Considering how fast the entire story develops, the whole “Aoba forgives Koujaku” arc in order to have a good ending, it would probably feel empty and weightless.

I get the feeling that since Koujaku can still talk here, unlike the bad ending, people see it as if he’s actively controlling his body and just letting his anger peek (at most, he’d be only partially controlling it with the influence of the tattoo, or he’d be seeing it in “third person”, kind of like how Aoba can remember a bit of his life when Sly was controlling their body, but it’s not him). It’s pretty obvious that he’s not listening to Aoba, not only he doesn’t stop until he uses his power, he doesn’t answer his questions about what the hell he was talking about either. He’s not being rational, he just keeps repeating the same thing over and over until he can’t talk anymore. (His tattoo doesn’t need to be mature to do tremendous damage to his loved ones, to be honest no wonder he wanted to kill himself after this lol).

In the confession scene he also mentions that he vaguely remembers touching Aoba in this scene, the translations are actually a bit confusing because some suggest that Koujaku basically says that he liked how it felt even though he felt sorry about it being non-consensual, and others have a more reasonable answer where he says something like “I kind of remember what happened and I could only wish it was different”. I honestly lean towards the second one, because the first translation, which I think is the most popular one, already had several mistakes or slightly confusing translations and this one would be no exception, the implications are different. Honestly, just one more reason why I wished he would just say that he remembered literally making out with him in Scrap because this part only helps people to put the blame directly on him as if he had ever wanted that in the first place.

I need people to understand that the berserk form, beast Koujaku, whatever you wanna call it, is the same to Koujaku as Sly is to Aoba. They are forces of destruction that desire death and violence, with some kind of supernatural focus, beast Koujaku based on pure instinct, and Sly in a more sadistic way, consciously doing harm. You can’t expect any morality from them, and especially not from a beast. When Sly is in control, Aoba still remembers things that happen and vice versa. Koujaku remembering parts of what happens isn’t new and it doesn’t mean he was in control, period. I don’t see people blaming Aoba for what Sly does, so why would he be blamed for this? Even Aoba himself straight up tells you it’s not the same person, it’s impossible to know the tattoo exists and still thinking that this is somehow voluntary.

I’ve also seen people say that for some reason Koujaku fans just ignore this scene, as if we wanted to ignore anything slightly problematic or hinting at this being part of Koujaku’s personality in some shape or form, like we can’t stand the “fact” that he has any hint of malice in him and we don’t acknowledge it because we’re in a bubble dream world and it couldn’t be a worse misreading of the entire character. I can’t believe that it came from someone who liked Koujaku because it feels so disrespectful to him, to his story and who he is, basically all we’ve talked about so far. One thing is to have hcs and the other is to treat it as the canon truth and disrespect others because they don’t share those hcs that are pretty much incompatible with the character. Besides, I’m sorry, what else should we be talking about? They talk like this could happen in any other situation, and no. It wouldn’t because Koujaku didn’t choose this. They truly believe that a character who doesn’t have malice for some reason is a character without flaws or imperfections, and if they like this character it must be because there’s something bad in him that makes him a grey character, so they can keep enjoying their edginess. Got the wrong character, Koujaku’s imperfections and “impurities” are far apart from that selfish facet they wanted to give him. His lack of communication and his self destructive careless attitude of carrying everything on his own, the way he behaves giving less importance to himself and his inability to break the cycle by not relying on someone else are what builds him. If anything, being more selfish is what he needs, to be honest. Bad things can happen even if the intentions are good, it's a good natured character with nuances and flaws, to put it simple. And the good thing about Koujaku and Aoba is just how versatile they are, you can almost go with anything in your fiction and you'll probably find details and nuances about their characters that you can include there so it still feels like them, while separating from the strictly canon and exploring your own ideas.

I've mentioned this before on my Twitter account, long time ago. I personally wish they’d left more time to develop the feelings after this part of Glitter because Aoba immediately leaves and gets drugged by Ryuuhou. Same story, everything in the game happens really fast. With that in mind I think it’s fair to not take it too much into account, like many other things, and just imagine what would happen and that’s it. Because it’s true that they talk about it a bit, but then move on to something else right away and there’s no processing of what happened, the scene doesn’t feel as heavy as it should, like “Well, that just happened”. It’s the ultimate act of betrayal for god’s sake.

Ren recognizing Beni’s wings’ flapping like there aren’t a hundred other bird allmates that do the same sound will never not be iconic, truly an old man yaoi moment.

#dmmd #koujaku #aoba seragaki #dramatical murder #aoba #kouao #koujaku dmmd #slyjaku #sly blue #essay #you know. irl too. you're seeing things under one single perspective. and you might have a perception of someone or something very differen #from reality because you don't know what's going on through the other's person mind. communication is key. again #people might not even realize if they're doing something wrong and if you keep that to yourself there won't be a possibility of that person #changing their actions. and stop hurting you. if the other person cares they'll change. or make the attempt at least. not everything goes #smoothly i suppose #so comparing this to the game. we're seeing things under our/aoba's perspective. so Koujaku's actions just seem insane and selfish. but it #happens because Koujaku thinks it's the best so the least amount of people get involved and possibly hurt. He doesn't have bad intentions #but his actions end up having terrible consequences. which is so tasteful and doomed :) Anyway. we don't understand why he does it and the #way he does it until we learn the entire truth. when we communicate is when we can solve the problems #idk if I explained myself correctly cuz i lost track of what i wanted to say 😭

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