#i know it's doctors' job to fix people's issues

[depoteka]

i think my period is kicking in bc I feel like crying bc I have a dentist's appointment tomorrow

[monstermoviedean]

at the end of my fucking rope with "conversations" about k12 chronic absenteeism.

[xxlelaxx]

I'm so over people making their problems someone else's problem. Listen buddy, you got issues, you take care of it. Don't make everyone else around you do it. Figure it out cause everyone else has to do that too <3

[anemhoez]

Otherworldly…

Boothill/AFAB Reader

tags: @bokukenmakuroo

WARNINGS: unprotected sex I GUESS?? he doesn’t ejaculate and its made of fine grade silicone sooo????

A/N: in where Boothill gets a check-up 🤭 ok ok so the recent quest let us know more about him and this has been in the drafts for a while so there will be inaccuracies hehe and alot left to my imagination, yes im a robot fucker HEHE! also please imagine my man with the prettiest most perfect robot dick you’ve ever seen, lord i just know its big…oh also im not a robotics or programming expert but they’re in space and stuff im sure tech like this exists in their world SOMEHOW loll

MINORS DO NOT INTERACT!

“Hold still, it should only take a few seconds.” you said to Boothill as he fidgeted under your touch. “I’m ticklish doc,” he said with a sharp toothed smile as you replaced one of the many sensory devices on the metal skin at his shoulder.

“The famous interstellar galaxy ranger being subdued by a bit of tickling? Don’t let your enemies find out.” Once finished, you reattached the cover and made sure it was flush with the other metal parts of his body. He truly was a technological marvel, sleek and efficient with not one line of code or piece of hardware going to waste. You considered yourself lucky to be his technician, a job offer you were pleasantly surprised by.

“You think I’ve got enemies?” he asked with sincerity, not believing that there were people out there who actually didn’t like him, or even targeted him. “I’ve seen the reports Boot.” you quickly pulled up a program on the screen in front of you to begin configuring the new sensor.

“Thats all…alternative facts, darlin.” you simply rolled your eyes and input some commands, ignoring his silly statement. “You say your synesthesia beacon was hacked?” you asked for reassurance, not once looking away from the screen and you heard as he sucked his teeth behind you.

“It sure forkin’ was, you think you can fix it?” You knew you were a great technician, fantastic even. But taking down an IPC virus? That was something you’d need a few days to crack. “I can try,” you cocked your head to the side, your statement causing him to jump up off the examination table in excitement.

“But aside from that and the sensor malfunction, is there anything else you need looking at?” you asked as you typed quickly. “You might as well get everything looked at before you head back out.” He stayed quiet though, not answering your question but instead turning away from you.

“Boothill?” you asked turning to him, realizing he was awfully quiet for someone who just jumped up for joy. He rubbed the back of his neck, “We have, doctor and patient confidentiality right?” he asked in a low gravely voice, as if someone would be able to hear him outside of your workshop.

“Dammit boothill! I’m a mechanic not a doctor!” you exclaimed absolutely sick of him calling you by a title you didn’t have credentials for. “So no we don’t but,” you stood up and walked over to him, turning his body around in a circle looking him over to see if it was something visible on him you could fix right away. “I’m not going to go around and talk about it if that’s what you mean.”

You placed a hand on your hip, “I may not look it cause I’m usually covered in grease and keep my workshop a mess, but I do consider myself a professional you know.” he sighed and looked at you, “Of course you are! You’re one of the best machinists I’ve ever had, it’s just. Aw fudge how do I even say this?!”

He resigned himself to feeling foolish for the worries he had. “I’m uh, having trouble with…intimacy.” he finally said, meeting your eyes. “Well, I’m also not a match maker so…” you looked at him with an eyebrow raised. He sighed and held his head in his hands, “Finding a partner isn’t the issue, it’s when I’m with someone. I can’t really feel it, you understand?”

You tried to picture it in your mind. Could cyborgs even achieve an orgasm? And even if they could, could they ejaculate? The scholar in you was fascinated, but the friend and professional in you was ready to help in any way you could.

You grabbed a tool from your bench quickly and headed back towards him. “Drop ‘em.” you said matter of factly pointing to his pants and he clutched his groin in reaction to you. “You fudgin’ joking? Wait, come on now-“ he stuttered through his words as a blush formed on his face. “Boot, do you want me to help you or not?” you crossed your arms, “It’s nothing I haven’t seen before, you can trust me.”

He had never had someone besides the technician who affixed his broken body to metal even look down there. He hesitated but given just how important this was to him, he sighed and dropped his trousers after undoing his belt. His cock was…to say the least…impressive. It even bobbed and twitched in a way similar to that of a person made of flesh and bone. Upon seeing it through the eyes of a machinist however, you started to notice just how intricately crafted it was.

“Aeons, just what exactly were they thinking with detail like this?” you asked with a small giggle before taking his appendage in your hand and detaching it from his body. “I’m not a love machine, if that’s what you’re insinuating sweetheart.” He explained almost immediately, as if it’s something that needed defending. He shuffled back into his pants, “This iron body of mine was made for combat, and revenge.” You shrugged playfully and raised an eyebrow, “So you didn’t ask them for this cock then?” you joked, holding it in your hand and testing its weight. “Alright, alright just…see what you can do?” He huffed and pulled his hat down over his eyes in embarrassment.

You began disassembling the object, looking for any visible damage. “You keeping it clean and oiled?” you ask and he just sighs, “This is so embarrassing but yes. I perform regular maintenance on myself weekly.”

“Only weekly?” you teased and he rolled his eyes, “Okay okay, I’ll stop.” you reassembled everything and took the device over to your computer, plugging a wire into the hidden port you found

“Let’s see what…oh wow!” you yelped as you examined the device’s programming. “What an interesting piece of tech!” you said with a smile. Now you were the one blushing. “What?” he said and came over to examine the code with you, only seeing an unfamiliar mess of text. “Is it broken?!”

You input a commend into the terminal and the appendage began thrusting on its own. “Quite the opposite actually, did you know it had this many modes?” You typed away and the device now vibrated so violently it rolled off of the desk and onto the floor. “I should’ve guessed what extreme vibration meant.” you picked it up and held it with both hands.

For some reason, seeing you holding it like you were about to jerk it off made him stare. “No I didn’t, but that’s not the issue I’m having. I’m having trouble really feeling, if you catch my drift?” he said and looked away again while coughing awkwardly.

“You mean having an orgasm?” You placed the metallic phallus on the desk with a loud thud. “I can check if you have any software updates, and maybe come up with something of my own.” you turned to him, “If you don’t mind leaving it here with me to tinker with it.” you said with a playful smirk. That was all he needed to hear as he turned to head out, “I’ve never been without it for long so, just be gentle okay?” he said as he headed out. You immediately turned towards him, “Hey! Just what do you think I’m gonna do with it?!”

************

You had stayed up late the past couple of nights, modding the mechanical cock. If your professor had told you all those years ago in university that you’d be working on an interstellar cowboy’s robotic dick, you probably would’ve screamed. But here you were, losing sleep to help a client yet again. You had reviewed so many lines of code that you were even seeing it whenever you closed your eyes.

“Warming mode?” you whispered to yourself and looked over at the cock half expecting it to shoot off into the ceiling, but nothing happened. You reached out and grabbed it, feeling a light warmth to it. “Oh!” you said out loud as you held it with both hands, the warm appendage oddly soothing in your grip. You rubbed the smooth artificial skin, gunmetal gray in color and detailed with thick veins. The smoothness of it was thanks to the layer of silicone skin that felt so much like the real thing it almost scared you. Not to heavy, but not too light either, almost the perfect weight and girth. A devious fleeting thought flashed in your mind, of how it could possibly feel inside of you.

You shook the thoughts from your head immediately and put it down, finally turning off your computer and heading to bed to get the rest you so desperately needed.

************

Boothill arrived a few days later in much better spirits. “Well? How’s my pecker?” he said loudly with his arms out as he walked over to you. You shook your head and grabbed a tool to reattach it to him. “This thing’s a monster.” you said tiredly and helped him with his pants once the device was back on his body. You observed how he adjusted himself in his pants, he was no different from someone with an actual dick in that regard either. Another one of those debaucherous thoughts came to your mind as you looked him up an down. Thats when you realized just how fucking attractive he was.

“Anyway, I adjusted some things so you don’t accidentally kill anyone.” You explained the various functions and modes, telling him the restrictions you put on certain settings so no one would get seriously hurt while fucking him. “Yeah I’d hate to burn someone’s uh, insides.”

“I also wanna see if I can get your beacon working again.” You handed him a wire and he connected it to a port on his neck. You started the download and waited for the hack to work. You looked at the cowboy who was currently smiling at you.

“I can’t thank you enough doc- uh Y/n.,” You smiled back and waved him off, “It was nothing, I’m happy to help.” you started re-organizing your tools as his software updated. “Bet you’re just dying to see if it worked, I don’t mind testing it out right now.” he suggested and took his hat off, placing it on your desk gently. Of course you’d want to know if your tinkering actually worked, but you knew the only way to test it was for him to…well…pleasure himself.

“Sure, you can use the bathroom and test it out. Let me know how it felt, in detail.” you said as a slight heat crept up your body. He looked in the direction of the bathroom, a smile spreading on his lips. “Actually, I was hoping you’d want to test it out, with me?”

His words shot straight to your core, your stomach jumping with sudden anticipation. Your cheeks went flush and you hoped you didn’t look as flustered as you felt. “Are you sure? Wouldn’t that be a little uh, inappropriate?” you put down your tools and turned to look at him. You inched closer and closer, knowing you weren’t about to pass up the offer. After all, it was your duty as a scientist wasn’t it?

He chuckled and started moving closer as well, “What’s so inappropriate about making sure your hard work pays off?” He was but a breath away and reached out to grab your hand and you let him intertwine his fingers with yours, his robotic hand surprisingly gentle. “In all honesty, I thought about it while I was working on…it.” He moaned out loudly, “That’s so fucking hot.” he said, stopping when he realized he finally cursed properly.

“Looks like your beacon is fixed,” you pulled the wire from his neck gently, “Don’t go getting hacked again.” you teased and his hands came to rest on your waist. “You’ll fix me though? Won’t ya?” he leaned in, closing the small gap between you two. You moved to wrap your arms around his neck and mumbled a soft “Yes.” into the kiss as he lifted you up.

He walked the both of you to the workbench that was high enough so that you were perfectly fitted in his embrace. His strong yet gentle hands trailed up your back and under your shirt, his mouth hot on yours as the two of you shared an intense kiss.

You allowed him to pull your shirt off of you, briefly interrupting the kiss. “You’ve got such great control of your mobility module.” you said in praise and he moved in to kiss at the exposed flesh now available to him. His tongue licked a trail along your collar bones to your neck, “Can you, taste? “ He chuckled against your skin as he sucked, parting your legs before pulling away. “Sure can.” he whispered gruffly in your ear before bending down and slotting between your legs.

You hesitated a bit when you saw his sharp teeth, worried about your sensitive skin down there. But as soon as he buried himself into your cunt you threw your head back, letting the pleasure take over and the worries fade.

He moaned, the highly sensitive sensors on his tongue allowing him to fully enjoy your taste. You tugged at his hair, moving it out of his face to get a better look at him. He met your gaze and pulled away, his elongated tongue shrinking down to its regular size impressively.

“And you say you’re not a love machine,” you teased and wrapped your legs around his neck. You wiped at the corner of his mouth and he opened it to suck on your thumb, “Mmh, I can be your love machine,” he said before moving back to work his tongue along your folds. You watched it extend in real time as he dove in deeper inside of you, spreading your legs widers to get his artificial tongue as deep as he could. You felt him so deep inside, an unfamiliar but delicious feeling, making you let out a loud whimper at the intensity of it all.

He snaked his arms around your thighs, pulling you even closer while he pulled up on the skin above your pussy. “Ahh!,” you moaned out and dug your nails into his scalp desperately. The cowboy groaned deeply, lapping up what poured out of you and soon introducing his fingers to fuck you while his mouth sucked hard at your clit.

You could feel yourself coming undone as his nimble fingers curved to find your spot, fingering you hard. You soon cried out as you climaxed, writhing under his touch and clenching down on his fingers as he stood to face you.

You immediately pulled him into a kiss, pulling your bra down to finally expose your breasts to him. His hands came to squeeze the soft flesh and he pulled away, staring at them lovingly as he chuckled. “What’s so funny?” you asked looking at him while you held onto the backs of his mechanical hands as he squeezed. “I’ve just…been wanting to do this for a very, very long time.”

He pulled himself from his pants and began sliding his thick metallic shaft against your wet folds. “Fuck, I can feel how wet you are? I can’t believe it.” You patted yourself on the back mentally for your ingenuity. You moved to take him by the back of his head for another feverish kiss. He held you close, his metal abs and chest surprisingly warm against your skin. The two of you pulled away from each other with a huff after making out for a few minutes.

“You’re a fucking genius.” he praised and held your face in his hands, your face heating up at the compliment. “Thank you,” you breathed deeply and looked down at his cock that was still teasing you, desperately wanting him inside of you. “I’d love to see what else I’ve improved upon,” you said as you laid back down, opening your legs wide for him. Your hands went to your folds where you collected your slick and moved to tease your bud, “And if you’re any better than something I can manufacture on my own.”

You saw a glint in his eyes as he smiled wickedly. He took your hand from your cunt and along with your other hand, he pinned them over your head. He grunted as he finally entered you, his long hair cascading down on either side of his face as he moved in closer to kiss you.

Those thick eight inches of his robotic cock finally plunged into you, deep. You whined, the sensation feeling so familiar to the “real” thing but so much better. He growled and nipped at your bottom lip, all the while pushing in and out of you slowly.

“You curious about the modes? Or do you just want me at default?” he asked as he let go of your hands. “Surprise me.” You pulled him back to your lips and he kissed you roughly before leaning back up and pulling you towards the edge of the bench.

You watched as he lolled his head back, his body fully reacting to being inside of you. “This what I’ve been missing?” he asked rhetorically, as you propped yourself up on your elbows. “How is it?” you asked, wanting to know if your improvements worked. “Amazing, It’s so warm and tight darlin’.” he hissed as he moved his hands to grab your ankles.

“I mean- ahh!” you were cut off by a particularly hard thrust, “What are you feeling?” you asked and kissed him briefly before letting him speak again. “It feels like every one of my sensors is activating at once, an overall good feeling? I don’t really know how to-” You cut him off to kiss him again, running your tongue over his sharp teeth before pulling away. “That’s okay, it seems like the program is working, fuck!” you exclaimed as his dick brushed over that oh so sweet and toe curling spot inside of you. You looked at him with pleading eyes, “You’re fucking me so good Boothill.”

Lost in the moment and moaning against his lips, you suddenly felt his cock getting warmer inside of you. The sensation filling you with new feelings of pleasure you’d never felt before. “Risky but, fuck that feels so good.” Your words caught in your throat as he thrust into you harder. “Got somethin else for ya.” He practically growled as his cock started to vibrate inside of you.

“Oh fuck!” his pistoning inside of you sped up as you came hard, clenching down on him and causing him to moan out loudly. The cry that fell from his lips was desperate, “Fuck how did you-?!” he couldn’t stop himself as he fucked into you faster and harder, “Get tighter?!” the vibrations along with the almost brutal pounding he was giving you brought you over the edge again and this time your juices squirted all over him.

He slowed down and pulled out of you, your essence slick on his shaft and spilling out of you onto the bench. You whimpered as he pumped his fingers into you, your cunt still extremely sensitive. “And you think what I’ve got between my legs is dangerous.” He said with a smile before bringing you to stand on your wobbly legs, re-entering you from behind and meeting your lips as you turned to look back at him.

Boothill gained that sane speed from before within seconds, his cock at default as he chased whatever high he could find. “You doin ok doll?” His voice seemed so sweet and gentle against the lewd and messy sounds of his harsh backshots into you. He then pulled you further onto him by grabbing a fistful of your hair. “Yessshmmmmmuhh, its- hmmssofuckiggood.” You babbled gibberish as your response to him, just scratching at the the cold slab below you. He fucked into you faster and faster, your pussy clenching down on him as you lost yourself in the full body euphoria that overtook you.

Boothill chuckled darkly and pumped into you harder, moaning as his peak neared with every thrust. He let out an almost howl, feeling your tightness around him bringing him over into a sweet, delicious bliss that he could really feel for the first time. “Fuuuck!” he sighed and stuttered against you, leaning over and biting down your neck gently as he “came”.

“Your hard work payed off gorgeous, that was incredible.” He praised as he slowly leaned back and pulled out of you. You turned to him seeing his very satisfied and flushed face, “Incredible is an understatement,” you sighed and reached down to grab your pants, “That was, fucking otherworldly.”

You were about to put your pants back on but he stopped you. “What the hell you doin’ darlin? I’ve only fucked one hole so far,” he looked at you with intense eyes as he moved in closer. “For fuck’s sake Boothill, you’re gonna ruin me for other people!” He smiled that signature pointy smile of his and gave you a kiss on the cheek.“Thats the point.” His voice was alot lower than it usually was, a sultry and sensual tone laced within it.

“Now, on your knees.” You obliged quickly, finally taking off your bra so that you were completely bare before him. You took his cock in your mouth eagerly, looking up at him through your lashes as you took him in fully. You were proud of your work, there was truly no technician out more brilliant and luckier than you in this moment.

Now, if only you could manufacture and program a way to have him ejaculate inside of you…

A/N: i think i blacked out writing this………hes sooooooo…..i will never be normal about him thank you so much hoyo for this rootin tootin hottie 🥴 GODDDDD SAVE A HORSEEEEE!!! 🤧 i also think itd be cute to have other scenarios with him like….him learning how to love someone again and- 😭 idk i just want some angssst and like, a life with him?!?!

[reiderwriter]

My Love Is Mine All Mine

Week 2 of my Playlist series 🎧💕

Summary: Spencer Reid always liked broken things, but you didn't think you could be fixed. Maybe all you needed was understanding and companionship.

Warnings: slight angst, case details mentioned - misogyny, kidnapping, etc, but no graphic/ explicit details. Hurt/Comfort.

A/N: Tumblr, please let me post haha I've been good, I promise 🙏 This fic is so late because I've been having some technical issues with tumblr and it has greatly annoyed me, so hopefully if you're seeing this it's been fixed? Who knows... Thank you to everyone who has sent in songs so far for the Playlist series, I'll be cresting the playlist today and posting it for everyone to see and use!

Masterlist || Series Playlist

Falling for Spencer Reid wasn't in your plan for the new year, but looking back, it was probably something that was just bound to happen. 

He'd been the first person to show you any kindness after everything you went through, the first person who hadn't put their own rigid horror at your past before their attempts at sympathy. 

You watched the way people recoiled from you as you told them - bluntly, you had to be blunt - what the man in the cabin had done to you. 

He listened to your words, didn't interrupt, didn't quietly shake in anger, and refuse to meet your eyes like your father did, didn't weep for her baby like your mother did. He took your hand as it shook. He held your gaze. 

It was his job to ask questions, but there weren't many left to answer. 

The only reason you were alive was because his team had tracked the string of bodies to your kidnappers home. You were alive because one of his coworkers had put a bullet through his head, ending your nightmare. 

The very idea of love was repulsive to you as you emerged from that basement in the first days of the next year, and you remembered thinking the snow looked fresh and soft. You remembered wanting to lay in it, to wrap it around yourself like a warm blanket and drift into sleep. The cold ground would be as much comfort as you would allow yourself. 

Because after everything, you knew you didn't deserve love. 

You accepted understanding from him, though. 

When the shock wore off, you were awash in all the misery inflicted upon you. You raged, kicked, screamed, broke things, and made people uncomfortable. Nothing would numb the pain of being trapped inside your head, your head still trapped inside that basement, that cage. 

He came to visit you at the hospital. The nurses had given up on you, were content you were physically healing, and that they had technically done their job but not bothered by your deteriorating mental state. Some days, you swore that they pierced your skin in the wrong places purposefully, not even searching for your vein. 

But then he was there, with a book and a chess board, and he'd asked you if you'd ever played before. 

“No. Chess always seemed too…” You swallowed the bile that drowned your lungs and tried again. “Before, it was boring. An old person game, too many rules. Now… He said we shouldn't do things like this. Said we shouldn't cultivate our minds.” 

It was a confession again, but one that took a weight off your shoulders, and not one that pushed it further down. 

“Would you like to learn?” His tone was so soft and awkward, like a teenage boy asking a girl out on a first date, that you almost giggled. 

“I'll be honest and say you'll never beat me, I've played through most board combinations, including a large proportion of the 10^80 theorised checkmate positions, so if you'd rather do something else, that's fine, or I can leave, too, if… you'd… prefer?” 

You had laughed then, a thing that bubbled up from the pit of your stomach and left your shoulders shaking as you gasped for breath doubled over. 

You'd been in hell for six months, and he'd drawn you out of it for a few moments by rambling about chess. 

“Are you a patient person, Doctor Reid?” 

“I think so.”

“Then set up the board and let's play.” 

He beat you every time, obviously, but you enjoyed his small explanations of the moves, and you did improve slightly. 

More than that, you enjoyed his company. It wasn't that you talked extensively In your hospital room, oscillating between your lowest point and somewhere just a rung above that where the snow was falling and the air was fresh, but that he never looked at you the way others did. 

You were discharged and were sad to lose that small glimmer of normality. He'd come twice a week throughout January, and now you were back in your usual shape. You were being discharged, and so that would end. 

You were surprised that he came to pick you up from the hospital the day you left. 

The parents who had looked everywhere for you for half a year hadn't wanted to, and the close friends from before hadn't spared you a thought since reposting your missing poster on their social media pages. 

But the man you played chess with twice a week, the man who'd carried you out of hell himself was there. 

“Ready to go?” You nodded, dumbstruck, and followed as he grabbed your bag. 

You weren't exactly sure where it was you were going, but you followed the man anyway, only a small part of your brain shouting in protest considering the last time you'd been blindly trusting.

He led you back to an apartment with some bare furnishings but a large window and a warm soft blanket covering the bed. It wasn't his, but yours. 

“Your parents are paying for it. They're taking the city to court due to the circumstances. Apparently, there were numerous phone calls to law enforcement that went unnoticed, but the city is looking to settle, so you don't have to worry about rent for a while, maybe ever again. The WiFi is all set up, hot water is working, and so is the heating. The locks are triple enforced, and I'm right down the hall, so if you need-” 

“What?” 

He blinked at you and suddenly, looking sheepish, as if becoming aware that he'd presumed a friendship between the two of you without consulting you first. 

“I live down the hall.” 

You stared at each other for a few moments as you processed his words. He lived down the hall. He'd driven you to your new home, set everything up for you, and he lived down the hall. 

“You're a good man, Spencer Reid.” You whispered, turning away to not let the moment linger anymore than it already had. 

Chess nights became routine. You'd set up the board and play for an hour or two or until you were sick of losing. 

Gradually, though, the nights got longer. He'd arrive just as you were eating a meal, and you'd invite him to join you, or he'd bring along takeaway and you'd eat quietly together, talking about everything and nothing.  

One day, you'd mentioned a film. A popular one, one you'd loved as a child and still rewatched to this day. 

“I've never seen it, is it good?” He'd said. And in your shock, you jumped up and sent half the chessboard flying. 

“Well, it seems that now our game is over, that we have time to give you an education, Doctor Reid.” 

“I have three PhD's-” 

“And still you haven't seen Clueless?” 

You'd pulled him over to the couch he'd picked out for you, loaded up the movie and then invented a new tradition. 

Chess nights and film nights were separate days of the week. So he could always promise to be around for one of them even if he had to miss the other because of work. 

You didn't ask him about his job anymore. He saved people like you, and you didn't need to be thinking about people like you too much.

What they went through, if they survived physically. If they survived in other ways. 

He always visited you first when he returned, though. There would be a knock on your door at some point in the day or night, and he'd let you know he was home safe. 

Another tradition. You'd opened the door to let him in the first time he'd returned from a case after you moved in, and he'd leaned down and wrapped his arms around you. 

You heard the breath of relief, loud and emotional, and hadn't quite realised it had come from you until a few minutes later. Some part of you had thought he wouldn't come back. 

Now, every time he came home, you ran to the door and quietly comforted each other, reminding the other that no matter what happened, you were both there for each other. 

You weren't sure when traditions and movies turned into love or if it had lingered over you the entire time. You didn't think you could love someone right then, your heart broken into small pieces with the torment you'd suffered. 

But it was stitched back together with pieces of him still lodged inside. He was in the very fabric of your being as you became whole again. 

The truth was that you most likely couldn't find love again because there was no room in your heart for anyone else. And you'd never be able to reschedule chess nights to go on dates anyway. 

You weren't sure if Spencer ever figured out how much of hum you carried around with him, how your eyes followed his lips as he ran through decades of memories to give you the fact he thought would please you the most. You weren't sure if he loved you as much as you did him until you were.

You'd agreed to watch one of his movies for a change, agreeing to stop the streak of 80s brat pack classics to watch a black and white war film from Russia with no subtitles. You'd sat together on that couch under blankets you'd bought together months earlier, and he'd pulled you in closer.

“I want to watch the movie and translate at the same time. You should sit here.” He'd pulled you into his lap, letting your back fall against his chest as his lips fell to your ears, and he began to whisper. 

Sitting there so closely, so intimately, was almost torture. Unconsciously, your head tipped back with his words, displaying your neck and shoulders, silently willing his lips to drift even once. His arms wrapped around your waist, and you did your best not to squirm the entire movie, but with your heart beating out of your chest, it was a hopeless cause. 

“Did you enjoy it?” He whispered as the credits rolled, but you hadn't even noticed the movie had ended. It wasn't until the silence that followed his question stretched out notably that you came back to reality. You couldn't answer, in fact. You gaped for a few short moments, hoping something vague but accurate enough would just pop into your mind. 

As you attempted to negotiate yourself out of distraction, you turned your face to his, but he was closer than you thought.

Your noses touched, and your breaths mingled. His arms still wrapped around your waist, and your blankets still anchored you to one another. 

“I wasn't paying attention to the movie, Spencer. I'm sorry.” The words came out of you so fast, yet so quietly that you were surprised yourself how honest you had chosen to be. 

“Why not?” He asked, eyes having drifted sleepily down to gaze at your lips. 

You didn't answer his question but felt your cheeks flush red. You thought about pulling away, moving back, or at least laughing everything off, but you didn't. You stayed there, still like a deer in headlights. 

“Your voice was too distracting,” You forced some of the tension out of your body and let your head fall against his shoulder again, hoping this moment wouldn't end anytime soon. 

“Distracting?” He sounded concerned and shifted in his seat, lifting you up from your happy place in his arms until you were again face to face. “Did I make you uncomfortable?” 

The look on his face was so concerned and focused that you had to pause for a second to catch your breath. He cared about your comfort so much and paid attention to each word that came out of your mouth. He wanted your happiness more than anything in the world. 

“No. I'm never uncomfortable with you, Spencer.” You were back to whispering now, hands floating up to grab his own, fidgeting by his sides. You bought them up to your face and guided his hands to your cheeks, needing to show him just how comfortable you were with him in actions, not just words. Words could be dishonest. Actions were honest. 

His concern melted away as he began stroking your cheek with his thumb, smiling sweetly at you. 

Though you were both content, you'd never been quite this intimate before. So when his thumb swiped over the corner of your lips, your eyes both caught on each other. You could see him weighing up the outcomes in his head, going back and forth between pulling away and pushing in closer.

Slowly and softly, as though he were trying not to startle you, his head moved closer until his lips were on yours. 

It was a quiet kiss. You wouldn't describe it as fireworks, or butterflies, or anything loud and grand and passionate. It was quiet, and it was right. 

He pulled away seconds later, trying to gauge your reaction, but you followed him away and kissed him again. 

When you finally pulled away, it took you a few seconds to realise you'd climbed back into his lap, unconsciously having moved closer to him. You guiltily looked up, waiting to see any discomfort on his features, but to your surprise, he was busy straightening out your hair. 

“I love you, Spencer,” you whispered as he took care of you. He smiled, looking down at you once again, pulling his arms around you to gently lower both of you down to a laying position on your couch. 

“I love you, too,” he said as you held each other and drifted into contented sleep.

[kelperine]

“If Jimmy was never there everyone would be fine and Curly would have a happy birthday 🎊 “ WRONG!

Yes Jimmy is a highly reactive catalyst, though switch him for any other man lacking emotional intelligence and we would have gotten the same result in due time.

Curly failed Anya because he can’t make any decisions to save his own crew due to his non confrontational nature. We can say curly loves Anya but it is clear he prioritizes Jimmy over her. He claims to be there for her and then dips the minute it goes against his idea of Jimmy. I love curly, he is my favorite, but I cannot deny that he is a silent enabler.

They were all doomed from the start. Anya is NOT a medic. Her license applies to pony express only and her job was only meant to be the occasional band aid and psych evaluation. A year is way to long to go without a proper doctor. I am in no way blaming her for anything, my poor girl did what she could with the tools she was given. “Anya would curl up with curly on his bed to comfort him after the crash” No she would not, she would sit on the floor and be heartbroken that he did not stick up for her. Let’s keep in mind that she is the only girl on this ship.

Daisuke is the only one to take responsibility, he might be the youngest but he does absolutely everything in his power to make this easier for everyone. I don’t think he has the intention of fixing everything but through being a silly little guy he makes life so much more tolerable. That’s why he dresses silly, that’s why he tries to fix the vents, that’s why he goes ham at game night to cheer Anya up because he knows that she is sad. They might be small acts but it is all that he can do and that is what matters. The whole point of it is that doing something matters.

I don’t blame Swansea for looking after Daisuke first, after all he is his apprentice and he sees him as a kid, making him feel responsible. I like to think that if given more info and time that he would have been there for Anya too.

Just saying “fuck jimbo” let’s the entire game go over your head. Jimmy is no doubt the main problem child here and he is a horrible person for what he did to Anya firstly and everything else. His redemption means nothing. He does not care about Anya. He only cares about the pregnancy because there is now a tangible reminder of what he has done. I’ve seen people say that Jimmy just didn’t want to be a dad when that is not the issue. He does not care that it is a baby. The baby being a baby does not matter, to Jimmy it is just evidence. All he does is run and we can see that by his final usage of the gun.

TLDR: Mouthwash kills 99% of germs but that 1% sure does fuck everything else up.

Don’t get me wrong I love seeing the happy art of everyone but I just wanted to deep dive into the nitty gritty

[python333]

residual self-image — python³

― ― ― ―

synopsis residual self-image is the mental projection of your digital self; it refers to your own physical appearance that is understood by you, that is projected unto you by yourself. you see yourself as something to be ashamed of. price sees something different.

relationships platonic!captain price & gn!reader.

characters cap. price.

word count 7.6k

warnings anxiety/panic attack [not sure exactly how to classify it; i think it's more of an anxiety attack?], reader takes SSRIs [zoloft/sertraline], suicidal thoughts and almost-suicide attempt, reader is the most unreliable narrator known to mankind, second person pov [you/your/yourself], usage of [name], usage of [c/n] for call sign/code name, bad matrix references/spoilers for the matrix and the matrix: reloaded.

note please please PLEASE let me know if this comes off as me romanticizing having anxiety or taking antidepressants so that i can fix/rewrite it /srs i don't take any form of antidepressants or anxiety medication and i also am not diagnosed with either of those!! nothing i say is final!!! i do not have firsthand experience with what reader goes through in this fic!! sorry i disappeared for a second, have some food as an apology. again, feel free to correct me on anything you think is inaccurate and i will (most likely) change it!! also sorry for like 3k words of backstory oopsies

In The Matrix, Morpheus gives Neo two options: blue pill, or red pill?

He says that if Neo takes the blue pill, “the story ends, you wake up in your bed and believe whatever you want to believe”. But the second option, the red pill, if Neo takes that, he will “stay in wonderland and [he] show [Neo] how deep the rabbit hole goes”. Neo, of course, takes the red pill, and is shown the “real world”. 

Neo is thought to be “the One”. With the “O” in “One” being capitalized, so you know that it’s a pretty important title. 

In the end, Neo becomes confident in who he is and what he can do, and defeats the “Agents”. Trinity confesses her love to a “sleeping” Neo, their ship is getting attacked by whatever those weird fuckin’ creatures were called, and Neo defeats the last of the agents. The end. 

You take pills too. But yours are blue. They’re matte, powdery, baby-blue pills that are branded with the name “ZOLOFT”. It’s sertraline, to be specific, and you’ve been taking it for the past few months. You’re new to pills like these, ones meant to treat anxiety and depression and a number of other medical issues, so you didn’t know how much to take at first. You asked your doctor so many questions. You think about it often, and wonder if, even though it’s their job, that doctor had gotten annoyed at some point because of your inquiry. 

These pills do similar things to the ones in The Matrix, though. You take them, preferably at night, and wake up in your bed like you always do. You believe whatever you want to believe, and another chapter is closed at the end of every day, marking another page closer to the end of your story. 

Some days, the story feels like it’s going to end sooner than expected. 

A side effect of sertraline―or, well, Zoloft specifically―happens to be suicidal ideation. It’s not that common, not that talked about, and isn’t the most well-known. But then again, most mental disorder-treating medicines have some kind of side effect like that, and plenty of people take things like antidepressants without an issue―or so you thought―so surely you could deal with something as simple as sertraline, right?

Wrong. So, so, wrong. 

It’s probably really bad for a person who works in a military group to be dealing with such thoughts. You think about quitting sometimes, for the sake of the other people in the task force, because what could happen if the wrong straw breaks the wrong camel’s back while you’re doing an assignment? What if, caught in the crossfire between your team and your enemy, you say fuck it and decide that it’s all just too much? What are the odds of that happening? What are the odds of anything happening? What were the odds of the Earth being created, of the first animals evolving, of the first humans speaking the first languages? Statistics are so important, chance is so important, and odds determine everything. What are the odds of you deciding whether or not you have the will to live? The ability to keep going, to keep the routine you’ve always kept, to keep from taking one of those G19s from the armory and turning off the safety before pulling the trigger? To commit to such a permanent solution, one you’ve deemed as the “s-word”, because thinking about it sometimes is too much.

Or maybe it’d be a rope, your brain continues without your consent, A chain. Anything that will hold your body weight up enough for you to dangle from the fan on the ceiling―an image that makes you lean towards a chain, sickeningly enough, because of the idea of your abnormally stretched neck on display. The purple bruising that would appear, the indentations of each link, the smell of your blood and the metal of the chain unable to be told apart. Maybe your eyes would still be open, and it would look like you’re staring down at anyone who walks into your office. There’s so many possibilities. They add up, and create new odds, new chances. Every time you simply think, you are creating a new way to go about life, and that creation is sometimes stored so deeply in the back of your mind that it haunts you. It comes back around, becomes more common, the chances of it happening go up. 

Sometimes the odds feel like they aren’t in your favor at all. Sometimes you wonder how you could’ve ever thought that any part of the universe was against you. It’s not bipolar; it doesn’t come and go in extremes, it just comes and goes. The odds will lower in your favor some days, and you will deem those days “bad days”, and other days they will be so high you don’t even think about “good days” or “bad days”. But those other days are almost as bad as the “bad days”, because they go by so quickly. You take them for granted so easily, too easily, and they leak through the thin lines between your fingers, leaving you with nothing by the end of the day. 

Sometimes on “bad days”, your hands go from cupped to praying, and you will plead with yourself to just get better. You never do, on those days, and after taking your medicine you will go to sleep and believe that the next day will be better. Or, at least, convince yourself that the next day will be better. 

You would’ve understood if Neo took the blue pill. If he stayed in blissful ignorance, even after all of the weird shit that happened to him. If he continued to wake up every day in a “normal” world, to sell computer systems and hacking programs, to be anyone but “The One”. 

Because that’s what you do. You take your medicine, and go on with life as normally as possible, even with all of the things that you’ve been through. You wouldn’t want to be the one responsible for saving the world, or beating up robot-alien-things, or whatever. Just like how you don’t want to be held responsible for really just… taking care of yourself. 

Which you’re shit at, by the way, if that doesn’t make things worse. 

You take your sertraline and that’s about it. It’s not like it doesn’t work, it’s just underwhelming sometimes. Before you got on it, you would take more things to heart, think about things more, and were probably a little more prone to actually killing yourself. After starting to take it, it was admittedly pretty rough. It felt like your anxiety had increased a little, like your paranoia had only heightened, and everything felt so elevated. 

Then, maybe a few months after beginning to take it, everything dimmed out. Like one of those lightbulbs you can dim, everything gradually came back down, and even lowered to a more tolerable level. You were glad, at first, that you had endured those first few months the way that you did because you’re not sure you would’ve even been here to this day had you not. Reading several articles and Reddit posts about Zoloft definitely didn’t help, especially as someone who was taking it partially for anxiety, but still, you managed. 

And then you realized that just taking the medicine didn’t do as much as you hoped it would. 

It helps you deal with anxious and depressive thoughts, yes, but you still feel like something’s missing. That lightbulb in your mind has dimmed, but it’s only just enough light to see ahead of you. Before all of this, the light was bright enough to blind you, to make you see that dreadful stark-white that still sometimes haunts you―when it dimmed down to where it is now, it was obviously a relief, but you feel like now there’s not enough light. 

You understand the whole point of the medicine is to dim that light, to help bring down your mental state to a more “normal” one, but you think that even people who don’t have diagnosed mental disorders feel strong emotions like you used to. Maybe not as strong, but definitely something adjacent to it. You miss that, funnily enough―getting strong enough emotions. 

Right now, you’re sitting at your desk in your office, staring down at the plate of mashed potatoes in front of you. You get it almost every time it’s offered, and endure the teasing you get from your teammates, all for one purpose. 

To hide your pills in it.

Mashed potatoes are starchy, yes, but easy to swallow without chewing. They’re thick enough to help hide the feeling of the pill going down your throat, and don’t leave that weird aftertaste in your mouth that taking your medicine with water does. You tried taking the pills with water at first, like you would with any other medicine, but with this specifically you just can’t. It’s too easy to notice, they’re too big to just hide with water, and it feels like swallowing a rock every time you take them with water. 

So, mashed potatoes it is. 

The pill is already mixed into it. You had folded the small blue tablet into the mushed vegetable with a plastic fork, trying to keep it as hidden as possible, making sure no hints of blue bled through the beige-yellow of the potato.

You’re now watching the mashed potatoes, unblinking, as if it’s going to grow legs and run away from you. It’s never truly easy swallowing the medicine, even with the mashed potatoes coating it, but it’s usually easier than it is today. Then again, today was deemed a “bad day” the moment you woke up, so this was to be expected. 

You grab the white plastic fork after a brief moment of hesitation and pierce the food with it, hand trembling ever-so slightly as you do―not from anxiety, but from your lack of water intake―and pick up a clump of potato with little strength. The vegetable oddly weighs your hand down the tiniest bit more than usual, but you ignore this in favor of pushing yourself to just force the food into your mouth. You try your best not to chew, your jaw only really moving to chew the side of your cheek instead to satisfy your urges, and eventually manage to swallow the food. 

Right off the bat, you can tell the cluster you swallowed had the pill in it. Lucky me, you think almost bitterly, not sure whether you should be happy or uncomfortable, at least it’s over with. It’s not that it’s a bad thing that you got to the pill so quickly, but usually you’re able to get a few bites of medicine-less potato in before the actual medicine itself. Nonetheless, you scoop up another fork-full―fork-full?―of mashed potatoes and try to eat as much as you can to get rid of the weird feeling of having a pill going down your throat. 

Just the fleeting thought of having a pill that big going down your throat makes it feel like your esophagus is closing. You feel yourself grow closer to nausea at the feeling, setting down your fork and pushing the paper plate of your dinner aside, just to rest your elbow on the table and put your forehead in the palm of your head. It’s bad enough that you feel ashamed because of the fact you even have to take antidepressants, so it’s even worse that those same antidepressants are throwing bad side-effects at you. 

Ashamed because needing medicine to function the same way anyone else does feels so pathetic to you. Maybe it isn’t pathetic. Actually, you know it isn’t; you don’t look at other people who do the same thing and think that they should feel as ashamed as you do. But you still look at your bright orange prescription bottle, labeled with your legal name, and think that you shouldn’t need it. 

You think, for a moment, that it’s because of how much you’ve dehumanized yourself. 

Dehumanized is such an ugly word, and it leaves a strange bitterness in your mind after thinking about it, but deep down you feel that it’s true. You know that you’re human, obviously, because physically that’s what you are. You are, undeniably, a homo sapien―a person, a living being that is a bipedal primate mammal. You, in a less literal sense, have those same cords attached to you that Neo did when he first went to the “real world”. 

But you need those cords, you think, lifting your head so that your chin is resting in your palm instead of your forehead, you need to stay attached to the Matrix. 

Because you took the blue pill. You found a way to keep yourself attached to the Matrix, to keep yourself grounded to what you wish you could experience without them. And those cables weigh you down, and that pod you stay encased in limits your movement―sometimes you feel more like the pod than the person inside of it―but it all seems so worth it to you, doesn’t it? To keep believing what you want to believe, to wake up everyday and dose yourself with that fifty-milligrams worth of sertraline hidden under a pile of food, to eat that food and swallow that pill even though it makes you feel like a mutt? 

You take a shuddering breath in, your thoughts building up in volume and mass, more questions entering your mind too fast for you to process them all. You feel that familiar rush of adrenaline, the kind that triggers your ‘fight-or-flight’. It lights your nerves on fire and causes them to jump, to electrify, and you feel your fingers twitch with the feeling. It almost feels like there’s something crawling along your nerves, under your skin, and the thought almost triggers your gag reflex. Your eyelids flutter, barely shutting for just a moment before you force them open. Your gaze flits over to the still-mostly-full plate of mashed potatoes. 

You’re usually able to finish them, even on “bad days”. But today, with nausea swirling uncomfortably in your stomach, and a too-big pill going through the thin tubes inside your body, you find that it’s much harder to even think about picking that fork back up. You can almost feel your heart beating through your palm, that continuous th-thump, th-thump growing exponentially faster, and your palm getting sweatier by the second. You shift your feet and find that invisible needles are poking at the bottom of them, small pins that push and prod at your skin that leave a strange hot-cold feeling. It forces you to take the pressure off of your feet by holding them up ever-so slightly, the soles of your shoes just barely touching the ground. 

You swear your heart rate increases at all the different sensations lingering on your body. You can feel your breathing starting to pick up, and for God knows what reason, you suddenly find it difficult to keep your eyes locked onto one object. Your gaze dances around the room as a surge of chills runs up your spine. A trail of goosebumps rises after each wave of biting cold, passing over the bony projections of your dorsum. After having so many of them, you know instinctively the signs of an oncoming anxiety attack, and know how quick those symptoms escalate from simple shallow breaths to the inability to keep your breathing consistent at all. Yes, they develop slower than a panic attack does, but the gradient from fine to not-fine is hard to view as slow when there’s so many symptoms to keep track of.

At the thought of such a thing happening, your gaze instantly locks onto the prescription bottle sitting on your desk. It’s still uncapped―fortunate for you, because you’re seriously doubting your ability to uncap something with a child-proof cap on it right now―and in your eyes is practically glowing. It’s so tempting, because it’s just right there, so easily accessible, so easy to just grab and pour however many pills you need down your throat. The thought makes you realize how dry your mouth feels, how constricted your throat feels, but your mind is too filled with a flurry of incoherent thoughts to dwell on such feelings. 

With your free hand, you grab the uncapped bottle. It shakes with your hand, now more from your building anxiety than your dehydration, and makes the tablets inside rattle. You bring it to your lips, ignoring the chiding voice in the back of your mind telling you how disgusting it is to just put it on your mouth like that, and shake it just enough to get a single pill out of it. The dryness of the pill sticks to the wetness of your mouth, just below the border of your bottom lip. You set the bottle down and poke at the pill with the tip of your tongue, the weird vanilla-like taste of the medicine spreading across the muscle easily. 

Your mouth is dry, so you have to use the residual saliva sitting on your tongue to slick the pill up enough to go down somewhat-smoothly down your throat. It’s still rough, and some areas of the pill remain powdery, the feeling of it sliding down your throat enough to make you gag. For a brief moment, the action causes the pill to lodge in your throat―it’s not big enough to make you choke or anything, but it’s enough to make your heart beat faster and your hands grip onto the edge of your desk tightly. Your thumbs are tucked under the edge, the first knuckle at the tip of your finger bent and the flesh of the tips of your fingers turning lighter from the pressure. 

You cough once you feel the pill go down your esophagus entirely, and breathe raggedly afterwards. Deep down, you know that the medicine takes some time to work, and that if you gave it a little longer than a minute that you’d start feeling better. But the reeling anxiety that wraps around your throat like a chain seems to pull you impossibly farther away from that betterness, and forces your throat to tighten to a point where your breathing feels limited. You go from breathing through your nose to your mouth, where you can still taste the lingering artificial-vanilla with every inhale. 

It’s getting worse, an annoying voice tells you, one that manages to be louder than the others, the medicine’s supposed to help. You’ve only taken a hundred milligrams so far. Another and it’s a hundred and fifty. An overdose is only if it goes over two hundred.

It’s stupid logic but more tempting the more you think about it. It is, after all, only a third pill. You’d be pushing it—

Do you really care all that much that you’re pushing it? What if you want to break that limit? The limits you made, to keep yourself alive, that you still sometimes question the existence of? 

―but that doesn’t really compute well in your mind, and you soon find yourself reaching for the bottle again. Each pill shakes with your hand, and with each tremor another wave of tablets hits the sides of the bottle, like a visual representation of the thoughts that bounce off of the walls of your brain. You lift the bottle, and bring it to your lips, the area that makes contact with your mouth cooler than the rest of the bottle from earlier when you had done the same thing. You’re about to tilt it up before you hear a sudden knock at your door. 

The noise is startling and makes you drop the bottle, the pills spilling over the edge of it and onto the table. 

“Shit,” you curse quietly under your breath, quickly flattening your hand and sweeping all of the pills into a pile, and picking them up in clusters. You manage to get them all back in the bottle before another knock sounds out, and cap the bottle before opening up one of the small drawers on the side of your desk and shoving it in there. 

“Come in!” you call out in a strained voice, praying that you’ll be able to keep it steady for as long as the person at the door needs to talk to you. You close the drawer just as the door creaks open. 

Much to your horror, you look up to see your Captain. 

Your palms are still sweaty as he walks in, so you try to discreetly wipe them off on your pants, and hope to whoever can help you that he doesn’t pay too much attention to the sweat gathered on your forehead. You take a deep breath as silently as you can, attempting to gather yourself before Price can notice anything being wrong.

“It’s a quarter past two,” Price comments once he walks in, closing the door behind him, “why are you still awake?” 

You look over to the digital clock on your desk almost immediately and, oh shit, it is exactly 2:15. You look back over at Price, who is busying himself with pulling the chair that was once in front of your desk around it, presumably to sit next to you. You still feel the dreadfully fast pace of your heart, that th-thump, th-thump, th-thump that you can hear blaring in your ears. It makes itself known in your chest, in your wrist, even in the base of your throat―almost every pulse point in your body has forced you to become aware of its existence.

You swallow dryly, trying to ignore said feeling, and reply, “Why are you still awake?”

Price raises an eyebrow at you, pulling the chair up beside you and sitting down in it, “I asked first.” 

You look at him with an unimpressed look on your face. “Can’t sleep. Why are you up?”

Price hums and leans back in his seat, arms crossing over each other, “Same reason.”

It doesn’t sound like a lie, but it doesn’t sound entirely true either, in your opinion. It’s not that you don’t trust him, but he just seems like he’s up to something. What that something is, though, you aren’t sure. 

“Why the food?” Price nods over to the plate of mashed potatoes, very noticeably unfinished. 

Your gaze follows his to the mashed potatoes. You can still feel the moisture on the palms of your hands, the small tremors that wrack your fingers, and Price’s presence does nothing to soothe your flaming nerves.

“Wanted dinner,” you shrug as casually as you can, forcing a neutral expression onto your face―you briefly overthink what a neutral expression looks like, and decidedly just let your face relax the best you can, “I didn’t get any when everyone else went, I was busy with something, and didn’t really want to head over to the mess with so many people over there, plus I was busy.” 

You look over at Price after your lengthy explanation, not realizing just how lengthy it was, and watch the corners of his lips quirk up into an amused-yet-worried smile. 

“You said you were busy twice,” he points out, before pausing, and pointing out again, “and it looks like you’ve taken a few bites out o’that at most.” 

You don’t bother to look at the mashed potatoes again; you know very well how they look, and know how undeniably full the plate looks. 

“Didn’t feel that hungry,” you make up a poorly thought-out excuse, that even you can understand is unbelievable. 

Price blinks at you, slowly, before sighing. 

“Are you alright?” Price asks, looking more concerned than amused now. You should’ve known from the moment that he walked in that you wouldn’t be able to hide anything from him. If not for the fact that he always seems to know what’s going on, then because of the overwhelming presence of your disquietude. 

You look at him and try to figure out what to say. What is there to say? You were panicking just two minutes ago, with your prescription bottle in one hand, the other too shaky to hold up the damn thing. You can still taste that vanilla. You can still taste the plastic. The bottle itself never once touched your tongue, but every time your tongue rests in your mouth, the tip of it pokes at the same exact place the bottle made contact with. You expect it to taste of vanilla, like its contents, but it doesn’t; it tastes like the pharmacy you got it at. It tastes like the sterile white of the counter, the fingers of the person who handed it to you, the money you spent on it, and the time it took you to get it. 

It’s nothing pleasant. The strange vanilla of the pills aren’t either, but they’re preferable to the bottle itself. 

Price notices you zoning out for a moment, and waves a hand in front of your face. Your eyes unconsciously track his hand for a moment before you blink back into reality and look at him. You knew you were fucked earlier, but when you look at his expression, at the look in his eyes as he watches you snap back to reality, you know that he knows. Maybe he doesn’t know exactly what happened, or how it happened, but he knows something. Fuck, he knows. 

Or, maybe he does know. Maybe he heard your cursing through the door, even with your low voice, maybe he heard the pills spill onto the desk, maybe he heard the opening and closing of the drawer, maybe he―

He’s staring at you.

―has security cameras set up in here, because he does in every room, every hall, everywhere but the bathrooms and the sleeping quarters―

He’s talking. It’s muffled by the sound of your own heavy breathing.

―or maybe it’s just intuition, a gut feeling he has, where he just knows that something’s wrong, that same gut feeling that everyone seems to get when something isn’t the way it’s supposed to be―

Your palms are sweaty. Your heart is pounding out of your chest. You’re starting to feel a little lightheaded.

―the same “gut feeling” that you experience every day but have to ignore because it’s not a gut feeling it’s anxiety and your real gut feelings feel the almost the exact same way anxiety does so you may never know if you ever get an actual one―

Price grabs onto your arm, though the feeling of his skin on yours can’t push past the skin-crawling sensation that coats your skin.

―but how do you really know that your gut feelings aren’t gut feelings? How do you know that anything is anything? That it’s really Price that’s sitting next to you, that it’s your own office you’re sitting in, that―

“[name]!” Price’s voice snaps you out of the trance you seem to be in, and you sharply inhale at the sound of his voice, his volume much louder than you expected it to be. 

You didn’t realize how fast and heavy your breathing had really gotten until this point. You look at Price, a little more on the panicked side now, with restless eyes that can’t stop flitting all over his face. He takes his hand off of your arm before you can even notice it was there in the first place, and leans back away from you. 

You try to take deep breaths, but each breath feels like trying to breathe underwater, and each inhale-exhale leaves you shuddering. You look down at your lap, breath hitching and stuttering, and the moment you open your mouth in the hopes of breathing easier, you are all too aware of just how dry it’s become. You’re sure you let out some kind of sound that alerts Price of your growing distress, because he hesitantly leans forward and takes a deep breath. 

“[name],” Price keeps his voice soft and quiet, quieter than he’d been just a few seconds ago, his soothing voice a gentle wave crashing against the rock of your mind, “you’re okay. Look at me, soldier.” 

Like a remote to TV static, the noisiness of your mind is partially calmed and the waves that wash over your brain provide sweet escape from the overwhelming adrenaline and cortisol thrumming in your veins.

Mindlessly, you do as he asks, his words grounding you and tugging you back down to Earth more effectively than any anchor could. When you look at him, his eyes are clouded with concern and there’s a small frown on his face that almost perfectly juxtaposes his usual quokka-smile.

You know you’re still trembling. You can feel the hairs that stick up on your legs and arms, the weird hot-cold feeling that creates pinpricks of discomfort across your body, the way your heart is trying to escape the prison cell of your ribcage—but none of it compares to the unbelievable dizziness you feel. Your head is a balloon filled with helium and it is slowly deflating, but not fast enough. You feel like you’re no longer in control of your own body—or were you ever in control? 

Your stomach is churning. There’s a sense of dread that dwells there. You might throw up. 

Cutting through your thoughts is Price once again.

“You listenin’?” your Captain asks, to which you nod after a delay of a few seconds. Price holds a hand out and gives you a questioning look, the question of ‘can I touch you?’ clear enough on his face that you nod lightly and he takes your hand gingerly.

“Do y’know where you are?” Price asks. You nod, and he softly requests, “can you tell me where?”

“My office,” you answer simply, the gravel in your voice making you wince. The warbling that escapes your mouth is nowhere near your usual voice, and for a moment you think you might be right about needing to vomit, but you manage to push it down and pray. Price ignores this and pushes on.

“And who am I?” he asks, as if he doesn’t know. 

“... The Captain.” Price purses his lips—he doesn’t really want to accept this as an answer, because he wants you to say his actual name, but he knows what you mean, and you know what he’s doing. He knows that you mean that you’re here, that you’re present, and you know that he’s trying to ground you the best he can.

“Do you know my name?” he questions, to which you nod again, though a little more moderately, seeing as the repetition of nodding your head only makes you more lightheaded, “what’s my name?”

You take a few shaky breaths, ones that are shallow and uneven, ones that hitch enough for it to be so noticeable that Price manages to pick up on it. You open your mouth to talk, but find that your tongue is too heavy to lift to create coherent sounds. The thought somehow heightens your anxiety, something that seems to be noticeable to Price, judging by how his expression shifts to something impossibly softer.

“Here, let me—” Without another word, Price cautiously brings your hand up to the middle of his chest, where his sternum is. 

He exaggerates his breathing, taking long, deep breaths in, and similarly long exhales. His chest rises and falls satisfyingly, and it’s clear that he wants you to copy him. You try your best at first, taking that same too-deep breath that he does and fail almost immediately as you choke on the air you attempt to inhale. Price brushes his thumb over the back of your hand and takes another exaggerated breath, breathing in through his nose and out through his mouth. You keep your gaze more focused on the lower half of his face as you copy him, oxygen going in through your nose, and carbon dioxide going out through your mouth. 

That one successful breath is followed by an unsuccessful one, then another successful one, then another, and it’s a little rocky but you find that soon enough you’re breathing. There’s air flowing in and out of your body smoothly, with each exaggerated breath you take, almost in sync with Price, until finally he puts your hand back into your lap but continues to hold it. He squeezes it once before letting go, and clasps his hands together. 

“What’s my name, soldier?” he asks, and this time you think you can answer him. 

“John Price,” his name feels weird coming out of your mouth, especially with no honorifics, but he accepts the answer anyway. 

“Good,” Price praises, giving you a small smile, “you’re doing good.”

The approval he gives you helps to calm your nerves the tiniest bit, and you feel yourself slowly coming down from the God awful high that you’d just been on. Again, you’re not sure how he knows, but he senses that you’re calming down―is it because your breathing is steadier? You aren’t nearly as restless? You’re no longer zoning out?―so he leans back in his chair and watches as you do the same. 

“Now,” he breathes out, “can you tell me what’s going on with you?” 

You look away from him for the briefest moment, sparing a glance at the cabinet you know the bottle of your pills lays in, before looking back at him. If he noticed you pulling your gaze away from him for a split second, he doesn’t mention it nor does he make it known that he did. 

“There’s not really anything going on,” you shrug, to which Price scoffs. 

“[c/n],” he looks at you, disbelieving, “two seconds ago I had to help you breathe normally. I know that there’s something that’s going on, somethin’ that had to trigger what just happened.” 

You stay quiet and he gives you an expectant look. The pressure from his fixed glare makes you feel like you’re about to explode. 

Finally, you answer him defeatedly, though vaguely, “I was in the middle of taking my medicine when you knocked.”

Price stays silent, expecting you to elaborate. 

“And…” you try to find a way to make it sound less awkward than it does in your mind, though you suppose there’s never really a correct way to go about something like this, “I almost took more medicine than I needed to.” 

The silence continues, but now Price looks less expectant, and instead more of a mix between concern and something else you can’t identify. That something, though, is still soft, and still has a hint of pity―maybe sympathy?―to it.

“Almost?” he repeats, “was that on purpose?” 

When you think about it, it’s complicated. You didn’t necessarily intend to overdose, you just dismissed the idea of it. Or, at least, you don’t remember trying to overtly kill yourself. Then again, you knew the risks of taking more pills than prescribed to you; had you taken that third pill, you would’ve only been one more away from an overdose, and even then you’d still probably get some kind of health issue. 

Price’s face hardens when you don’t answer immediately. He must be taking your silence as a “yes”. 

“Not… really,” you answer slowly, “I don’t know what I was thinking.” 

He nods, waiting a few seconds before asking, “Have you thought about it before?”

By it, for some reason, you sense that he isn’t asking exclusively about taking one too many tablets.

It’s tempting to be dishonest about it; it’s a shameful thing to you, to use the things that are supposed to help you to harm yourself, to be so careless with your own life. You know that it isn’t necessarily all your fault, but there’s still that small part of you that can’t help but feel guilty for using something so many other people try so hard to get to almost kill yourself with. 

After a few beats of silence, you decide to answer, “Yeah.” 

Price nods again, and he looks like he expected that answer. “D’you want to tell me more about that?”

You could, hypothetically, go in-depth about all of your weird thoughts about committing. The ones you’d been having just, what, fifteen minutes ago? Thirty minutes ago? The ones about chains wrapped around your throat, stolen guns from the armory, deep purple bruising and a stretched neck. Those thoughts, the ones that try to make ending your life sound pretty, that try to make it sound appealing. It’s not to convince yourself, you don’t think, but rather to help you come to terms with the fact that you were already convinced that you were going to commit at some point. The thought still scares you, because you’re a pussy―terrible, terrible choice of words, a voice at the back of your mind insists, you’re not a pussy, you’re just like anyone else―but you felt like you just knew that you were gonna die by your own hands. That you’d already made the choice, and now you have to understand it, to realize it. 

You are in that room full of TVs, with The Architect in front of you, telling you that you have no choice. That, in fact, the problem is choice. You are surrounded by a million other yous, all protesting, all denying that you have no choice but to kill yourself, all yelling “Bullshit!” because deniability is the most predictable of all human responses. 

But, you remind yourself, The Architect was wrong. He told Neo that he couldn’t do anything to save Trinity from her “fate”, but Neo did save her. He plunged his hand into her chest and forced her heart to beat. 

That’s true. 

And, you add on, The Architect is a computer program, tasked with mimicking human emotions, despite never having felt them. He could never understand the power of human will, of the desperation so many humans have to live. 

Because The Architect was never alive. He is a sentient computer program, whose job is to create a world in which humans can “live” while they are fed on in the real world, but his problem was his inability to create anything less than perfect. We aren’t expected to be perfect, and are taught that flawlessness doesn’t exist, which is why he came to the conclusion that he needed a “lesser mind” to help him create a better Matrix. 

You aren’t supposed to succumb to the idea of having no choice. Because that, in itself, is a choice. Everything you do is a choice. Even if everything you do will only add up to the same ending, to the same fate, why should you waste time not making the choices you want to make? When you assume that you have no choice, you assume that everything you do will go to waste, but that’s not true. You aren’t the only person that exists. You aren’t the only person who makes choices. The choices you make affect other people’s choices, and those choices affect another person, and another, and another. You still have to live through the choices you make, as does everyone else, so even if everything will end the same, why should you make inherently bad decisions when you could be making good ones? Why should you go through things you don’t have to go through, just because you believe that nothing matters in the end?

“Not really,” you answer Price, snapping yourself out of your thoughts, “I don’t… want to think about it too much right now.” 

Price looks a little more worried now but he doesn’t protest your decision.

“Is there anything in here that you could use to hurt yourself?” he asks after a moment, “Or that you’ve already used?” 

You bite your tongue. Technically, the pills count, you suppose, but those are your meds. You can’t really have those confiscated.

“Other than the medicine, no,” you answer truthfully, much to Price’s relief, as is evident on his face as his hardened expression softens. 

“Good, good,” he shifts in his seat. 

He’s gearing up for something. You can tell with the way he subtly presses his clasped hands together, the way his face goes through a mix of emotions, and the way the deafening silence of the room really seems to be getting to him. 

Suddenly, he asks you, “D’you think you’re going to… ?” 

He doesn’t ask you explicitly, but you have a good idea of what he’s asking.

“I was thinking about it,” you respond softly, “before you came in.”

Price nods, having expected that answer. You’re not sure if it was obvious, or if he just assumed you were thinking about it because of you confessing to having thoughts of it before this. 

“Y’know I have to tell someone about this, right?” Price reminds you gently, as if you didn’t already know, “Someone up the chain. Might be Laswell.” 

You hum affirmatively, because you didn’t expect anything less from him, and know that it’s for the better. It doesn’t make you feel any better, obviously, but you know how to be realistic when the time calls for it, and you know that if the roles were reversed you’d do the same thing. Not because it’s mandatory, but because when you imagine Price in your situation, the thought wraps itself around your heart and twists. 

The room is silent for a beat, and you get the feeling that Price is somehow more uncomfortable with the quiet than you are. He shifts in his seat while you stay still, and he clears his throat to break the silence for a brief moment before speaking up again. 

“It’s late,” he points out the obvious, before pausing and irresolutely asking, “do you want to head back to my quarters with me for the night?” 

His words confuse you for a moment. You open your mouth to ask why, before it suddenly hits you―oh, right, you just basically confessed to being suicidal. He doesn’t want to leave you alone right now. 

“Yeah, sure,” you agree, less questioning than Price expected you to be judging by his momentary look of surprise, before he nods and begins to get up. 

He pushes his chair behind him, standing up straight, and holds a hand out for you to grab. You grab it gingerly and use it to haul yourself up, your knees cracking as you do after having been sat for so long. You wince at the sound and Price gives a light-hearted chuckle.

“I thought I was s’posed to be the old one?” he teases, making you give him an unimpressed look and let go of his hand. The room falls back into soundlessness.

You both remain silent as Price leads you out the door of your office, turning off the lights and closing the door after you, and continues to lead you down to his sleeping quarters. His are farther down the hall from yours, because of his higher rank, and therefore takes longer to walk to from your office. The long walk is quiet enough to hear a pin drop, but you both don’t mind this, as the atmosphere here is more comfortable than the one in your office. 

Eventually, you make it to his room, where he opens the door for you and signals for you to walk in first with his hand. You enter the room and hear him enter shortly after you, and go to sit on his bed before pausing. 

“I’m still in my…” you gesture to your clothes, gear-less but still not your “normal” sleeping clothes. Price raises an eyebrow at you as you wave at the state of yourself. 

“I’ve seen you sleep in worse,” he points out, “and I think you sleep in this than in your actual sleeping clothes.” 

You’re about to ask how he even knows about that, before he answers you before you can voice your question, “I’ve seen you walking back t’your quarters in these clothes and hear you snoring a second later at least ten times.”

You close your mouth and sigh through your nose, before muttering, “Didn’t know I was talkin’ to fuckin’ Sherlock Holmes.” 

Price snorts at your retort, “If I’m Sherlock, are you Watson?”

You think about it for a moment, before shaking your head negatively. 

“No?” Price toes off his boots and walks over to you, sitting on the bed, “Then who are you?” 

You sit down next to him, “I dunno. I’m like…” 

“Like Neo,” you continue, ignoring the way Price’s eyebrows immediately raise, “and you’re Morpheus. But less smart.”

“You’re not Neo,” he scoffs, “and I’m not a less-smart Morpheus.” 

“I wasn’t askin’ you,” you grumble, shaking your already-loose boots off of your feet and crawling up Price’s bed. You manage to snake under the covers and feel Price’s eyes on you as you do, staring holes into your face.

He hums in acknowledgment, not bothering to answer you verbally, and instead gets up to lift up the covers and get into bed. The bed is small enough as-is, but with two people inside of it, it obviously gets much smaller. Price doesn’t seem to mind, though, and turns so that his back is facing the door and his front is facing you. Directly in front of you is the base of his neck, but if you tilt your head up, you can see him looking down at you with tired eyes. 

You let out a soft breath through your nose and realize just how tired you are. Price seems to notice this, because his arm comes up and rests across your side, his hand splaying across the middle of your back. He gives you a comforting sweep of his hand, before settling it on your upper back, absentmindedly rubbing his thumb in soothing circles against your clothed back. 

You close your eyes, and he closes his, and it feels like you’ve woken up in the real world and removed the cables from your body.

[soshadysoquiet]

An attempt to salvage S4, for your delectation. S4E1

Okay, I think I'm ready. This is so long that I'll have to post it episode by episode. [FYI this isn't written Fic or script style so much as a play-by-play]

This is I'm sure an imperfect fix but I do think this would have been better especially if used as a base to work on - if anyone does want to, please feel free!

Rules I gave myself: Keep the 6 episode formula. The characters have to start Ep 1 in the same state (jobs, accommodation etc) they do in the show. Use as much as is salvageable from S4 to make the base of this cake.

I will say that I think one easy fix the show should have done was to keep the long-running theme of using flashbacks at the beginning of each ep to flesh out the story; so I've done that off the bat. Every character has a beginning flashback, but they all include Ben or Jennifer to a degree (because this is his season) and Diego and Lila have to share because there isn't enough room soz y'all.

EPISODE 1:

Starts with Viktor's Flashback: Over a series of 2 years him having a terrible time at family reunions where Diego and Lila are squabbling, Luther is being harrangued. He's working as a bar tender and they keep showing up at his bar; Klaus gets carted off by them to rehab there for being stoned, he has to kick Five out for being too drunk and disorderly. Viktor starts looking for a bar elsewhere, sees the one in Canada and moves there. Shows him chatting up the ladies, being unable to connect to them on a deeper level. In the background of all these scenes we see the Rise and Fall of Ben on the bar's TV. - he's an up and comer, he's in the big leagues! He's one of the wealthiest people in the world! He's committed tax fraud and being taken to jail!

Viktor in present time is being asked about going to Gracie's B day party, and torn about it, by Luther.

Luther is at his work.

Diego is lazily delivering packages, one of them with a symbol of an inside out umbrella on it, he is seen to pocket.

Lila is stressing over the kids party bits and another parent mentions seeing her at book club tonight.

Ben is getting out of prison, he's told by the guards that no one's due to come for him despite him arguing that someone should be, and that his parole officer demands someone be responsible for him. Ben is shown resigned picking up the phone.

Allison's work is running over and she has to call Klaus

Klaus takes Claire to her destination very cautiously

Five is at his work in CIA, staring at blueprints of the country, bitching to his boss about not being given access to blow through a wall to look at the hidden network of stations he's uncovered. Bitches to his assistant about how a few years ago this wouldn't have been an issue - assistant refers to the fact that a few years ago he was lucky to have been given this opportunity before he nearly drank himself out of his doctorate.

Luther comes to pick Ben up, he's pleased. Ben is pissed and seems edgy. They discuss in the car how Luther wasn't Ben's first choice, Luther asks who that would be, Klaus? Ben angry and claims that no, he has a girlfriend, she should have been there,  doesn't know where she is. Luther sympathises, saying he's been there, he'll help Ben look surely it was just a misunderstanding. Ben asks in a slightly scathing, though less than normal way, whether he's still looking for Sloane. Luther wishes he could hope still that she's out there, but it's fainter by the day. Ben and he share a small moment, that it's nice he's not the only one who remembers his family.

Gracie's party, much is the same

Viktor turns up late, is confronted by a blonde woman (Abigail) Abigail gives him the box of cross-timeline paraphernalia plus marigold jar. Says they're needed to save both his brother Ben and Jennifer, that they need to save the world. Leaves while Viktor is asking who Jennifer is.

Viktor goes into the party (it's wrapping up) shows the marigolds and they set up a meeting for later (the kids are still there)- there is frustration about commitments getting in the way and mixed excitement and dread.

They go separate ways, Lila is shown going to her 'book club' meeting where they talk about the Cleanse and the umbrella effect, it's Abigail, though Lila doesn't know who she is.

Diego after waving Lila off is seen pulling out the package he'd pocketed with the umbrella on it in his study full of papers and files, he goes to open it, tries to do a trick with a letter opener and it falls from his fingers, frustratedly he tosses the package as his in laws call for him to come help with something.

Five has gone down into the subway, he's staring at the wall, clenches his fists.

Allison, Klaus and Claire go home. It's quiet between Klaus and Allison. They have a stilted conversation about how they clearly don't want to have their powers back, and Allison asks for help prepping for the audition, Klaus jokes that at least acing those would have been easier with powers, she jokes back that with their powers she wouldn't have need to feel guilty killing his immortal ass for being a jerk.

Ben is with Viktor and Luther at Luther's place demanding what the woman said to Viktor who says he'd rather wait for the others but then admits about saving Jennifer and him, Luther asks who Jennifer is and guesses his 'prison girlfriend'. Viktor is a bit suspicious.

The others turn up, they go through the box properly.

Five and Lila notice items of interest in the box - subway map, umbrella inside out printed on things, items from other timelines, and both notice that Diego has much less subtly shown recognition and pocketed an umbrella item too. The two share a glance but both shrug as neither knows what's going on. Klaus finds and takes the dog tags.

Ben is on edge and demanding they get out and find Jennifer, that they take the marigolds, the others all agree they don't want their powers, though a few of them give some assurances to help Ben find Jennifer.

Ben pockets the marigolds and spikes everyone when they do a toast to another odd thing happening around their family before they all leave. (Viktor stays the night begrudgingly with Ben and Luther.)

[cosmerelists]

If Cosmere Characters Had Real-World Jobs (But Not The Obvious Ones)

In this list, I wanted to try to give Cosmere characters jobs in our world while avoiding the jobs that would be the most obvious picks--like, for example, the real world equivalent of whatever their canon job is.

1. Kaladin: Professional Football Player

It's a dangerous job that Kaladin's dad would scoff at, but the other kids in town think it's really cool and also the recruiters are coming through town and, I mean, he's really good at football.

2. Lirin: Public Defender

If we avoid the obvious job (doctor), then Lirin still needs a job where he is doing good, but it's pretty thankless and the general public are suspicious and think he might actually be evil somehow. So I figure: public defender. He's highly educated, helping people who need it, and just getting nothing but grief as a result. Worst of all, his smart son wants to be a FOOTBALL player!

3. Marsh: Masseuse

I feel like people who are good at hemalurgy know about the body and its pressure points and things like that. And frankly, "acupuncturist" felt too on the nose.

4. Shallan: Park Ranger

Shallan HATES to be confined, so no way she's going into an office job. Plus, she likes nature and animals, but I'm trying to avoid the more obvious jobs (like botanist or ecologist). It's just too bad that Shallan is SO bad at staring a campfire, though.

5. Navani: Wedding Planner

Navani is VERY good at managing people and events, as seen when she had to manage everything while Gavilar was off plotting. She's also very organized and literally invented wristwatches. So I think she's be very good at this job.

6. Elend: Grad Student

This one may be too obvious, but I figure something like "politician" or "philosopher" are more obvious. But to me, Elend has major grad student energy.

7. Nale: Insurance Adjuster

Nale is a cop, of course, through and through. But if he wasn't a cop, then he'd need some other job where he uses the rules to screw people over. So I see him as, like, an evil insurance guy who's denying people medical coverage because the company wants him to.

8. Blackthorn-Era Dalinar: Debt Collector

If flashback Dalinar couldn't make a living mowing people down in battle and had to find a less obvious job, then I could see him being the guy to hunt down people and demand money they don't have. He doesn't really care about the money. He just likes the hunt.

9. Adolin: eSports Player

It's a job where you can head-to-head battle people and your dad is vaguely puzzled and thinks you should be doing something more important with your life.

10. Lightsong: Customer Service Agent

In canon, Lightsong's job is to face down a huge line of people and tell them "no" in response to them asking for something they want. So, I mean, I feel like that's equivalent to one of those shitty customer service jobs where you're not really allowed to help people (until, of course, Lightsong goes rogue and does start helping people, but that's another story...)

11. Stormfather: Bus Driver

He has his route, and he's not deviating from it. And if you miss the bus, he's not stopping. He's not going back. You can try to run, but you will not catch up to him.

12. Tress: Mechanic

As a Sprouter, Tress had to figure out how each of the spores worked and how to use them. I just feel like she'd be good at diagnosing issues in machinery and then fixing them.

13. Steris: Programmer

She's precise, she's smart, she likes rules. I think coding would suit her.

14. Yumi: Waitress

She could stack the plates SO high.

15. Marasi: Investigative Reporter

Which, honestly, is what I wish she had been rather than being a cop like in canon. I think it would suit her! She'd get to research, investigate, find the truth...

16. Kelsier: Motivational Speaker

He tells you about the power of smiling no matter what, so that you are never defeated. He tells you to carry something small, some memento or photo, to help you find your motivation. You tells you that no goal is out of reach--you just have to find the right people and the right steps to move forward. And he tells you that the most important thing is to survive.

[ms-demeanor]

any tips for Adult Phone Calls? i've been putting some off and it's going to start costing me money if i don't Get It Together soon, but that pressure just makes it harder!! part of my issue is not knowing what The Script is and part of it is that i find real-time conversation as An Adult really daunting....

Yes!

Okay so a big part of my job is answering phone calls; I am a professional person who answers phone calls from people who would rather not have to call me and who are usually confused and upset by what is happening, which often has the potential to be expensive for them. It's a stressful call to make!

As a professional phone answerer, here are the things that help ME when people call:

Be able to describe the reason that you're calling and what you would like to do about it. This is a simple two-step giving basic background information and your desired outcome so that the person answering the phone can get the process started for you. Examples: "Hi, I'm a new patient referred by Doctor X; I'd like to make an appointment with Dr. Y." "Hi, I tried to use my credit card but it was rejected, I would like to know why." "Hi, I am calling about a late payment; I would like it removed from my record." "Hi, my sink is leaking and I'd like to schedule a visit for repair." "Hi, I think my computer has a virus, I'd like to bring it in to get checked out."

Call when you have some time. Don't call when you've only got five minutes to be on the phone, this could take a while and you will be less stressed if you call when you've got at least ten minutes to half an hour where you won't be interrupted. If you are less stressed, the person taking the call will be less stressed, and the whole process will work better.

Have any account/ticket/serial number/referral information handy. Pre-game the call in your head and think about any questions they might need to ask you, then gather the information they might need. Examples: If you're calling about something like a car or computer hardware, know the basics of make/model/age. If you're calling a financial institution or service provider, have your account number, verification information, etc. handy If you're calling a medical office you might want to have a list of medications as well as your insurance card available.

And here's some information that might make CALLERS more comfortable:

We're not mad at you for making the phone call; talking to you is our job. You're not bothering anyone or imposing on anyone's time. Please make the call instead of churning in panic for weeks or months; it's much easier to fix something or resolve an issue if it's addressed early than if you respond to it months down the line.

You can just say right off the bat that you're not sure about the call or that you don't know what's going on and you need help. You might want to say something like "Hi, I'm having an issue and I don't know the next steps to take to get it resolved; could you please help me?"

You can also just say something like "Hi, thanks for helping me; I'd like to let you know that I have a little trouble using the phone and may need to ask questions as we go or think for a second. Thanks for being patient with me, here's my issue."

There is like a zero percent chance that your call is going to be one of the more stressful things they do that day. The call is stressful for you, it is very routine for them, and they are used to everything from getting screamed at to trying to communicate in languages they don't speak to help callers.

Also: if you have not called this place before, feel free to call it with no plans to speak to anyone just to see how the phone system works. It may be an automated phone system and you can call and pre-navigate the options and take notes for when you're ready to call back, and you may be able to find out more of what the system will ask of you. If you get picked up by a person when you're not ready you can simply say "Oh, I'm sorry, I've got another call coming in, I'll call back, thank you" and hang up.

The Script for most Adult-type phone calls is "I am having X problem and I need help fixing it," and then requests for information and someone either providing a resolution for you issue or escalating it to the next step in the process.

It's hard to pre-plan a script without more details because some people you'll call will have a more difficult script than others (canceling cable, for instance, can be a hassle and there are people out there who have written specific instructions on how to do that) and some will be very easy (scheduling an appointment or opening an account can often be very simple!) but regardless of how difficult the specific script is you can ask for help along the way, and the process will be easier if you've done a little information gathering about your own needs/issues/desired resolution.

Good luck! Please don't let the phone scare you too much! People on the other end of the phone are usually quite happy to help.

If it's something really contentious like dealing with a collections agency, look up specific resource guides because that's where it pays to have a very specific idea in mind of how you're going to approach the problem.

[pizzagame4000]

NOISETTE THEMED DOODLE DUMP ft. cheesecake and the spouses

copious hazel headcanons under the cut because i can’t help myself

first off: her name is Hazel 👍🏻 ik that’s a common one but it’s literally perfect… canon info to me

her favorite thing to do, besides making experimental food, is actually exercising! she’s an incredibly skilled acrobat and stunt artist, so she needs to be fit for that, but she also just enjoys letting the excess energy out bc she gets really cranky otherwise. she’s toned af and could wipe the floor with you - she doesn’t go around picking fights for no good reason, but if she did… heehee

she has such an unending well of passion for all of her interests that some find her to be too much but she dgaf… she’s unabashedly autistic and does NOT care if you don’t want to hear her infodump about obscure cheeseslime genetics, she will do it anyways

i like to think that, although she is very bubbly, she has an insane morbid streak that catches people off guard. she loves talking about anatomy and gross-out subjects to anyone who can stomach it, and cracks the most fucked up jokes - it’s one of the reasons her and noise get along so well. she is thinking about blood and guts because she thinks it’s interesting!!!! she will give you hyperspecific graphic threats of violence if you make her mad!!! teehee!!

i would put her at like… chaotic neutral but leaning towards good. she has an almost scientific fascination with violence and seeing what kinds of stress a body can take, and doesn’t mind watching shit unfold instead of helping… unless something actually super fucked up is going on (like way past canon typical pizza tower violence), she’s not going to bat for you lol she’s gonna grab a camera and clipboard

her interest in anatomy branches out into a love for biology, medicine and health in general - as much as she loves watching her boyfriend beat the shit out of some chump on live tv, she also loves studying how different creatures work and how to treat injuries. she almost became a doctor! but she didn’t like the rigid schedule and pressure, so she fostered her interest in dance and gymnastics, and went into television as a stunt double instead. that’s actually how she met noise! that’s why they look so much alike - she was told to inquire NTV for a job because of the resemblance. noise thought she was so cool she was asked to be his co-star instead, and they’ve been inseparable ever since.

sometimes she gets tired of the noisette persona, but she does genuinely like theo, so it’s hard. she’s been more busy with this NTV gig (that’s looking more like a full blown career) than she would like, so that’s why she opened her cafe - to do something else for once dammit!! she likes weird shit, food included!!!

i have two shipping scenarios i like, so consider these parallel universes - hazel x vigi, and hazel x vigi x noise

if you don’t like negative takes on the noise relationship i’d recommend skipping to 2 ^_^

1. her relationship with noise deteriorates bc noise can’t accept the fact that hazel doesn’t wanna be noisette all the time! they’re so busy, he barely even makes time for her anymore - he barely even tolerates her! it’s not until vigi comes into the picture that she realizes she doesn’t have to deal w that mess. but it sucks cuz noise isn’t just her bf, but also like!!! a big part of her career!!! and she does genuinely love him but he’s just!!! an uncommunicative ass!!! it culminates in hazel leaving him and crashing at vigi’s farm because fuck it, it’s her life she does what she wants. she will kiss the cheese AND rebuild her tv career, on her own terms this time baybee

2. noise and hazel still have that issue but they actually communicate like adults and fix their relationship problems, so none of that shit happens! happy ending! hazel has her own life and theo actually lets his gf know he loves her! woah! enter vigi, in: “we saw you across the bar and we really dig your vibe…” imagining vigi as a third to hazel and theo, completely out of his depth but too bisexual to care, is SO funny to me lol… like hazel and him are probably the only two together at first but over time he and theo warm up to each other more (gay intent) and it’s perfect

[jacksprostate]

Treatise on why No, the doctor just giving the narrator of Fight Club (full name) his requested sleep medication or sending him to therapy would not have Fixed Him

Firstly, saying giving him the insomnia meds would’ve fixed him ignores the reason he has insomnia in the first place. He is so deeply upset by his place in society that he literally cannot sleep. Drugging him to sleep would not change that. That, of course, is the easy, quick response.

But with regard to therapy? The biggest flaw is that it ignores a central tenet of the book. Part of what tortures the narrator and drives him to invent Tyler is that his feelings about this collective, systemic issue are constantly reduced to a Just Him thing. His seatmates ask what his company is. He’s the only one upset at the office. He gets weird looks if he says the truth of what he does. People will do anything in their power to pretend he is the issue, as an individual, because it is far scarier to consider the full implications of the systemic issues implied by what he is saying. Everyone treats it as if the issue is him, so he goes insane. He does anything to get someone to say, holy shit, that’s fucked up, what you’re a part of is wrong. In an attempt to feel any sort of vague sympathy and catharsis, he goes to support groups to pretend to be dying, because then at least people don’t habitually blame him for his anguish. 

Saying therapy would fix him ignores that his problems are not individual. They are collective. It’s the reason the entire story resonates with people! Something deeply, unignorably wrong with society, where people would rather blame you for bringing it up than try and address it, because it feels impossible. I don’t blame people for this, really, because it IS scary. It’s terrifying to sit and feel like you’ve realized there’s something deeply, deeply wrong, but if you say something, people will get mad at you since it’s so baked into everything around you. Or, even if they agree, it’s easier to deal with the dissonance by pretending it’s individual.

And it’s not like that’s not the purpose therapy and medications largely serve, anyway. Getting into dangerous territory for this website, but ultimately, the reason the narrator was seeking medication was because it’s a bandaid. A very numbing bandaid. For these very large, dissonance causing problems, therapy does very little. Medications do what they always have, and distract you with numbness or side effects. It’s a false solution. He is seeking an individualized false solution because he has been browbeaten with the idea that this is an issue with him alone, when it's plainly clear it's not. 

Don't get me wrong. Obviously he has something wrong with him. But it's a product of his situation. It is a fictional exaggeration of a very real occurrence of mental illness provoked by deep unconscionable dissonance and anguish.  There is a clear correlation between what happens and his mental state and his job and how isolated he is. 

The thing is, even if he were chemically numbed, I do think he would’ve lost it regardless. Many people on meds find they don’t fix things. For reasons I’ll get into, but in this case because even if numbed or distracted, once you’ve learned about deep, far reaching corruption in society, it’s very hard to forget. Especially if, in his case, you literally serve as the acting hand of this particular variety. He’s crawling up the walls. 

So why do people say this?  Well, it's funny I guess. Maybe the first time or whatever. But also, often, they believe it, to a degree. Maybe they've just been told how effective therapy and meds are for mental illness, they believe wholeheartedly in The Disease Model of Mental Illness, maybe they themselves have engaged with either and have considered it successful. Maybe they or someone they know has been 'saved' by such treatments. 

But in all honesty.... What therapy can help with is mentality, it's how you approach problems. For issues on a smaller scale, not meaning they are easier to deal with my any degree, but ones that are not raw and direct from deep awareness of corruption; these are things that can be worked through if you get lucky and get an actually good therapist who helps build up your resiliency. But when your issue is concrete, something large and inescapable? It's useless. At best it can help you develop coping mechanisms, but there is a limit for that. There is a point where that fails. To develop the ability to handle something like this requires intense development of a comfort with ambiguity and dissonance and being isolated and a firm positioning of your purpose and values and and belief in wonder and all the other shit I ramble about. The things that the narrator lacks, which lead him to taking an ineffectual death knell anarchist self-destruction path. Therapy, where the narrator is, full of the knowledge of braces melted to seats and all the people that have to allow this to happen? It fails. 

And meds — meds are a fucking scam. We know the working mechanism of basically none of them, the serotonin receptor model was made up and paid its way into prominence. We have very little evidence they're any better than placebo, and they come with genuinely horrific side effects. Maybe you got lucky. I did, on some meds. On others? I don't remember 2018. The pharmaceutical industry is also known for rampant medical ghostwriting, and for creating 'off-label' uses for drugs that have gained too many protests in their original use, then creating a cult of use to then have 'grassroots' campaigns for it to be made a label use (ie, legitimize their ghostwritten articles with guided anecdotes). 

The DSM itself is basically a marketing segregation plot. It's an attempt to legitimize the disease model by isolating subgroups of symptoms to propose individualized treatments for subgroups that are not necessarily all that separate. But if the groups exist, you can prescribe more and different medications, no? Not to mention, if you use the disease model, you can propose that these diseases are permanent, or permanent until treated, considered more and more severe to offset and justify the horrific side effects of the medications. Do you know why male birth control doesn't really exist? Same reason. They can justify all the horrible side effects for women, because the other option is pregnancy. For men, it's nothing. 

And they're not bothering to invent new drugs without side effects. When they invent new drugs it's just because the last one got too bad of a name, or they can enter a new market. Modern drugs don't work any better than gen1 drugs. They still have horrific side effects. At best, the industry will shit out studies saying the old one was flawed (truth) so they can say this new gen will be better (lie). They're doing it with ssris right now. 

Fundamentally, the single proposed benefit of any of these drugs is that they numb you. To whatever is torturing you. It's harder to be depressed if you can't feel it, or if you just can't muster the same outrage. Of course, there is people who find that numbness to be helpful, or worth it. But often, it's stasis. For the people who have problems that can be worked on, it serves as a stopgap to not actually work on said problems. The natural outcome of the disease model is stagnation for those whose need is to develop skills and resiliency. It keeps them medicalized and dependent on the idea that they're diseased and incapable. Profitable. Stuck in the womb. 

I’ve been there. It’s easier, to wallow, and resist growth because it’s difficult and painful and unfair and cruel and you can think of five billion reasons to justify your languishing. But don’t listen to anyone who tells you you’re just permanently damaged, no matter how nicely they word it, no identity or novel pathologization, no matter how many benefits they promise, especially if they swear up and down some lovely expensive medications with little solid backing and plentiful off-label usage and side effects that’ll kill you. Some days it feels like they want us all stuck in pods, agoraphobic and addicted to the ads they feed us to isolate the markets for the drugs they’ve trained us to beg them to pump us with. Polarization making it as easy as flashing blue light for go, red like for stop, or vice versa. I worry about the kids, for fucks sake. That’s a bit dark and intense, and I apologize. But I want you (generic) to understand, there is a profit motive. Behind everything. And they do not mean well. They do not care about your mental health or your rights or your personhood or your growth. They care about how they can profit off of you.

For those struggling with immovable, society problems, like the narrator grappling with how his job fits into and is accepted by society while his rejection and horror in the face of it does not, it can work about as well as any other drug addiction. Your mileage may vary. From what I've seen, recovering from being on prozac for a long time can be worse than alcohol. They put kids on this shit. They keep campaigning for more. Off label, again. A pharmaceutical company’s favorite thing to do has to be to spread rumors of someone who knows someone who said an off label use of this drug helps with this little understood condition. Or, in the case of mental illness, questionably defined condition. And like, damn, I know I'm posting on the 'medicalization is my identity' website so no one will like all this and has probably stopped reading by now, but yall should be exposed to at least one person who doubts this stuff. Doesn't just trust it. Because I mean, that's the thing right?

It's so big. What would it mean, for this all to be true? Yeah, everyone says pharmaceutical companies are evil and predatory and ghostwriting, but to think about what that really entails. Coming back to the book, everyone knows the car lobby is huge and puts dangerous vehicles through that kill people. What does it mean if the car companies all hire people to calculate the cost of a recall and the cost of lawsuits? No one wants to think about the scale that means for people allowing it or the systems that have to be geared towards money, not safety like they say. Hell, even Chuck misses the beat and has the narrator threaten his boss with the Department of Transportation. And shit, man, if every company is doing this, you think Transportation doesn't know? That they give a fuck? You're better off mailing all the evidence to the news outlets and hoping they only character assassinate you a little bit as they release the news in a way that says it's all the fault of little workers like you, not the whole system. Something something, David McBride, any whistleblower you feel like, etc. 

So I don't blame you, if your reaction is "but but but, that can't be right, people wouldn't do it, they wouldn't allow it" or just an overwhelming feeling of dread that pushes you to deny all of this and avoid thinking about it. Just know, that's in the book. That's all the seatmates on the flights. That's all his fellow officemates. It's easier to pretend, I know.

But think about, how the response fits in with the themes of the book. The story, as a movie too. What drives the narrator’s mental breakdown? How would you handle being in his position? How would you handle being his seatmate? It’s easy to say you’d listen. But have you? Have you had any soul wrenching betrayals of how you thought society worked? How about a betrayal by the thing that promised to be the fix of the first? Can you honestly say you wouldn’t follow that gut instinct, saying follow what everyone says, that person must just be crazy, evil, rude, cruel, whatever it is that means you can set what they said aside?

For a lot of people, they can do that, I guess. Set it aside. Reaching that aforementioned state of managing to cope with the dissonance and ambiguity and despair is very hard. The narrator made the Big Realization, but he couldn’t cope. He self-destructed. Even when people don’t make the big realization consciously, they’re already self-destructing. It’s hard to escape it when it feels easier than continuing anyway. When it feels like the only option,

Would therapy fix the narrator of Fight Club? Would meds fix the narrator of Fight Club? No. He knows too much. All meds will do, by the time he’s in the psych ward, is spiritually neuter him. A silly phrase, but really. Take the wind out of his sails. 

Is he fixed if he doesn’t try to blow up town? If he just shuts up and settles in and stops costing money? If he still can’t cope with the things he’s unearthed? Do you see how this is a commentary in a commentary in a commentary?

Fight Club is an absolutely fascinating story because of this. The fact that it addresses the fallout of knowing. The isolation. The hopelessness. The spiral that results from a lack of hope. This is, I think, what resonates most with people, even if not consciously. Going insane because you’ve discovered something you wish you could unknow. It’s a classic horror story. Should our society be lovecraftian evil? I don’t think so. 

Do I think changing it will be easy? No. Lord knows a lot exists to push people who make these sorts of Realizations towards feelings of individuality and individualized solutions and denial and other distractions and coping methods. And to prevent people who make One realization from expanding on it and considering further ramifications. Fight Club itself gets into this; the isolation of men being a strict part of the role society shapes for their sex leaves them very vulnerable to death fetishes, in a sense, and generally towards self destructive violence. It helps funnel them away from substantial change and towards ineffectual change. Many things, misogyny, racism, serve to keep people isolated from one another, individualized, angry, and impossible to work with. Market segregation; god knows even appealing on those fronts has become such a classic ploy that companies do it now, the US military frames its plundering that way, etc. 

I’ve wandered a bit but ultimately, my point is this: Fight Club is a love letter to the horrors of critical thinking, and the importance of not falling into the trap of self destruction and hopelessness in the face of it. The latter is why Tyler was an anarchoterrorist instead of anything useful. The latter is why it was a death cult. It’s important to work through the horrors of critical thinking so you can do it, and stand on the other side ready to believe in each other. It’s worth it.

[ddejavvu]

Multiverse Monday with Aaron hotchner comforting you on the jet because you hate flying?

I love your writing! 🤍

thanks so much! 💗

--

Your motion sickness bracelets are not doing their job. Or, maybe they are, maybe you're not nauseous because you're flying, maybe you're nauseous from nerves. It's not the motion of the plane that has your stomach churning, it's the thought of being on it.

Your grip on the seat is close to cracking the cushion open and letting stuffing spill from its confines. It looks like you're just sitting with your arms at your sides, but when Hotch stands up to get himself a refill on coffee, he notices your hand curled into the seat.

He makes his way to the kitchen, intent on not causing a scene. He snags a packet of crackers out of the small snack stash they've got on board, bland so that it wouldn't aggravate your stomach but substantial enough to give you something to do. He's never fixed his coffee faster, and he sets it on the table just before the plane hits mild turbulence. A drop or two sloshes over the rim of his mug, but that's the least of his concerns. Your face goes tight with fear, eyes squeezing shut as your chest puffs with a breath. He crouches by the side of your seat, balancing on his calves with the toes of his shoes planted on the floor of the plane.

"Ease up," He murmurs, and you only notice he's there when he speaks. He takes your hand into his own, squeezing it gently to let you know it's okay to use him as your replacement stress toy. Your fingers are clammy and shaky, but you try to keep them loose so that you don't cut off his circulation.

"Rossi doesn't like flying either," Hotch informs you, and the man turns around to glare at him ferociously from behind, "This doesn't happen often, though. It'll be okay, it's just a little turbulence."

"Turbulence is mostly harmless," Reid revs into action, "That's actually the least of our problems. We should be worried about-"

"Spencer." Hotch snaps, eyes blazing, "Not now."

"Oh." Spencer's face pales, and he eyes your rapidly rising and falling chest, "Uh, right. Sorry Y/L/N."

"He's just rambling." Aaron assures you, "There's no danger, okay? We're fine, we've never had issues with the jet before, and this isn't anything bad. If you want, I'll go ask the pilot when he thinks we'll be out of the clear?"

"No!" You speak without thinking, slightly embarrassed for your outburst, "Uh, I just- can you... stay?"

"Scoot," He nods quickly, keeping your hand in his as he stands. You scramble to the other end of the bench of seats and he slides in next to you, shutting the window that's now directly to your left.

"Thank you," Your voice is thin, trembling with fear, "Uh, I'm really sorry about this, Hotch. I know this probably isn't the most professional thing in the world. But I-!" You let out a squeak at a particularly large jolt of the plane, "I just get nervous."

"It's okay. Everyone's afraid of something, that's human nature. Reid," Hotch calls back to the poor doctor, still probably caught off guard from the way he'd snapped earlier, "Would you go and ask about the turbulence? Just see if he's got an estimate."

"Will do," The lanky man is off towards the cockpit without a second thought.

With an estimate of two minutes of mild turbulence left, all you can do is wait. Hotch keeps you grounded, hand tight around yours and thigh pressed to your own.

"I said everyone was afraid of something," He repeats, keeping conversation to distract you, "Do you want to know what I'm afraid of?"

A few ears perk around the jet; no one wants to miss this. Fortunately, Hotch notices, and leans in to whisper in your ear when you nod, "Weasels."

You frown, "What?"

"They were always so scary on cartoons," Hotch laughs, a breathy sound that hits your neck in a puff of air, "Always stealing people's stuff and running in packs. I was convinced I was going to see some if I ventured to the empty side of the schoolyard. There was a storage shed back there and I knew there was a group of them living inside."

"Weasels," You giggle, albeit weakly. Hotch is glad for any improvement at all, though, and doesn't mind the childish embarrassment, "That's a fair point, they were scary."

"They always smoked those fat cigars," Hotch muses, a smile quirking up his lips, "I thought I was gonna pass out when Rossi first did it in front of me."

That gets you laughing, really laughing. You don't even notice as the plane stabilizes, time slipping away through an hourglass you're not worried enough to search for anymore.

"Derek's claustrophobic, though." Hotch teases, louder this time.

The aforementioned agent looks up; scandalized, "Hey!"

"It's true!" Spencer nods, swatting away a slap that Derek tries aiming for his arm. You're settled back into your seat now, no longer tense and panicked, but Hotch's hand stays firm in your own as Spencer gushes, "There was this one time when we got stuck in an elevator together, and-"

[nostalgia-tblr]

My Next Attempt At Long Fic (by which I mean more than 10000 words and it has chapters) Should Be...

Poll and the (actually quite long) gist of each option below le cut:

The Sylki Con Artists AU

This one I have a wee bit written of already but I go back and forth on this one because it's Alternative Universe - Modern Setting and I feel like there's already a lot of those (which I also complain about a lot), and I have to justify it to myself as an experiment in whether I can do a Sylki Modern AU that doesn't just end up as "two people called Loki and Sylvie do normal stuff together". That's why they are con artists in this! Because 1) MISCHIEF (or crime, or whatever) and 2) if they have the same 'job' for similar reasons and I go on about them being similar a lot then that's maybe as close as reality can get to selfcest. (The selfcest is not just a feature of sylki, I feel it is THE feature and to admit to being Bad At Shipping (again) I'm just not that interested in it if they're different people who aren't even aliens. The same alien.) (You can tell me they are gods all you want but I've seen enough Doctor Who to know that must be A LIE so I reject it as such.)

The plot is that they meet in a bar one night and shag (obviously!) and then the reader discovers that Loki is trying to buy a painting from an old woman (planning on ripping off both her and his own buyer) and Sylvie is an artist who is selling a forged painting to some posh twat on the internet who she knows is trying to rip off her fake old lady persona on the deal but she's selling him a fake painting anyway so at least he deserves to be conned. They meet up a few times before finally realising that they are in fact conning each other under fake names on the internet, and then I have to try and fix it when they inevitably get mad at each other because of it. Also, Thor works in a shop because the brodinsons are Downwardly Mobile (dad spent all their inheritance, oh no!) Plotwise Loki is going to actually need Sylvie's painting for reasons I have not yet entirely worked out so one way or another they will have to eventually forgive each other for being con artists as they themselves are and for having attempted to con each other.

Ideally I will be able to make this one funny in some way, as I think the concept can get absurd enough to make a rom-com out of it.

2. The Jotun Heat Fic (also sylki)

I was into this one for about a day and now I have second thoughts because I am not sure I care enough about Frost Giant Biology to have to write an entire fic about it. It would continue my tradition (I did it once, that's enough for it to be a tradition) of turning a tiny ficlet into a much longer thing. This one: The Opposite of Heat, in which Loki and Sylvie go into whatever the Jotun equivalent of the fandom fave 'mating cycles/in heat' trope is, having never done so before because (see if you can guess...) they've never previously spent enough time around another Jotun for the hormones to kick in properly. They have no idea this can happen, and what starts out as Fun Porno-Fic Times soon gets a bit worrying and then I suppose they have to Investigate and that's the bit I fear might end up boring me.

This is set in an AU where S2!Loki did not instantly demand that Sylvie help him with his cop friends' problems and instead just went to live in Oklahoma with her, so the other/'real' plot is them getting used to living together and the weird-but-sexy medical issue bringing them into conflict because of course the first place Loki wants to go for help is the TVA (this not unreasonable of him, as they have a lot of info in their archives and he has no other friends anyway), which Sylvie is not keen on as she would rather just avoid them for the rest of forever. Gosh, I hope nobody goes to the TVA for help behind anyone else's back!

I need a way to make this one stay interesting once it gets to the Find Out What Is Happening part and also it needs to not just immediately end with a sensible solution like just going to Jotunheim and asking someone there for a talk about the frost-birds and the frost-bees.

Also I think they should fuck in that McDonalds. Just because.

3. Jotunheim Rejects The Guy Who Cannot Possibly Be Its Rightful King, Because I'm Annoying Like That AU (not thorki)

Speaking of going to Jotunheim, you know all those fics where Loki goes to be the Rightful King Of Frostland, as Odin apparently planned all along? That but it doesn't work, because I am not at all convinced he can have been Laufey's heir (who the fuck infanticides their only male heir?!) and even if he was well it'd just look awful, wouldn't it? Crusty Old Odin, worst friend to Jotunheim for several years running, sends back your kingdom's heir having raised him as one of his own family. (I hope at least one of you is thinking "US-Backed Puppet Ruler Who Will Do Whatever The CIA Tells Them To" because I did too! Ooh, geopolitical barely-subtext!)

The problem with this one for me is it requires a fairly large cast of Original Jotun Characters, and I still fear writing OCs because of the constant 'Mary-Sue' complaints in my fannish youth. Also I would Controversially (LOL not really) make some of them women, including Angrboda the ambitious would-be consort and Laufey's tragically spurned lover who on finding out that her long-dead son is not dead makes the most of it by insisting everyone call her 'My Lady, the King's Mother' (yes, I stole that from History but I do that sort of thing now, for the LOLs). So I have a bit of an idea what happens in this one, though I'd need to think of more political type plot stuff and also I just finished writing a multichapter fic that involved the Jotun succession so maybe I'd be overdoing it if I did this one now as well.

The other problem is Jotuns are too fucking tall. I mean really. This doesn't seem to bother anyone else but they are Too Fucking Tall to interact with the shorter characters, to the point that it just seems accidentally comedic to me. Just imagine the totally-not-a-puppet king of Jotunheim sitting on a massive throne, swinging his wee legs in the air. And I don't know how to work around that other than just saying "they are Less Fucking Tall in this fic" and I don't know if that would just annoy people. Also it does feel a bit incendiary to go against the general fandom insistence that Loki Is Totally The Rightful King Of Jotunheim. Though I suppose in this he is, it's just that he attempts to become so in the sort of circumstances that make everyone start saying things like "are we really that keen on our monarchy?" or at least "surely there's a cousin or an uncle we could give the crown to instead? yeah, even a woman would do. no, she doesn't have to be alive if there are only dead ones available."

(It was a mistake to let me read books about the Wars of the Roses, wasn't it?)

Oh and this isn't a thorki fic, but Thor is going to go to Jotunheim with his bro to help him settle in and also he will be going back to rescue him from it at the end. Bros before snows!!!!

[rewatching-sam-and-dean]

My Commentary on Rob and Rich Reviewing (4x14) Sex and Violence

I was listening to the latest Supernatural Then and Now Podcast (The Siren Episode) and I had to stop it after the Rob and Rich review to write down my thoughts because it annoyed me so much.

The guys both thought the episode was okay, but a bunch of things “bumped” for them. This is fine, and everyone is entitled to their own opinion about an episode, but some of the things that “bumped” for them “bump” for me.

My thoughts under the cut …

Bump # 1 - The Siren turning out to be a man

So, both Rs had an issue with the siren being a man since the lore showed them as women, and I think, because in real mythology they are women. Though they conceded that the a male siren could be a thing too, it seemed to really bother them that the siren ended up not being about a sexual connection with the brothers (though Rich saw the flask sharing scene as flirtatious … because no guys have ever shared a flask, including, Dean and Bobby).

I’m sorry, but the siren targeting the brothers, and using a version of an ideal brother to get to Dean isn’t a plot hole or a “stretch” or something, it’s an interesting choice and it’s exactly the point of the episode. While many men are vulnerable to a pretty woman who is into them, Dean just wants Sam. He wants his relationship with Sam to be better. In particular, he’s so worried about Sam and insecure in their bond that he wants a Sam who likes what he likes but, more importantly, one who listens to him and doesn’t hide things from him. And I know I’ve written about this before on a previous post, but Dean doesn’t NEED the siren to be a hot girl; he can find one of those easily. He needs a Sam he can trust. That’s the whole point. The show is drawing the comparison between sexual intimacy/romantic companionship (usually one of the most desired things in literature/media) to the brothers relationship to show how much brotherhood matters to Dean in particular (in this case).

The way the male siren actor portrays its interest in the brothers, to me, is very much like it’s intrigued and excited that it found a high even better than the sexual desire that it usually feeds off of. When the siren feels how desperate Dean is for the bond with Sam to be fixed, it finds him more interesting than it’s usual target. Dean’s longing for Sam (not sexual) is even stronger than the sexual desire or romantic companionship that the siren usually feeds off of, so much so that the siren changes its entire MO to go after the brothers.

Bump # 2 - The Doctor sleeping with Sam (when she isn’t the siren) is weird

So, the Rs disagreed on the “bumpiness” of this one. Rob thought it was weird that the doctor would just decide to sleep with Sam (at work), while it didn’t bother Rich because … Jared Padalecki. Sound argument (in this case), Rich.

Still, the doctor is a little unusual, and her behaviour is clearly intended to be a misdirect, but the show does a good enough job of suggesting she had a bad breakup (or worse) and is now just sort of living in the moment, so her behaviour doesn’t bother me. Also, Sam is hot.

What is stranger than the doctor’s behaviour, for the audience who knows him, is Sam having sex with her I that moment. Not only that, but Sam is very chill when she’s hitting on him, where in the past, Sam has often been a little shy or awkward with women that he’s been attracted to or interested in. So no, this is not Sam’s usual MO to sleep with the doctor, especially when we know he and Ruby are or were also sleeping together. Sam is not acting entirely like his usual self. And he hasn’t been acting entirely like himself for a while now.

Bump # 3 - The Siren telling the boys to fight each other and saying the winner can “be with” him

I don’t know why they had an issue with this. The siren literally explains that it loves the rush of having people willing to do anything for it, even kill people they love. What the siren tells the brothers doesn’t matter because it’s not like it’s really planning to have a relationship with the brother who wins the fight. And the boys are already infected at this point, so it’s just giving them incentive to fight. It’s not sticky about the sexual-ness of people’s need for the siren, it’s about the desperation they have to be with it (in whatever way).

Bump #4 - Sam dismissing the Doctor after sleeping with her.

The guys were both bothered by Sam not bothering to say goodbye to the doctor, and they mentioned that it seemed sort of old-school (womanizing?). Rob said that Sam dismissing her was more like something Dean would do than Sam. I know that I already said this, but this is the whole point. Sam hasn’t been acting like his old self. This isn’t an accidental writing mistake, where the writer accidentally wrote Sam more like Dean. Sam is different now.

It also isn’t like Sam to call Dean weak, or ridicule him for being messed up from his experience in hell. Season 2 Sam would never, and Season 3 Sam wouldn’t either. Season 4 Sam has changed from the trauma of losing Dean, drinking demon blood, and having Ruby in his ear.

Also, to play devils advocate on myself, Sam has actually left towns before without saying goodbye to the girl he had a connection with, maybe not after sleeping with her, but it’s not wholly out of character for him to leave without saying goodbye (I’m not criticizing him for this). Also, I really don’t think that doctor was looking for anything more from Sam beyond hooking up in her office, so this doesn’t bother me much.

Final thoughts

Anyway, I’m not arguing that everyone has to love every episode, or even like all the ones that I do. I’m not even arguing that people need to like Sex and Violence because it really can be a little uncomfortable, and there is a bit of a sexual undercurrent to it all, even though that’s not the sirens intention with the brother. That’s also not exactly new on Supernatural. However, it’s weird to me that so many of the things that “bumped” for Rob and Rich seem to me like very deliberate choices by the writers, not careless mistakes or pointlessly out of character. This episode reveals a lot about where Sam and Dean are at this point in the season, both individually and in their relationship.

Granted, I have the benefit of watching the episode and knowing where it’s all leading, but this is what sort of bothers me about hearing people discuss the show who are doing it for a purpose and are probably only half-invested in the story. They miss things that seem like they should be really clear. Also, it’s funny when they find things uncomfortably sexual in relation to Sam and Dean (they didn’t outright say that, but I think it was implied in what they said) and act like it’s a surprise or out of place. Again, this isn’t new. They obviously listened to too many hellers if they didn’t realize that Sam and Dean are weirdly close at times or that the show makes some pretty blatant parallels between them and couples or makes quasi-incestuous connections between Sam and Dean.

I have nothing else to add here. This was mostly just a rant, but feel free to add your two cents if you made it this far.

[millionancientbees]

Something I think a lot of ppl forget when they’re dealing with suicidal people is that a lot of us are suicidal because we can’t afford or access basic needs, let alone creature comforts.

Before sending your suicidal friend to the mental hospital to maybe be severely traumatized by even less autonomy and also potentially lose their jobs and housing, have you:

-spent time with them so they’re not alone with their thoughts and organized a care group of their friends to help take care of tasks that are overwhelming?

-made a post or group chat to raise funds for bills that are looming and making them feel like they’ll never be able to succeed at life? Tried to help connect them with resources? Offered to sit down with them while they make calls? Offered to take a look at their debt and see if it can be refinanced? Etc, based on your skills, who you know, what you have the resources and comfort and closeness with the person to allow

-taken them to do some fun things? Gotten them out of their house and into the sun?

-gotten them something sweet or comforting or good smelling or whatever? A simple $5 candle can be a reason for someone to smile and feel cared about.

-gotten them tools to manage their sensory needs? Are they over or under stimulated? I will become immediately suicidal if I hear too many sounds while hungry or tired or upset or overheated or or or

I’m not saying the hospital is never the answer. I’m not saying don’t take people who are immediately in danger. I’m not saying you have to do this for people who are behaving in a way that will hurt you. But if you care about someone who is suicidal, this is something to think about.

I have literally been suicidal for as long as I can remember (and I remember a lot of my very early childhood) and some of the small things that have legitimately kept me alive over the years include:

-my friends buying me noise canceling headphones

-my friends taking me on a vacation

-my partner letting me read out loud to them when they were playing video games every night

-my friends buying my art or sending me money to help pay bills, get my car fixed, etc

-my sister giving me rides to my doctor appointments and buying me a little treat afterwards

-my friends sharing their audible/netflix/hulu/libby accounts with me so i had something to focus on other than wanting to die

-friends taking me out to dinner and letting me talk about my special interests

-my friend giving me houseplants and teaching me how to keep them alive, which required spending quality time together whenever I needed to learn something new and gave them an excuse to bully me into leaving my depression nest when nobody else could

-my friend buying me a vape when I was breaking apart and had nothing to do with my hands and nothing to calm my very upset nervous system and $2 in the bank and also I was going through withdrawals

-my friend teaching me how to drive and helping me get my license so I could have some autonomy

Like it really can be that simple. We sometimes forget that therapy and meds can only do so much at a time, and some people get treatment for their entire lives and still struggle a lot even when they do everything right, especially when they’re dealing with complicated issues like other disabilities, chronic pain, poverty, abusive situations/ongoing trauma, etc.