#i think there is a shared responsibility

[monstermoviedean]

at the end of my fucking rope with "conversations" about k12 chronic absenteeism.

[perfectlyripeclementine]

calling my lover "mine" but not in the way that my toothbrush or notebook are mine, mine in the way my neighborhood is mine, and also everybody else's, "mine" like mine to tend to, mine to care for, mine to love. "mine" not like possession but devotion.

[jakeperalta]

letting celebrities think they can and should "use their platform" to speak on all current events and political issues regardless of how educated they are on them was a grave mistake

[ruporas]

your love returns in tragedy (ID in alt)

[littlelightfish]

He just goes. Nobody could possibly not like something this tasty!

And then its Holm the one hat recieves it. I love how he says this and he inmediatly goes to share it with him.

Holm doesn't eat the meat. He pretends to be sharing it with Kuro but he's not eating the fish. He'll eat the cookies instead. Such a nice boy he <3.

[celebrimborium]

Stop fighting me and together, let us fight them.

[odetojupiter]

so, we know that abuse and victim responses to abuse are very central to aftg, but what i find interesting is how other characters respond to the victim’s reactions, especially when it comes to mourning their abuser. there’s something about kevin mourning riko, aaron mourning tilda, neil mourning mary, andrew mourning cass, thats so important to me because it really truly highlights how even when people are united through similar traumas, the differences in their situations makes it impossible to fully understand the relationship a person has to their abuser. neil, aaron, and andrew are united through the abuse, neglect, or - what the fuck is the word i’m thinking of? permit? condone? i mean, knowingly allowing it to happen and not intervening - stemming from a maternal figure. but neil can’t understand why andrew would hold on to cass for so long - he refused to let her go until aaron came into the picture. and andrew can’t understand why aaron would mourn for tilda, potentially viewing aaron’s grief as a betrayal of their promise. and they all ridicule kevin for his reactions to riko. of course, neil and andrew are also abused by riko, but they still can’t understand the complicated relationship between kevin and riko because, at the end of the day, they just weren’t there.

i mean this is primarily an observation but i really love how trauma and trauma response is depicted as nuanced, complex and overall just difficult to understand from an outsider perspective in the books. it reads as really real, and though it can be frustrating when a character doesn’t understand a different character’s response, you have to understand that their perception of said character’s response is warped by their own experience of abuse.

andrew bounced from home to home, never had stability, so obviously he held tight on to the first mother-figure that didn’t outright hurt him. his self-worth was probably low enough that he thought living with drake was a fine price to pay to keep cass.

neil only ever had his mother, and he’d willingly accept her harsh hands because he believed she was just keeping him safe from the very real dangers that were closing in on them.

aaron was dealing with an addiction, and so was his mother; he was equally dependent on her to avoid withdrawal as he was scared of her anger.

i don’t really have a point anymore but you get what i’m saying

[canisalbus]

Hello, I'm not sure if you're aware, but tumblr is going to start helping midjourney gather data for their AI. You're one of the artists I follow here pretty actively and I wanted to warn you to maybe start nighshading your art before posting it here so it doesn't get swept up!

I've seen a couple of posts about it. Feeling disappointed but not that surprised. Also not excited about having to start nightshading/glazing my pieces but if there isn't going to be any serious regulations regarding data scraping and ai "art", there aren't a lot of choices.

Thank you for taking the time to warn me just in case, it was very thoughtful of you!

[valtsv]

i love revenge tragedies so so much because they have so much potential to explore such a nuanced and complex topic and give it the consideration and care it deserves. revenge and revenger characters are such powerful narrative tools, both of catharsis and self reflection. a good revenge tragedy will not tell you that "revenge is bad, seeking revenge makes you just as bad as the people you're seeking vengeance against, and nonviolence and forgiveness are the only paths to building a better world". a good revenge tragedy will present you with a really difficult and complicated situation, even something absolutely unforgivable, and ask you to consider questions like "will this really help anyone?" "am i doing the right thing, or am i just doing what feels good?" "how far can you go before your quest for self-empowerment and personal satisfaction becomes perpetrating the same violence that you claim to be fighting against?" "what else could i do to help build a better future for myself and others, to ensure that the cycle of violence doesn't continue after justice is served?" "what went wrong here? how did something that seemed so right go so wrong?" and "what would i do in this situation?"

sayings like "those who live by the sword will die by the sword" and "those who fight monsters should take care they don't become monsters themselves" often get oversimplified, misinterpreted, and used to criticize people from feeling justifiably angry at their mistreatment and oppression, and discourage them from seeking the restitution they're owed. but when used correctly, a good revenge tragedy will employ these ideas as tools of teaching and learning, of questioning and discussion, of analysis and communication, and as a reminder to think critically and to think for yourself, not as a moral lesson. and those stories are so incredibly and important and valuable to me, and i believe that they have a very necessary place in the world.

[turtleblogatlast]

Something I’ve been thinking about lately is that small moment in “Air Turtle” where immediately after the Daves lose yet another game, Leo says how sorry he is and how he’s doing his best as the mascot. This moment is so short but it’s honestly jam-packed with a whole heap of characterization.

His need to apologize for things clearly not his fault - especially when it feels like he messes up the job he was given despite doing the best he can (the phrase “it’s not about you” takes a new meaning when this is one of the lessons to be learned from that - that he is not always solely responsible for things going wrong), his need to save face and make a connection with an older adult man in his life (something he consistently does throughout the series - he’s got a few daddy issues, always collecting potential father figures, it’s no wonder he jumps at the bit to keep rapport), and the way he sounds and looks and the words he chooses really pushes how he is just a kid (“Mr. the Dunk, I’m so sorry”).

Like I know it’s a one off moment that doesn’t truly mean much, but when put against the rest of the series it works really well with the rest of Leo’s established character and helps in solidifying later concepts as well.

[yuseirra]

My beloved Fatale

[yorufi]

domestic wives

[da-janela-lateral]

Listen I love Shou doing crazy stuff as much as everyone else, but something that bugs me a little is... I don't think "chaotic" is his standard behavior. He feels like a nice extroverted child who is well liked by his peers and is pretty chill in normal situations. Emphasis on normal. The thing is that most times he is given protagonism on the plot, it is when he is under a extremely stressing context that demands extreme solutions (even more in World Domination Arc, when he has to face his traumatic years-long conflict against his father). It all makes it very hard to determine how he usually acts. He is not always like that! Absurdly high danger is not his natural habitat!

[spielzeugkaiser]

[MASTERPOST] - [Previous]

This is a little wink to the hexer TV show where little Geralt goes out to befriend a wolf - also Jaskier said "you can't befriend every animal" and Milek got all the genes from Geralt-horsegirl-of Rivia and Jaskier-let-me-pet-that-adorable-wildlife-Pankratz and is like. try me.

[anakirui]

every now and again i think about the fact that all of akito's shit behavior in main story was spurred on by the fact that he wasn't able to get an to join BAD DOGS . lol

[pseudophan]

i know i’ve sent you two asks about the phandom racism and i’m certain others have also sent you asks, will you ever address it?

i’ve been thinking about this a lot recently with everything that’s been going on in the phandom, particularly on twitter although racism is by no means a twitter exclusive phenomenon and acting like everyone on tumblr is perfect would be disingenuous. i agree i can and should be doing more, and many years ago when i was less perpetually afraid of saying something wrong i was a lot better at it, but these days i find myself avoiding anything and everything that’s at all uncomfortable because i know i SEVERELY lack the emotional maturity to deal with it if i fuck it up. none of this should be about me but i’m painfully aware that the second i feel attacked in any way, usually doesn’t mean anyone is actually attacking me, i get obnoxiously petulant and suddenly it’s ‘well SORRY that i’m not PERFECT i guess i’ll DIE’. which is fucking stupid and embarrassing and not remotely productive. and then five minutes later i come to my senses and panic cause why did i say that? i know no one is actually attacking me, there is no reason to act like this. but in the moment i don’t have that reflection, and in desperately trying to avoid getting in trouble by saying the wrong thing i think i’ve gone too far the other way by not saying anything at all and now seem like i just don’t give a fuck. how i do or don’t come across is obviously not the issue at hand here, but i know i’ve got somewhat of a platform and it’s a shame i’m not using it the way it could be used, and i really do want to improve that.

the phandom often prides itself on being an inclusive and diverse space, and while that is true on the surface we don’t get to embrace that if we can’t even make sure everyone feels safe here

(please don't take this as my attempt to address the racism, this is all just me really poorly explaining why i haven't, if that makes sense)