#i know in my soul that's her year

[ginniebaker]

submit hannah einbinder for lead actress you cowards

[jewelsli]

Not that I don’t love when Bruce’s kids outperform him and give him heart attacks, but I think it’s funnier when the kids think they are better fighters/spies/infiltrators/etc. then him but he’s just so proud so he lets them think that they are.

I think that Babs would be a really good hacker, the best in the family, but Tim, who thinks that he is the next best(and is still scarily good) has no idea that Bruce only let him think that he broke his record of hacking into secret organizations.

Dick is amazing at acrobatics, and centers his fighting style around it much more. He even won gold in the Olympics for gymnastics! Bruce doesn’t want to tell him that he trained under several gymnasts, contortionists, even ballerinas!!! and has the acrobatic fighting style mastered, so he (within reason) let’s his kid win on most occasions, he doesn’t need to fake loosing on trapeze though(I am still giving the kids SOME things they are better at…)

Cass knows that nobody can lie to her, she can spot everyone’s tells and knows most people better then they know themselves. Bruce is, however, extremely paranoid and also has a kryptonian he works with regularly. He lies so well that he can convince himself he’s telling the truth(which is literally the point in case of advanced lie detectors), and so what if he lets some of his tells be more obvious around his baby, he’s so proud of her for picking up such small things! And while Bruce is AMAZING at reading people, he can’t beat Cass, it is however much closer matched then the others think.

Let’s be honest, Bruce is banned from the kitchen and isn’t good at cooking… or so everyone thinks. While he’s not as good as Alfred or even Jason he could whip up something Gordon Ramsey would be proud of if he actually tried to.

Damian in the best fighter with swords, this is undisputed. Bruce just hopes none of his kids find his crate of custom katanas in the attic, if they do then he’ll say they are for Damian.

Tim is an amazing investigator, so good in fact, that Bruce has trusted him on his hardest cases. Everyone assumes this is because Tim is a better detective then Bruce, but he just loves seeing how proud his kid gets when he gets a breakthrough.

Batman doesn’t kill, Red hood does, everyone in their right minds knows that’s a lie. Before Robin came along, leaders of drug operations or terrorists would disappear into the night, never to be seen again. The only people who don’t seem to know this are the Bats children themselves. Sometimes you can still hear a cut off scream in the dark before the news announces a missing person that everyone just knew was doing something horrible, criminals are more wary on nights that the Bats brood are in. And people running trafficking rings pray that it’s the Hood when a knock sounds, the bat doesn’t give those people the mercy of death.

All of the bat kids know more languages then Bruce, and they keep learning more to throw him off, for a family of detectives they really should have thought about the fact that Bruce traveled the entire world, he knows ancient languages and the words that world in other galaxies use, if he could speak Martian then he would have learned it by now, he still does know that part that he’s able to learn.

Idk I just need more of Bruce being skilled at SO many things while his kids are like “oh yeah Bruce? He’s good but I could defeat him easily” and Bruce just so proud of his babies when they do ANYTHING.

Bonus:

Tim made a plan to neutralize Superman at some point, it wasn’t as good as Bruce’s but he replaced it so fast. When he later uses it to take down mind controlled or something Supes Red Robin is watching.

Nobody notices that Batman whispers something to Superman before he goes deathly pale and acts like the plan is working so well he immediately gets defeated. As for what Batman said to him? It was basically ‘Clark(they aren’t supposed to know identities here btw) my kid made this plan and I swear to every mortal and immortal force that if you don’t take the fall right now you will regret it for the rest of your life” and Batman was usually scary but this was like, God will cower before him terrifying and it scared evil Superman so much he went along with it.

Res Robin was smiling so brightly that later Clark honestly couldn’t be mad at the Bat.

Edit: I forgot to add this but unbeknownst to EVERYONE (including Alfred somehow) Bruce can and will stay awake longer then Tim and his drinks are somehow worse in terms of caffeination. The difference is that on the fourteenth day with no sleep everyone thinks it’s only been three even though he is Vividly hallucinating. The ability to hide his lack of sleep for the first week and a half leads them to believe he’s actually the worst at staying up since on what they think is his fourth day of no sleep (it’s his seventeenth) he’s talking to an apparently very vivid hallucination of Alfred the Cat in a suit and a Tiger named Tawny(he had met the tiger earlier that week) and having a civilized conversation with them

[hanzajesthanza]

witcher netflix: [drops]

henry cavill fans: honestly, i don’t really care about the story, i’m just here because hcav is hot asf

me: wtf? how shallow is this… only there because the titular witcher is hot? talk about missing the point…

witcher 4 trailer: [drops]

✨ciri✨: 😡

me: … i understanded.

[vaguely-concerned]

the relationship between the chantry and the mortalitasi in nevarra is SO fucking funny. the carefully politic and civil syncretism of it all. the ‘I’ll refrain from scratching your back to bloody shreds if you refrain from scratching mine :)’. left hand politely averting its eyes from whatever the fuck the right hand is doing merrily up to its elbow in entrails because it usually knows what it’s doing I guess. speak softly, and have an army of the restless dead ready to go banapants horrorshow bonkers if you don’t get to tend to them. We Receive: being able to keep doing our goth thing mostly unimpeded. You receive: us not raising the great majority to protest your unwelcome meddling. render unto the chantry what is the chantry's and unto the watchers what is theirs (or, with all possible courtesy you understand, else…)

[stop-breaking-my-heart-telltale]

I think for all the discussions we have of "everyone hears the jokes and the piano; after that, they stop listening" surrounding Louis, we tend to still simplify his connection to the piano.

Yes, it's very cute that he sings Clementine a little song when they first meet, and it's very cute that he plays a little prank on her while "tuning" the piano. It's super cute that they carve their initials into the piano and Clementine carves a heart around them. It's mega cute that he names his song he wrote after her when she confesses her feelings. Louis playing Don't Be Afraid at the party is, in my opinion, one of the best moments in all of TFS.

But here's the thing: That piano is Louis' heart.

I don't mean to go all metaphorical on you, but I'm dead serious—the piano is Louis' heart, and when you think about his arc and his romance route with that in mind...?

That piano is his one comfort in a world where the dead walk. It's been with him from the beginning of the outbreak. We know from his backstory that Louis wanted to take singing lessons so he could be a real musician, and his father denying him of that was what set him off to be a "vindictive fuckhead." Louis never got those singing lessons, and it's a very real possibility that Louis taught himself how to play.

Sure, others could've taught him; we know Minerva was musically talented, perhaps she showed him a thing or two. But learning piano, or any instrument, is brutal even with professional guidance. It takes hours of practice until numbness wears fingertips raw; dedication to memorize every key and finger placement to make music pleasing to the ear; self-discipline to keep going through every fumble, every failure, every single cruel thought of self-doubt; intelligence and a creative ear to write his own songs.

And yet, it's severely under-appreciated by everyone. It's annoying. It's distracting. It's unimportant. It's an excuse for Louis to mess around and not do any real work. He doesn't have any actual talent. The music and the piano are brushed off, unheard.

Yet, Louis keeps playing. He keeps singing. He keeps making jokes.

Creating music, the one thing he wanted so badly as a kid that he destroyed his parents marriage, was possibly the greatest comfort he had... a welcome distraction to disassociate from the horror and death happening around him.

It's bittersweet, like a purpling bruise that you can't stop pressing on; it hurts, but there's something else below the pain. The piano is out of tune and it's something that brings him joy... but will always act as a constant reminder of who he was and what he did, why he's at Ericson to begin with.

We first meet him while he's playing; Louis' heart is exposed, but is it really? Is he playing to his true potential? Louis hides behind the mask of a charming, charismatic goof. It's what is expected of him, so he plays a silly song intended to poke and prod at Clementine, to gauge a reaction. That's something we see him do at multiple points in episode one. In fact, we can consider a majority of episode one to be like the song he's playing when we meet him; it's mostly cheery or fast-paced.

Louis is able to soothe AJ with his "alluring" music after the kid bit Ruby is an indication that the two of them will share a bond. Louis is a natural at communicating and bonding with the younger kids [another talent that's overlooked] so it's interesting that he praises AJ for being a natural at piano, as well.

But the song stutters just a bit when Louis and Clementine are in the woods together, though; "There's only one guarantee: this moment. That's the only you got, only thing any of us got. Might as well enjoy it." ...Only for Louis to compose himself and send her away.

It's only when Clementine has a gun in her face, held by Marlon, that the music isn't fun anymore; it's rainfall and thunder and the words "I thought you were more than that" sung through the wind in a melody only Louis can hear.

Then Marlon's dead. The song is over, and reality has arrived.

I've talked at length about Louis in ep2 and his vote in the past. It's one of the most compelling things about Louis' arc and romantic route. It's a tragic mistake driven by trauma and guilt. It's people simultaneously telling him to shut up and telling him to be angrier than he is. Telling him to stop burying his head in the sand when he's never been more aware of everything happening. It's AJ peering up at him with pleading eyes that Louis can't stand to look at. It's Clementine wrapping his heartstrings around her fingers and tugging just enough to hurt, but not break.

Louis missed Clementine. He says as much when Clementine admits she missed him first. I don't even know where to begin with that! I can think of no other way to describe it other than they are half agony, half hope over this... and if you get that reference, you get a gold star. I just- the ache, the tension, the conflicting feelings of finally having a quiet moment to talk but Louis not being ready yet.

Y'know how someone carved "you suck at playing" in the side of the piano? It's something you might not initially notice while playing the game, just as Louis' insecurities aren't apparent at first.. but they're carved in him; never fully healed, still scabbed and bleeding... Until Clementine offers him a bandage.

She won't clean the wound for him, but she'll be there. She'll help him figure out how to do it himself so he can heal. She'll listen to him, not belittle his feelings or pain. She'll make an effort to know his keys and notes and practice playing his song until she understands.

When Clementine chooses him to spend time with him, it's a mirror of their first time meeting... but this time, Louis plays something real: a song he wrote, one that I believe he crafted during the two week time skip... a song he wrote with Clementine on his mind, for better or worse.

If the piano is Louis' heart, he literally asks her to sit there and try to tune it, which ends up being a joke but I say she's already tuned your heart, my guy. It's there before them, changed in the warm candlelight. He plays for her and opens up about how no one actually listens, but Clementine did.

And remember, this is the night of the raid. They don't know it's coming, but they know it'll be soon. Louis understands that he could very well die, so what does he do? He carves his initial into the one thing he's always had, and he asks Clementine to do the same.

I'm sorry, how are we NOT more feral about this? Prior to this scene, the only thing we see carved into the piano, into Louis' heart, is an insult. This thing that Louis cares so deeply about, this instrument that's become so intertwined with who he is... he wants to leave his mark on it just in case he dies. A reminder that it was his and he belonged to it just as much. Something so important, and he asks Clementine to carve herself into his heart where no matter what, they will be immortalized together in this moment.

And when Clementine carves a heart around their initials? Yes, his reaction is very cute and that's great... but she's not ashamed of him, or her feelings for him. She wants everyone who looks upon his heart to know that. She tells him how she feels and Louis is so giddy, and warm, and he names the song after her and I am going to start biting anything that moves, I can't-

Oh, and let's discuss the party scene in episode three, shall we? Y'know, where the heart covered initials are on full display? Where Louis tells the story of why he was sent to Ericson to everyone?

Louis is so... vulnerable. Sincere. Ashamed of what he did. This is the exposed nerve, the one he was so afraid of showing Clementine but there it is... and she doesn't reject him. Sure, she can say it's fucked up if you choose to, but she doesn't break up with him over it.

Also the fact that everyone sitting around him finally listens when he's at his most unshielded only for Tenn to ask him to play Don't Be Afraid for them after...? How do you not see the connection? Are you trying to make me cry? In that moment, Louis' heart was heard and appreciated and beautiful and strong and-

Listen. I am fine. I'm so normal about this. And fine. I'm fine.

But I also have to add that during the walk in episode four, if you let Louis choose what to add to the imaginary house, he picks a brand new piano because he wants a new heart to reflect the confidence and growth Clementine helped him achieve and because he loves her and AJ so much that wants the new heart to not just be his but also theirs and I am so fine with this, okay.

[thoughtsofananon]

Could we get an avoid? You choose which flavor

help there’s been a shadow guy rotating in my mind constantly for (checks the date) FIVE MONTHS.

I exploded in the tags

[lillymakesart]

my new OC: cempaka!

she is based on the story/universe that my friend @haydardotjpg's OCs indra and yuwei exist in! pls go checkout haydar's art he is amazing!! his ocs can be found more easily on his ig but if you're lazy this is his oc indra (cempaka's one-sided love interest) and yuwei (indra's fated lover)

also, cempaka means "magnolia" in malay!! (she gets a flower name bc my name is lilly which is also flower c:)

bonus first iteration under the cut!

i accidentally had "poinsettia" flower in mind when i did this iteration instead of an actual magnolia, hence the color scheme. but yeah, this is as self-insert as it gets LOL like she's literally MEEEEEE but still very different and i love her as she is <3

[acourtofquestions]

Kingdom of Ash Chapter 61

Chapter; Highlights (okay the entire chapter is a highlight)🤣

As requested @mysterylilycheeta I NEED TO SQUEAL IN WYVERN FANGIRL WITH YOU NOW CAUSE OH M GOODNESS THIS CHAPTER ON SO MANY LEVELS I JUST AHAKWIHUHFEJLZXBKEKA

Agony was a song in Lorcan's blood, his bones, his breath.

Every step of the horse, every leap she made over body and debris, sent it ringing afresh. There was no end, no mercy from it. It was all he could do to keep in the saddle, to cling to consciousness.

To keep his arm around Elide.

She had come for him. Had found him, somehow, on this endless battlefield.

His name on her lips had been a summons he could never deny, even when death had held him so gently, nestled beneath all those he'd felled, I, and waited for his last breaths.

And now, charging toward that too-distant keep, so far behind the droves of soldiers and riders racing for the gates, he wondered if these minutes would be his last. Her last.

She had come for him.

Lorcan managed to glance toward the dam on their right. Toward the ruk rider signaling that it was only a matter of minutes until it unleashed hell over the plain.

He didn't know how it had become weakened. Didn't care.

Still Elide kept urging the horse onward, kept them on as straight a path toward the distant keep as possible.

No ruk would come to sweep them up. No, his luck had been spent in surviving this long, in her finding him. His power would do nothing against that water.

The farthest lines of panicked soldiers appeared, and Farasha charged past them.

Elide let out a sob, and he followed the line of her sight.

To the keep gate, still open.

"Faster, Farasha!" She didn't hide the raw terror in her voice, the desperation.

Once the dam broke, it would take less than a minute for the tidal wave to reach them.

She had come for him. She had found him.

The world went quiet. The pain in his body faded into nothing. Into something secondary.

Lorcan slid his other arm around Elide, bringing his mouth close to her ear as he said, "You have to let me go."

Each word was gravelly, his voice strained nearly to the point of uselessness.

Elide didn't shift her focus from the keep ahead. "No."

That gentle quiet flowed around him, clearing the fog of pain and battle. "You have to. You have to, Elide. I'm too heavy-and without my weight, you might make it to the keep in time."

"No." The salt of her tears filled his nose.

Lorcan brushed his mouth over her damp cheek, ignoring the roaring pain in his body. The horse galloped and galloped, as if she might outrace death itself.

"I love you," he whispered in Elide's ear. "I have loved you from the moment you picked up that axe to slay the ilken." Her tears flowed past him in the wind. "And I will be with you ..." His voice broke, but he made himself say the words, the truth in his heart. "I will be with you always."

He was not frightened of what would come for him once he tumbled off the horse. He was not frightened at all, if it meant her reaching the keep.

So Lorcan kissed Elide's cheek again, allowed himself to breathe in her scent one last time. "I love you," he repeated, and began to withdraw his arms from around her waist.

Elide slapped a hand onto his forearm. Dug in her nails, right into his skin, fierce as any ruk.

"No."

There were no tears in her voice. Nothing but solid, unwavering steel.

"No," she said again. The voice of the Lady of Perranth.

Lorcan tried to move his arm, but her grip would not be dislodged.

If he tumbled off the horse, she would go with him.

Together. They would either outrun this or die together.

"Elide-"

But Elide slammed her heels into the horse's sides.

Slammed her heels into the dark flank and screamed, "FLY, FARASHA." She cracked the reins. "FLY, FLY, FLY!"

And gods help her, that horse did.

As if the god that had crafted her filled the mare's lungs with his own breath, Farasha gave a surge of speed.

Faster than the wind. Faster than death.

Farasha cleared the first of the fleeing Darghan cavalry. Passed desperate horses and riders at an all-out gallop for the gates.

Her mighty heart did not falter, even when Lorcan knew it was raging to the point of bursting.

Less than a mile stood between them and the keep.

But a thunderous, groaning crack cleaved the world, echoing off the lake, the mountains.

There was nothing he could do, nothing that brave, unfaltering horse could do, as the dam ruptured.

Rowan made himself stand there, to watch the last moments of the Lady of Perranth and his former commander. It was all he could offer: witnessing their deaths, so he might tell the story to those he encountered. So they would not be forgotten.

The roaring of the oncoming wave became deafening, even from miles away.

Still Elide and Lorcan raced, Farasha passing horse after horse after horse.

Even up here, would they escape the wave's reach? Rowan dared to survey the battlements, to assess if he needed to get the others, needed to get Aelin, to higher ground.

But Aelin was not at his side.

She was not on the battlement at all.

Rowan's heart halted. Simply stopped beating as a ruddy-brown ruk dropped from the skies, spearing for the center of the plain.

Arcas, Borte's ruk. A golden-haired woman dangling from his talons.

Aelin. Aelin was—

Arcas neared the earth, talons splaying.

Aelin hit the ground, rolling, rolling, until she uncoiled to her feet.

Right in the path of that wave.

"Oh gods," Fenrys breathed, seeing her, too.

They all saw her.

The queen on the plain.

The endless wall of water surging for her.

The keep stones began shuddering. Rowan threw out a hand to brace himself, fear like nothing he had known ripping through him as Aelin lifted her arms above her head.

A pillar of fire shot up around her, lifting her hair with it.

The wave roared and roared for her, for the army behind her.

The shaking in the keep was not from the wave.

It was not from that wall of water at all.

Cracks formed in the earth, splintering across it. Spiderwebbing from Aelin.

"The hot springs," Chaol breathed. "The valley floor is full of veins into the earth itself."

Into the burning heart of the world.

The keep shook, more violently this time.

The pillar of fire sucked back into Aelin.

She held out a hand before her, her fist closed.

As if it would halt the wave in its tracks.

He knew then. Either as her mate or carranam, he knew.

"Three months," Rowan breathed.

The others stilled.

"Three months," he said again, his knees wobbling. "She's been making the descent into her power for three months."

Every day she had been with Maeve, bound in iron, she had gone deeper. And she had not tapped too far into that power since they'd freed her because she had kept making the plunge.

To gather up the full might of her magic.

Not for the Lock, not for Erawan.

But for Maeve's death blow.

A few weeks of descent had taken her powers to devastating levels. Three months of it

…

Holy gods. Holy rutting gods.

And when her fire hit the wall of water now towering over her, when they collided —

"GET DOWN!" Rowan bellowed, over the screaming waters. "GET DOWN NOW!"

His companions dropped to the stones, any within earshot doing the same.

Rowan plummeted into his power. Plummeted into it fast and hard, ripping out any remaining shred of magic.

Elide and Lorcan were still too far from the gates. Thousands of soldiers were still too far from the gates as the wave crested above them.

As Aelin opened her hand toward it.

Fire erupted.

Cobalt fire. The raging soul of a flame.

A tidal wave of it.

Taller than the raging waters, it blasted from her, flaring wide.

The wave slammed into it. And where water met a wall of fire, where a thousand years of confinement met three months of it, the world exploded.

Blistering steam, capable of melting flesh from bone, shot across the plain.

With a roar, Rowan threw all that remained of his magic toward the onslaught of steam, a wall of wind that shoved it toward the lake, the mountains.

Still the waters came, breaking against the flames that did not so much as yield an inch.

Maeve's death blow. Spent here, to save the army that might mean Terrasen's salvation. To spare the lives on the plain.

Rowan gritted his teeth, panting against his fraying power. A burnout lurked, deadly close.

The raging wave threw itself over and over and over into the wall of flame.

Rowan didn't see if Elide and Lorcan made it into the keep. If the other soldiers and riders on the plain stopped to gape.

Princess Hasar said, rising beside him, "That power is no blessing."

"Tell that to your soldiers," Fenrys snarled, standing, too.

"I did not mean it that way," Hasar snipped, and awe was indeed stark on her face.

Rowan leaned against the battlements, panting hard as he fought to keep the lethal steam from flowing toward the army. As he cooled and sent it whisking away.

Solid hands slid under his arms, and then Fenrys and Gavriel were there, propping him up between them.

A minute passed. Then another.

The wave began to lower. Still the fire burned.

Rowan's head pounded, his mouth going dry.

Time slipped from him. A coppery tang filled his mouth.

The wave lowered farther, raging waters quieting. Then roaring turned to lapping, rapids into eddies.

Until the wall of flame began to lower, too. Tracking the waters down and down and down. Letting them seep into the cracks of the earth.

Rowan's knees buckled, but he held on to his magic long enough for the steam to lessen.

For it, too, to be calmed.

It filled the plain, turning the world into drifting mist. Blocking the view of the queen in its center.

Then silence. Utter silence.

Fire flickered through the mist, blue turning to gold and red. A muted, throbbing glow.

Rowan spat blood onto the battlement stones, his breath like shards of glass in his throat.

The glowing flames shrank, steam rippling past. Until there was only a slim pillar of fire, veiled in the mist-shrouded plain.

Not a pillar of fire.

But Aelin.

Glowing white-hot. As if she had given herself so wholly to the flame that she had become fire herself.

The Fire-Bringer someone whispered down the battlements.

The mist rippled and billowed, casting her into nothing but a glowing effigy.

The silence turned reverent.

A gentle wind from the north swept down. The veil of mist pulled back, and there she was.

She glowed from within. Glowed golden, tendrils of her hair floating on a phantom wind.

"Mala's Heir," Yrene breathed.

Down on the plain, Elide and Lorcan had halted.

The wind pushed away more of the drifting mist, clearing the land beyond Aelin.

And where that mighty, lethal wave had loomed, where death had charged toward them, nothing remained at all.

For three months, she had sung to the darkness and the flame, and they had sung back.

For three months, she had burrowed so deep inside her power that she had plundered undiscovered depths. While Maeve and Cairn had worked on her, she had delved. Never letting them know what she mined, what she gathered to her, day by day by day.

A death blow. One to wipe a dark queen from the earth forever.

She'd kept that power coiled in herself even after she'd been freed from the irons. Had struggled to keep it down these weeks, the strain enormous. Some days, it had been easier to barely speak. Some days, swaggering arrogance had been her key to ignoring it.

Yet when she had seen that wave, when she had seen Elide and Lorcan choosing death together, when she had seen the army that might save Terrasen, she'd known. She'd felt the fire sleeping under this city, and knew they had come here for a reason.

She had come here for this reason.

A river still flowed from the dam, harmless and small, wending toward the lake.

Nothing more.

Aelin lifted a glowing hand before her as blessed, cooling emptiness filled her at last.

Slowly, starting from her fingertips, the glow faded.

As if she were forged anew, forged back into her body.

Back into Aelin.

Clarity, sharp and crystal clear, filled its wake. As if she could see again, breathe again.

Inch by inch, the golden glow faded into skin and bone. Into a woman once more.

Already, a white-tailed hawk launched skyward.

But as the last of the glow faded, disappearing out through her toes, Aelin fell to her knees.

Fell to her knees in the utter silence of the world, and curled onto her side.

She had the vague sense of strong, familiar arms scooping her up. Of being carried onto a broad feathery back, still in those arms.

Of soaring through the skies, the last of the mist rippling away into the afternoon sun.

And then sweet darkness.

[alukaforyou]

im trying to draw a desktop bg for my new imac uhh 💀🔫

it verrrrry very vaguely reminds me of an old hanbok girl drawing i made

i should draw it like that, add the pink flowers because f it i love pink flowers?? and put a MOON in there too cuz i love da moon 😍🌙💖 like the theme of the pic can be "all the stuff im obsessed with" what the hell maybe creamy & crunchy should be there as well 💀 PEAK DESKTOP BG FOR ME 👍🏻 and we all kno i am all about hanboks in this shape from late joseon era 19c

the itty bitty crop top and the super high up skirt 👌🏻 but im getting into the looser boxy tops too from earlier like 16-17c?? artist cred for the illust

ooh waist skirt + loose top yeah its growing on me 😳 also i have this hanbok and im like in love with the bigger sleeves sooo 😭💖 IM IN MY BIG SLEEVES ERA

also the ladies from 16-18c with the. big wigs 😭 ouch neck. older kr dramas loooved to put royalty charas in these huge wigs omg i always thought it looked kind of unnatural with how neat and even it was 😭

no way ur relaxing at the palace home with that on ur head 😩 neck problems speedrun???? the only show i've seen this look good in was the saimdang drama it looks rly pretty and not over the top here v believable v natural 👍🏻

i feel like if i lived in kr my dream job would be a stylist for period dramas / movies or for when ppl do hanbok traditional wear for weddings / photos etc i literally can make this hairstyle irl plzz ㅠㅠ i am qualified looooooolll

[itspileofgoodthings]

okay but once AGAIN: the Bennet sisters are not actually a united front, nor do they share a close bond. It’s shocking how divided and splintered they are (symptom of the house they grew up in.)

[thebirdandhersong]

Lol

[shima-draws]

What the FUCK Furina’s backstory is so fucking sad??? The absolute TORTURE she’s been through. Shit dude,

[lesbiansanemi]

Sometimes I just think about Soi Fon. Like that shit was so insane. Easily one of The characters of all time. You’re going to give me a woman who hates the physical manifestation of her soul because it’s loud and explosive and she doesn’t think it’s “proper” that it suits her, but it’s so obvious it does because she’s angry and stubborn and loud and explosive!!! And then the fact that she never ever calls upon that physical manifestation of her soul until things are so dire it’s practically that or death? The fact that in so many ways she lets her emotions build and build and build until they quite literally explode???? And then!!! AND THEN!!!! Add in that she hates her bankai because it’s “inappropriate” for an assassin… for her role as captain of the Stealth Force… the position she inherited from Yoruichi after she abandoned Soul Society for Urahara… She despises the physical manifestation of her explosive nature, the nature she hides until she can’t, just like she shoved down her feelings for Yoruichi, the betrayal, the hurt, the love, until she quite literally couldn’t anymore and it all came back up in a BANG!!! Like god… oh my god, no one will ever do it again and kubo did not deserve such a cool fucking character in the least

[awfullybigwardrobe44]

I’ve been going through and reading sermons from Spurgeon. I found a website that has hundreds of them and I just stuck them all in a Google doc and highlighted the titles I felt interested me.

But I finally read his wiki biography tonight.

Was anyone going to tell me that I was reading the sermons of a 20-21 year old or was I supposed to figure that out myself 😂

[mayasaura]

ntn spoilers ahead

Question!

I appreciate that you champion Harrow's schizophrenia, and I had a thought that I'd like to run by you. It's intended with full respect for anyone with the disorder, and is also related to the neuro-bio-psych elements.

When Nona, Cam, and Crown are visiting the Captain, Nona hears Varun speak through the Captain. Afterward, she references the incident and realizes that neither Cam nor Crown had heard this happen. I was confused *how* Nona-lecto had that sort of experience, but...

If Nona-lecto is in Harrow's body, is it possible that she's experiencing schizophrenia symptoms? I'm not wanting to imply that it's a full hallucination, though perhaps since Harrow's 'meat' is schizophrenic meat, there are effects. Would mental health/illness be tied to the soul? Personality certainly seems to be, and some forms of memory.

Just rolling this around in my head a bit, and have no thoughts more advanced than this. Thank you for all your theorizing and writings about the books 💀 - heedee

I've been wondering how or if Harrow's schizophrenia effected Nona since the cover first dropped, and literally speaking, the way you're wondering about? I'm still not really sure. Brain stuff is complicated, even before souls are part of the equation, and everything about Nona is already so goddamn weird. I do think Nona is thematically schizophrenic, the same way she's thematically intellectually disabled.

Like the scene you're talking about here:

I think you're absolutely onto something, seeing this as related to psychosis. Reading this scene with that framing in mind, Nona's experience is so clearly about hallucinations. She was just trying to change the subject, and fuck. Turns out no one else heard that! Camilla and Crown's reactions, too.

But to your point about neurobiology, and the relationship between soul and body, it doesn't really tell us much. Nona wasn't hallucinating, because it turned out Judith wasn't just screaming. Varun was speaking to Nona through Judith in the language of a murdered planet, a language that sounds like screaming to human ears. Like Nona's uncanny knack for human languages, that's a product of her soul, not her brain.

We get proof of that later when Nona is pretending to be Harrow, and faking being effected by the blue light. She imitates the way Judith screamed, makes her mouth make the same shapes Judith's did, and her words come out in italics; just like Judith's words that Camilla and Crown heard as screams. She calls for help, in the screaming language she'd heard from Judith, with Judith in the room to hear her, and Varun answers by attacking the planet.

To your question about whether schizophrenia would be connected to the soul or to the body in setting, I don't think there's a dichotomy there. Body and soul aren't separate things, even when they're separated.

Lyctorhood, for example. You'd think muscle memory would be a clear cut case of living in the body. It's muscles. But when Ianthe chowed down on Naberius' soul, she got his reflexes with it. His swordsmanship, his stance, his training. The soul brought the body with it. And when Harrow literally cut Gideon out of her brain, it removed Gideon from her memory even when her soul was elsewhere. She spent half that book in the River, but didn't remember Gideon until her skull construct failed and her brain began to heal. So I would say that, just like memory, it's both. Harrow's schizophrenia is tied to both her soul and body, and there's not really much point in trying to separate the two.

[scarlettfevor]

How it feels to watch minecraft diaries as a 21 year old woman