#i know i’m so negative
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youwannadance · 2 years ago
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forever gonna mourn the amazing potential scenes we could’ve had if lone star wasn’t a bunch of dicks and kept gabriel alive
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stuckinapril · 11 months ago
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friend wanted to see my tumblr, and when i told him i can’t show it to him bc it’s basically my personal diary he went “oh so I can’t see it but a bunch of strangers on tumblr can??” he literally does not get me. no one will get me like the people in my phone get me
#It’s just so different#even though it’s public it still feels secret and safe. i feel comfy sharing a lot more on here than I do in my actual day to day life lol#in my head I’m also just speaking to myself 90% of the time which helps#if a friend off tumblr saw my thoughts I’d feel so weird ab it#esp bc they might get the vagueposting about certain situations and tell mutual friends#no thank u. this is for me. I’m not about to start censoring my thoughts bc someone I know knows my tumblr#u guys literally saw me have LIVE BREAKDOWNS#meanwhile I’ll have the worst fucking day in history and tell no one about it. I’m already cripplingly private but way more so in real life#this is basically a low stress journaling outlet for me. it’s so important for me to maintain the separation#like this is actually my diary & has been so handy for letting out emotions / articulating thoughts / staying on track !!#& I’ve met so many kind people on here who actually get me. which is so hard to find irl bc I’m surrounded by pre-med gunners/overachievers#who are by standard not very good w emotion & can be competitive/judgmental. or at least it’s hard for me to be vulnerable in front of them#and I’m part of that crowd so I reserve my emotions only to a handful of very close friends#it’s nice to hop on here and express negative emotions!! or positive emotions!! just whatever I want and it’s low stress and people get me#I don’t have to worry about judgment or competitiveness etc etc#like everyone on here is so kind & nice & understanding. & just a breath of fresh air from the types I run w. it’s just nice to have this#so idk that’s why I think I’ll always be strict about keeping the worlds separate. it just works#p
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fumifooms · 7 months ago
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I don’t like minimizing the importance and gravity of Laios and Toshiro’s fight into just being a childish squabble, even if to a degree it is framed that way, because to both of them it has a lot of personal significance and emotional weight and runs very deep to their characters… The fight isn’t nothing it’s a LOT, they made up but it’s not something easy to express and to get over for either of them which makes it all the more meaningful! I’m on both sides but there very much are sides, there’s no "they’re both having a ball, Toshiro and Laios hand in hand yay" side to the fight, that comes after
The fight with Toshiro WAS very scary to Laios, almost existentially so, but it’s moreso the "I thought I’d made a friend!!" bit and my god. My god actually
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Like it’s not "just" about oh his friend liking him less than he thought, THAT IS SO MUCH. It’s a bond he thought he had being a lie it’s all the time and moments spent together either being a lie from his perspective or marred now looking back. It’s not only being upset at Toshiro for lying but upset at himself that he’s so easy to fool, it’s being upset that there’s something so wrong with you that you can’t even tell if your "close buddy" even actually likes you or not, it’s like. Holding my head. He can’t trust his own vision of events that happened do you see. There’s always this film of distrust that it could be a lie that should be there when he interacts with people there’s always this sense of cloak and dagger to expect backstabs out of nowhere because you CAN’T see it coming you CAN’T you CAN’T there’s something about you which makes it impossible so you CAN’T-
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He’s so scared of not being able to read people. He knows it’s a weak spot he has, he’s always known. All of these bits are centered around social expectations and betrayals, the assumption that he doesn’t belong either in society or with other humans.
And Laios’ level of awareness is actually sort of complex to analyze, but it’s there, there’s how out of him and Falin he was the one sensitive to the ~aura of hatred~ he felt from the townspeople, there’s of course his nightmares whispering to him about the mocking looks, and how yeah actually he realizes that his gold stripper coworker was taking advantage of him. There’s of course the Winged Lion speech about his trauma and how he fundamentally mistrusts/dislikes humans to some deep seated degree, this distrust that he still keeps under control always. There’s how pre-canon he often wanted to suggest eating monsters but never worked up the courage to bring it up with the others. There’s how he gets across as stoic when he isn’t being enthusiastic…… We don’t know how aware and wary he is exactly in the moment but we do know he has some anxiety around social stuff, and looking back he does notice and aughh augh, the sense you have to hide yourself to not get hurt and be on your guard and shit and.
When you don’t know what to look out for and when to look out for it, the general ‘common sense’ of not always trusting people or noticing when someone’s messing with you becomes hypervigilance in social settings
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"Man they really know what you hate huh". Being socially unaware literally plagues him, he knows, he knows it so well.
It’s so quick that it’s almost hard to digest how literal and blatant Laios summoning his monster to crush all the people who’ve hurt him is. His literal go-to coping mechanism for comfort in his literal monster-induced emotionally intense nightmares, saving him by taking away the upsetting element (the humans)
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"Monsters are his coping fantasy, where they can whisk him away from humanity, all the hurt it’s caused him and its arbitrary rules" with the subtlety of a brick. Monsters are his comfort safe zone "because they kill humans" yes but no it’s because he pits them as the guardians against humans who to him are in the role of the agressors. To him they represent freedom from the shackles of what it means to be part of humanity, a fundamentally social species
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titsthedamnseason · 5 months ago
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HAPPY LONDON N1 YALL!!! i can just feel this run of shows is going to be CRAZY. also if you haven’t realized hi it’s me juli titsthedamnseason and yes even under yet another new url i am hosting the surprise song game! the rules are simple: leave your guesses in the tags or replies and if you’re right i will give you a shoutout <3
i’m personally about to give the worst guesses ever but i already submitted them to mastermind so i feel like i have to stick with it. so im going imgonnagetyouback / better than revenge and robin / never grow up i definitely should be going with a london song or the black dog but hey. whatever
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nexahexagon · 30 days ago
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“There is a vast difference between making yourself humble to restrain yourself from violence, and being forced to fall at someone’s feet because they view you as something lessor. One is a choice, considered, and taken. The other strips you of choice, because it’s will reigns over yours.”
(Tanguish didn’t want a dog. Did that matter? He didn’t know if it mattered.)
@silverskye13
First and foremost Silver you don’t owe us reason, take your time :] you’re doing just fine as you are now! Our art is a gift to you! Respond at your leisure, if you’d like to respond at all!
These pieces were made too far apart and the colors/designs don’t fully match anymore but! If I worry abt that I’ll end up deleting it and I spent too much time for that!! So there’s some rendering differences :]
And ive decided Tanguish is the only one with eyes/properly portraying emotions cuz we only really see the story through his eyes! (And not because I struggled drawing Helsknight’s eye from such a weird angle, nor Wels’ from him looking down with his chin up)
And here’s the pics without the harsh lights!
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I struggled with Wels but I was beamed colors and motivation into my mind by @crisismoth twice and it’d be a shame to waste this brain power. Turned out the shading saved him!! He’s missing quite a bit imo but it’s better than nothing!
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sammygender · 2 months ago
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not indirecting anyone but i keep seeing the take that sam has power over dean because dean is so attached to and dependent on him. like it’s everywhere. and its just soooo fundamentally flawed. that is not how anything works. not to sound like a broken record but that type of dynamic (where one partner, the aggressor, views themselves as in fact controlled/dictated by the whims of the other) is actually very standard in an abusive relationship…
whether or not sam has ‘power’ over dean in this way is functionally irrelevant because his ‘power’ extends to his ability to somehow, what, psychically manipulate dean into doing what he wants?? whereas dean’s ‘power’ over sam is making sure sam adheres to exactly what he’s decided sam should do and punishing him if he doesnt do that, and deciding he has ultimate control over sam’s own decisions about his life (see main plot events of s4, 5, 6, 8, 9, 10, so on and so forth…).
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dykedvonte · 19 days ago
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Curly had two days to act and Swansea had two months.
I think it’s just interesting that every defense of Swansea not immediately acting are the same ones that are argued against for Curly. “He didn’t want to alert Daisuke or makes things worse for Anya either Jimmy!” I mean people also assume that about Curly and the crew. “He has to think about his plan of action and a right moment!” Again so did Curly, power and authority aside, he still would have to think of what he had to do. “He makes sure he doesn’t have to be around Jimmy!” So did Curly and they only do this to an extent, both give Jimmy more than a few opening to keep harassing Anya.
This isn’t defense of Curly nor a damnation of Swansea. Their actions are very parallel to each others in tragic and sour ways when it comes to how they approached helping Anya. In the grand scheme of it all they both did the same thing: Nothing. No action either took stopped the inevitable outcome of her death nor Jimmy’s continued damage to themself.
The only real difference is Swansea didn’t like Jimmy which is pretty substantial, but also just as damning as Curly knowing how bad Jimmy could get to an extent. He had even less of a reason to wait, even more of a reason to act seeing as he was now worried for Anya AND Daisuke. He is not bound by the possible procedure as Captain and actively does not care about what happens next. So what does it matter if he acted in the moment? Why did he wait? I think he’s just as morally complex and grey as Curly and we hold him on a pedestal that still perpetuates things in rape culture the game critiques.
It’s not just enough to dislike and be abrasive to predators/abusers like Jimmy. It’s not enough to just put yourself between them and the other person. It’s not enough to hold tensions when you know someone is vulnerable. He and Curly do the exact same things but on different sides of the coin. I ask how is it better to not turn a blind eye but still not really do anything about what you are seeing? Not until it affects you atleast…
The game makes a big point to not put men doing the bare minimum or who wait to do more on pedestals and I’m actually surprised so many are missing that point.
#like I’m sorry two months? he couldn’t have explained it at all to Daisuke?#he’s no better than Curly and it’s likely Anya found comfort in the fact that Jimmy would at least avoid being around Swansea#tho everything he went off to drink or passed out she would be acutely reminded that things are still taking precedent in his head#she is not his top concern nor is seeking justice for her like he is admittedly more concerned about Daisuke he doesn’t mention her#outside of the fact that they were def talking about what Jimmy did and likely the fact he might’ve crashed the ship but pls don’t mistake#his final acts as being majority for Anya. the game keeps showing how these men keep prioritizing things over her even when they say they#won’t and it’s sad it’s so sad that we keep trying to say but what about him like they all do it#it’s not intentional but that’s what’s also bad about it like I doubt she made a suicide plan with him two months in advance#these characters are acting to get out of this and she knows her ending is not happy if she leaves or not she’s taking that choice to do it#and hell Swansea might not have known by the way he speaks to Daisuke and Jimmy that that was her plan to khs#likely either to just keep her and Curly locked in med bay until they got rescued or died#but it’s all speculation and thinking and I can only implore people to think why are you giving Swansea more credit?#cause I see him bittersweetly so used to the negatives he cares not for futile efforts#two months vs two days and each time nothing was really done for her other than prolonging her suffering around Jimmy#Swansea slept outside utility was drunk most of the time and it’s clear Jimmy was able to have access to Anya whenever#I mean look at the teaser where they sit at the table he is far from her with Daisuke#like it’s just frustration at this point thinking any guy on that ship was doing good by Anya specifically and not for their own reasons#like at least Curly was direct on the issue he still did mostly Jack shit but Swansea doesn’t even let Jimmy know he knows#and that’s another issue in rape culture of men avoiding calling other men what they are even if they hate them like#the game plays with the idea of knowing vs acknowledging and neither truly acknowledge it as a part of their actions#against Jimmy and god no one did better than Anya for Anya. they just weren’t heinous like Jimmy#mouthwashing#mouthwashing game#curly mouthwashing#captain curly#swansea mouthwashing#anya mouthwashing#nurse anya#it’s not all men but all men can and do play a part especially in the extreme scenario mouthwashing deposits
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uhohdad · 5 months ago
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woodsie · 7 days ago
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[cute, harmonious beeping]
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sunsbleeding · 15 days ago
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Thanks you to all of you who have been so kind lately, I know we don’t know each other personally but I feel like I have a lil family and I’m not alone in being treated like shit by someone who pretended to love you ❤️‍🩹 big hugs to all of you, and also all you going through a depressive episode, a dark time, or struggling with substance abuse of any sort, I see you, I understand, and there will be people you find in this life that will see you too
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pixlokita · 3 months ago
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Me: -has intense therapy session-
Me: -exhausted afterwards- maybe a nap will fix me
Me: -wakes up more exhausted and trying not to throw up- -also can’t talk again-
Me: haha… yeah yeah … yeah.
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withthewindinherfootsteps · 2 months ago
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Wei Wuxian and Narrative Agency – Part Three
For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!
(Part One | Part Two | Full version on AO3)
The Power of Agency: Shaping the Narrative
When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.
This? Linking structure to a character’s in-universe preferences?
This is where we get unhinged.
Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).
To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.
This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.
In other words, its very structure is respecting Wei Wuxian’s agency!
Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!
Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation
Which, of course, is him dwelling on…
Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation
…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:
He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation
And Wei Wuxian’s own thoughts and words:
Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 
Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:
“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR
Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.
Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:
At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR
Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!
So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.
This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!
And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.
But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?
At The End Of The Road: Summary and Final Thoughts
In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.
It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.
(Or, if an image would be preferable:)
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Thank you for reading!
(Part One | Part Two | Full version on AO3)
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*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)! 
#get ready for tag thoughts because there are a LOT of them#it’s for THIS reason that fanon wwx bothers me so much (didn’t want to get negative on the acual post)#bc so often all the changes are changes that woobify him!#self-sacrificial idiot wwx?? only doing things because… poor him he has so many internal issues and values himself so little-#-so of course he’d sacrifice everything before thinking of another option? woobifying#(whenever he sacrifices something it’s a deliberate choice to act on his morals because he values his morals so much – and he’s also very-#-capable and DOES often find ways for no people to get hurt!)#wasn’t aware that what happened to him at lotus pier was wrong and needs lwj to tell him that for him to have any idea if it?#woobifying (as we see in the lotus seed pod extra he KNOWS it’s unfair)#(he downplays it retroactively in his memory (links into not focusing on the bad things in his life))#(but that’s the actions themselves that are being downplayed not their fairness!)#he chooses to act! he is defined by acting! not tragedy – all the more impressive in the face of the amount of tragedy that’s happened#he could SO EASILY have been a woobie but instead he’s the opposite of one: defined BY his agency instead of the absence of it#that doesn’t mean he’s not impacted by tragedy or trauma – he is! but it’s not the most important aspect of his character (bc he doesn’t le#it’s also something that bothers me about the changes cql made#by making qq path and nightless city the fault of someone else it means he IS someone who’s more a victim of circumstance than anything els#he had no control over the tragedies of his first life at all#apart from ig his death being controlled by him? because he just leaps off the cliff during the nightless city siege?? but in THAT case it’#i watched that part recently (i’m getting through it very slowly) and yeah it reaffirmed my love for this aspect of the book even more#despite. having these exact thoughts for two years already#he also dwells on the past events a lot more than book wwx which adds to that version of him BEING defined more by tragedy rather than who#anyway over 7.3k words total (and 400 more in the tags apparently)... it'll be posted to ao3 in its completion this evening!#mdzs meta#my meta#wei wuxian#mdzs#mo dao zu shi#魔道祖师#grandmaster of demonic cultivation#gdc
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littlexdeaths · 3 months ago
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if you’re a writer of anything— you’re doing amazing work and please keep going 💕
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quibbs126 · 6 months ago
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Randomly because I’m thinking about it, one thing I think is interesting about the Ancients’ designs is that Golden Cheese, Dark Cacao and Hollyberry all have eye colors that match the colors of their Soul Jam. Meanwhile, White Lily’s don’t reflect her Soul Jam’s color, and she ended up becoming Dark Enchantress
But then we have Pure Vanilla, who has one eye that matches his Soul Jam, and one that doesn’t
I’d argue that this could have a meaning of him being somewhere in the middle, or having to struggle between, but I’m pretty sure nothing like this will end up actually happening with him
But I mean, it’s an interesting detail
Actually you know what, while we’re speaking of Pure Vanilla’s design, he’s weird from the other Ancients in other ways too
Most obviously, his color scheme doesn’t match his Soul Jam whatsoever, unlike the rest of the Ancients. I mean sure, Dark Cacao’s color scheme has a lot of greys, but they’re purple tinted greys, and he does still have purples in his cape. But Pure Vanilla is made up predominantly of yellows with some white and brown, while his Soul Jam is blue
Granted I don’t think that’s an intentional character thing. I think it’s just because they had two Ancients with predominantly yellow color schemes, both of which couldn’t really change too much since that’s what their ingredients typically are, so one of them had to get a different colored gem if they wanted all the Soul Jams to be distinct in color. And you can’t really make blue the predominant color in a vanilla based Cookie, that just wouldn’t make sense. I mean sure, cacao isn’t really purple, but Dark Cacao has the black hair, and his purple leans more on the warm color side, which cacao usually is, so it isn’t as ludicrous a difference
I mean maybe they could have made his Soul Jam a reddish brown or white like Mystic Flour’s, but that’d break with the color schemes of the other Soul Jams, which are all bright, vibrant colors
And then aside from his color scheme, another thing I noticed is that the shape of his Soul Jam doesn’t really feature anywhere else in his design. Everyone else has this to some extent, with Dark Cacao’s diamond shoulder pads and crown, Hollyberry and Golden Cheese’s heart and triangle patterns, and even White Lily in that her dress is like an upside down fleur de lis. Pure Vanilla meanwhile, doesn’t really have the club anywhere
I can’t really give an explanation as to why, other than maybe the club symbol being hard to incorporate, but they were able to put White Lily’s symbol at least somewhere else on her design
Sorry, this pivoted after the first point, but I just wanted to add on more observations I made
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bookinit02 · 4 months ago
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realizing i do this thing that i really really hate which is when i’m originally super excited about something but the default reaction is something negative i’ll eventually just start spouting off a million disclaimers every time i bring it up. like yeah i’m majoring in creative writing haha don’t worry i know i’m never gonna make any money haha i’m definitely going to just get a practical job and publish on the side maybe if i’m lucky!! like NO bitch have some confidence in yourself😭😭 goddamn i’m such a pushover
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leqclerc · 6 months ago
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I think everything that could be said has already been said regarding Charles’s Monaco win. But I’m just… Wow. It’s so surreal.
Having followed him for several years now, witnessing the hope and subsequent disappointment as yet another chance to win his home race slips away… The heartbreak and helplessness of 2021 and the anger and frustration of 2022… It’s Charles’s dream fulfilled and Charles’s accomplishment but I feel like it’s personal for so many of us who’ve endured all of those emotional rollercoasters and setbacks along with him, invested in his quest to reach for something he yearned for so deeply. We’re all sharing in it now, Charles’s emotions a reflection of our own; disappointments into delights.
The funny thing is, I was completely calm once he secured pole on Saturday, in a way I rarely am, especially when it comes to racing. It’s hard to describe but it was just this serenity, this gut feeling that today is the day, and that there won’t be any more upsetting surprises. That this is the weekend where that chapter of the “curse” ends, where history is made, that this is where the path was leading all along.
It wasn’t really until Charles crossed the finish line, until that team radio, that inflection in his voice, the way he evidently teared up, the way he ran into his team’s waiting embrace and the way he spoke about his father that it hit me, the emotions, the sheer magnitude of the feat – so straightforward at first glance but heavy with the weight of expectation, longing, past disappointment. The palpable relief on the podium, the way he could finally close his eyes and just drink it all in. Maybe it played out exactly the way he had imagined all that time, maybe it was different, maybe it was better. But it was, in some way, fated.
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