#i know hes trying to protect her

[tscclace]

City of Bones

[starry-bi-sky]

this just in: danny fenton is just as much of a mask as Brucie Wayne? - another danyal al ghul au

Turns out, being placed in a civilian family who have no knowledge of your background is actually detrimental to the health and development of a child assassin due to lack of proper support! Surrounded by strangers in a foreign city, Danyal Al Ghul does as assassins do best. He hides. Espionage is one of many teachings one learns in the League, and it only takes half a day for Danyal to construct a new persona to hide behind: Daniel Fenton.

By the time dinner rolls around, Danyal al Ghul is safely and securely tucked behind the face of Danny Fenton; brand new adoptive child of the Fenton family who came from overseas. A shy, quiet little boy with a thick accent and curly hair, with brown skin and blue eyes, and an avid interest in the stars. The best fictions are always cobbled together in a little bit of truth, it's some of the only truth he ever lets through. He apologizes in a meek voice for his behavior early, he didn't mean to be rude, and he watches the three of them eat it up with coos.

Lies roll like silk against his lips, he struggles to meet their eyes and offers them his weakest, shyest smile. It's too easy. It's easy to go from there.

Danny Fenton, adoptive son, shy and awkward and unconfident but friendly. Who struggles in his classes and isn't the brightest, but tries his hardest. He makes bad jokes and has a quick tongue and a sarcastic mouth. He wants to be an astronaut. He's got the best aim in school, and is a terrifying dodgeball player. He's one of the least athletic kids in his grade.

It's like playing two truths and a lie, but there's only one truth, and the rest are lies. It's easy to pretend when he knows it's insincere.

Danyal Al Ghul, grandson to the Demon Head. Deadly, trained assassin. Has spilled blood, has had blood spilt from. Environmentalist, animal activist. He loves the stars. He owns a calligraphy set. A sharp tongue, an even sharper blade. He's clever, quick-witted, he would be top of his grade if he tried harder. He purposely doesn't.

He misses his family. He misses his mother, and he misses his brother. Mother visits a few times a year, so few times that he can count it on both hands. He cherishes every visit, as brief as they are. It helps remind him who he is.

Sam and Tucker are Danny's best friends. They've never met Danyal, but Danyal's met them.

It becomes routine to become Danny Fenton. As familiar and as easy as pulling on a shirt in the morning. Danyal wakes up and is always first to the bathroom in the mornings; stares at himself in the mirror until he can finally see Danny staring back at him. At night, he locks his door and sheds the mask.

Dying throws a wrench in his mask; splits a crack straight through the porcelain. He's able to smooth it over with sandpaper and liquid gold, but it's a little hard keeping his ghost form under wraps. It instinctively wants to shift to show his true self. Danyal can't have that, he's spent four years as Danny Fenton, he'll spend another four as him as well. Even if the feeling of the hazmat suit in his ghost form feels restrictive, like a too-small shirt suctioned to his skin that needs to be peeled off.

He'll live. Er-- well, you know what he means. It's frustrating however, trying to keep his Danny Fenton mask up even as Phantom - fighting in the air is something he needs to get used to, and the sudden propping of powers throws him off. But he is nothing if not adaptive, and he hates that he needs to slow his own skills down in order to keep pretenses up in front of Sam and Tucker.

The first time Danyal summons a sword when he's alone, is one of the few times Danyal gets to grin instead of Danny. He's fighting Skulker, and from an invisible hilt he draws a katana from thin air. It startles them both. Skulker takes a step back at the smile that spreads across his face.

They're both silent as Danyal examines his new sword.

"Do you know what people like me do to people like you, poacher?" Danyal finally asks him, the accent he began to hide a few months in slipping through. He drops all pretense, dragging the flat end of the blade slow and appreciatively against his palm. It's a good make, and when he cuts it through the air, it slices through like butter. He looks up at Skulker with a smile; "are you ready to find out?"

When Sam and Tucker ask about why Skulker seems so skittish around Danny now, Danny shrugs at them and says with a playful smile; "I don't know, I guess I kicked his butt too hard after our last fight." and he watches as Sam rolls her eyes exasperatedly, and Tucker snickers with his own joke.

By the time he reunites with Damian before their 15th birthday, Danyal is buried beneath so many layers of Danny Fenton that his brother will need a shovel to dig him out. He's not sure what he'll find.

[edorazzi]

Page 18 of my Miraculous Mentor AU comic A Matter of Trust! In which Felix brutally debunks whatever Adrien heard from Bri about their 'fairytale relationship' (she was trying to be nice! 🥲), and outlines how their Miraculous' powers of Fortune worked! 🪄🏰

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[zarnzarn]

The doors to Olympus are sturdy and strong, given everyone's preferences for drama and slamming said doors open and sending them cracking into the wall whenever the opportunity arises. Which is why it's a surprise when they creak open during the once-a-decade pantheon meeting; less so because no entity worth their salt would take so long to open the doors, and more so because everyone who is anyone is already there.

But if everyone is being honest with themselves- which no one is, usually- these gatherings are boring enough that the bland conversation is dropped immediately in favour of craning their necks to catch a glimpse of whatever is coming to relieve them of their boredom.

When the doors finally open however, several of the pantheon murmur in surprise.

"Odysseus," Athena whispers, wide-eyed as she pushes herself off her throne to her feet. It is him- in the king's garb he was buried in but the face he has when he reached home, hair till the shoulders and speckled with grey, face oddly blank. His feet are transparent.

"What are you doing here, sceptre?" Poseidon booms, hair the color of a stormy sea. Zeus, beside him, looks reserved, observing the ghost with something approaching curiosity- eyes flicking to the lightning scars on his daughter's face and back. "Your time has long passed, and Hades-"

"It is a temporary agreement," Odysseus says curtly, barely sparing him a glance as he approaches his patron. "Athena."

Her armour clinks as she steps forward and the gods all twitch, trading glances. Owls are silent creatures- to have her aspect so affected to make noise was... uneasy to say the least. She even holds herself different than usual, something like confused delight shining in her eyes. "How did you-"

"Did you sleep with my wife?"

The throne room is silent. Several jaws drop.

Athena straightens back up, blinking in surprise. She looks a bit shifty, some of the nymphs closest whisper to each other, which- well, almost every single god present owed some part of their existence to the mere story of Odysseus loving his wife.

Would he fight his own patron goddess over it in front of Mount Olympus, though? He certainly was unbalanced enough; Athena herself looked rather uncertain of her odds, even though-

"Are you addled in death, King of Ithaka?" Artemis drawls, looking amused. "Did you forget that your own patron is celibate? Whatever rumor you-"

"No, I-" Athena says suddenly, shifting her spear to her other hand. "I did."

Artemis chokes on her breath and several assorted divine beings gasp in shock and the rest shouting for explanations, although everyone is nearly drowned out by Aphrodite's loud, "WHAT?"

Odysseus inhales sharply and pinches the bridge of his nose. "I cannot believe you."

"She asked-" Athena starts, only to be drowned out by the din of various beings screeching and shouting about the scandal.

"ATHENA!" Hera hisses, peacock tail fanning behind her sharply as she pushes herself up. "Explain yourself!"

Athena half-turns to face her, face creased in a frown. "Mother, I-"

"LET ME REPHRASE!" Odysseus cuts in loudly, and the shouting settles down into silence. He walks to his patron, eyes blazing. "I cannot believe," he throws his clenched fists wide as he growls the last word, "-you took Penelope to bed-" Athena surprisingly stays still as he reaches her, mouth falling open as he grabs her by the chiton to yank her down, uncaring of the gasps of horror from all around as he snarls, "-before you ever kissed me."

And then Odysseus grabs Athena by the face roughly and kisses her.

This time Aphrodite's shriek cannot be escaped by anyone.

"Aphrodite, please," Zeus says a few moments later, wincing as his throne reforms around him, stained oddly pink. Quite a few minor entities have discorporated, and the ones nearest to her are still trying to regenerate their hearing. "Control yourself."

Their eyes land back on where Athena has dropped her spear- dropped her spear, Ares in the corner seems to be having some minor hysteria over this, well warranted- and is also on the floor, still being thoroughly kissed by that insufferable, mannerless hero of hers, perched on her stomach to reach. Zeus inhales in fury, Poseidon close behind him as the shock wears off, lightning crackling around his fingers as he opens his mouth to shout- of all the indignities-

"If you two ruin this for me," Aphrodite thunders, warping in front of them and glaring. "I will make you both regret it."

Both gods visibly blanch at the threat, taken aback for one brief moment. Threats from Aphrodite are far worse than any of her more violent siblings, at the end of the day.

Zeus visibly gathers himself just as Athena's helmet clatters to the floor, and he gains a second wind immediately, eye twitching as he spreads a hand to the spectacle in the middle of the hall. "WHAT MANNER OF DISRESPECT IS THIS? TO BARGE INTO OUR MEETING AND THROW ONE OF THE OLDEST GODDESSES TO THE FLOOR LIKE A COMMON WENCH-"

"Zeus," Hera says quietly. Everyone falls silent, although it's not quite enough to stop the two tangled together on the ground. She clears her throat, which finally seems to get through to Athena, who had finally seemed to have gotten over her shock enough to reach out, hands hovering over Odysseus hesitantly. Still, at the noise she seems to remember herself, pushing herself up on an elbow and dislodging him enough to break their necking. He pouts at her, but Athena's eyes are too glazed over to notice, heaving for breath.

Hera opens her mouth to speak, crown manifesting on her brow as she steps in front of the throne, but closes it as the door rattles again.

This time, the spectre shimmers with a faint hint of scales that comes with a freshwater nymph's heritage and excited whispers starved for drama explode across the room as the Queen of Ithaka steps into the room, skirts hitched in her hand and panting as if she'd been running.

"Your Graces," She bows respectfully before entering, Spartan princess through and through, until she catches sight of her husband and Athena, the former of whom seems to have taken the opportunity to start kissing the wisdom goddess again, fingers in her curls.

"What are you doing?" She snaps, rushing over. The entire courtroom holds its breath. She slaps her husband upside the head, making him yelp and move back to shoot her a betrayed look. Athena looks even further dazed than before, cheeks red. "Argos has more manners than you! No wonder Lady Athena wanted nothing to do with you- ah, hello, darling, by the way."

"Penelope," Athena murmurs hoarsely, and the Queen of Ithaka leans down to kiss her as well.

Odysseus chuckles, then jumps with everyone else as Hera slams a hand down on the throne elegantly, cracking it to the base.

"Ah, goddess-" He says, clambering off Athena to bow.

"Silence," Hera interrupts, holding up a hand, eyes cold. "You will not say anything to me apart from an explanation. My agreement for your release from Ogygia was due to the assurance that your marriage was one of the truest I have ever witnessed, conveyed by Athena herself when bartered with all of us to let you go. Tell me, was it a ploy? Because from the disgraceful looks of it, this seems to not be the case in the slightest."

Odysseus frowns, face twisting in confusion. "Athena bartered with...?" He turns to look at his patron, who stares back, unspeaking. His eyes flicker to the lightning scar over her right eye as Penelope traces it with horrified eyes and a gentle thumb, and understanding seems to dawn.

For a moment, rage seems to fill him, glaring with a hatred towards Zeus that everyone whispered later wasn't met by the god king with anger, but a flicker of remorse- before he visibly throws it away behind Athena's old smile and bows.

"God-queen," He says formally, gracefully. Hera twitches a bit, and they'll all talk later about how odd it was to so clearly see Athena's younger mannerisms in the man, down to the curl of the letters. "My marriage to Penelope has never been false, never been broken, this I promise you." He takes Penelope's hand and squeezes it for emphasis, and she raises them as acknowledgement. "But... can you not argue that Athena has been part of our marriage all this time? From its start, where she advised me on courting and her on what to look for, to the twenty years she spent with both of us- me on the battlefield and Penelope in the court; to say nothing of how she helped raise our son and lived in our palace in the days after. And is she not so unbearably beautiful that even my Penelope couldn't wait-" He shoots a glare at her, which Penelope returns with a smile. "-when the chance was presented? How can you fault us for disgrace, after being so long apart from our wife?"

Hera raises both eyebrows at the impudence, the kind of disbelieving expression that hides a warning to tread carefully. "So you claim to be both married to Pallas Athena?"

"In every way that matters except legality," Odysseus says, fearlessly. He is dead, after all, what much can you do to a shade that they didn't already put him through when alive. He is sort of worried about Athena, though, as they both help her back to her feet, Penelope busy whispering compliments and updates and endearments in turn- she's not usually one to be quiet in face of a problem.

Hera tilts her head. "Ah, but you see. I need the legality, if I am to finally-" A helpless, excited smile pulls at her lips once, twice, before unfolding into a bright grin, peacock tails unfolding to their full wingspan. "-finally arrange for a marriage for my eldest daughter who has not once- oh finally, I can hardly believe this day has come-"

"I do not like the way you grabbed her, Sacker of Troy," Ares steps forward as Hera starts ranting half to herself, half to an equally loud assemblage of joyful entities about wedding arrangements, eyes narrowed.

Odysseus barks an incredulous, loud laugh, gesturing to Athena with a slightly crazed look in his eyes. "This lady has broken- and I do not exaggerate- every single bone in my body before I saw my sixteenth year. I have punched her a hundred times in the face when she taught me how to fight. We'll survive, thanks."

"That is fair," Ares steps back, hands raised.

"What duties will you provide as spouses, Ithakan Queen?" Hestia questions, stepping forward.

"Oh, the same we did when we were living," Penelope huffs a laugh. "Keep her busy, make her laugh, be of mild frustration to her, love her well, worship her-"

"I do not. Need to know," Hestia closes her eyes and raises a hand to cut her off, stepping back. Around them, the din catches speed and volume as no further objections arise, excitement spilling into the air.

"What is happening?" Athena says faintly, looking around as if she was just waking up.

"-oh, and we can get out the decor once more! Hebe, Aphrodite, loves, do you remember where we kept the fountains-"

"-finally, a reason to celebrate! Call them all out of hiding-"

"-can't believe this is finally happening, oh sister, what songs should we-

"Why am I getting married," Athena says with much more alarm and horror. She turns to Odysseus and shakes him by the shoulder, eyes wild. "What did you do?"

"Nothing!"

"How is this nothing? Do you have any idea the headache-"

"Athena, sweetheart, will you consider changing into that beautiful piece you made for the ceremony?"

Creakily, she turns her head to Hera, disbelief pasted across her face. "Mother," She says slowly. "They are both dead."

"Oh, I'll make a deal with Hades or something, you hush!" Aphrodite leans forward and snaps, before her irritation melts back into a manic joy. "Oh, what paint shall we do?"

Paint, Athena mouths, looking afraid for possibly the first time since her conception.

Penelope laughs and tugs on Athena's hand to make her turn, tucking dishevelled curls behind her ear. She wonders if the goddess knows how beautiful she is when she's flustered. "Take us away," She whispers. On Athena's other side, Odysseus leans against their patron with a besotted, helpless smile as he stares up at her, her helmet and spear in hand. She'd missed Athena like a limb, missed her deep laugh at night when they'd discussed the day's court, the dry jokes, the hands over hers as she weaved- but Odysseus wasn't himself without her, happy though they were in Hades' lands together, all of them.

"I'm-" Athena wavers, then looks around once more at all the excited screaming, something unreadable flashing in her eyes. Almost against her will, her eyes fall to Zeus, who is sitting silently and staring back at her. Poseidon looks like he still wants to start a fight, but clearly by his wary looks below can tell he will be heavily outnumbered by the overexcited crowd to not try, but Zeus just stares back at her, face blank of any emotion.

"We ask you formally this time," King Odysseus says, walking in front of her to take her attention away, holding onto her hand. His voice has strength in it, drawing the eyes of the murmuring crowd, but he's deaf to it as he stares up at her.

"Will you be our wife?" Queen Penelope asks, joining him, watching their beautiful patron shudder for breath she does not need as her eyes flick to one of them and then the other.

"Yes," She whispers and cheers erupt all across Mount Olympus.

"Finally!" Odysseus complains, and then pulls her down once more to kiss her, all three of them fading at the edges as one of the generous gods present there- who seems to realize that they're not very inclined to stop anytime soon- thankfully teleports them away into a nice room with a large bed.

"Finally," He whispers as he breaks apart to lay her down, cupping her face, voice heavy with the longing of a full lifetime and more. Penelope circles to the head of the bed and starts undoing Athena's braid, staring at them both lovingly.

Later the ones closest will murmur, as the silhouettes faded away, that tears had slipped from proud Pallas Athena's eyes as she placed one hand against Odysseus' cheek, trembling.

"I missed you," She will whisper back, and all three of them fade away to their own story, yet to be made.

[chappellrroan]

[dykedvonte]

One of my mutuals opinions is the "bro code" thing, that Curly is one of those guys who wouldn't care about the victim because the perpetrator is his friend and I'm really banging my head on the wall like that other anon. I've only played through the game once but Curly's behaviour/reactions etc read completely different from the "bro code" thing and I have to wonder if my mutual and I even played the same game.. like the constant digs at him from Jimmy, his body language in his face reveal and so on like you mentioned in your post. While this game is a little different obviously, it kind of reminded of a point in Alice Madness Returns that makes it very clear that Alice's pain blinded her to the abuse of the other children and her failure to act earlier because of it. Curly is guilty of a similar inaction but it doesn't change the fact he was a victim of Jimmy too. I don't think I can look at it any other way because both of these games have really stuck with me.

I genuinely think it really is the idea that people want a simple easy to blame problem and the idea that the only relatable victims of abuse are those that "surpass" it or do a lot to help others. When it comes to victims, especially those that don't fit the typical demographics, who either accidently perpetuate it, enable it or aren't ideal in some way shape or form, people jump to ignore what they went through as it's easier than dealing with those conflicting sentiments.

The bro-code conversation in Mouthwashing stems from a concept I generally dislike that there had to be something about Curly that made him meet or keep being friends with someone like Jimmy. I think people genuinely underestimate how many like decent and good people just know an asshole or are friends with someone who is really bad outside of their view/established dynamics. The game makes it clear none of the inaction against Jimmy is because of a lack of care, it is a lack of understanding from the privaleged postions they have as men to not have to worry about what Anya does/went through and the type of extremes men like Jimmy will go through to cover it up. They are all too preoccupied in their own strifes.

Another thing I see being oversaturated the idea that you have to be a freak, misanthrope or have a disorder to do the thing Jimmy does. The game is an escalation, it's a spiral that I don't see people comment on that Jimmy was not likely having the mood swings and episodes of rage/frustration we were seeing in the game. This is after they all start experiencing the worst moments in their lives that he got THAT openly bad. Of course, this is just my interpretation but much like in real life, people that go to extremes like that usually live mundane lives. It's a pressure cooker affect to where the stress made them pop. It's self inflicted but still the case.

I really think people need to be more willing to acknowledge that not everything needs to be an extreme or in black and white or easy to understand. It doesn't need to be happy or have an answer or solution, especially in the cases where the abused sadly helps perpetuate what they experience. It's not he should've known better from experience or shouldn't he have known what could've happened because victims tend to not like to think in matters of the worst. Not to mention, especially in cases of abuse where it feels so personally directed that you don't expect to happen to someone else.

[suntails]

a father's love

[my-coven-is-claudia]

a moment that’s really stuck with me from the trial is during lestat’s apology when claudia reminds louis of his possible insincerity and the futility of his apology. what’s most significant is that in the face of danger claudia is the one out of the two who takes the lead. claudia always as louis’s protector. nursing him after being brutally beaten by lestat. conceiving the plan to murder their maker. leading them through war-torn europe. claudia’s fearlessness and determination is what urges louis to continue moving forward. to leave america behind and all the pain it signifies and find others like them. to start a new life and finally (try to) escape lestat’s grasp. claudia was louis’s spark in the dark but that spark was his life-force. his willingness to continue living was tied to her existence. his anchor amidst the chaos. if claudia was not by his side then what was the point in hiding from the sun anymore. it takes a failing relationship, two interviews and suppressing his grief for over half a century for louis to be able to speak of how much he loved and adored claudia. and learning to live without her will surely take more than a thousand sunsets.

[thelilylav]

We only see each other at funerals

(On Jason, Thalia, Nico, Bianca, and their parallels/connections)

The Titan's Curse (Rick Riordan), @/anxiousmaya_, Right Now (Gracie Abrams), The Battle of the Labyrinth (Rick Riordan), Joan of Arc (Mary Gordon), The Lost Hero (Rick Riordan), Episodes Toward and Elegy for Halley's Comet (Lindsey Drager), Jason Grace (Riordan Wiki), The Gods Show Up (Michael Kinnucan), The House of Hades (Rick Riordan), What the Living Do (Marie Howe), The House of Hades (Rick Riordan), Planet of Love (Richard Siken), The Blood of Olympus (Rick Riordan), Tangerine (Nolune), The Blood of Olympus (Rick Riordan), The Blood of Olympus (Rick Riordan), I Bet On Losing Dogs (Mitski), The Burning Maze (Rick Riordan), @/abhorarchive (Twitter), The Burning Maze (Rick Riordan), Seventeen (MARINA), The Burning Maze (Rick Riordan), @/rollercoasterwords, The Tyrant's Tomb (Rick Riordan), @/the-overanalyst, Where Things Come Back (John Corey Whaley), Grit (Silas Denver Martin), Softcore (The Neighbourhood), The Tower of Nero (Rick Riordan), Frost (Mitski), @/moonbends, I'm Your Man (Mitski), Sun Bleached Flies (Ethel Cain), The Tower of Nero (Rick Riordan), Three (Sleeping At Last), My Art

[ozzo-the-wozzo]

Trying to explain Adrien’s subplot in miraculous to anyone but it’s literally just this:

[literallyjusttoa]

I’m in my feels about Leto rn.

She a mom!!!! You don’t understand she’s a MOM!!!! And she was left all alone after the titan war (most titans were banished to Tartarus) and then she fell in love with this guy with all these red flags but they were genuinely in love!!! They sang songs and talked about deep things and Leto and Zeus LOVED EACH OTHER!!!!! And then she was made to suffer so much for it but she never took any of it out on her kids, and then they were basically taken away from her by Olympus!!!! And she was alone again!!!! But she loves her kids so so much so she built a safe place for them on Delos to come home to!!!! And she knows she can’t protect her kids from the monster the man she loves has become but that doesn’t mean she doesn’t try!!!! Leto tries so hard!!!!! And both of her kids fucking love her with all they have!!!!!!! Family is so important to all of them despite the fact that one member has become a horrible dickwad!!!!! They love each other!!!!!!!!! AHHHHHHH!!!!!!!!

[feroluce]

Connecting dots tonight (didn't connect shit, I've connected them, etc) because of this post about item descriptions to do with Sampo I saw a few days ago and! I feel like there are so many interesting things that could be implied from this!! Because the recipe for the High-Tech Protective Gear is given to you by Bronya (before the IPC invaded Belobog!), who says this little interesting tidbit about it:

This is an item from before the Eternal Freeze, 700 years ago. Even to the rest of the universe, it would be SORELY outdated. It cannot be made in Belobog anymore due to the loss of entire eras. It is effectively useless; this recipe had to be somewhere gathering dust, kept around solely for archival purposes. There is no reason for Sampo to know about this item or have any idea how it works and yet. AND YET. He's just running around selling knock offs!!

He shouldn't even know how to make these, but the fact that he does means Sampo either

had the blueprints from off-world before he came to Belobog (most likely but also most boring answer)

broke into Qlipoth Fort and copied down the blueprints (completely plausible - he's possibly shown doing exactly that in his splash art)

found another copy out in the ruins of the old world (also completely plausible - Sampo is astoundingly resilient against both the Fragmentum and the cold, as noted by Lynx haha)

Meanwhile, the Inferior Protective Gear recipe comes from an NPC in the underground, and when she gives it to you, she talks about building robots and the robot fighting scene sorry about the quality I didn't have screenshots for her dialogue so I had to use wiki

Which makes me feel like it's safe to say that the inferior gear is mostly being used in the underground, especially by the vagrants and their robots for fights, because...well, who else would use it? Cocolia has made it illegal to explore too far into the Snow Plains, and besides, it's way too dangerous for most civilians even WITH gear. The Silvermane Guards are funded by official sources, they have no reason to rely on Sampo for armor. So it makes sense for an underground mechanic to know the recipe; there's probably not as much market for it up in the overworld.

And if you look at the descriptions, you can see why this probably wasn't something that could be made in Belobog anymore; it requires a charging system of some sort.

We know it's not a problem with the basic materials because all three ingredients can be found right in the administrative district. But the underground only has two of them; somehow, despite being in the planet's crust, and literally crawling with robots...there is no metal down there. It isn't found anywhere, sold by anyone, or dropped by anything. And metal just so happens to be the one ingredient Sampo replaces in his knock off version.

The Inferior Gear uses trash instead, something which, going by the words of that same mechanic, is MORE than abundant in the underground- any good quality parts are extremely difficult to come by down there.

Anyway, all his shadiness aside, I love the implication that Sampo is smart enough to be able to take this item that no one else on the planet probably knows anything about, and was able to figure out what he could replace, and how, and with what, in order to make it easily accessible to the people of the underground, even without access to overworld resources. Because his version DOES work! It literally gives you the exact same amount of defense boost as the IPC one!

Someone should absolutely still knock him around for it, though, world's most slappable face fr fjkdsjfdkjafk

[writer-room]

Hey. The Finders have no idea that Bonzle was captured. Fritz and Spitz are still waiting, playing video games in the Monastery, for Cole to bring their sister out of hiding now that the blood moon is over. Geo is still sitting by the window, watching and waiting for a dragon on the horizon to return his kid safe and sound. Cole took a very unsure Bonzle, assured them all everything would be okay, and they'd be back soon. He promised he'd find a way to protect her.

Don't think about how they'll smile when Cole finally trudges back, happy to know he's okay. Especially don't think about the Finders stopping, looking out over the group, and how Cole can't look them in the eyes when they turn to him and ask; where's Bonzle?

[cordyceph]

went to bed and woke up in a cold sweat realizing that claudia's play, the birdie one, is both a direct analogy for her story and also foreshadowing of her death WHILE ALSO nodding to pauls death

claudia'a single minded, desperate drive for freedom eventually lead her directly to her death. she was "nailed down" by lestat (by LOUIS, actually- lestat only kept her for him.), and tore herself free at the loss of her 'foot,' being a stand in for the personal pain she suffered for freedom

no matter what she or anyone did, she was going to die painfully, because she was so desperate to be free that everything was suffocating. lestat, louis, romania, the coven. the only thing that didnt rot in her mind was madeline, because... there simply wasnt time. madeline was fresh and new and, given time, would have probably suffered the same heel-turn claudia gave to everything.

of course thats because she shared louis' hopeful outlook. being free of her parents? would fix everything. when it didn't? maybe if she had louis, it would be worth it. but its not, lestats still here, louis is still in love with him... killing lestat, thatll fix it, and she and louis will be happy in romania, right, the homeland for vampirekind? not quite, so better try paris, the city of love. that doesnt work. the coven, though, will give her what she wants, right? she'll be happy with other vampires?

the only person who makes her happy is? a modern version of lestat? a weird white woman she met on happenstance, who has little to no care for societal norms or faux pas. a blunt, kind of funny, kind of sad woman who lost her family but has a capacity for enduring because what else is she going to do? die? no, she cant do that. she had no friends because she was weird and offputting and had dangerous rumors, no hangups on loving claudia, no hangups on dying or being a killer.

that's... just lestat. without the immortality and the specific traumas, of course, but like. claudia's most beloved person was a funhouse mirror of her most hated. which really speaks volumes for what they could have had, because it wasnt just a clash of personalities. it was lestats bpd clashing with hers and both of their attachment to louis clashing. if lestat had been better at sharing, if louis had been better at loving both of them, if claudia had been less angry at the world for nothing but existing? maybe they could have been a good family. a happy one forever, just like they all wanted, but were unable to give each other

[starry-bi-sky]

I'm so annoyed. @kingcrow01 tumblr ate your ask about Danny's opinion on the League. tumblr i pressed 'save draft' why didn't you sAVE DRAFT.

ANyways I'm making a post instead. For everyone else, the ask was in summary:

What was Danny's opinion on the League now that he's left it? If he missed the familiarity of it, if he recognized the cult-like behavior inside it, and if he now detested his grandfather.

And to answer (again, grrr): It's complicated! We love complicated <3. Yeah, Danny does miss the familiarity of the League, it was still his home for the first ten years of his life and he has a lot of memories there. Plenty of good along with the bad, and while he's less homesick than he was when he was 10, it still hits him like a truck at random intervals.

Sam, Tucker, and Jazz are great, and he likes the Drs. Fentons enough that he's contemplated murdering Vlad for his meddling, but if he wants to eat the same food his mother used to make him and Damian, he has to do it himself and he can't get the taste right. No one knows arabic so he speaks it to himself because he doesn't want to forget his mother tongue, and he has a few books too. Frankly? He genuinely misses training.

Getting to use Sam's gym helps with his restlessness, same with training with Maddie, but he has no one on or above his level to go against other than his mother. And he only sees her twice a year at most. He knows that he's getting stagnant and he fucking despises it like a bad itch he can't scratch.

He feels conflicted about missing the League, however, since by now he recognizes the flaws and what was wrong with it, and he recognizes that it was cult-like. But even that is kinda, hrm, complicated? If this was a fic I would be able to go better into depth about what he has and hasn't unlearned because cult deprogramming is hard and Danny's doing most of this on his own.

Sam, Tucker, and Jazz have helped with the more obvious stuff: like the ecofascism, the disregard for human life, his emotional constipation; the more obvious stuff that shows in his behavior and personality. But none of them are professionals nor do they actually know the full extent of what Danny's life in the League was like. They only have snapshots since Danyal is very tight lipped about it. So they can only help with what they see themselves through Danny's behavior or word of mouth.

But in summary: He sees, for the most part, what's wrong with the League and disagrees with some of the stuff they do now. But he's very conflicted, and trying to dissect his feelings on the League confuses him. His protests about it whenever Sam and Tucker joke about it have at this point become mostly empty (altho it still causes him some discomfort), and its an inside joke between them three.

As for Ra's? Despises him. If only because Ra's wanted him to kill his little brother -- thinking about his motives with the League confuses Danny, cognitive dissonance and stuff, -- a lot of his hatred stems from "He wanted me to fight my baby brother to the death. I destroyed my relationship with Damian because of him, I had to fake my death and leave my home, and I will never meet my father or see my brother again because of him. Fuck that guy."

[dykedvonte]

I think it’s so ironic that the Pony Express escapes a lot if not all blame in discussion. I can’t even say I am excused from it but it’s just how hard people circle back to the characters alone without considering the environment they were made to be in.

Why would they design a ship where only two of the rooms lock? Not the bathroom? Not the sleeping quarters? We assume that all the companies in the universe are this shallow and careless to their workers but we explicitly know the Pony Express in extra vile. They are fed processed slop pack they can’t even really cook and the ration of those pack is meager at best. They hired and made people with a plethora of conflicting demeanors and beliefs work together on a mission where cohesion is important if not an outright necessity and punish them for not being happy about it. There’s no social protocols, not chain of command other than Captain’s word/choice and the only way to enforce that is with a literal firearm. They don’t allow them to celebrate freely and even took away leisure activities that would make them less stir crazy. They are only allowed a few hours of sleep despite their being no other real responsibilities or work on the ship, no matter the position or its importance. With any crew, with any level of synergy, this was a powder keg waiting for a spark.

I’m not saying characters that made mistakes didn’t make huge ones, but I think part of the horror is that at least for some (this is targeting Jimathan) those mistakes are partly made by a force of the hand. There’s a running theme of lack of choice and being forced into something and the very nature of how The Pony Express expected them to function plays a big part.