#i just wanted to add a different perspective on the matter to show that it isn't always just a “why should i? nothing matters anyways”

[sunnywalnut]

Also this isn't just caused by being depressed to the point that you don't think you have one- even on days that you feel great, or if your depression has taken a vacation for a while and you genuinely try to plan a future, you just can't really seem to conjure up one.

Which is only one of the few reasons I didn't pick out a college when I was in high school despite the major pressure that was put on me to do so.

No matter how many I looked at or researched, or genuinely liked, I could never actually see myself going there. There was no version of me going to the office within two weeks to pick up an application. Or me working every weekend to stock up enough money to pay for it. Or me doing paperwork for FAFSA to get a loan. Nothing. There was no me after high school. I didn't know what I was going to do.

But I wasn't worried.

I knew things would work out. In whichever way they did. I was apathetic, not active. So it was always fine for me. I knew I'd figure it out.

But now I'm the me after high school. It's been almost three years now and while I'm not quite certain of what happens next, at least I know now that life doesn't stop once you don't know what else to do.

Sometimes it just keeps on running.

And I'm a little more than thankful for that.

That, and a few other things.

I'll figure it out.

I'm pretty sure of it.

One of the weirdest thing about growing up suicidal is that you assume you have no future, you don’t even try to envision it because you see no point. So eventually, you start assuming everyone else sees nothing in your future either. Recently, my friend and I were talking and she said something about how at her wedding I could wear a suit or a dress as long as it matched her bridesmaid’s dresses because the butler of honor has to make a good impression. This hit me so hard because I had never realized before how other people thought about me. She said it so casually like it wasn’t even a hard decision, just a given fact. She loves me so much she saw me at her wedding, standing with her on one of the most important days of her life. And you know what? There are so many people who think about you that way. If that isn’t proof that you should keep going I don’t know what is.

[raywhitfield92]

I might get a lot of hate for this, but I want Helluva Boss to explore the myriad of reasons cis women get abortions. I want it to be explored in a healthy way

Because I feel in the current climate (especially politically) people don't want to ever think of the possibility that a woman won't want children. Millie isn't happy about this news.

And I'd absolutely love for Millie to not tell Moxxie she had an abortion, I want her to feel guilty about it and talk to Blitzø about it, worrying that if Moxxie knew he'd hate her.

And I want Blitzø to convince her that because he loves her he would support her no matter what. And when she tells Moxxie he just says "it's your body so it's your choice, but next time let me know so I can help you through this."

Not all cis women want nor can physically have children. We need to talk about abortion in a much healthier way than the current climate allows.

Edit to add this:

Okay so while replying to someone it made me think, what if they tied this in to Stella's backstory? Very early on we see that Stella seems kind of distant towards Octavia.

If Stella is a woman who was forced to have a child when she didn't want one, her personality towards Stolas and Octavia becomes more apparent.

She spends more time with her brother than with Octavia.

she even calls her "an egg"

and "his daughter" instead of ever calling her Octavia or even her own daughter.

This could be a good way to explore how a person who was forced into a mothering role could act, and explains her distaste for Stolas' strength of actually doing something against the Ars Goetias authority.

Stella in this moment sees Octavia crying, but if we look at her eyes closely she isn't watching the television, she's looking at Octavia and smiling at the fact she's in pain.

Stella thinks she's proven here that it's impossible/was impossible to ever go against the status quo, that her wishes of ever disobeying the Goetia is futile and she's proven to Stolas and Octavia that it was always impossible.

I think a plot like this could really help the audience understand childfree people from a different perspective, and what  could happen if you force a person who wishes to be childfree to have a child.

She could even have been mentally unwell/unstable after/before giving birth, which effects how she reacts towards people.

We as a society need to stop pressuring people into doing things our grandparents did just because it's what is expected of you.

This whole show is about generational trauma and breaking free from it, so I can see the show going this direction if it chooses to.

What do you think of this idea, and of it tying into a possible Stella backstory?

[hyperblue]

as much as i enjoy the thought of kon immediately taking on fatherhood and confessing his feelings to tim in timkon clone baby aus, i can't help but think about all the potential for a slowburn that we can have, such as:

— making a deep dive into kon's view of the situation, exploring his clone feeling about himself, exploring his feelings about clark in particular — because their relationship is very interesting and complicated on it's own, and the biggest tragedy of it, in my opinion, is that kon was never clark's responsibility, in fact there was never a single adult person that had to take care of kon because kon initially never belonged to anyone. he's no one's child, no one's son, and us much as we might want to blame clark or, you know, any adult in his life for not taking care of him and protecting him, they had their right not to do it. someone should have had care, but also no one was obligated to. i really hope i make sense, what I'm trying to convey is that you really can't blame anyone for kon being unsupervised for most of his life no matter how much you might want too (aside from lex luther and cadmus itself ofc, but that would be a slightly different conversion); and kon knows that himself, has known that for a while, but the moment he's confronted by his own clone child it adds so much more perspective, and the conflict of once (still) being a child that no one wanted while simultaneously being introduced to a child that you don't have to want but if not you no one else will (tim will, but tim's also a slightly different conversation) would be so interesting and delicious;

— LOTS of awkward co-parenting from two teen-dads who might or might not be head over heels for each other but also not really having time to explore their relationship and their feelings bc they have a whole ass child to raise; not to mention kon's conflicted clone boy feelings and tim's haunting guilt that affect every single interaction of theirs. just imagine the pressure, the slowburn, the ust. imagine them knowing about each other feelings, but also knowing that it's not the right time — there might never be the right time anymore, not after what tim has done. imagine them negotiating visiting hours and weekends like they're some divorced couple. imagine them swinging their child between them on a walk home, imagine kon showing up early at tim's penthouse with fresh ingredients from the farm to make healthy breakfast, imagine tim dosing off on kon's shoulder while watching old disney movies with their kid right there on the carpet in front of a tv; playing house, but knowing damn well that they are not together. that they might never be together;

— clone baby getting used to this strange family dynamic that they have — knowing that kon is their other dad, but never ever calling him that (they have no memory of calling him pa! when they were much younger, no memory of kon crying and kissing their forehead right after; no memory of tim becoming really pale and then gently teaching them that kon is not pa, or papa, or dad, he is just kon, only even just kon); knowing that daddy loves kon, but for some reason that's something that they never talk about, and the kid is too afraid to ask because he knows that he'll hurt his dad if he does. fighting with tim and then crying because they want their other dad, but tim tells not to bother kon, as if kon might secretly hate them, and then hearing tim and kon having a fight from upstairs, stop acting like I'm going to flee any second, it's been literal years, when are you going to believe me when i say that i LOVE our child;

— tim trying his best to be a good parent and co-parent but still screwing up anyways because he's too trapped in his own guilt and insecurities; accidentally hurting both kon and their child by not wanting to hurt them, trying to distance them from each other when things are starting to get good, because they are not supposed to be good, tim does not deserve things to be good. shying away from kon's most innocent touches, refusing his child traditional summer vacation on kent's farm because he can feel his baby starting to prefer kon over him, and that's something that he doesn't know what to do with, all he knows is that he can't lose his baby not even to the love of his life. fighting with kon a lot, going they are MINE, stop pretending that you want them or care for them just to take them away from me, they are the only thing in the world that i love more than you;

— and then finally sorting things out after years, confessing their feelings, talking about every single insecurity that they both had about this situation; holding hands across kitchen table after crying their eyes out, and deciding to try it. restoring the friendship they almost lost somewhere along the way while trying to be a good parents for their baby — exchanging text that are not just visiting hours negotiations, awkwardly flirting like they are teenagers again, brushing each other shoulders and hands and sitting a little too close on a couch; getting to go on dates, getting to feel giddy and young about each other again, falling in bed together and getting to wake up from a sound of their kid destroying the kitchen, our child is hungry by the way, we should probably start getting out of bed. our child? yeah. our child.

idk man i just love the potential and complexity of it all. so many things to do with au, it really is an endless sandbox to play in

[superstarz9]

So y’all fw some MORE Mr. Puzzles headcanons?

Cause I got some :]

Even though he streams his content, Mr. Puzzles hates streaming over normal television and believes it ruins the momentum. The only thing he appreciates about streaming is the lack of ads. No matter how bad the ratings are, Puzzlevision is an ad-free service!

To add, product placement is a no-go. Any products he might advertise on a show are all Puzzlevision branded, not that he’d advertise much. He’s a smart business man, which I’ll go in-depth with another time.

He’s all about authenticity with his actors an really hates big-time celebrities. Celebrities are snobbish and aren’t easy for Puzzles to handle. He also doesn’t want people to engage with his shows solely because of famous names. The day he hires a celebrity is the day he becomes a sellout, and the idea of selling out terrifies him.

Mr. Puzzles does an extensive background check of every single cast member he recruits. Not just because he’s trying to find the perfect actors, but because he’s trying to find people that wont be missed if they mysteriously disappear for long periods of time. After a cast’s likability begin to dwindle, Puzzles brings them back as if nothing happened. Previous cast members won’t remember their time at Puzzlevision and have a hazy memory for a bit before they adjust to normal. If they watch a show that they’ve been in, they’re so disconnected from the show that they won’t recognize themselves. However, Puzzles is careful to avoid reruns after switching casts.

He absolutely hates reality tv for multiple reasons. It’s the farthest thing from reality, everything is so fake, and the writing is HORRIBLE! If the audience demands it, he’ll make a reality tv show, but it would be one of the few things he wouldn’t mind not hitting 5 stars. The less creative impact he has on the show, the less he cares for it.

He prefers live-action over animation, but highly respects animated shows.

He likes movies but heavily prefers tv since television has always been frowned upon within Hollywood and the entertainment industry (It’s actually interesting to know the beef between movie studios and tv, I recommend checking it out. To put in into perspective, picture the Disney theatre movies vs the straight to video movies: there’s a huge difference and it’s somewhat obvious of the cash-grab tv movies/shows are. The purpose of tv has always been a quick cash grab, actually. Kinda like the first content farm, to an extent). Puzzles wants to prove that television is a respectable media outlet and shouldn’t be frowned upon within the industry.

He is familiar with almost any televised language. The only major issue is that, yes, he needs subtitles to completely understand. However, he can hold a relatively decent conversation in most languages, he’d just need a few refreshers.

Already talked about it last post but he likes to cook and really enjoys cooking/baking shows. Y’know that thing where you’re good at one but not as good at the other cause they’re so different (you cook to your liking vs following a strict recipe for the best dessert outcome)? I feel like Puzzles would be perfect at baking alone but any baking show he does goes to absolute shit. However, he’s not as great at cooking alone (since he can’t taste) but it much better with a sous-chef guiding him.

This was someone else’s hc (I don’t remember who’s, I’m srry), but they brought up that the order of shows Mr. Puzzles makes with the SMG4 crew reflect the shows he watched growing up (the kids-y shows, family disney-type movies, teen stuff like Scooby-doo, and gameshows). I’d like to add that he enjoys making gameshows the most because he can be the main character in every episode, and everyone’s reactions are the most genuine. The only thing I can see Puzzles not liking is the lack of creativity (similar to reality tv). However, it would be pretty fitting for a production company called Puzzlevision to make game shows.

This one’s gonna be a little bit more depressing. No matter how hard he tries or how good he thinks his writing is, Mr. Puzzles cannot write anything original. It’s the curse of seeing every piece of televised media to ever be produced. He tries his best to be original but as the puzzlevision arc continues, he gradually stops trying to be original, which is what ultimately causes him to lose. While Puzzles keeps trying to copy other successful media and failing, it’s the originality the SMG4 crew produce that gets them to 5 stars (and extremely quickly, too). Puzzles fails to realize that the shows he loves and tries to replicate were original, too, and that’s what got them to succeed in the first place. I feel like this success from SMG4’s originality is what sparked Mr. Puzzles’ envy in the first place.

To add to this, Puzzles has been canonically spying and interfering with the SMG4 crew for a while (selling them the showgrounds, the cursed keyboard in the ITS GOTTA BE PERFECT arc, the Western Spaghetti arc), and is almost a direct parallel to SMG4. They both was to succeed and produce original content, striving for perfection. The only major difference is that Mr. Puzzles has been alone for the majority of his life whereas SMG4 has his crew. Despite this, however, SMG4 still snaps and isolates himself similarly to how Puzzles takes complete creative control.

Not having a proper friend/support group is also what causes Puzzles to fail, isolating himself from the rest of the world. Even though we don’t see much of the studio, it’s still pretty run down and barren, implying that Puzzles doesn’t spend much time there, if at all. Puzzles spends most of his time in the shows, directing/acting/ect, and avoiding the real world where he doesn’t have control. When he’s in the real world and bored, he dissociates a lot, planning out his next big projects.

To add, he’s not a big fan of modern technology as a whole, and sticks to older tech (like the older computer model in the teaser between the scooby episode and the gameshow episode and his head being an older computer). Same goes for the studio. I can totally see him walking into the decrepit building with the real estate agent being like “this building hasn’t seen the light of day since 200 b.c,” and Mr. Puzzles ecstatically goes “I’ll TAKE IT!” He’d also do his own renovations and film it for an abandoned house-flipping series, scrapping it later because he sucks at renovating.

He can’t take constructive criticism if his life depended on it. He tries, but all he thinks is “well these people just don’t understand TRUE art in this world!”

He can play shows/movies in the back of his mind whenever, and often does if he’s not on set. Y’know that reddit/tumblr post about the kid who memorized Shrek so much that he could just watch it from memory and his dad would catch him at the 37:14 mark and be like “stop watching shrek and go to bed,”? Yeah, Puzzles is like that. Only difference is that he can’t pause it, only tune it out.

He’ll watch them, but found-family sit-coms depress him. Shows like Friends, It’s Always Sunny in Philly, etc remind him of what his life could’ve been if he could’ve made friends properly.

To add to this, y’know how he projects himself in his shows? What if he did that with shows like Friends, where he’s a part of the cast and laughing along. He’d do it in his sleep and not even realize it’s a dream until the episode ends and he wakes up alone. :,]

On a lighter note, older tvs release a light frequency that gets louder the older it gets. Mr. Puzzles probably hums a frequency without realizing it that people can only hear if they’re close and he isn’t babbling away. Older tvs also kinds adjust(?) where they slightly creek a lil. Mr. Puzzles probably does, to, and it’s the equivalent of him cracking his neck.

He’s also more prone to shock people slightly, depending on how manic he is. If he rubs his gloves together he’s practically a battery.

He has a daily care routine that involves him carefully wiping his screen with windex.

These ones are more show/content based. If these continue to do well I’ll post some more general and maybe relationship hcs :]. If you guys have any suggestions/questions/critiques please let me know!

[alastors-antlers]

Why Alastor is good aroace rep after all, written by an aroace

Hello all! I just want to start off this post by saying that I'm one person who definitely doesn't speak for all aroaces, but I wanted to make a post on this anyway, and maybe some folk would be interested in hearing out another perspective?

I'm not really caught up on everything that's been said over the course of HH's creation - only more recent interviews, since I'm pretty new to the fandom. Apologies if I've missed anything, but also I do not have the time to keep up with all the out-of-canon-material backstory unfortunately. I'm working with what we've got here.

So here's the thing:

Alastor is cruel, he's narcissistic, he doesn't care about anyone except himself, he's a serial killer and a monster.

(That's the argument I've heard - please tell me if that's not really what people are going for lol, in which case I've totally misunderstood?)

The issue with aroace rep when it paints asexual people with those traits is that it aims to dehumanizes them. Sex and love are essential to the human experience, right? So why wouldn't someone be interested? Because they're self-absorbed, and cold, and detached. They don't have the capacity to love others enough to feel romance.

And sure, Alastor is a killer, and a schemer, and prideful, and a monster by hell's standards. But no matter how above it all and stylish and in control and provocative he wants to be, he's a very human character, and his aroace-ness never serves to add to his alienation. You could even say that it makes him seem even more personable.

That's what I think is the key difference.

why he's human

Alastor's whole persona is about control, and he basically straight-up says this. He's controlling what his enemies know, what his public image is like. His goal is to be the Radio Demon -- overlord of Hell, charismatic, Machiavellian, and undefeatable. He's not. Despite that smile plastered over his face (a powerful tool, huh) he's so expressive for someone who's constantly pretending.

You see his exasperation with the Egg Bois and with Charlie's ranting; his nervousness in front of Zestial; his frustration with Lucifer and the petty lengths he goes to to piss off the ruler of Hell.

You see his desperation, making that deal with Charlie. He's surprised by the idea of being vulnerable in front of an enemy like Adam, and so close to danger. He drops the radio filter and the affect out of fear, and runs on broadcast TV to let out panic and anger and bitterness in his hideout, where no one else can see him.

He has a smile that tells us he's genuinely happy to see someone; it's a little wider than his default. You see it with Mimzy's greeting, you see it with Rosie. Rosie, especially, serves to make Alastor more human to the audience. More on this later, but for now, I'm just saying that you can see that he at least seems to respect her greatly. Whatever bond they have, we know that he trusts her to touch him, to share history with him, and with support that he trusts no one else for.

He pretends, but he can't pretend it all away. Loads of these emotions aren't even advantageous for him to show. It isn't necessarily how the typical asexual psychopath acts; he's not emotionless or only capable of anger or brutality.

He's so full of emotion that it leaks through, despite all that he does to avoid it. He's not inhuman and aloof, not really - he's so, so human, even when he tries not to be because he thinks that'll be what keeps him above all the rest. In control, and free from his chains.

(If anyone wants to see images about all this, I'll make a separate post - just let me know.)

(I also have another post, talking about why Alastor is at least a little attached to the hotel's residents too, shown via conversation with Niffty. In what way? different question.)

how the aroace part contributes to that

Now, to be fair, we don't hear much about his aroaceness in canon. It's just not relevant a lot of the time.

In the pilot, Angel's proposition ruffles his feathers so much that Alastor blanks for a moment. It's a joke, sure, but that ace panic face is a pretty popular Alastor moment in the fandom - Alastor, thrown off-balance by a sex joke of all things, after so many years in Hell that he should probably be used to this.

It's a moment that makes him more approachable; his aroaceness shows him unprepared for something someone else does for one of the only real moments in the whole episode.

And the other part: the ace in the hole statement.

Rosie apparently knows Alastor so well that she read that he's aroace. That tells us about their relationship; namely, that it is long-standing and genuine enough that she gleaned a piece of real information from him. It's a casual fact that she knows about him before he even figured it out himself. It lends legitimacy to their bond - this bond that shows us a more comfortable and warm side of Alastor that we don't often see.

If their relationship is purely business, isn't this something pretty frivolous and personal? It's not like he has anything to gain by telling her about his life, but she learned about it somehow. How close are they? That's where it adds a layer of complexity and personality to his character..

thoughts on representation

Overall, Alastor's an interesting character who has a level of depth and care and personality (outside of cruelty) that asexual psychopath tropes lack. Again, the moments where he's being represented as disinterested in sex or romance don't make him seem detached. Again, they don't say "look how hostile toward relationships his behaviour is - how separate he is from our humanity". That's what bad villain ace rep is. That's not what the show's doing.

Also: I'm not saying that we need to lower our standards or anything, but even if you think it's not the best rep, I feel like we should be supporting HH's efforts here. I know that on Tumblr we have a pretty queer-friendly space going, which is honestly an understatement lol but

Aces are incredibly underrepresented in fiction. There's a whole Wikipedia page about asexual characters in media, and it's short as all hell, and even if you consider what's on there you see quite a number of one-off characters who are never mentioned again.

In terms of real life business - before the DSM updated their definition of hypoactive sexual desire disorder (HSDD) in 2013, identifying as asexual wasn't even a recognized thing. If you talked to a clinician about your lack of sexual desire, you could be diagnosed with a disorder. Only in the 5th edition do we now have a little exclusion footnote about it.

The concept of asexuality hasn't been explored nearly as much as other queer identities in our scientific research. We get crumbs in terms of mainstream representation and understanding. House M.D. has an episode where House "disproves" us because he's just so smart.

Alastor isn't going to be perfect representation. There's no such thing as perfect representation, and from the moment he was conceptualized, you could see how people would take him poorly. Still, I think he's a net positive.

He isn't a side character or a token ace - he's a core part of the show, whose personality and character motivations we can reasonably presume are going to be explored much more deeply in upcoming season(s). He's loved by the fandom. Right now, given what we know, I trust Vivziepop to write the aroace representation he deserves, because with the way I've heard the cast/directing/etc. talk about him, they're trying to do the aroace community justice, so I wish people would let up just a little on the whole "Alastor is bad rep".

Let's give him a chance, all right?

[jeonscatalyst]

https://www.tumblr.com/jeonscatalyst/760242773222883328/this-all-of-this-and-every-single-bit-of-this?source=share

I do agree with this person's analysis of Jimin and Jungkook personalities, and I also agree that to some extent Jungkook's affection being rarer than Jimin's does make it more special to some fans, but where I disagree is that I don't think that's the main reason why fans seem to put more weight in what Jungkook does than what Jimin does.

Because while some fans will put this much thought on the differences in jikook's personalities, I don't think it's the majority that does. It's kinda of a problem we have actually. If people realised that Jimin and Jungkook are two different people with different ways of showing affection, then we wouldn't have to keep seeing the same stupid takes on their relationship over and over again. It's people expecting jikook to always do to the other the exact same thing the other did to them that causes so much annoying discourse.

But you know what a lot of shipper do love doing? Competing with one another. Competition is one of the main things in every k-pop fandom and sub-fandom, shippers are no exception. And when it comes to jikookers we all know the competition is with taekookers. We're always at each other's throats, let's be honest. And some spend just as much time taking about the rival ship as they do talking about their own ship.

Which leads me to what I believe is the real main reason why both sides (not just jikookers) view Jungkook's actions as more important. It's because he's the in-common person to both ships. He's like the main character in a love triangle. He's the one that ultimately decides who gets together in the end, not the two love interests, so their actions don't matter as much.

The point of contention with shippers has never really been whether or not Jimin or Taehyung like Jungkook, that's already assumed to be the case. With solos it's definitely an argument, but jikookers and taekookers focus more on each other than in solos. No, the real question has always been who does Jungkook like more: Jimin or Taehyung?

If Jimin declares his love for Jungkook jikookers will of course love that, but if Jungkook is the one who does it it'll matter more because it can be used against taekookers. Taekookers don't care if Jimin loves Jungkook or not, what he feels doesn't matter to them. Nothing Jimin says can prove anything to them. The confirmation has to come from Jungkook, that's the only way they'll care about it. And jikookers do care about one-upping taekookers. If we didn't we wouldn't spend so much time trying to prove to them that we're right.

There's been plenty of times when I've seen something that used to not matter suddenly become important the moment people realize it could be used in the shipping competition. It's a sort of 'I didn't care that much about that thing I have until I realized it could make the other side jealous'. Or 'I didn't want that thing until the other side got it and now I want it too'.

Things naturally hold more importance to people when those things have not only their own inherent value but also when they have the added bonus of pissing off someone you don't like. Jimin's love for Jungkook is important by itself but Jungkook's love for Jimin is seen as more important because it will also piss off taekookers.

I'm pretty sure that if the two biggest ships were jikook and vmin instead, then the most important thing suddenly would be Jimin's affection, regardless of how affectionate he is with everyone.

Again, I do agree some fans do consider jikook's differences and that that does influence how they value their actions, it's just that I think there's a bigger reason here.

I hope this didn't come across as me being a contrarian for the sake of it, I just wanted to add a separate perspective on the subject because I've had this opinion for a while and it seemed relevant to the topic. I also hope I was not to harsh on my opinions of other jikookers, but no fandom is without it's flaws and I think it's important to acknowledge them.

Anon, I owe you a cold beer right now because it seems like you read my mind.

This is exactly what I think too. It’s just mostly about the competition, the shipwars, the fights and the need to “win”. That’s really why people think Jungkook’s actions hold more meaning that Vmins. It’s like Jungkook is the prize that Vmin are desperately trying to win and every action or word of his is used as an affirmation or debunking. “Jungkook did this with Tae but didn’t do that with Jimin so Tae is his boyfriend”….just an endless cycle of bullshit.

Anyone who is mature and experienced enough understands that Jimin and Jungkook don’t have to express themselves exactly the same for things to be mutual. Jimin could say “I love you” to Jungkook and Jungkook wouldn’t say it back but would prefer to make a video of Jimin. So many people would say Jungkook didn’t reciprocate just because he didn’t do things exactly the way Jimin did when the truth is that he did, just in his own way.

When I see people coming up with useless takes or comparisons about their bond it pisses me off to no end because it’s the little things that Jungkook does. People would get pissed at Jungkook and say that he doesn’t show love to Jimin as much as Jimin does just because Jimin would constantly touch him, ask him to eat alot and is very vocal about his affection but Jungkook remembering that Jimin likes his food spicy and trying to make it just how Jimin likes it apparently means nothing because Jungkook wasn’t shouting on a roof top or Jungkook thinking of what to cook in Jeju and knowing that Jimin would love it doesn’t matter because he didn’t stand on a podium and announce it or Jungkook quietly getting water for Jimin and giving him to drink without him asking doesn’t mean a thing because he didn’t carry Jimin on his head. Sometimes I don’t even have the energy to argue because if only people understood Jungkook they would know that Jungkook doesn’t treat anyone the same way he does Jimin.

I personally can see how someone might naturally value Jungkook’s actions more because Jimin is a natural caring, nurturing and loving person to everyone so sometimes it is hard to tell if his actions mean more or it is just him being himself but with Jungkook, he tries as much as possible to be impartial but he just cannot help it when it comes to Jimin. He is pretty kind and caring towards everyone he loves too but not the same way Jimin does it plus Jungkook tends to go big when he expresses his affection for Jimin. So with Jimin we get little bits of love and affection more frequently than we get from Jungkook but once we get one from Jungkook, it is usually news worthy and kinda exclusive to Jimin so it hits harder.

I dunno. I might have gone off topic but like I said, I 100% agree with you.

[physalian]

When can you "tell" instead of "show"?

Based on some beta feedback I got, I have thoughts on a narrative style that is very “tell” over “show” and when it might be useful to be a little leaner. This is highly, highly subjective and no matter how much potential a story might have to be entertaining, some readers will get turned off by the lack of “immersion” no matter what you say to them. Doesn’t make the book bad, doesn’t make the reader wrong, you just can’t please everyone.

So I got some feedback on my new novella, Tell Me How Long, about a group of marine biologists with the chance of a lifetime to save a Mer, sick from the epidemic of bleaching coral reefs. Outside of fanfic, where I don’t have to tell you the worldbuilding, it’s all been done by the canon, I don’t write short stories. My usual wordcount is 100k+ words, easy, for sci-fi and fantasy.

TMHL was written like a fanfic, in many ways. I’d pulled the OC characters from my other work and tossed them into this little ficlet because I was suffering some writer’s block and I like mermaids and here we are. It’s 20k words and is bereft of the following:

A main villain character

Romantic subplots

Manufactured drama for a 3rd act “falling out” between characters

Lengthy backstory for all but 2 characters

Lore or magic

The main threat is simply time, the ravages of a disease, and the nihilism of the MC raging against the creep of global warming destroying the reefs she loves so dearly.

It has themes, too, asking the question of whether commodification of the natural world is necessary for preservation, of which all the main humans have different perspectives on.

My merfolk cannot speak, so while they can learn Sign and can understand English, there’s no place for lengthy conversations between mer and humans or opportunities for explanations of backstory.

It is absolutely a very “telling” story, lots of speeding through the MC’s days while dealing with and treating this disease. She does get moments of introspection, this is my only WIP from the past 9 years of my writing career that does not have multiple narrators. It’s all Finley all the time.

But due to the nature of this story and setting, 4/6ths of it is set on and around a single boat anchored in the Great Barrier Reef, there is no justification for extra scenes away from the action.

Nor are these mer trapped by anything except the need for medicine and while they do trust these immediate humans, they’re itching to leave as soon as they can, so there’s no precedent for longer, fluffier moments, when half the characters aren’t invested in establishing a long-lasting friendship with the other half.

I wrote it this way because you’re not here for Finley’s (MC) daily hum-drum of life. You’re here for the mer. Who is she outside of this job? Not important. What’s her family life like? Not important. What’s going on in the rest of the world? Not important. What’s the backstory for the rest of the team? Not important.

So much I could add simply does not matter, is not important, and would only detract from the reason you’re reading it: You want to know if they’ll save the mer, and if, in doing so, they’ll tell the rest of the world that mer still exist.

Does this leave some threadbare characters? Absolutely. The story I wanted to tell was not one of individuals with great depth and symbolism, it’s the collective effort of a generation facing the consequences of inaction by our elders.

And in that way, I think “telling” in terms of not having those slower moments, in not being all that flowery, in not giving the individual humans many solo scenes to really define who they are and what they stand for, works for this specific kind of story.

There can be a time to hold back on the rich character development, I think, when “what they do” matters more to the story than “who they are”.

I do plan to go back and add in some extra detail, but we’re talking 400 words at most across the entire story, a sentence or two here or there for clarity.

But at the end of the day, this is the story I wanted to tell, written in the way I wanted to tell it.

[myrtlebranch1019]

Some thoughts on Solas’ rebellion

(Disclaimer. This is just my opinion as a consumer of the media. I welcome any analysis & discussion, but rude behaviour won’t be tolerated).

Not to be DA:TV critical again, (It may come as a surprise, but I actually love the game!) but I can’t help feeling that Solas’ rebellion, as narrated in Veilguard, fell a bit flat. Solas openly declared his rebellion against Elgar’nan simply because they proclaimed themselves gods. But it raises the question: if they had continued ruling as kings or queens and still committed the same atrocities, would Solas have acted differently? Was it a matter of terminology? (Personally, I don’t believe so, but there was so much emphasis put on the word, instead of what it entails).

From a storytelling perspective, it feels less compelling to have a rebellion against a tyrannical, corrupt regime without first showing the regime’s tyranny and corruption. Where was the buildup to justify Solas’ actions? This could have been solved by an additional mural between the “proclamation of godhood” and the second one with Mythal. Where Solas confides to Felassan (that might’ve not even been his name, at that point), about the atrocities the Evanuris committed against their own people, and the two of them agreeing to start the rebellion (it would have been such a cool introduction to Felassan as well!).

Another point of confusion is Solas’ claim that the war with the Titans was about "freedom." Nowhere in the game does it suggest the elves had any motives beyond exploiting the Titans for lyrium (which started with them creating bodies from it). That particular line felt disconnected from the narrative groundwork, and was contradicted by his warning to Mythal, as it shows that he was pretty aware of the real cause of the war, from the very start (Could it be cut content?).

Additionally, portraying Elgar’nan as overtly and unambiguously evil from the get go felt like a missed opportunity. It comes across as a convenient narrative shortcut rather than a choice that adds depth or moral ambiguity. A more morally grey portrayal, with a gradual descent into villainy, would have been more compelling. For this reason, I found Ghilan’Nain to be the more compelling villain between the two.

Although the DA writing team seems to have moved on from this storyline, I’d still love to see a novel exploring Arlathan in greater detail. Honestly, I wouldn’t even mind if they retcon a few elements—like reimagining Elgar’nan as a more morally complex character. Given that the memories we encounter are shaped by the Fade (which is inherently unreliable), it would even be one of those rare cases where a retcon would actually make sense. Either way, just because I’m criticising the elements in the story that don’t make sense to me, doesn’t necessarily mean that I don’t find it compelling or interesting enough to want more.

[miss-menhera]

HELLO THERE!!! Trying to cope with OR UNDERSTAND Adam's death? The denial and "what ifs" just get stronger?!?!?!?

Me too tbh I'm fucking miserable

BUT!!!! YOU WILL FIND OUT THAT THIS SHITHEAD COMING BACK IS ACTUALLY MORE PLAUSIBLE THAN YOU THINK! (W.O.W!!!!)

I actually also have some pretty solid theories about season 2 in here so be warned.

(This is a bit different from my usual goofy post I might delete this and separate into parts since I talked about too much)

VIVZIEPOP MADE A COUPLE STATEMENTS THAT COULD BE GAME-CHANGING AND WON'T LEAVE US GRASPING AT STRAWS ANYMORE. I'LL DISCUSS EVERY GROUND THERE IS TO COVER AND EVERY COPIUM THERE IS TO INHALE, AT THE MOMENT!! (Might update this or make a new post if more comes out)

Ok so to start this off, don't be put off by this person's perspective, just listen to me. Vivzie talked to this fan at megacon and got asked if Adam was still alive, all she said was "he lives on in a way", I'm gonna take my delulu aside and the most pessimistic guess would be that someone (pfff lute obviously)avenges him or that his death has an everlasting impact that changes the story, BUT we already got that made clear, like that was pretty obvious already.

(It's made obvious by this scene, Adam's death created a whole other big problem)

(Unless what she means by it is that his death is honored? Like maybe we get to delve deeper into his history, but again i dont think so) SO I DONT THINK THATS IT, I feel like if it was either of the ones I mentioned she would just say "Nope, he's deceased BUT he lives on in a way" But ALL she said was "He lives on in a way" which is very different, although it could be she expressed herself badly or the person writing the tweet didn't quote it word for word. But taking it in the literal sense, this might be pretty much confirmation he lives. There's a way he lives right? So considering that.... could it be that after Lute took his halo,(which was also broken which often renders an angel as "fallen" by default) and left his body there, he just... like woke up as a sinner? Yes yes, I know everyone's been talking only about that, I'm not giving any groundbreaking revelations but I'm just saying that there's alot of options that open up to that possibility. Or who knows! What if he actually doesn't get reincarnated? What if he just wakes up with no halo, so no place to come back to or what if the ever-absent God takes notice of his death and fixes up his first loyal creation?

Besides that if they THINK Adam is dead, (hesnotdeadhesnotdeadhesnotdeadhesnotdeadhesnotdeadhesnotdeadhesnotdeadhesnotdeadhesnotdeadhesnotdeadhesnotdeadhesnotdeadhesnotdeadhesnotdeadhesnotdead)

They make these huge ass changes in tactics, and need to find another way to deal with what Charlie is doing; IF Adam actually becomes a sinner, and his life is super important to heaven... with evidence that sinners can now be redeemed... What if people like LUTE, or LILITH actually become allies of the hotel in an effort to redeem him? He WAS God's first, most loyal and favorite creation, HELL THE REASON HE WAS ALLOWED TO DO WHATEVER HE WANTED AND WAS BASICALLY IMMUNE TO THE LAW IN HEAVEN IS BECAUSE OF HOW MANY PRIVILEGES HE HAS, I don't think God would be too pleased with his soul dissipating or whatever the fuck. That might actually be a plot point, he's way too important to just be killed off like this, am I the only one who got that impression? He's the FIRST MAN, first man, the first man being THE FIRST TO DIE IN THIS SHOW IS ABSOLUTELY MIND-FUCKING AND ALSO A CRUEL JOKE anditskindafunny OF FATE FOR HIM.

Something else I want to add is that my personal take on it is that if I learned anything about this show, Lilith will show up in the next season and pretend to be an ally to the hotel, she will pretend to support Charlie and basing this off the theory that Alastor made a deal with Lilith to keep her daughter safe, he failed to meet the end of his deal. So now she's coming to take matters into her own hands after all these pesky men failed, (ermmm girlboss!!) Stop, and manipulate everyone in the hotel into giving up on the idea. Considering how she deliberately kept Charlie away from her dad her whole life, there's gonna be a whole lot of family drama. And we might see Alastor lose his shit for good. Still tryna figure out wtf does "Lilith thrived and empowered demonkind with her voice" if her voice is that powerful, and her words are just as powerful, we're gonna get 1. FIRE ASS SONGS 2. Mother Gothel ass song with Charlie, I just know it holy shit. Not to mention that they actually don't know that Sir Pentious went to heaven, Lilith definetely will know and won't tell anyone. Lucifer will definetely be the one to step up in the situation yet again. Anyway after I yapped my heart out about what I think will happen in this show, I just wanna say one thing.

There is this DUMBASS thing everyone in the fandom is talking about when someone says Adam is gonna be reborn as a sinner. "He is not gonna come back because he was killed with an angelic blade and Pentious was not" That is the most stupid bullshit I've ever read and if you genuinely believe it for a second, i feel sorry for u cuz how did your brain go and make this correlation?

Most of these people say that the show explicitly stated that Angelic metal SPECIFICALLY and just if it's metal, it can castrate a soul or whatever. Which is literally NOT true, at no point was it established that Angelic steel was the only thing able to exorcise demons. You really need just a bit of common sense to come to this conclusion, what makes the weapons dangerous for demons and angels isn't that they're steel specifically. It's that they're ANGELIC guys.. Have y'all seen Helluva boss at all?

There are blessed ropes, Angelic guns, Angelic bullets. These are just items that replicate the power of Holy magic. A PURE,HUGE, HOLY BEAM of unfiltered angelic power is not stronger than a little dagger infused with a fraction of it? Not only does that not make sense from the show's lore perspective, but using common SENSE that sounds even dumber. This is the only argument I can completely scratch off the lists of why Adam can't come back, and it's the most popular one...

Man you know what guys, after he died, whether he comes back or not, he's never gonna be the same again I just can't picture it. He's gonna be much more insecure, without a mask and not funny and goofy............. Or he is just gonna come back and go full joker. He just cant possibly keep being a light-hearted dark humor andrew tate stan after the most, first immature man in history pulled a gentle smile like that. That just can't be, like take a look at the way he always smiles to the last smile we saw him have.

THAT IS A CHANGED MAN YALL, THATS ANOTHER ENTITY 😭

I HIGHKEY DONT WANT HIM TO GET A REDEMPTION ARC EITHER :(( MAN WHY DID THEY HAVE TO DETHRONE THE LITTLE GUY, THEY RUINED EVERYTHING. One small little theory floating in my mind was that, what if the news of Adam being dead could result in some powerful overlord or even A SIN we've never seen or know the power of, revive him and have him work under them? Even if he actually comes back as a sinner, this little theory I haven't brainstormed much about could be explored.

But y'all know what? Let's say he's dead okay? Let's say he's dead dead, then what did they do with his BODY? I didn't see anyone dig him a grave, yet he died on the hotel, I didn't see anyone even move his body after the angels left. And we know damn well they didn't take him, that's too much of a big detail to leave it out unless they REALLY screwed up with the writing and animation direction in the rush to have the serie come out, but the animation has always been so detailed with almost unnecessary background details. I think they left it out intentionally to have that worked out in season 2, heard some people say it could be they just built the hotel over his body? But I doubt it. If so maybe he could become part of the hotel or just condemned to never leave the hotel in a.... a... ghooooost.... like form...?(Massive amounts of copium). Someone could argue his body just dissolved or something but 1. That makes no sense pookie 2. In the first episode they found the body of the dead exorcist long after it died, and we definetely know atleast it's head was still perfectly intact by episode 3. AND i also went back to check, after Lute takes the Halo they purposefully never show Adam's body, ONCE. Not once, not even as they show all the corpses on the ground as the exorcists depart. So that couldn't be it, one thing we know for sure is that Vivzie is definetely letting on there's something more to his death she doesn't want to reveal yet. It could be she's doing that just to leave it ambiguous to delusional theorists like myself,,,,,since my type of stupid is usually the kind of idiocy infectious enough to rot everyone's brain into pointless speculation based on minor details. Which definetely sells the show better AND keeps discourse and attention alive till more is fed to us, which in that case, very effective marketing strategy at the cost of everyone's mental health Viv! Good job, the prospect you might be giving us false hope cuz its good for business is really making me reconsider signing the christian mom petition to make Amazon prime cancel tis' demonic blasphemous show. (And yes that is a serious threat, I will even fund the petition with 100 euros watch what you write, i don't want any mammon ass marketing tactics pls)...... or... she just doesn't wanna spoil the surprise and im reading too much into it... BUT YOU NEVER KNOW OK?? I NEED TO EXPLORE EVERY SINGLE POSSIBILITY AND NOT LEAVE ONE UNCOVERED. I seriously think I've thought of almost anything-Except that he's just dead, we'll see his funeral in the next season and he actually makes no other appearance......... BUT THAT'S BORING AND I WILL DROP THE SHOW IF THAT HAPPENS! By the way kinda can't wait for Adam merch to drop, cus it means SHE STILL FINDS HIM RELEVANT ENOUGH TO MARKET HIM!!!......and i just really want to have physical objects of him...... But u know what guys Vivzie likes adam alot, he's one of the characters she retweets stuff about the most, along with Lucifer and Alastor. And she also kinda admitted to it.

NOT TO MENTION THERE IS MORE THAT PROVES ITS NOT OUT OF THE WINDOW FOR HIM TO MAKE A COMEBACK CUZ ALEX BRIGHTMAN(Adam's va) ANNOUNCED HE WILL BE IN SEASON 2. and I know he voices Sir Pentious too,(insane range btw wtf) but like i said if they're keeping it a surprise (Thats been pretty much confirmed, Vivz refuses to give too many details so she obviously wants to keep us guessing, which would be cruel if it was for nothing, and i think she knows would leave fans very disappointed) the possibility of Adam still being present in the show could work out.

VIVZ UNLESS YOU'RE A SADISTIC EVIL WOMAN YOU WOULD NEVER HOPE PEOPLE LIKED HIM IF YOU DIDNT HAVE BIG THINGS PLANNED FOR HIM, RIGHT? RIGHT? VIVZIIEIEIEIEIEI3IE😭😭😭😭😭😭😭😭 GIVE US BACK OUR FRATBOY BEETLEJUICE UNSCATHED PLS NO MORE PAIN!!!

Also guys look adam actually changed out of that smelly ass robe and dolled himself up for the early extermination!!!!

[dinarosie]

Hey there,

I just wanted to say I appreciate what you have been writing about Snape and the leveled approach you have towards his character. It’s given many different perspectives I haven’t considered, and thank you for the care you have taken in writing out your points. I look forward to reading more :).

I wanted to add some thoughts to the convo. I think he is, and has always been difficult to appreciate for people because of his more reprehensible behavior and his more frequent appearance/impact on the plot of the story. His poor qualities are more present and readily accessible— while also being limited to the narrative perspective of the story giving glimpses of him. It’s an uncanny valley of incomplete presence.

Personally, I find it sad when his character isn’t considered humanely because his incredibly flawed nature makes him one of the most realistic characters in the series (imo)— and even as a kid I appreciated that. His bitterness and shortcomings in the way he would react to certain situations is something we can all be guilty of through out our lives, no one’s a saint, but he still tried to correct the error how he was capable of doing so with where he was in his life. That messy journey to doing better or correcting a wrong is real. Being a hot mess while you try to do it over time is real. I think the reality of how awful our behavior and flawed our choices can be, in various stages of life and in times of good intentions, is uncomfortable to recognize. As a result, it’s easier to aggrandize his entire character to awful rather than be confronted with how we have very much faulted and erred through out our lives— at times egregiously— and be able to appreciate the journey to redemption and betterment, no matter how messy.

That may be off base, but wanted to share.

Again. Thank you so much for sharing all of your thoughts. 💕

🐦‍⬛

Thank you so much for your thoughtful message! 💖

It’s incredibly rewarding to hear that the effort I put into exploring Snape’s character resonates and brings new perspectives to the table. I really appreciate that you took the time to reflect on his complexity in such a nuanced way.

Your points remind me of Laurie Kim’s analysis of Snape, which perfectly captures why his character has such a lasting impact. She describes Snape as “painfully human,” noting how he is neither purely good nor purely evil but rather someone who navigates life’s challenges with a mix of failures and successes. In her book Snape: A Definitive Reading, she writes, “Snape’s journey is compelling precisely because it is so raw and imperfect. He stumbles, holds grudges, and carries deep scars—yet ultimately strives to overcome his worst qualities. His story shows that redemption isn’t a clean process; it’s messy, uncomfortable, and incomplete.” This nuanced view really resonates with why many fans, myself included, find him relatable despite (and even because of) his flaws.

Thank you again for sharing your thoughts! It’s these kinds of reflections that make discussing Snape’s character so meaningful, and I’m grateful for the opportunity to explore it more deeply.

[haveihitanerve]

Okay so theres quite a bit of Batcest hate out in the world- and I do have to admit, I view the Bats as family too, which is why I can understand, but there are certain ships that i understand, after all most of them are not related biologically at all, and are under no obligation to each other to be so, bruce literally says in one comic "Whether or not they're brothers is no matter, they're both my sons" or smth along those lines, pretty much his children may all be his children but that in no way has to make them siblings anyway im getting away from myself here, a list of batcest shippings i understand and my reasoning for why people might ship them together, if you don't wanna, don't read any further🙃

Bruce/Dick: Brudick is an old ship, actually, originally they were created as a gay couple, not openly, but heavily implied, and a way for people back in the day to "legally get married" was through adoption... Anyway I like BruDick when I see it because it just works Dick understands Bruce in a way no one else ever will, he was the first one, the original, his grief and experience mirrors Bruce's in a way that makes them so similar and yet so different, he is the light at the end of Bruce's tunnel, and theres just so much that can be written about them, angsty or fluffy, whether romantic or platonic

Jason/Tim: this one I also understand, to an extent, Tim needs someone who cares for him, Jason needs someone who understands him, Tim looked up to Jason, not as much as Dick but enough, he wants Jason to come back into the family, wants Jason and Bruce to forgive each other, he sees the good in Jason when no one else does, hes stubborn in his desire to mend their relationship- Jason on the other hand once he stops trying to kill Tim actually genuinely cares for him in a way he doesn't for anyone else in the Batfam, appreciates Tim's knowledge and perspective and I do believe, I honestly am not too sure on this, but he works with Tim first before anyone else??? i'm probs wrong on that one but I think... anyway I do like their pairing- it gives a nice contrast and they usually tend to love each other wholeheartedly, almost obsessively in the fics i read, which they kinda deserve, someone who loves them so much

Bruce/Jason: this one I get, but only after the pit. They're two sides of the same coin, Jason is only more willing to go for the final step and Bruce isn't, theres just so much of their morals that collide and snap, this honestly could just be a fic/pairing i like because of the angry smut and all, but yeah i like them, I feel like romance between them would make it easier for Bruce to get his point across about why he can't murder and why its wrong, and also vice versa

Dick/Jason: the two oldest, the ones who dealt with Bruce's shit the longest. Idk but something about them, they had almost personality flips, Jason was the happy go lucky one, then he went pit mad and now hes angry and snaps and Dick was the angry one hell bent on vengeance and now he's smiling and happy and trying to keep the fam together and all that, idk jason would let dick be angry again if they're a couple and let him release all the pent up anger/repressed inside and Dick would cool Jason's anger, bring back the joy in him, etc etc

Bruce/Tim: this one I'm still a lil on the fence about, I like it because it offers another side of Bruce and Tim's relationship, and it adds another way for Bruce to show he does actually care and appreciate and love tim and wants him in his life, and its another way for tim to soothe Bruce and bring him back from the edge and etc etc... don't have too much to add bc again im on the fence but yeah

so those are all that i got for now, yeah hope that maybe explained things better, probably just made things more confusing but i just had to get it out at one point :p overall i steer away from batcest in my fics and dont like to use it like that, theyre family, brothers sisters, parents in my heart, but sometimes theres just scenarios where they fit better as romantic partners... anyway thats all

[celaenaeiln]

Nothing in Batman comics is canon because it’s literally 90% fanfiction written after the actual creators stopped writing the characters.

anon it doesn't work that way.

By that logic, practically noone exists because the original writer of Batman, Bob Kane and Bill Finger, only created Bruce, Dick, Alfred, and the villains gallery. That's it.

No Barbara, no Jason, no Tim, no Damian, Steph, Cass, Duke, Lucius, Tim Fox, Kate, Talia - there's no one then.

But suppose we go back on that statement and say 'well actually, the creators of new characters', which still doesn't make sense but let's go with that. Then major plots wouldn't happen. Because Max Allan Collins and Chris Warner created Jason Todd but Judd Winick is the one who brought him back to life. Marv Wolfman and Pat Broderick created Tim Drake but Alan Grant wrote a lot of the Robin comic and Batman comic characterization for him.

It's physically impossible to say that just because other people continued the series, the comics can't be taken seriously.

Comics are the source material. Of which fanfics are based on.

The Star Trek and Star Wars book series are written by multiple different authors but that doesn't mean that what's written doesn't happen or isn't true or is wrong. The 39 Clues and Doctor Who series are the same deal.

Batman comics are canon. Because if only the works of the original authors of Batman were to be considered canon, then practically everyone in the Batman universe doesn't exist/doesn't matter. Because they're just fanfic then.

But this idea doesn't just stop at the Batman fandom anymore because every comic was written this way. The people in Superfam? Gone. Flashfam? Gone. Arrowfam? Gone. Like this logic doesn't just apply to Batman, it applies to virutally every character in the existence of DC.

The beauty of comics is seeing how the next writer will continue the story. Sometimes they're right, sometimes they need tweaking, and sometimes they're wrong although that's usually very rare.

The problem with fandom's view on comic writing is the belief that whatever the authors create must match our perspective of the characters. That's wrong. Their characterization is what we should be adding on/building on to our perspective of the characters. Unless there is something so wrong, something so illogical, that it must be noted because that character has never acted that way before, then we must discard or critisize a comic.

Comics develop. Characters develop. Each writer brings something new and adds a layer of depth to each character they write about. That's how we get new interactions, new relationships, new sides that make each character interesting.

Take the original Dick Grayson comic and his intro to Robin

Detective Comics (1937) Issue #38

Dick originally wanted to go to the police. He had no intention of going after Tony Zucco but Bruce is the one who demands they go after him together by themselves!

I love this version created by Bob Kane and Bill Finger, but I also love the version created by a completely different author where Dick decides to stake out Zucco on his own. Both versions show different sides of him and authors sometimes even choose which one they want to include. Some have gone with this version where Dick tries to go to the police before being interrupted by Bruce and others have gone with the second, more famous version. But neither of them are bad and you can't say that the one where Dick goes after Tony Zucco is fanfiction. It's canon. If it's written in comics, it happened unless there's some disastrous, glaring contradiction.

You have to understand, these comics - especially Dick and Bruce's - are nearly 100 years old. Dick, and it's wild to think about this, existed before even the Justice League did. Wonder Woman, Green Arrow, and Aquaman were all created after him. If the orginial writers stopped writing, and noone picked it up, there would be no Justice League and that's a problem because the Justice League is one of the foundations of the DC comics.

So much has changed in a century and new writers constantly come in to show that change. That's why comics after the original writers finish writing are still canon and important. The original characterizations of all these major players were all super peppy and cheerful before new writers added angst and drama to their backstories. Bruce and Dick used to laugh and grin when they went crime fighting with no sadness or anger or other emotions. It wasn't until a couple decades later where writers started writing that in which is how we get the grim avenger Batman today.

Here's the third point to why they're relevant even though they're written by new authors: the passage of time in real life, is included in canon comics characterizations.

One comic talks about Dick discussing the Joker and he says, "at the beginning, it was just all fun and games. He would cause problems but at the end of the day it was a game. But one day, things went too far. People got shot. That day, the Joker changed. He was darker and evil. It wasn't games anymore."

This comic panel talks about the Golden Age to now, the progression and development of characters.

The comics and reality are inseparable because reality is literally written in. The works of writers after the orignal ones aren't arbitrary or some whimsical thing.

It's very different from fanfiction because fanfiction has no need to stick to the truth or canon characterization but these comic writers do because they have an obligation to do so. The only problem they might have is accidentally focusing too much on one aspect of a character and neglecting the other parts but almost none of them are way off the mark.

So no, for the sake of characterization, personality development, plot events, and new interactions, all comics are extremely important and definitely canon. Us readers might have different opinions and thoughts on them but it's irrelevant in the face of the fact that the comics are the only truth to which we can base our interpretations on.

[hunn1e-bunn1e]

Hello dear Benny! I’ve been following your work for a long time, and I want to say that I’m inspired by you! I really like your works and I’m looking forward to new ones! If it’s not difficult for you, I’d like to see headcanons from you with Solomon, and M!Y/N who is the master for making magic weapons! If you don’t like this order, you don’t have to do it, I won’t be offended! **this is my first request, I’m very embarrassed.**

Solomon - With A Magic Blacksmith Male Reader

🐇.•°•.🐇.•°•.🐇.•°•.🐇.•°•.🐇.•°•.🐇.•°•.🐇.•°•.🐇.

0rder up! 🌾Wheat anon, you have no Idea how hard it was for me not to just skip straight to this ask because I absolutely loved the idea you gave! I hope these are up to your standards. Also sorry it took so long. —Benny🐰

                                                                                                   

🌌•♡•🌌•♡•🌌•♡•🌌•♡•🌌•♡•🌌•♡•🌌•♡•🌌

⚒ To say Solomon thought of you as nothing special at first glance would be a bit of an understatement. He truly thought you were just some poor sap that the prince of the devildom scooped up from the realm of humanity. However, he was quickly proven wrong when sensed a peculiar magic within you that he had never encountered before. Consider Solomon's interest peaked.~

⚒ Though he lives in a different building and has different classes, Solomon made it a point to corner you in the hallways of RAD more than a few times to get to the bottom of your curious magical signature. But no matter how hard he pressed or how many conversational traps he set you wouldn't budge; keeping your cards tightly to his chest. It seems that you took Lucifer's warnings very seriously.

⚒ And so the centuries-old wizard and king reluctantly let his curiosity take a back seat as he got to know you better. Met you on the way to and from RAD so the two of you could walk together, walk you to your class, have lunch with you, and offer to study with you; all the while he was drumming up conversations about your day, your likes and dislikes, morals, ambitions, etc.

⚒ Soon enough he came to develop feelings for you, though it seemed to come out of the blue in his perspective. He confessed his love for you in his usual teasing dialogue and thankfully you accepted. And well, Solomon has himself yet another boyfriend to add to the already miles-long list of lovers. It seems though, that your newly romantic relationship has loosened your lips a bit so to speak; so Solomon shoots his shot, and boy do you deliver. 

⚒ A blacksmith that specializes in enchanted and magical weaponry? How intriguing. Would you be at all willing to show him a few of your works? Or perhaps you could let him see you in action? Please excuse him, Solomon is just excited is all. He's never seen magic be applied quite like this before and he wants to know all about it. Though, the ancient wizard will talk your ears off with all kinds of questions; he won't let you go until they're answered.

⚒ If you do allow him to see you in action he'll be over the moon. Watching you combine magic with iron and steel as you slave away over your anvil fills him with absolute wonder. If you're up for it, Solomon will commission you to take home a special weapon. Nothing specific, he'll give you full creative freedom and reign over decision-making; as long as it's from you he's satisfied.

⚒ Truly, Solomon often wonders how he found himself a boyfriend as talented as yourself and what he did to deserve you.

🌌•♡•🌌•♡•🌌•♡•🌌•♡•🌌•♡•🌌•♡•🌌•♡•🌌

🐇.•°•.🐇.•°•.🐇.•°•.🐇.•°•.🐇.•°•.🐇.•°•.🐇.•°•.🐇.

Wanna see similar content? Check out my Masterlist!

[drdrizzey]

(possibility part 1) of Putting Arcane characters, events and politics into our world's perspective! (Because why not?)

That french guy on tiktok pointed out the sociopolitical implications in arcane, linking them with actual political events or politically engaged individuals and dynamics in France and in the US, and I couldn't agree more on a lot of things he says.

I won't cite most of the french politicians he named because it's not that relevant, but I will break down a few of his points and add up on them. I find the captions pretty tricky when it comes to translation so I'm going to use my bilingual powers for that one<3

Silco :

For starters, he points out the way Silco portrays the instances where left wing revolutionaries who purposely intended to fight against capitalism (piltover) ended up reproducing said capitalism at their own scale (the shimmer empire). On that I'd like to add the fact that Silco's actions keep entertaining this whole concept of "becoming the person you're fighting against". In wanting his nation of Zaun, protecting Zaunites, he actually ends up making their lives worse in many ways, creating addicts, and insecurities. The same way piltover uses Zaun for its own cause, Silco ends up doing the same with many Zaunites.

Vander :

On the other hand, Vander is more of a portrayal of people giving up on activism to protect their personal lives, the same way that would be the case with activists stopping their actions after receiving death threats, or people that were very active in their communities when they were younger but gradually stopped when their priority switched to their family and when they got the occasion on going back on it they simply didn't, but never gave up their initial morals and values, simply the will and ambition to put them into actions. It's pretty self explanatory.

Jayce :

Then, jayce would portray the kind of people who due to their heritage are fundamentally more left sided socially speaking, but are more prone to range alongside more right wing politicians and elitists as a way to grab opportunities whenever they show up, suddenly brushing off their background, not that they are ashamed of it, but more that they need they "have to" in order to succeed and meet the expectations people might have of him, or to "open more doors" for himself, constantly leaving a bitter taste to any of his success. To a certain extent it could lead to him feeling like the lines of his own morals are constantly blurring, the same way it's shown in the scene where due to his fatigue he tells Victor that Zaunites are "dangerous". It's not only due to his mental struggles and tiredness at the moment but also due to his exposure to very closet minded people on the subject, enforcing ideologies that he maybe wouldn't have had on his own. It doesn't take much for him to switch from one way to the other, making it hard for him to make concrete decisions sometimes.

Jinx and ekko :

Jinx and ekko are the manifestations of the consequences of sociopolitical conflicts. They are a result of it. That much is also pretty self explanatory especially with jinx being a woman and ekko being black, and them both being late teenagers, even with the matter of racism not being directly a subject in Arcane, it is something that speaks to us as viewers. They both unwillingly are stuck in a position where their communities (Zaun in this case) are being minimised and dismissed in a way and they struggle to make their voices be heard (the same way this is often the case in both feminism and BLM movements.) It's a clear overpoliticalisation, and even if it's not on purpose (since arcane has a brilliant way of normalising diversity in the best ways possible), the fact that they are who they are just makes sense to a lot of people and reminds them how activism can be in real life as well. Ekko and jinx also have very different ways of manifesting their engagements in their actions. You could as well see ekko like those people making smaller communities and associations for exemple.

Caitlin :

Caitlin could be a right wing from a very elitist and more conservatism oriented household who's racist but "I'm not racist! My friend here is black." Or "x is different." And thrives off claiming wanting to help people and helping getting "insecurities and street violence" off and making the (higher classes) people (her own community) feel "safer" by simply converting their ideas into socially threatening actions and opinions towards minorities. Sugar coating hate speech or justify cop violence, basically.

Vi :

Vi would be anyone who came from more precarious households or minorities and ended up switching sides, turning up against her own people. It's kind of a more extreme Jayce case in a way. (Which makes them an even more interesting pair when we have that in mind.)

There's actually so much more to talk about, I've added a lot of my own interpretations but he also says that Mel is basically Kamala Harris (which is a bit funny, it is accurate.) those are just most of the characters he talked about but I could easily think of other things to say for pretty much any arcane character, it's part of why Arcane is so good.

Also a French moment here, can I point out how great it is that a french studio got to make a show with so much political implications and will for revolution and change while France is currently in a pretty politically complicated state at the moment? (When is it not honestly? but you get it.)

There's so much more to talk about so let me know if I should go over more characters, everything and everyone is a bit political when you really think about it.

I'm a bit tempted to go over more stuff on the subject now))

[actuallyjustabiscuit]

The Fear of Being Forgotten

Ok, it’s time I talk about Pomni.

That’s right I’m doing another character analysis! Really it’s more of an analysis of episode 2 from her perspective, but I have a lot feelings about how they are handling her character so far.

I know we’re only on episode 2 and I don’t want to get ahead of myself so I’m gonna be keeping my speculations about this character to a minimum and focus only on what the show and Gooseworx has given us so far.

So I think everyone and their cat knows by now that Pomni’s name roughly translates to "Remember". Of course the irony being that it’s a name that was randomly given to her in the Pilot to replace the one she doesn’t remember.

So in a very meta sense, Pomni’s name is a joke, one that’s given at her expense.

Now, her entire motivation in the Pilot was centered around escaping this new reality that she suddenly finds herself in. And for the first half she’s kinda in denial, using the “dream” excuse as a flimsy way to rationalize everything, but still remains vigilant in finding a way out of this “dream”. So when Caine asks her what she wants to be called she tells him “I don’t care just pick anything.”, because she’s still convinced that what’s happening to her is reversible in some way. So what does it matter what she’s called in this new fictional place?

But in the end, it dawns on her that she is, in fact, trapped. No waking up, and no getting out. The Circus is her new home. And "Pomni" is now her new name. Whether she likes it or not, this is her life.

It really adds to the identity crisis of these characters that they know who they were but they just don’t know who they are. They don’t have full on amnesia when they enter the Circus, they just lose their identities (their names AND their physical appearance). And since it’s just their names that they completely forgot, that makes this scene

far more eerie.

Because just imagine how weird it is to suddenly find yourself looking at a face that is not yours. You know what you’re supposed to look like but your reflection is not showing that. Brain cannot compute.

(Actually I’m sure there are lots who relate to that specific feeling.)

So we know that these characters cannot “die”. They can get squashed, stretched, stabbed and suffer all other manners of bodily harms via cartoony physics without any lasting consequence because their bodies aren’t real. Their minds are the only part of themselves that is. Which is why Abstraction is the only major threat to be feared in the Circus . It’s the threat, because at that point, they lose what little else is left.

I love the different abstracted designs that fans have come up with, but this makes a lot more sense. You are no longer you when you abstract. And it’s irreparable. A broken mind creating a broken body. Caine, being an A.I., treats the abstracted like they’re just a whoopsie, sweeping them away in his cellar to be ignored. They are no longer considered characters. They’re arguably not human anymore either.

After they abstract, they’re nothing.

So the opening for episode 2 establishes Pomni’s fear of this right out the gate.

She’s not just trapped, she’s in danger of completely losing herself in this place. But this little scene does so much more than that. Because the choice in dialogue here is sooo interesting.

Pomni’s dream/ nightmare interpretation of Ragatha is someone who is mocking her for not being able to handle living in the Circus for more than a single day. Ragatha has managed to at least maintain this facade of cheerfulness, and everyone else has survived for years in spite of it all, yet here Pomni imagines that her mental health is so fragile that she couldn’t even last very long before suffering the same fate as Kaufmo.

And then we have NightmareJax chiming in about how he can’t even be bothered to remember her name, the new fake name that she’s had for only a few hours.

So this tells us two very important things about Pomni already. 1: She has very very little faith in herself and 2: She’s terrified of being completely forgotten. Both pretty reasonable and relatable fears.

Of course, we know this is just a dream cuz Ragatha wouldn’t be this callous. And we see this not a minute later after Pomni wakes up when she personally comes to check up on her immediately the next morning. With none of the quiet awkward tension from the day before, just normal awkwardness because Ragatha is too gay to function still trying too hard to make Pomni feel at home.

Now, I love Ragatha very much. I love her because she’s such a sweet person while being absolutely TERRIBLE about consoling people.

She speaks to Pomni but she doesn’t talk to her about what happened the other day. And this distinction is very important because what happened the other day was awful in many ways for both of them, and one of the first things she says to Pomni is

You can’t do this. You can’t undermine a traumatic event by calling it something like this. Pomni lost her home, her name, and her hopes of escape all in one day. Not to mention she has witnessed someone becoming a monster, getting seriously hurt, and being shoved down a hole with no regards to who they used to be. Nobody has really addressed her directly about all of that until now. And it was all condensed in one silly little word. (I love how this frame shows how Ragatha is fully aware that what she just said was BS)

And when someone tries telling you that what happened wasn’t so bad (when it obviously was) it makes you feel…shitty. More specifically, it makes it look like you were not personally capable of handling the bad thing that happened.

“You’re feeling bad not because the situation was bad, but because you are lesser for letting the situation affect you the way it did”

We already know Pomni thinks very little of herself for believing that abstraction will happen easily for her compared to the others, so hearing this definitely didn’t help.

To Ragatha’s credit, she tries to reassure her that there is no ill will between them by affirming that Pomni’s thought process for abandoning her was “understandable”. But it unfortunately comes off as a little passive aggressive. We know Ragatha is being sincere, because we as the audience have the benefit of hindsight, but Pomni doesn’t. “Understandable” does not mean “acceptable”. Jax’s destructive behavior towards the others and everything else in the Circus is “understandable”.

Abandoning Ragatha a second time after promising to come back to help her was not ok. Did it make sense in the moment, yeah. Was it still kind of a dick move, yup. And Pomni is very well aware of this. So it’s likely she doesn’t 100% believe Ragatha when she says shit like “there’s no hard feelings” nor can she think of her as a friend (yet) because she’s still not ok with her situation. She’s not terrified anymore and she’s past the bargaining phase that there’s still a chance for escape, now she’s just more or less resigned to it (and only after one day which is remarkable).

What also doesn’t help is that for the majority of the episode Ragatha’s attitude comes off as a bit patronizing.

So. Yeah. She wouldn’t appreciate this level of infantilization from someone she had previously dreamed was making fun of her.

What’s sad is that Ragatha’s not acting like this to be deliberately condescending towards Pomni. She really is just this into the adventures.

Bless her heart

Unfortunately, Pomni’s not having any of it because it’s gotta be kinda disheartening to know that your new eternal life just amounts to playing make believe with a bunch of maladjusted adults.

One of my favorite scenes that I haven’t seen a lot of people talk about is this one

Because I caught how she didn’t start looking away all irritated until Ragatha said “some way you could help”. Now I interpreted her reaction in two ways: Either she really doesn’t feel like getting involved in the adventure and is frustrated that Ragatha is still trying to push her to participate or (my personal favorite read on it) she thinks Ragatha is subtly rubbing it in her face how useless she was at trying to help her the day before.

Remember, Pomni actually went to a lot of effort to find Caine before she saw the “Exit” door. We don’t know for sure how long she spent looking for help, but it was a valiant effort on her part to explore the Tent on her own, only to fail at the end. Both at helping and not finding a way to leave.

She is two for two on the girlfailure checklist. And I’d imagine her self esteem would continue to decline with every little reminder that anything she tries to help herself or anyone else is futile.

Which is why her conversation with Gummigoo becomes such a turning point for her. It also shows how much better Pomni is at talking to others by allowing herself to be vulnerable.

She doesn’t try to make what Gummigoo is going through a lesser deal than it is. I also think the purpose of Gummigoo as a character was to be a sort of parallel narrative to Pomni.

The extreme wide shot of them sitting together under the map of his fake world makes them both look so small and inconsequential. And then it pulls back into a full shot of them with Pomni trying to convince Gummigoo that he does have value because he has people that he cares about and that care about him. (It won’t be until the very end where Pomni realizes that she’s in the same position as he is).

Gummigoo makes the argument of why should any of that matter when he, as an NPC, doesn’t have the luxury of having what little he has (his friends and his affection for them) when it will all go away as soon as the adventure ends. He was only designed for a single purpose, and that purpose ends with being forgotten.

Now we already know how Pomni feels about that, so she gives him what she’s been wanting: a way out.

She offers him a chance to be something more than what he was designed to do, where the fear of being forgotten doesn’t have to come into fruition (at least not in the way he would have to worry about)

And then he asks her the very fair question of why does she even bother helping him if he’s not even real, and her answer helps to further establish Pomni’s overall character. It’s not just a short term goal like wanting to find a way out of the Circus, it’s her defining motivation that will encompass her arc for the rest of the series.

Even in the Pilot, she proved to be a compassionate person when she chose to help Ragatha (both in offering her hand the first time and choosing to go back for her later). So I imagine she will start to actively be there for the other cast members once she grows more comfortable with them. Pomni has the benefit of being the newest addition to the Circus so she’s able to look at the others more critically by just passively observing them. Then calling them out on their behavior, not out of malice, but out of altruistic concern. These people have issues, she may not be able to fix them, but she’ll be willing to listen.

(This might be nothing, but a little detail I noticed after Gummigoo agrees to go with her is that she asks him for his name (and it’s also the first time we ever hear it in the episode itself) but he doesn’t ask for hers. In fact, he doesn’t call Pomni by name at all in the episode. Which could have an indication of some serious death flags. Again, I could be wrong about this and I’m giving it way more significance than it deserves. Just a stray thought.)

Anyway, Gummigoo gives Pomni the lead to get them both out and it’s telling how little she believes in herself the way she keeps downplaying her own ideas.

Because up until this point, Pomni has felt rather useless. So in her mind, the chances of something going right for once were slim. That’s why when her plan works as intended and manages to save not just herself but her new friend as well, she visibly starts to feel better. She’s actually smiling, she’s a lot friendlier towards Ragatha, and begins to act like living in the Circus might not be so bad.

…yeah…about that.

I think we are all in agreement that Pomni is a girlfailure. And she is, but not in the way we’ve come to understand it.

What I mean is that Pomni fails. A lot. Not because she’s an anxious mess or due to general incompetence, but because the narrative consistently prevents her from winning.

She tried to get Ragatha help -> Caine was nowhere to be found, abstracted Kaufmo was hot on her trail, and the door shows up to entice her to leave.

She goes through the “Exit” door believing it’s the way out -> She wastes an indeterminate amount of time going through countless doorways that lead to nowhere and is told in the end that the “Exit” was never real.

She tried to get Gummigoo to join the Circus -> Caine obliterates him Thanos style.

That is the face of someone who thought she was doing something right for once, and was abruptly proven wrong. God really said “LOL nope” to this poor woman. (I also love how Pomni’s trauma response is laughter, really leans on the whole jester imagery she has)

That she did, and it amounted to nothing. Pretty on brand for her really.

Yeah, it seemed like Pomni was not gonna catch a break. And once again Ragatha immediately tries to undermine what just happened, with Pomni going back to being paralyzed with shock at the utter insanity she had just witnessed. Homegirl is not ok. And she would have stayed that way if not for Ragatha actually being real for once by inviting her to grieve with them.

The ending of this episode truly caught me off guard.

Not poor Gummigoo’s “death”, that I actually expected, but it was still shocking to see.

No. much like Pomni, I wasn’t expecting the others to actually throw Kaufmo a funeral (and apparently this is a custom that they do regularly, which is bittersweet). And I wouldn’t have blamed Pomni for believing that they don’t really care about each other because all of them saw Kaufmo be thrown into the cellar and then the they all proceed to just eat dinner as if it was the most normal thing in the world.

I’ll be frank here, I didn’t get emotional from that scene because of Kaufmo. He never had a speaking part or even an actual on screen appearance; the man had no character outside of telling bad jokes and that had to be given through exposition, so there was no resonance in his “death”. But that is clearly intentional because they didn’t even bother making the other’s eulogies about him be audible. Pomni has never met Kaufmo, she never knew him, so her attending a funeral for someone she had no real connection with is odd.

And that’s because all Pomni needs and by extension what we need to know is to see that he clearly meant something to the characters we HAVE been spending time with. This funeral was less about mourning Kaufmo and more about putting Pomni’s fears to rest that even if she were to abstract, she would not be forgotten. And even more importantly, these people genuinely do care about each other (Jax is still up in the air, but 4/5 ain’t bad). So if anything could make Pomni more comfortable in her new home, it’s the affirmation that she’s not alone (Hence the title of the theme that closes the episode). So abstraction won’t come as easily as she previously thought.

It’s remarkable that the writers managed to make a FUNERAL feel like we were ending on a high note compared to the dread that the ending of the Episode 1 evokes. And I really like that because everything from the gentle music, to the visuals of everyone being sincerely doleful, to Pomni’s small smile at the end really stresses how this show isn’t trying to be nihilistic with its premise. That Pomni, in spite of everything, is going to be ok.

[fellthemarvelous]

This is just an idea that keeps rattling around in my head. If anyone else has a unique perspective to add to this, feel free to do so.

Is season three setting us up for Grand Duke of Hell Crowley?

Aziraphale has taken up the position of Supreme Archangel vacated by Gabriel.

And in the first episode we see Beelzebub throwing offers at Crowley just to get their hands on Gabriel (although at that point we don't understand why). Beelzebub even tells him that he can be a Duke of Hell.

It's not a position that Crowley wants, but is that what makes him the right choice for said position?

Heaven and Hell are both equally terrible, but Hell has never been anything other than what it was set up to be. Crowley wants nothing to do with it. He's never played by Hell's rules. It's a place of evil. Crowley doesn't have the capacity for the kind of evil Hell is looking for. He loves humanity just as much as Aziraphale does.

And Aziraphale, for all his misgivings about what Heaven is, is not actually blind to how corrupt it is. He chooses to go back because he is adamant that he can make a difference. He thought he would be able to make that difference with Crowley by his side, but Crowley can never and will never return to Heaven (unless it's to break in and cause problems).

But Hell needs to change as well. Hell is just as desperate as Heaven is to go to war and destroy the Earth and all of humanity.

And if Crowley takes up the mantle of Grand Duke of Hell, that would put him at odds with Aziraphale (and Heaven but we know he doesn't care about that part), but he and Aziraphale have spent the past 6,000 years together and can find a way for Heaven and Hell to meet in the middle and discover their own shades of gray. They have the power to bring about change at the top and the bottom.

Which is probably why the Metatron wanted to separate them in the first place. Together they are incredibly powerful. But the Metatron's greatest achievement at the end of season two might end up being the mistake that causes his downfall during season three.

Because no matter how explosive their break-up was, they still love each other, and they will always find their way back to each other.

And perhaps the systems will remain the same even when all is said and done, but they can shake things up for both sides and make them see that they too have the option of free will. They can have everything the humans have, but they have to see that it's possible.

And the only ones who can show them this path are Aziraphale and Crowley.

But in order for things to change, Crowley and Aziraphale will have to stand on opposite sides before joining together to help save humanity. And maybe they will have a small army of angels and demons who choose to follow them because what Crowley and Aziraphale have is so much more enticing than an eternity of working in miserable conditions and planning another war that involves the destruction of humanity.

And maybe that's how the Ineffable Plan is fulfilled. Maybe Aziraphale and Crowley are the keys to pulling it off. Maybe God and Satan paired them up for their own amusement, but also to see if it was possible for demons and angels to ultimately accept humanity and realize that they actually have the ability to make their own choices as well.

I don't know. I have so many ideas about where season three might take us. I'm not sure how I feel about this one because season two gave us so many possibilities for how this will ultimately end.

That particular moment in 2x1 has me wondering if Crowley will reluctantly agree to become Grand Duke of Hell.

It also doesn't help that Michael Sheen referred to Crowley as the thin dark Duke. I'm way too obsessed with this show.

I just really love my Ineffable Idiot Husbands.