#i just wanted to acknowledge that the only times in which she is referred to with pronouns that aren't she/her are it/its

[yuurei20]

Is sebek racist? Only a fun question, do not take seriously

Hello hello! Thank you so much for this question, I have been so excited to discuss Sebek's speech patterns since Book 7 reached EN~🥳

Silver says outright that Sebek can be prejudiced at times and Lilia states in the beginning of Book 7 that Sebek is the very picture of his grandfather, from the way he talks to the way he thinks.

We as the players do not realize how literally he means this comment until later in Book 7 when we meet Baul Zigvolt and realize that their speech patterns have a lot in common:

While maybe difficult to put across in the English-language adaptation of the game, Sebek has always spoken very old fashioned.

(Ace: "Okay grandpa, you gonna take her for a buggy ride next?")

He will occasionally say "this Sebek" in reference to himself, which Baul also does. (They are also both canonically quite loud, possibly another trait that Sebek adopted from Baul).

Sebek will also infamously refer to others using the 貴様 form of "you," which doesn't really exist outside of fiction and is such a rude form that it is practically a swear word. More here ->

Sebek uses it constantly, in everyday conversation.

And see Baul using it in Book 7 just all the time, with everyone except his superiors such as Lilia and Maleanor (there is even a time he becomes very angry and uses it with the senate).

Also like Baul, Sebek will switch to the extremely old-fashioned and formal "kiden" to refer to people who have impressed him. More here ->

Sebek's battle cry of "I'll swallow you whole" even seems to come from Baul!

And another thing Baul did in Book 7: refer to Sebek as human rather than by his name until Sebek earned his respect, which we have also seen happen between Sebek and Azul.

(In a Nightmare Before Christmas voiceline Sebek refers to Zero as a ghost and then a dog, eventually settling on his name, while he refers to Jack Skellington as "Bones." Is Sebek not just calling out humans, but referring to everyone by what they are rather than who they are?*)

(Does he simply yell human more than "dog," "ghost," etc., because humans are the species we have seen him interact with the most? It was confirmed in the novels that mermaids, beast-people, etc., are all referred to as "human" within the Twst universe, which has yet to be confirmed by the game but also has yet to be disproved.)

Sebek also refers to Grim as "dire beast."

There is a significant moment where he shifts to calling both Grim and the prefect by their names in Book 7, which the prefect even has the option of acknowledging aloud: "Whoa, you called me by my name?"

In a Harveston sub-plot Sebek even refuses to use an honorific with Epel's grandmother Marja until she proves herself worth of his respect.

Silver calls Sebek out on his inappropriate use of "kisama," while both Riddle and Sebek scold him for referring to people as "humans."

Whereas Epel's rude speech patterns can be explained by how it is a part of the dialect he was raised to speak and therefore he doesn't know any better (more here ->) Sebek is consciously and intentionally speaking down to others until they prove themselves worthy--is this something he learned from Baul?

Sebek says that Baul provided him with "an enriching education," but what exactly did that education entail?

Lilia expresses frustration with Sebek's inability to adapt to society, but canonically Sebek has only been outside of Briar Valley for 6 months, while he's been emulating his grandfather for 16 years.

Lilia says that Sebek has always been close to Baul and Jamil has a line of, "When admiration goes too far, the consequences can be dire."

I always assumed this was meant to be about Malleus, and while it still might be, is it also a reference to Sebek's devoted imitation of his beloved grandfather?

And we can go even deeper if we want, though this goes into theoretical territory:

Sebek was born after Briarland had already fallen to its invaders, but he was raised in a community where the war is still living memory.

Baul fought to protect his home against those who overran the land, exploited its resources, labeled him a monster, and drove them all into a fraction of their former territory.

He remembers what Briarland was before it the invasion, he fought to save it, he failed, and he survived to help put what was left of the country back together.

And then his daughter married someone who is potentially a direct descendent of the very invaders who had spent years killing anyone who looked like him and destroying everything he'd known (with even his native language possibly disappearing: Sebek says that speakers are "somewhat rare" in modern day, as the fae have generally adopted Common as their language of choice).

Sebek: "This has been weighing on me ever since we entered Lilia's dream. That my own father's distant ancestors may very well have been involved in all this too..."

And due to the long lifespans of the fae he isn't the only one with trauma and loss that feels both recent and personal.

Sebek and his siblings were not raised amongst the offspring of those who survived the war but the literal survivors themselves, unlike the humans to whom the wars are ancient history.

Sebek: "You must remember: from Lilia, Grandfather, and Malleus's perspectives...the Dawn Knight is not likely someone they consider to belong to the 'distant past.'"

While not confirmed in-game, it is not too wild to imagine that Sebek has chosen to ally himself with the survivors rather the invaders, and especially when he has been raised to idolize Malleus, whose own mother they killed not very long ago by fae standards.

While humans have been reproducing and dying at such a rapid pace that the current generation might not know that dragons are real, the same fae that managed to escape the slaughter are still there, and are now being met with the people born of those who stole their country but to whom there doesn't seem to be much significance to it all beyond a chapter in a history book.

And that might all be very well tied up in Sebek's use of "human"! (Disclaimer: this is all just a personal analysis and one of many possible explanations!)

Not only does it seem to be a speech pattern that Sebek has adopted directly from the grandfather he adores (and from Lilia and Malleus, who are also known to refer to non-fae as "humans" and whom he idolizes), but it may also be a reminder both to himself and to everyone around that while he may be two worlds in one, he does not approve of those that tore apart the community he grew up in, lest someone wrongfully assume that he agrees with the actions of his human ancestors.

Which would make it a form of self-preservation while growing up in a predominantly fae area.

Sebek's speech patterns and behaviors might be serving as a way for him to assert his loyalty to the fae, the people whom he admires, identifies with and was raised by, and distance himself from the humans who tried to eradicate them.

(If Sebek’s mother brought his father to Briar Valley from somewhere else (possibly Sunset Savanna) as has been implied, it’s possible Sebek’s human lineage isn’t tied to the invaders at all, but this is still vague.)

*Sebek refers to Sally as "Sally" throughout the Halloween event, using her name without an honorific but at least using it, much like he did with Marja. He also chastises Trey for failing to offer his hand to Sally and help her to her feet when she falls to the ground. Does Sebek possibly have a chivalrous side, not dissimilar to Leona? Memo: must check.

[unboxeddoll]

This isn't going to be a fun post to read, but Nikola Orsinov is a transmisogynistic character, even if Jonathan Sims didn't set out to depict a trans woman when he created her. I find her interesting, but it would be ignorant of me to not recognize her narrative of "former man traumatically robbed of his former identity and dignity to become a woman for the needs of another man, who now steals and wears from the bodies of others with the intentions of deceiving others and it's all very scary" as a microcosm of the narratives that plague trans women. Narratives that condemn their existence as something that cannot be willful, cannot be without the intention to deceive, cannot be without the intention to harm. I had hoped to engage with her character critically, but the Magnus fandom only plays into Jonathan's implicit transmisogyny. I don't intend to participate in that.

The human population cannot be divided into Bigots and Not-Bigots; bigotry is not something only specific Bad Individuals are capable of committing. Bigotry is also not always an obvious and actively hateful action. The thing about bigotry that is upheld by a society is that expressions of said bigotry, especially subtle ones, including unintentional ones, will be dismissed and accepted as par for the course, the harm done considered a negligible factor. Even if individual fans don't consider themselves Transmisogynists, even if individual fans are not writing fanfictions in which Nikola Orsinov pretends to be a human, cissexual woman to harm a human, cissexual woman, individual fans still take transmisogynistic actions in regards to attempting to engage with her character.

Nikola never states dissonance with her identity as a woman. Where do fans confidently gather the idea that she would identify as non-binary? She isn't human, but neither is Breekon or Hope; why are their identities as men never questioned? Nikola is only ever referred to with she/it pronouns, with "it" most notably used by Breekon and Hope, who are the only people the Archivist interacts with who were present for her creation. Why do fans question her pronouns, and gather the idea to refer to her with "they" or even "he"? Again, this disbelief in her gender canon is not applied to characters with comparable situations in terms of identity: Nikola was created from Joseph, but Helen was also created from Michael. Why aren't Helen's pronouns questioned?

I could write more, but I'll stop now before I further the impression that my intentions are to shame anyone. They aren't. Though, writing this post had me thinking. What would the reaction be had I decided to criticize any Asian character Jonathan has written? Some would become defensive, and deride my words as scolding. Others would recognize such protest as the prioritization of not being A Racist over not participating in racism, intentionally or not. If it would benefit the fandom to learn from criticisms of racism within the Magnus Archives, then there is little reason to expect otherwise in regards to criticisms of transmisogyny.

EDIT: Since revisiting her episodes, I've remembered that others (notably Jon) refer to her with it/its pronouns as well. Still, my point regarding the uncertainty of her pronouns stands. She uses she/her pronouns, and otherwise is spoken of with it/its pronouns, so there is still no canon evidence for they/them or he/him.

[lej222]

Supernatural Involvement and Ominous Signs in ASLFUA

For a while, many readers have theorized that there is some kind of a higher power/higher being in ASLFUA, and looking at the latest episodes it seems to have been confirmed. With this post, I've tried to gather every instance of the higher power's implied presence and all the ominous scenes in the story. I also included foreshadowing scenes that could have made Miae aware of certain things if she had paid attention because coincidences are important in the story, and certain moments that were defining in the plot. The list contains spoilers for the newest KR episodes and it keeps being updated.

Episode 2 :

Miae is reading a book in the library about how the last day of 1999 will be the end of the world: "'1999, a terrifying overlord is coming...the end of the human race.." -> this might be a reference to the famous prophecy of Nostradamus in which in the 7th month of 1999 a great king of terror would descend from the skies (which makes me think...is it July in the story right now?)

The Hwang family's phone stops working

Miae's dresser breaks and therefore she has to take out the trash, where she sees Cheol crying

"This boy is about to be this girl's most special person, someone whom she will never be able to forget."

Episode 3

Miae and her mother visit the Buddha statue and Miae's wish is not to be in the same class with Cheol - it doesn't come true.

Miae, Cheol and Jisu all become classmates in their last year. Miae and Cheol become deskmates by coincidence.

Episode 4

Cheol's furniture becomes Miae's, along with the contents of his dresser, something only he knows about

Episode 5

Yunhui calls Miae on their new cordless phone, the line is interrupted by another conversation, "Did you get the present I sent you?" - it sounds like a message to Miae from the higher power about Cheol

Episode 8

Miae ruins her bangs, her mother says she should do something about her hair - the first time we are told Miae should go to a hairdresser to fix it

Hwanggeum Academy uses corporal punishment - might be relevant later on?

Miae has to go to karaoke so she gives up on going to the hair salon (this foreshadowing is super crazy btw)

Episode 9

Cheol is compared to the protagonist of the comic Miae reads, 'My First Love Next Door Is Number 1' - gets into trouble and transfers, fights the school bully and wins, nicknamed Lucifer, has a facial scar, lives next door

As Miae is thinking about Cheol, her thoughts are interrupted by a cockroach in the classroom

Episode 11

Miae notes how strange it is that she keeps seeing Cheol while they didn't bump into each other the previous year (just like how Jisu later keeps commenting how strange he keeps meeting Miae) - Miae acknowledges the higher power

Yunhui's pager says "between friends goodbye"

Episode 12

Miae has a weird feeling when she's talking to Cheol's shoe as if it understands what she's saying

Episode 15

In her dream, Miae remembers Cheol crying and her making a wish with a stone tower about how she wants to be his friend. The phone suddenly rings, the TV becomes static and there's a storm outside despite the weather forecast not saying anything about it. The other end of the phone is silent and the lights go out.

Episode 17

Cheol's shoe gets smudged with ink so Miae cannot give it back to him. She cannot concentrate on her practice test, foreshadowing her involvement with Cheol's academy.

Episode 21

Miae again remembers some memories about Cheol saying he doesn't want to be her friend while she's sleeping

Side note: while Soonkki is a great writer, there's some inconsistency about Jisu's seating arrangement. I think she always meant him to sit in Block 1, that's why we got limited panels of that area of the classroom, but his position kept changing until his official introduction. Here, he should have been sitting in front of Seonghan, but there's another boy in that seat. In episode 23, we get a panel of Block1 again, and there's a boy who looks like Jisu from behind in that.

She again remembers her time with Cheol while sleeping on the bus

Episode 24

Daebak Academy notebook says "The teacher is spoon-feeding you, so why can't you pass" -> the higher power is giving hints to Miae, why can't she understand them?

Episode 29

Miae thinks about how she doesn't bump into Cheol as much as before, we get a close-up of the shoe and the Daebak Academy notebook

Episode 37

Miae falls on Cheol while playing soccer

Episode 39

Miae and Cheol are arguing but still bump into each other because of their parents

While Miae thinks about how Cheol should smile at people, she almost gets hit by a ball but Cheol saves her.

Episode 40

Cheol goes to Miae's house to do their homework. Miae's mother says she wonders if it will rain before she leaves. Cheol tries to change the lightbulb in Miae's room, but the lights go out because of the storm. Miae thinks "again?" and they fall on each other. She tells Cheol they should be friends.

Episode 41

Cheol agrees to be Miae's friend and we see a flashback of young Miae wishing they would be friends. While they are doing their homework the rain stops. Miae says planes even fly in the rain and Cheol replies that airplanes fly above the clouds.

Episode 42

Miae answers their phone and the line is interrupted again. Someone thanks their boss for the present and says they will do well on their own from now. -> is it a sign Miae should do well on her own after the hints?

Interesting to note that every time Miae might be involved with the higher power, certain objects in her room are highlighted - Cheol's shoe, the lamp, the notebooks. They all give signs to Miae that she keeps ignoring.

Episode 43

Cheol and Yonghui point out that Miae should get a haircut. Miae ends up cutting it herself instead of going to a salon.

Episode 45

Miae wishes upon a star instead of a plane so that the presentation in class will go okay. This actually comes true, as also noted by the narrator in ep 46.

Episode 46

Daebak Academy booklet says "nothing comes easy"

Episode 47

Something I've noticed is that throughout the story Miae keeps thinking she forgot something, and there's usually a situation that seems like the answer to it. Here, it turns out she forgot about Jinseop's homework. And Taekwang's song is about how someone cannot do both things at the same time. It was the same when she forgot about her homework while playing soccer. Forgetting about things is a recurring plot point for Miae, which culminates in the Jisu subplot where we learn Miae completely forgot about his existence even though she didn't have many friends who were boys.

Episode 50

Cheol's father wants to take a picture of Cheol and Miae, but Cheol refuses

Episode 51

Miae again cuts her own hair and wonders if she cut it too straight

Episode 55

Cheol kicks Miae's pencil into Jisu's chair (side note: you can see here again how Jisu's seating arrangement was inconsistent, he should have been closer to the window)

Episode 56

Miae gets sent out to the corridor with Jisu

Miae's friends talk about handsome boys and someone mentions the number1 student (Jisu)

Episode 60

Jisu becomes Miae's folk dance partner - the first time Cheol and Miae are not doing something together

Episode 61

Hwanggeum Academy booklet says "there's nothing you can't do if you put the work in, do not expect a miracle" when Miae is struggling with the dance

Episode 65

Cheol's father takes a picture of Cheol and Miae after the sports festival

Episode 66

In Miae's dream, Cheol's sister says for a while means 5-6 yrs, Miae counts she will be in middle school by then. There's also a memory of Miae running after Cheol, saying "wait for me".

Miae's mother tells her to get a haircut but Miae replies she needs a bigger allowance for it.

The narrator says Miae should watch where she's walking after she bumps into Cheol.

Episode 67

Miae loses her name tag and Jisu finds it

Episode 70

Miae wonders how her wishes never come true, but remembers she also made one with the stone tower as a kid, but cannot recall what it was about.

Episode 71

Miae's mom notes their phone keeps ringing since yesterday. The day before Miae wanted to tease Cheol with how she heard him saying he "loved her" in the shop and she saw him shirtless the same night.

Miae doesn't realize it was Jisu who called her a pervert

Episode 72

Miae notices someone wearing her name tag (Jisu), but doesn't find the culprit

Episode 75

Cheol wants to ask Miae something, but the homeroom teacher interrupts. Miae and Jisu get called to the teachers' room and have to do cleaning duty together for a week.

Episode 76

We see Miae's mom at a hair salon - could the lady in orange be Jisu's mother? who knows

Episode 77

Cheol stands up for Miae, but when Honggyu asks if they are dating, they both vehemently deny it. It suddenly starts raining.

Episode 78

Miae and cheol promise to be friends for real, forever. The narration comments, "But will they end up regretting their promise?". The rain stops. "1999, the final year of the century is half over" -> Miae's story is half over at this point. I have pointed out this before, but the series seems to be about the transition period between childhood and young adulthood, symbolized by the last year before the new millennium. Hence the title, 'green apple academy'

In her dream, Miae remembers asking Cheol if they are friends. She is awoken by their phone. the Daebak Academy notebook says "you are in danger if you are relaxed" and we see a girl talking to Cheol.

Episode 81

Cheol and Miae fall on each other and almost kiss, but the phone rings. Later, they do end up in the same position with an accidental kiss.

Episode 82

Miae wants to confront Cheol about the kiss and gets embarrassed, but her actions are interrupted when the trash bag she gave Jisu splits open, spilling its contents. Miae runs to him to collect it.

Episode 83

While Miae talks to her friends, she thinks back on her memories with Cheol and the narration says "I always liked.." and Miae looks surprised by it.

Episode 86

Interesting detail that Cheol doesn't know why Miae keeps looking at airplanes. If we assume she has a reason for doing it from the past, it's likely not related to Cheol.

Episode 87

Miae uses the trashbag as an excuse to run away from Cheol, repeating how she has to throw it out. All of a sudden, Jisu appears and takes it out of her hand, giving her a chance to run. It's just my personal theory that the trashbag here symbolizes Miae's vulnerability and reluctance to face her feelings, and Jisu takes it from her hand. It makes sense when we remember how his words made her think about her actions when she wanted to interrupt the confession. It's a great early foreshadowing that Jisu might play an important role in Miae's growth story as her voice of reason.

Episode 89

Cheol and Miae take photos together in a photo booth, first with Jinseop and Song-I, then the two of them alone. We don't know if Miae still has her pictures, but we can assume she somehow lost them during running around from the bullies because we never see them again. Cheol gives her a new name tag in the next episode.

Episode 95

Cheol gifts Miae an airplane model for her birthday. I personally believe this episode marks the end of the first part of the story and it's a turning point, but more about this under ep96.

While Miae leaves for school, their phone suddenly rings and her mom answers it. Miae sees posters about love on her way to school. For the first time, Jisu arives early for cleaning duty.

Episode 96

The series has had 2 symbolic illustrations at the end of 2 episodes. The first one was at the end of ep2, when Cheol and Miae's story started in the present:

Miae is offering a green apple to Cheol - a biblical allusion, here, the green apple probably signifies how Miae helps Cheol in the first part of the story to mature and grow as a person with her own knowledge.

This illustration comes at the end of ep96. Like I mentioned, I believe this marks the start of the second half of the story which focuses on Miae's growth as a person. Space is an important concept in the series, Miae also has planet stickers on the wall of her room,has a charm on her bag, etc.

"16 years old. An age much like the universe." "16 years old. An age where it's like you're thrown into space." - highlights the narration.

But why is it compared to space? We have the illustration right after Jisu splashes water on Miae's face and Cheol wakes up from his dream. In my opinion, it's because this is where these kids' limited worlds start to expand. In part 1, Cheol and Miae were mainly together, but as you grow up you start to feel like you're just one insignificant part of a greater whole. You might feel like you're the center of the universe when you're a teenager, and that the world is ending when you experience negative emotions, but as the illustration shows us, it's not just Miae and Cheol standing alone in the universe. There are other people, facing different directions, but they are all interconnected by an invisible force. Miae is looking at Cheol, but Jisu is standing in her shadow- because even though she was not aware of him, Jisu had his own life happening parallel to what we saw in part1, and this is where he starts to have an intersection with Miae. If there is a higher power in the story, it is aware of all these connections and talks about youth in a nostalgic way. The sense that these moments are fleeting is always present in the story, however, connections formed between individuals will always have a lasting impact, just like how the universe will continue to exist. Being thrown into space might feel like losing your footing, but here it's the personal relationships that ground these teenagers and make them stay close to Earth.

Episode 98

The teacher tells Miae to cut her hair after Jisu takes the blame for ruining the plant.

Cheol is acting strange because of his dream, and while Jisu looks at Miae the narration box says: "16 years old. An age riddled with the unknown, just like the universe."

Episode 99

Miae's hair gets stuck in the zipper of Cheol's bag and he pulls it out, ruining her bangs in the process. They go to the infirmary after Miae gets scratched by the zipper.

Episode 100

At the countryside, while Miae picked a flower she thought how nice it would be if Cheol came to her school - and it became true. She thinks how it was so strange -> Miae again unknowingly acknowledges the higher power when it comes to Cheol

Episode 101

It's raining and the TV is not working in Cheol's home. He remembers taking a picture with Miae in the countryside. He asks his father about the picture on the sports day -> the data was lost. Miae gets grounded by her mother and she wants her to quit the academy.

Episode 102

I've mentioned symbolic objects in the story, but this one was noted by other readers as well: in ep 101, Miae accidentally drops the chalkboard eraser out of the window and Jisu fails to catch it - but Cheol does. However, in this episode Miae tosses it back to Jisu before saying she hopes they'll never see each other again (it's the first, but not the last time she declares it).

Cheol fails to convince Miae's mom about the academy -> Miae's mom points out Miae's grades have been dropping since last year. She makes her stance clear - she wants Miae to study.

Episode 103

It's raining and Miae cannot open Cheol's drawer in her room.

She tries to cut her hair, but the phone rings. On the other line, Miae hears someone saying "I only did what I did because you wanted it so bad, but you screwed up that chance! You don't deserve that project, I'm going to hand it to someone else." -> the first time the higher power tries to directly say Miae is late

Miae's mom cuts her hair instead of sending her to a salon...

Miae loses the name tag Cheol gave her

Episode 104

Jisu says "see you again" to Miae (and will keep saying for a while lol). Miae points out she never wanted to see him again.

Episode 106

After the teacher discovers their conversations in class, Miae and Cheol get separated and Miae becomes Jisu's deskmate. Miae and Cheol are not allowed to interact until the final exams are over.

Hwanggeum Academy's notebook remarks "Do you regret it now?"

Episode 107

Miae dreams about the flower from the countryside and a voice says she should hurry up and do what she wants about her wish if she remembers. She doesn't remember and the voice gets angry, Cheol appears and crushes the flower, telling her if she doesn't remember she should just forget it. The voice remarks Cheol is angry because Miae is late.

Episode 111

Jisu, who has also become aware of the coincidences, tells Cheol he's not the only one having something special with Miae.

When Miae calls Jisu her friend from the same class and tells him he should learn for himself, Jisu tries to say something, but he is interrupted by Cheol.

Episode 112

Miae thinks about their bet and how she should ask something serious, something more than friends do from Cheol, and we get a bunch of error messages. Cheol's dream is all fuzzy.

Jisu wins the bet, but we never get to know his wish because Miae gets angry at him.

Episode 115

The narration points out Cheol has changed and matured a lot, is it Miae's turn?

Episode 116

We see some posters about a summer festival, the forest in Midsummer Night's Dream and how everything is the product of coincidence.

The forest in Shakespeare's play is dominated by the supernatural - what we have in common with this story is the forest Miae and Cheol played together as kids, and obviously the involvement of a higher power. The coincidences poster is possibly a reference to Carl Jung's Synchronicity, a concept that states that seemingly meaningful coincidences have a deeper meaning, they don't have a rational explanation - almost like destiny, a deeper order in the universe. It's a connection between one's psyche and the material world (so you have to notice and acknowledge the deeper meaning of these coincidences in order to experience synchronicity). Jung used this to argue for the existence of the paranormal. For example, if you cannot decide something, you might come across a book on the topic. What a coincidence, right? In this interpretation, everything is interconnected in the universe, and we are a part of this web of connections. So those coincidences...were actually not coincidences. -> Hmmmmm.....I wonder.....meaningful coincidences, the universe, connections...why do they sound familiar??? BECAUSE OUR STORY IS EXACTLY ABOUT THIS NOTION! Who notices these coincidences? Miae about Cheol, Jisu about Miae....One has to be open to the possibility of the connection between our inner world and the outside world, only then they can start to notice the signs the universe is sending them. Soonkki, you deserve my applause! Because it was exactly what I said about the art at the end of ep 96 and the placement of the characters. Mind? Blown!

Miae thinks that she feels something is wrong

Yunhui's pager says friends goodbye

Jisu gets involved in the Yonghui-Yunhui storyline by coincidence

Episode 117

We see all the coincidences from Jisu's perspective and how he became aware of them. And what does he say about them? That they are fascinating and kind of funny! My boy Jisu got the synchronicity message.

This is the 3rd time Miae and Jisu didn't hold hands. The first time Miae pretended to help him up, only for him to fall back. Then Jisu held out his hand after the exam, but she didn't take it. Here, he again reaches out and Miae doesn't take his hand. Remember this later!

Episode 118

Someone steps on Cheol's bag, and he's worried it might be Taeuk

Jisu wants to join in another bet in exchange for his help

Episode 119

Jisu gets involved in the Shim storyline, and as we know from later he picks up the cigarettes to get revenge on him

Episode 122

Miae learns that Cheol rejected Seonyeong and the lights flicker in her room

She cannot remember her dream. The narration says that she should have realized that something changed.

Episode 123

Miae notes that she experienced the kiss in the comic book with Cheol

Jisu almost catches her, but Cheol pushes him away

Episode 126

The parents are having dinner together at a pig feet restaurant and toast for the future of their children. The TV is not working, and a boy who looks like Jisu tries to fix it.

Miae kisses Cheol

Episode 127

Miae has a dream again in the white dress. As she realizes she might like Cheol, the voice says she's too late and there's no use regretting it.

Episode 129

Miae remembers that they took a picture in the countryside together and wants to take one now. She makes a wish to an airplane about how she just wants one photo, and remarks that the planes never granted her wish before. Spoiler, they won't this time, either.

Miae chooses to take the picture with Cheol. The narration box says "she's always done whatever she sets her mind to. That has always been one of her better attributes. But Mi-ae, it seems as though you keep forgetting something. I told you, you're too late."

The pager's message means idiot, cancelled and it suddenly starts raining. Maie and Cheol cannot take their photo and Cheol cannot give her back the hairpin she dropped a few eps ago.

Episode 132

Graduation photos were postponed until the second semester

In Miae's dream, the voice says she's all over the place and cannot decide what she wants from Cheol. In her memory, Miae wishes at the stone tower that Cheol would like her back. The voice angrily remarks how it must not mean much to her.

Episode 133

While Cheol and Miae are looking at each other, Miae is smacked in the face by a flyer. Later while they are riding the bike, Cheol almost says she looks pretty but he is hit in the face with a flyer that belonged to Jisu.

Episode 134

Miae takes the cigarettes from Jisu and puts them in her backpack

While Jisu and Miae look at each other, the narration box says "Well. this is what we would call fate. What do you think?" Miae can sense the voice and dismisses it.

Jisu again says "see you later" and Miae answers let's not, but Jisu replies they never know and it would be fun.

On the radio in Miae's room there's a voice speaking, asking if it was a success and how there is something you can't stop thinking about. "A friend? The fact that you weren't wrong? Whatever it is, I don't think it's such a bad thing to obsess over it a little bit. I hope you have no regrets about it."

Episode 135

Miae's eyebrow and bangs are so ruined she has to finally go to a hair salon. Yunhui gives her money and says there's a cheap place where she can go. It turns out Jisu's mother is a hairdresser and after realizing she is Jisu's friend, she doesn't ask for money. So if anyone ever wondered why Miae kept ruining her hair in the story, here's the answer....

a little bit of strange wording here:

The narration says "Now that I think about it, this was about the time..wait,no, it was a little bit earlier that things started to go wrong, little by little. You two were completely oblivious, though. Just you two."

Miae's mother goes to the academy. One theory I can give on this is that Miae's family might be moving. She wished for it at the start of the story, mentions it in a later episode as well. Who knows ~

Episode 138

Miae doesn't tell Cheol her feelings because of her pride as she feels like she would lose first

Miae has a feeling as if something is trying to make her look bad in front of Cheol and her gun suddenly starts working

Everybody forgot to buy the picture they took together in ep 139

Episode 140

After conveying their feelings indirectly to each other, Miae tells Cheol they cannot date right now because her mom wouldn't allow it. She plans to go to the same high school, university, everything and thinks there's no one to stop them so nothing can go wrong.

Episode 141

Cheol imagines high school together with Miae and their friends

Every time Cheol is flustered, he accidentally drinks his sister's coffee and he cannot sleep at night..in a story where dreams are relevant I'm sure this is just a coincidence, right???🧐🙃😏

Miae says they should not be obvious before the entrance exam and they start to think of it as a competition

Someone watches them from the street

Episode 144-145

We get everything from Cheol's POV

Cheol got his scar because he wanted to give Miae the romance book she liked before they left and he fell on the stone tower

The picture his dad took of them is about a young Cheol accidentally kneeling with flowers in his hands, the same flowers from Miae's dream, in front of Miae. This picture was in the book Cheol and his family kept.

Cheol realized the book was in his dresser that is now in Miae's room, the one she couldn't open before

Episode 146

Miae sees two flyers in the newspaper, one is about how a student still didn't give it up, the other is about changing one's car

On the street, the same car ads keep flying after her in the wind

Miae goes with Yonghui to wait in a line and the same flyers are all over the place

Episode 147

Miae wants to call Cheol, but Jisu stops her. Miae notices how often they have met during vacation, and Jisu says these coincidences are fun. He remarks it's almost like as if some higher power is involved (!!). Miae is standing on the car ad, they look down on it with Jisu, then she kicks it away. Jisu tells her he has a feeling they will meet again, but Miae hopes they won't.

The academy is also full of the car ads and Miae falls on them

Miae thinks that for a while she's had a feeling as if something wants to get between her and Cheol, but brushes it off

Miae ends up with a bubble gum in her hair and goes to Jisu's house to fix it. Jisu tells her she should stay because he is bored, and there is a car ad on a stool.

Episode 148

We see some of Jisu's childhood memories and he was called a magpie by Miae which was a symbolic choice (I also made a post about it). Jisu in this story is the grateful magpie.

Miae and Jisu "touch hands" for the first time when they high-five (I wrote about how their hand hold never happened before)

After spotting some men smoking, Jisu tells Miae to go inside (one of them might be his father?)

Episode 149

Miae finally remembers Jisu

the narration boxs keeps saying how Jisu is cool and showing heart-thumping sounds and Miae is confused about these strange things

Miae not remembering Jisu was an important plot point considering she recalled everyone else from her past. As I theorized, memories and fate seem to be intertwined, the synchronicity theory also supports this. Synchronicity happens when seemingly unrelated events coincide and they become significant to you. It's easy to see why Jisu was aware of this notion, but Miae was not - because Miae had no idea about those coincidences other than meeting Jisu randomly. Him being her classmate, being the one who found her pencil, who helped her in the crowd, found her name tag, etc. - only Jisu knew about these. But right now, Miae was made aware that they knew each other in the past - a pretty big coincidence.

So now that Miae might have kickstarted her own fate, the question is whether she will be able to fight it or if there are certain things bound to happen no matter what. Is the narrator omnipotent and omniscient? So many questions that will hopefully get answered.

Episode 150

For the first time, Miae says she and Jisu will see each other again sometime. Before this, it was always Jisu who said it and Miae would reply that she didn't want to meet him again.

Miae remembers Jisu transferring, but doesn't know why he singled her out (so she will probably recall more memories later)

As Miae leaves Jisu's house, the car ads are flying in the air around her

Jisu enrolls at the academy and for the first time he says it's not a coincidence

Episode 155

Hwani tells her mother it would be great if they could keep being neighbours with Miae because she's fun. After a pause, Cheol's mother agrees.

Jisu keeps telling Miae she's a "traitor" or "bat" (depending on the translation, meaning she keeps secrets from others like the Yonghui Yunhui situation and the fact that she went to Jisu's house) and she might get into trouble because of that

Episode 156

The narrator directly communicates with Miae again, and informs us about Miae's thoughts. It makes heart-thumping sounds when she's with Jisu just like in previous episodes, but Miae ignores them.

Jisu again says how the coincidences are so fun. He counts to three until the teacher interrupts Miae and Cheol's bickering (similarly to Taekwang in ep 158)

When Jisu tells Miae he'll go out of the room to let her talk with Cheol, Miae thinks she'll talk to him regardless of anyone's interference and we get a close-up of an academy notebook saying 'NO' and a plane flying in the sky.

Episode 158

Flashforward in the episode to a scene with Cheol leaving Miae at the academy while a storm is coming and Miae looks like she's about to cry

An hour earlier in the story the dark clouds are already gathering (I mentioned how rainy weather is always connected to the change in Miae and Cheol's relationship, and how it's usually an ominous sign). After seeing Jisu's flustered face, Cheol tells Miae that he wants to change the lightbulb in her house before she gets hurt. The lights at the academy are highlighted as they keep vibrating. (I also noted how the lights are signs of the supposed higher power, they get their own panels in Miae's room, and they went out 2 times when Miae and Cheol's relationship changed)

After Jisu reveals that Miae was in his house and Cheol gets angry, Miae's pager starts buzzing (again, the pager messages always appear when the higher power wants to communicate with Miae).

Taekwang is an interesting character because the things he says are sometimes connected to the greater theme of the story. Like when he listened to his music and said how Miae cannot choose two things at the same time (come on, it was the foreshadowing for the current conflicts!), he smelled Jisu on Miae (???), Jisu even said he's the one he cannot deal with, and now he was counting the seconds until Miae got another sign. Is he used as a medium? (who knows lol)

Miae wants to check the pager message but the fluorescent lamp(?) breaks. Jisu shields Miae from the shards while they fall on the ground, making it his first successful attempt to save Miae in the story. The pager lands in the corner of the room.

Episode 159

Miae goes to a phone booth to check her messages and it's filled with the car ads so she kicks them away

The first message is a loud noise of a song recording. I personally think if there's a higher power in the story, this message came from it. The other is about Miae's friends telling her they'll visit her at her academy which gives Miae a sense of panic knowing Yonghui and Yunhui might meet.

Miae sees an airplane in the sky and the narration says Miae has a feeling that something is interfering with her and the panels get fuzzy with flashbacks to phone calls earlier in the story (omg this is actually crazy)

It starts raining and we get a glimpse of the last countryside memory we haven't seen yet about Miae running after Cheol at night. In the present, Miae trips just as she did as a kid, but instead of Cheol she meets Tae Uk.

[starry-bi-sky]

(Part of this post with older brother danyal al ghul)

...Okay, look. Sam knows she's staring. She knows very well that she is staring. And that if she doesn't stop staring it's gonna draw her unwanted attention, and that will only have to make her explain why she's staring. Which she doesn't want to do.

She's trying not to stare, which she thinks she should get brownie points for. She tries to look away, to find a spot on the wall to stare lifelessly at, maybe she can burn holes into some of these annoying socialites' heads. But eventually her eyes drift, and suddenly she's back to staring again.

Can you blame her though? Damian Wayne looks like a very close mini-me of her fucking best friend. Seriously, it's like looking into a mirror to the past. If that mirror to the past had green eyes rather than blue and a distinctive lack of a facial scar.

The first time she sees him when her parents drag her over to Bruce Wayne to butter up to him she has to do a doubletake. Then a triple take. Then a quadruple take, just for good measure that she was seeing what she was actually seeing. She was sure she looked like one of those stress toys that when squeezed had their eyes pop out comically like a Saturday morning cartoon, that's what she certainly felt like anyways.

Look, Danny's come a decent way from being that scowl-y, jerkish little ten year old she first met when he arrived like the wind to Amity Park five years ago (even if he was still occasionally scowl-y and jerkish), but one thing that's stayed the same is how reserved he is about his home life prior to being taken in by the Fentons.

He doesn't talk about it much, and Sam's come to know that he's very good at changing the subject when it gets brought up. Even after being friends for nearly four years, the only thing she and Tuck know for certain is that he has a little brother that he refers to as 'starlight', whom he cares a lot about but left on really bad terms with. And that he's never met his father, but wants to and knows who he is.

He's never told her or Tucker who he was though, and glancing at Bruce Wayne, Sam is realizing why. She can begrudgingly acknowledge all the good he's done for Gotham, but... well, if Danny told her that Bruce Wayne was his dad, she wouldn't have believed him at all.

But she's starting to see the resemblance, as subtle as it is.

And she sees the resemblance to Damian Wayne, her eyes dropping back down to him as he wears a very Danny-like scowl on his face, arms crossed behind his back as his eyes swept around the ballroom. He was five years younger than Danny, and god it was so, so weird.

His eyes turned on to her, and they locked gazes for a moment.

Involuntarily, Sam makes a startled noise and looks away. Fingers tap against her purse, black and purple and unfortunately a clutch that only held her phone and her wallet in it. She would have kept a knife on her, but her parents put their foot down and there was a security detail at the door. Only in Gotham.

Silently, she was hoping that the little Danny-me didn't say anything. Or at least, he hadn't noticed her staring. Which was a tall order if she ever heard one -- and unfortunately, her silent prayers went unanswered as her mother's eyes dropped down onto her.

"Did you say something, Samantha?" She asks in a sickeningly sweet voice, a sound that makes Sam's skin crawl. Her dad and Bruce Wayne's attention also turns onto her, and she glowers at her mom from the corner of her eye.

"I didn't say anything." Sam says, barely keeping her tone polite as she turned her head away. Her mother clucks her tongue, disapproving, but from her peripherals doesn't pester her more

Bruce Wayne, the bastard, takes that time to turn to Sam and grace her with his dime-a-dozen billboard smiles. "I've been talking with your parents this whole time, Miss Manson, you must be terribly bored. How is your schooling going?"

Sam eyes him up and down. On one hand, she immediately wants to be snarky. It's none of his business what her school life is like, she doesn't care for his fucking small talk.

On the other hand, this was Danny's whole father. Someone who she knows that Danny has wanted to meet for, what she's assuming, his whole life. He's never brought it up much, but she remembers that very quiet, solemn conversation she and Tucker had with him where he admits to having never met his dad. But god does he want to.

And... wait. Sam's eyes narrow, and she meets Bruce Wayne's eyes. Does this man even know Danny exists? She drops her gaze down to Damian, who was staring at her suspiciously, and then back up to Bruce, and she alternates between them.

Why was Damian living with Bruce, but not Danny? Why hasn't Bruce done anything to reach out to him - what was going on with Danny's biological family that Danny had to be separated from them, but not Damian? Danny's always been kinda mysterious, but now things weren't adding up.

Was Danny given up? Does Bruce just not want Danny, but wanted Damian? Why the fuck does Bruce Wayne know about Damian but not her best friend -- or does he know and just not care? He's fought for custody for his adoptive kids before, does he just not want to fight for his other biological son? Does he think Danny's not worth it?

She's never cared much about the Wayne family before, other than to hear about the advancements on WE's eco-friendly tech, but Sam thinks she's gonna have to look into why Damian Wayne was living with the Waynes.

Slowly, with a protective anger beginning to burn in her gut and crawl up her throat, a scowl slowly curls at the corner of her lip as she redirects her glare from her mother onto Bruce. "It's going fine," She says curtly, jutting her chin out defiantly. "Me and my friend Danny started a petition to fix the leaky faucets in the girls and boys' bathrooms in order to conserve more water for the rest of the city."

She eyes his face, waiting to see if anything like recognition flashes through it. And- and nothing. Sam breathes in slowly through her nose, trying to quell the red that's blurring the edge of her vision -- does he just, not know where Danny is?

Her parents however, make vaguely displeased expressions. "Our Samantha is... quite passionate about her pet projects." Her dad says, laughing low and nervously, "she's very vocal about silly things like that."

"Her friend Daniel is perhaps even worse than she is sometimes." Her mother adds on, fanning her face with her perfectly manicured hands with a sigh. "I swear, he's the one that keeps dragging her into these things."

Sam's anger turns on its head, and she whirls on her heel like a fire-breathing dragon. "It's Danyal." It rolls out like instinct. Danny's told them both that he hates the Americanized pronunciation of his name, but in a rare moment of restraint, puts up with it for reasons unknown to her. "And Danny doesn't make me do anything, it was my idea."

The name, Danyal, seems to ring some kind of bell in Brucie Wayne's head, because she sees him and Damian quietly perk up like two cats pricking up their ears. Her eyes flick onto him immediately, something dangerous rearing its head. So Bruce Wayne knows about Danny. And he's not reaching out to him. Is he? She's not sure.

She does know that she's gonna rip his throat out if she finds out that he's known about Danny this entire time and has been ignoring him while favoring his little brother. She'll hunt down Aragon herself and steal his dragon-shifting amulet and wreck house on Bruce Wayne if that's the case. Batman and his league of vigilantes be damned. Her parents don't notice her slowly turning head towards Bruce.

But Bruce does, and she makes direct eye contact with him. His smile doesn't falter, he just tilts his head like a curious puppy and looks at Sam's parents. She hopes Bruce can read minds, she hopes he can hear her threatening him.

"Danyal?" He asks, and Sam doesn't know if she hates the fact that he said it correctly or not. She just continues burning holes into him and hoping he might spontaneously combust.

Her mother waves her hand dismissively, tilting her nose up poshly into the air. "Our dear Samantha's little... foster friend from school," she says, not even bothering to hide her disdain, "a creepy little boy with the most garish scar on his face. He's a rude little thing, not good for polite company."

Scratch that, Sam mentally alternates between ripping into her parents and Bruce. She whirls on them. "Do not talk about Danny that way." She all but snarls, and they all but ignore her.

(She's tearing up the upholstery when she gets home. She's going to paint over the fine china. She's going to do something to make them pay for this.)

"Oh yes, he was taken in by that freaky Fenton family a few years ago." Her dad continues in lieu of her mom, and they both shake their heads disapprovingly. "It's just what our city needs, another menace."

"Danny is not a menace." Sam continues, raising her voice while her hands shake with rage. Her parents finally look at her, but she can already tell that they're going to scold her for raising her voice. She bulldozes over them and jabs her black-painted finger at them. "He's got a bigger heart than the both of you combined."

"Samantha, please." her mom says, exasperated. They both give her disapproving looks, Sam thinks about grabbing champagne off the tray of a nearby waiter and throwing it in their faces. "You defend that boy far too much. What do you actually know about him and his family?"

Sam sets her jaw, puffing herself up like a dragon protecting its hoard. She steps into her mom's space. "I know that he loves the stars; you can ask him anything about astronomy and he could give you an entire lecture on the formation, class types, and various gasses that stars are made up of. He can tell you how the Earth was formed, he can tell you about the visible light spectrum and about light curves, and a whole ton of other stuff that I don't really understand. But Danny loves talking about it."

Her face twists and scowls, "I know he cares a ton about the environment and about fixing light pollution, and preserving the forests and natural habitats of animals." She nearly jabs her finger into her mom's chest, "I know he loves dogs, and that there's one he feeds every day on the way to school that he calls Cujo, its a St. Bernard puppy and Danny carries him around whenever he sees him after school, and is in the middle of training him."

It's not a total lie, but it's not the whole truth either. Cujo doesn't need food, but Danny gives him it anyways. "I know he likes spicy food and loves movies but specifically only sci-fi and horror, and he hates most martial arts movies. His favorite superhero is the Martian Manhunter, but Batman comes in at a close second." For reasons to her that were pretty unknown, but it didn't matter.

"I know he loves wordplay and making puns, which I would have never expected from him when we first met, but it's so unbelievably Danny-like that I can't imagine him not making puns." And she smiles a little to herself, she remembers the first time Danny intentionally made a pun once and it got startled laughs out of both her and Tucker.

Her smile suddenly falters, and she swallows. Her lips purse up, wobbling, and she very quickly glances over to Damian Wayne, of whom is watching her with a vaguely bewildered expression alongside Bruce.

She turns her eyes back onto her parents. "And I know that he worries a lot, even if he has a shit way of showing it. I know he had a little brother that he hasn't seen since he was adopted by the Fentons, and he doesn't talk about him often but when he does he he calls him 'starlight'." From the corner of her eye, she sees Damian jerk.

"So- so, so what if he's not 'good for polite company'." Sam's voice, embarrassingly, cracks down the middle. But she's so angry over Danny's behalf that she doesn't really care. "Or that he can be mean, and critical, and stubborn. He's learning, and he's becoming kinder by the day. That's more than I can say about you."

(She remembers when Danny finally admitted to her and Tucker being his 'closest friends'. It was sometime before the portal incident, and it felt like a milestone because beforehand he only really referred to them as his companions or allies.)

(At the time, he'd looked unsure of himself. Skittish like a stray in the back of an alleyway, almost shy in his own way. It had come out stilted, slow, like an infant taking its first steps, and it would have been endearing if it hadn't been heartbreaking.)

Her parents rear back like she'd struck them, and her mother holds a hand against her chest in aghast. Sam doesn't care, she blinks the sting out of her eyes. "Samantha." Her mother starts.

Sam cuts her off, "I don't care what you have to say, you-- you pricks." she snaps, around her, there are gasps. Belatedly, she realizes she's grown an audience, but again she doesn't care. "Danny might be an asshole, but he cares. And I'd rather be around someone whose mean but cares, than someone whose nice but doesn't."

With that, she whirls on her foot and turns on Bruce Wayne, who has been silent the entire time with a surprised expression on his face. He starts to shake out of it when Sam turns to him, but she doesn't give him the chance to speak. "Enjoy your party." She snarls, and then stalks away.

[cerastes]

I want to see the Skadi and Ulpipi interactions a lot, what we saw in Stultifera, for how brief it was (they were kind of in the middle of something very important and time sensitive), immediately told you a lot about them, but something that stuck out to me, subtle midst all the happenings, is that Skadi addresses Gladiia as "Gladiia" early on, and Gladiia corrects her by having her address her as "Captain Gladiia". Skadi does so from there on -- not super happy about it; Skadi in general has shown to be pretty unreceptive of leadership in general, not really caring much for Kal'tsit as well, nor following protocol as we've seen a number of times, and it's explicit in her Files that she's incredibly difficult to work with because she doesn't care to work with others and thus most other Operators don't like her much, that's without even getting into her reputation as the "Walking Catastrophe" -- and all's fine until they do find Ulpianus in the Stultifera, and from there on, Skadi goes back to referring to Gladiia without the 'captain' part. Seeing that Ulpianus was alive, Skadi didn't have to call Gladiia 'captain' anymore, because her actual captain, and the only authority figure we've seen Skadi actually acknowledge with the possible exception of Doctor (who is less a superior and more someone she really likes), was still alive and presumably back.

That alone, alongside Skadi's often forgotten actual personality -- stoic, melancholic, reserved, uncooperative, responsible, stubborn, assertive, brutish, caring -- tells you a lot about their relationship, even if it was brief. Skadi makes absolutely no effort to hide her opinions, what you see is, in a lot of ways, what you get, and she was very happy to see Ulpianus alive. The first thing he says to Skadi is "can you stop gawking already, we're in a battlefield, pay attention, fool" and Skadi basically goes "HELL YEAH, FUCKIN' A BABY" like, for the undeniable elegance she holds in certain ways, it's great to see her character is consistent even with her very first appearance in the very first event of the game, in which she was the star alongside Grani and Big Bob: She is rough, she is no-nonsense, she likes foregoing the flowery speech and going straight to the point, and if things can be said curtly and bluntly, then why go through the social ritual of cordiality? That's what Skadi is, and that's what Ulpianus showed to be in that brief interaction. Brash and blunt as he was, Skadi likes that. That's her Captain.

Which is super cool! Because in Laurentina, you can see a lot of Gladiia as well, you can very much see the impact Gladiia has had in Laurentina as a person, with Gladiia's emphasis in the arts and carrying oneself with a certain degree of elegance if not outright arrogance, something both Gladiia and Laurentina show far more pointedly than Skadi. Likewise, just from that small scene, you can see exactly how important her captain is to Skadi, because you can see how similar they are and how comfortable, how glad she is, even, to see him again, and even if he basically barked at her frame one, Skadi knows it's who he is, and how he acts, and that's what she likes. Blunt objects made into people, the two of them, I couldn't be happier.

[oblique-lane]

more mercenary analysis, whichever merc you want <3

Not a mercenary but... Okay!

Let's dissect Pauling

Always so collected, responsible and efficient. The one who is not afraid to get her hands dirty for the sake of a goal, and her performance is always one hundred percent. What could possibly be not cool about her?

Well, maybe the fact that this all is, in fact, an act. Of course it is.

I'm not saying her determination and dedication to her job aren't sincere decisions of her heart, she really enjoys it and shines in her work. It's just a matter of WHY and WHAT she's doing it for. And on what scale.

For her, her job is EVERYTHING. Eagerly working 364 days a year with barely any rest, masochistically putting herself in so much danger, blindly following the boss's instructions, not even hesitating to kill people standing on the way...

Wow, there's gotta be something going on here.

Well, obviously the Administrator plays A HUGE role in this situation. Why would Pauling trust her so much? Referring to the comics, Pauling trusted her wholeheartedly on whatever the Administrator was planning, even though she didn't know what it was. This blind following that vaguely resembles nothing less than a weird somewhat child-to-a-mother attachment. It's just a Boss, just a job, why?

Because that's what it is. Mother issues. Very apparent.

We don't know anything about Pauling's past, so there's where the headcanons begin:

I'm assuming her birth mother was very neglectful and dismissing, never acknowledged her daughter's accomplishments and struggles. No matter how hard Pauling tried to become "worthy" in her eyes, it seemed to be never enough, as if she didn't even exist at all. Maybe her mother was a substance addict or something and their household wasn't safe and stable, so Pauling had to become an adult early and run away from home as a teenager and find a job to get by.

(I assume that because I believe there was a mention in the canon lore that Ms.Pauling had been working for the Administrator for long long years (don't remember exactly), indicating that she started working when she was still a minor).

So, being taken under the Administrators wing, her young wounded brain found a substitute for a very thing she was lacking, subconsciously clinging onto the Administrator as a newly mother figure, in order to "get it right this time".

Administrators Strictness, responsibility and demandingness were the most favorite qualities of a person of authority in Pauling's eyes, in contrast to the laziness, unaccountability and indifference of the environment in which she grew up. She could finally strive.

This time she would show the mother figure that she's worthy, she's important and irreplaceable; she exists. She would prove that no amount of hardship is too much for her if it means approval for the Administrator.

And the Administrator kind-of-sort-of gave Pauling this pseudo-love in return, encouraging her to sacrifice herself even more for their work. Which is at the very least unfair, and at most just predatory. Administrators "love" was conditional, in contrast with when the real motherly love Pauling unknowingly expected. Administrator was too immature for a mother figure, too much in power for a partner or a friend, yet too close for a formal boss. What is this!? Something not nice.

The Administrator doesn't love Pauling for Pauling, she loves her working qualities. And thus, Paulings subconscious guess was confirmed that "I'm only important when I'm doing the job. I AM the job."

Tying your worth to what you DO instead of what you are is a huge dangerous existential rout one could choose. But she never really knew her importance outside of her skills, so she wouldn't know.

Now imagine how actually painful that character arc was for her, when the Administrator proved herself to be unreliable and secretive, and when Pauling started to question her intentions for the first time.

"... Because I trusted you!"

"Then why are you questioning me now?"

It wasn't even the real conversation between them, just Pauling's mind torturing her.

It reminded me of the crisis of a 4-year-old when they realise that their parents aren't perfect; they don't know anything and they CAN hurt you.This shattering illusion of almighty love. When a child stops believing that the "harsh love" their mother treats them with is simply an abuse.

Wouldn't it be terrifying to realise in your 20s thar despite running for "the mother's approval" all your life, you will never truly get it. If your mother failed to provide it to you at such a young age, nothing will truly substitute that, especially now, when you're an adult, no one will love your inner child the way it was supposed to be loved.

Unless you yourself decide to take that role.

...

Realistically speaking, it's not nearly that sever with Pauling! She's happy in the environment she's in, there's lots of interests for her to explore (Guns, fights, killin'!) So many adventures every day! Even if Pauling has her inner suffering, it's not that bad aa I describe it. Her mother problems may actually be an advantage, a reason she is such a good and caring boss for the mercenaries.

I'm just edgying things down for the sake of the clearer analysis. But still...

If the Administrator will be gone and Pauling loses her life-dedicated job... What will be left? Who is Pauling once Mann Co is no more? Can she answer that?

References:

– A video that helped me better understand the Good Girl mask:

– "Lise Bourbeau's 5 soul wounds model: Injustice"

[romaritimeharbor]

BLEED. — in which the Knave attends to her wounded little sibling.

— trigger & content warnings. depictions of injuries & blood, descriptions of violence, implied murder. 1.4k words.

— pairings & notes. hurt/comfort. arlecchino & younger sibling!reader. reader is a member of the fatui. reader is gender neutral (they/them pronouns). arlecchino is referred to using her real name.

— author's notes. arle <3

       "Oh, you— you came."

       Their surprise was evident, written all over their features as they stared up at the Harbinger. The eerie, echoing click of her heels cut through the silence that, upon her entry, had befallen the Fatui's medics. The microexpressions on her face—brows furrowed inwards, gaze focused on nothing else but them, and lips pointed vaguely downwards—promised a fate far worse than death for anyone who dared to interrupt her.

       Arlecchino was a calm, even-tempered woman...

       ...That is, she was a calm and even-tempered woman when her beloved little sibling was both safe and well. However, the blood soaking through the bandages wrapped around the lower half of their torso made it clear that they were not well. Safe, yes, but well? That, they most certainly were not.

       Her tall stance cast a shadow over their body. Perhaps if they were anyone else, they would currently be fearing for their life... but as they gazed up at her with a meek smile, it occured to them that they were definitely concerned (though undoubtedly in a far more lighthearted way than any other person would be).

       "You look so scary like this," they giggled timidly, snapping their gaze away and looking anywhere but at her. Subconsciously, their fingers fidgeted with the blanket draped over their legs. "Don't be mad... I messed up a bit. You know. Things— things happen..."

       Arlecchino sighed, cutting them off: "Are you wounded anywhere else, [Name]?"

       "No. Just there."

       "I see," she muttered thoughtfully, rolling up her sleeves. The inky darkness of her curse pulsed and spread, crawling further up her arms than it usually did—they couldn't help but frown slightly. Nonetheless, they said nothing of it. She would surely brush them off and tell them to worry more about themselves if they did.

       Arlecchino turned to the nervous agents in the room; the second they did, everyone immediately tried to appear busy, whipping their bodies away from the direction of the Knave and her baby sibling with such speed that it surely gave a few of them whiplash. "You all are dismissed."

       'Get out. Now.'

       With polite acknowledgments to her unspoken command, heads bowing to the Fourth, the Fatui's medics were quick to leave, urgency evident in their speedy steps. Anything they had been working on was long forgotten and left behind; certainly, the soldiers were unconcerned with their work. If anything, the only thing they were concerned with was getting away from Arlecchino. It wasn't very difficult to understand why.

       No agent wanted to so much as imagine what might happen if they were to somehow invoke her fury, especially now of all times.

       Once the final agent had left, and the heavy double doors shut—shockingly without any echo; perhaps the medics were afraid that even closing the door forcibly enough would agitate the Harbinger—their eyes shifted upwards.

       "Peruere..." they murmured softly, straightening their spine somewhat and removing the blanket from their legs so that they could gingerly swing them over the side of the bed. They wished not to agitate their wound further—it still throbbed and ached, so they knew that one incorrect move would render them doubled over in pain. Their elder sister took notice of their enhanced caution.

       "Did they give you any medication yet?" Arlecchino—Peruere, rather, inquired. She turned away from them briefly, speedily shuffling through the medical supplies on a nearby table. Scissors, gauze, antibacterial ointment...

       "They tried, but nothing worked... well enough, that is. My fever has gone down since I arrived and it hurts slightly less, but it just hurts far too much for any of their weaker painkillers to be effective. This base isn't well-equipped to handle wounds like this."

       Even breathing was a chore, really; each time their chest rose and fell, painful sparks clawed through their skin, originating at the gash in their side.

       "Hm." Her face twisted and soured somewhat. "...I suppose I have no choice but to speak to the Doctor once we return to the Motherland, then."

       Peruere then began thoroughly scrubbing her hands with special attention to the underside of her nails in one of the medical sinks, as to ensure that she did not cause any kind of infection to fester in their wound.

       Their breath hitched, and they immediately went on to frantically ask, "Aren't you busy? You don't have to come with me. I can return by myself, it really isn't a big deal... even if that means talking to him—"

       "No." Her eyes shifted to their direction (and for a moment, she couldn't help but think that they looked a little bit like a kicked puppy—dejected and pouty, as if they had somehow upset her). The Knave's tone softened slightly. "No. I do not trust the Doctor around you, nor do I trust these agents to ensure your safety. You are injured. I am the only one who can ensure no harm will befall you."

       "I can defend myself," they asserted. "I'm your sibling, you know."

       "I have no doubt that you can," she softly assured, drying her hands with a clean towel. "However, at the moment, you are in no condition to fight."

       With that, she collected the necessary items and walked back towards their bed. Setting all but the scissors aside, she kneeled down, and began cutting away at the gauze.

       "Did they clean your wound?"

       "Yes."

       She hummed in ackowledgement.

       Peruere's gaze softened somewhat at the sight of their wound—still wet with blood, the perimeter of the wound lined in matte crimson. She observed the way their stomach heaved with each breath.

       Scorching flames burned in her veins. Had she not known any better, she would resolve to deliver a fate far worse than death to whoever did this, to personally escort them straight to the lowest circle of hell and splatter their guts across the floor.

       (She awaited and anticipated the day that the Doctor somehow, in some way, brought harm to her sibling. Should that day ever arrive, she would finally have a reason, an excuse, to reunite him and the previous Knave.

       Peruere was patient. She could wait.)

       ...She did know better, however, and her sibling was just about as much of a force as she was.

       Whoever did this was certainly already well-acquainted with the devil.

       After squeezing some of the antibacterial ointment onto her fingertips, she gingerly spread it across the area of their wound.

       They grimaced somewhat, body instinctively snapping away from her hands. Peruere's freehand shot out to grab their hip with enough pressure to keep them in place but not enough to hurt them any further.

       "Shh. Be still."

       "But it stings," they whined, shooting her an accusatory glance; there was a glimmer of mischief in their glazed eyes, however, and she immediately understood that whatever they were going to accuse her of was unserious in its nature. "You're making it hurt on purpose."

       At that, the Harbinger rolled her eyes. It was clear that there was no true agitation behind the gesture.

       "No, it doesn't, and no, I assure you that I am not," she replied calmly, continuing to spread the ointment to ensure that every part of the injury was adequately lathered. "I put nothing on it that would make it hurt. Don't be dramatic."

       "Ahh... you're so mean, Per..." they sighed dramatically. "So terribly mean to your beloved, wounded baby sibling~"

       She chose not to feed into their mischief. Instead, she began winding the gauze around their body. Once she felt that it was properly wrapped—covered with enough layers to keep dirt and debris out of their flesh and blood—she pulled. "Is this too tight?"

       A soft hum rose from their throat as they inhaled as to ensure that it really wasn't too tight, even when they breathed deeply. "No. The pressure helps with the pain, actually."

       The Harbinger nodded, securing the end of the gauze. She then rose—though not fully, and rather bent at the waist somewhat to meet them at eye-level. The hand that was void of any residue from the cream softly carressed their face.

       Her pupils bore into theirs, thumb rubbing back and forth across their cheekbone. She was mindful as to avoid scratching them with her nail. Though she often told others not to gaze into her eyes for too long—'What you see may not be very pleasant,' she would say—they seemed to be an exception.

       In her eyes, as most do, they saw destruction, death, and madness. In them, it did not induce fear. It made them feel safe.

       And perhaps that made them no less mad then their elder sister was.

       That fate, however, was one that they were content with.

       The Knave withdrew, though not before placing a tender kiss on the crown of their head.

       "Rest now. We will depart for Snezhnaya when you awaken again."

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[armageddidnt]

Welcome to My Collection of Random Thoughts during my nth* rewatch of Good Omens Season 2

*only amazon prime knows the exact number at this point but I’m fairly certain it’s in the double digits

Episode 1: Gabriel’s fly lurking in the box when Aziraphale first takes it inside 👀

Crowley’s promise of “two minutes” basically means that he’s been homeless and living in his car for the past 4 years strictly so that he can be within 2 driving minutes of Aziraphale at all times in case his angel needs him I’m not crying you are

So here I think the key word is “fragile,” Crowley knows they are ostensibly safe from their respective sides but that could change at any moment so he’s basically spent the last 4 years in anxiety-ridden terror hovering as close to Aziraphale as he can to try and protect him from heaven, hell, and anyone else that would want to bring him harm after all that business they pulled in season 1 with stopping Armageddon

Episode 2: I just happened to pause the episode while Aziraphale is lying to the angels about his miracle and LOL Michael really outdid himself here (Sheen, not the Archangel)

Gabriel trying to swat flies and almost smashing the repository of every single one of his memories

I’m cAckling

So if Good Omens exists in Good Omens, does that mean Neil Gaiman and Terry Pratchett exist in Good Omens?? Do you think they based their Aziraphale and Crowley characters on Aziraphale and Crowley??

Episode 3: So I’m trying to find any hints or foreshadowing of the Gabriel Beelzebub thing bc tbh I did kind of feel like it came out of nowhere which is really the only issue I have with them. I found this one scene where Beelzebub almost ?? seems to be concerned about Gabriel ?? But it’s blink and you miss it and there could be lots of other reasons why Beelzebub doesn’t want to fail in locating Gabriel (pressure from/leverage over heaven, etc) so idk

More Foreshadowing Fly content 🪰

Episode 4: So here we’ve seen that Shax can just appear inside the Bentley bc she did it earlier to talk to Crowley. Shax only pretended to be a hitchhiker so she could be invited in because Azirpahale was driving so technically she needed permission to cross the threshold of an angel 👀

This scene will never not destroy me the 1941 flashback is the absolute sOFTEST thing ever to happen on this show

We really need more context here I need to see the Crowley-Furfur Monkey Rides

Episode 5: ahahaha thank you google translate for absolutely destroying my sanity this evening

POP goes the Ziraphale

Okay I know you can’t hear it in the gif but just before Nina takes Maggie’s hand, there’s a very quiet miracle noise, like Azirpahale literally MADE Nina dance with Maggie, he said I’m writing a Mina Jane-Austen-Ball-AU and my otp will KISS godDAMMIT

Azirpahale seems lowkey kind of manic this whole scene tho, he’s controlling literally everyone to force Nina and Maggie together and whenever Crowley says anything that pokes holes in Aziraphale’s Magical Jane Austen Ball Fairytale, Aziraphale just straight up denies it. He wants Nina and Maggie to dance and he wants him and Crowley to dance and he refuses to acknowledge anything beyond that.

Is this just Shax insulting Crowley for how much of a nuisance he’s been or a reference to his former status as an angel ???

They’re both completely dismissive of each other when they’re trying to say something important and that’s the main issue they’ve been having this entire season tbh

Episode 6: I think it’s funny that Crowley describes the angels as bees here because in the book, Neil/Terry describe humans the same way. Guess we have more in common than we thought huh?

So the metatron was the one who originally decided Gabriel would be memory wiped and not sent to hell, and he was also the one that decided not to sound an alarm about Gabriel for some reason and said ‘just go find him yourself’ instead. The metatron has definitely got his own agenda and you can bet he doesn’t want Aziraphale up there in heaven because he’s a “leader” and he’s “honest” like that’s exactly what Gabriel was and look where it got him 👀

There’s just something I can’t quite put my finger on about the metatron bringing Aziraphale a coffee from “give me coffee or give me death” and then asking Aziraphale if he’s going to take the coffee he’s giving him…

I have not seen a single person talk about this since s2 came out but Nina literally calls Maggie “angel” because that’s the term of endearment they hear Crowley using for Aziraphale !!!! I’m still going fERAL over this and I can’t believe no one else is eitHER

Something about this part of The Final Fifteen compared to this scene from the first episode is so representative of the entire season. Azirpahale keeps saying “my way or get out” and Crowley finally hits a wall and can follow Aziraphale no further. So he does just that. He goes.

I’m sure a lot of us by now have seen this post that brings up how Aziraphale literally pushes the remains of Crowley into his mouth and swallows and it’s the only thing I see when I watch this now

We still don’t know for certain if Crowley queued up this song to play on their way to the Ritz or if the Bentley started playing it all on its own and it’s driving me insane

Basically how I am doing after my Truly-Alarming-Number-th watch of this traumatizing episode/season. WELP hope you enjoyed this garbage dump of my thoughts and feelings time to go cry for a bit again BYE

[thebirthofvenusfly]

i think one of the most interesting things about odile is her aversion to the concept of motherhood/mothers/being referred to as a mother. like clearly she is not adversed to being a guardian and clearly she feels love and protectiveness over the party, and for all her aloofness when things are Horribly wrong she is the most astute to detail (i.e. first to notice siffrin looping during family routes, comments on his shaking and trembling when he first breaks down in front of her in act 5, The Entirety of The Sus Route) she is objectively protective of the party ("to be honest, i would do anything for you guys. horrible things.")

but her mother ruined such a deep sense of trust in her by cutting off from her entirely. like she not only deprived odile of such a key connection to half her culture which then became a dividing point from the culture she does know because she stood out so much in ka bue, but just... was she not deserving of a loving mother? did she deserve to be left behind? so much so that her mother couldn't even do her the courtesy of leaving a few photos, or letters, or a diary--ANYTHING to prove she was real and loved odile for even a second? breaking her father's heart in the process, and forcing him to carry the weight of child-rearing meant to be done by 2 people? hurting him so much so that when odile would ask about her mom, he's never been able to go into detail at all? and even after all this time, this late into her life, it is still a burn in her skin that hurts. it is a cut there that she doesnt always acknowledge and thought she'd gotten over, but no, it has always hurt at least a little bit. and tbh i headcanon her as someone who doesnt want kids regardless of trauma or past experiences (similarly to how romantic relationships just arent a priority for her and she clearly has other personal goals that are much more important--slay!) but like her mother deciding to absolutely fuck off from her life absolutely did not help and i think part of her is hurting and part of her is afraid of ever being capable of causing that pain to someone else and the commitment secretly terrifies her a little.

anyways happy mother's day to those that celebrate

[yumeka-sxf]

Spy x Family workbook scans - part 2

The second SxF workbook is about programming, though it's just comprised of very simple logic problems. But regardless, the illustrations are once again extremely adorable ❤️

Family outing time! (in their outfits from the Berlint aquarium episode)

Chibi versions of the characters, including the only image of chibi Sylvia! (for you @kaibutsu-kid)

One of the scenarios in the book involves picking the right ingredients based on what Anya wants (meat and eggs) but also nothing fried, since Loid has a stomachache 😦

Yor is going to cook! The book doesn't explicitly say anything about her bad cooking, but Anya says "Mama, don't overdo it" as she and Bond look at her worriedly! (also, strangely, they have Yor refer to herself as "watakushi" even though the pronoun she always uses for herself is "watashi").

One of my favorite images from this book - mother/daughter grocery shopping 😊

Whatever Yor ended up cooking, at least she's happy about it!

Some cute Anya~

And cute Anya & Bond!

Such adorable Bond poses ❤️ I love his angry face!

Loid peeking in on Anya studying and her indignant expression 😅

The book acknowledges Yor's city hall job and her job as Thorn Princess, which is a nice detail!

Also Loid's job as a pshychiatrist.

Becky and Anya on their way to somewhere fun~

Lol, wherever Anya is going with Yor here, she doesn't look enthused 😅

This page is a cute scenario about Franky making a robot and giving it instructions in the proper order to open the wine bottle.

Yuri makes a brief appearance in this book too. Judging by the look on his face, he must be drinking something that Yor made for him and not Loid 😂

And lastly, Anya in a Bondman costume! Loid needs to get her that in canon.

Continue to Part 3 ->

<- Return to Part 1

[sharp-rosee]

A lot of "radfems" continually peddle the idea that Middle Eastern men are more misogynistic than white, "Western" men and either do not realize or purposefully do not mention that this rhetoric was started by the far right to popularize white supremacy/Neo Naziism and is a dogwhistle to "The Great Replacement" theory.

They start off at first framing their worry with immigrants by spinning a story of how Middle Eastern men are coming into Europe and raising the incidents of rape to an extremely high degree. They show false statistics and reports that have been faked to further convince you of this new rape epidemic.

After watching crazy exposes of these supposed incidents you continue to "research" more and more into this phenomenon, why nobody is acknowledging it, etc. and after they radicalize you into hating these men specifically, they introduce escalating ideas of racism to you until the idea of the "great replacement" is acceptable to you - and that we shouldn't accept immigrants and refugees because rapists are coming through the border to Rape our Women and Convert them to Islam (and to get rid of white people) and we hate the Men, not women! (Ignore that a majority of refugees are women and children; ignore that immigration is a lengthy process, and "Illegal immigrants" are just refugees, those who have been on the waiting lists for years, or those who are technically considered "illegal" because they didn't renew their visas; ignore that the sources we provided are made up, ignore that we only ever talk about black and brown people, we can't have white people going extinct- being replaced!)

How do I know about this and the things they say? I was introduced to a big part of alt right propaganda by Lauren Southern, which led me down what online leftists called the "alt-right pipeline." I wasn't looking for this, I was introduced after watching more and more misogynistic content. It happened slowly, and before long, I knew of the theory. I knew of the Evil Jews destroying the Earth. I awaited the Boogaloo. Overall, though, I didn't care much for these theories - I just wanted to indulge in my self hatred, and yet bigotry was instilled in every misogynistic content they produced. Every word and line they said implanted the seed of what they were really fighting for. And although I enjoyed letting my mental illness fester by watching this content, I couldn't ignore the racism/homophobia/etc. and, in a way, I suppose that made me realize that misogyny was illogical just like any other bigotry, too.

I was going to link to Lauren Southern's video popularizing this term further and how she uses the rhetoric above, however, she's since deleted it. Another Youtuber has called her out in this video here, which clips some of her original video:

More examples of her peddling the Rapist Immigrant rhetoric:

Seeing the same propaganda pop up in the space I've learned to love myself in is terrifying. Seeing the beginnings of what became an awful ideology I found myself in whenever I festered in my own mentally ill thoughts is terrifying.

This is a racist talking point you are promoting. It is false. It has been disproven time and time again and yet here you are, still believing in it.

And to any radfems still questioning that this is propaganda, I urge you ask yourselves:

What sources gave you this information?

Why is it only this specific group of men?

If reports of rape are rare compared to actual incidents of rape, and if the concept of "false accusations" are always brought up whenever any incidents of rape do get reported/do occur, why is it only in this specific instance that rape is being called out at all?

If the sources that gave you this information truly cared about women, why do they never report similar "spikes" when referring to immigrants/refugees in other countries or just in other countries in general?

If you can believe it is all men, then why do you assume that one culture is worse when there are similar or even higher misogyny rates in every single country on planet Earth?

If you still cannot introspect on your racism and the origins of the ideas you are peddling, whether ignorant to it before, you are not a radical feminist, let alone a feminist at all. You are a white supremacist. You are not welcome here, and never will be.

And above all else, you are actively harming and making it unsafe for black and brown people, especially black and brown women, to be here on Tumblr and make it unsafe for them to exist at all.

[sweetbans29]

Meatball (Photography AU)- CC

Pairing: Caitlin Clark x Reader (lowkey Meatball)

Photography

Summary: 3 interactions between Caitlin and Meatball - your cat, Photography AU

Warnings: I don't even know how to warn you for this... oh and there is one curse word

Word Count: 2.5k

Sweetbans Masterlist

AN: Meatball supremacy.

one. stare.

"Do you have to go?" Caitlin says not wanting to release you from her hold.

"Yes, I do this invitational every year, you know that," you say referring to you leaving to go photograph the Nike Nationals. It had been in both of your calendars for weeks and Caitlin has refused to acknowledge it.

"Ya but wouldn't it just be better to stay here and cuddle with me the whole time," Caitlin counters not knowing how she is expected to sleep without you next to her.

If there was one thing that grew since the world found out about your relationship with Caitlin, it was Caitlin's constant need to be near you. She was a level 5 clinger and knew it. There weren't many people who didn't know it, you being an expert in the matter. If it were anyone else, you would have major issues and most likely would have ended the relationship a long time ago. But Caitlin was different. Her need to be near you wasn't suffocating. It wasn't the type of clingy that kept you at attached to her hip, but it was the need to know you are always around or near her.

Like when there is a game, she doesn't need to have eyes on you at all times, doesn't even need to talk to your before, during or after. She just needs to know that you are in the same building as her. That you are in the vicinity.

This is why she is trying to get you to stay with her rather than go to Chicago for Nike Nationals - she had to stay and practice while you flew somewhere she wasn't.

"I will be back before you know it," you tell her as you bring your backpack out to your suitcase and double check you have everything you need.

Caitlin takes on a look of defeat knowing she will be sleeping alone for the next two nights.

"Hey," you say coming face her. "You will be okay."

"Haven't slept without you in months," she mutters, her head plopped down on your shoulder. Your arms come to wrap around your 6 foot child and you rub her back. Caitlin is slouched just a smidge and you can't help but love how much she loves you.

"You can cuddle up with Meatball, he is a great second to me," you say joking and you feel Caitlin groan. Meatball, as if he heard you talking about him (he did), comes to the door to see what is going on.

You part from Caitlin and lean down to pick him up, he purrs instantly.

"Right Meatball? You will take good care of my Caity babe while I'm gone won't you?" You say to the cat as you give him a few last pets before heading out the door.

Meatball gives you little head-butts and you give him several kisses.

"See babe, you will be very well taken care of. You won't even know I am gone," you say trying to cheer her up. But by the look on her face, you can tell you have just annoyed her.

Putting Meatball back on the ground you give Caitlin one last hug and head out the door. Caitlin is forced to look at Meatball after you leave and he just walks away, going to do his own thing.

That night Caitlin can't sleep, she is tossing and turning like no other. It gets to the point where she gets up and goes to watch something on the couch.

It is not that she wasn't tired, the girl was exhausted. When she looks at the clock and realizes that it is 3AM, she makes her way back to her bed.

Caitlin sleeps maybe 3 hours before needing to get up to go to practice. When she gets there the whole team mentions how tired she looks which only aggravates her more. She single-handedly had one of the worst practices she has ever had and has to go one more night without you.

When she gets back to the apartment, Meatball meets her at the door. When he realizes it isn't you, he walks away leaving Caitlin alone.

"Trust me, I don't want to see you either," Caitlin says to the cat.

That night Caitlin is yet again tossing and turning. She starts to feel like she is going crazy from exhaustion and feels tears form in her eyes. Right before they fall she feels movement on the bed.

Her head whips up as she sees Meatball making his way towards her. Cait groans and throws her head back into her pillow.

'Of course it's the fucking cat,' Caitlin thinks to herself.

Meatball makes his way to Caitlin. He is hesitant at first, almost as if he doesn't want to be there. Once he reaches Caitlins stomach, he puts one paw on it - testing the waters. When Caitlin doesn't move, he proceeds to put both of his front paws on her stomach and begins kneading.

"Meatloaf, stop," she says tried and frustrated.

The cat stops for a second and looks Caitlin directly in the eye as a tear finally escapes. Meatball then proceeds to walk onto Caitlin's midsection - moving around before loafing right in the middle of her stomach.

Caitlin doesn't know what to do as she stares directly into Meatball's eyes. Meatball is staring right back at her. After about a minute of staring at one another, Meatball gives Caitlin one slow blink before closing his eyes. It is as if saying, 'You aren't my first choice but both of our favorite human is not here so you will have to do'.

After a moment, Caitlin feels herself calm down as her eyes begin to feel heavy, sleep finally overtaking her.

The next morning, Caitlin wakes up slowly. She turns over reaching for you then remembers you are not home. When she turns all the way over, she is met with Meatball sprawled out on your side of the bed - the events of the night before flooding back to her.

"Nobody has to know about this," Caitlin says as she brings her hand up to pet Meatball. It is then and there that they make an agreement to never speak of that night again - really it was Caitlin saying she is never going to speak of it because Meatball can't talk...because he is a cat.

two. hair ties.

"Hey babe, have you seen any of my hair ties? I swear I just bought some," Caitlin says as she comes out from the bathroom.

"I thought you had one on the counter in there?" You ask, seeing it that morning.

"I thought so too but it isn't there," she says. "Are you using it?"

You shake your head no.

"What the heck, I literally just bought a pack and I don't know where half of them went.

Over the next couple of weeks, Caitlin feels like she is going insane. One after another, Caitlin's hair ties go missing. It has gotten to the point where she feels like she needs to search every inch of the apartment and that is exactly what she does.

It is an off day for her and instead of going out and doing something fun like you had wanted, Caitlin was determined to figure out what was happening will all of her hair ties. You being denied the fun day, want nothing to do with her search.

Caitlin begins by checking everywhere in the bathroom. She looks in all the cabinets and drawers but comes up empty handed. Room by room, Caitlin searches every inch. That is until she gets to the living room to see Meatball loafing on the couch, watching Caitlin tear up their apartment.

Caitlin calls your name and you come out from the bedroom.

"What?" you say and see Caitlin and Meatball in a stare down. You laugh at the sight.

"Where are they?" Caitlin asks the cat as if he can respond.

"Babe, Meatball isn't going to respond to you," you say as you go to the kitchen and take this opportunity of you being up to grab a snack.

"This fur-devil is the one who has been taking all my hair ties, I know it. Where are they?" Caitlin asks again. Meatball doesn't budge.

It then dawns on Cait - under the couch. She makes a quick move to being to push the couch from its home and is met with dozens of black hair ties. Your eyes widen at the sight.

"Ahhha!" Caitlin yells causing Meatball to jump off the couch. "You little menace!"

Caitlin is now going after Meatball who runs away from her. He runs right to you and you pick him up, giving him scratchies.

"Do not love on the enemy," Caitlin says coming to grab Meatball. You stop her.

"Don't you dare hurt my child," you say kissing Meatballs head and he looks at Caitlin as if he knows he has won.

"You can not seriously be picking a cat over me right now," Caitlin says in disbelief.

"You had the day off today and the choice to go out and have a fun day with me and you chose to stay here and go on a manhunt for something that costs less than a coffee. You chose this," you say taking Meatball back to your bedroom.

"Babe, it has been driving me crazy for weeks," Caitlin says in defense.

"And this is one of the first days you have had off in weeks," you counter.

Caitlin knows there is no way she is winning this battle so she lets it go. She gives you space as she collects all the contents from under the couch. She knows she needs to salvage the day and decides to make dinner reservations at your favorite restaurant.

She takes you out later that night and the two of you have a great time. You thank her for saving the day as the two of you head back to the apartment. As the two of you get ready for bed, you ask Caitlin for a hair tie.

"There is one on the counter," she says from bed.

"No there isn't," you say looking everywhere but not seeing one.

"I just put it there for you before I got in bed," she says. You look around but don't see it.

Meatball walks in and sits in the doorway. You looks down at him and shake your head knowing that your fur-baby was about to start another war.

three. you're okay.

You and Caitlin are home with your 8 month old baby girl. The two of you decided that Caitlin shouldn't take the season off as you were the one to carry your first. It had been a wild ride but each bump in the road the two of you took together.

That is how you ended up on the couch with Cait watching your little one laid out on the floor.

"We did a pretty good job didn't we," you say watching Maya.

"We did," Caitlin says kissing your head.

The two of you watch Maya as you see Meatball walk over and stop about 3 feet from your daughter.

"Meatball, don't you think about it," Caitlin says as he sits and watches Maya just like you and CC are. Meatball licks one of his paws as he looks up at you. Caitlin is shaking her head no and he lays down.

"He is going to give me a heart attack," Caitlin says. You laugh.

"Why is that?" You say still laughing.

"Because he is going to do something to Maya," she says.

"Meatball is a loaf of sweetness, he is not going to do anything to hurt Maya," you say. Maya is now reaching her hand out to Meatball and opening and closing her hand. It is as if she wants to pet Meatball but doesn't know how to do that.

"I don't know," Caitlin says as she watches Meatball inch closer towards Maya.

"Okay that is close enough," Caitlin says and Meatball looks up at her with unamused eyes.

"He is fine," you say and Caitlin doesn't like it. She gets up and moves Meatball away from Maya.

"Do you feel better?" You ask as Caitlin picks Maya up and brings her to you on the couch.

"Much," Caitlin says.

Maya smiles when she sees you.

The next time Caitlin has a day off the three of you go out in the morning for breakfast. When you get home, it is time for you to put Maya down for a nap and she is just not having it.

"Baby, you need to sleep my love," you say as you rock her back and forth trying to get her to a spot where you can put her down and she won't cry immediately. It takes you longer than you want but you finally get her down in her crib. What you didn't see was Meatball chilling on the rocker in the corner of the room.

When you close the door and walk out to Caitlin, you fall on the couch in defeat.

"She is so fussy right now," you say, closing your eyes. Caitlin moves you so you are leaning up against her and she holds you.

"I know baby," Caitlin says. "It won't be like this forever, she is just teething."

"I know, but it is so draining," you say.

Caitlin kisses the top of your head when the two of you hear Maya crying on the baby monitor.

"I got her," Cait says as she moves you a little to get up.

Caitlin makes her way to Maya's room as slowly opens the door. She is a little confused when she doesn't here any crying and slowly makes her way over to her daughter. Looking into the crib she is surprised.

Laying right next to Maya is Meatball. He is not overwhelming her like Caitlin has been so afraid of but is sitting at a comfortable distance while Maya's hand is holding his outstretched paw.

"Meatball, what are you doing in here?" Caitlin whispers.

He looks up at her and without saying (because he is a cat) gives Caitlin the 'I am taking care of our child'.

Caitlin's eyes drift to Maya and she is fast asleep. She looks back at Meatball.

"You're okay," Caitlin says to the cat. It is in this moment that Caitlin shifts her idea of what Meatball is. For so long she has looked as Meatball as competition for your attention or as a pest that bugs her when she doesn't ask for it. But thinking back to when Meatball was there for Caitlin when you were out of town and she couldn't to sleep to now seeing how he is comforting Maya when she is fussy and can't sleep. It is the first time that she really sees the value that Meatball holds in the family.

AN: I love Meatball and NO ONE will ever change my mind. Meatball for life! Let me know all of your Meatball thoughts. And as always, thank you for your love and support 🤍

[edgeray]

Ray! 🍅 anon here, I said I wasn't going to request but there's one idea I've been really, REALLY itching at.

So you know how you reblogged "cold nights" by beiibeii? Yeah about that... I think I cooked an angst idea of this on a related tangent? (If you choose to write this, ofc)

How about Mother!Reader who is faced with the same scenario of Arle neglecting them to the point that she loses hope in their relationship? Think of the angst when the children constantly remind their Father of important dates but she's away or somehow missing most of them because of work. To the point reader just implies for them to stop trying and accepts the fact that they married Arlecchino but is now simply the Knave's wife? Like even the children can see them losing hope which is why they sometimes lowkey plead with their Father to actually pay more attention to Mother. Mother marrying Father means that Mother is strong but behind their strong facade you can see their sadness! You can feel their loneliness! And their sense of isolation and sorrowful acceptance of their new reality. And Arle does not pick up on the subtle signs until it's Too Late. Like. Reader in the coffin Late.

And as the Knave's wife Reader does need to undertake missions like in "I am Fine in Your Arms" but because reader has lost so much hope in living a wife outside of being the Knave's wife, reader does not make an effort to return alive. The angst of the burial, maybe the children blaming their Father etc. The really young ones aside, I don't think they would be actively angry with their Father, just very, VERY, disappointed. HotH would lose its warmth for a while before Lyney, Lynette and Freminet try their best to build it back (but of course, it never becomes as warm as it used to be)

Whether or not you choose to give this one a happy ending is up to you, but on my end the only happy ending that I cooked up for them is that Arle wakes up in the next Samsara with all these memories of losing Reader and prevents the relationship from going South in the first place. (Bonus points if Reader also has the memories and compares it to how they were treated by Arle previously, makes a comparison, and goes "How I wish this were my Arle" without knowing that it actually IS their Arle, just acknowledging she fucked up BIG time and is now making heavy amends for it. and Arle Knows because of that look that Reader gives her, sorrow and joy in a complex blend.)

...I think by now you can tell that I'm an angst writer too HAHSHHSHA Nobody leaves my fics without getting a knife and I promise it's just for the plot (like we always say).

I've still been keeping up with your writings (Beauty and The Beast actually fits, holy-) (Someone send Siren!Arle a whole farmhouse of ham for her consumption please) and yes I agree that you've been pumping out bangers after bangers. (I mean. Given that, you probably can afford to be a little indulgent? If writing this much quality about your muse doesn't give you the OK to put your hands all over them, abs and all, what does?)

As always, prioritise your sanity and schedule first, stay well rested and hydrated!

Lost Warmth

(Arlecchino x GN! Reader)

A/N -  Link to my momma's (@beiibeiii) piece right here. If I see you read this before reading the masterpiece I just linked, know that I am a very disappointed axolotl. 😔  Anyways, you might be able to tell just how long this has been sitting in my inbox… haha… my bad guys. T^T. Thank you for giving me the opportunity to write more angst. :3 And thank you for the additional comments 🍅 anon. I do have quite a soft spot for siren! arle, seeing that she was my first request (and requested from my momma :3). Wanted this to be a little longer, but I do have to wake up earlier tomorrow, so this is what you get T^T. Hopefully it's still good. Content warnings / info - angst, character death (duh), reader is referred to as ‘Mother’ but is otherwise GN!, 1.4k words

Cold is a feeling you've long gotten used to. Cold is your husband's dismissal of your existence, with every interaction ending with her blunt words and back towards you, leaving you with a crumbling heart. Cold are the long nights as you anxiously wait for Arlecchino's appearance for a candlelit dinner you spent half the day preparing, only for her never to return until you fell to exhaustion on the couch, a flower bouquet that remains unreceived in your hands. Cold is the creeping loneliness in the late hours of the night, when you've finally grown tired of anticipating someone that will never come, and returned to bed alone. Cold is the way you shiver underneath the thickest of blankets, no one's body warmth to sink into, no one's softly whispered words into your ear to drift you to sleep. Cold is when instead of your husband, only dim stars, a bottle of liquor, and the tears that stream your face join you in bed.

When was the last time you had felt warmth? 

You recall when the Knave first started courting you, how gentlemanly she was for such a rumored cruel Harbinger. You were first just a caretaker of the House of the Hearth, this small orphanage which you quickly found to be home for you. You couldn't help but adore the endearing children, watching as you slowly became a staple in this family. Despite your best efforts of hiding it, Arlecchino noticed when you snuck in the occasional pastry or cake from the town's most lavious bakery for the children, out of your own paycheck as well. It was then, your husband admitted, when she first fell for you. It had taken her months of encouragement from her ‘pestering’ children before she asked you out, and it was impossible to not fall for her charm.

How could you not? Not when she held you like you were her world. Not when she viewed you higher than the Tsaritsa herself. Not when her touch was heavenly, her words silky and sweet. When she proposed to you, your heart leapt with levity, and you thought your life was perfect now. A warm house, fitted with warm parents, that was what you had had, you had never felt so content. 

Then came the long nights. Nights when she trudged home later than usual, where she fell asleep without a word but sunk into your arms still. Then she started forgetting, forgetting about the dates and birthdays, and anniversaries more and more. At first, you chalked it up to her demanding Harbinger duties, but as time grew and the excuses started to run out, the perfect life you knew was crumbling. 

You became aware of this two years after your marriage when you had been preparing dinner for the two of you once she arrived home, slow cooking a steak since the early hours of the morning. Just as you exited the kitchen, you heard some children surrounding your husband before she left for another Harbinger meeting, telling her that you had a surprise for her once she came home and how excited you were for her to enjoy a new recipe you created. Your heart swelled with hope and appreciation for your children, especially when Arlecchino promised she would return in time. 

You should have known better.

You ate your tear-ridden steak alone and went to bed, leaving the steak out for her for whenever she returned home. Just like how you fell asleep, you woke up without your husband's presence, and when you arrived at the kitchen, the meat and the note besides the plate were untouched. 

You tried to eat the cold steak for lunch as well. You threw it away at the first bite. That day, you gathered your children, pleading them not to ‘pester’ Father with more reminders, as she was very busy. All that you gained back from the children was pitied expressions, and the agony in your chest worsened. Your children could pity you, but your husband couldn't? Even with your husband's coldness, you still carried out your Mother role, if only for the children. You cannot deny that the children's antics helped you forget the ever-present void inside you, caused by Arlecchino. 

You never learned the reason for Arlecchino's behavior, why she had grown so cold towards you. Now, you suppose, you would never know.  

Red fills your hazy vision as you lay on the ground, your entire body aching and fatigued, desperate gasps for air while your heart pounds in your eardrums. Your side was sliced, and the crimson liquid quickly poured out of the wound while you tried to stop the bleeding, but to no avail. 

This is your end, you think to yourself as you weakly turn on your side, every nerve in your body protesting against the movement. Your bloodied hand comes into view, your engagement and wedding ring gleaming slightly underneath the blood. The rings bring your thoughts to Arlecchino–oh, how you imagine the common disappointment in her otherwise apathetic expression, disappointment at your mission's failure. Your eyes bubbled and blurred with tears, vivid memories of your wedding flashing through your mind. The wedding ring is beautiful, still polished with that bold scarlet, the same color of her eyes, the same eyes you could never stop drowning in.

Would she even know your absence? Would she ever acknowledge you, treat you properly like her partner even if you did return? You doubt it. Did you want to return a cold bed, to a husband that does not love you, to a house no longer warm? 

It's warm. 

Your body feels like fire courses through your veins as you feel inexplicably hot, yet it's a welcomed heat. It's the first time you've felt this, but it feels familiar, comforting, like a hearth, and you want nothing more than to surrender to it. It soothes your heartbeat and calms your breath, easing your body as if you were to sink into the most plush of beds, swallowed by the thickest of blankets. The warmth coils around you, wrapping you like a cozy embrace, evoking you to sleep. Your eyes flutter shutter, a faint smile plastered on your lips.

It feels just like Peruere's arms. 

— 

Arlecchino receives a letter addressed to her on the third day you've been sent on a mission. The contents make her drop the paper, and she rushes outside, without an additional word, leaving the House. 

The children do not see her until she returns late into the night, a body wrapped in cloth in her arms. Arlecchino raised her children to be smart, to be attentive, to be logical. Whose body it is, they realize with little difficulty. 

The children weep that night. Arlecchino does not. How can she, when her source of emotions is gone? 

The burial takes place soon afterwards. As your body is placed into the ground, Arlecchino can feel the weight of her children's stare on her back. The charged tension between her and the children is palpable without words. She cannot discern which of the two reactions cut deeper. The seething fury underneath the oppressive grief for the young ones, having to lose another parent, or the crushing dismay inhabited by the older ones, specifically the twins and Freminet. 

Their thoughts are clear, even when none of them speak out loud. 

How could you fail Mother?

The House of the Hearth no longer suits the orphanage's name, not with your missing presence. There is no warmth, no matter how much the trio tries to fuel a lost flame. Even with Arlecchin's pyro vision, it is futile.

Arlecchino stands before your gravestone, a bouquet of your favorite flowers in her hand, and she rests it beside the other bouquets by your grave. Six bouquets in total, for each day after your burial. 

“For all the flowers, I should have given you, my love,” she whispers as she addresses you, glancing up to the heavens. The last two words make her feel like a fraud, undeserving of calling you hers, when she had clearly never shown so. 

Arlecchino, the Knave, the Fatui Harbinger, does not plead, does not beg, does not kneel. However, her knees drop to her dirt, and she grovels. “Please… wait for me one more time, my dear. Once I meet you again, I promise I'll never leave you alone, I'll never let you out of my arms again.”

There is no reply. 

Arlecchino feels cold. 

[lukolabrainrot]

Toronto and Ireland (Part 1)

I observed a shift in L/N's behavior and non-verbal cues by the time they got to Toronto. Their non-verbal cues signaled to me that there was a since of ease and confidence with them BTS. However, I think that looked very different in both locations. Refer to my timeline theories here on my thoughts on what was going on between L/N before Toronto. Below are my thoughts.

Toronto

Let's first address the fact that there was a break between Brazil and Toronto. It was ~2 weeks from what I remember. During the break the following happened:

L went back and liked all of A's posts back to July 2023. Previously, he had only liked her posts up to October/November 2023.

A chopped her hair off

I believe the DM likes from A's mom occurred around this point as well (or during Brazil)

There were some SoHo Farmhouse pics posted by A (I believe?), but no one could confirm if those were current or old photos (as A has a history of posting old photos to insinuate she is with L in real time when she isn't)

There was nothing else though to publicly link L/A during this break (from my understanding, correct me if I am wrong?)

This break is also when the rumored Spain trip between L/N occurred (but there is no evidence this actually occurred)

N was publicly seen at the Mighty Hoopla music festival with her friends the weekend before Toronto

N and L appear to fly into Toronto on separate flights

Alright I am going to throw out something that is purely a theory, regarding A, at that point in time, and now. I've kind of avoided directly talking about my theories on A because I just don't have enough information to confidently analyze what is going on. But with everything that has come out recently, and especially this week, I feel more and more confident on this theory (but again, it's just a theory):

As I mentioned, I firmly believe L/N physically acted on their feelings at points on the tour, and by Brazil, A was FLIPPING OUT because I think she sensed L pulling away. A had been around for a while, and I don't believe there were any firm boundaries/labels set on their relationship, but A had her sights set on riding his coattails and trying to get fame/attention from being in his orbit. She is also DEEPLY insecure and envious of N. Lastly, she is a WILD CARD and had been publicly known about in the fandom for a while. I think there was some overlap between N and A, and L did not want A leaking that s**t. Whyy... because he LOVES N. This is also his bed he made, and he needed to lie in it and clean up his mess. The optics of all of this do not look good for L & N if all of this information got released to the public. I also think that's why the DM comments got scrubbed on the site (which doesn't just happen out of thin air). He needed to start cleaning s**t up if he and N ever want to go public someday.

Therefore, he went back during the break to make up with A and reassure A he wasn't just going to drop her from his orbit (hence things like liking more of her posts so people took notice, and it made it seem they were more serious than previously thought). Tbh, I don't think it was very hard for him to keep her appeased because I honestly don't think this relationship goes any deeper than casual and transactional.

Then L/N became even more obvious about their feelings during Toronto and Ireland imo, and then all hell broke loose at the premiere (because a certain 🐜 was PISSED and getting revenge).

My whole point with all this is this. L was NEVER going to be able to unravel from A during the PR tour because it had already become public that she was connected to L (even if he was already checked out at this point). He was always going to have to officially acknowledge A to the public, let people get use to them as a "unit", and then slowly unravel over a couple of months in a way that satisfied A and didn't encourage her to go rogue (because I think we are getting more and more proof that she DOES go rogue). This included what we have seen between them since the premiere. I firmly believe that A has some information that would eff up L&N being able to confidently go public at some point if they want to without this really messy public narrative (because if L/N ARE indeed working on their relationship, it is probably going to be a little messy no matter what when/if they go public). L is letting A therefore get the attention she wants rn, and trying to stay as publicly unconnected to N as possible. I think he severely underestimated the impact this was all going to have on his career though (at least in the short-term). Do I think this also probably put somewhat of a strain on his relationship with N? Most likely, yes. However, they have known each other for many years, and have gone through a lot together. I don't think N sees A as a threat to her and L in any way, and I think L/N are figuring things out in private. And do I think just because A is still in L's orbit that that means they are super happy and madly in love? Absolutely not. The optics of everything we have seen around L/A since the premiere speak VOLUMES, and that is all I will say on that.

I was fired up about all of this because of the events this week, so I needed to get this off my chest 😅 I think though that everything we have seen between L/A since after Brazil is just another indicator that L/N are serious about each other (if that makes sense). THIS IS JUST A THEORY THOUGH.

And does this all seem messy? Yes. Because the short answer is that it is. Human beings though are messy, and I think unfortunately a lot of this played out on a very public stage, so everyone is trying to figure out what to do now.

Alright, back to Toronto. A lot of people thought the vibes seemed off between L/N, but I disagree. This was the part of the tour where I started coming to the conclusion that there was something BIG going on between L/N BTS (in a good way), that went deeper than just wild sexual chemistry/attraction. Here are my thoughts:

I personally think L/N took time during the break to have some big conversations in private about their future together, in a "normal" setting outside of the tour. I think they came to a conclusion that their feelings were larger than just the show and tour, and that this was going to be one of those BIG relationships for both of them. I think they also had conversations about how A was going to tie into the public narrative after the tour (but I think A hijacked that narrative). But I think L/N were very much on the same page going into Toronto.

I also get this sense that by this point in Toronto, it was getting harder for them to hide what was going on because things were getting more serious, and they were ALL LOVEY DOVEY AND HAPPY BTS. Although I am going to be honest, I don't think they ever hid their feelings for each other very well on the tour (especially L). And this was all kind of new as well. Therefore, I think that's where some of the "awkward" vibes were coming from, but their nonverbal cues didn't read as disconnect to me (like the beginning of Italy did).

I also have a feeling they were EXHAUSTED by this point, and probably so tired of answering the same questions (I swear, I bet they never want to talk about the carriage scene again 😂). I also heard that they might have been sick in Toronto, so all of this might have also played into the shift in energy.

However, a lot of key things happened in Toronto that signaled to me there had been a positive emotional shift between them. I really started to notice the "couple" eyes between them, and N's walls really dropped and the heart eyes were in full force. Toronto had my favorite interview of them during the tour, which I posted here. We got the the thigh rub from N, the beginning of the Ryan Gosling jealousy from L (I believe), L beginning to get more comfortable and silly on interviews (he seemed VERY happy, and a lot more confident by this point, which I found very interesting 🤔), a few instances where L/N would get lost in a moment with each other and forget they were on an interview, N reassuring L that he was her "favorite", and photos and video of L meeting some of N's extended family (and he looked very happy in the video). Also N didn't end up posting a "bf" pic of L (even though she did for Italy, Brazil, and Ireland). Now it could mean nothing (and it's probably just a coincidence), but I just find it interesting (in a good way 🤔). Yes, a lot of this could be chalked up to PR, and some of it probably was. However, most of this just DID NOT read as professional PR to me. It just wasn't.

Lastly, we got THIS pic of them below in Toronto 👀:

I am going to post an article below about body language between couples in photos. I don't agree with all of the article, but it does have some interesting facts/comments. I would highly recommend looking over the article a little, and looking back at the video that had the compilation of them posing at the different tour stops. I know that this was 100% cutesy PR (and I am not trying to imply they were necessarily an "official couple"), but I found it very telling about HOW they chose to pose at each stop. I feel like it spoke VOLUMES about what was going on between them at each stop. I do want to say that we can't 100% know what was going on for them emotionally BTS at each stop, but I do think it gives us a glimpse. Which is why I found this picture PARTICULARLY interesting. It just screams comfort and security (even with the weird lighting lol).

My point with all this is that I think we caught L/N at a big turning point in their relationship at Toronto, which led to some of the awkward energy at times, but not because they were beefing. I think BTS they were really happy, but they knew they had to not let the WHOLE cat out of the bag, so they were trying to kind of put up a little distance. However, they slipped up constantly, and then everything came to a peak, and that's why we got the magic that was the Ireland stops. I'll talk about my thoughts on Ireland in my Part 2 post, because there is a LOT to talk about. 😅

[fallingdownhell]

Hey….. soz if this is too much but can you do this https://www.tumblr.com/fallingdownhell/715302705397202944/i-absolutely-love-your-works-can-you-make?source=share

but with tighnari, wanderer and heizou thanks

Always. I always like me some angst with comfort<3 Characters Included: Wanderer; Tighnari; Heizou Summary: you have an argument with the boys, since they've been neglecting you for their work Content: gender neutral reader; established relationship; some angst; hurt/comfort; some swears and mean words; Wanderer is referred to as Kuni/Kunikuzushi Word count: 3,6k words Enjoy<3

Wanderer

You love your boyfriend. You truly do.

But between him helping out the Dendro Archon and now having enrolled in the Academiya, it felt like you didn't have a boyfriend at all anymore.

You rarely got to see him, and the times you did, he was so stressed and on high alert that he would probably snap at you if you were to bring up any topic that might put more stress onto him.

So instead, you just put up with his even more grumpy attitude towards you, trying to help him with whatever you could, hoping that it might take the edge off him a bit. But nothing ever seemed to work.

On the contrary, it has only gotten worse. For the past few days, you haven't seen your boyfriend. At all. He didn't come home and he has not been seen wandering the streets of Sumeru City.

You got so worried that you decided to pay Nahida a little visit, asking if she knew of the whereabouts of your dear boyfriend. She apologized to you, informing you that he had tasked him with something important, but that he should be back by today.

And true to her words, Kuni did come back home that night. However, once again, he paid no attention to you at all. He only laid down and fell right asleep, claiming that he was exhausted from his trip to the desert.

That was the point where you couldn't take it anymore. You understand that he has a lot to deal with currently, but that doesn't give him the right to treat you like you didn't exist. So, you decided to confront him in the morning, before he would leave again, hoping that a conversation could help clear things up between the two of you.

So, you made sure to wake up before him, making yourself and him some small breakfast like you like to do. When he comes down to eat with you, you greet him a good morning, which he only answers with a grumpy hum.

"Kuni.. we need to talk.", you decide to start, not wanting to take this attitude from him any longer.

A frustrated groan leaves his lips, rolling his eyes into the air. "Really, (Name)? Now? Can't we do this another time?"

"Yeah, sure. Just let me know when you decide to acknowledge me living here with you again. No, Kuni. We talk now. I'm done being treated like I don't exist."

At that, the Wanderer starts to gets defensive of his actions and soon enough, you two are in the middle of a full blown argument, loudly shouting at each other. Every semblance of a normal conversation has long left and you were now basically spewing insults at each other, none of you willing to acknowledge the others point of view.

"Gods, why do you always have to be so annoying? Maybe, if you weren't so god damn clingy all the time, I'd pay more attention to you!"

The words leave his lips and as soon as they do, he can see a flash of hurt shine in your eyes, which you quickly try to hide. But he's already seen it, and regret slips into his body.

Silence ensues, you're just staring at each other for a few seconds. You wait, hoping that he'll take back what he said, but nothing comes from him. His lips stay sealed as he just stares at you.

"So, it's my fault now? I'm the one at fault for you basically ignoring my entire existence? Making me question if I even have a boyfriend at this point? Because that's what it feels like. I don't get to see you anymore, I have to walk on eggshells around you, and then you go and blame me for it? Do I really mean that little to you?"

Your voice is dangerously calm as you say that, tears threatening to fall from the corners of your eyes, but you force them to stay down for now.

You see something shine in his eyes, but you can't put a finger on what it is before it's gone again, and he averts his eyes from you. A few more silent seconds pass and you're about to just get up and leave, when you hear him mumble something under his breath.

"...-ong."

"What was that?"

"..You're wrong.", he says, looking back up at you. Now, you can clearly see the conflict in his eyes, shining bright like he's begging you not to make him say this. But you just cross your arms in front of your chest, urging him to go on.

"I... you're wrong. You.. do mean something to me. More than I like to admit. I shouldn't have put the blame for my actions on you. I... I don't want you to leave. And.. I'll try better from now on."

For a moment, you look at him, contemplating his words. This would probably be the closest to an apology you would ever get from him. But when you don't answer him, you can see him starting to get a bit restless, squirming in his seat.

"I.. I'm... sorry..", he mumbles quietly, but you still heared it. Surprised by this, you can't help but let out a low chuckle, which instantly catches his attention.

"I just want to help you, Kuni. If there's anything I can do to help with the stress, let me know. Just, please don't ever treat me like this again."

Hearing you say that, he closes his eyes and nods his head, relieve washing over his body. And for the first time in a few weeks, he decides that it's not too bad if he shows up a bit later, just to make up for the time he missed spending with you.

Tighnari

As head of all the Forest Rangers in Gandharva Ville, it wasn't an uncommon occurrence for Tighnari to be stressed. It happens quite frequently, actually. And although being stressed regularly isn't a good thing, it helped him come up with ways to handle it and destress again after a long and tiring day. Because the last thing Tighnari ever wants to do is let out his frustrations on his partner.

He's usually very great about communicating when he's particularly stressed, and if his words aren't a dead giveaway, then usually his tail and ears are. When things get too overwhelming for him, his tail hangs a bit looser than it normally would and his ears would also fall a little bit more. It almost makes him look like a soaked puppy. You'd tease him for it if that wouldn't sour his mood even more.

But this time, it was something different.

He wasn't particularly stressed with work or anything. But one one of his patrols through the forest, he ran into an undiscovered species of flowers. All exited about it, it has been all Tighnari has been focused about for the past two weeks.

It's all he's been talking about as of late, if you even get the chance to talk to him in the first place. Most of the time, he's cooped up in his little work place, often forgetting to take meals and breaks because he's so focused on studying the little plant and learning everything there is to know about it.

You bring him meals on a regular basis, but if you really want him to eat them, you'll have to stay with him and nudge him consistantly to take a break and eat, or he'll forget about it.

You tried talking to him about it, but he keeps shutting you down, claiming that it won't last much longer, only until he knows enough about it to figure out if it can be used in some new medicines and such. Though he did promise you to try and focus back on you and Collei a bit more.

That promise lastet for one whole day before he skipped out on dinner plans with you and Collei again. You decided that enough was enough, so the next day after the dinner, you went to him to confront him about his inexcusable behaviour.

He was exactly where he had always been these past days, you were sure he heard you approach him, since you didn't exactly try to sneek up on him, though he did not acknowledge your arrival at all.

"Tighnari, we need to talk.", you begin, walking over so you were now standing next to him, your arms crossed in front of your chest. He didn't even look up when you adressed him.

"Later, (Name). I think I'm onto something here.."

"No, not later. Now!", you stay firm, not wanting to delay this talk any longer.

Hearing your response, Tighnari answered with an annoyed sigh, but he finally placed his tools down and turned to look at you.

"Fine then. What's so important that you just have to interrupt my work here?" He raises an eyebrow, almost like he's challenging you, like nothing could be important enough for you to justify this interruption.

You however stand your ground, holding his gaze firmly. "Your behaviour is what's wrong. You've been so focused on this stupid thing that you forget about the people in your life. Like yesterday. You promised to have dinner with me and Collei. She didn't show it, but I know how sad and dissapointed she was when you didn't show up. Again."

"I'm sure Collei understands perfectly fine just how important my research is, unlike some other people, it seems." Hearing this from him, you couldn't hold back the pent up anger and frustration anymore. You unleashed it all which in turn made Tighnari even more defensive and soon enough, you were in the middle of an heated argument, your shouting to be heard by almost every single person currently within Gandharva Ville.

And though almost everyone was on your side and agreed that Tighnari had been working too much, they also felt a bit bad for him. No one would want to be at the recieving end of your anger.

The argument kept going and going, emotions continuing to boil up inside both of you, until one particular statement went over Tighnari's lips. "You know what? I don't have time to deal with you right now, (Name). I have far more important things to do. I don't need you constantly lingering around and distracting me. Honestly, you're annoying me."

Suddenly, it became almost deafeningly silent and a second later, his words catched up with Tighnari. His eyes went wide and he was about to say something, but you beat him to it.

"So, what? We don't matter to you? Am I just some form to pass time when you have nothing better to do? Is that all our relationship is to you? And what about Collei? Is she also not important to you?"

Tears were brimming at the corners of your eyes and Tighnari wanted to reach out to wipe them away. He hated to see you cry, even more so now because he was the reason for it in the first place.

His hand moved on instinct, but before he came even close to touching you, you turned on the spot and dashed out of his hut, leaving him standing there.

"Wait, (Name)!", he shouted, taking off and running after you. You were fast and had a head start, but he has always been the faster runner between the both of you.

Outside the Village, he caught up to you and caught you at your wrist. You came to a halt, but refuse to turn around and face him. You don't want him to see you crying, though you're both aware that he already knows that you're crying.

"(Name), please. I'm sorry. I shouldn't have said that. I don't know why I even said it to begin with. You're not annoying me, never. Our relationship is important to me, very much so. I realize now that I made a mistake by focusing too much on my research and neglecting you. And Collei, too. I promise to do better from now on."

"..You've already promised me that once, and didn't keep it. Why should I believe you now?", you question him, which he couldn't blame you for. Your voice was shaking, you were trying so hard to hold back the tears, his words from before obviously still clinging to you.

"You have every reason not to, but I swear to you, that this time will be different. I swear to you that I won't let this happen, ever again. Please, trust me."

You stay silent for a bit, desperately wanting to believe him. In the end, your heart wins and you slowly turn around to face him. A small nod is noticeable before you're being pulled into his arms, his hand coming up to hold the back of your head against him.

You both stay like this for a bit, just enjoying to be in each others presence again. Only then does Tighnari realize just how long he hasn't had the chance to hold you like that, and he silently curses himself out for his own stupidity..

Heizou

Being a renowned detective comes with many benefits, but also a lot of disadvantages at the same time.

The more cases Heizou solves, the better his reputation gets, but he also makes a lot of enemies, especially in the high society fields. Not everyone always agrees with his view on justice and how he wants to achieve it, but Heizou doesn't care. So long as he follows what he thinks is right, he won't falter.

However, he is thankful to the gods above for a partner like you, who's supportive of his beliefs and decisions. He loves that you don't question him and that you understand how important his work is to him.

He knows that you've already had a lot to sacrifice for him. How he sometimes has to cancel date night because of an important case, but he's always made up for it more than enough.

So yeah, you're aware just how important his job is to Heizou. You truly understand..

But it has never gotten to a point like it has now.

For the past week, you haven't seen your boyfriend. At all.

He doesn't come home anymore, he's either cooped up in his office or out and about searching for clues. Kujo Sara told you that they've gotten a pretty serious case, one that Heizou leaped onto and is determined to solve, no matter what it takes.

Apparently, what it takes is for him to sacrifice all of his time and effort, probably forgetting that he has a life and a relationship outside his work, as well.

You tried to be understanding, even came visiting him in his office a few times with some homecooked meals or snacks. But every time you did that, he barely acknowledged you, barely even touched the meal.

You tried having some small conversations with him, but you either got short, one word answers or nothing at all besides a hum. Eventually, you gave up and just let him be, but it's been a week now since he's taken over the case and there's still no end in sight. And for the past three days, since your last visit to his office, you haven't seen or heard anything of your boyfriend.

So, on the eight day, you decided to try again. You cooked a nice meal for Heizou, packed it up and made your way over to the Tenryou Commission headquarters. Entering the building, you got a few nods as greetings from people who knew you, as you made your way straight to your boyfriends little office.

Arriving there, you took a deep breath before you knocked two times. When no answer came, your heart slowly began to sank. What if he's outside searching for clues again? Still, you decided to peek in regardless, just to be safe.

And sure enough, Heizou was sitting on his desk, multiple files and papers spread out in front of him as he was frantically reading through them.

"Hey babe.", you greeted him with a smile, but there was no reaction. Heizou didn't look at you and he didn't say a word in return. Still, you didn't want to give up just yet.

"I brought you something to eat. Figured you might want a break and something homecooked to eat."

You placed the lunchbox on the furthest outside position on his table that was still free, yet again, the action was not acknowledged by him whatsoever.

Twirling your thumbs, you wait for a few seconds, before you make another attempt at conversing with him. "So.. how's the case going?"

Suddenly, the papers fly to the desk, his hands slamming against the wood and finally, he turns to face you, though his expression looks almost furious. "It would go better if I didn't have such an annoying pest interrupting me all the damn time!"

Shocked at his sudden outburst, you stare at him. "Wow.. you don't have to be so mean about it."

"Apparently I have to, because you just can't take the hint when I don't engage with your stupid attempts at conversation making. Like, can't you see I'm too busy to entertain you right now, (Name)?"

His words stung, like he'd just slapped you in the face with them. Tears began to form, but you refused to show him just how deep his words had hurt you. But you knew that he knew. He saw the hurt in your eyes, and you saw realization flash through him as his words catched up with him.

But you didn't give him time to say anything else. He wanted you gone, so that's what you were giving him. Turning on your heels, you left his office, not bothering to close the door behind you. You could hear the yell of your name coming from Heizou, but you ignored it.

On your way out, you passed Kujo Sara, who gave you a pitying look as you walked past her. You didn't want her pity. You just wanted your boyfriend back, but it seemed like that was out of reach for now.

When you were out on the street again, you didn't know what you should do now. Going home wasn't an option, there were too many things that would remind you of Heizou back there, and you didn't want to think about him right now.

The beach... a while ago, you found a beautiful, kinda secluded spot by the beach. You decided to go there for now, maybe it would help freshen up your mind and how to move on from here on out.

The waters were mesmerizing today. The waves were calm and the sun was reflecting off the surface. You sat down in the sand and just stared out to the horizon, your thoughts beginning to wander.

You were so deep in thought that you didn't notice the time passing, the sun soon beginning to set, dipping the scenery into a serene red that you only rarely get to see. A shiver ran down your spine, but you didn't care, you didn't want to go back home just yet..

"Here you are!", a voice suddenly cuts through the silence and you flip around, recognizing Heizou who's jogging over to you. However, you decided to pay him no further mind, turning around again and staring right at the horizon again.

You take notice of his presence now next to you, but you still don't say anything. No words are spoken between you two as he sits down next to you and does the same as you, blankly staring at the ocean.

There's no indication that tells you how much time passes like this, just you two sitting next to each other in silence, until Heizou speaks up again.

"I'm sorry. About what I said earlier. I shouldn't have done that."

"..Then why'd you do it?", you question him, no emotion in your voice. He hated to hear you like that.

"I... You just came at a really bad time. And I know that that's not an excuse. Not at all. I was so close to the breakthrough in the case and I just... snapped. Again, that's no excuse and I'm really sorry about that. When I realized what I had done, Sara was coming over to me, no doubt about to lecture me. I just threw my files at here, told here the updates and then chased after you. I thought you would be going home, but when I didn't find you there, I began searching all over the place for you. And I found you here, in the end."

He ends his little monologue with a shy smile, scratching the back of his head. Then, Heizou's expression turned serious again.

"I mean it. I'm sorry I snapped at you like that. You didn't do anything wrong. You were right, honestly. I kinda forgot about you and invested too much time to that case. I'm sorry and I promise I won't let that happen again, ever."

Hearing those words from him, you can't muster more than a small nod as a response. You didn't want to argue anymore with him, you just wanted to spend time with him and feel close to him again. That's all you wanted and needed right now.

So, you slid closer to him and leaned your body against his, your back against his chest. His arms wrapped around you from behind, his head coming down to rest on your shoulder.

Tomorrow, you could talk about this more with him. Right now, you just wanted to enjoy this moment with him.

[karlatakicker]

RUIN SPOILERS!!

i’m very attached to roxanne, and after the dlc i am very attached to cassie too! so here’s my thoughts on the both of them and why their relationship is just so unbelievably special to me

1. it’s implied that they both don’t really have any friends, as sad as it is. Roxanne says to Cassie in their conversation that she thinks that her friends will come to her party this time, which obviously means Cassie’s friends are either nonexistent or aren’t very nice. it’s also implied that Roxanne is disliked by the other children in the pizzaplex because of her desire to win and lack of empathy thus unawareness that children are upset by the idea of losing. so, the idea of them both becoming friends and acknowledging each-other is truly special if they have nobody else.

2. Roxanne’s desire to win on her race track is overridden by her kindness and feelings towards Cassie. in their conversation Roxanne remembers Cassie because she beat her twice on the track, which leads to Roxanne almost sounding proud despite being beaten which she usually expresses anger for. (I’ve been told this doesn’t mean what I think, Number 1 twice refers to Cassie’s birthday, but you can argue that it still shows something between them by the fact Roxanne is willing to say Cassie is Number 1, despite Roxanne constantly wanting to be Number 1.)

3. Cassie’s clear empathy towards Roxanne as her favourite - she pities and feels for Roxanne when she’s crying in the salon. despite seeing the horrid conditions that all the other animatronics are in, Roxanne as Cassie’s favourite is the only one she truly feels for.

4. Roxanne’s infatuation with herself does not inflict with her remembering details about Cassie. Roxy asking about and sharing Cassie’s love of carrot cake (and remembering her birthday) shows an attachment that Roxanne seems to have with no-one else, as thinking of herself does not conflict with thinking of Cassie.

5. in the cutouts of Cassie and Roxanne standing side by side, they’re mirrored. Cassie has similar makeup on to Roxy, and is holding her mirror the exact same way. Cassie wants to be exactly like Roxanne, to the point of copying her actions and being dolled up like her. these images of the two of them are simply to establish a connection between them, so it hurts a lot more when it comes down to de-activating Roxanne.

6. Roxanne, despite being so angered at the idea of not being pretty and being so damaged, has no hesitation in jumping to save Cassie despite possibly getting more damaged or even being completely broken because of it.

7. the line “it has been some time since i saw you last” can be interpreted as Roxanne had thought of Cassie since the last time she had been to the pizzaplex. it makes their reunion all that more heartbreaking because when Roxanne meets her again, it’s for Cassie to deactivate her.

8. Roxanne asking if Cassie had booked her party yet, is essentially Roxy asking if Cassie was going to come back and see her - Cassie, the only kid that Roxy is shown to have a connection with.

9. Cassie stroking Roxanne’s fingers before deactivating her, as if to give her the last comfort she’ll ever feel.

anyway that ends my rant. they’re just so special to me despite them having like 3 interactions. they are the true little sister/big sister animatronic and human pairing we needed. if I don’t get an ending where they’re sitting on the hill eating carrot cake, the developers are going to get a very strongly worded email.

(just to clarify months on from this post, the developers have received a very strongly worded email.)