Alfred's day off came as he went for a visit that cause suspicious in the batfam.
Alfred was looking rather energetic and enthusiastic as he was fixing himself up in the mirror, cleaning any lint and dust on his casual clothes.
The batfam has been noticing he is getting more excited that he even made everyone's favorite lunch in record time as today was one of alfred rarest day off.
Tim on the other hand is thinking that alfred might be dating someone, because he saw alfred bring light blue letters that had a soft jasmine smell.
Bruce believes Tim finally lost his marble because when does alfred had the time to date around.?
Until Dick mentioned that even old people get lonely and tend to matchmake in the form of letters like the good old days..
Which right now the batfam and Bruce leading them are currently spying on Alfred far enough where they think he wouldn't noticed them stalk- observating him.
Alfred was picking up a couple of presents, one that had plants, another had old Techno theme, one with birds, a fire theme one and a space theme present that he loaded his car with along with a stuffie bear.
Steph thinks that he could be visiting relatives at that point..?
While Bruce was remaining quiet with a calculating glint in his eyes.
They follow alfred all the ways to the one of the barely remaining clean parks, where a another young man sat with a orange hair little girl in a light greenish blue dress, a sleeping baby girl in a bassinet on a picnic blanket with a purple clock theme pattern, as he watches 4 toddlers playing and squealing around a oddly colored puppy.
Two toddlers look like a bait-adoptable bait even if both has stripes of white in their hair and one had red eyes, one toddler had blonde hair with the tips being black with purple eyes and a lightest greenish skin tone, and the remaining toddler was Egyptian African American looking with how he playing with a odd toy phone that look Egyptian theme before being dragged along to play by the green dog snatching his toy phone.
Alfred brought the presents along sitting down with the now seemingly much older man..
Jason seemed to noticed that nobody else is noticing that that guy holding the clock like staff is literally shifting from young, to adolescent, to young adult, and elderly man beside himself when he voiced his concerns.
They weren't close enough to hear what the two were saying, but the little girl with the orange hair was speaking mostly before looking up with tearful green teal eyes at alfred who went to comfort the girl.
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Headcanon that Leo really loved to give his family massages growing up. We know that he’s good at them from the episode “You Got Served” and we know he likes spas and relaxation and getting massages himself from when he tried to get these in “Bad Hair Day” and from when Donnie made a tennis ball massage machine in “Smart Lair.”
So I think it’d be cute to think that maybe one day Leo overheard Splinter complaining about a bad back and immediately Leo thinks back to a comic or movie or something he saw where a massage helped so he offers to give one and it actually ends up helping Splinter.
Then April swings by the Lair at a later time and mentions her back hurting because of her backpack from school and Leo’s all like “I gotcha!”
From there, he occasionally manages to convince Donnie to sit for one because Donnie’s shrimp posture does not help him any (Leo pokes fun at how sandpaper-y Donnie’s shell is despite knowing it’s always like that and Donnie smacks him for it.) Donnie usually prefers hand massages instead however as all his typing and inventing adds up over time, and shoulder massages too once he starts wearing his battle shells more. Leo also figures out how to give massages to Raph and Mikey’s shells as well, though it’s a struggle at first to not scratch his hands on Raph’s spikes.
I think since Leo has such bad luck with spas and the like, he tries giving himself massages (though it’s not as helpful.) Like, with how his abilities work his legs are probably always aching from his portal jumping and one foot landings, so maybe he branches past back massages out of a need to help his own aches too. (Though he really wants a shell massage himself, the same way he’d give them…the one time with Donnie’s tennis ball massage machine was but a short moment of what Leo’s been missing out on and what he’ll continue missing out on…)
I don’t know, I just think it’d be cute to think Leo could have honed his massaging skill this way in order to help out his family (and also partially because he wants a massage himself.)
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Are you a Barbatos fan? Are you wondering if you should bother to read the event story because they have inexplicably given him yet another sports-based event? Are you thinking it won't even be worth it because you likely won't get to kiss him anyway, just like last time?
Fear not. For I, a fellow Barbatos simp, am here to tell you that this event will indeed be worth your time.
There is a kiss in the longer route! The shorter route is actually really cute and has much flirting! There is a lot of Barbatos screen time! It was more about dust storms than races!
A selection of screenshots for your perusal below the read more, which I am including for those who wish to avoid spoilers.
Short route ends in Barb's room where he proceeds to talk about how pleasing it is to say your name.
Forgive? Sir, please, your feelings are all I want, all day every day.
Middle of the long route finding you holding onto Barb for dear life?!
NOT A SINGLE GRAIN OF SAND. Like listen here, our lives are at stake and you're spouting this kind of poetry?? Never stop.
End of the long route finds you somehow in a sky full of stars because now everything is good and Barb's getting poetic on you again?
SEAL IT WITH A KISS.
Here lies CC, who died because Barb had too much rizz.
In conclusion, I still don't understand why they keep giving Barbatos the sports themed events. (Also remember the one that was a gaming event? That felt rather unrelated, too.) And I would really love an event that was just... I dunno tea shopping or something with him.
But this one wasn't bad and it really focused on him a lot more than I was expecting. ALSO WE FINALLY GOT TO KISS HIM.
In the first half, he does invite you to a Devildom race. And like listen, I love Barbatos, I really do. But there is nothing in all the three worlds that would get me to join a race of any kind. I hate running. I would die within seconds. At least in the second half, you were overseeing the race rather than participating. And they just skipped over that part in the first half too. But still!
Anyway, all of this is to say that I think you'll like it if you like Barbatos.
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just woke up from a baby dream and I'm a sobbing wreck :) anyway Logan Huntzberger doesn't expect much from his future besides monetary success, partying, and a lot lot lot of sex. he definitley doesn't expect to look up one day and realize he's sharing a home, a life with someone. not only that, but he's the one that instigated it. he told you in college he didn't like you being around other guys. he stopped caring about the girls that he would go between, because now he just seems to care about you. everything else falls to the sidelines. so he comes back to his big fancy house after an important business meeting on the golf course, and he sees you there. some old sitcom is marathoning on tv, and you're wrapped up in fluffy blankets, hair up and out of your face. you look so cozy, so comfortable. you keep adjusting the blankets, fussing with them as you hum softly. he walks closer, overcome with a feeling of love and swelling pride and... paternal instinct he's never felt. your son Henry, just a month or two old is bundled on your arms. you look up at Logan and smile so warmly he could cry just from the look on your face when you see him.
"hi," you breathe softly. Henry's settled down, so you don't want to rile him up too much, but he's not all the way asleep.
"hey ace," he breaths, sitting next to you. he wraps you in his arms and kisses you, meeting forgotten as you both admire you baby boy together. you rub his tummy gently, soothingly, and Logan smooths his hair. it's short and fuzzy, and a little prickly. it makes him laugh softly. Henry is wearing the white and blue onesie Honor got for him at the baby shower. he makes a mental note to take some pictures to send her of him wearing it. the soft fabric of his polo shirt and the smell of his cologne mixed with the distinct remnants of golf course air is so comforting. he watches you admire your son, trace the shape of his cute little nose, copy the faces he makes, babble little noises at him. he watches you smooth his hair and help him get comfortable in your arms, watches you place your finger in his hand so he can hold onto it with that surprisingly strong baby death grip. Henry wiggles around, getting comfortable in your arms, and you kiss his forehead again. once you're sure that he's settled, not too warm and not too cold, comfortable and lying safely, you can finally relax. you rest your head on Logan's shoulder, closing your eyes and finally letting yourself relax and rest a little. you take in a big deep breath of his masculine scent, somehow both spicy and refreshing, and sigh. you're content. you're more than content, he realizes. you're happy. Logan... made you happy. he found out what you wanted and built you a life you want, a life he wants. it hits him like a ton of bricks in one overwhelming, amazing moment, and he soaks in the feeling, watching the way your sleeping babys face and yours mirror each other.
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the brilliance of jay's progression in countdown is that it gives you a promise of positive character development, and then it breaks it. and it does so intentionally, in the most diverting way, to emphasize jason's inability to escape the cycle.
or, another post breaking down the series, where i repeat myself a lot but also make a clearer argument.
there are three notable events that happen at the beginning: the subtle showcase of jay's internal conflict considering his approach toward killing (the very first encounter with duela and the monitor), jay reaching out to donna in crisis ("i guess I just wanted to be around someone else who might know how it feels…"), and finally – his helmet shattering. these scenes tell you: jason's direction as a character is changing, and it seems, for the better. he's about to abandon his trauma-based (no matter how ironic, it does remain tied to his trauma) identity, he is connecting with people, and he seems to be on a brink of understanding that his moral standing does not provide easy answers or solutions either.
and for the most part of the series, we see that narrative unfolding (even if a bit non-linear, still innocently convincing way). it is, in many ways, supported by bringing up features of his characterisation from the 80s. jason remains, of course, still unpleasant in ways typical for this era of writing, and is conflicted and disagreeable, which makes sense for his utrh/post-utrh personality. however, there are also details that bring us back to his original robin run and his cameos on ntt – we see him being responsible (e.g. #43 – suggesting to bring in other superheroes in crisis, even though he clearly is not keen on the idea of working with them), determined (#16: “isn’t that your super-power, stupid boy? too stupid to ever give up?” “maybe it is”), sensitive (half of the whole storyline, really), caring for gotham (gotham by gaslight) and people-oriented (as early as #51).
the issue that particularly signals that jason is an inherently good person and externalizes his internal conflicts regarding classic heroic vigilantism vs his cynical approach is #30, where we meet batman of earth-15 – alt jason, whom our jason attempts to punch in the face.
and on topic of batman – jason is always gravitating towards batman. in gotham by gaslight jay looks delighted to see (the foreign) bruce and suggests checking with the local bat. then, earth-51 arc arrives.
earth-51 arc (#16 - #13) is a culmination of a promise of catharsis for jason. we have already seen him as batman, as a confirmation that a different life for him is possible. and here he has a chance to come to terms with his past and overcome it. he meets a version of bruce who has done exactly what he wanted him to do in utrh: killed the joker and the rest of the rogue gallery. what is most important – he is disappointed with this version of his father. we realise that jason, deep down, has an intimate and intuitive understanding of what batman stands for; and that he shares most of his values. this is a truth that you can't ignore especially since jay is the one to inspire this hollow, cynical version of batman to go out and fight in a seemingly lost battle.
and then batman dies. right in front of him.
this is a central moment of the narrative, for many reasons, most strikingly:
the symmetry:, a premise known from the lost days, becomes literal. this "the father had lost a son, and now the son had lost the father" is a cruel parallel to a death in the family and bruce's grief. jason's death created a gap between them that jay has been desperately trying to close, with no avail – because in bruce's mind, jason remains dead. now that jason is grieving bruce, the connection closes on both sides, and there's no way for either of them to reconcile the mourning with the reality of the other being truly alive. in this sense, the arc solidifies that jason can never come home.
no good deed goes unpunished. as i have mentioned before, so far jason is established as someone good at heart, but confused; and the reader intuitively assumes that his better, honest side will win. yet, the moment jason gives in to hope, it victimises and retraumatizes him. this event, again, brings to mind his own death, when he tried his best to save sheila and ended up paying the highest price for it. so, narrative-wise, jason is always punished for his kindness.
perhaps because of the nonchalant act that jason pulls off, many readers seem to miss that everything that happens after that arc is an upshot that follows logically from it.
jason's immediate determination to leave – and later a short period of indecision that ends up with his dramatic exit, pushing his team away, makes perfect sense when you consider what intense trauma he has just gone through. admittedly, i'm not a fan of the notion that he would give up at all (i think he's always ready to give up on himself, but not on the world), but then on the other hand, if there's anything that would cause it, narrative-wise, witnessing batman dying does sound like a good incentive for that. (it also has to be pointed out that jason seems to be confident that the rest of the team can go into the final battle without him anyway; it's not like he would go back to his earth not even knowing if said earth will exist tomorrow).
it's crucial to notice that following that crisis of faith (faith in fighting for the world) is followed by him raising up for the challenge again, but now... worse and even more confused. in the final confrontation with donna, jason antagonizes the superhero community, and when we see him at the end of the series (#1) his monologue indicates that he believes the capes to be naive. (significantly, he also focuses on bruce and offends the memory of 51 earth-bruce by calling him crazy; an action that can be seen as suppression of his own guilt and invoking, once again, a cruel symmetry considering bruce's engagement in victim-blaming after jason's death). this, once again, is consistent with the "no good deed" reading – jason diminishes superhero values because he has been continuously punished for living by them. (and unlike other superheroes, he doesn't have a support system nor skills in compartmentalization that would help him deal with this trauma) every leap of hope re-traumatised him. hence, it seems to be no surprise that jason decides to abandon the mask, and in the closing scene we see him without it. the promise of the shattered helmet is pushed to an extreme – jason does not get a new alt identity. he denounces the idea of superheroism completely.
and yet, what is ultimately subversive about the ending, is that jay is not truly a civilian and he does not abandon vigilante ways. he does the same thing. we see him without a mask, but he is clearly working a case. he might have rejected the symbolic dimension of the vigilante work, but he still carries the same delusional hope for bettering the world and protecting people that the superhero community does. only now, he is even more isolated and doesn't have any identity to go by (as he is still legally dead).
as such, the ending opens a new question regarding jason's understanding of himself and vigilantism, or rather the lack thereof. is it possible that vigilantism is really at the core of jay's trauma? and why, potentially, is it something that is so destructive for him as a character specifically? (and i have some answers for that, but i'm not going to get into it here, as it's already a very long post)
so, tldr; the genius of countdown is that it establishes jay as sensitive, determined, and fundamentally good (this is what the purpose of seeing him as batman is!), and then it brutally reminds the reader that jason’s tragedy is that on this specific earth, in this specific timeline, his love doesn't matter in the grand scheme of things. the story goes on as it did; one way or another, jay is trapped in the cycle of his care ironically creating rifts between him and the others, and bringing him to his own downfall.
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