Writing Tips/Tricks, Original Works, Supernatural Fanfics, Jensen Ackles Fanfics, & Misha Collins Fanfics
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WE LOVE A CHAOTIC COVER!
Welcome to The Character Backstory Workbook. In this workbook you will be given the space, figuratively and literally, to build 3-dimensional characters that you know like the back of your hand. This book will spark ideas, answer tough questions, and (for some of you) fill plot holes. Most people cannot create a character with a simple template that asks you what your characterâs eye color is. Thankfully, this book goes much deeper with over 60 pages and 100+ questions.
Workbook contains:
â˘Â   A family history deep-dive
â˘Â   A closer look into your characterâs childhood
â˘Â   Explores their platonic, familial, and romantic relationships (past and present)
â˘Â   Examines their goals, desires, fears, flaws, strengths, and more!
Click here for the workbook
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Advice for writing relationships
Ship Dynamics
How to create quick chemistry
How to write a polyamorous relationship
How to write a wedding
How to write found family
How to write forbidden love
Introducing partner(s) to family
Honeymoon
Date gone wrong
Fluffy Kiss Scene
Love Language - Showing, not telling
Love Language - Showing you care
Affections without touching
Giving the reader butterflies with your characters
Reasons a couple would divorce on good terms
Reasons for breaking up while still loving each other
Relationship Problems
Relationship Changes
Milestones in a relationship
Platonic activities for friends
Settings for conversations
How to write a love-hate relationship
How to write enemies to lovers
How to write lovers to enemies to lovers
How to write academic rivals to lovers
How to write age difference
Reasons a couple would divorce on good terms
Reasons for having a crush on someone
Ways to sabotage someone else's relationship
Ways a wedding could go wrong
Arranged matrimony for royalty
If you like my blog and want to support me, you can buy me a coffee or become a member! And check out my Instagram! đĽ°
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50 WORDS TO USE INSTEAD OFÂ âSAIDâ
Do you ever find yourself over-using the word âsaidâ in your writing? Try using these words/phrases instead:
stated
commented
declared
spoke
responded
voiced
noted
uttered
iterated
explained
remarked
acknowledged
mentioned
announced
shouted
expressed
articulated
exclaimed
proclaimed
whispered
babbled
observed
deadpanned
joked
hinted
informed
coaxed
offered
cried
affirmed
vocalized
laughed
ordered
suggested
admitted
verbalized
indicated
confirmed
apologized
muttered
proposed
chatted
lied
rambled
talked
pointed out
blurted out
chimed in
brought up
wondered aloud
(NOTE: Keep in mind that all of these words have slightly different meanings and are associated with different emotions/scenarios.)
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Hi so I wanted to ask, how do I write a confident character? (Specifically one in high standing, like a prince or a king)
10 Traits for Confident Characters
1 - Confident Body Language - Confident people display good posture (standing up straight, shoulders back, chin up), strong eye contact, and body language that appears positive and secure.
2 - Listening More Than Speaking - Babbling, interrupting people, and monopolizing conversation are signs of insecurity, so confident people tend to listen more than they speak.
3 - They Don't Seek Validation From Others - Confident people know who they are, what they can do, and know their own value, so they don't seek validation from others.
4 - They Don't Overthink Things - Confident people are good at evaluating a situation and making a decision rather than fretting over the different choices.
5 - They're Not Judgmental - Passing judgment and being critical of others isn't something confident people do, because they don't need to lift themselves up by knocking others down.
6 - They Speak with Purpose - Confident people are clear about their feelings and desires. They say what they mean and mean what they say. They don't tend to hem and haw or say things like "um" or "uh" when they speak.
7 - They Accept Responsibility for Their Mistakes - Confident people don't deny responsibility or blame others for their own mistakes. They own up to what they did wrong, apologize, do what they can to rectify the situation, and vow to do better.
8 - They Take Calculated Risks - When opportunities come along, confident people aren't afraid to take them, even if there are risks. They just analyzed the pros vs the cons first to make sure the risk is worth the potential reward.
9 - They Lift Others Up - Not only do confident people not tear others down, they actively lift people up and celebrate the people around them. They are fully aware of the contributions made by others and are happy to recognize them for it.
10 - They Ask for Help When Needed - Confident people know there's no shame in asking for help when it's needed, so they are able to ask for assistance without feeling bad, guilty, or ashamed. They also see the value in learning from others who may have abilities and skills they do not.
â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘
Iâve been writing seriously for over 30 years and love to share what Iâve learned. Have a writing question? My inbox is always open!
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how to be more creative?
Three Steps to Being More Creative
Step One: Filling Your Creative Well
You can't create something out of nothing. You need not just the right tools and medium, but also knowledge, ideas, and skills to help you know what to do with those tools and that medium.
Ideas come from the data that's already stored in our brains. That data comes from a variety of places: your day-to-day life, your life experiences, what you hear about others' day-to-day lives and experiences, your experiences with the people and places around you, etc. Any little thing your brain absorbs can become an idea.
So, the number one thing you need to do if you want to be more creative is to fill your head with ideas. I like to call this "filling your creative well," because it's all about filling up your brain with a variety of experiences, stories, and experiences so that you have someplace to draw from when you need ideas.
Guide: Filling Your Creative Well will walk you through how to do that.
Step Two: Learn to Take Creative Risks
Another important part of being more creative is learning to take creative risks. By trying a variety of creative endeavors, even if they're not something you think you'll be good at, and by trying new things in current creative endeavors, you can exercise and expand your creativity. For example, grab a friend or family member and head to one of those "paint and sip" places where they guide you through doing a painting. Alternatively, a lot of craft stores offer free and inexpensive classes that teach you how to do different crafts. You could also go on YouTube and learn how to do something you've never tried before, like origami, crocheting, or calligraphy. Even doing things like building and decorating homes in The Sims, decorating homes or your island in Animal Crossing, or any game where you get to exercise creative choice is a good way to try new things and take creative risks. For writing, try doing some writing prompts or participating in a writing challenge, like a six-word story contest or challenge yourself to turn a favorite song into an actual story (just for fun and personal use.) If you've never written fan-fiction before, try that! Or try writing a story in a genre you've always wanted to write but never have before. Even reading a book, watching a TV show or movie, or playing a game in a new genre can help expand your creative horizons.
Step Three: Let Go of a Need for Perfection
One of the biggest enemies of creativity is a feeling that everything you create needs to be perfect, and this is such an unfortunate thing because most things that require creativity are not things you're ever going to do perfect the first time. So if you can't get past this need to be perfect, you'll never be able to exercise and grow your creativity. So, don't be afraid to paint a bad painting, crochet an uneven scarf, fold a lopsided paper crane, or write a bad story. The point isn't to be perfect or even good. The point is to do it, because even bad art is good practice.
And... if you just wanted to know how to be more creative within a story you're writing, all of the above advice still stands. Fill your creative well, take creative risks, and let go of a need for perfection. âĽ
â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘
Iâve been writing seriously for over 30 years and love to share what Iâve learned. Have a writing question? My inbox is always open!
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VISIT MY Master List of Top Posts
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Question!!! But how do I integrate subtlety into my writing? Like I have a hard time picking up on it and I annoyingly have a tendency to tell not show, so I wanted to know if you have any advice!
Writing with More Subtlety
-- Getting the hang of "showing vs telling" is a great place to start if you want to integrate subtlety into your writing. Saying, "Moonlight glinted off the lake," is more subtle than, "The moon was shining."
Guide: Showing vs Telling
-- Learning to evoke emotion and ambiance with sensory description is another way to write with more subtlety. After all, saying, "The house was scary looking," is not as subtle as, "Thick fog curled around the decaying timbers of the once grand Victorian home."
Horror by Darkness Horror by Daylight
-- Knowing what internal and external cues can be used to illustrate your characters' feelings is also helpful, because, "Sarah was sad," is not as subtle as, "Tears pooled in the corners of Sarah's eyes, and she bit her upper lip to keep it from quivering."
Showing a Character's Feelings The Subtle Signs of Romantic Interest and Love
-- Learning to weave details into your story is also helpful, as it's more subtle to work details in naturally than to do a big info dump.
Weaving Details into the Story
-- Finally, learn to drop hints rather than declare something outright.
Dropping Hints without Giving Everything Away
I hope that helps!
â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘
Iâve been writing seriously for over 30 years and love to share what Iâve learned. Have a writing question? My inbox is always open!
LEARN MORE about WQA
SEE MY ask policies
VISIT MY Master List of Top Posts
COFFEE & FEEDBACK COMMISSIONS ko-fi.com/wqa
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To all writers who like to put Trauma onto there OC
My therapist recommended, 'Let your book characters suffer, so that you don't need to put all the stress onto yourself.'
This means MAKE IT DARKER .
DESTROY THE LIFE OF YOUR OC.
DESTROY THEIR MENTAL HEALTH
Because it can help you not to destroy yourself (or maby a bit atleast)
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How do i Plot a Book?
1. Start with an Idea:
Begin with a clear idea or concept for your story. This could be a theme, a character, a setting, or a unique scenario.
2. Outline Your Plot Structure:
- Introduction: Set the stage by introducing your main character, the setting, and the initial situation.
- Inciting Incident: Present a problem or event that disrupts the status quo and sets the story in motion.
- Rising Action: Develop the plot by introducing conflicts, challenges, and obstacles that the protagonist faces.
- Climax: Reach the story's highest point of tension and conflict where the protagonist confronts the main challenge.
- Falling Action: Address the aftermath of the climax, tying up loose ends and resolving subplots.
- Conclusion: Provide a resolution to the main conflict, wrap up the story, and show the character's growth or change.
3. Create Well-Defined Characters:
- Develop your main character (protagonist) with clear goals, motivations, and flaws.
- Introduce supporting characters with distinct personalities and roles in the story.
4. World-Building:
If your story is set in a unique or fictional world, develop the setting, rules, and details necessary for readers to understand the environment.
5. Conflict and Stakes:
Ensure that your story has compelling conflicts that drive the plot forward. Make the stakes clear to the reader.
6. Subplots:
Develop subplots that add depth and complexity to your story and intersect with the main plot at various points.
7. Foreshadowing:
Use foreshadowing to hint at future events and create suspense.
8. Pacing:
Balance action, dialogue, and introspection to control the pace of your story. Speed up or slow down as needed for dramatic effect.
9. Themes and Messages:
Consider the themes or messages you want to convey through your story and how the plot can reflect them.
10. Outline Chapter by Chapter:
Create a chapter-by-chapter outline that details what will happen in each section of your book. This doesn't need to be overly detailed, but it can serve as a roadmap.
11. Writing and Revising:
Start writing your book based on your outline. Be open to changes and revisions as your story develops.
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No to overwriting
In my last post, I mentioned things you don't need to worry about when writing your first book, including going into excessive detail.
Today, I want to dive deeper into one of those aspects: the idea that you don't overwrite in your first draft.
When you're embarking on the exciting journey of crafting your first book, it's easy to get caught up in the desire to make every sentence perfect, every dialogue sparkling, and every description exquisitely detailed. While these are certainly important elements of great writing, they don't need to be perfected in your initial draft.
Here's why:
Flow and Creativity: Your first draft is where the magic happens. It's where your creativity flows freely, and the story unfolds without restrictions. Overthinking and overwriting can disrupt this natural flow and stifle your creative voice. First drafts are for doing. For getting the idea down!
Stress Reduction: Focusing too much on perfection in the first draft can be stressful and overwhelming. It might even discourage you from continuing. Remember, it's okay to let your ideas flow without immediate scrutiny.
Revision Comes Later: Writing is a process, and revision is a critical part of it. You'll have ample opportunity to refine and improve your work in subsequent drafts. This is the stage where you can fine-tune sentences, fix grammar, and add the right level of detail.
Progress Over Perfection: The goal of your first draft is to get your ideas down on paper. It's more about progress than perfection. Don't let the pursuit of perfection hinder your progress as a writer.
Happy writing!
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What to give a fuck about,while writing your first draft!
I`ve posted a list about things you don´t need to give a fuck about while writing your first draft. Here are things you NEED TO CARE about! (in my opinion)
Your Authentic Voice: Don't let the fear of judgment or comparison stifle your unique voice. I know it´s hard,but try to write from your heart, and don't worry about perfection in the first draft. Let your authenticity shine through your words.
Your Story, Your Way: It's your narrative, your world, and your characters. Don't let external expectations or trends dictate how your story should unfold. Write the story you want to tell.
Progress Over Perfection: Your first draft is not the final product; it's the raw material for your masterpiece. Give a fuck about making progress, not achieving perfection. Embrace imperfections and understand that editing comes later.
Consistency and Routine: Discipline matters. Make a commitment to your writing routine and stick to it.
Feedback and Growth: While it's essential to protect your creative space during the first draft, be open to constructive feedback later on. Giving a f*ck about growth means you're willing to learn from others and improve your work.
Self-Compassion: Mistakes, writer's block, and self-doubt are all part of the process. Give a f*ck about being kind to yourself. Don't beat yourself up if the words don't flow perfectly every time. Keep pushing forward and remember that writing is a journey.
Remember, the first draft is your canvas, your playground. Don't bog yourself down with unnecessary worries.
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The latest episode of Our Opinions Are Correct is about how to write violence in your fiction -- from fight scenes to big battles. How do you show the cost of violence, and make it count? We talked to Lauren Beukes and Fonda Lee.
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Best Writing/Planning Software?
I'm looking for a recommendation for ANY type of software or app (I use a Macbook Pro) to help me organize all of my character sheets, outlines, and all that jazz. I've been using the tried and true massive notebook and pen method, but it takes me forever to find what I need even with sticky notes marking everything. I'm dabbling with Evernote right now, but I would LOVE any other sugestions
#tumblr writing community#writrblr#writing advice#writing resources#novel planning#fanfic planning#writers on tumblr
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Very Useful Information!
Punctuation Rules
Punctuation is like the very last thing I actively think about when writing something (what's the point of fixing the punctuation of a sentence you'll end up taking out or editing anyway?) but it is still an important step!
Having proper punctuation increases your credibility and the overall quality of your work. Also, itâs doubly important in professional work, emails, and resumes. With that, letâs get into it!
Commas
We use them all the time. We get them wrong all the time. There are six rules for where you can use commas:
Use to separate items in a list or series:
The book was long, tedious, and painful.
The comma after tedious is called the Oxfordâs comma. Feel free to debate if you need it in the reblogs, but you wonât get in trouble professionally if you use it or leave it out (in most cases.) It always comes before âandâ in a list to prevent confusion of the items:
I ran into my mother, my best friend and a scientist. (1 person?)
Is very different from
I ran into my mother, my best friend, and a scientist. (3 people)
2. Use to separate independent clauses, with a coordinating conjunction.
An independent clause is just a sentence that makes sense on its own.
A coordinating conjunction is: and, but, or so.
Miley had a ton of work to do, so she set her alarm early.
3. Use after an introductory statement.
Introductory statements begin with many different words, but typically: Before, after, when, while, as soon as, etc.
Before her first class, Stacy looked up her prof on Rate Your Teacher.
Main point about this, âBefore her first classâ is not an independent clause, it needs a second part.
4. Use to surround info in a sentence
This info is not essential to the sense-making of the sentence, but it should be relevant.
Parents, no matter how skilled, cannot function at 100% all the time.
5. Addresses and Dates
6. And with direct quotes
Important for essay writing.
Casey said, âI hate this house!â
Colons:
Introduce a list after a complete sentence:
I have three favourite foods: spaghetti, chowder, and garlic bread.
2. Use after âthe followingâ or âas followsâ
Please provide the following information: your date of birth, full name, and address.
3. Don't use with sentence fragments
A sentence fragment is an unfinished sentence (that doesnât make sense on its own).
My favourite foods are: spaghetti, chowder, and garlic bread.
This is wrong because, âMy favourite foods are.â Isnât an independent clause.
4. Introduce an explanation
My parents ask one thing of me: that I try my hardest.
5. Introduce a quotation
Mom always quoted the bible: âThe truth will set you free.â
6. And times (12:00)
Semi-Colon:
Not super common, but makes you look good if you can use it properly.
Separate two related independent clauses
I never drink Starbucks; it tastes burnt.
2. Similar, but with conjunctions: however, moreover, therefore, nevertheless, etc.
I donât like Starbucks; however, it does the job.
Agatha didnât witness anything; nevertheless, she was called in to court.
3. Use to avoid misreading in a series
The invited guests are the club leader; the treasurer; the new member, Jason Tanner; and Wanda Johnson, the investor.
Semicolons clarify the separation between the four people. Had it been, âThe club leader, the treasurer, The new member, Jason TannerâŚâ it would seem that the new member and Jason Tanner are two different people.
Apostrophes â Possessive
âs shows possession of a singular noun
The girlâs parents were quite rich.
2. Sâ shows possession of a plural noun
The studentsâ books were all over the place. (there are multiple students who have books)
3. âs to singular words ending in s, and nouns that are plural
My bossâs office My childrenâs toys
Apostrophes â Contractions
Use to combine two words (they are, he is, there is, etc.)
It is -> Itâs a beautiful park They are -> Theyâre really good friends You are -> youâre good at this and so on.
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Useful Tools for Organization and Writing Ideas
The following tools are useful for writers who need something to help organize ideas, drafts, and other writing elements.
Organizing Ideas
Mind Meister (three maps free, monthly fee)
Create mind maps to explore and organise ideas electronically.
WorkFlowy (Free for 250 lister per month, Pro Plan available)
Create an easy outline for plotting your ideas.
Evernote (Free, paid plans available)
Keep and organize notes for reading
Templates created by other writers available to help you organize your writing
Writing
Livingwriter (purchase required, free-trial available)
Includes tools for all stages of writing and allows exporting for publication
Allows for outlining of plot points
Smart texts allows quick insert of characters and elements
Drag and drop for chapters
Cloud based to allow for multi-device writing as well as little fear of losing work
Scrivener (purchase required, free-trial available)
Drag and drop text to easily rearrange writing
Manuscript overview both before and after writing to allow both for planning an improvisation
Save research in app so you can flip easily between referential material and writing
Easy export in multiple formats
Collaborate
Google Docs
Allows you to share docs with various permission settings and includes the ability to add and review comments on a doc.
Draft:
Allows collaborative reviews of drafts between writers.
Edit
One Look Reverse Dictionary and Thesaurus
Lets you look up similar words but also look up words you canât remember but typing in the meaning
Hemingway Editor (free in web app only)
Reviews writing to offer advice on conciseness and gives a grade
Cliche Finder
Find cliches in your work so you can fix them
Dejargonizer
Detects the use of jargon so you can refine your writing
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Research Tips for Writing Your Book
Are you diving into the exciting world of writing and researching for your book project? Here's what you need to know to make your research journey a success:
Define Your Purpose: Before diving into research, have a clear understanding of your book's purpose and goals. Know the themes you want to explore and the message you wish to convey. This will give your research a focused direction.
Create a Research Plan: Outline the specific areas you need to research, set milestones, and establish deadlines. A well-structured research plan keeps you on track and helps you manage your time efficiently.
Use Multiple Sources: Diversify your sources. Books, academic papers, interviews, and digital resources each offer unique perspectives and insights. This diversity enriches your understanding and adds depth to your writing.
Organize Your Notes: Keep your research notes well-organized. Consider using digital tools like note-taking apps or physical notebooks with labeled sections for different topics. Efficient organization will save you time and effort later.
Fact-Check: Ensure the accuracy of your research. Verify any details that are crucial to your story or argument. Misinformation can erode your credibility and disrupt the reader's immersion.
Cite Sources Properly: Keep meticulous records of your sources and be diligent about citations. Use a recognized citation style (e.g., APA, MLA, Chicago) to give credit to the authors and avoid plagiarism.
Interview Experts: Reach out to experts or people with firsthand knowledge relevant to your topic. Interviews can provide you with valuable insights, real-life experiences, and unique anecdotes to enhance your book.
Visit Relevant Places: If your book is set in a particular location, consider visiting it if possible. Experiencing the environment firsthand can help you capture its atmosphere, culture, and nuances more authentically.
Take Breaks: Research can be mentally taxing. Don't forget to take breaks to recharge and maintain a fresh perspective. Stepping away from your work can also lead to new insights and ideas.
Stay Open-Minded: Be open to unexpected discoveries during your research. Sometimes, the most profound insights come from unrelated sources or tangential information that you stumble upon while researching.
Keep a Journal: Maintain a research journal where you can jot down notes, ideas, and thoughts as they occur. This journal can serve as a valuable resource when you're writing your book.
Join Writing Communities: Connect with other writers in person or online. They can offer guidance, share their experiences, and provide emotional support when you face challenges during the research and writing process.
Revise and Refine: Don't think of research as a one-time activity. Continuously revisit and refine your research as your book evolves. New ideas or directions may emerge, and you may need to adjust your research accordingly.
Respect Copyright Laws: Understand the copyright laws applicable to your research. Ensure you have the rights to use specific materials, especially if you plan to incorporate them into your book. Obtaining permissions or licensing may be necessary.
Balance Research and Writing: While research is crucial, there comes a point where you must transition from research to writing. Avoid getting stuck in a perpetual research phase. Once you have enough information to start, begin writing and integrate research as needed in your work.
Remember that your research phase is an integral part of the creative process. It's where the foundation of your book is built, and it can be a fascinating journey in itself.But keep in mind, as you're writing your first draft, you can never know everything, never research everything. A second opinion is always good, and for that, you can ask friends, family, or even me on this blog.
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Oc Ask Game - The Basics
Learn about each others writings, ocs, and so much more!
For this ask game, choose an original character and a number, and send an ask to the writer who reblogged this. Remember, be polite!
1. What is your ocs full name? Does this name have any special meaning/history?
2. Does your oc have any nicknames? How did they get these nicknames?
3. How old is your oc?
4. Does your oc have a defining physical trait? What makes this feature unique?
5. Does your oc have a defining personality trait? Why does this trait define them?
6. Whatâs your ocâs current job and whatâs their dream job? Do these jobs differ?
7. How would you describe your ocâs style? How would they describe their style?
8. What is your ocâs relationship status? Are they content with this?
9. How would you describe your ocâs personality? How would they describe their personality?
10. Whatâs your ocâs greatest weakness?
11. Whatâs your ocâs greatest strength?
12. What is your ocâs biggest fear? Why?
13. What is your ocâs most prized possession? Whatâs the importance/meaning behind this item?
14. Does your oc have any hobbies? How did they get involved in these?
15. Whatâs your ocâs favorite color? Does this color have any special meaning/symbolism?
16. Whatâs your ocâs favorite food? Why is this their favorite food?
17. Whatâs your ocâs biggest aspiration in life? Why?
18. Whatâs your ocâs relationship like with their family?
19. Does your oc have any defining skills? How did they acquire/learn these skills?
20. What does your ocâs bedroom/house look like? How does this reflect their personality?
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How to write romantic love
Writing romantic love is simultaneously one of the most joyful things you can do as a writer, and one of the most difficult. Thereâs a lot of emotion to cover - from the highs of a new relationship, to the struggles of a relationship on the rocks.
Like all of us, your characters will display love differently. Are they open and affectionate? Shy and nervous? Loud and blunt? To help you along the way, hereâs some examples of descriptions you can use to show (not tell) your readers that your characters are in love. Movement
Inching towards each other to touch
Shyly tucking stray hair behind the ear
Unconsciously parting or licking lips
Embracing with full bodies touching
Nervously shuffling feet
Running and reaching with open arms
Fiddling with hair or clothing
Crossing or uncrossing legs
Leaning forward to show attentiveness
A bounce in the step
Glancing flirtily over the shoulder
Facial expressions
Flirtatious winking
Smiling to themselves at nothing
Glancing up through lowered lashes
Unblinking eye contact
Grinning or beaming uncontrollably
A look of yearning
Lips slightly parted with desire
Dilated pupils
Glowing cheeks or flushed skin
Faraway, daydreaming look
Slight, secretive smile
Sounds
Deep sighs
Unconscious swallowing
Nervous coughing or throat clearing
Light chuckle with a silly grin
Grunts of appreciation or praise
An inner, audibly racing pulse
Thumping heart
Quick, short breaths
Low, whispered voices
Listening to love songs
Joyfully humming
Feelings and sensations
Nervous tingling
Butterflies in the stomach
Hot and flushed face
Hyper-sensitive skin
Acute awareness of personal proximity
Weak knees or legs turning to jelly
Shaky hands
Loss of speech or getting tongue-tied
Daydreaming and absentmindedness
Seeing the beauty in the world
Pulse racing
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