#i just tagged whatever ships i could think of

[the-gay-trashmouth]

Hi I would like to address these tags! Obviously no hate to you, I get what you mean, I just wanted to respond! Because I definitely don't hate Curly or think he's fully responsible for Jimmy's actions, but I do hold him in higher standing than Swansea in terms of responsibility.

As the captain, he had the most power in the situation and he had a lot more resources to use after he finds out what Jimmy did before the crash. even after Jimmy says to his face he could "crash the ship and they'd be remembered as heros" after Anya tells Jimmy she's pregnant, he does nothing to stop him from going into the cockpit. It's not until the sirens are going that he runs back to see Jimmy on the ground outside the door. Jimmy was literally telling him to his face that he would rather die than see consequences, but Curly doesn't take it seriously and let's him just. Go?

I definitely see how I could be interrupting Swansea too charitably.The idea of him protecting the only other entrance to medbay is more of a speculation than canon, and I definitely acknowledge that he could very well have seen it as "none of his business" until Daisuke died, or he didn't want to ruin his chances of getting Daisuke off the ship by pissing off Jimbob, but either way, he was just the ship's mechanic. He couldn't demote Jimmy, or open anything that needed that captain's scanner or security codes. He didn't even know what Jimmy did until After the crash. By then, all he had was the utility closet, an axe, and the one cryopod, and he made sure Jimmy didn't know about it for months. I think there's enough in the game to point either way in terms of how much he tries to help Anya, but in terms of resources, power, and time, Curly had the most opportunities to do something and yet sat back and let Jimmy continue to do whatever. Not without guilt, mind you, and not without a genuine attempt to make sure it all worked out, but he still let Jimmy continue on like nothing happened.

As for the company docking their pay, I also mentioned this as Curly being specifically incentivized not to do anything, but I don't think that excuses his actions. They might get their pay docked, but Anya has to live with her rapist in a ship with no locks on the sleeping quarters. I understand fearing consequences, but that's just ignoring her safety for his (and the rest of the crews) own monetary gain, which I don't see as a point in his favor but it does add more nuance to his decision.

My ending point (which came way late in the post, it was just me rambling for a while) was that while both Swansea and Curly do what they think is best, it's too little and too late. Curly thought keeping the peace would fix it, Swansea thought hiding things and just keeping out of the way would help fix it, neither of them took real direct action that would have stopped Jimmy. But even despite that, in real situations of abuse, there often isn't a "right" answer, and it's understandable when they get stuck in place trying to figure out which way to go. There was no way to guarantee Jimmy wouldn't have gone off the handle earlier if confronted. Like I said, what happened was no one's fault but Jimmy's, and on a larger scale, The Pony Express, due to multiple ways they fail Anya and incentivize coverups, but Curly, as captain, had a responsibility to protect his crew, but he chose to see the best in Jimmy, and he didn't take him seriously when Jimmy tells him Exactly who he is. Until he's forced to.

I think something that's bothers me about how folks talk about mouthwashing is how they talk about Swansea. It's either "Swansea would have killed Jimmy immediately if Anya had told him" or "he knew and he did nothing just like curly." because, to me at least it leaves out a lot of nuance to his character and situation. Curly and Swansea are really good foils to each other, one who's got a reputation for being the kind and helpful captain but in the end does nothing to truly protect the crew from Jimmy, and one who's gruff, harsh, and cruel but genuinely tries to help in the background, the reliable mechanic.

(read more for a long Mouthwashing character ramble tw for unwanted pregnancy and SA)

Because Curly is the one with the power. He doesn't take what Jimmy did seriously enough. And you can say that he might not have known fully what Jimmy did, but I think the "I told you" pregnancy conversation and his reaction to Jimmy right before the crash ("come on we'll get through this together. We'll figure it out, you've had hard times before-") are indicators that he knew, but he still chose to stick by his friend and treat it like a "mistake" rather than what it really was.

Now that's my own personal speculation of course, there's no outright scene of her telling him "your best friend assaulted me", but I think there's enough evidence in game through Anya and Curlys interactions to say that he knew, and he knew before Anaya knew she was pregnant. He had a fully functioning ship and four fully functional cryo-pods. He could have at least given Anya more security, kept her far away from him, and at most forced him into the cryopod until they got back to earth. Jimmy STILL had full, uncontrolled access to the cockpit AFTER his freakout with curly. AFTER Anya tells curly she doesn't feel safe with him. AFTER Curly finds out he raped Anya. He's so focused on seeing the good in his friend that he does NOTHING to protect Anya, doesn't strip away not one of Jimmy powers as copilot and consequently endangers her and the rest of the crew.

Curly was the captain, he had the power to relegate Jimmy to the fucking storage closet if he really wanted, at least put him in the cryopod until they got back to earth. In fact, he was the only person above Jimmy in terms of rank on the ship, but he chose to do nothing. He chose to let Jimmy continue as acting co-pilot, chose to comfort him rather than actually confront him. Slides off his weird sexual comments as jokes "So what's this about horses?"

Now let's compare that to Swansea, the mechanic.

We don't have any evidence that Swansea knew about what Jimmy did until after the crash ("it's been her telling me things") where they were trapped with no captain, barely any rations, and a single cryopod that he kept hidden away in the one room he had the key too (and the only room that could lead into medbay). He didn't use it for himself, he makes it clear he didn't intend on getting off this hunk of metal in his last few conversations with Jimmy.

Swansea as the ship's mechanic, was used to fixing things in the background. He didn't need to get along with anyone to keep the ship running, he didn't need people to like him to keep them safe. We see that with Daisuke. He's harsh on him, for sure, but he leaves constant notes to help him learn. Genuinely tries to keep him out of harm's way when it comes to more dangerous jobs. We know Anya was scared of Jimmy getting a weapon, she hid the gun case in the medical bay even knowing she would never get it open. We can see Swansea and Anya off on their own towards the first days after the crash, and Swansea still has a tight grip of the axe weeks and months later.

I personally think that was him trying to keep Jimmy from having access to a weapon. The only time Jimmy gets the axe while Swansea is alive is when Anya Specifically asks him to use it to get medical supplies. I don't think that's a coincidence.

Swansea, like any good mechanic, was quietly trying to keep things running out of Jimmy's sight. It's not until everyone is dead or dying that he snaps, that he finally takes direct action. But it was too little too late.

Both Curly and Swansea thought they were doing the right thing, helping in their own way. Curly genuinely wanted to see the good in Jimmy, wanted it to just be some challenge they could overcome, but in doing so he failed to see the monster right in front of him. He had all the power (in context of the crew, the company is a whole other can of worms I have so many other thoughts on), but he was too afraid to use it. Hell, he was DISCOURAGED to use it if the memo about HR complaints are anything to go by. Swansea, on the other hand, never trusted Jimmy, never even really liked him, but he didn't want to make anything worse either. He didn't know what would actually set Jimmy off, or what he was capable of, and aside from just straight up killing him what else could he do that wouldn't just push Jimmy further off the edge? Like with the foam. "One wrong move and you'll rip this ship a new asshole", he worked carefully, hiding the last pod from Jimmy, keeping the only other weapon on himself, guarding the only other entrance into Medbay, but Jimmy was escalating quickly. He underestimated how far Jimmy was willing to go, just like Curly had, and in the end suffered the consequences.

The only character who actually understood how dangerous and unstable Jimmy was is Anya. She knew the moment she found out she was pregnant he would hurt her ("you won't let me protect myself"). He wouldn't be able to take it, he would do something drastic. She knew he was escalating the longer they were stranded. Anya is the only crew member who truly understood how dangerous Jimmy was and took direct action.

And interesting thing to me is that she doesn't just kill herself. She locks herself in the medbay. She could have waited for Jimmy to sleep, or locked herself in the cockpit, but she locked herself in the medbay with Curly. She knows that with her gone there would be no one left to take care of him, she knew Jimmy would continue to escalate his abuse, and with her gone all of his anger and fear and guilt would turn on Curly.

And wouldn't you know it? She was right. Without Anya to stop him, he takes curly out of the bed, forces him upright into the cryopod, and forces a man with no skin, no arms, no legs, and infected tissues to be frozen for 20 years while the rest of his crew Rot. And that's only what we know to be reality- if any of his delusions had some basis in reality he could have done so so much more. Anya is the Only one to take reasonable, direct action to keep herself, and then Curly, safe.

But she didn't have enough power over Jimmy to truly protect herself. She didn't have the code to the gun case, she didn't have a weapon or a rank to fall back on. She was outnumbered by men who she knew from experience either wouldn't or couldn't keep her safe, and she was heavily pregnant with a baby she didn't want and most likely couldn't even get enough nutrients to sustain either her or the fetus. She was physically weakened and trapped in a stranded ship with her abuser with no way home and a medical miracle (curse) in Curly.

This game is a really good reflection of reality, in my opinion as an abuse survivor. Some people will see them as "one of the boys" and constantly excuse or downplay their actions (Curly), some people will do small things in the background, recognize the abuse and disprove, but don't want to get in the way or make things worse (Swansea), and some people are just straight up oblivious/naive (Daisuke). But in the end, it's the system that allows abuse and incentives coverups to keep peace or save face that really allows abuse to fester and escalate.

Which is why I personally have a problem with the idea that Anya should have just Told A Different Man because it ignores the very real chain of power and her own agency in her story, AS WELL AS the idea that Swansea and Diasuke knew but didn't care because that's just not reflective of real life. Not every man is some rapist apologist who doesn't care what abusers do until it happens to them, some people just don't know what to do, or don't have any good options that wouldn't result in further abuse. Hell some people just don't even fucking notice! Not everyone has had exposure to the signs or knows what to look for.

It's easy when looking at fictional depictions of abuse to say "well if I was there I would have just punched him/killed him/called the police" but real life, in that moment, its never going to be clear cut. You can call out abuse, but that might just lead to that abuser taking it out on their abuse victim later. They could even start to target you for daring to speak out, or try to hurt you and cut you off from the person being abused. You can know all the right steps and the right programs, but in the moment, when faced with a real situation where someone could get hurt or even killed? You stumble. You think things over, you don't try and make any direct moves that would set their abusers off. Sometimes that's a good instinct, and sometimes that just lets abuse escalate. It's never a good situation, and it's never actually anyone's fault but the abusers. And this way of thinking also conveniently leaves out the survivor of this abuse, and portrays them as someone who needs to be saved, rather than someone who needs support and resources to save themselves. It also very conveniently lets the company that Put Anya in this situation in the first place get off Scott free.

The solution isn't "oh one of the men on board should have personally killed Jimbo and saved Anya all by himself" its "Anya deserved the support of her crewmates instead of being forced into close proximity with her rapist and also maybe Jimmy shouldn't have access to the fucking controls or medbay or any weapons- AND ALSO the crew shouldn't have financial incentives not to report things to HR"

[creatingblackcharacters]

Some of my thoughts for your conversation about inaction towards antiBlack/racist behavior in shared online spaces (particularly fandom).

1. "I dont see it / I dont go here" - this was my first thought/defensive reaction and in reading others responses I think its a shared one.

Tumblr is perhaps unique in how purposely you can shape your experience and limit what you interact with. Blocking someone just cause is fully acceptable and expected here.

So, when Ive seen depictions of 'Black' characters that made me go, "Mmm idk man" its been my policy to just block and move on. Less chance of seeing a racist in the tags I like in the future *shrug*

Now on other sites perhaps there is some consideration that could be given to not wanting to boost something racist via interaction...but that's not how Tumblr works. Furthermore your reminder that seeing things go unopposed is the problem hit me like a frying pan to the face. Because...yeah duh.

We know the 'social rules' of this platform, you report/block the porn bots, you dont spam tags for engagement (or report if you see it), add image descriptions, reblog things you like etc. Would it be so hard to leave a simple comment on the things you want to see be changed?

2. "What if I do it wrong/I dont know this fandom/Not my place to speak?" - I firmly believe the main reasons people dont meaningfully engage with posts here or on other platforms is two fold: Responses and Outting.

If you were to post a mild comment saying for example, "Hey, feels kinda weird how you're only talking about this Black character being violent in this show. Why dont you check out this blog post by CBC, a Black artist who really digs into this topic more?"

Now you are expected to 1. 'deal' with whatever that persons response is and 2. Anyone an see and respond to what you said.

I think we generally expect random stranger interactions on the Internet to be unpleasant but, like if we are putting the focus on caring about Black people in out spaces...shits already 'unpleasant' for them.

Its time to start firing fireworks off in our neighborhoods to keep the rents low so to speak. You, non-Black folk (i.e me), dont have to wage endless comment battles with someone who wont listen. Just stating what you are seeing is enough, its marking that post for other people coming along. Forcing the question, "Y'all are we cool with this?"

As for messing up/having a record of things you said someone else might take issue with later on. Yeah but thats already happening whenever you reblog anything.

If you actually spoke out of turn just say, "Im sorry thanks for letting me know" and move on with your life. Otherwise folks on here will actually harass you over your shipping preferences so your rolling those dice already. Why not do it for something better worth it?

3. A Note - Genuinely thank you for posing these thoughtful question and just honestly expressing your frustration/hurt. It helped me think more deeply about some old habits.

Thank you!

Hm. And you're welcome

[zenkindoflove]

Fandom Shipping Terminology 101: ACOTAR edition

Hi! So I decided to put a little resource together for the ACOTAR fandom. Since many people join the SJM/ACOTAR fandom and have never been in fandom before, they encounter a lot of fandom terminology that they are not quite sure what it means or have seen others use it incorrectly so they get a false impression of the meaning of the word. So I put this together, including examples from the fandom, so that people can use it as a reference to learn more about what these terms mean and when they're appropriate to use. This list is focused on words related to shipping.

Tldr definitions (note: these are definitions that I wrote based on my own experiences/research on fanlore. These are always up for interpretation and meaning and nuance change over time and depend on fandom context)

Canon ship - a relationship where the characters have romantic interactions in canon

Fanon ship - a relationship where in canon the characters are platonic but the fandom has accepted as a ship with romantic undertones, canonical potential, or has become so popular within a fandom it's has surpassed the need/desire for canon

Crackship - a pairing of two characters where the idea of them together is strange or funny depending on the circumstances. Often in these ships, the characters have little or even no interactions in canon

Rare pair - agnostic to fanon or canon status. A rare pair simply means the fandom does not make a lot of fan content for it.

End-game - This is a canon ship that is together by the end of a series.

Slash ship - Fanon ships that feature queer relationships. M/M usually takes on the term slash and F/F has the term femslash.

OTP - Stands for One True Pair. This is a ship that a shipper considers to be the most important one that they love in a fandom.

NOTP - anti-OTP, or a ship that a shipper detests/is squicked out by

Multishipping - the act of shipping a character with multiple other characters.

For more context and thorough examples read more under the cut 

First, what the heck is a ship?

The origins of shipping and becoming obsessed with fictional relationships predate our modern understanding of fandom. Modern fandom roots can be traced as early as Star Trek: The Original Series. But the terminology of calling a couple you like a ship or the act of obsessing over fictional (and sometimes non fictional) couples "shipping" has its origins in the X-Files fandom. While ACOTAR is a romance, many fandoms do not have romance as a central element of its plot, and yet, shippers find a way. That's exactly what happened for the fans of Mulder/Scully. Those who wanted them to be in a romantic relationship were called "relationshippers" which then got shortened to "shippers". The verb "to ship" would appear later from this origin.

The way to think about "what is a ship" though is really based on do people think up romantic scenarios with these two characters? If yes, then you have a ship. And in ACOTAR, oh baby, are there MANY, MANY SHIPS.

Canon vs. Fanon ships

Where does a canon ship end and a fanon one begin? Now that, my friends, is not as clear cut as you might think.

I think this discussion is very important for the ACOTAR fandom because of the state of the ship war currently. Often, there is back and forth about which ship is canon or fanon (and *eye twitch* people throwing around crackship as a derogatory term to de-legitimize a ship which makes me wanna punch shit).

I'm gonna burst everyone's bubbles and say, I personally think Elriel, Elucien, and Gwynriel are all CANON ships.

Why? Well, that's the part that is up for interpretations my friends. What is deemed canonical romantic interactions? That is where a lot of lines can become blurry and if you have ever shipped a fanon ship before - you KNOW what I mean by that. Is it a charged glance? A caress of a hand that lingered too long? Is it a shared kiss? Or do the characters have to explicitly declare "I'm yours and you're mine"?

I've shipped a lot of kinds of ships. Canon. Fanon. Canon that had its end-game blown up. You name it, I've shipped it. And to me, a canon ship is anytime the writer of the canon is putting characters in a romantic situation, regardless if they end up together or not by the end of the series. If they wanted you to feel butterflies and think "could they?", and you felt butterflies, well my friends, you're responding to canon romance. And we've seen evidence of all three ships having those moments.

But, what does that mean for fanon ships? I have shipped a fanon couple where I got butterflies from their canonical scenes together. I've read into their moments and thought "wow, that was romantically charged". I think this is where the lines of canon and fanon are blurred. Because what this comes down to is, did the author intend this? Or am I seeing more into an interaction because I like it? Most fanon ships do hinge a lot of their interest in said ship because of what happens in canon. But, often times, the authors of said content are not necessarily wanting you to take away from their writing that these two characters are interested in each other romantically. You just can't help it. You see it. You see the potential, and you want it to go there so you see more of it the more you look.

Sometimes fanon ships are very clear that the canon is not even hinting at these two characters together romantically. And that is perfectly fine. To me, a fanon ship is a ship that has become so ingrained in the fandom community that the fandom thinks of these two together romantically. That it doesn't really matter anymore what the canon says or doesn't. The fandom has created this relationship and it lives and breathes within what the fandom builds for it. Azris is a perfect example of a fanon ship in ACOTAR. The canon interactions between Azriel and Eris are sparse and platonic in nature, yet the fandom itself has created a whole fanon around them with a large enough community that as soon as you enter the ACOTAR fandom, you immediately know this ship exists.

Rare pairs and Crackships

These two terms are often used interchangeably as if they are synonyms. Now, a rare pair can be a crackship but not all rare ships are crackships and vice versa.

Generally, a rare pair is devoid of canon or fanon connotations. A rare pair is a ship that receives little attention from fans and has few associated fanworks. So, a rare pair could be a fanon couple that few people think about romantically. For example, Emerie and Gwyn have a lot of interactions in canon. I would not think shipping them together to be a crackship because I mean, they're friends, they like each other, they read smut together. There are a lot of scenarios one could imagine them falling in love. But they have a whopping 12 fanfics under their tag in AO3. Therefore, they are a rare pair but not necessarily a crackship.

A rare pair can also be a canon ship. For example, Thesan and his unnamed lover are canon. However, when you look up their relationship tag on AO3, there are 23 works and most do not appear to be focused on them.

I also have seen people use rare pair for very popular ships (like Azris) when they mean fanon. Again, rare pair is really an indication of "how much fan content can you find for this" not necessarily are they canon.

Crackships really were birthed from the intention of putting two characters together "4 da lulz" to bring back early 2000s internet lingo. Crack shipping is usually a pairing that the idea of them together is a little absurd but also fun. Beron/Tamlin is a quintessential crackship example, especially why it came to be (but we will avoid getting into all the origins of that). There is no real reason to think Beron or Tamlin would ever have a romantic interaction and thinking about it makes you laugh. Crackships can sometimes turn into fanon ships. This is another example where the lines do get blurry. But really, crackshipping is about intention and the use of absurdism within fan creation.

I also want to say, often what I see in the Elucien v. Elriel and Elriel v. Gwynriel ships wars is the use of crackship in a derogatory way, and thinking that if one of these ships does not become end-game, therefore, it proves the other was a crackship. Simply put - no. That's not how it works.

End-game

Related to the above point, I think often where the ACOTAR ship wars really derail themselves, is conflating fanon/canon/endgame with each other. I don't see people often using the term end-game, when really, it would help so much with the judgmental and strange ship policing that this fandom loves to do. Specifically, this fandom has a hard time talking about the value within shipping fanon, or shipping the blurriness between fanon and canon for any characters that do not have end-game potential. ACOTAR is not a complete series. Therefore, in a strict definition, no couples are end-game. However, given the genre, there are several couples who are clearly going to be end-game. And really, what I think the ship war community needs in their discourse, is to start using the term end-game when they want to discuss the outcome of Elucien, Elriel, or Gwynriel having a canonical Happily Ever After. The reason being is that you can use end-game, and not insult another ship. End-game is simply a fact. There is no hierarchy involved in what ship is best or not. Because ships can be beloved whether they're canon or fanon or canon who did not end up together. And they all can have very valid reasons why people ship them despite not achieving end-game.

I also urge the ACOTAR fandom to realize that end-game is not the end of YOUR experience of your ship. Your ship lives on despite what the canon may or may not give you. Even if you ship a canon ship that does not achieve end-game, you can create those fanon end-games for yourself. Many popular ships end up being popular because of the effect of that ship not achieving end-game. And while I am using the prime-ship war as examples within this post, I've seen other microshipwars popping up within the fandom as well. So, I'm not trying to pick on this specific set of conflicts, it's just the one I see most prominently.

OTP vs NOTP

I think the ACOTAR fandom could also really benefit from adopting this terminology.

The point of declaring OTPs and NOTPs is a way for you to signal to others in your fandom, "This is how much I care about this ship. Whether I love it it or hate it. Tread carefully". These terms are not meant to say one ship is better than the other from a moral standpoint. Instead, it's to indicate to others that you have a strong preference. You're going to love your OTPs regardless of what arguments others throw at you to convince you to not love them. You will probably be very annoyed by your NOTPs regardless of what others try to do to convince you that they're actually cute/sexy/hot/perfect for each other. And what the ACOTAR fandom could benefit from, from readopting OTP/NOTP language, is having a common understanding where different shipping communities boundaries are and how they can better utilize those boundaries to prevent constant fighting. Now, ship wars are inevitable because of how people see their OTPs and NOTPs, but general rule of thumb is - don't engage with your NOTP's content for your own mental sanity.

Multishipping

Multishipping can be used in many ways. Some people use it to say, hey I'm in this fandom, and I ship a lot of couples. But the origins of multishipping as a term, comes from ship war discourse in other fandoms. Multishippers generally are people who ship one character with multiple other characters. For example, if you ship Elain/Lucien, Elain/Azriel, Elain/Gwyn, Elain/Tamlin, etc etc etc, you are a multishipper. I generally would not consider someone a multishipper if all of their ships do not cross streams. It just sort of means that you ship a lot of couples. Which tends to be normal for romance series with a lot of couples. Maybe not a single of those couples is your true OTP, and that's what you mean by saying you're a multishipper. And that's okay. I think though that multishipping generally in other fan spaces is a marker of you telling others that you don't draw harsh lines with who you see characters with. I often see multishippers not declaring NOTPs. It's kind of a state of how you go about shipping often. I, for one, identify as an OTP shipper. I've never really multishipped. But I also have a very strict standard of what I call my "ships". Anyways, this is to say, this term has a lot of uses. And sometimes it can be confusing which of these uses a person means when they say it.

Slash shipping 

I've seen over the years that slash as a terminology has fallen out of favor. In the past, slash shipping was the pinnacle of shipping in fandoms. The term slash comes from the first modern fanon ship, Kirk/Spock, where the / between their names, which we now all know and use to indicate a romantic pairing (note: & is used to indicate a platonic interaction between characters), exists because the Kirk/Spock shipping community really were the originators of shipping communities creating fan content and sharing it in with each other in a massive way. In general slash (and femslash) is an important modifier of shipping because it explicitly tells you that this is a queer ship which often were not mainstream and considered canon until more recently. With the rise of canonical queer ships, I think the subversiveness of shipping queer couples has lost it's edge, therefore slash is not needed as much anymore to directly state the nature of your ship.

I wanted to keep this in the post though, because I think it's incredibly important history for ALL ACOTAR fans to understand. Shipping queer couples, and especially shipping FANON queer couples, has always been the backbone of fandom. Kirk/Spock walked so Destiel could fly. These are all queer ships that have strong fanon roots (and that fanon has had impacts on their canon) and have shaped fandom and your concept of shipping and romance tropes in inextricable ways. You don't have / without Kirk/Spock. You don't have Omegaverse, without gay shipping within the Supernatural fandom. And I wanted to make this point because this fandom has a strong het (heterosexual) ship bias. Which is okay. It's a romance series with a lot of heterosexual canon couples. But, I think because of that, many people are not entering this fandom with an understanding that people shipping queer fanon couples have been the ones who were the originators of many fandom terms that we have come to know and use today.

Conclusion:

I hope you all found this informative and that you can take away something from this post that can help you have better interactions and ability to communicate with others in this fandom. Again, I want to stress, that this is heavily influenced by my own 25 years of experience being in fandoms. And I haven't seen it all. Others will have different interpretations of these terms and experiences using these terms. So, feel free to add on anything that you think would be helpful to those in the ACOTAR community to better understand how to "ship and let ship". I do think that ship war are inevitable and not necessarily a bad thing. But using the right terms can help you engage in a more respectful way within ship war discourse.

[normystical]

ATTENTION ALL ALASTOR SHIPPERS: 

uniromantic 

THANK YOU FOR YOUR TIME. PROCEED

[luck-of-the-drawings]

POOR GABRIEL MONTEZ! YOU NEVER SAW THIS COMING DID YOU? ALL YOU WANTED WAS POWER. SECURITY. SAFETY. & THATS EXACTLY WHAT YOU GOT! JUST IN EXCHANGE FOR YOUR BODY. LETS JUST HOPE NO ONE FUCKS THIS UP. LETS JUST HOPE YOU WONT HAVE TO CLEAN UP THE MESS.

[soupinaboot]

Grumpy character being called 'Sunshine'...

[ywpd-translations]

We need more engagement in this fandom!

So, as the title says, because I was thinking about this - I love this manga with all my heart as you very well know, and the main reason I started translating is because I wanted more engagement in the fandom, which was pretty much dead. Well, it still kind of is, which brings me here lol

I tried to keep this blog translations only to keep everything more in order and make it easy to find the various chapters and all, and I kept all my theories and ramblings either in the tags or on my main blog, except for the times I got asks.

But I would love for this fandom to be more active! I wanna talk about theories and headcanons and ships and all that! I want this fandom to start living again :')

So I was wondering - would you people like it if I started also posting about that kind of stuff? Reblogging fanarts, posts, fanfics or whatever I see around? Would you like to engage more in the fandom? I'm asking because: 1) maybe you'd prefer it if this blog stays translations only, kinda like an archive; 2) maybe there aren't many people who actually wants to engage in fandom activities anyway lmao

I'm asking honestly! I just really would love for this fandom to be active again :')

[whaliiwatching]

don’t talk to him ever again

—

based off this by riibbon on tiktok

[exoscreamsoda]

exo are 2 sec away from acting out fanfiction plots in this season of exo ladder

interlocking and holding a heart was not on my 2023 exo list, especially not with CHANBAEK of all exo ships.

chanyeol begging for a couple photo with kyungsoo was also not on my list...

the infamous "theres only one bed" fanfiction plot is not a punishment for chanyeol !!

im not sure what to even say about this... i guess he really is a catboy.

[ispridestillasin]

So I decided to watch a bit of Bridgerton with my mother, which I'm not really interested in (I don't really like period pieces unless it's a fanfic for a ship I like) but it's a show she enjoys so I sometimes catch her watching it and join her, and literally the only takeaway from the stuff I've seen with her is that Colin, Lord Debling, and Penelope should have all been poly

[venacesaur]

where's that one post about how it's extreme mode to headcanon a character as aroace when they're part of a really popular ship....so true. especially when you headcanon both characters in the ship as aroace

[neil-neil-orange-peel]

I was thinking to myself recently how wild it would be if this fandom was big enough to do a kinktober. Alas...

[doerot]

Many such cases of adding a third fucked up guy into the mix to make me actually interested in a ship

[gnomewithalaptop]

Uuuugh vehement antishippers are so annoyinggg 😑

[spinnysocks]

heyo spinny!! whats some of your favourite tlg ships? or just any you like in general

EHEHEHE rubbing my hands together. evilly. hehehe

well, kiburi is my pathetic wet cat blorbo and i happen to love all the crackships for him. kiburi x makuu? funny as fuck. kiburi x ushari? love them in nikki's pirate au they keep me up at night. kiburi x janja? the outlands brotp ever. my favourite character's stupid ships my beloved yknow?

in terms of other ships: reirei x goigoi obviously. baobabfruit ofc (thanks to you :] /pos). jasiri x kion because yeah. and as you could never tell (/sarc) i love poly ships so banzai x shenzi x ed, tano x nne x madoa, & kiara x tiifu x zuri are ones i really enjoy too. oh and i'll say timon x pumbaa too since they were my first tlk ship i suppose :]

[harrowscore]

why are you, as an adult in 2024, still hung up on reylo. why are you still mocking the shippers. why do you believe yourself to be superior only because you dislike a stupid ship from a fucking space fairytale. girl (gnc) get a grip