#i just knew people shipped them

[casual-praxis]

So if Vio's your second favorite whose your first? I want to guess Red

You'd be correct! Red has been my favorite ever since the beginning. ^^

I think, though I don't actually remember, he was the one I gravitated towards even in 2014 when I originally found out about the Four Swords manga. I just really like bubbly characters.

[ladystoneboobs]

so, one aspect of catelyn which i think is underrated (certainly the biggest adaptation loss which nobody talks about) is her, let's say superstitiousness, or better yet, let's call it genre-savviness, being one of the few adult characters open to magic and the supernatural in this fantasy world. we first meet her in the godswood, home of gods which are not truly hers, yet she is still very aware of their power. when she and ned talk of the deserter he killed, he hopes he won't have to go with the nw to deal with mance rayder, but she has even more fear of that idea bc there are worse things beyond the wall than just wildlings. ned scoffs and says she's been listening to old nan too much, but she's right. we already know from the prologue that she's right! and here she is, understanding the genre of their world better than her husband, who was actually born and spent his earliest years in this northern land of deep magic, listening to old nan's stories. same with the direwolves, where she was uncomfortable with them at first, but later believed in them as guardians from the old gods even after robb had lost his own faith. and once again, we know she's right even if she doesn't know the evidence to back up her instincts, bc summer and shaggydog did not fail bran and rickon and robb was almost certainly a warg like his brothers. (perhaps making it more fitting that she's the one brought back as a fantasy vengeance monster, not ned and robb, the most unbelieving dead starks.) and in her 2nd agot chapter, everyone focuses on her ambition in wanting ned to agree to the hand job (pun intended) and sansa's betrothal, and while she does recognize the value of their daughter being a future queen more than ned does, that's only her stated argument bc she thinks it's rational enough for ned to listen to. (if ambitious matchmaking were as important to her as to her father she never would have made those frey betrothals fandom loves to blame her for.) in her own head there's a deeper urge driving her. she keeps thinking of the dead direwolf with antlers in its throat, an omen which filled her with dread from the first she heard of it, before robert's arrival, and thinking of it again is what makes her desperate to convince ned not to refuse robert. she had to make him see. and really, she's not wrong, as jon snow would say. the dead direwolf was an omen of ned and robert getting each other killed. it's just one of those misread portents, with no way of knowing the danger to ned was in his loyalty to robert, not conflict with him. BUT the next time she's dealing with baratheons, she knows exactly what she's talking about. it's catelyn, not brienne, who sees the shadow slaying renly, and explains that it was stannis who did that through some dark magic. with no way of knowing how it was achieved and no prior expectation that such a thing were ever possible, she realizes with no hestitation that stannis was guilty and that his red witch was capable of pulling this off somehow. really, the only instinct of the supernatural she's wholly wrong about is her insistence that varys gathered his knowledge through some dark enchantment. however, though that might offend varys, given his own personal experience with a sorcerer, i'd say it's a reasonable assumption without knowing the dude had children moving through walls everywhere like oversized rodents. and imo it just shows she had a healthy respect and awe for varys's power which most other characters lack.

oh, oh, and let's not forget that she also believed in the curse of harrenhal, from her own childhood and the stories old nan told her kids. "and every house that held Harrenhal since had come to misfortune. Strong it might be, but it was a dark place, and cursed. 'I would not have Robb fight a battle in the shadow of that keep,' Catelyn admitted." sure, that wasn't enough to save robb, but he did not die from the curse of harrenhal. that doom was meant for his enemies from tywin lannister to roose bolton.

[demaparbat-hp]

In your Spitfire AU, since Zuko is looking after Lu Ten II, what happened to Ursa?

Zuko is slightly older in the Spitfire AU. He was banished at fifteen, his head a little clearer and denial a little weaker than in canon. After his first look through the Air Temples, Zuko decides that if he can't find a myth, he might as well search for the next best thing.

Finding Ursa isn't easy, but in time he makes it to a secluded house in a near-forgotten part of the world. His mom is there, older and stronger and alive.

But she isn't alone.

And Zuko, as it turns out, didn't keep the best company during his search.

When Ursa is discovered and her secrets are laid bare for assassins (for Ozai) to find, she begs Zuko to take his little brother and run. She'll do anything it takes to protect her children, even if that means leaving them behind to keep a target off their back. Ursa diverts attention from them and allows Lu Ten's ancestry to be kept a secret. She orders Zuko not to follow her again, and disappears.

Zuko is left with a little three-year-old brother to raise and a mother he cannot hold onto.

[kit-screams-into-the-future]

drawing your favorite guys being silly is very effective at keeping The Horrors at bay

bonus doc from a different canvas:

[xanderscollection]

"Growing up is realising a (random ship) you loved is actually weird and bad"

Yeah? Is it? Great, I love it even more. The worse it is the Better.

[moeblob]

Yeah! I haven't read any fics focusing on them but I have seen that they exist! And also there's like a five sentence interaction in a fic I read ages ago that lives rent free in my brain. I think about it all the time when I draw Sixty.

[dykedvonte]

I was rewatching mouthwashing, and I ended up thinking of the different reactions that Curly and Jimmy had in doing their tasks. How during the scene of Anya evaluating Jimmy and showing dread towards the idea of doing his evaluation, Curly was the one that offered to take it off her hands. He had no issue with adding more to his plate, because he knew - or well, thought, he knew that Jimmy wasn't going to "bullshit" with him since he's known him for a long time. When Anya hands Curly a note from Swansea, Curly goes to check out what the issue is and he takes care of it without a complaint, the only "complaint" he has is how this incident could have damaged the pods. Which is reasonable, those pods are their only way to be saved if anything tragic happens on the ship. However, in comparison to Jimmy being asked to do things, he's passive-aggressive about it. When Anya asks Jimmy if he could help her out with Curly's painkillers, he tells her that people should be worth their titles, specifically using her title as a nurse when she asked him for help and then when she says forget it, since he made her feel insecure, he still goes "Oh no, I'LL take care of it" as if he was doing a chore, a favor for her. Then, there's that part where he blows up at her for things that she didn't even ask him to do - more so the others asked him about it, like the code scanner, him deciding he needed to find the axe for the foam, and then, there's the medicine part (which when she does ask, and she reconsiders - going to do it herself, he takes that away from her). Jimmy complains about the tasks he has to do and he treats it like a big issue, a "woes me" that he has to do this and that - wanting the praise of the capital without actually doing any work. While Curly doesn't complain about it, in fact, he even mentions that he's aware of how well he is doing at his job as a Captain during that cockpit scene with him and Jimmy. If Jimmy only had to do a small amount of tasks to get irritated and annoyed at being captain, while Curly didn't which I feel like encapsulates their personalities. Curly understands what he's doing is a job, it's a responsibility, why would he complain at any point for doing what he's suppose too? Why would he be upset at people asking him to do tasks? While Jimmy on the other hand, isn't used to it at all and it's different to what he's had before and he's realizing that he doesn't actually like doing the work he has too. I just wanted to ramble about it even if it seemed kind of obvious xd

It’s obvious but it is a thing people miss or understate when trying to find parallels in Curly’s and Jimmy’s relationship/personalities.

Like the way people portray it as neither taking responsibility when it is almost split down the middle of Curly taking responsibilities and faults that shouldn’t be his and making himself unequipped to handle the ones that are while Jimmy refuses to handle the responsibilities he has because he wasn’t expecting the work that comes with them.

Not a lot to say but people forget that another thing the game comments on is prioritization of issues and responsibilities and how the guys fail at it in one way or another in the situation.

[roselensedeyes]

celeana/aelin and chaol ceased to exist as a couple the moment she was unable to forgive him for his part in nehemia's assassination. he didn't kill nehemia, but he trusted his kingdom more than he did celeana. in her eyes, he was as responsible as the person who held the weapon.

elain and lucien ceased to exist as a couple the moment she looked him in the eyes and told him "you were there. you betrayed us." he didn't kidnap nesta and elain and forced them into the cauldron, but in her eyes he's as responsible as ianthe, tamlin and he king of hybern.

[al-luviec]

juvie buddies

[luck-of-the-drawings]

POOR GABRIEL MONTEZ! YOU NEVER SAW THIS COMING DID YOU? ALL YOU WANTED WAS POWER. SECURITY. SAFETY. & THATS EXACTLY WHAT YOU GOT! JUST IN EXCHANGE FOR YOUR BODY. LETS JUST HOPE NO ONE FUCKS THIS UP. LETS JUST HOPE YOU WONT HAVE TO CLEAN UP THE MESS.

[butterflysonnets]

yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

[epicfirestormer]

Guess who's playing Steamworld Heist 2 and isn't being normal about it

[the-far-bright-center]

The weird feeling of being a longtime fan and realising that my own views of Anakin and Padme don’t seem to align with hardly anyone else’s these days… not even the current pro-Anidala side of tumblr fandom.

[wouldtheybecomeafearavatar]

Can I ask—what’s the difference between “by coercion” and “unawareness/conditioning”?

Yeah, sometimes I wonder if the wording is a bit confusing. As it's put in the intro post:

Yes, by coercion: they would go through with it, but only if threatened with a loved one's life or something along those lines.

Yes, by unawareness or conditioning: they wouldn't realize until it's too late or would be raised to be an avatar, unaware their way of existence is not normal.

To explain a bit further (spoilers for several character arcs in TMA):

Coercion means the character would be forced or manipulated into it by someone or something. It requires a degree of awareness of what is happening (otherwise they'd go under unawareness).

Robert Montauk being forced to work for The People's Church of the Divine Host to get his wife back could be an example, though I'm not sure he ever achieved full Dark avatar status.

Basira would have ended up in this category if she'd continued to work for the institute long enough to become an Eye avatar, as Elias forced her to sign the contract under threat of Daisy's life.

I'd probably put Martin in the coercion category too, since he was going along with Peter Lukas and The Lonely to potentially save Jon.

Conditioning means that the character was groomed into it by someone from a young age, or born to be an avatar. It should be noted that this only applies to people or beings who under other circumstances could have made a different choice. A being that came into existence as an expression of a Fear would be manifestation instead.

Agnes Montague is kind of the defining example of this category, though members of the Lukas family being raised into it also count.

I think Gerry Keay could be another example of this. Eye avatarhood specifically wasn't a foregone conclusion for him, but he never really had a chance at a normal life. Willingly may be more accurate; he didn't choose to get involved with the Fears, but he did choose The Eye.

Unawareness is pretty self-explanatory, though I would point out this doesn't mean that the character never realises they are transforming. That (strictly speaking) wouldn't actually work, since becoming an avatar does require an active choice at some point. In this case it's more that the character doesn't realise until they're at the point of no return and the choice they are making is between death or becoming an avatar. If they refuse once they realise it'd be "go along but stop before transformation".

Jon is an example. Coercion could also be argued, given that Elias was definitely pushing him to go further and further using the (false) threat of the Unknowing, but I think Jon was too unaware of how he was being manipulated to go in coercion.

I think Michael Shelley would also go into this category. He was manipulated into it by Gertrude, but he had no idea what was going to happen. His case is a bit of a strange one in general though, I'm not sure he even had any affinity for The Distortion to start with.

At the end of the day, these are just my opinions and you can vote however you want, but I hope this helps answer your question! (Sorry for the essay)

[akirakirxaa]

Auraugust Day 5: Safe Harbor

Akira's heart was stricken by all the people, young and old, that now just...did not exist. Hades was disgusted by how Alexandria had interfered with the cycle of death. And Hythlodaeus was unsettled by the callous use of souls as if they were potions.

Luckily they had each other to lean on.

[moldy-flowers]

The interesting experience of being pro Sasuke, anti konoha, pro tobirama, anti Naruto ending, pro Sasusaku, anti Itachi, pro Sakura, anti SasuNaru, pro Tobirama×Izuna, anti Madara, pro karin, anti Orochimaru, pro Uchiha and anti Hashirama. And also as much as I hate the guy danzo was kind of hot when he was younger...