#i just hope he didnt see

[saywhodidwhat]

IM SCREAMING WAIT

[arcanewebs]

amazing episode EASILY one of my most favorite battle episodes of all time. How Ever is it insane of me to wish it went Just a little bit worse than it did. for the plot

[valgeristik]

Ничего не останется от нас, Нам останемся, в лучшем случае, мы

hi. hello. listen to this song

i have so many thoughts about these two. oh my god. maybe i will write it out some day, but for now drawing it out will do

translation will be under the cut! knowing the words does add to the work so i do recommend reading it. or just enjoy the art <3

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heres the translation, color coded according to how i broke it up for the art. just in casies

first page:

Love is scarier than war

Love strikes more true than steel

second page:

More true, because of your own volition

third page:

You run towards all the winds

Let there be pain and eternal battle

Not atmospheric, not earthly

fourth page:

But definitely with you

caption:

There will be nothing left of us,

we will be left with, in the best case, ourselves

[burningfunobject]

S2 arcane spoilers!!

Anyone else notice how dim viktors eyes look in the new season like

And it's like this for nearly every other shot

Compared to his eyes in s1

And he's rlly out of character too

And sure that could be the trauma of EVERYTHING that's happened

But I feel like it's more than that

The hexcore is controlling him obviously so maybe we'll see him try to fight against it??

I really hope he does bc I don't think the whole magic arcane Jesus thing is really working for me tbh

OR if he doesn't manage to get free of the hexcore maybe he decides to lean into it by baking himself even more robotic buy powered by hextech or whatever the new equivalent would be

I've also been thinking maybe he'll start upsetting the chem barrens?? But it seems kinda unlikely

[rasb7rry]

sick of seeing katsuki all smooth and flirty in fanfics like that man CANNOT flirt for the life of him or communicate his feelings properly AT ALL and he represses his true feelings and masks that as anger or hate and does NOT give a shit about love or other bs like that because why does that matter !!!! unless it's izuku, ONLY THEN it matters

[icantalk710]

Looong day of catching up on emails and work to set myself up to be (mostly) on vacation as of xmas 😩☕😵‍💫

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[screechingfromthevoid]

Mori will probably tell Birdie and Ollie. I think Birdie is going to take it out on morrigan. She'll say something, she'll make a very bad decision against the fate stitcher.

Liliana will probably message Telvin, if she can. Let him know she's gone. They'll both be gone. She doesn't know about the lake. She's so weak. She tells him she loves him and that she's sorry.

Delilah will be stuck on the moon. In a crystal. At least Gwendolyn de Rolo will never have to feel that hatred again.

Who will tell Milo? Will Justi hear from the the fungi that they found them? Will she leave the den to go find them? Will Milo and Justi mourn them?

Will the Platinum Dragon reinstate his family? After years and wrong turns, will the Platinum Dragon absolve him? Will they raise him to Sainthood? Side by side with Saint Graham?

C Pop originals will, of course, double in value. But they all start to seep this energy, this magic. They will be sought after and hoarded. And the few C Poppers who've met him will talk about his bravery. His sacrifice.

The Silken Squall will be without an heir. Zeru will cut his hair and properly mourn, even without his body. His stewardess, their mother, will never sing again. Music sounds too much like him. She can hear him in every note. Every melody.

Keyleth will have to tell Alma. She hates this part. And so close after her own goodbyes.

Nel and Baernie and Leeta and Maeve will have to sit with the fact that all the men they love in this world were taken by the same cause. The same people. When Ludinus Da'leth inevitably comes back, the triplets want to know. They will be there to kill him again.

Alma stops taking patients. Her apprentices will handle it. She can't bear to look at a baby. He was once a baby. He was so small in her arms. Those memories. They are weighed down by knowing how he ends. She can't look at a baby, a child. All she can think about is how one day a boy will become a man and whether it is fair or not he will die. Maybe too early. Maybe that man with so much left to live will die young and unjust.

If anyones left after this, that is.

[rottingraisins]

it kinda sucks that you hc a canonically pansexual character as gay (clef)

i deliberated not answering this one bc i dont rlly mean to get into representation discourse or w/e during pride month of all things but i think the sentiment behind it is very fair so i feel bad ignoring it.

firstly, i think it needs to be said that clefs "canon" romantic orientation is very much just, whatevers funniest or most poignant for what youre trying to do with him. i understand the sentiment, there are characters in scp who are queer in a very specific and straightforward way where i'd also be upset if people erased that about them, but clef is not that guy. he is probably the single most contradictory character across the entire wiki, and everyones got a bit of their own take on him.

secondly, to defend my own take a little, i don't even really see clef as strictly homoromantic. i think when applying queer labels to fictional characters one tends to kind of treat them as these ontological, prescriptive truths, rather than how labels are used in real life, by the individual themselves to approximate their lived experience.

what i'm trying to say is i don't think clef the character, at least the version of him i'm most fond of, the fifty something year old reformed casual homophobe from resurrection and co, really knows what the term "pansexual" means, or "mlm", or "demiromantic", which are other words i'd use to describe him if i were using the prescriptive approach.

i think clefs relationship to romance is deeply complicated and not something he spends a lot of time really thinking about, and in practice, despite the theroretical breadth of his capacity to be attracted to other people, he's really only attracted to men, which is to say one particular man who also just so happens to be dead, so there's no point in really dwelling on it.

[aurorangen]

Nothing was going to stop me

Transcript & Bonus:

First time in the big city

...

[Unsettling thoughts were tormenting me as I waited for her. Why did I feel so nervous?] Nancy: Vincent [hurriedly] My family…w-we're moving to the city…s-so let's run away together and escape- [As much as I wanted to be together with her, I had to face reality. Running away was not an option]

Vincent: Nancy. We're not running away [looks directly at her, carefully considering his words] We'll continue as normal and try to get into our dream schools. Just wait for me and I'll come and find you in the city [voice falters, perhaps, due to uncertainty] It'll be different then. I promise you, we'll make it out of this mess…

[That was the last time I saw Nancy before she moved. Not once did I stop thinking of studying law at The University of Britechester. Being a lawyer would change things from the case to how people saw me. I would have that power and knowledge over people. No one would look down on me or think of that weak boy]

[I thought maybe, her parents would give me a chance once they saw me again. Honestly, I put so much pressure on myself to get those top grades. If I messed up, it was a sign my dad was winning this battle and he would continue to haunt me forever. Unless I gained that power. So I often studied until I exhausted myself]

[Time passed by and I was back in the city, ready to start my law degree at Britechester. The countryside healed all my childhood wounds, but the scars remained. To me, they were a reminder of how far I had come. I was moving forward in life and becoming stronger. And I was going to face him and the investigation again]

...

Renee: Where's Uncle Billy?

[mrmeepsmadmind]

traumatized dickweeds turn to torturing each other so they can distract from the fact that they both need therapy

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[luck-of-the-drawings]

[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

[ponchizs]

I’m in love with how they are giving so many subtle hints about Alhaitham and Kaveh’s relationship and how important it is to Alhaitham, despite the way they always seem to be bickering.

Throughout the 3.2 archon quest Alhaitham tells us that the reason why he is so interested in helping Sumeru is because he doesn’t want his daily life to change. After that Kaveh starts being mentioned very frequently by him or we hear other people in the akademiya complain about how they daily argue.

Then, of course, we meet them both arguing with each other in the House of Daena, which was quite the argument. We also know many of their casual interactions and how they go to the café/bar frequently together. Furthermore, Alhaitham pays all of Kaveh’s bills (something no one would do for someone they don't care for).

And now, during Alhaitham’s quest, their tones were so soft (At least in JP and CN) and also domestic. Kaveh seems to worry a lot about Alhaitham and exchanges glances with him, which made me melt inside. I also love how Alhaitham is constantly smiling while bickering with kaveh. Remember, we dont see him smiling like this that often. Which means he really enjoys it. I really liked how after the second time Kaveh asked him if he is okay, he replied with a tease about the painting Kaveh had mentioned before. Also smiling.

But most importantly, something I see no one talking about: the moment when Alhaitham was explaining why he resigned from being the Grand Sage to being the scribe again and he tells us that “It’s important to keep your priorities straight”, the camera points at Kaveh.

I know this game will probably never have any canon ship because they need to make everyone happy, but we do get hints like this from time to time and I think this was one of them.

After all, why would they bother to add all of those scenes with Kaveh when the quests had already concluded, if not for showing us how is what is Alhaitham’s daily life he wants to protect that much? We saw how happy he is, how eager he was to get home and go have dinner with Kaveh. We also see how Kaveh had been waiting for him as well.

I’d like to know more about their relationship, even if it ends up not being romantic (though how do you explain that face Kaveh made when paimon asked if they are friends).

[sidesteppostinghours]

ok. question.

ortega ended up hallucinating sidestep after they "died", but sidestep doesnt know about that. they know it got bad, but never the full extent of how their death affected them. so if your sidestep Did learn, if they found out ortega looked for them in every little piece they could, would that change anything for your sidesteps? would their relationship with ortega be any different?

[urfavisananimegirl]

walter white from breaking bad

Walter Hartwell White (Breaking Bad) is an Anime Girl!