#i just have a lot of thoughts about them ok

[a1ecmcdowell]

dean winchester x angel!reader — innocence is a virtue.

or, how on earth is he supposed to corrupt you? you? or, dean's newest passenger princess is killing him slowly and violently.

cw, fluff but with sexual elements. mostly fluffy though. reckless driving DO NOTTT do this!! professionals only!! dirty minded!dean. honestly just horny!dean really. innuendos galore.

word count : 2.9k

notes, guys can i be so honest i have not even gotten to the seasons where angels come into spn. this is all based on the lil bits n pieces i know of the future stuff ok. ik i'm a fraud but BE GENTLE IF IT'S OOC OR ANYTHING < /3

req. by anon & in honor of kas's dean & angel fics bc i LOVEEE them

★ ˚⋆

dean, honestly, had never met someone quite like you. when he'd told cas in passing that he was about the most naive, innocent thing he'd ever met, all he did was give him one of those looks he reserved only for dean. he thought, then, that it was just because he was being a bit of a shithead, and cas was telling him without telling him so.

very quickly, he found out how wrong he was about both of his assessments.

the day you came down to earth and graced everyone, literally, with your presence, dean was smitten. never before had he met someone so sweet. so honestly pure. until you, he thought that purity was nothing but an ideology based on impossible feats. a pipe dream and a half for the faithful. no, the reality was that he just hadn't met you yet.

sam was pouring himself into research, too focused to realize that dean was all but whittling away in his starvation, so when he offered to go grab some cheap shit from the diner a few minutes from the motel, all he got in response was a mumble of agreement and a wave of his hand from him.

but you, who'd been sitting on the motel bed, stiff as if you had something stuck up your ass holding you in place, turned to him and asked to come with. that struck dean off kilter immediately, because he hadn't been asked for anything in a long ass while. sam just usually assumed he'd be writing shotgun wherever they went. john — no, he'd never ask his son anything, usually buried that sentiment in harsh demands and orders. cas asked him lots of questions, but permission was not often one of them.

and when he looked at you, read over your features and saw the genuineness in your wide, expectant eyes... god, how could he say no?

so you sat there in the passenger seat. dean had to buckle you in with a joke that flew right over your head — another joke you would not get, even though he was fucking killing it with them right now — about not wanting to send you flying if they got into a wreck.

you proceeded to unbuckle and buckle and unbuckle again a few times, seemingly fascinated with the click of the mechanism. dean wanted to be annoyed. genuinely. if sam had started pulling this shit, dean would have pulled over and drove a few feet ahead as a warning to cut it the fuck out.

but with you, it was adorable in its own right. god, it was! somehow it surprised you, every time it clicked, even if you'd already done it eight times. like, how did anyone expect him to get pissy at you when you were doing those sharp, surprised gasps every few seconds? a few more times and he'd be pulling over to give you something to gasp at, he thought idly.

and then winced, scrunching up his face, when he realized how deep in the gutter his head was. no, he wouldn't touch you. wouldn't even try to plant that idea in your pretty little head.

dean didn't want to corrupt you. if there was one thing he was certain of, it was that he wanted to keep that pretty little head as clear as his nose was, alright? he wasn't going to be the one to break you into what this world was, its hardships and its cruelties — and its more deviant pleasures.

but fuck, you made it so hard to keep his head straight.

you did this thing, he realized too, on that silent, clicky drive, where you tugged your bottom lip between your teeth when you were in deep thought. thought about what, fuck if he knew, because if you said something to him in the moments that he watched you do it, he'd never know. he was watching your mouth but not to listen.

dean was about to start reprimanding himself in his head, for what must have been the third time already, when you said something, nearly making him slam on the brakes in his surprise.

"how are you doing this?" you asked, as if that wasn't the vaguest question he'd heard in his entire life.

dean blinked a couple of times as he waited for elaboration that never came. he switched hands on the steering wheel, resting his right loosely over the gearstick. "doing..." he trailed off, shaking his head slowly in a gesture to make you keep talking, "what, exactly?"

you did not catch the hint, and he was probably a fool for expecting you to. it took a few more seconds of you staring very intently at his thighs for you to speak up, and by then, he was fucking squirming in his leather seat, trying to not let it get to either of his heads that you were so blatantly staring at his dick.

"this," you answered, twinges of frustration evident in your tone. he couldn't blame you. he was getting frustrated in this car ride, too. "making it move."

christ. he was going to hell. he was going to hell again, this time because of his own drifting thoughts.

"you're gonna have to be a little more clear, dove," he managed through his teeth, voice strained, "'cause i don't think we are on the same train of thought right now."

another blink, and another few seconds pass. your hand shot up in his direction and he flinched, honestly flinched, convinced from the filthy thoughts circling in his head that you were about to grab him by the—

"this," you repeated, and he almost bristled at the attitude, almost told you off about virtues or whatever, when he finally got it. your arm stuck out in gesture to his legs, which pushed the gas pedal and rested against the doorframe, as he drove.

dean closed his eyes briefly, metaphorically swapping his metaphorical wrist for his headspace. he was not, was not, the person that should be introducing you to this world.

dean shifted again, bringing his left leg closer to the leather seat as he readjusted into more of a comfortable position. he hadn't even realized how tense he'd gotten on this short car ride until now. he was as straight backed as you were, and breathing just as slow. "driving?" he asked anyways, like an idiot.

"driving..." you repeated, like the word was as fascinating to you as the process was. "how?"

the diner sign was right there. it was teal and glowed, retro in style, announcing benny's bistro as open.

he drove past it.

dean knew that you did not sign up for a driver's ed course with him with your question, knew even more that he was risking his baby for a pathetic attempt at flirting with someone who did not even know the definition of the word, but to hell with it. you'd asked to come along with him, and therefore placed yourself in his hands for his guidance. the least he could do was make some sort of effort, couldn't he?

"c'mere," he grumbled once he'd pulled baby off into an unassuming back road, parking it dead in the center. you'd need all the open space. he patted his spread thighs a couple of times.

your stupidly pretty pink lips sucked into your stupidly straight teeth. fuck. "why?"

"just—" he cut himself off when he realized he was about to get snippy. you didn't deserve snippy. he was just hungry and horny and you were pretty and he was...

he was pathetic. looking for reasons to get you into his lap. he'd already been to hell, what are they gonna do, drag him back by his ear?

"just do it," dean finished on a sigh, his hand dropping to the front of his leather seat, grabbing the handle and shoving the seat back as far as it could go. there you were, staring at his dick again, making him feel hotter and more bothered.

he felt his heart stop solidly in his chest when you started to climb over the middle console, so oblivious to the faceful of ass he was getting. dean was practically praying to god at that point. he knew he'd been a shit until then, and definitely a sinner by every means, but if he could grant him a little fucking strength—

you plopped your happy little ass right between his muscular, jean-clad thighs. you were warm, was his first thought. he was screwed, was his second.

"what now?" you asked him, that innocent lilt to your voice as you did, and he felt like a dirty little freak for wanting to bend you over the steering wheel moments before ( who was he kidding? for still wanting to bend you over the steering wheel ).

dean took both of your hands and placed them on the steering wheel. once he'd closed your fingers around the wheel, he dropped his hands to your thighs.

"this one," he patted the left one, and nearly went molten behind you, when you lifted that thigh and placed it on his palm. "nuh uh," he tried to lightly correct, "this one you don't use. jus' keep it out of the way." dean's voice was strained in his ears, in his throat.

you slipped your thigh out of his grasp, pressing it up against the inner of his own thigh, your foot tucked around his ankle. you were so trusting and compliant. he was so, so screwed, and so, so awful for thinking about breaking that sweet naivety.

"this one," he said, patting your right thigh, and when you didn't move it this time, he smiled, just a little, to himself. "you use to make it move."

the flush on your cheeks that followed his tease was so damn pretty it took his breath away.

he lifted his leg, not able to reach the pedals with you sat between them and his seat all the way back. he pointed his boot at the left pedal, knowing you were watching each of his movements intently. "that's the stop pedal. push it down to stop." he repeated the process he'd done with your legs, boot pointing at the right pedal as he explained it. "that's the ignition."

pause.

"that's the go," he corrected, sparing you any momentary confusion and any more questions, he hoped. dean could not keep sitting here idle with you between his legs. "makes the car drive. harder you push, faster it goes."

hell, hell, hell. he wasn't going to hell, because he was already in it, strung up and burning.

"i'll handle the gears," he added quickly, when he caught your head turning downward to the shift stick. "don't wanna overwhelm that pretty little head of yours, dove, with too much at once."

dean rested his right hand on the gear stick, his left hand gripping the handle on the driver's door for dear life. he needed the support; you were driving him up a wall with his claws out, and you were about to be driving him. driving his baby. it took a lot of coaxing from sam for dean to let sam behind the wheel. all you did was ask how do you make it move? and he was letting you drive.

you. who did not even know what a car was. who was learning how to drive literally that moment.

god help him. he'd prayed more in this fifteen minute drive than he had in years.

you pressed down on the gas pedal, and the car revved all pretty and loud. dean watched with bated breath as the response to your efforts registered in your head, the way your eyes lit up in that curious glimmer, the fucking teeth biting on your lip.

once you let up, he pushed on the gear stick's release, and tugged it down from park to drive. the car slowly began to move down the dirt path.

you slammed the brakes so hard that his head knocked into the back of your shoulders. "fuck, dove, gentle."

and you were, when you shifted your foot over to the gas pedal again. you pushed it down on it tentatively, the car starting to glide down the dirt road, the sound of pebbles grinding beneath the tires.

"better," he mumbled in your ear, leant forward to keep his eyes on the windshield. it's not that he didn't trust you, he just... yeah, he didn't trust you. "just like that, dove."

the praise, though, goes in one ear and out the other, because the gentle ease of baby's tires along the road is interrupted by you slamming the gas. the tires squeal. clouds of dirt and dust puff out from behind the car as it takes off.

dean's heart went from in his ass to in his throat in a manner of a second. "whoa, whoa, whoa!" he exclaimed, a nervous laughter bubbling out of his throat. "slower, slower, will ya? crashin' in the middle of nowhere is the last—"

you hit the brakes again, still hard but less this time. just enough to send his head knocking into your shoulder again as the car slowed.

slowed, but still headed toward the ditch. "right, see your hands?" he asked, chin nuzzling into the plush spot between your neck and your shoulder so he could see better. "twist 'em. nice n' gentle for me, to your left, yeah, good girl. makes the whole car move, yeah? jus' keep it on the dirt, not off "

you follow his instructions, and dean feels a swell of pride at this. maybe he should have gone into driver's ed or some shit. he was a good ass teacher.

"like this?" you asked, drawing him out of his self glazing. your voice, soft and hesitant, breathless with your excitement, has his chest heaving.

"yeah, dove, jus' like that," he rasped, his left hand moving from the doorframe to rest where your thigh met your hips. the car kept its slow pace down the long dirt road, and for the first time since you'd gotten your hands on the wheel, his heart doesn't feel like it's pounding in his throat. "no, no, don't stop. keep goin', you're doing so good for me."

his phone starts to buzz in his pocket, and like that, his self indulgent driver's ed lesson comes to a screeching halt. "you jus' keep on going like this, alright?" he asked you, patting your hip with his hand before he reluctantly let go.

he definitely answered the phone with more attitude than necessary. couldn't help it. he was having a great time. "what, sam?"

"everything alright?" sam asked, and then dean felt like a prickhead for giving him shit at all. "s'been thirty minutes."

dean sighed, his eyes lifting again to look out the front windshield. a stop sign was quickly approaching, and you didn't even need his guidance for that. you were slowing to a stop all on your own. he was so fucking proud, it was sick. "all good. long line at the burger place."

it was dead empty, four miles back.

"we'll be back in a few, alright? chew on one of your books or somethin' while you wait, make 'em useful."

"dean—"

he hung up before he could hear sam's sighed response.

his hand fell to your waist again, squeezing lightly to stop you from lifting your foot off of the brake just yet. "play time's over. calvary's callin' us back."

dean pushed the gear stick into park again before he moved both of his hands to your hips, helping guide you back into the passenger seat.

he adjusted the seat again, his hands finding their typical place on the wheel. he did a very illegal u-turn at the four-way intersection and headed back down the road that you'd driven him down.

"have fun?" he asked after a beat, eyes flicking over to see you. you looked so pretty in the orange glow of the sunset, your face lit up in deep gold.

you turned to meet his eyes, and he had to look away quickly, the bright glimmer of adrenaline in them knocking all the wind out of him. "yes."

"good." dean meant it. there were so few things he'd risk everything for, but that toothy smile of yours jumped to the top of that list.

"dean?" your voice rung out again, earning him another glance your way in acknowledgement. "what part of the car was in my back the whole time?"

dean faltered, eyes blinking in a bout of surprise and lips parting, searching for a response he did not have. his eyes dropped down to his lap for a second, dread and embarrassment pooling like ice water in his stomach at what he hoped wasn't— yeah. yeah, it was.

"i dunno, dove," he mumbled through his teeth, staring straight ahead, fingers tapping on the steering wheel, doing basically anything to not meet that curious look of yours. especially knowing you'd have your lip in your teeth all over again. "might have t'take it to the shop, while we're in town... get it checked out or somethin'..."

he was so damn screwed.

tags, @figthoughts @jasvtsc @titsout4nicholas @deanswidow @deansbite

[razztazzel]

Thought it would but cute to revisit this old au of mines and give it some lore!

I’m really passionate about this au specifically because I LOVE sci-fi like ALOT… so I might make a lot of content of it… OFC Helios planet will still be going on trust

Non filtered version + lore ⬇️⬇️⬇️

LORE!!!

All the toons are aliens!!! On a completely different planet (exoplanet) about 4.2 Light years away from earth. The company, C.V. inc. aka Cosmic View Incorporated labeled it “Proxima Centauri b” (Its a Genuine exoplanet that’s the closest known to earth it’s so cool) Let’s just say In this au, Earth is extremely Sci-FI like, reaching advances where it wouldn’t be really…. Possible as earth is now…

And so they developed travel though hyperspace (just to clarify, Hyperspace is a fictional concept and not based on current scientific understanding; it's often portrayed as a different dimension where normal space-time rules don't apply - google or something) and managed to land on Proxima Centauri b! The people traveling were highly advanced scientists and they were like, woahhh look at these little whimsical creatures!!! But only like 4 “handlers” went Cause it was still in development!!! So it was kind of a suicide mission to put it frankly

They didn’t die.. Thankfully!!! And they successfully made it back probably old and decrepit, just with a few aliens that totally weren’t kidnapped or anything (They done took the mains, Besides Zee(Vee) she didn’t exist on their planet since she’s a robot made by C.V. Inc.) Vee was made by the soon to be handlers in an attempt to collect direct data from the totally not kidnapped toons! Her emotions are 100% programmed but ran through an advanced ai that study’s the emotion of literally everything living that’s around her so her emotions can be pretty accurate to a certain degree before the robot part generally makes way, Her ai detects any subtle or visible emotion and collects data of it to train itself on how to process and express emotion, but she’ll never have TRUE emotion

Unlike original Vee they’re smart and makes her entirely water proof and very much heat resistant, Zee just cannot be Submerged in water. Anyway a group of.. more like.. scientists in like…training became handlers as a little hands on experiment for them since the owner of the entire thing was really really interested in the toons and wanted to be involved with data processing so she assigned newbies (ish) to be the handlers.. She herself handles Andy (Dandy)!

The toons are all kept in separate rooms similar to those of like experiments just less cruel, like SCP type shit but cooler and not evil… looking… trust trust… so they can be observed and have data recorded…Besides confinement they’re actually treated really well! Sprout learns to bake through his handler and generally enjoys it so he’s allowed to bake every now and then, Shelby (Shelly) gets loads of attention for being an alien bro does NOT wanna leave, Genesis Rock (Pebble) is treated like a legitimate dog gets walked and has play time even though since he’s a rock he probably doesn’t need it, but data is data, Andy hates it there they tried to feed him plant fertilizer once cause he resembles a flower..

Anyway Vee is the only one who’s not in confinement and is generally like a little bot helper for the company, YES!!! THE TOONS ARE ALLOWED TO ROAM!!! Those lovely creatures are not locked away… forever…

TOON TRIVIA

Andy(Dandy) Now has 4 arms!

Astro becomes spiderman ( Ok not really he just gets 6 arms and is constantly floating, Studies show that he cannot seem to stop..)

Shelby (Shelly) Is a mixture of an alienized fossil with a freaky chameleon, with more feral-ish aspects like protruding fangs and sharper hands compared to the others

Genesis (Pebble) can literally walk on air

sprouts hair is ALIVE do NOT cut it he will scream and he has awful fashion sense because refuses to take the scarf off because it was a gift from cosmo before being taken by weird tall things he didn’t know hashtag last thing he has from cosmo hashtag fruitcake angst hashtag NO MORE FRUITCAKE/j

Zee (Vee)is specifically meant to look similar to the alien toons, She doesn’t have a handler though the handlers like to let her wear a coat, they think it looks cute on her small frame…🫶🫶

Sprouts handler encourages sprout to wear the cute aprons they give him, he always refuses… one day.. one day..

Astro generally cannot stop floating, luckily for some reason gravity won’t allow him to float too high so he’s just chilling fr

I think I’ll call this au Cosmic Veiw incorporation /inc or to put it simply, Alien or space au for easy tagging

[estcaligo]

My favourite Sebek moments from this update (Book 7, chapter 11)

*what is this picture? who knows... *Spoilers, obviously

EQUESTRIAN CLUB LORE Silver's horse name is Samson and Sebek's - Tempest (ok ok I'm so normal about this) Once again, a reference to Sebek and books, I think, amazing And guess what other horse was called Samson?

Azul mentioned that someone uploaded a video of Equestrian club to Magicam and people were saying "He looks like a prince" (obviously about Silver but Azul actually says he meant both of them :)))

When Silver asked Sebek if he knew about it he said no because

But anyway Silver thought it was about his white horse Samson Sebek got jealous (big news) and said HIS horse - Tempest - is better and Prince of Horses ahsdkjhasdkah I can't with him (don't mind this wonky translator, I'm too lazy to type everything)

Next to Jack's dream

"To live in a dorm run by a man you can't respect. What an unlucky guy he is" - he comments on Jack's dream version of Leona (the opposite of irl Leona yikes) But then he adds "well, anyone who is not in Diasomnia is unlucky" lolol ok ok we get it you're proud as you should be

TEAM RAMSHACKLE OK YES Please Sebek transfer to Ramshackle at least for one week for one day for one second I beg you, It'll be fun I promise

Leona calls Sebek TsunTsun Head :)   ツンツン頭 can be translated as "spiky-haired" or "with spiky hair" (Leona was talking about their hair) but also it's a reference to Sebek's tsundere character :) Cute detail, imo

And what does Ruggie say about Sebek?? "That Diasomnia first-year - he's built just as well as Jack" RIGHT?? I've been saying!!! He literally has dumbbells in his room, like. Canon. Thank me again for drawing canon-accurate Sebek :)

Unprotected hand-holding with Leona :) My LeoSeb heart is throbbing aw (like someone once said on twttr - Sebek do be living his dating sim dream life lol)

Also oh? Main story SebeJack - "I have no intention to forgive a Sawanaclaw students who tried to hurt Young Master with their sneaky plan. But to think they also have someone like you…" Aaaa two tsunderes interacting yes pls

Next we have some lore about Baur. Sebek says his grandfather told him it was hot, but he couldn't imagine just how hot. He comments that Baur must've had a hard time when he (suddenly??) moved to the subarctic Briar Valley. *why did he say suddenly, what happened? Was he banished???

OH??? Baur also told Sebek that there were many different species, including Night Faes and that it was an easy/nice place to live.... Then why did he leave?????

Anyway! Sebek and Grim are hungry and wanna eat lots of doughnuts (3 doughnuts omg how Sebek.....) We've got options! Either we tell them to be modest, or we cheer them on hehe

OF COURSE SEBEK EAT WHATEVER YOU WANT

Then Ruggie wakes up and cries, of course. "Malleus you are heartless, you're not a human!!" - briefly And Idia comments "Well, he it's technically not, he's a fae" IDIA💀💀💀 Then Ruggie goes - "Ughhh These faes with their fae ways..."

And Sebek hears this and OF COURSE he says

LMAO CALM DOWN

Aslo I like this Moment with Silver. Our prince is stronk

That's it! In conclusion - Sebek is the best once again!!!

[agarafile]

Gem: I'm gonna make you run, Pearl.

Pearl, laughing: Gem!

Gem: What?

Pearl: Why are you so fast as a camel? Camels aren't that fast.

Gem, sounding more annoyed now: What?

Pearl: Come here! Come here, come on. No, I need to get on the camel first.

Gem: No. No.

Pearl: Let me on the camel! [Pearl get on the camel] Yes! I'm on the camel! Gem, you can't get away from me now.

Gem: I don't want you on my camel.

Pearl: I'm on your camel. Deal with it. Right. Hoe much do you hate me today, Gem?

Gem: A lot!

Pearl: Dangit, I was hoping to trick you, and you'd say like– You know, in a scale of 1 to 10—

Gem: Do you know why, though?

Pearl: What? Why?

Gem: I have reasons today.

Pearl: Why today of all days? Why?

Gem: I have reasons. I've reflected.

Pearl: You've reflected? Ok.

Gem: Yeah. Do you remember last session when you couldn't remember– You thought you put your eye into the portal?

Pearl, idgnated: Oh!

Gem: Do you remember that?

Pearl: We weren't even there for you putting your eye–

Gem: Did you even look me in the face during our murder camel... happenings?

Pearl: ...Yeah! It was such a good time. It was so much fun.

Gem: And you remember what my face looked like?

Pearl: Yeah. Oh. I forgot about your skin.

[Impulse starts following them]

Impulse, sounding so done: Are you guys bonding? Are you reliving the memories?

Pearl: We're not bonding at all, Impulse! This is so sad.

Gem: Ok. And then! And then, other than that, you 2v1'd me! I'm still holding a grudge about that–

Pearl: I did not 2v1'd you!

Gem: And you– you surely know about holding grudges across seasons. You know about that.

Pearl: I didn't 2v1'd you, Gem. Let's put this straight. I let Scar do it. I watched.

Gem: No, no, no. I remember specifically–

Pearl: I hit you once!

Gem: – you hitting me once.

Pearl: Uh huh.

Gem: That's enough. That set your dogs on me–

Pearl: It was one little– It was one little basic whack.

Gem: It was not a regen based season! Once was enough!

Pearl: And I set the dogs down, Gem. You had so many hearts. You were gonna live. You were fine. You see? Look at that.

Gem: I'm just saying, I'll forgive you if you actually 1v1v1v-whathever me. And not 2v1.

Pearl: At that point... That sounds like we're trying to kill each other at that point. That seems kinda against the point, you know? Right?

Gem: Yeah. We have to die, Pearl. That's the game.

Pearl: That's the...! It's not! That's– That means I can arguably– There's only resolution after the season ends, is what you're saying. Right?

Gem: We can die six times. We have time to die.

Pearl: I can't die six times!

Gem: You can die once!

Pearl: ... I'll 1v1 you right now, Gem. Go on.

Gem: Hm... right now?

Pearl: Right now.

Gem: .... Alright.

Pearl: Not really. That's kinda– [laughs] You went too– You went too all into that. You're like "Yeah, let's do it! Yeah, let's get it!". That's terrifying.

[aro-absol]

[ID: A digital comic with a simple drawing style. It consists of long text that is accompanied by small drawings, matching what is said in the text. The text reads as follows: "I've always been a big reader. I was treating earlier and faster than most of my peers my whole childhood. [Three books: one is titled "Magic treehouse" and has the caption "kindergarten", one is titled "Harry Potter" and has the caption "first grade" and the last one is titled "Percy Jackson" and has the caption "third grade".] and my tastes have alwaystended towards the magical. fairytales, myths, and fantasy have been longtime favourites as far back as I can remember.

As I got older, my tastes didn't change all that much. They did expand, to being ok with things like horror, violence (and mild gore), death... As children's tastes tend to do. But I still loved fantasy stories just as much. When I hit eighth grade, however, they noticed a bit of a problem. I was getting a bit old for a lot of the middle-grade fiction books I liked. I thought: "Okay, sure! I've read adult-level books with no problem before, I'll just head for the fantasy section!" I asked a couple of friends for book recommendations, and culture reading except… [A drawing of many different scraps from books, all clearly from romantic and/or steamy scenes] ... All of it was just so stuffed with sex and romance. [A drawing of a person shaking their heads in disbelief and saying "ew" while reading the book, with an arrow pointing to them saying, "14 and very aro/ace"]

Needless to say, I did not want to read those books (and haven't to this day.) Thought bubble of the person just described continuing: okay, this is probably just my friend's stuff. I know they like these kinds of things. I'll just look for myself! [A drawing of a person standing in front of a big bookshelf that is labeled "young adult and teen fantasy". There are many different phrases pointing to the box on the shelf. The phrases read: "sex scene on the first page", "sex", "twilight", "romance "' subplot'", viscerally upsetting description of making out", "fade to black sex scene", "no sex but only technically", "sexy elves", essentially a romance really", "insane amounts of kissing".]... you gotta be kidding.

Over the years since then, I've tried to find fantasy stories that I can actually enjoy. [A drawing of a list titled "typically good". The bullet point read: D and D based (sex jokes but party focused), comics, fanfic, older media (pre-90s), MG fiction (last resort)] I've had some success at finding patterns that work for me, but a lot of these categories are very digital. (At least for me.) And because of that, all the time I once spent reading is now on my phone.

I don't really know where this is going, or what the solution is. Most people do like sex and romance, and reading about them. And this is just a thing for making a terrible comic day. I think it's pretty common for aro and/or ace people to feel left out, since so often these are treated as universal ideals. But to anyone feeling that way: I promise you are not alone. Also, allos: get better writing material, seriously. And better friends, since yours are apparently so terrible you can't write deeply meaningful relationships without kissing. (Half joking.) / End ID]

Note: this image description is not fully complete, as I left out some smaller drawings that I couldn't add into the text in a way that makes sense and weren't crucial for understanding. Also, I apologize if this description isn't clear to people who use screen readers but I do not know how to make it any better. If you have any suggestions, tell me please.

My (late) contribution for Make A Terrible Comic Day! I've been going to the library more often lately so this has been coming up a lot, cause I want something to read but have had trouble finding anything that I'm comfortable with.

If anyone has recommendations please please let me know because I am struggling.

[pedroscurls]

training partners (pt. 12)

summary: without another word from jack, you and hugh continue your relationship without any issue or distraction. filming comes close to an end and there's one scene that hugh needs your assistance with. pairing: hugh jackman x fem!reader warnings: smut (18+, mdni), lots of oil (duh, someone's gotta lube hugh up for that end scene), dirty talk, teasing, sex in hugh's trailer, oral - f & m receiving, unprotected p in v, swallowing, missionary, hugh covers your mouth (to keep you quiet), implied age gap (hugh is 55, reader is in late 20s-early 30s), no use of y/n. word count: 3.6k a/n: ok, this is complete filth lol. i had to write something about this scene because when hugh said that there were people whose sole job was to lube him up??? well, let's just say my mind went places lol. hope y'all enjoy! (needed some good fluff / smut before we get back into the angst hehe) as always, this is purely fictional! i mean no disrespect to hugh jackman. prev part.

Filming continues and you’re grateful that Jack hasn’t tried to reach out to you nor does he try to look for you either. Knowing that he got the hint that you no longer are giving him control of your life, it gives you relief. You feel like you can finally breathe again, can finally move forward with your life, with Hugh. 

Without worrying about Jack coming back, you’re able to get back to enjoying your day-to-day responsibilities of continuing to take photographs on set of the movie. Every day, you wake up feeling immensely grateful for Hugh, Ryan, and Shawn for giving you this opportunity. While you normally take photographs of couples who have recently gotten engaged and have occasionally worked a small wedding, being an on-set photographer and capturing behind the scenes content is so much more enjoyable. It gives you a glimpse of how movies are made, shows you the passion and dedication of each cast and crew member. 

But Hugh… you had always been a fan of his work and being able to see him in his element left you speechless every time. The way he’s able to switch into character so easily and become Logan Howlett - a character that you’ve always loved. 

Throughout filming, you’re just in awe of everyone on set and to be able to see the movie unfold right before your eyes is an experience that you’re sure will only happen once in a lifetime. 

And as the end of filming fast approaches, you embrace every second of every day you’re on set. You find that you fall more in love with Hugh, watching him interact with every single person and making sure that they feel seen and heard - he truly is perfect, and a really good man, and you have to wonder what you did to deserve him. 

Hugh hadn’t brought up Jack in months since the last argument you both had and you’re grateful. You never wanted Jack to ever be the reason to get in between you and Hugh. While you feel partially responsible, you have come to realize that it was bound to happen eventually. It was naive to think that Hugh wouldn’t have reacted the way he did. 

“So,” Hugh says, pulling you from your thoughts as you both remain lying in bed, limbs entangled after yet another intimate session of lovemaking. 

“Hm?” You ask, turning to look over at him as your fingertips run across his bare chest. 

“How are we going to go back to New York and not be with each other every night and morning?”

You arch a brow in his direction. You know what he’s implying and he’s just staring at you with a small smile. A hopeful smile. “I don’t know about you, but I’m glad to have my own space after–,” you tease, trying to keep a straight face. 

Hugh narrows his eyes and moves to hover above you, hands grabbing your wrists and pinning them above your heads. You’re both still naked and he makes sure to press his hips into you. You can feel him getting harder and harder by the second. 

“Wanna say that again, baby?” 

“How are you getting hard again?” You ask, lifting your hips to roll against his. 

“You make it easy,” he winks. “Now, don’t go and change the subject.” 

“Well, that’s really difficult when you’re literally distracting me!” 

Hugh smirks, his grip around your wrist tightening as he leans down to brush his lips against yours. “You ain’t gonna miss me?” He whispers, moving his hips as his tip brush against you. “Not gonna miss sleeping next to me and waking up next to me, baby?” 

“Hugh…” your eyes flutter and your legs wrap around his hips, locking your ankles at his lower back. “I will… I will miss you. I was just teasing and–”

Hugh grins and slides into you in one thrust, growling as your walls surround him. “That’s what I thought.” 

—

Later that week, you’re staring up at Hugh who’s grinning down at you. You’re in his trailer and he’s already in his Wolverine suit - albeit a little dirtier than when he first put it on and his arms now in full display. 

“You’re telling me that I will need to oil you up?” You ask, eyes wide. “For what? Why? Oh my god, I’m gonna– How will I do that?!” 

“Well, you put oil on your hands and–”

“Okay, ha ha.” You roll your eyes playfully, feeling his hands move to your hips. “Hugh…” 

“What? You want someone else to oil me up? That it? First you say you won’t miss me when we go back home, that you want your space, and now you don’t wanna touch me?” He teases with a smirk. “What’s next, baby?” 

“Oh stop, you’re being dramatic.” You laugh quietly, looking into his eyes. 

“So, you’ll oil me up?” He grins. 

“If I must,” you tease. “But you owe me.” 

“Oh, baby, just you wait.” He winks. 

“What does the scene even consist of where I have to put oil on you?” 

“You’ll see.” 

“Not even a hint?” 

Hugh shakes his head and leans down to peck your lips lightly. “Nope. I will say, though,” he whispers, moving his lips along your jawline to your ear. “I’m gonna try my very best not to get excited when your hands are all over me.”  

“Oh my god, you’re going to be shirtless, aren’t you?” 

His lips grow into a wide grin as he gently nips along the side of your neck, hands gripping your hips. “Yeah, baby.” 

You look at him from top to bottom, biting down on your lower lip as your gaze darkens at the thought. You clear your throat and look back into his eyes, slowly shaking your head. “Yeah, you owe me because I don’t know how I’m going to oil you up without wanting to–”

“Oh, I know,” Hugh chuckles, interrupting you. “Good thing it’s the last scene to shoot before we call it a day.”

“So, what I’m hearing is that after that scene, you’re going to take me back to the hotel and…” you wiggle your brows together. “You know.”

Hugh smirks, hands slowly moving from your hips to wrap around your waist, dipping low to rest on your backside. “I don’t know,” he lies. “Why don’t you tell me what I’ll be doing when we get back to the hotel room?” 

“You’re gonna let me have my way with you,” you grin, nodding excitedly. 

“Oh, I’m gonna let you, will I?” 

“Yes.” you answer, matter-of-factly. 

“Love the confidence, baby,” Hugh grins as he leans down to peck your lips lightly. “Gotta get back on set. I’ll see you later.” 

“You’re such a tease.” 

“Am I?” 

“Yes, Hugh,” you answer, pulling back and looking up at him with a small pout on your lips.

“I’ll make it up to you,” he winks. “You know I will.”

“You better.”

“I promise,” Hugh says. “I love you.” 

“I love you too,” you smile. 

—

Throughout the rest of the day, you find yourself distracted with the thought of having to oil Hugh up for the last scene of the day. While you’re still in awe of the acting from both Ryan and Hugh, you can’t help but your eyes deviate to Hugh’s arms as he says his lines. 

And even as that scene approaches, Shawn is the first one to walk up to you, a teasing grin on his lips. “So, you’re okay with oiling Hugh up for this last scene?” 

“I think it’d be weird if I wasn’t,” you tease, biting the inside of your cheek in anticipation. 

“That’s true,” he chuckles. “Ryan’s been teasing him all day about it,” Shawn points out. 

“Oh, I don’t doubt it,” you smile. “How much oil will I have to put on him, by the way?” 

“Um,” Shawn grins. “Quite a lot and depending on how many takes we’ll need to get the right one…”

“Okay, so we might need more than one bottle.”

“Oh, we have plenty.” 

“And this scene…” you begin, playing with your camera strap. 

“It’s a good one,” Shawn finishes for you. 

“I mean, it wouldn’t be Wolverine if there wasn’t at least one shot of him without a shirt, right?” 

Shawn laughs quietly. “That’s right… Speaking of the devil,” he nods his head over your shoulder and you turn slightly to see Hugh without his shirt, simply dressed in only the yellow and blue pants with the matching boots and cowl. 

You clear your throat at the sight of him, his muscles clearly defined as you bite your lower lip. Your eyes linger on his chest and abdomen, moving along his strong arms and shoulders. Ryan’s voice breaks you out of your thoughts and you turn your gaze on the other man, who’s dressed in his entire Deadpool gear.

“You might want to pick up your jaw off the floor,” Ryan chuckles. 

“Oh, shut up,” you reply, gently smacking his chest. “I see this every day, it’s nothing new to me,” you lie.

Hugh places his hands on his hips, staring at you with a slight tilt to his head and a small smirk on his lips. He can see your eyes flitting back to him, can see the way you're gently gnawing at your lower lip and he knows exactly what kind of look you’re giving him. 

“I know,” Ryan sighs dramatically. “Lucky you.” 

“Got the oil for you,” Hugh says, handing it to you and breaking you out of your thoughts. You take it from him slowly, fingers brushing against his. 

“Right. So, we’re doing this now.” you say, gripping the bottle of oil tightly in your grasp. 

Shawn nods and then looks over at you. “Don’t put too much,” he advises. “Just enough to make his skin glisten, like he’s sweating.” 

“Right, right,” you nod, clearing your throat. “Not too much, but just enough.”

Ryan and Shawn quietly chuckle to themselves before giving the both of you some privacy. You look up at Hugh and bite your lower lip, eyes lingering on his lips as it moves down the side of his neck, to his chest and down his abdomen and back up. 

“You nervous, baby?” Hugh whispers. 

“N– No,” you stammer. “I just don’t want to mess up.”

“I don’t even think that’s possible,” he chuckles. “I’m ready for you, love.” 

You nod slowly and then open the bottle of oil, squeezing just enough onto your palm. You set the bottle aside and rub your hands together to evenly distribute the oil before you reach out to place your hands on his shoulders, slowly moving them up and down before you move to his chest. 

Hugh smirks, flexing his chest for you and he lets out a quiet chuckle when he hears you quietly gasp. “Love feeling your hands on me, baby,” he whispers. 

“Stop distracting me,” you tease, pouring just a bit more oil onto your hands before you reach out to spread it along his chest down to his abdomen, feeling each ridge and muscle of his abs. Your hands move dangerously closer to the waistband of his pants, feeling Hugh’s hand immediately dart out to rest on your hip. 

“Careful, baby.”

“Just making sure I got everything.” Slowly, you pull away and look at him, his upper half glistening with the oil you just applied. “I think– I think you’re ready to go.”

Hugh smiles and leans down to peck your lips lightly. “Thank you, baby.”

“I miss seeing your eyes,” you point out, motioning towards the cowl that’s placed atop of his head. “But I can’t lie… this is just as good a view.” 

Hugh opens his mouth to say something, but hears his name being called by Ryan and Shawn. “Duty calls.”

“Try and get this in one take so you can take me back to the hotel.”

Hugh smirks. “Impatient, aren’t you?” 

“Do you see yourself? I’d jump you right here if I could.” 

“Naughty girl,” he whispers lowly. 

“Hugh!” Ryan calls out. “Come on, buddy. I’m sure she will oil you up soon enough.” 

“Go,” you say quietly. 

Hugh nods and then turns on his heel to take his place on set. 

—

It takes more than one take to complete the scene. After about two and a half bottles of oil and intense sexual tension radiating off you and Hugh, Shawn finally calls cut. Hugh walks over to you and takes the towel from your hands to wipe off the immense amount of oil that’s dripping from him, but he can’t help but watch your eyes ogle him. It always made him feel so special and borderline shy when your eyes linger on him, especially with the way you’re staring at him now. 

“Just gotta head back to the trailer and change,” Hugh says. “Then we can go back to the hotel.”

Anticipation courses through your veins as you keep a tight hold on Hugh’s hand, fingers laced together as you walk alongside him. Once at his trailer, Hugh shuts the door and locks it behind him. 

Before you can even ask what he’s doing, Hugh turns to face you and removes the cowl to set it aside. His gaze darkens at the sight of you and in just a few strides in your direction, he’s wrapping his strong arms around your waist and lifting you off your feet. 

Your legs immediately wrap around his waist and your arms move around his shoulders. Letting out a quiet gasp, Hugh gently rests you on your back against the couch, kneeling on the floor between your legs.

“Hugh, what are you–”

“Been wanting you all day,” he says, his large hands moving to your jeans and undoing the button and zipper of it all too quickly. “Can’t wait anymore.”

“Baby–”

“Shh,” Hugh whispers, tugging your jeans down your legs and tossing the fabric over his shoulder. He looks up at you and then moves his hands to the waistband of your black lace panties, slowly tugging them down your legs as well. Once your lower half is completely exposed for him, Hugh holds your legs apart and growls at the sight of your slickened sex. He leans in and brushes the bridge of his nose against you, hands gripping your legs tightly. “Goddamn, baby. You’re already so wet for me.”

“It was because of all that oil,” you whimper, moving your hands to rest in his hair. “Please…”

“And here I thought you were gonna have your way with me,” he grins, pulling back just enough to brush the pad of his thumb against your bundle of nerves. Hugh looks up at you, watches you tilt your head back and your eyes fall shut at the lightest of touches.

“Oh, I will,” you groan. “But first, how about you do what you need to do and–”

“So demanding lately,” he grins, leaning in to lick a stripe along your soaking heat. A loud moan escapes your lips and Hugh smiles, pulling away. “Baby, you gotta stay quiet for me. There are still people on set and we can’t have them hearing you, hearing what I’m doing to you.”

“Fuck,” you whimper, nodding and moving your hands from his hair to cover your mouth instead. “I’ll try my best,” you mumble.

“Atta girl,” he praises and leans back in to lap at your juices, your wetness slowly beginning to trickle down his chest. Hugh grips your hips, holding you firmly against the couch as he moves his lips to your clit, flicking his tongue against it as he brings one hand between your legs. Without hesitation, he slides in two fingers as he sucks at your clit, beginning to pump his two digits in and out of your depths. 

The sounds of your wetness squelches with each thrust of his fingers and he stares up at you to see how hard you’re trying to stay quiet. He smirks against you and slowly adds a third finger, a loud whimper escaping your lips at the intrusion. 

Hugh turns his head and places soft kisses on the inside of your thigh as he leans back, continuing to move his fingers in and out of your depths as he leans over you. With his free hand, he gently removes your own from your mouth and leans in to brush his lips against yours. 

“Feel good, baby?” he whispers, keeping his fingers deep within your depths as he begins to curl them inside of you. “Oh yeah, I can feel you trembling…”

You stare up at him, biting your lower lip as you try to hold back your moans. “Hugh, baby…” 

“Doing so good for me, staying so quiet,” he grins, his fingers curling inwards as your walls begin to tremble and he knows you’re close. Knows that you’re about to reach a heightened pleasure that he leans in and presses his lips against yours in hopes to quiet your moans. 

You reach down and grip his wrist, fingertips digging into his skin as you arch your back. You moan against his lips, feeling his tongue slide past your own and the sensations are just too much, too overwhelming. Hugh pumps his fingers in and out of you to help you ride out your climax, slowly pulling away to hold up his fingers in your direction.

“Look how wet you are for me,” he grins. 

You look up at him, biting your lower lip as you watch him suck on his fingers, cleaning your slick free from his digits. “Hugh…”

“So fucking good,” he winks. 

You’re breathing heavily, but you reach down for his pants and tug on it, seeing the length of his manhood pressing against the yellow fabric. “Take these off.”

Hugh smirks. “Yes, ma’am.” He makes quick work to remove his boots and his pants, kicking them off to the side carelessly. He looks down at himself, his manhood at attention and he settles himself once more between your legs. He holds onto the base of his length and runs his tip across your sex, growling lowly. 

“Gonna fuck you now,” he groans. 

“Please,” you whimper. 

“Being such a good girl, baby,” Hugh smirks, slowly sliding into you in one thrust. He groans at your wetness, your warmth walls surrounding every inch of him. He leans down and rests his forehead against yours, pulling his hips back before he slides back in. 

“Hugh, I don’t think…” you moan, moving your hands to his shoulders. “I can’t– I can’t stay quiet and–”

“Shh,” he whispers, moving his large hand over your mouth as he delivers a sharp thrust. “Yeah, you can, baby.” 

You let out a loud moan, muffled by his hand as you stare up at him. Hugh pulls out to his tip and slides back into you in one thrust, your legs moving to wrap around his waist. 

Hugh rests his forehead against yours, staring into your eyes as he keeps his hand over your mouth. Your moans and whimpers are muffled by his large hand and with each thrust, he can see the way your eyes flutter. Hugh’s thrusts continue at a rhythmic pace, your walls sliding along each inch and vein of his manhood. You’re so wet, so tight and warm and Hugh knows he can’t keep this up any longer. 

“Fuck, baby, I’m gonna–” Hugh’s hips begin to stutter, but you reach down and push him away from you, causing a loud groan to escape his lips. He’s quick to grasp his manhood to slide back into you, but you shake your head and sit up on the couch, urging him to stand up. “What?”

“I want you to come in my mouth,” you tell him, biting your lower lip. “That’s one way you can keep me quiet.”

Hugh growls and nods, standing up like you asked. He brings a hand down to your cheek, brushing his thumb across your soft skin and gently tucking a fallen strand behind your ear. “Well?” 

“Now, who’s impatient, hm?” you grin, reaching up to wrap your hand around his slick coated base as your lips move to his tip. Wrapping your lips around him, you begin to bob your head, hollowing your cheeks as your hand strokes the rest of him. You keep your eyes focused on him, watching as he tilts his head back and a hand moves to tangle his fingers into your hair. 

“Oh, baby,” he groans, the grip in your tightening as you continue to bob your head in time with your strokes. Hugh can feel the tightness build once again in the pit of his stomach. He looks down at you and groans at the sight, your eyes staring up at him with his cock in his mouth. 

God, if he could spend the rest of his days like this, Hugh would die a happy man. 

“I’m close, I’m gonna–” Hugh’s voice cuts off as you take him even deeper into your mouth and he can feel the tip of his length hit the back of your throat. He groans loudly and gently brushes your hand away from him as he takes a hold of his base. He strokes himself once, twice, three times before spurts of his come release into your mouth. 

You feel his warm spend fill your mouth, a mixture of salty and sweet taste. You swallow it eagerly, slowly bobbing your head as you feel him shudder against you, his hand in your release loosening its grip. When he pulls away, you smile up at him and gently place a soft and light kiss on his tip. 

“Did you really just–”

“Swallow?” you finish for him and nod. “Yup… Is that okay?” 

“Is that okay?” Hugh repeats. “Baby, you’re fucking perfect.”

---

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@jules-and-gemss

[myersesque]

ok. so. viktor is my favourite character in arcane. i am also physically disabled and hate the Magical Miracle Eugenics Disability Cure trope with a fiery passion. naturally i have a lot of opinions about where his character is going, but for now, here's a relatively simple one:

internalised ableism has always been part of viktor's character. he describes himself as "a poor cripple from the undercity" (yes, quoting how other people speak about him, but still); he shies away from the spotlight even when jayce encourages him; as a child, he directly acknowledges his disability as the reason other children don't associate with him.

i watched a video essay recently ("how arcane writes men" by schnee) that identified viktor's tendency to just suck it up and push through his problems rather than dwelling on them as a stereotypically masculine trait, which he is written to both subvert and lean into. whilst i agree with that to some extent, i think for viktor specifically it's more of an insight into a very common mindset for disabled people to have; a lot of us do not want to be pitied, and understand that acknowledging our hardships will often unfortunately lead to being treated as attention seeking. he doesn't dwell on things because he can't, unless he wants to be looked down on more than he already is; he's already had to fight to even be acknowledged as more than somebody's assistant, or respected as a zaunite living and working in piltover. i can't imagine he's keen to show any further "weakness"; he only ever cries when he's alone. it makes sense that he'd want to save himself rather than relying on anybody else.

the dangerous thought process of "fixing" people with the hexcore begins with that desire to save himself. at first he's just trying to stop his illness from killing him, but then he progresses to carving runes into his leg, seemingly in the interest of fixing his limp - which works, albeit temporarily. he seems aware enough of the implications of what he's doing to be somewhat ashamed of it (or, at the very least, enough to hide it from jayce). i've seen a lot of (mostly able bodied) people interpret the scene of him running down the pier as victorious, but it always felt bittersweet and scary to me; the dark, painful fantasy of "fixing" the thing the world has always looked down on you for, and the unsettling knowledge that you were never supposed to exist that way. a man experiencing a moment of joy only when he has detached himself from a core aspect of his being; self hatred disguised as progress. he only seems to register the horror of what he's doing when it kills sky.

it's not a leap to say that, with the hexcore dulling his emotions and blurring the lines of his ethical code, he would turn this externally. self loathing so insidious that he mistakes it for kindness and mercy and points the blade of it at the people he swore he'd help. before merging with the hexcore, he was desperate to destroy it and rid himself of its influence, hindered only by his physical inability to do so; under its control, he's seemingly lost all those inhibitions, wiped clean of his understanding of its danger. no longer "clouded by emotion", no longer human enough to know better, no longer suspicious of the arcane.

what viktor becomes in season 2 is, i believe, a hellish mix of his own internalised ableism and the hexcore's desperation to spread and survive. his genuine desire to help people has been warped into stripping people of their individualism, forcing them into some predetermined ideal in the name of healing (very "the empty child" from doctor who). it's his own character flaws mixed with the inhuman apathy of the hexcore. the road to hell is paved with good intentions, and also dressed up so nicely that you don't even realise you're headed downwards.

this is not what viktor stood for, but rather a perversion of his own insecurities, with a fresh coat of hexcore paint to stop him (or his followers) from scrutinising it too closely. they took the guy who dedicated his life to bettering humanity, and warped him into something doomed to destroy it.

(or something like that. idk. i haven't slept.)

[spaceman-earthgirl]

“Agatha and Rio arrived at school together this morning,” Jen says by way of greeting, dropping her books on the table and joining Alice and Lilia.

Alice looks up, half intrigued, but Lilia keeps her head down, ignoring Jen except for a little wave in greeting.

It’s before school, and the staff room is mostly empty, giving them plenty of space to gossip before the school day starts. Though not a lot of time, the bell for first period is about to ring so they better make this quick.

“When you say ‘arrived together’ do you mean they got out of the same car, or just walked into the building together?" Alice asks.

Jen deflates a little. “I saw them walk into the building together.”

“Then that proves nothing,” Alice says, returning to her book too.

It’s been a hot topic of discussion over the last few months, what’s going on between the two of them, ever since Alice had seen them in the hallway together, Agatha laughing at something Rio said. 

The way Alice tells it, Rio even touched Agatha’s arm, but that detail was added after a few retellings so Jen isn’t so sure about that part.

Either way, ever since they noticed, they can’t stop speculating, because even just the few times Jen has seen them interact since, there’s definitely been a vibe.

Lilia has repeated on multiple occasions that she thinks they’re together, but they need proof.

And Jen is determined to find it.

---

“Someone sent Agatha flowers.”

Jen grins, Alice always gets the good gossip.

“Who are they from?” Jen asks. There’s a pile of homework she needs to grade before her next class but this is more important.

“I’m not sure, I was in the main office when they got delivered. I managed to sneak a look at the card but all it had on it was a little green heart.”

Jen thinks about this for a minute. “A secret admirer perhaps? Maybe even one who teaches biology a few doors down.”

“There’s no way to prove that,” Alice says, but she still looks on board with this information.

“What if we just ask Agatha?” Jen asks, keeping a straight face for as long as she can before she bursts out laughing, Alice, and even Lilia joining in.

“It’d be your funeral,” Alice says.

And Jen knows it would be.

Agatha is snarky and no bullshit and you always want her on your side in an argument. There’s no way she’s risking Agatha’s bad side.

When she’d first met Agatha, she’d wondered why someone like her would even want to be a teacher, and then she’d actually seen her with her students and she’d changed her mind. Agatha might be scary, but she has a way with kids that Jen didn’t expect.

Maybe it’s the no bullshit thing that kids respect, but whatever it is, the kids love Agatha and she seems to love them too.

But there is still no way she’d ever ask Agatha about her personal life. From what Jen can gather from their limited interactions is that Agatha is a private person, and she’s not going to question that.

She really hopes Agatha never finds out that their favourite way to spend their lunch break is gossip about her and the chemistry she clearly has with Rio.

read the rest on ao3 or under the cut

---

“I just saw Agatha and Rio having lunch together in Agatha’s classroom.”

They really don’t greet each other normally anymore, they just spill gossip. She hopes the other teachers don’t overhear them. Or if they do, they have gossip to contribute.

“I knew it,” Jen says, like that’s the proof they needed when in fact it proves nothing except the fact that they’re friends.

Which they knew already, so that’s not news. They've seen them together enough to know that they're friends, which only adds fuel to their speculation because Agatha doesn't have any other friends at school besides Rio.

“And they were sharing a sandwich,” Alice adds.

Ok, that might be something. 

“’Lady and the tramp’ style?” Jen asks, because that’s the first thought that pops into her mind when Alice says it and she also knows Alice will hate her question.

As expected, she gets a withering gaze in return. “No not ‘lady and the tramp’ style, they were sharing a sandwich like normal people do, Rio handed Agatha half of her sandwich, but that’s all I glimpsed as I walked by.”

“I mean, that’s kind of something I guess?” Jen says. “Lilia, back me up?”

Lilia barely looks up from the book she’s buried in. “You already know my opinion on the matter, but that alone proves nothing.”

“I’m adding that to the list of signs they’re dating,” Jen decides after some thought. It doesn’t really prove anything either way, but she’s going to figure it out.

---

“Guess who is chaperoning the school lock in tonight together?” Jen asks. She feels like this is good information.

“I’m guessing Agatha and Rio?” Alice answers, taking a carrot stick from the container Jen offers. 

“As well as about 10 other teachers,” Lilia pipes in, ruining the fun.

Lilia is still firmly in the camp of “they’re definitely together, and why bother gossiping about someone else’s personal life?” but even she sometimes gets involved. She’d been the one that noticed Rio wearing a shirt she swears up and down she’d seen Agatha wear before.

But maybe they just shop at the same place, so that proved nothing either.

“Are either of you two chaperoning?” Jen asks. When they were taking volunteers, she’d said no. She couldn’t think of anything worse than being locked in the gym overnight with a bunch of kids. 

Agatha doesn’t usually volunteer for school activities either, which is why this is a little suspicious.

“No,” Alice says as Lilia shakes her head.

Damn, she wishes she’d volunteered now, they might’ve gotten some good intel.

On Monday, they get no information from any of the other teachers because she’s pretty sure no one else is as invested as they are so that’s a bust.

---

Jen is halfway through her sandwich when Agatha walks into the staff room. She watches in surprise as Agatha crosses the room, takes a seat at the only empty table and pulls out her lunch.

“Do you think they’ve had a fight?” Alice asks, as quietly as she can. There’s no need to ask who she’s talking about, they all know.

They’re all fairly certain that Agatha and Rio spend every lunch break together, so why not today?

The logical answer is that she’s busy so Agatha is eating alone but gossip and speculation isn’t logical.

A couple minutes later, Rio walks in and the imaginative side of Jen’s brain runs away with her, to the point that by the time Rio has crossed the room, Jen is expecting a fight because in her mind they’ve broken up, but all Rio does is sit down next to Agatha and pull out her own food.

Jen deflates a little. Not that she’d wanted a fight, but it at least meant they might get some drama.

That doesn’t stop her from watching them though. As subtly as she can, of course. She can see Alice and Lilia doing the same, all three looking for clues to whether something is going on between them or not.

But it’s about as boring as watching anyone else each lunch. All they’re doing is talking and eating and Jen is just starting to wonder if maybe they’re reading too much into things when it happens.

Jen can’t see from where she’s sitting what Agatha is eating, but whatever it is, it must be messy enough for Agatha to get something on her face. Rio reaches out and wipes her thumb across Agatha’s lips, removing whatever food was there, before bringing the thumb to her own mouth to lick it clean.

Alice immediately clutches Jen’s arm, clearly just having seen it too.

They (again, subtly) watch in silence until Agatha and Rio get up and leave not long later, nothing else eventful happening after the incidentTM.

“Did you see that?” Alice asks as soon as Agatha and Rio are gone.

“That is not 'just friends’ behaviour,” Jen says, still in shock at what they’d witnessed. Maybe there was something to this after all.

“I mean-“ Alice starts, like she’s about to justify it.

“No. Do you ever do that with your friends?”

“No,” Alice says, her cheeks going red.

“Exactly. So we’re adding this to the list of evidence that they’re dating.” Not that that list is very long, but if they’re not dating, then they’re clearly into each other, evidenced not just by what Rio had done, but by the fact that Agatha hadn’t punched her afterwards.

---

It’s early, earlier than she’d usually arrive at school, but they have a school spirit event today so they’d all arrived early to set up their classrooms.

But before that, Jen needs coffee.

There are a few other teachers on campus, all trying to get an early start on the day, so she’s not surprised when they walk into the staff room and find they’re not alone.

What she very much is surprised by, however, is that the two people in the room are Agatha and Rio.

And they’re kissing.

It’s a fairly chaste kiss, as far kisses go, which is probably good considering they’re at school. But Agatha is pressed close to Rio, Rio crowded against the counter.

At least their hands are in appropriate places.

The noise of the door closing must alert them to the fact that they’re not alone as they break the kiss and turn towards the noise.

“Morning,” Rio smiles, giving a small wave. She makes no move to push Agatha away though and Agatha doesn’t move either. Agatha does give a flippant wave in their direction which Jen is assuming is also a hello.

Clearly, they don’t care that they’ve been caught because Rio turns back to Agatha, saying something too quietly for them to hear but whatever it is, Agatha laughs.

Jen will blame the lack of coffee and the fact that they’ve been speculating about this for months for her next words.

“You two are together?” Jen asks before she can stop herself. There definitely was a more tactful way to ask that but it’s too late.

“I told you,” Lilia says, as Agatha and Rio turn back to them, finally stepping apart. Lilia pays everyone no mind as she walks across the room and starts making herself a coffee.

Jen ignores her, too focused on the two women on the other side of the room.

Agatha looks mad now, which is a little scary, but Rio looks amused.

“Are you serious?” Agatha asks, voice gruff, and Jen is starting to have regrets. But they’re in this now, and there’s only one way to find out the truth.

“We just…” Jen looks to Alice for support, but she holds her hands up in a way that says ‘don’t make me a part of this’. 

Traitor.

“We’d just noticed you two spending a lot of time together and you obviously have chemistry so we couldn’t help wondering if something was going on.”

Rio looks even more amused, and there’s a slight quirk to Agatha’s lips too which means she’s at least not contemplating killing her right now.

“You know nothing exciting ever happens in Westview,” Jen adds, like it justifies their actions. “It was just idle gossip.”

“Well, Rio starts. “You know, I saw Agatha and I just couldn’t stay away. I’ve been trying to get her to go on a date with me all year, it was those sexy reading glasses that-

Agatha gives Rio a slight shove, pushing her away and cutting her off. Agatha still doesn’t look mad at least. “We’re married,” Agatha says with a roll of her eyes, but the look is directed at Rio.

“See, I just couldn’t stay away,” Rio grins, gesturing to Agatha. “All she did was ask me one little question and now I’m hers fore-“

“Stop,” Agatha cuts in, giving Rio another playful shove but she’s looking at Rio with such affection that no one could deny them being in love. “Or else you’re walking home.”

Rio holds her hands up in surrender with a grin.

“You’re married?” Jen finally asks, incredulous. She almost feels like she’s intruding on something.

How on earth did they miss that?

“We’ve been married for eight years,” Agatha supplies, looking a little annoyed again. It’s very clear that the annoyance is directed at them, and not Rio. “It’s not a secret, everyone knows.”

Jen’s mouth drops open. 

“Or we thought everyone did.” Rio says, taking Agatha’s hand, threading their fingers together. “We have a kid too, if that helps,”

Jen feels each new piece of information like a physical blow. She needs to lie down, this is too much this early in the morning.

They clearly missed a lot.

“Come on,” Rio says, giving Agatha’s hand a tug. “Let’s leave these guys to whatever it is they’ve got going on here.”

“Sorry,” Jen says, having the decency to look sheepish as Agatha and Rio walk past them.

Even more so when Agatha stops and turns to them. 

“Maybe next time, don’t gossip about people behind their backs. If you have a question, just ask.”

“You heard the lady,” Rio winks, tugging on Agatha’s hand once more and then they’re alone again.

Jen and Alice wait a few short moments, making sure Agatha and Rio are out of earshot before they turn to each other.

“Oh my God,” Jen says, at the same time Alice says “I thought Agatha might hit you there for a moment.”

“I told you so,” Lilia says, carefully setting down three cups of coffee on their usual table.

She’s a lifesaver.

“I’m sorry, you did,” Jen says, gratefully accepting the mug. “Next time, I’ll believe you.”

“I can’t believe we missed it, all this time,” Alice says, looking equally grateful for her drink.

“Technically we missed nothing, we thought something might be going on and we were right.”

Jen is sticking by the fact that they got this one right.

“Yeah,” Alice says. “But married for eight years is a little different than wondering if two people are dating.”

Jen waves her off. “Details. But don’t think I will forget that you basically threw me under the bus there.”

Alice is the one who looks sheepish now. “Sorry, but she’s scary.”

Jen won’t deny that. “So, who’s going to be our next source of gossip? We’re going to need something new to talk about.”

Alice rolls her eyes but doesn’t protest, which is either because she’s too tired this early, or because she wants the gossip too.

Probably both.

“What about your love life?” Jen teases, earning a glare from Alice that she knew was coming. So, what? It’s easy to wind her up.

“Don’t you dare,” Alice warns.

“Fine,” Jen laughs. She’s sure they’ll find something else to gossip about, at least for now they’ve solved the Agatha and Rio mystery. 

Which wasn’t really a mystery after all, because it was common knowledge.

Apparently they were just the last to find out.

[jukashi]

As I understand it, "sentient" most likely became the more familiar term because it was relevant in animal rights contexts. "Sentient" basically just means 'able to experience sensation'. Experience/Consciousness, the basic ability to recognize a distinction between internal and external sensations (hence why it's pretty much equivalent to 'self-awareness', literally awareness of a 'self'), was argued as the prerequisite for the capacity for suffering, so demonstrating an animal was sentient was part of arguing for better treatment of those animals. Of course, other people would try to demonstrate that an animal wasn't sentient in order to claim it was ok to do anything to them - that they were just biological automatons, in effect. A bad argument, of course, with just one reason why being that you can't really prove the absence of sentience. In scifi, characters would say things like 'you can't do that/let that happen to a sentient being', and it was a reasonable thing to say! Just that in context those 'sentient beings' would tend to be sapient as well, because that's more interesting in fiction. From there it got copied by other authors and got twisted from 'a creature as capable of suffering and of being mistreated as a human is' to 'a creature mentally equivalent to a human'. "Sapient" means having wisdom, or more specifically the capacity for abstract thought - the ability to both hold onto information and to put different pieces of information together to create projections and predictions independent of prior experience. A human who had never experienced a cave collapse may still deduce that something must hold up the roof of a cave, that that something is probably the cave wall, and that digging the cave deeper may lead to the roof falling in. A crow can see that when a human's shoelaces are untied, they tie them again - so if it unties a human's shoes, it can deduce, they'll be distracted enough for the crow to steal something. Sapience is the ability to see underlying principles across different events, to calculate and draw new conclusions. This and this, therefore that.

Of course, it can be hard to prove the absence of sapience, too, because sapience is something you do, not really something you are. A lot of humans spend most of their days not demonstrating use of their sapience at all, just following instinct and training patterns, if sophisticated ones. If you don't have a reason to use it, or something to use it with, it's hard to demonstrate that you're sapient - and if you do demonstrate it, it's easy to mistake for possibly being just instinct or training.

I'd say cut some slack on use of sentience and sapience as words, because a lot of the time they're used to talk about ethics and mistreatment, and for that, sentience is the relevant quality. Sapience doesn't really mean you're more or less capable of suffering, except maybe in that you have an enhanced capacity for anxiety, fear and emotional suffering from being able to recognize dangers and implications more easily.

More recently, some scifi has started using the word 'sophont', which also basically just means having wisdom (it's the same 'soph' as in sophist or philosopher). It's mostly a synonym for 'a sapient being', but in my experience has some stronger connotations of having transmitted knowledge, collective culture and technology.

i am on my knees tears running down my face knuckles raw and bleeding and BEGGING people to learn the difference between sentient and sapient

[wyrmswears]

wyrm thinking about jordana do you want to talk about your thoughts 👂

ok it was 2am so i saw this ask, thought to myself damn id be incomprehensible, and went to sleep to get up in time for my 9am lecture. BUT!!! yes i would like to share my thoughts.

first of all, ive been rotating lightning master au in my head a Lot. like tumblr doesnt even know a fifth of what ive got going on there. so ill share a little bit keep the general public updated nod nod (though im always happy to elaborate). jordana is so ignorant to non-imperium cultures and thats really fun to explore because it means that she knows little about elemental powers and even less about the significance of lightning in particular. at first jordana assumes that it was one of the new elements created by the merged (because, well, lightning sounds like a bit of a niche) and has no clue about the 'finding a new host' thing.

He was likely the holder of a new element created by the Merge, as so many now were. And just as quickly as the Merge had created it, Ras had destroyed it.

not to mention, almost every realm outside of imperium learnt the significance of the ninja in the aftermath of the merge, with them being such an important part of ninjago's culture. even as the rest of imperium became more open and started interacting with other cultures, jordana went with ras, continuing her isolation and only ever learning of the wyldness.

all this is to say that she is woefully unprepared for the reaction people would have towards her element.

“The most shocking competitor of the tournament!” A burst of amusement at the pun, courtesy of Jay. “Jordana - master of Lightning!”

For a brief second Jordana enjoyed the shocked look that washed over the ninja, but as the expressions of shock turned to dread, her smug smile twisted into an uneasy frown.

The arena and stands had fallen into eerie silence. Jordana felt like she was missing out on the punchline of a joke, a common feeling having grown up isolated in Imperium’s culture and more recently finding herself surrounded by citizens of the Merged Realms, all of which had learnt from and shared with and found understanding in one another.

There was common knowledge underlying the dread, she knew. She just didn’t know what it was until one of the ninja - the master of Earth - stepped forwards.

“Your element is… lightning?”

Her hand found its way to her chest, rubbing above where her heart would be. “What does that matter?” She said, not dismissively but with fear creeping into her voice.

the tournament is an awful place to realise the significance of your situation. surrounded by friends of the ninja and a city of people who know far more about elemental powers than jordana, who has held the element of lightning for maybe a month at this point. all of whom know what it means for jordana to be the master of lightning, far more than she herself does. to jordana, every ounce that someone cares about jay is an ounce less that they care about her. the silence as an entire city of people understands and processes and starts to mourn the death of jay is the backing track to when peoples perception of jordana changes from a kid participating in a competition to an enemy. effectively through her introduction she has made a far greater enemy of herself than she has ever been considered before

so silly that jays attempt to give jordana protection (by passing on his element to her, hoping that it would defend her against ras) instead leads to her persecution at the hands of the ninja and allies

anyway. breaking out of lightning master au, lets trans jordanas gender. i think this would save her. i really do.

oh fuck i have another lecture uh. more thoughts later

[iamrunning-low]

Ok, forgive my brain vomit, but i have a couple of questions about 765874. I've only seen memory wall, regeneration, and unification, so this will just be regarding them.

With the controversy surrounding the use of Leonard Nimoy's image to portray Spock in unification, it opens the question about the possibility that the likeness of other actors and actresses will be used after their death. Some people are getting angry, even with how close Nimoys estate worked with unification. And I think it's valid.

Now I love unification, with all my heart. I think it was an amazing way to fix Spock and Kirk's end. It gives me so much joy that spock didn't die alone. On the more technical side, I think the whole thing was incredibly respectful and honoring to Nimoys memory. It was extremely well done. And though we will never know what nimoy would have really thought about it, i doubt he'd be against it.

But what about memory wall and regeneration?

Correct me if im wrong, but they used the same technology and used Nimoy's likeness to portray Spock in those too. And these other films came out in 2022 and 2023.

So why are people only getting angry and concerned about it now?

What's going on? Keep in mind, i am relatively new to the fandom, and i wasn't on Tumblr at all at the time the other films came out. Did I just miss it? Or are people only angry now because a lot of people are interpreting unification as spirk becoming canon, and they think Nimoy wouldn't have wanted that?

PS: to me, spirk has been, and always will be, canon.

[justcreatininthedarkness]

I really love this prompt, so I had to write something.

after the death of Jackie's lovely grandparents, his family got the estate and their cat. It was all fine and dandy as they started to move in, most things being as they were when his grandparents had lived there. The antique furniture was somehow in perfect condition, not a single scratch from the cat.

Jackie's room was going to be in the attic, so he started to clean out all the old junk. Sorting through stuff that would be worth money and old trash, keeping the antique and the yard sale pile separate. He found some old family photos and portates, setting them aside for later, most likely just planning to throw them away after getting photos of his grandparents.

After a while his parents called him down for dinner. on his way down he nearly tripped over the cat, causing it to meow up at him, it had such a tiny and kitten like mewl. He picked up the fluffy calico and headed to the kitchen. "What was the cats name again?" He asked as the cat jumped from his arms and sat down by its bowl. "I dont remember, it might've just been chat. You can rename her if you want." His mother said as she put together a meal from what they had at the moment. "That's a boy cat," He lifted the calico up by its sides. "See, he has balls." His father laughed at that but his mother didn't find it as funny. "Jackie, I dont want to see a cats genitals before I'm about to eat." The cat wiggled out of his grip, then he sat down to eat with his family.

After dinner he had almost forgotten about the pictures until he tripped over a box of them, making them scatter. With a sigh he began to pick them up, notice a cat in a few of them. A lot of them. Old ones. At first he thought it was just another calico cat, maybe an ancestor of the current cat. But then he noticed over the decades worth of photos, that the patterns stayed the same. Always the same.

He quickly checked the back of the photos, the ones that included the cats name all had him as Sasha. Same pattern. Same name. Same cat.

He rushed downstairs with the photos to show his family, almost tripping over the cat again, but this time he swiftly ran past instead of picking him up.

When he got to his family he frantically told them about the cat as they sat on the couch, they did not look concerned at all. Not one bit. They laughed it off and told him to get ready for bed. When the cat rubbed against his legs he jumped and whisper yelled "I know your secret." Before he ran off again.

He closed the attic door and locked it. Ignoring the meows and scratching that followed a few minutes later; he curled up in his bed and tried to sleep, hoping that this was just a bad dream.

When he woke up the photos in his hand were gone. Maybe it was just a dream after all. As he sat up with a yawn he spotted the cat, sitting at the edge of his mattress. Just a dream. Please? "Hey... S-sasha, that's not actually your name though, that had to have just been a dream... Right Sasha?" The cat meowed in response to his words. He quickly leapt up and ran for the door, it was still locked. It couldn't have been a dream. How did the cat get up there? How was it alive? He heard it's small feet patter forward and he quickly unlocked the door before running downstairs.

He spent his whole day avoiding that cat, spending most of it with his mother as he helped her clean up the house a bit.

The cat kept following him, somehow getting into locked rooms and watching him from windows when he was outside.

He couldn't run forever, and he watched in dread as the cat slowly approached hid bed when he finally had to sleep. He wanted to run, to scream, to do something, but he had stayed awake and avoidant for two days and he couldn't keep his eyes open, no matter how scared he was. He felt paralyzed as his eyes slid shut and he felt something else get on his bed. "Shhh, no one has to know. Let's keep this a secret, ok boy?" What felt like a hand touched his face, two fingers prying one of his eyes open. "Right?" The figer in front of him was still rather small and surprisingly humanoid, it was just a bit smaller than him. Sashas hair was long and fluffy; it was patched with browns and blacks, with streaks of white. His skin was similar. His eyes were still big and cold brown.

He managed a small nod, then Sasha let go and got off the bed as Jackie quickly fell asleep, more likely from magic than exhaustion at this point.

(Sasha btw. I had to draw him. Might draw Jackie next.)

I had to sit down and think about how I would make a person calico. I actually really like it. might render it later.

I need to stop drawing feminine men though...

Your grandparent passes and your parents inherit the palatial estate as well as the care for its cat. After going through several family records you realize the cat has been inherited throughout the generations. You try telling others but they forget. Now it keeps trying to be alone with you.

[she-posts-nerdy-stuff]

Wicked the movie thoughts - spoiler version

I went to see Wicked today! If you want to read a spoiler free edition of what I thought you can do that here but otherwise below the cut I am going to talk in a lot of detail about the show and share my thoughts - they're overwhelmingly positive!! I loved this movie, I love this musical, and I have a lot of thoughts to discuss, I'm welcoming conversations about things I say or about stuff I didn't say but that you want to talk about let's absolutely chat, and this is all the way through going to contain spoilers for the plot but also for specific details, scenes, acting, etc, of the new movie so be warned if you don't want to read that

First of all, the genuine love and care that was put into the show and that can be seen not only in the acting but in the set, the music, in every aspect the care and the adoration for the theatre production was so clear, it was so lovingly crafted from the word go. I also felt like not only Wicked the musical but also Oz, in the original Wizard of Oz novel, in the Wicked novel, in the world and in everything that Gregory Maguire brought to the world, and so on and so forth was being treated with such care and being genuinely revered whilst also balancing well enough that I didn't feel like I was only ever seeing rehashes of existing material or a carbon copy of the past

Even as I was watching and thinking this, and thinking how well they had captured the feeling of watching something on stage, I was still wondering how they were possibly going to execute the Emerald City and the One Short Day performance because it's so iconic and so distinct in the musical but genuinely I was so impressed with the success of that scene. It both captured the essence of One Short Day on stage and added something new to it without taking anything away from the original and they deserve so much praise for that. I'm going to talk a little bit about the nail salon scene later when I discuss propaganda in Wicked (this is gonna be a looooooong post y'all buckle up) but other than that for One Short Day I just need to address, because how could I not, IDINA MENZEL AND KRISTEN CHENOWORTH!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I didn't know they were going to be there!!!!!!!!!! I was losing my goddamn mind you guys omg

I was genuinely astonished. Like I'd seen them doing press and stuff but I assumed that was just because their names are so synonymous with Wicked I didn't realise they were actually going to be there!!

I really enjoyed the small stage production about the Wise Ones and the Grimmerie it was brilliant in concept and execution for worldbuilding and lore but KRISTEN AND IDINA OMG wonderful oh my gosh. Now was it on the nose? Absolutely. But I don't think that it felt forced, I thought that if you didn't know who they were then even when Chenoworth was singing to Grande and Menzel was singing to Eviro then it still wouldn't have felt strange or out of place, but of course I'm looking at it through the lens of a fan receiving fan service so generally speaking even though I know it's fanservice I'm still going to enjoy it and it's possible that through another's eyes it would feel different. I thought it was brilliant though and nothing will take that away from me

I think it's fair to say that the pacing of Wicked is kind of messed up and I have heard concern that because of that the act 2 movie will struggle; pacing of act 2 does get messy, but I cannot fault them in any way for splitting it into two movies ok because this was spectacular and I would not want to cut a single thing from it so yeah that's kind of all my thoughts on that point; I think that even if act 2 is harder to bring to screen that it can still be done in a high quality and successful way and especially after watching part 1 today I absolutely trust that this production can do that

I'm gonna now hop right back to No-One Mourns the Wicked (the pacing of this post is gonna be worse than the pacing of wicked). I was slightly concerned that Ariana Grande's intense recognisable-ness was going to take something away from the show because it would be hard to see the character she was playing rather than just Ariana Grande singing, if that makes sense, but from as early as No-One Mourns the Wicked my concerns were alleviated. Glinda is not an easy character to play, in my opinion, and she's not an easy character to play because she acts incredibly melodramatic in everything she does whilst her genuine emotions are incredibly subtle. What I saw in both Grande and Erivo was how fantastic their micro-expressions are and how much they can tell the audience with one or two features, often the eyes, alone. In No-One Mourns the Wicked , Galinda genuinely believes and will presumably continue to believe for the rest of her life that Elphaba is dead. And throughout her performance of the song, I more than once found it visibly notable that Glinda was on the verge of tears. She was smiling, she was singing, she was moving gracefully with her typical accentuated and dramatic movements, but the pain in her eyes was remarkable. This was a woman who believed that the only person she had ever had a genuine emotional connection with was dead, a woman who had lost not only someone she had manufactured a relationship with (Fiyero) and convinced herself that she was happy with what she knew was a false pretence of love to receive from, but also the only person in the world who had ever shown her real love and was finally being confronted by the fullest extent of the choices she had made but having to keep everything light and cheerful because of those very choices. Did that make sense? I hope I'm not just spouting nonsense. One of the most emphasised moments of this for me was when this massive effigy of Elphaba and one of the munchkinland residents hands Glinda the torch to light it; there's this blink and you miss it moment where Glinda looks at the torch, at the effigy, then back to the man who held it out to her, who's watching her expectantly, before she turns and tosses it on with a sense of urgency. Not only is this alone powerful, but I also think it's powerful that she throws the torch instead of standing at the effigy and taking care to set it alight firstly because she may not be able to bring herself to do so but also in a way that may be reflective of their relationship and the story: Glinda does not outrightly attack or harm Elphaba but she makes the choices that she makes, she throws her torch and whatever burns will burn.

I also felt that she captured the comedic elements of Glinda fantastically, with one of my favourite moments being when she melodramatically collapses kneeling in front of the bed as though she is sobbing into the quilt but just sits there perfectly still and the camera just stares at her for a few moments before she peeks up over her shoulder to see if Elphie's looking. The difference we can see between these two sides of Glinda's character was very well executed and I think we also see something of her more vulnerable side in some of these comedic moments, because ultimately she does (I'm going to talk about this later) feel unloved because of how shallow all of her relationships are and even in melodramatic, foolish or naive moments like the throwing herself on the duvet cover she is actively seeking attention because she equates attention to love - she so desperately claws her way to attention and popularity because she feels unloved and she thinks that this is love, so when it doesn't give her the feeling she was searching for she becomes convinced that it was because she doesn't have enough of it yet and she needs more. I thought that she was incredibly well captured and presented from all angles with her very many layers being well laid out.

Again with the insane jumping around but let's just dive headfirst into a couple of little details that I noticed whilst I'm thinking about them - during the Wizard and I when Elphaba is imagining her success and her dream she runs through a cornfield!! As though she is running towards Fiyero!!! I loved it. Like it's so tiny, but I love it. Another tiny one - loved the silver shoes for Nessa as a hark to the original book wherein the magic slippers were silver, but then in Popular when Glinda is going through her wardrobe and pulling out all these different options she gives Elphaba a pair of ruby red slippers and then decides against them and throws them away again!! Loved it as a teeny little reference. I also really lovedddddddddddddddddddddddddddddddddddddddd and this one is more meaningful to the story but when Elphie has her magic outburst at Shiz right at the start where she sends Nessa into the air and stuff gets thrown everywhere, there's a statue on the wall of the Wizard that gets smashed. When it smashes, it's briefly visible that beneath the statue the wall was originally painted with a mural of animal scholars!!!!!!!!!!!!! I LOVED this detail, I was BUZZING. Like you saw it long enough to see what it was, there were three animals with a bear in the middle and I think the bear was wearing maroon robes and they were all clearly scholars

My personal theories on this is that either they were highly valued intellectual alumni of Shiz or that they founded the school, however there mya be lore standing on them that I am unaware of I started reading the book a long time ago and never finished it (I really want to read it but I haven't got around to it yet. I read enough to know what happened to Dr Dillimond in the book but I don't remember a lot after that)

Speaking of Dr Dillimond, I'm not sure if I just missed a detail or something implicit but I wasn't sure that they gave any real explanation as to why the poppies didn't knock Fiyero out????

On Fiyero: Johnathon Bailey understands Fiyero so well and it was brilliant. His performance very much took in the different layers of the character and the split between what he presents to the world and the intensity of the emotions he hides. Fiyero experiences emotion so intensely and feels such an intense response to others' emotions as well, and I think that you could really tell that whilst not feeling like anything was being taken away from the charismatic charming persona that you knew he was putting on. One of my favourite moments between him and Elphaba in this was when she siad something along the lines of 'you aren't as shallow and self-loving as I thought' and he replies something along the lines of 'how dare you? I genuinely love myself and I am deeply shallow' and I love this not only because his humour is enjoyable and his defence mechanisms are interesting but also because she immediately breaks through and says no, you're unhappy.

I promised thoughts on Dancing Through Life so whilst we're on Fiyero -> I don't at all intend to say that Bailey isn't a good singer because he is, I just thought that to some degree his voice didn't stand out from the chorus' voices in the same way that Erivo's and Grande's do and so the song did necessarily have the same bite to it as some of the others did/ That isn't to say that it wasn't a fantastic scene, because it was, and I loved the choreography and I was obsessed with the spinning bookshelves and all of it, the bringing the beat of the song in through the movement of the books was brilliant, and again he is a good singer and I think that having the actor's own voice in the movie is almost always the right decision

Okay I am going to make a post on its own about this as well because this is really long and I am so deeply obsessed with this I want to give it a chance to get proper discussion but one of my favourite propaganda-related details of this movie was Elphaba's nails. Yes, you read that right. Her nails.

In all of the imagery and posters of the 'Wicked Witch of the West' she is very often leaning forwards with her hands strangely position in the foreground and then her face behind them so your focus is drawn very quickly to the hands. In these images, her nails are always presented as extravagantly long, sharp, and claw-like. So in a world where animals are discriminated against and being used as the common enemy long before Elphaba is used as that enemy it's so fascinating that the dehumanisation of Elphaba has emphasis on her hands appearing strange or 'unnatural' and it makes me think of the line in Something Bad 'It's enough to give pause to anyone with paws' because that's where the emphasis on this distinction lies with no-one but humans having limbs that resemble hands - having Elphaba presented effectively as though she has claws in a world where animals are discriminated against and actively silenced, especially since she advocated against that silencing. And something I really enjoyed after having noticed the long nails in the posters during No-One Mourns the Wicked is that throughout the movie Elphaba has unapologetically long, beautiful nails that in a truly wonderful subtle aspect of Erivo's acting we get the sense she cares about even though they are never discussed. When she and Glinda go to the Emerald City we see this montage of their day during One Short Day and one of the things they do is go to a nail salon and we see Elphaba excitedly showing off to Glinda her long pretty nails that she loves so much and that make her feel pretty. Again this is such a massive testament to Erivo's acting skills because there's no dialogue about it but we know that she is so excited and we know that this is one of very few times that Elphie has felt pretty, she loves her nails. And they get used so horrifyingly against her. The nail salon is such a brief, subtle moment but it's so very well executed. There's also an earlier scene where she's alone with Madame Morrible practicing magic and when she reaches out to make the hand movements the camera cuts to show the shadow of her hand and it creates this emphasis on the length of her nails and how because of the shape of her hand midway through the movement the image looks like a claw or like a very stereotypical evil witch hands sort of thing. I also think that this moment is particularly powerful bc she's alone with Morrible and everything that Elphie does under Morrible's instruction is perfectly natural but what is seen on Morrible's stationary on the desk below her is representative of the propaganda that Morrible will turn the actions that she forced Elphaba to do into.

Also more propaganda stuff I could talk about the use of the word 'witch' for all goddamn eternity so I'm not going to hark on about it now but I will say that a piece of media like this one cannot be created today without acknowledgemnt of the difference between the word 'wtich' and the word 'wizard' and how they are presented, and I think that this was really interestingly handled in the word 'witch' not being said in the prequel aspect of it until Morrible labels her 'this Wicked Witch'.

Okay I think this is going to be what I finish off with but if you know this account you know that I LOVE a parallel and I was obsessed with the parallel drawn between family dynamics in Elphie's relationship with Nessa and her father, and then with the family that she's looking for and briefly thinks she could find with Morrible, the wizard, and Glinda. Yeoh said in an interview that Morrible's betrayal is realising that the mother figure isn't who you thought she was. Madame Morrible becomes Elphaba's maternal figure, and to her living memory realistically her only maternal figure, from very early on and this maternal view of her that we have through Elphaba's eyes is very much existent by the time we reach Sentimental Man, wherein the idea of the Wizard being able to offer her some kind of paternal love, that she has never felt because her relationship with her father is so fraught, is brought forth. Sentimental Man was very well performed in my opinion, it was the right decision to keep it low and subtle and close because it created this very specific closeness between Elphie and the Wizard and we felt what she felt, which was the exact manipulation that the Wizard wanted her to feel. When Madame Morrible enters the scene we then have both of these parental-style figures present telling Elphaba how precious she is, how amazing she is, how much they believe in her - essentially all these different things that she has been denied her entire life. What I find particularly fascinating about this is that what gets created here is exactly Elphaba's existing family dynamic - because Glinda is there too. This is what Elphaba always wanted - a motherly figure, a fatherly figure, and a sisterly figure - but it still comes at the expense of the sister. Glinda is being actively diminished and put down whilst Elphaba is raised and complimented for the purpose of manipulation and to be used for their purposes rather than existing for herself, just as her father diminishes and hurts her whilst complimenting and idolising Nessa but also manipulating her & never allowing her to live her own life. There's a moment where they're all stood around the grimmerie to get the four of them in shot with Elphie looking over the book, Morrible encouragingly at her side, the Wizard watching on from behind, and Glinda leaning over Elphie's other side to try and squeeze herself into the picture and I think that this still alone captures the entire thing so very well.

In a way, this is why Glinda turned round - without Elphie there, she gets love. When Elphaba had parental figures over her and no Nessa present to be better than her, she felt loved; when Glinda has parental figures over her and no Elphaba present to be better than her, she feels loved. The fundamental difference between them in the moment of choice is arguably that Elphaba's love for others, primarily Nessa, will always be stronger than her need for love from others, whereas Glinda's need for love from others will always be stronger than her love for others, primarily Elphaba.

In this moment, Glinda's warped distinction between love and popularity, as I discussed it earlier, is finally put to direct test and even though she loves Elphie and is loved by her in a way that she has arguably never been loved (we saw just how shallow her relationship with her parents was upon the arrival at Shiz. It's as shallow as her friendships at Shiz and romance with Fiyero.) she chooses popularity because she has somehow convinced herself that superficial love from many is better than genuine love from few. Elphaba's love for Glinda is probably the most genuine affection she's experienced in her entire life - but it doesn't come from authority. Elphaba's love isn't coming from someone who can raise Glina up or give her advantages and ultimately she is always seeking the approval of authority, possibly because she felt like she never received it from the authority that was her parents when she was a child, and she finds that feeling in Morrible and the Wizard, and arguably in the power that Fiyero's family could give her as well.

Okay super quick additions that i just remembered:

I loved loved loved the addition of her falling from the palace and seeing young Elphaba in the reflection and once again so freaking much could be said about the strength of Erivo's acting here it was truly beautiful and I found it like genuinely nerve-wracking even though I knew she obvs had to make it and the song wasn't over yk but yeah it was fantastic

When Elphaba's running from the soldiers & the flying monkeys just after the monkeys have been told to attack her and Glinda is chasing after her. They go through a narrow corridor of the palace lined by windows, and the wall are made of green brick. The sunset beyond casts pink light through every window. Every window is pink, all the walls are green. Elphaba is running and Glinda is following, trying to tell her to come back to the Wizard. As they run the flying monkeys start smashing the windows, so for every pace that they take THE PINK SHATTERS AND ONLY THE GREEN IS LEFT BEHIND. They are running towards Defying Gravity and for every step closer to it they become the less intertwined the colours are. The pink shatters and the green is left behind. It was visual poetry.

Okay I hope that this insane rambling made sense, I was partially transcribing this from voicenotes I sent to my friends when I got back after the movie and they actually got more than this so apologies to them and thank you for indulging me, and thank you to anyone who has bothered to read this lol I hope it was interesting - overall, excellent movie and I loved it!! Already can't wait for part 2

[coffeegnomee]

its not that deep but i really really hate orbitals and claymores and arrow cannons. can we have original idea and not the redstone machine i saw people use last season.

though i do like the on brand theme this time

ok i actually have a lot of thoughts about this. bc like, zam is doing the void traps again this season right? but last time the void had a whole mystique and lore and presentation that made them the super villains that they were.

the void was hungry. the void was consuming the world. they were doing permanent damage to the server.

Those are all very specific quirks of the Abyss arc that made it not just "we made void traps" so when we make void traps s6 it's not the same. s6 void traps are a desperate play to kill minecrafts strongest player who refuses to just fight uneven fights so you need a trap to kill him. The claymore was Fine for that, whatever, but even then it's such an instant kill that there's (imo) no way that would actually be satisfying and there's no way mane would accept that (idk its just predictive negativity i know)

But like s5 original arrow cannon was awesome. It was fnaf birthday party hosted by squiddo. It was classy and silly and absurd and when they all lined up for cake they all died instantly. 10/10 funny trap.

But then using it to ban the server and only getting bacon was also dumb, as was the claymore bc it was nothing more than just the arrows. Nothing unique.

Blowing up builds over and over with just tnt and nothing else is boring.

Using an orbital to demand 50 hearts completely out of left field is boring.

Becoming the Joker and doing psychological warfare on top of it and using withers and making people decide builds and doing moral dilemmas is cool.

Becoming medusa to destroy the spawn builds and crafting a long undercover detective story for the server to solve is cool.

It's all in the presentation.

They haven't brainstormed the super villain side of their plots and its showing. They're just villains. nothing super about them.

----

hoping the star wars theming will give them inspiration to do something actually interesting with the orbital's presentation but i'm not holding my breath.

[socksracoon10]

look i am not a lando norris fan at all but for the lando fans pls have SOME decorum we're all stressed about the race coming up, we all have our favorite drivers that we want to win I get it, this is a crucial part of the race. At least on my views, i don't want Lando to crash or DNF like yeah it would help max but i wouldnt wish that on my worst enemy so at the same time stop wishing it for max, dont wish that for any driver imo because that's childish and rude on top of all this, lemme clarify max will NOT try to crash into lando on purpose (ive been seeing posts like that)... i fear people keep forgetting that max has matured a lot more than people give him credit for. He raced clean in Brazil, the worst he's done as of late was his classic pushing them off track limits move but any other driver would do the exact same thing at the moment in order to secure their championship. at the end of the day, it's so funny how a number of people that the drivers have never met will go on long rants to tear down another driver. I have my thoughts about lando, I get mad too and I say stuff not ONLINE where others can read. i think we all need to calm down keep our thoughts in our head and if your argument is "b-b-but other people are - but other people are doing it they're saying mean stuff!" THEN BE THE BETTER PERSON??? dont stoop to their level thats all i wanna say at the end of the day youre not their parents, youre not their gf/bf, youre not even an acquaintance... you are a person on tumblr... that they don't know... dont defend them to death, dont whine about them to death just watch the damn race, pray your driver does well and if they say or do something wrong accept that they did something wrong and move on with your life thats literally it ok im done ranting lol (i mightve gone crazy in the tags lol)

[localbisexual333]

arcane season 2 theories pt 2

ok first spoilers ahead

Second it was totally worth waiting 3 years for season 2 bc of how amazingly awesome it is

Part 2 aka the newest 3 episodes are even better than the first 3 which i didnt know was possible

Okay future me here im so srry i didnt post theories for pt2 of arcane season 2 i got eeally busy and didnt remember till i was almost done watching episode 7

Anyway loved the final 3 episodes and they are def my top 3 favs of arcane as a whole

Next if you havent watched danny motta's reaction to arcane season 2 so far watch it its funny and he isnt prepared

Now for my theories and whatever on what's next

First off - jayce and victor are never going to get rid of the gay for each other rumors. Like the scene in episode 2 and the end of episode 8.... those rumors are gonna stick around

Then an alternative universe with ekko and power/jinx falling for each other is so cute and i wish the main ekko and jinx were able to have that

The alternative universe thanks to the arcane transporting them explains how the different outfits characters in the game can have work its all thanks to the arcane (i dont play but there was a theory on game theory about arcane season wondering how it was gonna work). Also episode 7 is probly my fav

A quick break for what some of the spinoffs could be - mel with her powers and dealing with black rose and all, vi and cait, ekko maybe trying to get jinx back using magic or something(like wanda in wanda vision), finding out if hiemerdinger is alive cause he disappears but doesnt reappear like ekko does, if jayce and viktor are alive or dead, sevika maybe becoming part of the new council, fish guy training new enforcers and dealing with the remaining shimmer, singed's daughter being alive and looking like the people viktor saved. There are even more possibilities but thats what i came up with.

There are a lot of parallels too, like in the alternative universe vi was dead and in the main one jinx dying. Maybe one of them always had to die for there to be peace. Vi hums the song young jinx sings in the very first episode. Jinx drinking and liking orange juice like her mom. Vi seeing vander in season 1 and jinx seeing slico. Alternate universe silco talking about forgiveness and cait kinda forgiving jinx. And more but thats what i thought of off the top of my head and what i remembered

In another post I'll talk about the apocalypse alternative universe jayce was in but the final thing i want to mention is mylo and clagger in the alternative universe

When mylo looks at the dj girl claggor looks at him in a way i think is a little gay that could just be me but i wanted to mention it and as i write this i thought of something else to mention but i forgot. I'll post about whatever it is when/if i remember

If you read till here thank you and have a great day/evening/night and share anything you want in the comments