#i just feel like when s1 of a show is The World Will End

[femboypussy420]

I know it never would have happened but I would have LOVED TUA s4 to have no apocalypse plot. no powers at all. no death or disaster or world ending. if they'd used these last 6 episodes to explore all the unanswered questions, give the characters meaningful interactions with each other and start to heal from their trauma, and just get a chance to be Normal People, I would have been so happy

[camellcat]

"cordelia could you please drive me home?" "of course" OF COURSE she replies to buffy, softly, without hesitation. even if she goes right back to harping on about the world ending, of course she'll help buffy. head in my fucking hands

[misterbaritone]

God I hope that new DMC anime is good because that first one was such dogshit

[cinematicnomad]

#I think this is good analysis but it’s missing a fundamental element #they don’t think she’s fucked up for anything she’s done or will do. they don’t think her life is a tragedy from her actions. #her life is a tragedy bc she’s a child. think about how much independence and autonomy a child has. #she’s 14. barely out of middle school. #(her actress obviously is older. bc a real 14 year old could not provide the necessary level of performance. but TV claudia is 14.) #claudia cannot exist in human society without a parent figure. which means she is eternally tied to a vampire companion by necessity #book claudia is 5 years old. Louis carries her around like a babydoll. brushes her hair and puts ribbons in it. #obviously TV claudia would not put up with that treatment. she has MUCH more autonomy than book claudia. #but Claudia being uniquely cursed is due to her age. and as her maker lestat is responsible for that #and lestat projects his insecurity back at her #armand wants her out of the way and he recognizes her insecurities/weaknesses immediately and plays them up #that’s why he creates the psychological torture of the baby lulu character for her. #madeleine well that’s interesting. TV madeleine is much more well adjusted as a human being. #book madeleine is a doll maker who lost a child. and Claudia is her replacement baby. they match each other’s freak but it’s crazyyy #they never really touch on Claudia’s age in Europe. they show her basically as a functioning adult. #when like. a biggest part of her tragedy is that she CANT leave Louis. she NEEDS an adult body with her to be passably human. #I’m rambling but yeah. it’s her age. #but she’s literally a black 14 year old who can only go out at night #the human world is so fucking dangerous for her (via @punk-pins)

As much as nearly every character she meets tends to act like there's something uniquely broken and wrong with Claudia, at no point does it truly seem to me like there actually really is? I mean, obviously she is extremely fucked up, she straight up went through a serial killer collecting trophies phase, but there's a level of fucked up that's sort of the baseline for every character in the show, and obviously being turned into a vampire as a child puts her at a unique disadvantage. But for all that everyone around her spends their time bemoaning how dreadful and doomed her life is, even Louis who genuinely loves her but also builds so much of his identity around feeling responsible for her Terrible Fate™, I really don't think she's like, fundamentally damaged any more than any of the other vampires are.

But Lestat is so unwilling to be wrong that every time her life hits an inevitable road bump instead of helping her through it he points and says "look! see! she IS a monster, I was right Louis, making her was a mistake!" (and I think he sees his own monstrousness in her but fails to also see her humanity)

And then Armand meets her and sees only someone who will inevitably lose her mind, so of course speeding up the "inevitable" and siding with the coven to plan her death is just a mercy, absolving himself of any blame. (and he projects his own frailty and desire for death onto her, failing to see her strength and her desire for life)

Which makes it so cathartic when she meets Madeleine, admits to her how broken she feels sometimes, and Madeleine's response is just. Well that's normal. Who isn't a little broken these days. Let yourself feel it, move on, let yourself feel it again if you need to. After spending her life having others act as if her emotions are something uniquely dark and worrying, Madeleine's incredibly blase attitude must have been such an incredible breath of fresh air for Claudia!

To spend her whole life being made to feel like something is Wrong™ with her, and then meet someone who's just like, "yeah, and?? Who isn't? Join the club I guess"

Which makes her death so incredibly tragic and frustrating because like. She was fine! She was making a life for herself! She wasn't doomed by her nature, she wasn't "doomed by the narrative" (whatever the fuck that even means), she was doomed for no reason other than that everyone around her (except for Madeleine) preemptively DECIDED she was doomed and never gave her a chance to prove them wrong.

[youraverageaemondsimp]

Metanoia ;

Aemond Targaryen x Transmigrated!Strong!Reader

>> Chapter II : The deal.

Summary: Viserys proposes a deal to undo the drift between the families.

WARNINGS: CANON TYPICAL INCEST, SPOILERS FOR S1 AND S2, nothing serious, mildly suggestive (extremely mild to the points it's unnoticeable) + not proof read.

A/N: divider credits to @cafekitsune

<- prev || masterlist || next ->

The ride to King's Landing was tough, you were not used to riding a dragon after all. You were surprised when you found out that the dragon you bonded with was Vermithor, he was a free dragon in the original show.

There have already been changes in the plot by your existence, the petition hearing was delayed because of you, will it change anything? It likely will.

Your mind was preoccupied with all these unnecessary details to the point you were unaware that you had already reached the keep, rhaenyra, your mother, had to call you out from your daze to get you off the carriage.

Weren't you just on your dragon a moment ago?

Time passed weirdly for you.

You lifted your skirt slightly before stepping on the carriage steps, reaching out your hand to hold the awaiting guard's hand to step down. The sand and rocks beneath you looked unfamiliar, you were more used to seeing asphalt and concrete.

You fix your skirts, letting go of the guard's hand, before you look up, and the sight shocked you. It was the red keep, in its glory, right in front of you, standing tall and erect. A castle that you merely saw in a show was now real and it was standing right in front of you.

Soft dizziness overcomes your body when you realise this, a sense of feeling trapped begins to bloom in your heart when your mind spirals to compare the world you knew with the world you are in.

Your breathing grows heavy as you try not to break down due the overwhelming feelings, when will you get used to this? Can you truly ever get used to this? You wish to return to your world.

“..sis…..si... sister!” The voice of Lucerys wakes you up from falling into the abyss of your mind, “Yes?” You face him, “Are you okay?” He asks, with a frown on his face and a genuine look of concern. You give him a tight lipped smile, “Yes, I am fine.” You reassure him.

“Let's go inside then, mother and father have already left.” Jacaerys grabs your hand and drags you inside. You stumble behind him, trying to catch up with the fast paced walking.

He lets go of your hand once all of you are inside, and your body suddenly moves according to its own will, taking you forward. You were unfamiliar with the inside of the red keep, yet it seems that your body knew the way, and soon you found yourself in a strange hallway, where at the end, laid two big doors.

Your body continued forward, the hallway seemed strangely deserted because everyone was focused on preparing for the petition, and the guards that were likely guarding this room might've gone to watch over important areas.

Wait, how do you know this?

You could only watch as your hands pushed the door open, revealing shelves upon shelves of books, every literature piece in the westeros could be found here, perhaps this was the keep's library.

You look behind to see if anyone has followed you, yet nobody did, why did your body bring you here? You finally seem like you are in control of your body again, so you move around the library, looking through the shelves.

“Niece.”

The voice sends chills down your spine, and you immediately turn around to the direction where it came from.

There he was.

Aemond Targaryen.

He was sitting, looming over the books on the table, but he was now facing you with an expression of intrigue, he eyed you curiously.

“Have you come to read?” He asks and you suddenly get an odd sense of deja vu.

Character encounter has changed.

Your mouth went dry trying to come up with a response, it seemed as if there was a big lump in your throat which you couldn't swallow. There was an odd sense of anxiety that did not belong to your consciousness on your body, his presence intimated you.

“Hmm?” He tilts his head in a questioning manner, waiting for your answer.

“I- uh.” You stumble your words, hands curling up into fists as you try to stop them from shaking so much.

Aemond gets up from his seat, his feet taking a few steps forward to you. He stood in front of you, his eye roaming your form, taking in every bit of your details. “It has been a while since we saw each other.” He speaks once again, and you close your eyes wondering why your body is behaving this way around him.

You take heavy breaths before forcefully putting on a small smile on your face, you look at him once again, “Yes it has been, uncle.” You spit out the words in a hurry.

He raises his eyebrow slightly before returning a small yet condescending smile back. You lick your lips, wetting them. Aemond eyes the action intently, his lips parting slightly before he too mimics the action of licking his lips.

You clear your throat.

“I have to go, bye.” You give him a small bow, and before he could respond you turn around and bolt in the other direction, leaving the library immediately.

Your hurried footsteps echoed among the hall, and once again your body took charge from there and took you up the stairs, making you halt in front of a room. The guard gave you a bow before he opened the door and you wasted no time entering.

You gasped at the interior design.

And as expected, you weren't familiar with this place at all yet you didn't feel out of place or foreign, this room provided you comfort more than anything. It had a bed, and oddly, all the furniture and everything were in the shades of your favourite colours, excluding the wooden furniture.

It must've been this body's room in the keep.

But isn't the body yours?

Yet at the same time, it didn't feel like yours.

Even earlier, you knew where to go, though you've never been in this place before.

What is going on?

You felt internally conflicted, your head began to spin rapidly, your heartbeat pounded in your ears, your skin felt all prickly and you felt your knees buckle and soon your body was thrown off balance.

You fell to the floor with a loud thud, you attempted to grab the table nearby to prevent you from hitting the floor; only for the table to fall along with you, hitting the floor with a shattering pierce, spilling all of the contents onto the floor next to you.

“Princess! Are you alri—” The last thing you heard was the guard's voice before you drifted into unconsciousness.

Muffled voices of concern could be heard, they sounded so distant yet so nearby, you furrowed your brows, annoyed at the fact that you were being woken up from your slumber, you didn't want to wake up, you wanted to sleep a bit more.

But the noises got louder and you got frustrated and opened your eyes, sitting up straight.

You deep down hoped that you would wake up on your sofa again— only for it all to come crashing down when you heard Rhaenyra's troubled call.

“Y/N! Oh seven hells! You scared us.” She rushed to your side and you looked at her confused, you looked at your surroundings, noticing a maester and your siblings spread across the room.

Oh right, you fainted.

“It seems that it was nothing serious, your grace, she must've fainted. Her body showed signs of insomnia, she must not have been able to fall asleep these few days.” The maester speaks up, and Rhaenyra just nods at him. She grabs you and hugs you tightly, “Oh my sweet daughter.” She kissed your hair, her hands were shaking, she must've been really anxious.

Your head was on her chest, you could hear her heart beating loudly and frantically, and for an odd reason you felt a sense of comfort in that, you closed your eyes and took a deep breath, wanting to feel comforted.

She must've been really scared.

“I- I am alright.” You speak, voice hoarse and scratchy as you just woke up, and she caresses your hair, “I'm glad you are.” She replies and you bite your lip, trying to hold back tears.

Your feelings brew up a storm everytime, you do not know whether you can truly accept this life now because you don't belong here, but that doesn't mean you can distance yourself from the characters as well, because as you just witnessed, your existence is very real to them.

You are Rhaenyra's daughter.

Didn't you wish she had one to fix the plot?

You might be the key to prevent a lot of loss if you play your part right.

“Princess, The petition is about to begin soon.” A guard announces, “Already? But my daughter is sick.” She asks, letting go of you, you stare at her. “The hearing was already delayed further, they do not want to waste anymore time.” He replies and Rhaenyra sighs loudly. “Very well, we shall head over in a bit.” She informs him and he doesn't leave, “Is there anything else?” She asks and he bites his lip, “The queen has also commanded that princess Y/N also be present in the throne room for the hearing.” He answers shakily.

“What?! My sister is sick—”

“Jace.”

Jace tries butting in but Rhaenyra stops him, “Oh don't worry, tell her I'll be there.” You reply with a smile, not being able to read the room as you were excited over the idea of witnessing the iconic Vaemond scene live.

“What do you mean—? You're not well—” Your mother tries arguing with you but you stand up immediately, “I'm fine, I just didn't get any sleep.” You rub your eyes and fix your hair, ready to leave.

Rhaenyra lets out a heavy sigh.

The sound of a mother's disappointed sigh.

The hearing was pretty boring, realising you're in a moment of unnecessary dialogue and argument, the fun part of Vaemond bluntly calling your siblings bastards hasn't arrived yet.

So you zone out.

Aemond couldn't stop looking at you, in fact, he stared at you throughout the entire session, not looking away once, Alicent noticed this and immediately became uncomfortable and fidgety.

He tried not to show it, but he was feeling excited deep down, his gut churned with giddiness, you looked so frail and out of place, he noticed your lack of attention to the hearing which made him smile slightly.

He heard you had fainted right before the trial, and expected you to take rest but you were standing in front of everyone as if nothing happened.

You were still stubborn.

‘So how do people poop here?’

‘Are they all naturally hairless on their bodies?’

You look at your arms, concluding they are.

Those stupid questions circle your mind, your thoughts keeping you entertained.

You jumped when you heard the doors open as the entry of the king was announced, your heart pounded in your chest as you witnessed the king enter.

You were a bit bummed that there was no background music.

You witnessed the original script of the scene take place with Viserys reaffirming Jace's claim to the driftwood was settled.

Wait what.

Jace's claim? Wasn't this Luke's plot?

What the fuck is going on?

This could only mean one thing.

You were the next heir to the throne.

After Rhaenyra, your mother, being the eldest daughter and the oldest child of hers. ‘What the genuine fuck.’ You think, realising how much of a big deal your existence is.

You couldn't really focus much on the next conflict since you already knew what would happen, so you excitedly waited for the iconic scene to occur and it did.

It left you traumatised.

You forgot that this was your reality, it was only reconfirmed when you felt Vaemond's blood spurt out onto the floor.

Viserys falls down on his chair tiredly.

“One… more thing.” He wheezes, Alicent rushes over to grab him but he protests. “My second son Aemond… and my granddaughter shall be wed by the next moon.” He announces randomly and your eyes widen.

What.

You can tell it was unexpected and unplanned by the way both of the families reacted, Alicent and Rhaenyra immediately wanting to protest.

“Father—”

“Husband—”

“It is not a request, it is a command, a King's command, protest against it and you will pay the consequences.” He breathes heavily before he stumbles forward, the guards immediately rush over to him and take him out of the room.

Everyone is left silent.

You turned to look at Aemond, and his face held no expression, not even surprise, so you immediately looked away.

“It is a "King's command," he said! How foolish.” Daemon mutters, frustrated under his breath, “Your father is willing to sacrifice your daughter for the sake of undoing the rift amongst the families.” He grits his teeth.

“We cannot disobey the word, for it would be disobeying the law.” Rhaenyra sighs, trying to calm daemon down.

“I don't mind.” You chime in and they all turn to look at you.

You were currently back in your chambers, with your family members pacing back and forth, Daemon sitting down on the table frustrated at his brother's decision whilst you stood nearby the door.

“It would be beneficial.” You shrug, hoping to convince them that it will be alright, perhaps this is a major sign that's confirming that you'd be the one fixing the plot.

They ignore you and whisper amongst themselves, making your jaw drop in offence. You realise that your attempt of assurance only made it worse so you turn around and leave the room, nobody questions you or bothers to stop you as you leave the room as they were occupied with the matter at hand.

So you decide to trudge through the corridors, making your way to the gardens, wanting some fresh air.

Of course, to your luck, you ran straight into Aemond at a turning corner. He grabbed your arm so you don't fall, balancing both of you. He immediately lets go, clearing his throat.

“I was looking for you, niece.” He breaks the silence, to your surprise, your body isn't behaving weirdly around him anymore, which means you get to be in full control, so you smile at him before you grab his hand. “Let's go for a walk, Aemond.” You tug at him.

He feels nostalgic when he sees your form dragging him, it reminds him of the time when you both were young, you always used to drag him around with you, asking him to spend time with you.

He grabs your forearm and pulls you into a secluded hallway, taking control before he pushes you up against the wall. You let out a surprised squeal when you feel the cold wall hit your back.

He trapped you in his arms.

He hand travelled up towards your face caressing your cheek, your eyes widened.

No way.

Are you two about to kiss?

Did you both have a thing in the past?

Your mind spiralled with these questions.

Aemond presses his thumb against your cheek bone, increasing the pressure slowly.

Is this a type of foreplay he enjoys or what?

He distances himself from you and immediately leaves, stranding you confused.

You rub the spot he pressed harshly against and felt a cut that was leaking blood. What the fuck did he does this for?

You wanted to curse him, what if his nails were dirty and you got an infection? There isn't even proper treatment for infections in this era, you'd die.

You shrugged it off and left the hallway as well.

Aemond hurried back to his chamber, his heart drumming against his rib cage violently as hot lava courses through his veins, his fists were curled up as he was reminded of something very bitter.

How could he ever forget?

Was he so happy that you'd woken up to the point he had forgotten everything?

He hates you.

He despises you.

Of course anyone would.

After all, you were the one that took his eye on that eventful night.

TAGLIST <3

@intheheartoftheking @dracaryxzs @ladyoffandoms @spear-bearing-bi-witch @myheartfollower @jom3leo @zoleea-exultant @saturnssrings @uniquecutie-puffs @aleemendoza2425-blog @marvelita85 @feelingfaye @anaya-rhys @visenyareads @sylvievil @cypherpt5fttaehyung @ttysmfwna @void21

[candyskiez]

so, you've heard shows be recommended because they had gay characters. you don't really know what they're actually about though, and don't know if they'd be something you'd be into and are worried about spoilers. here's spoiler free plot summaries of em!

The Owl House

The Owl House starts out as a typical teenage girl goes into a fantasy realm story, but with a twist. Actions have consequences. The protagonist is a girl named Luz Noceda, who was being sent to a camp to make her behave normally by her mother after causing too much trouble at school. She ends up finding a place she's always dreamed of: a fantasy world. A world where everyone's so much weirder than she is. And she thinks, maybe if I don't belong out there, maybe people will like me here. Maybe I can be special here.

It's a story about found family, propaganda, erased history, living with disability, religious trauma, and neurodivergence. It's fundamentally a show about people who's brains work differently finding each other and making a family that treats them right. Definitely my favorite of the ones on this list. It's about people who've been oppressed being pissed about it and about finding yourself again after giving up on everyone around you for so long. It's basically a show about being a minority and trying to be understood and to understand yourself in the process. It's about growing up neurodivergent and how isolating it feels and figuring yourself out. It's about repairing broken relationships and parents who fuck up. And it's just. Such a love letter to anyone who was the weird kid in school. It's sad and heartbreaking and also so hopeful, and it's wonderful.

Content warnings: Abuse, Death, Grief, Animal Death, Suicidal thoughts, Vague suicide attempts, Depression, blink and you'll miss it s/h, body horror, religious trauma

She Ra and the Princesses Of Power

Adora was raised in the Horde since she was a baby, being fed propaganda about how cruel the princesses were. After learning how the horde actually was, though, she defects. But there's one problem. Her best friend, Catra, stays behind. Adora finds a sword that can transform her into She Ra, and might be the key to figuring out who she really is, while Catra takes her place as force captain.

It's a story about abuse, at the end of the day. Adora and Catra were stuck in a golden child and scapegoat dynamic, despite how much they care about each other. This leads to them knowing everything about each other but not understanding it. There's a fundamental disconnect between them, because both of their traumas are completely different. They have complete misconceptions about each other. Even in their initial split, they both have completely different perceptions of what's going on and why the other is upset. It's not a story about magic princesses, it's about the cycle of abuse and what makes it so complicated. Does it have flaws? Yeah. But ultimately I really really enjoy it, and when it does something right it does something RIGHT. Get through season one, it starts kids show-y but it gets very good during later s1.

Content warnings: Abuse (obviously), body horror, gaslighting (and I mean actual gaslighting, not what the Internet thinks gaslighting is), suicide, depression, flashing lights and eyestrain during the finale

Steven Universe

Steven Universe is a sins of the father story. Steven is the son of the leader of the rebel group The Crystal Gems, who's name was Rose Quartz. He navigates the confusion of being half gem and half human, as well as trying to figure out the mess of the rebellion and what his mother left behind. He's constantly in her shadow, for better or for worse.

It's a story about grief. How it impacts relationships, how it taints history, how it impacts family. It has some definite flaws, but ultimately it's about very flawed people who have lost so many people in their life trying to cope with it. Trying to handle what they lost and trying to adjust to life without them. It's about how expectations fuck a kid up and about agency and just a show about complicated relationships in general, at the end of the day. Also, it has some FANTASTIC music.

Content warnings: Grief, Abuse, body horror, very creepy people I don't know how to tag, heavy allegories for homophobia

Nimona

Nimona is a story about a guy who gets framed for murder. His name is Ballister Boldheart, a commoner who hoped to become a knight. It seemed everyone was waiting to watch him fail, so it was no surprise when he was the immediate target. Heavily injured and away from the man he loves, he's left alone trying to figure out a way to prove his innocence- until a strange kid comes into his life. This kids name is Nimona, and while he is intent on proving his innocence, she gave up on being anything but a villain a long time ago.

It's about deconstructing the model minority myth, trans rage, propaganda, and with a healthy dose of "FUCK the police".

Content warnings: Heavy injury, on screen suicide attempt, flashing lights

feel free to add more shows! just remember to keep the summaries as spoiler free as you can and add content warnings!

[heyhoeudoin]

LOYALTY BUILT FROM LOVE

"I will always be by your side."

pairing: senku ishigami x fem!reader

words: 5.4k

genre/s: fluff, mystery, storytelling in the third perspective (s1, s2)

warning/s: she/her, swearing, ambiguous/not direct ending

synopsis: there is always someone next to senku, all the time.

masterlist ; times senku talked about you (part 2)

a/n: i've been wanting to do something similar to my bakugo fanfic, "Indebted to you" for a while now, and i finally thought of one.

also woah, i posted... revolutionary!

ever since senku arrived at the newfound kingdom of science, he's always had someone next to him

that someone is you

you are never too far from senku

and senku is never too far away from you

when kohaku met senku under that log, that's when she saw you the first time

at first she didn't question it, thinking that you might've just not been there when she saw the fight, but after observing you and senku

she then changed her mind and thought it was strange that she didn't see you

the way the two of you worked together was mesmerizing; efficiently done in silence

she could see that the two of you have some sort of special relationship with that silent communication

you reminded her of her sister; almost princess like with the way you carry your knowledge and demeanor

that impression quickly changed when you flipped ginro and kinro to the ground when they tried to attack senku

it happened so fast that you were just a blur in the corner of her eye! you were faster than her and you took them both out with a single hand

at that moment she knew not to cross senku

she wasn't even sure if she could defeat you

she almost pities the long-haired man

when gen appeared, you didn't recognize him, but he had recognized you

of course he did

everyone in japan knows who you are and anyone who doesn't is living under a rock

he was confused on why a person of your caliber is acting like a servant

maybe for survival, but he's sure that you'd be able to survive on your own

but then he started observing the two of you and this master-servant relationship seemed normal on both end

it made him curious on just what exactly your relationship with senku is

his curiosity skyrocketed after he overheard a conversation between you and senku

gen stood at the bottom of the hut after you and senku climbed up. he was lucky enough that you didn't spot him (well, that's what he thinks).

"so," senku spoke. "do you know him?" then asked. there was a pause. gen thinks you might've gave a non-verbal answer. senku chuckles. "of course, i didn't think you would. he's just some tv show mentalist."

gen rolled his eyes at that, but agrees with what senku said. it would be very shocking to hear that you know of him. "so he's a psychologist?" the first words he heard from you.

"yeah," answered senku. "he wrote these magazines that some of the club talked about some times. it would have questions like "if you could only save one, would you rather save your mother or your partner?" how illogical is that?" he scoffs.

this time you chuckled at him. "but senku," you interrupted. "you do understand just how useful he is, right?" gen felt a chill run up his spine as his whole body tensed up. your light tone immediately changed to a more penetrating one. it almost feels like you're reminding senku of your authority.

"yeah, yeah, i know, and don't use that tone on me. you know that shit don't work," senku replies, dismissing your tone like it was nothing! and to which you giggled at in a playful manner. "so, your assessment of him?" he then asked.

"gen is like a stray cat; give him something to eat and he'll stay," you answered with smooth confidence. "sooner or later he'll ask you for something in exchange for his loyalty." you let out a chuckle. "isn't that right, gen?"

he quickly walked away and didn't look back

maybe you were the one to plant the seed in him

maybe it was senku with his fast-paced bringing back the modern world (and his charisma)

or maybe it was the both of you

but whatever it was, in the end you were right

gen became an important member of the the kingdom of science

although he still wants answers about the two of you

there's two stories that ruri likes out of all hundred tales

she loves sharing them the most

after all, it's the only two love stories from it

number ninety-eight: loyalty built from love there was once a girl who had everything everything but happiness the people around her always worshipped her like a god it made her feel lonely and dull but then she met a boy a boy who knew of everything everything except who she is she talked to him... she argued against him... she laughed alongside him she made him smile.... they were friends they were inseparable but then she felt love he didn't like love she was afraid he became distant she sought after him he stopped seeing her she went to him it was silent then she talked... then he shouted... then they confessed they were in love her love shined through the things she did for him loyalty knows no bounds when you're in love

number ninety-nine: learning to love there was once a boy who found everything interesting everything except love he thought it was illogical and he didn't want to feel it but then he met a girl a girl who can do everything everything except how to feel he talked to her... he fought her... he laughed with her... he smiled at her they were friends they were inseparable he felt different with her he didn't know what it was it scared him he tried to push her away she stayed he ignored her she confronted him it was silent then she spoke... then he screamed... then they confessed they were in love his love was seen from the way he treated her love wasn't so illogical than he thought he did

there was no names mentioned in the two love stories

ruri wished the founder of the village had included the names

maybe it did but was forgotten through time

kohaku didn't really care about her own romances

but if it's other's?

then that's when she's interested

she could never forget the scene she saw between you and senku after the grad bout ended

the placed turned quiet as the realization seeped in. the winner of the grand bout is senku which means... "the new village chief and the husband of the priestess is the winner of the grand bout, senku!"

"well, this is a pain in the ass," senku says as he stuck his pinky into his ear. "so i just have to marry ruri and the whole village is mine, right?" he approached ruri. "i'll do it then."

from the corner of kohaku's eye, she saw you hurriedly walk away with a tightly closed fist. you're actually walking away without senku. that's the first time she ever saw you go away from senku.

she turned back to senku who's staring at your retreating figure. he turned his head back and demanded, "wine! bring me wine!" then after that, it all happened so quickly. senku divorced her sister, took the wine, and ran back to the kingdom of science, dragging kaseki with him.

once they arrived, senku left towards the laboratory where you were, gathering the materials to make the sulfa drug. kohaku watched as you ignored senku. he reached up and flicked your forehead. the two of you talked, rather fast paced with how fast the two of you exchanged words.

senku gently reached out for you hand, bringing it up to his lay on his cheek. he turned his head and kissed your palm.

kohaku's eyes widen in shock.

it looked like you laughed and tackled him into a hug that almost caused you both to fall. you stepped back as you brought your hands up to cup his face. you spoke a few words, then brought your face down to his forehead, giving it a gentle yet light kiss.

kohaku's jaw slacked in shock.

she remembered being flustered, shocked, and confused from the sudden public display of affection the two of you showed

it changed the way she sees the two of you

she always thought that you were like a bodyguard for senku, but also good friends

but if that's how you two always act when you think no one's watching?

maybe the two of you aren't just friends

at first, homura went around spreading the fire to the village

then all she saw was black the next

when hyoga revealed that he was just a distraction, the fire wasn't as big as he planned it to be

in fact, he never planned for homura to be carried in bridal style by someone he didn't expect

did senku revive you? why would he revive you? wait, how did he even find you? your place is no where near where they are right now

it doesn't make any sense

but for now, he'll retreat

he'll surely be beaten by you in mere minutes

chrome admires you and senku, everyone could see that

senku taught him many things about being a sciencer and you'd teach him "life skills"

the two of you work so well together

there are times wherein he watches you and senku work in the lab and it would always leave him in awe

how can the two of you work that well and that fast without any talking?!

are you also a science user like him?

but senku said you weren't so that made him slightly confused

it became even more confusing when he saw you beat kohaku in a spar for the grand bout

just who are you?

and why are you so good at everything?

it reminds him of something but he can't remember what exactly

then he saw something between you and senku that he can't help but make assumptions from

senku turned away from the group after experimenting with the bamboo filaments. "damn it," he cursed out. "bamboo filaments are just fundamentally too weak for vacuum tubes." your shoulders dropped as you looked at senku in worry.

"i don't get science, but bamboo is too weak, is that right?" kohaku spoke up.

"what do we need?" chrome asked with desperation. "if we need something tougher, i'll go find it!"

"no..." senku turned around, showing his pained expression. "there's nothing better in this age."

kohaku and chrome gathered the baskets of rocks that he collected and placed them out in the open for anyone to look through. from the news that senku needed something other than bamboo, the villagers who were still awake gathered at the kingdom of science to help.

chrome turned to call for senku, but he hesitated.

you stood next to senku and gently placed a hand on his shoulder. he turned to you with eyes that chrome can't explain as he placed his hand on top of yours. you brought your other hand and took hold of his hand that was on top of your other one. you guided his hand to the side of your lips and placed a kiss on his palm.

chrome's bulged out of his sockets in shock. his face feeling a bit flustered.

you slowly went down his arm, leaving a trail of kisses. you stopped at his inner elbow and turned to his face. chrome thought you were going to kiss senku, but instead you left a peck on his cheek. you spoke a few words to him and he let out a small smile.

chrome knows that smile

it's the smile that he only gives to you

he never understood why that smile felt different from all the other smiles and smirks senku gives

but from what he just witnessed

maybe the two of you hold a special bond that he should've noticed sooner

it was senku's birthday

the entire village gathered at the kingdom of science

ruri stared at you from afar

you watched as senku was guided towards the newly built watch tower (observatory)

it was the first time she'd seen you not go after senku

after all, the two of you were inseparable

it reminds her about the two love stories from the hundred tales

you started walking away from her line of vision. ruri watched as you walked towards the watch tower as the main group of the kingdom of science left. she could see senku climbing down as well, then approached you. you immediately took his hand in yours and placed the other on his cheek. you spoke a few words then leaned down, giving him a tender yet short kiss on the lips.

on the lips.

on the lips.

AND HE DIDN'T PUSH YOU AWAY!111!1!!!

ruri doesn't remember what happened after that

she was too flustered over the sudden public display of affections the two of you shared that it was the only thing stuck in her head for a while

although, she now hopes that her two favorite stories were based off of the relationship you and senku hold with each other

if only

the first time kohaku, well, anyone, saw you cry was when senku's father relayed a message to you (instead of his own son)

"senku, it's you, isn't it?"

"—nah, you don't need that dramatic father-and-son crap, do you?" senku cackled from that. "but y/n better be there standing next to you like she always is." it was the first mention of you from the record. "i know rebuilding japan will be your priority, y/n, but i also know that you'll stay by senku's side to rebuild the world. take care of him for me, y/n!"

from the corner of kohaku's eye, she saw you raising your hands up to your face, covering it. she saw senku move his arm that lays on your lower back. it looks like he's comforting you.

something then happened that kohaku can never forget

it'll be embedded in her head for so long

kohaku walked towards senku about to call him out, but stopped mid walk. senku stood next to you; both of your backs facing her. he turned his head to look at you. you turned your head to look at him. a few words were exchanged. he raised his hand and gently held your chin. he pulled you towards him and gave a short peck, but then you took hold of his collar and smashed your lips back onto his.

...

kohaku paused for a second. "senku!" then decided to just call the scientist out and continued with what she was going to tell senku either way.

gen was about to go up the observatory when he heard you and senku having a talk

"hey, senku, how would you feel if i..." your question trailed off, hinting at something that seemed like only you and senku know about, or you did something non-verbal.

there was a pause; senku probably thinking over his reply. "but i thought you like playing this game?"

they were playing a game? at this time? gen thought to himself, confused.

"of course i do; it amuses me. this game can only be played a few times after all. i'm only asking because i thought it'd be my turn to do it," you clarified which didn't really make any sense to gen at all. what you said got rid of the image that you two are playing game. just what the hell are you two talking about up there?

there was another pause. "just come up already. what do you want?" it was senku calling him.

kohaku was never afraid of you

why would she be?

you're no enemy

"senku, let me make something clear," kohaku called out. "homura's movements are exceptional."

"gymnastics," says senku. "it's a skill that doesn't exist in your age. y/n can do them too." he jerked his head to your direction you.

"we won't be able to capture her unharmed, but i could behead her with my sword. am i free to kill her?" a serious question kohaku dropped. yours and senku's eyes narrowed at her.

"kohaku, have you ever killed a human being?" you asked kohaku, now standing in front of her. kohaku opened her mouth, but you raised your hand up. "of course you haven't—i know that—and you'll hesitate when the time comes, but, please, kohaku," you called her name with a shaky tone and a hint of guilt that she never heard from you. "never offer yourself to kill another human being. you need to keep that morality with you, it's what makes a person human."

kohaku understood what you said

but she was left with questions that hung in the air, afraid to be asked

were you surrounded by death through killing?

or were you the one killing?

she really wouldn't dare ask

gen knows just how formidable the people around tsukasa are

but the thing is the kingdom of science has you

and he kind of wants to brag about that

"i'm sure you guys know how strong tsukasa is, but it's not just him. the people around him are formidable as well," says nikki through the phone. she then revealed another of tsukasa's allies being someone of great hearing.

"ukyo?" senku asks, turning to gen.

"he was a sonar operator on a submarine," explained gen. "he's got insanely good hearing. that's why tsukasa woke him up."

"good hearing you say?" you piped up. "what a useful thing in certain situations. what are the chances we could get him to our side?" you asked senku with a carefree grin to which he just fondly smiles at.

it was then gen realized something after your comment. "y/n-chan, is it true that your family are...?" he trailed off, not sure how to ask and afraid that you'd be offended from him bringing up rumors about your family.

you understood what he was asking, but all you did was chuckle making senku sigh. gen smartly decided not to push any further. he also took your ominous chuckle as confirmation.

"wait," called nikki. "y/n?"

gen smirked. "yes, nikki! we have the l/n y/n on our side! tsukasa and his army may be formidable, but we have the most formidable on our side," he boasted proudly. "as everyone in japan knows, no one can ever beat a member of the l/n family."

you smiled knowingly, feeling a sense of control and pride at gen's comment making senku sigh once more. "can we stop feeding her ego?" he comments

"y/n!" screamed taiju, both as a calling out and a greeting. "are you taking care of senku?!"

"i am perfectly capable of taking care of myself," commented senku with a deadpan.

you howled out a laughter. "of course i am taiju. are you taking care of yuzuriha?" you asked back.

"yes i am!" he answered confidently to which you laughed fondly at.

gen's plan was to just brag about you

but he was not expecting to get something interesting out of this

he thought yuzuriha and taiju didn't know about you

but they do

which just brings him more questions than answers, honestly

when could they have met you?

actually now that he thinks about it, when did senku meet you?

when magma came back after escaping the hands of ukyo, he also relayed the message that chrome got abducted

kohaku immediately wanted to barge in and take chrome back

and she could never forget the humbling moment of when you instantly stopped her

"chrome's been captured by the tsukasa empire!" exclaimed suika in a fits of worry and panic.

"well, what's the plan, twig?" demanded magma towards senku.

a serious look on the scientist's face as you straightened your posture up, standing next to him. kohaku frowned then ran off with her sword in hand.

"kohaku?!" screamed ruri. "she's not going to help him by herself, is she?"

"she's so quick to act," commented kaseki.

"stop kohaku!" kokuyo commanded, pointing in the directed his daughter took off.

ginro looked at the former village chief in aghast. "but how?! there's no one in this village who can catch up to kohaku-chan!"

oh but there is someone.

"y/n." with one simple call from senku, you had already appeared in front of kohaku, disarmed her of her sword, and pushed her against the ground.

all in three seconds.

she was right from the start

she could never beat you

it really is a good thing you're on their side

of all the people he'd expect to be on the other side of this stone world call

he never would have expected you

in fact, ukyo never expected to to talk to you at all

but here he is

being reassured by you, of all people

"—if you promise to produce zero casualties, i'll cooperate with you. but if you kill even one person..."

senku starts cackling at his request. "sounds great! i'm in." gen shrieks at this. "no problem. we've said—" senku turned around to see your hand on his shoulder. he immediately moved away for you to stand in front of the microphone.

"i do not know what kind of person you are, ukyo, but you are naive to think that a war would not have any bloodshed." he freezes. he knows that voice... he knows it too well. everyone in japan knows it too well. "however, i know how senku is. i know that his plan from the beginning were to have zero casualties, and if that's the plan, then i assure you that there will be no bloodshed at all."

"that's gonna be a pretty tough battle!" exclaimed gen after your declaration.

ukyo believed you

he believed you immediately

he had no reason to doubt you... or senku

especially when you supported him that confidently

he feels relieved to know that you're not on tsukasa's side

if you were

then the ground would've been red

tsukasa never expected there to be a phone in the grave of senku

he never expected for some of his allies to turn against him

he also didn't believe hyoga when he said you were revived

but maybe he should've believed him

but at the same time, what good would it be if he had believed hyoga?

tsukasa is sure that no one can beat you

not even the strongest high school primate

"i can save everyone with this paper airplane dynamite," says senku as the nitroglycerin covered airplane exploded upon impact at a tree.

"what the hell was that?!" stammered ginro.

"anyone caught in that would be gone without a trace," commented kinro.

kohaku stared in awe at the leftover the explosion made, then smirked smugly. "human strength is laughable in comparison to the power of science."

senku laughs. "we made it just in time. you held out well, battle team."

"the kingdom of science has just completed dynamite! it has the power of ten billion megaton joules," gen boldly gave out a lie. senku glanced at him calling out for his bold ass lie to which gen defended that senku sucks at negotiating.

"whether i parry it or smack it down, it'll explode. there's no way to dodge a large blast." tsukasa hums. "yes, it's true that we're out of moves, but that would surely cause collateral damage and kill many people. senku, you're incapable of abandoning people. you would never sacrifice yourself either."

"well, well, it looks like we're both stuck. this isn't a victory; it's a stalemate," says senku. "in your eyes anyways." he moved forward and held onto another nitroglycerin covered airplane. "did you know nitroglycerin is y/n's favorite?"

tsukasa froze at the sudden information drop. so it was true? of all the people, why would you be on senku's side? in fact, why were you at this side of the country at all when the petrification happened?

"y/n, no bloodshed remember?"

tsukasa looked behind him to see you standing there with a knife against his throat. he didn't even hear you nor sensed your presence. is this the power you hold as a member of the l/n family? "are you going to take revenge, senku?" he asked.

"no, of course not," senku deadpans. "let's negotiate, tsukasa."

throughout the entire negotiation, you did not move one bit away from his neck

tsuksa knew of your abilities, but seeing it in person was a different experience

he had one question for you though

why do you let senku command you like that?

"what reason do i have to believe you?" he asked senku.

"all you have is my word. i don't lie when it comes to science," answered senku, cooly. "is that not enough?" tsukasa heard you softly squeal at the sight of senku. does senku really have you wrapped around his finger that quickly? no, that wouldn't make any sense. unless the two of you share some history together?

"no, that's plenty."

this would be chrome's first time watching someone get revived from petrification

instead, before that could happen, he revealed some information that he thought was common knowledge

it wasn't

as senku was about to pour the revival fluid, taiju stopped him. "wait senku! mirai-chan's naked," exclaimed taiju as he poked senku's eyes. "no! you can't revive her now!"

senku writhed on the ground in pain, covering his eyes. "here we go again with your absurd nonsense," he managed to let out. "we're in an emergency, in the stone world! who cares if you're buck naked or if your peepee's showing?" he raised his hand up, rubbing his eye to soothe the pain, then removed them showing his teary eyes. "you really like this plot twist, don't you? we'll figure it out once she wakes up—"

"but if it's y/n, would you be okay with it?" senku snapped his mouth shut at taiju's rebuttal. he turned over to you, who's standing next to him, to see a smirk growing on your face. he could already feel the headache coming from this small tease.

you raised your hand and casually revealed, "actually he revived me naked, so..." heads turned to senku who flinched at the sudden movement, all of them looking shocked (sans kohaku, she's actually mad).

"senku!" kohaku roared, drawing her dagger out.

"what's wrong with that?" asked chrome, breaking the tension. kohaku turned her head to glare at chrome who flinched at that hostility.

"chrome-chan, it's bad manners to see someone naked without their consent," informed gen, treating chrome as if he was an innocent child.

"no, i know that!" exclaimed chrome. "but they bathe together, so they see each other naked all the time," he then revealed. heads turned once again to senku, but this time to you as well to which senku sighs and you laugh at.

"and just how do you know that, chrome?" senku asks, then lets out a disgusted face. "don't tell me..."

"no!" denied chrome immediately. "i notice you guys heading towards the springs together a lot and y/n would be carrying a bamboo basket of like these cases and i also saw soap in it, so i assumed that you two would be taking a bath... together." he then realized the implications of what he revealed and turned red.

god bless yuzuriha on making a set of clothes for mirai, breaking the tension.

many things were revealed that night

under the curtesy of chrome

he never thought too deeply about the things he know, but saying it out loud made him realize some things

it made gen and tsuka understand just what of relationship you hold with senku as well (kind of)

and so the question changes

how did you and senku get to that point?

"senku..." chrome called out. "we're missing some dynamite," he shared with a serious tone.

upon hearing that you quickly scanned the area and noticed who are missing, and bolted off. a few minutes later, an explosion rang out, then you heard gen screaming out to the villagers to hurry up.

you snuck up on hyoga, bloodlust accidentally slipping which made him dodge, but barely. a line of blood forming across the back of his shoulder blades. he raised his spear and instead of aiming it at you, he aimed it at mirai. you moved forward, blocking the attack on hitting her. the spear pierced through you, but not as deep as hyoga wanted since you were able to stop it by holding onto it.

"so you're not impenetrable," he mused.

"go fuck yourself," you spat.

you broke the spear in half then pushed it through you, popping it out from the back. you spun around, catching the bloodied half of the spear, then turned right back around, using the momentum to throw it towards hyoga.

"get out of there! tsukasa! mirai!" you heard senku cry out from the distance. "y/n!" then you heard him let out this blood curdling scream.

you lost balance from the powerful throw causing you to slip and fall. tsukasa ran over. hyoga blocked the spear with the other half of it. tsukasa managed to catch you, holding onto your wrist. hyoga quickly picked up the bloodied upper half of the spear and aimed it at tsukasa. you swung yourself forward, your feet flat against the mountain wall and pushed yourself off, pulling tsukasa down with you. hyoga missed his stab, grazing the side of his torso instead. the sudden pull made mirai slip from the edge, but luckily senku caught up and pulled her away from the edge. however, hyoga then kicked senku off the mountain to which he jumped down afterwards.

senku's hands trembled as he held the wound, putting pressure on it. you could feel his fright against your skin, in fact, you're just as frightful as he is. the both of you can't lose each other. he can't lose you; and you don't wanna leave him. tsukasa kept himself busy as he fought against hyoga, but anyone with eyes could see that tsukasa is affected by the cut.

"you need to work with him, senku, i can survive for a few minutes," you managed to tell him as you reached towards your wound, holding it down with two hands. "you two can end this fight just as quickly as it started. we both know how bad water and blood is inside of a punctured lung." your breathing increased.

"save your breath! y/n, please..." senku lowered his head, laying it against your forehead.

"then go and help tsukasa already," you forcefully told him with gritted teeth.

hyoga managed to get his way over to where the two of you were. he kicked you away from senku. "y/n!" he screamed out.

anyone could tell that senku was distressed

it was the most obvious thing

you've been unconscious for barely a few hours and yet he's become restless

the people who know senku well enough are shocked at this newfound side of his

then again at the same time, they weren't shocked

everyone knows just how much you and senku care for each other despite not knowing just what exactly the relationship the two of you hold

(there was assumptions of it, but that's all they were: bold assumptions)

"senku, you need to rest," advised gen, looking worried. "you took a beating as well."

senku shook his head. "what's the point of sleeping when i need to think of a way to save y/n," he replied, pacing in the cave room you laid in.

taiju and yuzuhira glanced at each other, worried for their long time friend. this was not the first time this had happened. they hoped it would be the last, but here they are yet again, watching senku worry upon hours for an injured you.

"senku, do you want to sleep in here?" yuzuriha asked softly. senku looked up at her and nodded, no words to be said.

"i'll get a spare bed for you senku! no worries!" exclaimed taiju as he ran off.

"has he ever been like this before?" kohaku asked, going straight to the point. gen and chrome walked closer to kohaku and yuzuriha.

yuzuriha's lips drew into a thin line, unsure if she should share. she knew about the game you and senku liked to play, after all, she was one of the first victims. "only when y/n becomes reckless and injuries herself, but this time it's worse. it's hard to heal an injury as severe as that in the stone world."

"it's obvious," mentioned gen. "i may not know what relationship they have together, but if my assumptions are right, then it makes sense. usually senku would've thought of something by now, but he hasn't. his mind is being blocked by anxiousness, panic, and worry. he needs to calm down."

"senku..." you weakly called out which caught senku's attention immediately, and crouched down next to you. "get your ass to sleep." the others were taken aback at the first sentence you spoke after you woken up from a short coma.

senku let out a huff of amusement. "of course that's the first thing you say," he mentions.

"you know me so well, love." a weak smirk formed on your face. if anyone picked up on the sudden affectionate name, they didn't mention it. "but seriously though, how can you save me when you can't even think straight. you know me well, but i know you just as well, senku."

senku furrowed his brows.

"you need to accept what you need to do, senku."

masterlist ; times senku talked about you (part 2) a/n: it's not as ambiguous as i want it to be, but i thought the ending seemed fitting

[bugsandboos]

reading everyone’s thoughts on the london special and marinette’s actions have given me a serious case of deja vu in relation to the s5 finale, here’s why

a very very VERY common reaction from the fandom i saw to the finale was “why are the writers letting gabriel get away with being a hero why isn’t he being held accountable horrible finale horrible writing i hate this show etc etc etc”

before i share my thoughts on this for like the thousandth time i just wanna mention i DID cry during the finale, partly because i was in shock and also because i HATED it. but now i genuinely believe it was one of if not the smartest thing the ml writers have ever conjured up and i just. fucking love it. (point is: i understand disliking it. that was me at some point, until i began to consider the implications of the “ending”)

similarly, a reaction i’ve seen to the london special (mainly from ml salters) is “why would the writers let marinette lie to the world when it’s so clearly morally wrong she’s such a horrible person she needs to be held accountable blah blah blah”

something both the s5 finale and the london special share is that THE ACTIONS THAT TAKE PLACE IN BOTH. ARE NOT MEANT. TO SIT WELL WITH THE AUDIENCE

NO writer on ml is trying to convince a fan that “gabriel was actually a hero because he made one selfless decision (that wasn’t even that selfless?????)”. NO writer on ml is trying to convince a fan that “marinette is completely right for hiding the truth about gabriel from not only adrien but also the whole world!!!!!! no one should ever find out!!!”

the entire point of the finale and special is to make the viewer uncomfortable, as we watch marinette sit with her questionable choices, watch adrien refer to his father as a hero and watch their class throw a party. none of this is supposed to make us feel at peace with the way this arc has concluded.

what people seem to be missing is that even if the s1-s5 arc has ended, the s6 arc is just beginning, CENTERED AROUND THE CHOICES THAT HAVE MADE US AS THE AUDIENCE FEEL SO UNCOMFORTABLE!! you’re completely ignoring the way the plot is set up if you think the writers are going to neglect gabriel’s storyline, because it is far from over.

i think it’s also important to mention that neither marinette nor adrien are at peace with what’s happened (even if that was implied during the s5 finale—the london special has provided us with this new information on their emotional statuses). marinette is clearly being eaten alive by guilt, seeking confirmation throughout the entire special that protecting adrien from the truth was the morally correct decision. adrien was obviously affected by his father’s death (contrasting the idea that he just “threw a party” without any emotional backlash), and will undoubtedly learn to grapple with his conflicting feelings on gabriel’s character throughout s6 (he sacrificed himself??? but he abused me??? but he saved ladybug and nathalie????? but he apparently assisted monarch?????)

POINT IS

no one is meant to be satisfied with the way things are in the miraculous universe at the moment. you aren’t supposed to want the truth about what really went down during recreation to stay hidden. if you feel uncomfortable with the current situation our main characters are in, GOOD! please stop the discrediting the writers, because your discomfort means they have done their job well.

[still-a-morosexual-help]

i agree with the whole thing about mc not needing anymore love interests. tbh i feel like diavolo should’ve been the only datable side character (and also solomon but that’s me being biased bc he charmed his way into my heart) since he’s so interested in humans so he would naturally spend more and more time w mc. simeon and barbatos had the same aura as your older brothers best friend. yes they’re charming and it’s nice to imagine a relationship w them but they’re also emotionally unavailable and just don’t seem that interested in you anyway romantically.

Honestly I don't see Diavolo as a dateable either

When they first announced the side characters becoming dateables I was so visibly excited about Diavolo being dateable that I got a couple asks about whether this meant I'd be ditching Mammon

But I don't like the way they executed it?

They kinda just sprang it at the end of s2 with 0 build up?

I mean Solomon's being showing interest in MC since S1 (though I don't really interpret that as romantic interest) that it's believable when he starts liking them?

But even mid way through S2 Diavolo had no real interest in MC other than the 'they're human gotta keep 'em safe to make sure my millenia old dream suceeds' and 'if they die lucifer is going to be big sad' kind

Okay maybe my bitterness at the execution is making me exagerate. I'm sure he cared about MC as a person and/or a friend in S2 but it's never enough to justify the sudden romantic twist at the end of s2

The focus when it came to Diavolo or Lucifer in S2 was all about their relationship with each other and MC acting as the therapist. To the point that:

a.) Lucifer (with amnesia) asked MC what he was doing talking about other men (Diavolo) the last time they were together in a romantic spot (the top of a ferris wheel)

b.) MC's gonna fucking explode and take all three worlds with them and Diavolo refuses to tell the brothers till the very end because:

I mean look, you can't suddenly claim he's in love with MC when a few lessons ago he was willing to keep the fact that MC was a ticking time bomb from people who could have helped just because he wanted to not upset Lucifer for as long as possible

Also not Diavolo fighting for his life trying to deflect Simeon's questions and Simeon basically going

Even now each time Diavolo says something romantic to MC it's like getting hit in the face because it feels like it came outta nowhere

[vidavalor]

The Movie

The most important thing is that he's gone.

If you're feeling sad that it's not the full season and would like some reassurance about the rest of the story being movie-length, though?

Based on where the story is now? They can absolutely do this in 90 minutes. Would it have been more fun if it was the whole season? Of course. But they can do this in 90 minutes-- and do it well. I think there's actually less to go in the plot in the present than we might realize. How so?

I'm pretty sure the next part of the story has never really been plotted to be Supreme Archangel Aziraphale. The end game seems to me to be a bit more they all have to overthrow Heaven to save Aziraphale and that's how they save the world. Meaning, that was Satan with the coffee in The Final 15 and Aziraphale's fall is the plot. The kickoff here in the movie would be the same as it would have been if we had a full S3: the audience gets the hinted at 2.06 twist revealed in full right near the start when they see Aziraphale get to Heaven and be thrown to Hell by The Metatron. The other characters then quickly learn what's happened to Aziraphale. They band together to challenge Heaven--that's the whole Powell & Pressburger's 'A Matter of Life and Death' trial & how it fits into things.

Aziraphale won't accept a verdict that's just for him and not Crowley as well and the process of all of this winds up exposing and overthrowing The Metatron and Hell, freeing the demons. (Gabriel gets his suit back and is their lawyer, you just know it lol.) By coming together to save Aziraphale, the characters fix Heaven/Hell, which then saves Earth and permanently stops the threat of Armageddon. The remainder of the time is wrap up where Crowley & Aziraphale work through what's happened and then head to the South Downs.

All of that stuff in the present that I just said can actually be done inside of an hour, tops. Especially because no one has to set up the characters and story like they would if this were a stand-alone film. They can just dive straight in. That still leaves at least a half-hour--if not a bit more, depending-- for flashing us back to whatever we need to see that supports what's happening in the present (The Vavoom, 1941, probably Jane Austen, likely one or two other things we don't know we need to see yet). More than likely? This is a series of scenes like the S1 cold open more than it is a longer, single-era, flashback minisode. I don't think anyone would complain about another cold open-like sequence? 😊

The movie can work. For perspective? Look at the chart below.

We are at the Big Twist that is The Act II Climax & it's really almost fully done already. All that's left in that Big Twist is to just overtly tell it to the audience because The Final 15 already did all hinting the set up work for it.

As you can see, we're really just moments away from everyone regrouping for the big, final push of the story-- the Act III Climax/overthrowing Heaven-- before we're into the South Downs Cottage ending. This is one of the reasons why I think that S1 showed us Monday-Sunday of The Last Week of the World: Round One with Armageddon being stopped on Saturday but S2 revealed we were watching The Last Week of the World: Round Two... but then stopped the season early on Friday morning. S3, imho, has always been going to pick up within hours of where the 2.06 cliffhanger ended and show us the mirrored Saturday & Sunday of this week that we still have out there.

They won't need to set up at the start of the film where characters are years later because the S2 story we were watching was always written for S3 to pick up basically right where the S2 cliffhanger leaves off. S3 was always going to continue directly the story of S2 rather than come at the story from a place of a dead stop of years having gone by. I think the best way to look at the movie might be as if it is really the S2 finale. Think of it as if S2 actually has 8 episodes but we've only seen 6 of them so far and we're still awaiting the last two.

Each season of the show, in and of itself, follows that above Three Act Structure, even if the overall series of Good Omens is also following it for its overall story as well. Think back on the last two episodes of S1, which would then be similar in some structural elements and in pacing to this movie.

The Act III Climax in S1 is Armageddon being stopped in Tadfield. That will be overthrowing Heaven in the movie. The Obstacle that followed in S1 as a result of stopping Armageddon and which led into the wrap-up conclusion was Heaven & Hell coming after Crowley & Aziraphale/the body swap plot. When Crowley and Aziraphale solved those obstacles-- in short time, as this is part of the wrap-up-- we then left them dining at The Ritz on Sunday afternoon. These episodes were a very clear-cut example of what an Act III in Three Act Structure within a season looks like and it is likely-- structurally-- going to be very similar to what the model for the finale movie will be. The pacing will be a lot alike, just with some flashbacks in the mix.

Think about how little time it actually took to stop Armageddon once everyone was in Tadfield-- and that most of the finale was just getting characters who had already been set up earlier in the story to Tadfield for that to happen. That's about how much time it's going to take them to overthrow Heaven in the movie. We've actually already watched most of the set up in the story to get to that place in S2. Then, think about how the Obstacles part in S1 was the body swap plot... but how that same type of obstacle wouldn't exist in the S3 movie. Why?

Because this movie is going to stop Armageddon permanently by overthrowing Heaven & Hell. Unlike in S1, when Crowley and Aziraphale were still being targeted, they're going to be truly free for the first time ever by this same point in the S3 movie. So, what are the Obstacles then? Their own stuff. This is where we would get the scenes of two of them having the chance to fully talk through The Final 15 of S2 and, in the process, understand where everything went wrong and have the South Downs Cottage then be the happy ending.

There's plenty of space for this in the story because this is where it's all leading and the part about overthrowing Heaven and Hell-- that Act III Climax that sets up this ending? Going into the movie after where S2 left off, we're actually only a heartbeat away from it already.

This is all very do-able within 90 minutes, with plenty of room for things like The Vavoom and 1941. It might not be the full season that we hoped for but the story is in a way better place to wrap this up with a movie than most shows in this position would be.

[teambyler]

The most heartbreaking way Byler can culminate (and how I predict it will)

(pic from 80smayfieldz)

Just cry me with today, okay? :')

We all know that when Mike and Will confess their love it has to be EPIC. Like, extreme circumstances need to happen to make these gay boys in an 80s small town confess their love. It's the only way a romance with THIS much build-up over years should pay off.

Bylers need to watch this scene from the Season 1 finale of Agents of SHIELD (Warning: spoilery if you plan to watch this old show... and you will cry!) It's two LONG-TIME BEST FRIENDS but only one can make it out alive. A secretly loves B and has avoided confessing his love because he thinks it's unrequited. He finally admits it, to explain why he's making the ultimate sacrifice.

Now think of Mike and Will on a dangerous mission that is KEY to saving Hawkins. Maybe they're in the church that Noah and Finn are shooting a scene in. Will realizes only one of them can make it out alive, and decides it'll be Mike:

Mike: "There's got to be another way, that's RIDICULOUS! You can't do this, you're my best friend!" Will: "You're more than that, Mike (can't believe he said it, fights back tears) ... Now, PLEASE..."

This is my best prediction of how it'll go. WILL confessing to MIKE makes more sense writing-wise. Mike probably figures out the Painting Lie early in s5, but how he feels for Will remains a mystery. So how MIKE responds to a love confession is uncertain.

This is a season where the Duffers have hinted they'll highlight Will's courage. So he can finish his coming-out arc by telling the person he loves. The Duffers have said Will, always the protected one, the rescued one, will come into his own in s5. I think this means he gets to be the hero this time. It will be a poetic way for Will to finally thank Mike for everything he did for him in s1 and s2; it gives symmetry to their relationship. And it would be a heroic send-off for Will.

(And NO I don't think Will will die. We gays have already had our Reddie and Destiel tragedies. Will dying would go against how the Duffers have set this show up.)

What will Mike do, when confronted with losing Will forever?

We know how he felt once before...

Mike offers himself instead, but for the mission it needs to be Will. This is the last time he'll see Will alive.

Does Mike tell Will he loves him? We know the boy struggles with saying how he feels.

Mike begs Will not to die. He can't lose him AGAIN. He couldn't live if he did. When Will doesn't believe it, MIKE KISSES HIM.

Actions, not words. ("I didn't say it." "You didn't have to.")

Mike insists on staying. Will tries to make him leave, but he refuses.

"You've always been an idiot, Mike." Will doesn't know to laugh or cry. He's sad... not about dying, but regrets the years they lost not being together.

They kiss again and hold each other tightly... And we again hear Peter Gabriel, as the church walls fall and the world is about to end:

And we kissed as though nothing could fall And the shame The shame was on the other side And we can be heroes just for one day.

-teambyler

[clementineofmine]

I'm sitting here rewatching Tua S3 for reasons, and one interesting thing I picked up is that the entire season is really just each of the Umbrellas struggling to define and searching for family in their own way. Here's me laying down some thoughts for y'all:

Luther - For him, family has always been about the team. That's part of the reason he's so drawn to the Sparrows, bc at first they seem to have the cohesiveness that the Umbrellas lacked. Remember, Luther was the last one left at the Academy, then Reginald sent him to the moon alone. So of course seeing a "functional" team is going to be compelling for him, and he desperately wants to be part of it. And then he and Sloane quickly fall in love and for the first time in his entire life, someone wants him for him. It's intoxicating and utterly consuming NRE that is more powerful than anything he's ever felt.

Diego and Lila - For these two, it's about figuring out how to be a family. Both together, but also a little bit with the other Umbrellas. Diego looking out for Allison and Klaus and Lila and Five coming to a truce are part of this - more about Lila and Five in a sec.

Allison - In her mind, her family is Claire and Ray. This one is obvious, but I also think that the writers did us a disservice by not letting us into Allison's perspective. If you think about it, it's completely normal for a parent to put their child above all. While I don't defend her actions, her motivation could have been more compelling and it would have strengthened her character. But sadly she's the character on the show that is most "othered" (which is bad for many reasons)

Klaus - he really dug deep into individual relationships w family, starting with Five (e2 and 5 Five and Klaus bonding are still some of the best bits of the season imo), Diego, Reginald, Sparrow Ben, and then Luther in the afterlife.

Five - Five remains a pragmatist. His bar for family is very low - success for him means the Umbrellas being alive, no matter what the personal cost or sacrifice to him or to some extent others. It is somewhat depressingly delightful to see how he makes his peace with the end of the world as the season progresses. Before that, however, I'd like to meander back to e3 and 4 where Lila convinces him to electrocute himself and then they go on the Commission mission. Both of the actors do a fine job here bouncing back and forth between witty banter and genuine emotion and I love it. It's a quick and subtle piece of dialogue when Five explains how he saved Lila from the Handler. The undertone is that they were both abused by that woman in a similar way - ultimately, she developed and kept them both as pawns in her own game. And I think Five, starting in S2E10 and fleshed out through S3, develops genuine empathy for and eventually acceptance of Lila as family, as one of them, because of this shared experience.

Viktor - Like Viktor in all seasons, he continues to feel out of place with the Umbrellas and compensates by over-prioritizing his relationships with others. Don't get me wrong, I do empathize with him that he lost real love with Sissy and Halan, but I also think Allison was 100% valid to call him out on his lying in E6, and it was on point to verbalize how the constant focus on Viktors pain minimizes her (and everyone else's) experience. (Edit to add: Viktor finally seems to get the message on this, after being called out by Allison, then subsequently both Sparrow Ben and Five, and spends the last few episodes trying to make amends. Real character development here and I like to see it)

Reginald - Well, his overarching motivation since S1 has always been bringing back his dead wife, so I won't belabor that, but also it's interesting to see how he interacted with Klaus particularly - esp in E7 when he sobers up it seems he is experimenting with remembering his role as a father. Now we don't get a ton about his internal motivation here, but you can tell there is some mild curiosity, if not affection, for Klaus, despite the fact that he ultimately is cool with sacrificing him.

Some of these are more obvious than others, but when you tie them all together, the idea that they are all desperately looking for family and the blind spots that that creates for them, some of the messiness of S3 starts to make a bit more sense.

[runningfrom2am]

cold nights // part twelve

summary: may the odds be ever in your favour.

pairing: coriolanus snow x fem!reader

wc: 2.9k

masterlists / nav / requests

tags/warnings: tribute!reader and mentor!coriolanus, r is very sweet (too kind for this world. literally.), sunshine x grumpy trope kinda, he falls first, violence typical for the source material, r is very smart (as she should), district twelve!reader.

a/n: i can't believe we made it to the end of s1! i am so, so excited to move on to the next era of this story! this is a reminder if you love this series and you haven't already please reblog this or the masterlist! it makes such a big big difference for me and my fellow writers know it all too well lol.

my asks are also open to talk about this series! (i do have emoji anons open now too!)

send me any and all of your thoughts! here!

series masterlist // playlist

Coriolanus wakes up, head on the open pages of Romeo and Juliet as people start to flood in, everyone anxious about what would happen to you.

He rubs the sleep out of his eyes, quickly casting his view to the screen ahead, camera view still locked on you. There was no one else for it to be tracking, after all. Except now, you were on Lamina's beam, lying down with your eyes closed. He wasn't sure if you were awake, or when you had even made your way down into the clearing, but you don't move. He can see the steady rise and fall of your chest as you lay with his scarf bunched up behind your head. Tigris was right, you had survived, but you wouldn't have without him. You looked peaceful- not at all like the girl he had seen crumbling apart on the same screen just a few hours prior.

"I feel as though I should inform you, they'll be going in very soon." Highbottom says, grabbing the boy's attention. "But I'd put my money on those boys being dead in there. Congratulations, Coriolanus. This means almost nothing for you."

He walks away before Coryo is even done processing what he had said. He wouldn't get the prize, most likely, but he would still have you.

You don't stir until you hear the peacekeepers entering the arena, sitting up and seeing them with guns pointed in your direction. "Don't move." One of them spits at you and you nod, eyes wide as you raise your hands. You watch as a designated team in different uniforms make their way up to enter the vents, and others spray something over the piles of snakes, stilling those that were still showing any signs of life.

"Is it over?" You ask, confused.

"Not until we can confirm you are the only remaining tribute." One of them answers and you nod, chewing on your lip as you watch the men disappear into the vents.

"Okay... Thank you."

You know what they would find in there, the bodies of the two boys trapped behind your salt line. You could tell them where the boys would be found, but then you'd be outing yourself. You had only confessed to Coryo. Only he could know. Last night, you didn't care. You have to assume he was the only one who witnessed your breakdown, your confession, because if anyone else had, you'd likely be dead by now. You have to hope your secret is safe with him if you want to go home.

The morning drags on forever as you sit there with guns pointed at you from the ground, and Coryo is pacing in the hall. There were many people around, excited to see if you would be crowned as the victor. People were rooting for you, and he was proud of that, but support didn't mean that you were promised a win.

Vipsania and Domitia were the only other two remaining mentors, whispering to each other across the room after they came back. It was eerily silent.

Then, one of the men emerges from the vent, turning all heads including yours as he just nods toward the peacekeepers watching you.

"Alright. Come on down." The same peacekeeper addresses you and you nod, a tear falling down your cheek.

"She did it." Coryo whispers to himself, realization forcing a grin onto his face.

Lucky laughs, clapping his hands together. "She's won! Y/N Y/L/N from District Twelve!" He calls out, making his way over to Coriolanus. "Coriolanus Snow is the Victor of the Tenth Annual Hunger Games!"

Coryo laughs in shock, smiling as the man pats his shoulder. He catches in the corner of his eye as his two classmates storm out, and he's quickly crowded with congratulations and praise.

"I won?" You ask quietly, feet landing on the ground again.

"Yes, they were found." He nods, and quickly your arms are being grabbed as you're led out of the arena.

"Do you know, did Coriolanus get his prize?" You ask them, but your question is ignored as you walk down the hall toward the exit, looking back over your shoulder as the gate is closed behind you.

Just outside the gates, you don't get much of a taste of freedom before you're being pushed into the back of the same truck. Empty. Bigger. Lonely.

"Empty your pockets." The peacekeeper tells you, standing at the entrance.

You do so hesitantly, holding up the compact on a shaky palm. "I'm sorry to ask, but can I have some water? Please?" You ask, once again ignored as the compact is pulled from your hand. "Please, sir, that was a gift... If you must take it can you return it to my mentor? Coriolanus Snow?"

He opens the cold metal, pulling out the piece of paper and unfolds it, quickly scanning it's contents. "That is for him, too. Though, if I had the chance now I would change it." You explain. You knew you both would be in deep trouble if you were caught for what you convinced yourself was no more than salt, and clarity came to you enough to lie about what the compact had contained all this time.

The peacekeeper hums, closing it up again and shoving both items into his own pocket, pointing the gun at you again. "Clothes off."

"Ex-excuse me?" You reply, taken aback by the request.

"Clothes off. Now." He repeats and you nod, swallowing the lump in your dry throat as you begin to slide off your dress, letting it fall at your feet. He moves the gun again, gesturing for you to continue. With trembling hands you remove your underthings, your shoes, and the scarf, placing them on the floor in front of you. He quickly gathers them, taking a step back and nodding to someone outside.

He moves out of the way and you stand there confused, watching as he shakes out your clothes and searches them, when suddenly you're being sprayed down with a hose. You yelp from the fast contact of the cold water pelting against your skin, but it wakes you up. After the initial shock, it actually feels good to be somewhat clean again.

You pant as the water is shut off, catching your breath and rubbing your arms to try and warm yourself again. Your clothes are tossed back into the truck at you before the door is slammed, and you use the scarf to try and dry yourself off a little bit before tying it around yourself the same way Coryo had. By the time you pull the second strap of your dress back on, the truck is moving and you're lurching forward.

You're driving for a while before the door is opened again, and you're relieved to get some fresh air. It was cold in there, and you were shivering in your small dress that was now also damp from your skin.

Once the doors open you're staring down the barrels of more guns as the peacekeepers usher you out and into the train station, right where you were let off all those days ago. Days... or weeks? You don't even know anymore.

"Lay off, why don't you? She's been through enough." A man in a black suit comes into your view, and they drop their weapons and let you go.

He steps in front of you and you wrap your arms around yourself to try and warm up. "Thank you, Sir." You smile, nodding at him politely.

"Nothing to thank me for..." He sighs. "I'm Dean Highbottom from the academy, it's a pleasure to meet you. Congratulations on your victory." Surprisingly to you, he doesn't seem inconvenienced. Someone other than Coryo and Sejanus seemed to be willing to talk to you, to treat you like a human again. When he congratulates you, he sounds sad.

"Thank you, Sir." You nod again. "Do I... Will I be going home now?"

"Yes. In just a few minutes." He nods, gesturing for you to follow him toward the train. "I am extremely familiar with your mentor, Coriolanus Snow." He tells you as you join his side.

"Oh, wonderful!" You force a smile. "I have some things for him, just a note and something he leant to me. I gave them to that man over there. Would you mind making sure they make it back to him?" You point out the peacekeeper as you follow him toward the train.

"I'll see to it that he gets it back, yes." Dean Highbottom nods with a slight roll of his eyes, stopping next to the stairs that would lead you onto the passenger train. "But... if I may offer you some advice?"

"Please." You nod, urging him on.

"Be grateful you survived him."

You want to ask what he means, but the anger you saw behind your friend's eyes that night in the arena would haunt you and you knew that. Surely, that's what the Dean is talking about.

"Yes." You agree, unsure what else to say when he reaches into his pocket and pulls out a stack of cash.

"Take this, your prize, I suppose." He hands it over to you. It must be hundreds of dollars. Maybe over a thousand. With this, you could do so much for your family. "Oh, and Miss Y/L/N... You wouldn't happen to know anything about the rat poison that was in that compact, would you?"

You tense up, tilting your head at him with a confused smile. "Poison? No... All I had put inside was salt." You reply. "Sejanus Plinth gave it to me, with food from his Ma. Salt is good for protection, you know, so I kept it for later. Keeps you safe from evil and harm." You ramble on, panic and shock in your tone. Sejanus had given you salt to put on some vegetables and sandwiches he brought you, but now that you're trying to piece the story together, you don't remember even opening the compact until you were in that vent. Coryo had told you not to open it, so you wouldn't have. Your own memory is confusing you.

"I've heard that." He nods, eyeing you skeptically.

The train horn makes you jump before you can even thank him.

"Go on, now." He urges you onto the train, deciding to let slide however you had came across the rat poison. Clearly, you didn't know what you had done. Or you were convincing yourself you didn't remember. "Enjoy your freedom."

You nod and step up onto the stairs. You were hoping you would get to see Coryo again, it disappointed you that you never would. Maybe it was a good thing you wrote your goodbye note, even if you had survived. "I give you, upon my knees, a thousand thanks." You smile to the man still standing on the ground below you who just nods in acknowledgment before you close the door behind yourself, Coryo's scarf still wrapped around your waist.

"Y/N?" Coryo calls out, walking into the high biology lab. He was told you had something for him, no doubt the scarf and the compact.

"She's gone." Dean Highbottom cuts in, just before Coryo spots him in the poorly lit room.

"I was told-"

"I know what you were told. Here." The Dean tells him, pointing to the metal compact on the table.

Coryo looks at it only briefly before returning his gaze to the man who offered it to him. "Where is she?"

"I wouldn't worry about that, Coriolanus. Your work is done." He explains vaguely. "Were you aware that she cheated?"

"Cheated?" Coryo asks. "How?" He feigns ignorance.

"The boys in the vents didn't die from snake venom, or violently, or, naturally- for that matter." The Dean tsk's. "It was rat poison. Which, before you argue with me, cannot be found inside the arena or even within reach of the monkey cage at the zoo. I checked. So be honest, you have no idea how she got her hands on such a substance?"

"No, I don't." Coryo lies. "But she did what she could to survive- don't take it out on her because she somehow cheated your games. Next year give them uniforms, or up security or something."

"Just thought I'd ask. She told me she got it from Plinth." He waves him off, and Coryo ticks his head in slight confusion.

"Sejanus? No, he-"

"She really... declined, in there." Highbottom cuts him off, making it evident that he at least believed that Sejanus wouldn't do such a thing. "Told me it was only salt. Genuinely, it seemed like she didn't know. Or, she forced herself to forget. A sweet girl like that, it doesn't surprise me that that's how she would rationalize her actions."

"Is she alive? Because if you killed her for that I-"

"You'll what, Mister Snow? I thought you said you just wanted the prize."

"She deserved better." He states simply, swallowing the anxiety building in his throat.

"She does. I agree." Highbottom nods. "Which is why you won't see her again."

Coryo furrows his brow. "I... I don't understand how that could be relevant."

"Oh, I know you do, Mister Snow." His superior replies, a condescending edge to his words.

Coryo snatches the compact off of the table and quickly pockets it, storming out of the room. At least he hadn't been caught for helping you cheat, though he was sure Highbottom knew better. Now, he didn't have the Plinth Prize, and he didn't have you.

When he finally got home, he couldn't help but slam the door behind himself.

"Coryo?" Tigris calls out, excited as she puts down the project she was working on and rushes to the entranceway to meet him. "I didn't expect you home so soon! Did you get to see Y/N?" Her smile fades when she sees his expression. "What's wrong?"

"They wouldn't let me see her. She's already gone." He explains, pulling off his blazer.

"Oh..." Tigris frowns, taking the blazer from him to hang it up. "I know you really wanted to say goodbye. I'm so sorry."

"She'll never forgive me." He shakes his head slightly. "If she's even still alive! I doubt they would tell me!" He laughs, bringing his hands up to rub his eyes with his palms.

"They wouldn't kill her, Coryo. People loved her too much." She is quickly reassuring, reaching out to rub his shoulders. "You did nothing wrong... You did all you could for her. She'll forgive you."

"Not that." He mutters. "It's what I told you. You didn't see the way she looked at me, Tigris. Like... Like I was a monster."

"She was already scared. She was way out of her element. I think now, that she's safe, she'll find the space to see it reasonably." She tries to soothe his worries as best she can. "You're a good friend to her, and she's a kind person. She'll understand."

"But I'll never know for sure that she does."

"You might one day... Don't beat yourself up about it, and don't give up on her."

After a long, two-day journey curled up on a bench on the train, you recognize the building the train is stopping at. Suddenly, all your energy is returned to you as it slows to a stop, and you're already waiting at the door. You hear the latch unlock and you couldn't get off fast enough.

No one you knew were there, not that you expected any kind of greeting party. You inhale the fresh air, once again surrounded by the trees and your own people. You walk out of the train station and down the street, in the general direction of your home. You tried waving at a few folks you knew on the way, but people just stared, for the most part, jaws slack with surprise. They had already grieved your death. Sometimes you were met with a sad smile, but no one wanted to speak to you. You understood. You were used to that after your time in the Capitol.

"Y/N Y/L/N, is that you?" An excited voice called after you resigned yourself to a quiet walk home, twenty minutes from the bustle of the train station. You turn your head to look up at the back entrance to the Hob, a wide smile taking over your face when you see the speaker.

Your friend is already barrelling toward you, throwing her arms around you as your eyes fill with happy tears. It was refreshing. "I never thought I'd see you again..." You sniff, resting your chin on her shoulder as you hug her back.

Rhythmically, your best friend sways you back and forth. "Oh, I know, I know, sweetheart..." She hums, rubbing your back reassuringly. You can hear her voice crack too. "But you're home now. You're okay..."

She lets you break down as she practically holds you up as you cry in each other's arms. From happiness or trauma, you're not sure. "I did some awful things, I regret it all..."

"Don't regret a thing." She shushes you. "You did what you had to."

"No, no... You don't know... You didn't see..."

"I watched, Hun. When I could." She pulls away, placing her hands on your cheeks to wipe your tears. "You did nothing wrong. All that matters is that you're home now."

You sniff again with a slight nod. "I fear too early, for my mind misgives; Some consequence, yet hanging in the stars, shall bitterly begin."

"No... Y/N/N. You're safe here. You are forgiven." She assures you, rubbing your arms. "Now, let's get you home. A good rest will do you well, your parents have been waitin' on you." She waits for you to nod before stepping to your side, guiding you in the right direction with an arm around your waist.

"Thank you, Lucy Gray." You mumble, allowing yourself to lean into her hold.

taglist: @soulessjourney , @that-veela-girl ,  @dreamyysouls , @rockstarbfs , @maysileeewrites , @baybieruth , @kitscutie ,  @fratboyharrysgf0201 , @totallynotkaibiased , @stelleduarte , @secretsicanthideanymore , @bejeweledreverie , @drewsandsebastianswife , @niicole-87 , @queenofshinigamis , @innercreationflower , @nallasstuff , @scorpiolystoned , @iovemoonyy , @thatmarvelchick19 , @wearemadeofstardust0 , @regulusblackcore , @puredreamagination , @fantasticchaosthing , @becauseseaotters , @secretsicanthideanymore

okay suddenly tumblr isn't letting me tag more people than this so i just made some cuts unfortunately :') i just left the max amount of people i could whose users i recognized and see in my notifs all the time :) if you're not on here and you should be i'm so sorry!

also this taglist is closed now!! if you’d like to get a notification when i update, turn on my post notifications!! i promise i won’t spam y'all :,)

[callmearcturus]

finished ted lasso and obvsly i have thoughts

okay i don't think the ending was bad, but i do not know how the fuck you don't see Ted's ending as an absolute tragedy. like a truly fucking upsetting tragedy.

i feel like they were onto something with the Phillip Larkin quote but then. it's like... they flinched from it. I don't think Ted is allowed to break his cycle. The show goes into frankly devastating detail on how Ted has lived his entire life like a fucking apology for existing, always giving and giving and giving, and in the end he.....

Like, given the implications of what Michelle did to him and how much you do or don't think Ted was oh idk gaslit by a therapist into ending his marriage, the fact is he uprooted his life and basically exiled himself just so his wife could have some space

and he fucking tripped into a community that loves him, people who love him, a team he can appreciably work with and improve, a career that has been massively rewarding, he literally was set up from the word go to fucking fail and instead Rebecca rehabilitated herself and decided she'd do anything for this man she tricked into moving to England

like, even fuckign Beard stayed. even Beard.

I don't understand how its anything but a tragedy. and it's so frustrating because the show lands so many other things. Hell, I am a Nate Hater and I didn't really buy the entirety of his redemption arc. But that scene with Beard? is one of the best in the entire fucking show.

Roy's getting therapy and is the new GM. Rebecca directed AFC Richmond to victory in the name of love instead of spite. Jaime has grown so much as a person he's barely recognizable from when we meet him in S1. Nate gets a second chance at life. Keeley and Rebecca are reunited and going to change the world. Colin kissed his fella in front of the whole world and has a mega-hot fairy godfather.

And Ted just... goes back to Kansas, and leaves his home behind, leaves all those people behind.

They fuck you up, your mum and dad, indeed. Be the goldfish.

[jess-the-vampire]

Professor Caduceia and Snakely

Checked out the storyboard for the deleted s1 episode "Homesick"

You can read it here : https://t.co/WpZJFWbR48

I just loved these cut villains, one whose design def seemed like it was given to raine when they got cut. (I wonder if the color palette was similar, but we don't have a reference to that so idk)

Thoughts on the cut episode below:

An episode where king and owlbert of all characters bond is kinda neat, especially since it provides owlbert himself a bit more character here.

The opening is def far different from any of the final ones we ever see in the series, in fact it feels like it should be taking place during the episode but it can't be given we see hooty from being sick to not being sick in pretty chronological order?

A focus on the healing coven was nice to see, especially since we never got that in the show itself, and get some idea of their powerset and what they do magic wise.

So Manny was an ambulance driver, and Camila was a nurse in this. People originally assumed camila was a nurse when the show started, and it makes me wonder if that was changed between seasons at some point cause clearly the crew decided to change her profession and it's unclear why.

you can use your palisman as a communicator? and an umbrella? I do think it's so weird that even at the very end of the show, they establish brand new rules for palisman. Like them being able to shapeshift into objects is straight up not explained and just sorta....happens in the show, like i feel like hunter would have no issue hiding flap if this is a thing. (It also kinda makes stringbean's ability slightly less unique) Like this is displayed in these boards, but they kept it even in the show itself, and i think palisman might need a proper rulebook.

On that same note, owlbert uses magic in this board, like we kinda knew palisman could do some magic without a witch, but this is the only time we've seen one use it to fight another witch that wasn't the batqueen. Like owlbert tries to full on blast people in this. I don't know if removing this episode makes this ability less canon in the world itself since they still can do magic in the show, it's just worth noting that palisman, according to this board, CAN fight back, even if they're not incredibly strong it seems. Certainly the kinda thing that makes you think on other episodes tbh.

This episode also brings up the idea that eda actually CAN and DOES bring human food to the BI, which never happens in the show, in fact luz implies she gets to eat very little options there, so this idea seems no longer canon?

The demon hunters at one point don't even seem to recognize owlbert as a palisman, which does not entirely make sense given they seem to be mostly common to the townsfolk, so I'm kinda glad for that plot hole being gone.

Caduceia makes it out like the emperor's coven forced her to teach? and she thought handing over a house demon to belos would get her out of teaching as if it were some kinda punishment or job she was made to do? I have questions

side note, house demons are called rare in this, like they're not common, not sure if this still applies in the final show, but yeah.

there's some very sweet moments in this with luz and eda especially, but also some funny moments, and some jokes that land a little less....i don't think we needed Caduceia to be kissing her snake like that from that angle, even if it was meant to be a little uncomfortable.

one reason i think this episode did get cut? we got a glyph in this

a healing glyph, which has some ties to water based on it's symbol

i'm guessing since they kept the main glyphs element based, a healing glyph would of stuck out and been a bit weird. Like it just heals people, it doesn't produce water despite looking close to the alchemy symbol for water, and well....we already got ice so this would be redundent.

so yeah, this episode introduced a new glyph that saved them in the end so it would of come back in future episodes, but to keep it simple that would mean cutting the entire episode as a whole just to keep the four.

Since they enjoyed Caduceia's design so much, they must've repurposed it for raine somewhere down the line.

very fun insight into a scrapped episode.

[misty-caligula]

Okay this is gonna be long, but I’ve got a lot of ground to cover so please bear with me. In a real way, this is my series thesis.

I’ve said before, many times now (like a cycle) that for me the most important scene is ep 1 act 1 scene 1. There’s something There that I have been struggling to see clearly, struggling to articulate, and s2e9 really finally gave me the last pieces for it.

I think that Pit Girl is the point of the entire story. But not in the way that I thought going in. I feel like I’m rambling, so I’m going to try to structure my thoughts.

Imagine you’re a new viewer. You haven’t watched yj start to finish 30 times, you’ve never even buzzed before. You turn on the tv and the FIRST thing that happens is you see ... brutality. A half dressed girl chased through the freezing woods, murdered without a chance. They drag her through the snow, string her up, pour her blood on the ground. Hack her into unrecognisable chunks. Sit around in scary outfits and rip at her, with a huge focus on the teeth, as horror music plays. Then, Misty takes off her mask, puts on her glasses, and does the worst possible thing. She smiles. Directly at you.

Again, forget everything you know and go on vibes. You’re seeing the teens pre-crash, and you’re seeing them in the third timeline, fully formed, with horror motifs and covered in fur. You’d be mistaken for thinking that you were seeing start and end. Except that... we know, and you know, that Pit Girl is the middle. These monsters somehow came back from this. How? When they’re so so so far gone?

Hence the show. I know I’m not breaking new ground here, but bear with me. I’m going somewhere.

(Edit: Readmore added because honestly, LONG post)

You’d be forgiven, fresh-faced new viewer, for thinking you were watching some kind of gross-out slasher. But what happens in S1? Restraint. Laura Lee, the first non-crash victim dies at the end of episode eight. Jackie end of ep 10. (For the sake of this thesis we’re going to be almost exclusively focused on the teens.)

And yet there’s this tonal shift, It’s like ... inevitability. Like watching a crack in a window that’s very slowly spreading. Everything is steadily Getting Worse. The weather is slowly getting colder, the days are getting darker, food’s getting scarcer, life is getting harder. But so much of this difficulty is coming from external events and pressure. Yes, cracks start to show in the internal relationship dynamics, of course, but if food was plentiful, if shrooms were less so, if the weather were better, then they could probably work out a very long term stable situation. Sadly for them, things are not stable, and the pressure is building.

Then Jackie dies and the glass gets a really big break.

It’s worth mentioning at this moment that Jackie at any time could’ve come the fuck inside. Safety and warmth and even love were available to her. All it would’ve required was for her not to be the centre of the world. To make actual goddamn concessions and join the team. Which is why she couldn’t possibly make that choice, because she had to be invited, she had to be apologised to, she had to be accommodated. She couldn’t see the rest of the ‘jackets as being people who just like her were in a really shitty situation. She saw them as being external, as being in cahoots against her, as being part of some Thing that she wasn’t in on. She couldn’t let go of the society they’d left, and she preferred to die. Which sure is a choice...

Keep all of that in mind though. We’re taught to blame Shauna for Jackie’s choices. Let’s stop with that. Jackie chose not to assimilate, she looked around the cabin at the team eating the bear and praying to the wilderness and instead of just paying lip service to fit in, like Tai, she decided to put her foot down and make a Thing of it. She decided that being Right was more important than being Included.

Seriously, keep that in mind, we’re coming back to it. Cycles, you know...

Season 2, everyone’s hungry and hey we have this spare Jackie lying around. And we joke like “ha, you gonna eat that?” Only...

No. They WEREN’T going to eat her.

Really think about that for a second. They put her in the meat shed. With the bear. Think about what that does, psychologically. Linguistically. The meat shed is made to store food. The bear has a word: carcass. Day after day after week after month they carve progressively more pathetic chunks from it, subsisting on what little it offers. In the EXACT same room, sitting right there is Jackie. Her body has a different name. Corpse. With many different connotations. At NO point does ANY of them raise the fact that they’ve taken their friend and added her to their meat stockpile.

Because they haven’t. Instead, they’ve added a new sub-room. The meat shed is now also a morgue. And nobody ever once had to say it. They got it. We got it. You got it. And while they starved and their bodies BEGGED for food, Jackie’s corpse lay there, frozen and fresh, and stubbornly refused to become a carcass, because they wouldn’t let it. They knew that there were more important things than meat, even when they were starving.

The bacchanal was a mistake. A literal error. It simply wasn’t planned, wasn’t meant to go down that way. Maybe if they HAD considered that route earlier and had a discussion about it they’d have been prepared, psychologically, maybe if they weren’t so starved. Who knows. But in the middle of the night they were offered a way out, and they took it.

But Shauna took it first.

Even in their state, even faced with an ideal roasted feast infront of them, they waited until Shauna said it was okay. Because Jackie was Shauna’s friend, and they knew that she was still a person. That this was still a corpse first. It was Shauna who was able to give them permission to survive. To turn a friend into a meal. It was not their place to take that step. To shoulder that guilt. So Shauna did it for them.

The next day they’re devastated. The heavy reality sets in, now the hunger is settled. And Jackie’s carcass is far too real, they can’t change her back into a corpse. Nat tries, bless her heart. But Tai’s screaming reaction at having eaten Jackie’s face is only an externalisation of the grief and horror and agony they’re all going through.

And after Jackie they starve again. Hope and heat and light dwindles further. Every single day they all take another step towards death. That’s what starvation is, it’s the same thing as dying, you die a little bit every day until you can’t die anymore.

Kristen falls. Misty doesn’t even consider that she might bring her back as meat. If she had’ve, she might think, maybe she’d be considered like ... heroic. It doesn’t even occur to her. She’s not going to LET those bitches eat her one and only friend, and she goes out of her way to protect her.

Shauna has her horror show birth. And, no matter WHAT the context is, she produces.... meat. In the most awful, brutal way. And while the fandom made so many jokes and stuff, the reality is that yes... at least to an extent there was real nutrients there. And it was never once even brought up as an option, by these desperate, starving girls. 

When Coach tries to kill himself, here’s a ready source of willing meat. And Misty uses it as a threat to stop him. But it’s hollow, she’s just putting on fake fangs to try to keep him safe. She’s not actually that vicious thing that she’s pretending to be, just like she’s not actually homophobic.

When Lottie tells Misty to eat her if she dies, Misty fights her on it. Lottie has to insist. Then when she tells the rest of the team, they are so overwhelmed with the selflessness of the gesture that it inspires them to twist it into their first hunt. That’s what it takes. The hunt is an act of self-sacrifice and love.

And so we get to the hunt. The proto-pit-girl, we’ve come full circle and we start to learn all these answers to questions posed in act 1 scene 1. And they’re not the answers that were assumed.

How do they get to the point of eating each other? They sacrifice themselves willingly, for the sake of each other’s survival.

Why do they hunt the way they do? Because Shauna just can’t stand to murder a friend in cold blood, a friend she cares for and has no reason to hate.

Why the spike pit? Because it keeps the blood off their hands. Because it lets them blame It and preserve a tiny fragment of their innocence.

Why the weird symbols? The ritual itself? Because they need SOMETHING to hold onto, to make it all make sense.

Why so brutal? Is it? We THINK it’s brutal. It’s certainly bloody. But Pit Girl dies almost instantly. Her pain is over fast. She doesn’t have a good time going into it, obviously, none of them want to die. But she chose to run, she could’ve taken the knife instead. And the spike trap was efficient. Yes they drag her through the snow and string her up, but it’s mechanical and just part of the process and she’s dead already. Her pain is over fast, it’s not sadistic.

Why do they chop her up into chunks like that? Because nobody wants to eat her face. Because nobody wants to struggle with her humanity, they want her to look just like any other meat. So that they might be having deer or bear or ... friend. They’re eating because they are biological machines that need to eat, that NEED death to survive. They didn’t ask to be made the way they are, and they’re doing their best to cope. Shauna, probably blindly, takes on that responsibility, to transform their friend into unrecognisable meat to change a corpse into a carcass. She takes that pain for them, holds that sin for them, out of love. So they can eat, so they can survive.

What’s with the creepy horror masks? During the ritual they can’t handle being themselves. They create alternate versions of themselves to hold what must be done. The masks aren’t there to scare anyone, because there IS NO AUDIENCE. The masks are there to hide behind. That’s why Misty takes hers off at the end of the scene. The ritual is over and they can go back to being people again.

Why is Misty fucking Quigley in charge? Because she CAN be. Because she’s strong enough. If Lott/Nat/The AQ is the goddess/queen, Misty is the priestess/handmaiden, tasked with actually carrying out her orders. She interprets the queens words when she’s too weak, she provides counsel when she needs it, she tells the team what they need to hear in the moment, she gives out the micromanagement. Misty’s the power behind the throne, because when she says she’ll do something she fucking follows through. No matter the cost. And what the team NEEDS, whether they choose to admit it or not, is a backbone.

So...

They bring home Javi. The music uses a reference that’s never been done before. It uses the spiritual powerballad that was playing when Laura Lee tried to fly away. It builds the expectation of Great Things, of big, potent ...

And then it just stops. As the girls are faced with the reality of what’s laying on the table. The cold, blue corpse of a soft child who never hurt anyone. No matter what they do, no matter how hard they try they just cannot make him a carcass. But they have made the choice already, and if they turn back now it’s not like it’ll bring him back. They’ll just be starving and regretful as he rots.

So Shauna, blind and shaking, does the best she can. And when she brings in the meat, she - of all people - understands EXACTLY what Travis is going through. She knows what he needs. Because she’s been here. With Jackie. So she brings him Javi’s heart. His core. His love. His soul.

(She doesn’t bring him Javi’s head. She cuts that off and puts it aside so nobody has to eat his face... Some things are worth more than pure nutritional survival.)

And Travis, god bless him, does the only thing he can do left to respect Javi. He takes his heart, and he bites it, raw and bloody.

It hurts him to do so. It disgusts him so much, but he manages not to throw up. It disgusts the girls too, but they watch on, horrified. And that’s the POINT. Travis makes sure that before they do this, before they do what they have to... that they all remember this is Javi, this is human, this is a person. And he preserves the horror. For all their sakes. And only then, after he’s given his blessing, after he’s done his human acts, do these starving, ravenous girls allow themselves to reach for their food.

S1E1. Act 1, scene 1. We do not know who Pit Girl is. We do not know the exact circumstances that get us there. But we do know where we started now. What the original meaning is behind each of these little things. And it’s not brutality, not barbarism. It’s love. It’s not lord of the flies, a bunch of monstrous human-shaped creatures giving in to their primal nature and predating on each other. It’s a team of terrified people desperately clutching at their own humanity as hard as they can. Trying SO hard not to let that glass break, to not become the thing that the framing of act 1 scene 1 tried so VERY hard to convince us they were. Context changes everything.

And the proof is in the pudding. After they eat Jackie the shock explodes throughout the cabin. The atmosphere is thick, and horrific. Now with Javi, reduced to simple meat, carefully and lovingly seperated from what made him human, so they can grieve him while they sate their natural needs, the mood post-eating is calm and soft and warm and loving. For once they’re all together,  with grateful full stomachs and in a time of peace and plenty. They’ve done the impossible and maintained their humanity and love for each other and their respect for Javi in a nearly impossible situation.

*takes a deep breath*

Which brings us to THIS asshole.

Right from the start, Jackie is only kind of part of the team. She’s the team captain, put up there by Coach Martinez, but not because she’s the best of them but because she can maybe wrangle them into doing better. And they KNOW that she’s not really one of them. They plot around her, and just don’t bring her in on it. They put up with her, more than loving her, she’s just kind of forced upon them. But she does her best, to try to maintain some semblance of order, giving pep talks and the like.

Wait, Jackie? I mean coach. My bad.

Anyway, so Jackie has one friend, Shauna. She SEEMS popular, and everyone talks to her, but Shauna’s the only one who actually likes her. And Shauna’s her connection point to the team. She’s got one foot on each side, and is torn as to where her real loyalties lie.

Sorry I’m talking about Jackie again.... weird.

In S1E9/10 Shauna finally chooses the team, for real. And Jackie tries to pull her back away, but Shauna puts her foot down. No way, she counters, I’m ON the team, you’re the odd one out. Why don’t YOU leave, Jackie? Jackie looks around at the burgeoning cult, she thinks “Look at these evil monstrous bitches, and now Shauna’s one of them TOO?” And instead of finding a compromise, instead of doing introspection, instead of anything like that, Jackie goes and freezes to death because it turns out that sheer rage won’t keep you warm in sub zero temperatures. Because no matter what happens, Jackie’s Right and it’s more important to her to be Right than Included. If she’s not in charge than why is she even THERE?

Hold on, I see my mistake. Let me backtrack.

Right from the start, Coach is only kind of part of the team. He’s trying to hide from his real life, from Paul and the complexities of being genuine in society by taking on the job of coaching the ‘jackets. And they KNOW that he’s not really one of them. He’s just the guy they have to listen to, because society put him there. But he tries his best, giving pep talks and the like.

So Coach has one friend, Natalie. He SEEMS popular, and everyone talks to him, but Nat’s the only one who actually likes him. (Ignore Misty, a schoolgirl comphet crush is not the same thing). And Nat’s his connection point to the team. She’s got one foot on each side, and is torn to where her real loyalties lie. Sometimes she’s on the bench with Coach, complaining about the state of things. Sometimes she’s in the thick of it with them all, and Coach is nowhere to be found.

In S2E9, Nat finally chooses the team, for real. And Coach tries to pull her back, but Nat puts her foot down. No way, she counters, I’m ON the team, I’m worse than them, you’re the odd one out. Go, save yourself, you don’t belong in this place. Coach looks at a table covered in blood and gore, at Nat’s face, at the rest of the team pledging fealty to her. And instead of looking for context, or looking for compromise, or even remotely trying to understand what he’s looking at he thinks

Look at these evil monstrous bitches. They’re eating each other. They’ve all gone mad. They’ve even gotten Nat now. There’s no hope for them, there’s no hope for anyone out here.

And he decides that they’re corrupt. That the way you deal with that is fire. And he’s wrong.

(I have a theory that he’s gone and jumped off the cliff, that he set the fire to clear the corruption, and now like Jackie, unable to live in this situation any longer, he’s decided to die himself. I’d not be surprised to find him in s3e1 that way)

Jackie was a frustrating, difficult person. Because no matter how things went she just COULDN’T let go of the fact that she was trying to fit a mold that just didn’t suit her. She was raised with super high expectations, when she was really just kind of mid. And that’s fine, honestly, most people ARE mid, that’s why it’s mid. But she refused to see that those around her were shedding their social pressures, were adapting to the wilderness. They weren’t having a good time, they weren’t hunting and foraging because they were out there, camping for fun. Nobody wanted to be there. They were just trying not to complain about it, because they were all in the same boat.

Coach is similar. He simply won’t adapt. Refuses to. I mean this is a guy who’s STILL trying to live in the closet when there’s open lesbians making out in public around him. Who thinks of others as inherently monstrous when he himself, as a gay man, should know better. Because that’s what trying to fit your society-assigned role does to you.

It’s no accident that he and Jackie both spend a long time in the woods and neither of them can do something as basic as start a fucking campfire. Javi, a little kid, survived for MONTHS on his own in that cave. Coach couldn’t make it a day alone. Jackie couldn’t get through a night. They both rely so heavily on the team without ever once recognising it. Because SOMEONE was keeping the fires going. They both just ... refused to engage.

And just like Jackie can’t see that they’re not having fun out there in the woods, on the knifes edge of survival, Coach can’t see that they’re not having fun when they are so desperate they feel it’s warranted to sacrifice one of their own. He always thought of them as monsters, and he just sees what he expects to: a bunch of stupid useless teenage girls, finally doing what he always expected they would.

At any point... At ANY point he could’ve come in from the cold. He could’ve just accepted reality as they have. He could’ve taken some meat and accepted the price, as they have, joined them in their GRIEF about it, shared their humanity, and survived. Just as Jackie could’ve come in from the cold, and become part of the whole. But instead, they sit in the cold, consumed by their bitter hate, and decide that no, it’s everyone ELSE who’s wrong.

And who emerges from the burning cabin? A bunch of scared kids. Shauna, the FIRST cannibal, who saves Jackie’s prom dress before anything else. Travis, who grabs Javi’s wolf. Nat who grabs the ammunition - that they NEVER use on each other - because if they lost that they’d get SERIOUSLY desperate. And they protect each other, they make sure everyone makes it out. These supposed monsters who are so far gone they don’t even care about eating each other go out of their way to save each other, not just themselves.

Because Coach is wrong. Just like Jackie was wrong. Just like WE were wrong, in s1e1. Which brings me to my actual point.

This question is asked so many times in S1 it’s almost a mantra. And the ‘jackets’ oath of silence really builds up that it must’ve been something REALLY bad, right? But S2E9 has really made me recognise that fundamentally... Act 1 Scene 1 is entirely what everyone who asks this question is expecting.

Imagine they DID know what really happened out there. With that bloodthirsty fucking look in their eyes...

They’re not looking for an answer. They’re looking for a story. For an exciting spooky nightmare they didn’t take part in, so they can get a shiver and a thrill they didn’t earn.

They’re not looking for a love story. They’re not looking to hear how HARD these scared, tragic, broken people fought to hold onto their morals and their humanity and their sanity even against their own survival. They’re not interested in Shauna blinding herself just to try to stop her hands from shaking. They’re not looking to hear about Travis choking down the blood of his brother just to make sure that he can really FEEL it. So he can share the guilt, and never ever pretend like it’s Just Meat. The look in his eye when he can’t think of any good response to Van’s arguments that he needs to let Javi save him. What they want is...

They don’t want the context. And if the ‘jackets ever did try to tell anybody what actually DID happen out there, all they would see is ... Episode 1, Act 1, Scene 1. A bunch of monsters. Eating each other. Just like Jackie. Just like Coach. Just like we did, on first glance.

I’ve been saying this whole time that Yellowjackets is doing something really special. That it’s letting us see behind the curtain, that while everyone’s asking this big question, “what really happened?”, we’re the ones who get to know. Because it can’t be told. It can’t be spoken. It can only be seen. Experienced. I think that S2 has finally finished the first major arc in the teen timeline, that we now have the context to understand what comes next. And I do believe that it will get messy, it will devolve. Into fighting and screaming and battles. It’s tragic, but it looks like that’s the downward spiral, spiraling. As Travis and Nat deal with the guilt of what they did with Javi for each other. As Shauna and Nat butt heads and people pick sides. As Misty Mistys. As resources get even more desperate now their shelter is gone. As potentially new people (hikers? other cabin people?) get brought into conflict with them (I believe the cabin is a smoke signal, personally).

But don’t ever forget that we got here with love. Expect that the downward spiral will be lubricated with toxic, broken, codependant, self-destructive love as well. Watch them love each other to death... they’ve already begun.