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are-you-still-writing-that · 1 year ago

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Yandere Alphabet: Killua Zoldyck

He was a lot of fun to get into. The first crush I ever had on an animated figure, roughly 10 years ago. It was a lot of fun for me to come back to him.

Killua Zoldyck

The heir of a famous family of assassins. Manipulated since birth and tortured since childhood. Someone, who knows more ways to kill someone, than you can even imagine. A deeply hurt boy, who just wants to heal. Though I fear, the he is going to be the last of your worries. There are others, far more dangerous people in his vicinity, that I would rather watch out for.

Affection: How do they show their love and affection? How intense would it get?

He is a bit socially stunted, maybe even emotionally. He won´t be the first to admit it, but he will admit it. Still, he is trying. He observes what the couples on the streets are doing, and then hesitantly, he will try to recreate it. Shyly, he will grasp for his darlings head, turning his head away to hide his rising blush. He is not used to it, so when you pull away, he will let go. Maybe he did something wrong? He doesn´t know, and it shows.

Blood: How messy are they willing to get when it comes to their darling?

He won´t quite recognize some actions as flirtations, if they are not obvious, so that won´t be a problem. Though, he does understand a threat when he sees one, and that is also the moment, when blood will flow. Probably not, where his darling could ever see it, but the problem will be removed. Clean and efficient, for something his childhood training had to be good for after all, no? So, if someone threatens you or makes you uncomfortable, they will be gone the very next day.

Cruelty: How would they treat their darling once abducted? Would they mock them?

He isn´t one for abduction in the first place. Instead, he simply won´t leave your side. Travelling somewhere? It´s obviously more fun with another person around. Just resting at home, he just can stay as well, no? He doesn´t kidnap his darling, but they also won´t be able to get rid of him any more.

Darling: Aside from abduction, would they do anything against their darling's will?

Well, as his darling, you can very early on bide your personal space farewell. It will never return to you either. He sticks close to his darling, even if it just staying in the same room. He always makes sure, that you somewhat around each other. The only time, he will ever forcefully take control of a situation, where it might cut into your own autonomy, is when the two of you faced with a danger that will be deadly. Then he will flee with you, if you want to or not doesn´t matter in that moment.

Exposed: How much of their heart do they bare to their darling? How vulnerable are they when it comes to their darling?

The truths slip out, when he least expect it most of the time. It´s not that he even tells his darling everything that he knows, and more that he, even unconsciously, has laid his entire heart and emotional well being into your hands. His darling is supposed to be his moral compass, his balance in everything. When he runs into an emotional barrier, he tends to look to his darling for guiding. He really put his all with you.

Fight: How would they feel if their darling fought back?

He doesn´t understand it. Not at all. What is going on? He tries to find the logical reason behind what is going on, but it takes a long time for him, to even get an idea why you are fighting him. Are you trying to play with him? But then, why do you look so serious, while fighting? That boy has no clue. Still he keeps trying, maybe he will figure out along the way, or his darling will stop on their own. Whatever comes first.

Game: Is this a game to them? How much would they enjoy watching their darling try to escape?

He doesn´t even register his darlings escape attempts as such. Though, he does wonder, why you would want to play hide and seek now out of all times. It´s not, that he doesn´t enjoy a good game, but he had been actually sleeping for once. He would even giggle, when you break out in a mad dash to get away from him, amused by your antics and apparent playfulness, to play tag now. Yes, your escape attempts are just games for him, because there is nothing you would need to escape from after all, right? Though he can´t help himself but to look over his shoulder, because sometimes his darling looks so afraid.

Hell: What would be their darling's worst experience with them?

He wouldn´t even be at fault for his darlings worst experience with him, because it would simultaneously his own worst experience as well. It´s when his family, specifically his oldest brother, catches up to the two of you. Killua is terrified, as he desperately tries to get you back from the hands of his family, while you suddenly decide, that maybe he isn´t all that bad. After all, you just got confronted with how bad it actually could be, and you know what. You rather keep just Killua, than getting into contact with the rest of the family one more time. Except Alluka, she seems to be nice. Oh... Well, nevermind. You prefer the boy, thank you.

Ideals: What kind of future do they have in mind for/with their darling?

He is someone who is already glad to simply stay by the side of his darling for as long as he can. He doesn´t imagine anything special or detailed. The only thing, that Killua desires of the future is, that whatever might happen, or wherever he may go, that it will still be by his darlings side. He doesn´t want that the path of you two will ever part again. So just stay, will you? By his side, while he stay by yours.

Jealousy: Do they get jealous? Do they lash out or find a way to cope?

Sometimes, there is this biting feeling in his chest, that he doesn´t quite understand. The one, that makes him grab for you, to pull himself closer to you, that makes him frown and glare at other people. A feeling, that almost feels like annoyance, like bloodlust slowly trickling in. He hates that feeling so much, and so he leans closer to you, because it will leave if his darling is close. It will leave, when he nuzzles himself into your side like an affectionate cat. Your smile is the only solution he needs, when that feeling burns him.

Kisses: How do they act around or with their darling?

It´s actually rather often, that people are reminded of a cat, when looking at Killua. He is dangerous like one, moves like one, and some would even swear that he grins like one. They would no be wrong. His darling also sees him like a cat. An excessively affectionate one, but a cat nonetheless. Nuzzling you randomly, and a limb always thrown over you when you sitting close to each other. When you are walking he is close by, shadowing your footsteps. Sometimes he nudges you with his head. You tend to ignore it, when he starts to chew on something gently, without breaking skin or fabric.

Love letters: How would they go about courting or approaching their darling?

One day, he simply approaches you, introducing himself and naturally you would do the same. He would just throw the two of you into a conversation, somehow always finding something to keep the conversation going, and before you know it hours pass, while the two of you are still joking around with each other. He would offer you food every now and them, either part of his snacks or pay for dinner. In your conversations you might notice, that he sometimes talks about what he achieved. It never sounds boastful, and more often that he is just talking about it. He also stays rather close, and sometimes tends to act like a cat around you.

Mask: Are their true colours drastically different from the way they act around everyone else?

When one considers his childhood, the thought that he tends to keep his actual emotions and thoughts under lock and key, seems reasonable. Even though his emotions always shimmer through, when he is around you, not only because he uses you to understand what he is feeling, but also because he doesn´t feel the need to hide away with you. Though some things stay hidden, even from you. Especially if he might feel some kind of bloodlust, it will not show in anyway. His insecurities on the other hand, always seem to be so obvious to you in the way he holds himself, even if he is completely unaware of it.

Naughty: How would they punish their darling?

Even though he grew up in a violent household, being tortured and poisoned all his childhood along, he can´t do it. He isn´t able to inflict any kind of pain onto his darling no matter what had happened before. Even though violence should be one of the most normal things for him, and mostly it, he still can´t bring himself to do it. He is sure, that if you ever in pain, that he would feel it as well, it twist around in his chest and it hurts so much, and so as punishment, he can only hold onto you and cry, his grip tight and bruises blooming under his fingers. He will apologise in the end as he pushes some chocolate into your hands.

Oppression: How many rights would they take away from their darling?

Be aware, that he will always be around you. There isn´t really any physical space left between the two of you, as he for some reason always tends to brush against you. With the fact, that he takes up a lot of your physical space, your privacy will also suffer from it, though that is to be expected. Though the loss of these things, tend to not appear to obvious to his darling, because he knows how to keep it hidden. Also, you tend to keep so many of your freedoms, and he manages to twist your words and actions so much, that you are the one pulling him along anyway.

Patience: How patient are they with their darling?

He is very patient in his advances, and tends to wait. After all, why would he be impatient at this point anyway. He already got everything he wanted. He has your attention, stays close by your side. All he wanted, he has achieved. There it nothing more that he could want, and so he is able to lean back and just wait. His darling will surely come back to him again. He simply knows it.

Quit: If their darling dies, leaves, or successfully escapes, would they ever be able to move on?

There are a few ways, it could play out. It is all depending on how the darling leaves. If you ever die, he will follow you. He wouldn´t even think twice about it, before leaving as well. If you escape without him noticing, he will assume the worst and think you had been kidnapped, and will go on to search for you. He wants to find you again as quickly as he can. There is also a peaceful way, that he will leave you. If you manage to convince him, that it would be the best for the both of you to part way, he will follow your wish, but he will harbour the wish in his heart to meet you again, when he can.

Regret: Would they ever feel guilty about abducting their darling? Would they ever let their darling go?

He can´t really regret kidnapping his darling, because if you want to get technical he never kidnapped anyone. In the end, he never abducted anyone. He follows you around, not the other way around. He never forced you to follow him either. Is he persuasive, if he wants to? Yes. Still, doesn´t mean that he kidnapped anyone.

Stigma: What brought about this side of them (childhood, curiosity, etc)?

The root of his problems is to be found in his childhood, to absolutely no one´s surprise. He was depraved early on, of affection, human connections and the emotions that come with all of those things. As he grows older, he kind of missed the timeframe in which all those things would have still come naturally to him, and so he tends to be a bit extreme in all he does. It takes a while till he recognises an emotions, and even longer to figure out how to react to it.- from childhood on depraved of affection, human connection and emotions

Tears: How do they feel about seeing their darling scream, cry, and/or isolate themselves?

It pains him everytime to see his darling in any kind of pain. He doesn´t quite know what to do at this point, and it scares him. He feels helpless and insecure, feeling as if he is incapable of even doing the smallest things for his darling. Soon he tries to awkwardly imitate people he saw comforting someone else. In most cases, it will make him sound somewhat motherly.

Unique: Would they do anything different from the classic yandere?

What makes him different is the amount of the control the darling holds. He is already dependent on you for a majority of things, while you aren´t. He also doesn´t plan to make you dependent on him in any way. You decide where to go next, what you talk about, while he is content to simply follow you along, and nods along to whatever you tend to say. You are the one in control, not him.

Vice: What weakness can their darling exploit in order to escape?

He is absolutely codependent on his darling. Relying on you to give what he needs to fulfil his emotional cravings. He will also do whatever it takes, so that you can keep meeting those as well. Killua tends to be slightly insecure, when it comes to interacting with you. He doesn ´t want to overwhelm you with the teachings of his family, and so he is always walking a fragile line. Especially because he was raised the way he was, he has troubles understanding his own emotions, and quite frankly doesn´t know what a healthy relationship looks like. It´s something, that he desperately wants, and you are his focal point when it comes to that.

Wit's end: Would they ever hurt their darling?

He doesn´t want to ever hurt you. Still, it will happen. He will grab you sometimes too tightly, thinking you are just as sturdy as him, while you simply aren´t. His nails sometimes catch on your skin, pulling bright red gashes over you, as he panics when the smell of blood hits his nose. He truly doesn´t want to harm you, but it becomes quickly clear, that he is not always aware of his own strength, and that you are so much more fragile, than he could ever be. Accidents happen, and he cries over every bruise and scar. He tries to be so careful with you, but he never can be.

Xoanon: How much would they revere or worship their darling? To what length would they go to win their darling over?

He hunts for a relationship outside of his family. It doesn´t matter to him if it´s friendship or something else, as soon as he has it, he reveres it. This is what he so desperately wished for. The one thing, he would give everything he had for. So it is only logical, that he reveres the people he holds these relationships just as much. He treasures these people and holds them close to his heart, as he does everything he can to be allowed by their side. He wants so badly to be here. To bask in the warmth, that blooms in his chest, the quiet crackle, he only feels in the presence of those he loves.

Yearn: How long do they pine after their darling before they snap?

Killua will yearn forever for his darling, if he has to. Staying by your side keeps his temper in check, as he simply enjoys being with you. Though, there is one thing, that will make him snap like a bowstring. It´s when his family gets the bright idea to involve themselves with you as well. It´s a panic, that will drive him from this moment onward. He is afraid of losing you to his family, and so he will stick as close to you as he can. In that moment, he also stops to hide of close he always is to you, how much of his attention always lingers on you. It´s the only way he can ensure your survival. Making it clear, that he will know.

Zenith: Would they ever break their darling?

It is not something, that would ever cross his mind, and if it ever did, it would horrify him to no end. While he sometimes misjudges his own strength, he never once harmed you mentally. He is surprisingly attuned to the way your mind works. Your thought process is not a secret for him, as he follows it effortlessly. He is very careful with you and around you. Minding how his actions might impact you in the long run, and taking care to not traumatise you. This time, his trying succeeds.

#yandere #yandere killua #yandere alphabet #xreader #hunterxhunter #hxh #killua zoldyck #yandere headcanon #killua headcanons #killua x reader #yandere hunter x hunter

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onepiece-polls · 1 year ago

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One Piece Shipping War - Bonus Poll!

The winner of the poly ship bracket vs the most popular (and honestly, only) Buggy ship of the duo bracket!

Propaganda under the cut. [contains some spoilers]

Propaganda for Cross Guild:

Idk there's something about three people who hate each other that just works.

they don't need no propaganda. I could never make propaganda like buggy the clown does in canon

mr. pathetic (buggy) paired with two actual warlords who could (but haven't !) demolished him ? it has to be love

Crocodile and Mihawk are a fucked up rich ass couple and Buggy is the chihuahua in their purse

CROSSGUILDCROSSGUILD XXX

Its cross guild. you know why (mod: as an anime-only fan, I don't, but I'm looking forward to find out 😂)

Propaganda for Shanks x Buggy:

What if we were childhood friends who gave up our drama for each other then never saw each other again for years

What can I say, I'm a fellow shuggy truther too 🤝

Shanks obviously adores Buggy, and Buggy is so tsundure~! Mr 'I hate Shanks'-but-will-take-every-opportunity-to-talk-about-him-and-be-with-him.

Oden says in his journal that he can't tell if they're friends of enemies, and I just love that. Plus when you add in the revelation about Shanks and Buggy in the recent chapters.

They're childhood friends. They're exes. They've been married for 20 years. They're opposites. They're the same. They're silly goofy guys who make me want to cry my heart out. Red/Blue is always meant to be.

Buggy """""HATES""""" Shanks. This hate is so strong that he WILL yell at this red-haired bastard despite the fact that he is a coward, who is terrified of all the Emperors. Everyone thinks this is strange. However, when you grow up with said Emperor on the same boat, watching him stumble over his feet as he's trying to learn to use a sword, stuck scrubbing the whole deck because he was stupid enough to prank "Dark King" Rayleigh, and make that same stupid pouty face every time his Conqueror's Haki doesn't do anything because he is an itty bitty child, most of that fear gets pretty quelled. Also, that same fucker lost an arm because he's a DUMBASS and he deserves to be made fun of for it (not because Buggy is worried and missed him not at all no no Shanks is just DUMB and needs to be TOLD he is dumb more. But just by Buggy. Because Buggy has known his idiocy forever. He has earned the right to yell at this stupid, stupid Emperor for being a self-sacrificing fool and for giving away that stupid hat and... Wait, hang on, when did this bastard get hot!? WHAT THE FUC-) And Shanks just keeps smiling at Buggy and his antics because he has 100% been in love with him since they were children (his actions while they were on the Roger pirates are the DEFINITION of pigtail-pulling as flirting) and he is just happy to see that he's safe while being exactly the same larger-than-life clown he always knew. He would gladly give up his life of sluttery (that I am convinced this man has. Just look at how he exists) if Buggy would just agree to join his crew, but will not push him if he doesn't want to. He just loves his pretty clown from a distance and waits. TLDR: Buggy is mad that he's in love with Shanks and Shanks just likes existing with and/or annoying Buggy (they come as a pair). GOD I just love childhood friends to lovers bro. Just let the cabin boys kiss.

[Spoiler Warning] Red and Blue gays! Emperor husbands! Childhood friends to enemies to lovers!

#op shipping war #one piece #shuggy #shaggy #cross guild #bonus polls

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bobbinfire · 1 month ago

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Transformers One - Animation Student Analysis

(Aka why TFHypeGuy is right and you need to make this a #TFWeekend)

Disclaimer: This is a Review by an animation student based on the first viewing alone. I will not be giving the same quality of analysis of a film like a seasoned animation professional. However, I still have tons of knowledge by the years I have spent personally studying animated films and the new information learned through my academics. If you are still here, with that out of the way let’s begin.

(As requested by @serotoninisheldinkiwis)

((Spoilers below- quick non spoiler version here))

Transformers one is the peak example of what a brand such as the transformers franchise could accomplish when fans and talented artists work together to make a piece of art. The phrase of “could accomplish” is even over written as they “have accomplished” this. Both seasoned and newly furnished transformers fans seem to concur this as a fact.

All animation fans (you could even get the same from any of my fellow animation classmates) agree the Spider-Man Into/Across the Spider-verse movies are the best amongst the vast pool of the animated film medium. Rise of the Teenage Mutant Ninja Turtles: The Movie (2022) was my favorite animated film, for both story and animation. But when compared to the artistry that is the Spider-verse, I knew that it still couldn’t compare in terms of mastery. No matter how much a film has your love, you are more likely than not to agree with the concept that Spider-verse saga is the best. And I used to agree. That was until the night of Friday September 20, when Transformers One single handily took the scepter of victory and waved it high for the awaiting crowds to see. The controversy I may get from this will probably be immense, but the statement I am willing to scream from the rooftops is that Transformers One has officially surpassed Spider-Verse movies as the top animated film.

But what actually makes an animated film the “best” when compared to the variety of competitors flooding the market on a bi-monthly basis? What makes this film so better when it could be just the current hyper fixation coded bias of a long time transformers kid who just got handed a shiny new toy to play with and will eventually forget about once the next film releases. Well my friends…and random people of the internet, here is an analysis made by an animation student (me *cough *cough) that breaks down the answer to that question.

Animation

As with any quality animated film, the animation itself will make or break a film as it is the core part of the film. Transformers One’s animation was handled by the company Industrial Lights and Magic. While not a large competitor in terms of feature film animation, they have produced films that have pushed past known boundaries of both animation and story as seen in their few animated feature films: Rango (2011), Strange Magic (2015), and Ultraman Rising (2024). Their work in the industry is primarily known in reference to their special effects work with Jurassic Park (1993) and Star Wars (1977). ILM’s animation in Transformers One manages to bring to life a world many have tried to do before, but not as elegantly or dare I say brilliant as this. The animation itself seems to stay on a constant frame rate, the beauty of special movements or actions being more defined by hard cuts or continuously moving shots. Each movement has purpose even ones that seem more throw away because it adds to the personality of the characters/environment. Specialty/new techniques are not as important for this film, which is perfectly okay considering they managed to hit each one of the 12 principles of animation when it counted most. An animation coming from a special effects studio in general is very good because they tend to pay major attention to any animation related to special effects, even if it’s just for a cartoon. Details can range from giant Quintesson ship slowly descending to the tiny sparks cause from a hit to a metal face. The animation in general is smooth as well as robotic only when it needs to be.

Environments

There have been a variety of environments in both animated and live action films that have help suck the audience into the story. When an animated pulls it off successfully it is even more noteworthy worthy. However, one must note the limited use of environments when it comes to how much we see past the establishing shots. Most times the best of environmental shots are primarily used to help set up a location or scene, then the rest of that is limited to a small corner (more often than not for budgetary reasons). Transformers One leans into the almost constant use of environments, not only for location, but for story as well. There is a variety of scenes that are carried through meticulously crafted sets and allow for you to not only finally get to know the world of Cybertron, but we travel through the environments almost fully as we progress the story alongside the characters. Minor details play a large role in the environment. Between the polished textures, the detailed individual blades of alien vegetation, the different background characters, and the hidden easter eggs within the framework of the designs themselves allow for a new thing for you eyes to feast upon with each viewing.

Textures

The use of textures in both environment and character design is on another level when compared to other 3D animated films. Speaking from experience the process of applying basic textures to a 3D model already requires hours of hard work, dedication, and patience that you will be very low on by the end of the whole ordeal. So when you analyze the detail and complexity of the work the team at ILM brought to the table it is truly extraordinary, even more so when you realize the time it would take to fight the UV layout and unwrap the mesh of a complicated figure like a cybertronian, especially one that has to transform. If you are confused on my alien language look up basic uv layout and texturing tutorial for maya on YouTube and generate a heart attack for yourself. Good luck sleeping tonight. Transformers one works itself down to the individual grains in the sand, the cracks in the ground, the glitter speckled plating on Elita-One’s head; even the length and deepness of scratches in armor can be measured. The effort put forth creates an effect of feeling you can touch the textures just by looking at them. Of course textures can only go so far without the correct use of the next subject.

Lighting

When used to its fullest extent lighting not only lights the cast and their environment but it helps extend storytelling capabilities. Things such as mood, emotions, atmosphere, movement and location are brought out through simple artificial particles. The darkness of the mines contrast with the bright fantasy lighting of Iacon, which in its own way contrast the calm natural lighting of the surface. The carefully crafted textures of a surface could not be fully realized without the full use of directed light bouncing off it. During the final sequence of fights the change of D-16 to Megatron is not only conveyed through the change in the lighted color of his eyes but the waves of light flowing from them as he battles his way through opponents. The trail of light allows our eyes to not only follow Megaton’s movements but his descent into his dark path, with his blood red rage clouding his vision and being all that he can see.

And finally the most important point to cover with any animated film besides animation:

Story

Recently Dreamworks employee Rick Rickdel gave a lecture on my campus. Out of all he talked about one of my major takeaways was when he said: “a story only connects with the felt needs of your audience”. Transformers fans have been wanting a movie like Transformers One for a long time. Even the smallest fans wanted to know what happens between Optimus and Megatron. And that’s the true beauty of this movie. We already know basically what happened between them, we know the overall story. Going into the theater we already knew how it was going to officially end and based on the lore we knew how it was going to start even. So the most important thing for Transformers One was how they connected the two and carried out the main part of the story. And what they did not only managed to meet expectations, but surprised us multiple points along the way. Voice actors poured their souls into these characters, leaving behind their celebrity personalities and bringing the characters to life. Each character themselves that had a relatively good chunk of screen time had a role in the story and were not just throw away side characters. With each one it’s set up for an almost domino like effect for the plot. Bee is not just a goofy side character, he assists in the journey, helps them get to new locations, and even provides relief from the typical dark undertones. Darkwing is a side character that ends through one quick mean spirited action kicks off the rising action at break neck speed. The quintessions show briefly, but provide enough of a threat without overstepping the plot’s boundaries that it is okay they are not there for long, but there may be a chance they can come again. Sentinel is at first glance a stereotypical egocentric villain, but take away his power and status and he will crumble in your hands (quite literally). He is not designed to be redeemable, but he is also not evil just for the sake of being evil. He has goals, he has factors that push him to evil things, but he very clearly has gone far enough that he no longer cares. His overall actions that are not super specifically targeted end up affecting what were originally minor threats to the point it results in his demise. And because of how his character was designed we rejoice even if actual justice wasn’t delivered. For a film have good storytelling it needs to have two factors: the story (the lore and information the audience receives in order to understand the film’s world) and plot (the events that play out in the films timeframe). The movie uses both of these to their proper extent allowing people like my friend was never watched any Transformers media before to watch it with understanding and enjoy it. It plays out what we expect of transformers media while taking on its own persona. What I find most enjoyable about the movies plot is the fact it is similar to a slow burn romance, but in reverse. We take this strongly built brotherly bond that can be shaken, yet once the match gets struck we can do nothing but watch as all these ties melt to heartache before our very eyes. And the audience’s vision eats it up without blinking once. We watch as D-16 goes to catch Orion, only to slowly realize he can’t undo what he’s done to the point of of diluting his mind to making it Orion’s’ on fault. We watch orions spark break through the emotions in his eyes as he begs D-16 not to…but it’s not about not dropping him, it’s about not becoming what he has watched him slowly come into to the point a flip is switch and D-16 is gone. @sephirose explained the summary of this movie best:

“D-16 reached out and caught Orion.

Megatron dropped him.

Orion Pax held onto D-16.

Optimus Prime let him go.”

Even the soundtrack tells a story. “The Fall” it only plays an emotional heartstrings of former Transformers Prime fans, but encapsulates “the actual physical fall of Orion and the metaphorical one of D-16 as he kills Sentinel” (@firebunnylover). Even if the end of the film is just a quick hit of Megatron being banished and forming the Deceptioncons while Orion ascends and becomes robot Jesus, it is what we were expecting.

And that is the culmination of these factors. It manages to astound and amaze, but in the end it was a Transformers movie meant to be satisfactory. It is satisfying to the transformers soul, and in turn we should do our part like TFOneGuy says and give it the appreciation it deserves.

Anyways, sorry this took so long (I say to the single person who asked for this) to get out but in order to be able to give an in-depth animation student analysis I have to do well in my animation classes.

#bobbinfire #animation #animation student analysis #movie review #transformers #transformers one #tf one #tf one spoilers #tf one 2024 #maccadam #TFhypeguy #tfweekend #Not sure if I ever will do another #But if you buy my movie ticket I’ll consider it ;)#Funny thing was I wrote the majority of this while attending a film festival #In between watching and studying a bunch of films #All for credit for a film festival film studies class

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redeyerhaenyra · 1 year ago

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It's not warm when she's away

Summary: A part 2 continuation to this fic, what is life like with your three kidnapper exes?

Warnings: Angst, yandere dynamics, unhealthy relationship, threat of physical harm, threat of harm to animals (no actual harm tho), yeah this one is heavy, Steven dislocates readers shoulder, forced imprisonment, let me know if I missed anything!

Notes: Suggested by @ominoose ty bb (she made me do this she is keeping me in her basement tied up as I write this sos)

Marc Spector

Arguably the best of the bunch here

And by best I mean most sympathetic to your circumstance, but that still doesn't mean Marc is going to let you go free

No, he lost you once. They all did. He won't be making that mistake again.

He tries to spend as much time with you as he can, knowing that Steven and Jake can be.. pushy, with you.

Watches movies with you, cuddles you in bed, kisses you and whispers sweet nothings into your hair like this was a normal situation.

Does his best to make you as comfort as possible, to make it seem like you never even left them in the first place.

Marc is the one that gives you thr most freedom- he lets you walk around the flat for a start.

You're still trapped, though. Still a prisoner. And as much as you beg and plead, and as much as he wants to make you happy.. you aren't leaving anytime soon.

Jake Lockley

Ah the kidnapper himself.

At first he was the one part of the system you were most afraid of, having been the one to kidnap you, after all.

But now.. he's only second worst. We'll get back to that later, don't worry ;)

Jake has never acted angry with you, ever. Even now.

When he scolds you for running away like you did, his voice is quiet, his tone is of harsh disappointment, and cuts you deeper than anything raising his voice could do.

On the face of it he's the most restrictive

He'd have you hogtied, blindfolded, and gagged 24/7 if not for Marc's protest

He's not happy about it but he settles for having you tied to the bed with Steven's ankle restraint.

Funnily enough he's also the one you see the least of. You would have thought Jake would force himself to front incase the other two let you free. You hadn't realised they were all in on it.

Jake is the type of person to apologise with actions, not words.

He does sympathise with your situation. He loves you, they all do, and he isn't as upset as you would have thought to find you aren't too happy with your predicament

He buys you things- new clothes, toys for Franklin, he makes you tasty food, anything you could ask for.

Another of the reasons he's sympathetic is that he knows he isn't the worst you have to deal with.

Steven Grant

Oh boy

Oh boy oh boy oh boy

Steven is such a two faced bitch

In the beginning he cared the most, was the one fronting more often, getting you anything you could've asked for, and showering you in affection.

But then you managed to break free from the ankle restraint one night.

You had only made it a few feet across the room before you were bodyslammed into the floor, arms twisted roughly behind your back.

Steven had taken this so personally, like a catty, high-school mean girl.

His words were vitriolic, and he shouted them at you with an anger you thought poor Steven simply incapable of.

He even threatened to hurt Franklin if you tried anything like that again, describing it as "only fair", as the way you "hurt" him would be nothing compared to what he'd do to your poor innocent cat.

Remember how I mentioned Marc was the only one who opposed you being hogtied 24/7? Yeah no Steven agreed with Jake.

He isn't above restraining you like that.

Oh and he's so manipulative

It was like a switch had been turned on in his head. He would never had used his tears to hurt you before you left.

But now he knew how to use his big, round eyes glittering with tears to have you yield to the system's whims

Steven scares you now.

Each time he comes home from work, smiling and so happy to see you and Franklin, sends a cold chill down your spin, as you'll never know when he might snap.

Jake and Marc had been the ones to understand that you don't really want to share the same bed as them anymore, and had taken to sleeping on the sofa

Not Steven. He smothers you in affection whether you want it or not, and even has the gall to ask why you're so rigid when he forces you into the once safe haven of his arms

He wasn't stupid, he understood full well why you were scared of him. The body all three men shared was strong, it had dislocated your arm when you'd tried to run away the first time.

The threat of physical harm was not something Steven was above using.

He'd changed so much, was he always like this? Was he always capable of doing this to you?

You'd never know. But at least, if you kept your head down.. things were.. somewhat stable.

#jake lockley #jake lockley moonknight #moon knight #jake lockely x reader #jake lockley angst #moon knight angst #moon knight x reader #steven grant moon knight #steven grant x reader #steven grant angst #marc spector #marc spector x reader #marc spector angst

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lunariamv · 1 year ago

Text

curbing yandere gojo satoru ♡ yan gojo x fem reader; obsessive + possessive behavior, manipulation, gaslighting, slight misogyny, stalking, attempted kidnapping, violence, death shoutout to the anime death battle matchup threads on reddit so i could write this dumb shitpost gone girl and breaking bad vibes accidentally (lol)

Okay, what the hell. This is not fair.

Life has seemingly cursed you if this is what your fate is. Ever since you were little, your jerk-off parents were controlling psychopaths. They prioritized the clan. It's always been about the needs of the family and never you. Your clan, a bloodline of gifted sorcerers, with incredible powers passed down the family tree. They're incredibly prestigious, and super airheaded. The childhood you had was filled with training, studying, and striving to be the best to prove your worth. Thank the gods you were able to keep your wit and you never became an arrogant husk of your former self as a result of your stressful upbringing.

Since the clan wants to breed nothing but powerful sorcerers, they try to keep the family to be strictly sorcerers of a high class… which was why as soon as you were brought into the world, you were assigned to marry someone from another powerful family. Mind you, that you had never met. A betrothal out of your control, and it was to a nameless, faceless spouse. If that wasn't already terrifying, it wasn't until you were older that you finally met them, and desperately wish you hadn't.

He's too weird for you. Gojo Satoru had given you the ick when he tried to get incredibly mushy with you. The first impression was so awful it left a permanent scar on your potential relationship, and never healed. Honestly, you didn't see how people thought he was hot. In fact, you thought he was kind of stuck up. Sometimes you'd find yourself thinking, maybe if someone inflates his ego enough, his head will explode.

You know who you actually like? Nanami Kento! The two of you met in Jujutsu High, and you've been head over heels for him ever since. He's handsome, intelligent, and stern, your ideal type. Though Gojo tried his hardest to keep you away from him, it was nearly impossible to stop your schoolgirl crush from blooming. So it really sucked when he quit being a sorcerer while you and Gojo continued on to be alumni. Still, you made time to visit him when you could. Even though Kento came off as strict at first, the two of you had pretty good chemistry.

Then one day he disappeared without a trace. Everyone who cared had written him off as the salary man who just needed a break, but you didn't buy it.

So for the past few months, you've been investigating his disappearance on your own. Gojo keeps trying to hinder you, monitoring your actions and intervening under the guise of 'trying to bond with his fiancé,' but you're pretty sure he knows something. Hell, maybe he did it.

Needless to say, you're incredibly skeptical of Gojo. Ever since you first met, he's leaned into the whole fiancé romance trope way too hard, which you despised, since you held feelings for someone else. It's so annoying, how this grown man acts like a lovesick puppy around you. Saying you were disgusted was putting it mildly, and this resulted in you rejecting his advances at every turn. Even now you're trying to push the limits on this whole 'fiancé' thing. Maybe you should just cut ties with your family and break up with him. What exactly is stopping you?

Gojo. Gojo is stopping you.

Unbeknownst to you, Gojo's been madly in love with you for as long as he can remember. Primarily due to the fact that you were strong and capable enough to be his equal. Not only that, but the fact you weren't easily phased by him drove him absolutely crazy. Even when the mask was off and he wore his glasses, you didn't treat him any differently, compared to most women who melted in his presence. He loved messing with you and trying to win your affections, so much so it's become a game to him. The sardonic, witty personality you have contrasts with him well. The two of you are clearly made for each other, so why do you play so hard to get?

Gojo was currently resting at his nice apartment. Consumed by thoughts of you, his cute soon-to-be wife. Unlike you, he was incredibly excited about the marriage. In fact, he wanted to just hurry up and tie the knot already, if it weren't for you being hellbent on trying to stall it for as long as you could. He might be considered traditional, but part of him wanted to know if he could turn you into a stay at home housewife. You'd definitely protest, seeing it as demeaning, but he liked the idea of you only being subservient to him alone. You'd live a quieter life, safely at his side, and you'd be solely for his eyes. At the moment, he was stalking- watching you on his phone tracker. It should be about now…

Oblivious to this fact, you were heading to your new apartment. Merrily, you had just gotten it and (oops!) forgot to tell Gojo about it. Before you went to the building though, you decided to get a snack at a nearby café. For the first time in a while, you leisurely went through your phone, paying more attention to your device than you normally do. It was just to do some cleaning up of apps you didn't need anymore. That's when you saw it.

What the hell is this thing…?

Never in your life do you recall installing this app on your phone. It was submerged, buried in the endless pit of your apps, as if it was playing hide and seek. At the top bar, you could see something was running, too, and it was sucking up your battery. Narrowing your eyes in confusion, you pulled up your search engine and looked it up.

Oh, it's a tracking app?

The reveal was so unsettling that you find yourself smiling. An amused yet horrified chuckle escaped you. Eyebrows furrowing, you muttered under your breath. "Oh no, get this shit off, I don't want this…" As you were saying that, you were deleting all of the suspicious looking apps on your phone. You even went ahead and did some extra research about tracking and put up some extra scans.

The white haired man frowned in displeasure upon realizing the GPS was stuck. The blip was frozen. Either it was as awful as the reviews warned, or you figured it out. What a pain. Regardless, he still held your last known whereabouts right there. Guess he shouldn't rely on technology so much and instead do things the old fashioned way, right? With that in mind, he went out to the last place the marker had placed you.

Back at your place, you were resting on your couch. You were still trying to wrap your head around the tracker on your phone. Who put that there? Gojo, most likely. He must've set it up the last time you two crossed paths, while you were distracted. While you wanted to be shocked at that reveal, you couldn't say you were surprised. He always struck you as a weirdo, to the point you were under the impression that he was borderline obsessed with you or something. It doesn't shock you in the slightest that creep would stoop this low.

Perhaps this was the tipping point you needed. After all, he just violated your privacy, and who knows what other things he's done. Holding up your phone, you called your parents to break the 'terrible' news. Needless to say, they didn't take your declaration to call off the wedding very well. No doubt this would kill relations between your family and the Gojo clan. Though, you found yourself feeling rather apathetic to the matter.

For nearly all of your life, you had taken a backseat for the good of your lineage. Years and years of enduring painstaking training, studying, and then a forced engagement for them, and for what? Virtually nothing in return. It wasn't even going to a good cause anyways, as this involuntary construction of human life served only to benefit an outdated, egocentric family tradition. The only 'good' you can argue you've done was saving lives as a sorcerer, which was just a byproduct of their success.

In that call, you told them to disown you if it pained them that much to have a disappointing daughter. To fully break away, you'd move to another country or something. Even though your intent was to sever the ties, there was a sliver of remorse deep in the recesses of your heart. Despite your cruel upbringing, you did feel some attachment to your parents. They were your family, and they were all you had. However, you couldn't marry someone you didn't love. Especially someone who was this clearly unhinged.

They were protesting all the while before you hung up. After a moment, you dialed another number.

There's a slight deep chuckle over the line. "…Well, it's about time." Gojo's voice ardently crooned over the phone. You could practically hear the smug grin on his stupid face. He sounded rather pleased that you finally called him for a change, like he had been waiting for this moment his whole life.

The cocky tone voice in his voice almost made you laugh. Almost. It seemed you beat your parents or his in delivering him the bad news.

"Hi Satoru." You said casually, as if you weren't about to drop a bombshell on him. Then you spoke the following lines. "I'm sorry, but I can't marry you."

There was a brief pause. One that drew on for an uncomfortable amount of time.

"Mm…? Did you say something, (Y/N)? I didn't quite catch that." He asked innocently. However, you're absolutely certain he heard you the first time. Even so, you decide to be nice, and twist the knife even further.

"I said," Your voice becomes more stern as you narrowed your eyes. "I'm sorry, but I can't marry you Gojo. The wedding is off."

"It should be obvious, but I'm not too fond of you, and I'd rather marry someone I actually love." The words flowed out of you like a river. A cool wave of relief washed off you as you truthfully spoke your mind. Speaking the truth felt incredibly good. For once, you felt like you were taking control. No more sitting aside, waiting for someone else to tell you what to do.

There's another split second of silence before Gojo spoke again. "(Y/N), I sincerely think you should reconsider." He drew a breath. "Think about your family, remember what this'll mean for them. Both your family and mine have been waiting for this since we were kids. Do you really want to do this to them?" He's trying to be rational, trying to convince you otherwise. If he was as crazy as you're theorizing, he must be suppressing his anger right now. Though, you're just as insane as he is. You know this'll drive him to his boiling point, and with that in mind, you continued your sprint across the thin tightrope.

"No, I'm pretty sure. Don't bother, I've already informed my parents about my decision. I hope you can forgive me for being selfish." At least you're kind enough to apologize. With that, you pulled your phone away from your ear. A digit hovered over the red button.

"(Y/N)--" Before he could reply, you hung up the call. Relief washed over you. With a genuinely content smile, you went back to whatever you were doing before.

On the other line, Gojo sat there motionlessly with his phone, the dial tone ringing in his ears. Silently, he held a haunted expression on his visage. Pale with wide eyes, it was like he had seen a ghost. It quickly faded once the anger set in, and his face twisted into a furious scowl. He's practically seething. Why are you doing this to him?! He wasn't oblivious to your tendency to reject his advances, but he didn't expect you to go this far. He'd figure you'd come around eventually, not throw it all away! All you had to do was go along and marry him. It was going to be perfect.

No, don't worry. Gojo faintly smiled to himself. This is still salvageable. He just needs to talk to you in person. Once you're face to face, he'll get you to change your mind, with a little persuasion, of course. Trying to suppress his raging anger, he calmed himself down as he swiftly walked down the streets.

Unbothered, you were laying on the couch, currently browsing the web for potential places to go. Singapore seems really good right about now…

"(Y/N)? Open the door!"

Ugh, there he is. It surprisingly didn't take that long for him to find you. To be fair, you deactivated the tracker a block down from where the complex was. He most likely found it and then asked your landlord for your door. Kinda stupid of you.

With a tired sigh, you lowered your head and fell silent for a moment. Maybe if you ignore him, he'll give up and go away.

Of course, he doesn't. Suddenly, your front door was violently kicked open. The loud slam made you gradually raise your head, drawing your attention. Your gaze flicked over to it, and lo and behold, Gojo was standing there at the entrance.

"…Well that's rude." You uttered with a nonchalant tone. Was breaking your door really necessary? Wonder what the costs are to get that fixed…

Maybe he was trying to play along, because he ended up gently closing the broken door behind him. He walked dangerously closer to you. "(Y/N), please. I'm begging you to reconsider." He spoke up. Although his voice was sultry, a smooth cadence like marble, there was a mild urgency hidden in the depths. "I love you. You're my darling fiancé, and I want you to marry me."

Standing up, you narrowed your eyes. A disapproving glare formed on your features. Perhaps in another life, or another universe, you would've found his declaration sweet. It was truly heart stealing stuff. Something that would make you melt into his arms like chocolate. Unfortunately, you wouldn't fall for it in this timeline. "How many times do I have to say it, Satoru? I'm not into you."

Tilting your head about an inch, your gaze bore into his. If he wasn't so upset, he would've been reveling over how gorgeous you looked right now. "I've officially broken up with you. So while I'm asking nicely, give up while you still have your dignity." You warned him.

Your threat garnered a low chuckle from Gojo. To him, it was nothing. While he did consider you to be 'equals', there was a clear difference in strength. He was one of the strongest sorcerers in the world, if not the strongest. While you were no doubt strong, he was much more powerful. If anything, he should be saying those words to you.

"That's cute." He nonchalantly commented with a smoldering glance. While his tone held intense admiration, the grin on his face was condescending. Either way, it's gross, and made you grimace slightly.

Despite the growing tension in the room, you refused to back down. If he was going to try to force you to be with him, you'd gladly fight against it. After all, it'd be a shame to let all your intense sorcery training go to waste. When he stepped closer, you got into a fighting stance.

Gojo stepped forward, and you anticipate it. His Limitless.

You’ve sparred with him before, so the concept of his ability wasn’t foreign to you. Taking a deep breath, you watched him carefully. Heightening your awareness, your focus sharpened, and you seemingly step out of your body for a moment. The heightened focus was like an astral projection.

The man dashed towards you in the blink of an eye. He went to strike, and you swiftly moved with a deflect. However, your counter attack doesn’t hit and you’re sent skidding back a few feet. Gojo chuckled again, and you could tell from that and his attack that he’s not taking this seriously. You’ll make him.

The two of you start fighting. Gojo engaged by trying to hit you, and his movements were fast, but you’re able to counter him to the best of your ability. Still, he’s holding back, and you figured that asshole enjoyed messing with you. Even so, you still used all your strength to fight back. If he wouldn't give his all, you most certainly will.

Meanwhile, Gojo realized you’re serious about putting up a fight. He’s been holding back as to not hurt his darling fiancé, but this was starting to become a pain in the neck. Might as well put an end to this already, even if it meant knocking you out.

In an instant, Gojo came at you. Time decelerated to a drag, and you forced your body to the side. With one swift motion, you evaded his grab for you. Following your movements, a sharp breath escaped you.

That’s when you observe the two of you had fully switched places. Finally, after dancing around him, your form was by the door, and it’s prime time to make an escape. To subtly inch toward the exit during the fight, that had been your plan all along.

Unfortunately, Gojo had long anticipated this ploy of yours. He simply played along because he could easily stop you. He raised a hand.

That’s when you call it. Limitless.

Gojo was going to close the gap and catch you. You wouldn’t be able to hit him. It was over.

Though, there was no fearful look in your eyes. They were stern and full of conviction. “That notion… I'll veto it.” You declare softly.

Silence followed your words. There was still a large gap of space between you two. What should've happened was a deletion of space, there was nothing of the sort. Caught off guard by this revelation, Gojo stopped and furrowed his brows slightly in confusion. His outstretched hand dropped about an inch.

What just happened?

His split second bewilderment opened a window of opportunity to you. Taking advantage of his stunned disposition, you spun on your heel and took off running out of the building.

Thankfully, you got the feeling in your leg back in the nick of time. You ran away.

A sigh escaped your lips. Back pressed against the side wall of the locked bathroom stall, you stared at the tile for a moment. The women's restroom of this coffee shop was empty, the only sound being the constant hum of the ventilation. Once you believed you were ready, you delved into your pocket and took out a card. Flipping it over, you read the printed numbers and inputted them into your burner phone. It was only a few seconds of ringing when the other line picked up.

You lowered the card. "I'm looking for a Hoover Max Extract Pressure-Pro Model 60."

It was burning hot in the car, so you had the windows rolled down. The cool wind blew your hair back, a reinvigorating feeling to the senses. You were driving down a long stretch of road. No other cars or people in sight. The yellow baked sun highlighted the dry, sandy grass patches surrounding you that seemed to go on for miles. With one hand on the wheel, you pushed up your sunglasses before resting your arm on the window of your SL Mercedes. Traveling to a new country was a whole different ballpark, but you were going to make it work. After being cooped up in a stuffy cargo plane, the open road was a sigh of relief.

Growing up, you and Gojo went to the same schools together to Jujutsu High. This meant he knew your sorcerer abilities pretty well. As far as he knew, your curse ability boiled down to energy manipulation.

Although the ability is labeled as ‘energy,’ the underlying truth was that's only the surface level explanation. There's more to it. The true extent of your abilities was kept a secret, thanks to your discreet, privileged family. As a child, you were told you had been graced with intense power. Though, you were vowed to keep quiet about the secret art you had.

The power to negate power.

In order to perfect it, you’ve been training it all your life. Surprisingly enough, this was the first time you’ve had a sincere reason to use it. For the binding vow that accompanies it is concerning.

At the price of negating forces of nature, altering the flow of destiny, an suitable exchange must be made. By contingency, the exchange offers up a functioning part of your body. A fair trade.

“To negate something means to willingly negate a piece of you,” your mother would tell your younger self.

The moment you cancelled Gojo’s Limitless, you had lost the feeling in one of your legs. It had gone numb, like a useless piece of plastic. In that state, you wouldn’t be able to move too fast. Thankfully, it came back quickly so you could make your escape.

For that reason, it was a double edged sword. Dangerous, but handy. You’d have to keep on your toes for the rest of your life, and you’d have to keep up your physical fighting, but as far as sorcery goes… Gojo can’t touch you. And you… can certainly hit him.

Thanks to your ability… you were able to escape him that day.

It was incredible. Being able to take control of your life, gave you a rush that you’d never think of ever having.

Once you escaped, you did everything you could to discreetly change your identity. Using your leftover riches from your family name, you were able to call in a person to help you ‘disappear.’ Gojo would never be able to track you. And with that, (Y/N) (L/N) vanished off the face of the earth. She was gone.

It was a nice, sunny day. You were relaxing at home.

It's been three years since then. By now, you should try to settle down, right? However, your cautiousness made you hesitant. If Gojo ever did come for you, the last thing you wanted was for someone to get caught in the crossfire. Like Nanami.

Upon reminiscing, you frown in realization. You never did find out anything about Nanami’s disappearance, didn’t you? Maybe he was dead after all. It wouldn't shock you if it turned out Gojo made him vanish. It'd line up with how creepy he had been thus far.

You offered him a small prayer in your mind. Hopefully he was at peace, wherever he was now.

After that, you went out onto the backyard porch. The crashing waves of the ocean ahead always set you at ease. The warm sun heated your skin. Leaning against the wooden railing, you closed your eyes, and lost yourself to the sound of nature.

"What a lovely sight." The sudden voice made you jump. What scared you the most was not that it terminated your solitary without warning, but that it took you years to forget about that cadence, until now.

Standing a few feet away on the platform, leaning against the railing, was a forbidden sight. A man that shouldn't exist in your little safe paradise. Somehow, he got here undetected, past all of your locks and security cameras.

Gojo turned to you with a charming smile. As if this was a reunion between two old friends. In a malevolent way, it was. "Though you could do much better than this, it's a nice place."

Remaining silent, you didn't say his name. You wouldn't give him the satisfaction.

How did he find you? Your benefactor, with no ties to the Gojo clan, changed your records, your appearance, and virtually anything that had to deal with your identity. Not a single trace was left. And yet, here he stood in your home.

Why couldn't he just leave you alone?

There were plenty of women out there he could easily have. Any of them would be happy to grant his desires, or even replace you as his estranged wife. You didn't understand why he insisted on having you.

"Why won't you give up already?" You asked calmly, an apathetic look in your eyes. At least three years have passed since you escaped the shackles of your predetermined live. Plenty of time for him to move on and find someone else. In a way, hiding was supposed to be your form of encouragement.

Between the two of you, he was much more stubborn. Arrogance paved the way for greed, and he refused to lose when it came to anything. A man with the mentality of a spoiled child. Such entitlement of course, extended to you. He didn't give up because he didn't want anyone else. Letting you go and moving on was too easy. Why settle for something he can get with ease, when it was much more exciting to chase what he can't have?

"I've already told you, (Y/N). Millions of times over…" He stepped closer while you retreated back. "I love you." His voice was warm and genuine.

"And it's a lie." You retorted with a razor-like glare. If he truly cared as much as he says, he would let you go. He wouldn't still be here. It was a selfish act, not one out of love. Perhaps he did a long time ago, but his sentimental emotions were corrupted by his egotism. "If you loved me, you'd leave me be."

"(Y/N). Why are you so selfish?" He asked, and you paused. As if a switch had been flipped, his expression grew cold. "Running away from your family, running away from me, and running away from us. You had a good life, and became a powerful sorcerer. Why would you throw that all away? For cowardice? For your insecurities?"

He held up his hand. A hopeful, promising shine was in his eyes. "I came here because I refuse to give up on you. I care about you. Come back with me, and I promise to help you. We'll get through this together. I'll make you happy." He proposed with a warm smile.

A pit formed in your stomach. Even now, he's still trying to manipulate you. Twisting the narrative to belittle your desire for freedom as an insecurity. Justifying his stalking and chasing after you as some sort of savior situation. That your autonomy was something that needed to be fixed. If you weren't so disgusted, you could see yourself laughing at the absurdity of it all. "No. I don't want to go anywhere with you." You gave him your answer.

"Aaah… that's not the right answer." He sighed with a hint of amusement. Shoving his hands in his pockets, he turned his back to the railing. Then he faced you and held out his hand.

He tried to use his ability, but you were quick to stop him. Your arm went limp, but you raised your leg. Kicking him as hard as you could, he was sent flying through the wall. He quickly recovered and got back up.

He dashed forward, and you swiftly dodged out of the way. You got a few good hits in, since he was wary to not use Limitless in excess against you. Now that he couldn't use it to protective himself, everything was fair game. You threw anything you could that was in the house. Lamps, décor, and even furniture. He dodged most of them.

"Enough with this, (Y/N)!" He called out to you. The house was nearly destroyed from all the fighting. Gojo grumbled under his breath. Now that he was aware you could nullify his ability, he had to get creative.

Suddenly, he disappeared from your vision. Heart racing in your chest, you glanced around the room and kept your guard up. There was no running outside, because he could be waiting at the exit.

You turned and sensed something. With your energy magic, you charged the tv to make it explode. Gojo emerged from the shadows and came at you. He was using his Limitless. You had no choice but to nullify it and prepare to counterattack, but suddenly, your mind went blank.

Just now, you had rolled the dice, and yielded the worst possible results. The worst part to neutralize… your brain. It made you lose.

When consciousness came back to you, Gojo was holding you in a tight grip. Pointed at your neck, the tip an inch away from your skin, was a syringe.

Gojo was breathing heavily. Pressing his built chest into your back, you could hear him in your ear. It was a good effort you put up against him, but now it was over. At last, he had you. "Let's go home, shall we?" He hummed with delight.

Before he could move, you snapped your fingers. A explosion of smoke erupted from your body, and the mass coated the air like a screen. You threw your head back, crashing into his face. His grip weakened slightly and you stomped on his foot with all your might, and jabbed your elbow into his abdomen. With a grunt of pain, he fully released you. Not wasting any time, you ran forward and dashed out the back door.

You spun around to see him emerge from the smoke to give chase. Reaching a hand into your pocket, you darted to the edge of the porch. You vaulted over wooden railing and jumped off. In your hand was a small device. You pressed the button.

A large explosion blew up your beloved home. There was a loud, thunderous crash. Debris flew in all directions, and the source was consumed in fire. Once your feet landed onto the sandy beach, you took off running.

On the run yet again. All the money you spent on disappearing the first time had significantly depleted your sources, and nearly the rest had just gone up in flames. You'd have to get creative with your next disappearance, for whatever time you had left.

As you were running, you suddenly stumbled and halted in place. The dizzy spell was so faint, it took you a second to recognize it. During that fight, the syringe must've touched you.

The unknown drug he gave you… you had no idea how much time you had until you passed out. However much time you had, it most likely wasn't enough to hide where you couldn't be found. All of your options were drying up.

Frozen, you stared at the ground. A blank expression haunted your tired features as you fixated on the gravel at your feet.

Was this it? It's all over?

Closing your eyes, you took a shaky breath. It's not. With your remaining strength, you continued running.

Gojo's manipulative speech to you, at first you completely dismissed it as nothing but deceptive garbage. It was bred on twisting your actions to make him seem like the victim. A gaslighting trap, to warp your perspective of reality, and convince you to return to him. Almost like the domains he put his enemies in. At least, that's what you originally thought. After reflecting upon it, you realized that there was some truth to his words. Even when fabricating lies, there will always be a hint of truth hiding in the cracks.

Maybe he was right.

All you've done is run away. In your youth, you fled from living a normal life to become the perfect child your parents wanted. At the expense of your childhood. You ran away from mistakes and imperfections to strive for greatness. Once that was over, you ran away from your family when they needed you most. Then you ran away from Gojo, from your relationship and your engagement. Here you were, proving him right by running away again.

If you kept going, you'd never be able to stop running. This track you set yourself upon, it was an endless one. A nonstop cycle of running on a wheel, with no destination. Gojo, while rendered vulnerable for the moment, was still immortal in the grand scheme of things. He held too much power. Untouchable and relentless, he'll be chasing you forever.

Perhaps… it was time to stop.

When you finally came to a halt, you were near the edge of a cliff. Below, the gathering ocean, crashing against the rocks. The comforting sound you had come to admire. The sun was setting in the sky, and the stars were finally revealing themselves. You've always wanted to come here, but you never found the opportunity.

"(Y/N)…" Gojo called your name. Though he sounded tired, there was a hint of teasing to it. It was the end of the line, after all. Even if you tried to jump, he could catch you. This game of tag had finally reached it's conclusion. "It's over. There's no need for this."

Silently, you met his gaze. The light breeze swept your hair as you stood still. A few seconds passed when you eventually parted your lips. "You're absolutely right." You said with a faint smile and soft eyes. "I'm done with you. Farewell, Satoru."

A bold choice of words. As much as he rather wouldn't, Gojo decided he'd have to hurt you, just so you couldn't run away anymore. Upon stepping back, you suddenly found yourself in a new space. The area around you was a celestial realm, a starry prison. He called his Limitless, and cemented you inside a domain. This way, you couldn't evade him. Even if you nullified it, he could just cast it again and again until you gave up.

So, he didn't know you were on the verge of collapsing. That was perfect.

Once more, you opened your eyes wide. They began to glow. Channeling all of your curse energy, you took his power, and turned it off.

Upon doing so, there was a sharp pain in your chest. Blood stopped pumping and your breath slowed to a cease. It was then that you lost feeling in your head, then your body. Falling back, you lost your balance and went over the edge. Your vision was growing blurry, and everything felt cold. Faintly, you could feel your body falling.

Cancelling his ability wasn't the ultimate goal. The consequences were. To negate all of his powers at once, you offered up the most important function of your body. The heart of the machine. It was held for as long as you could, and you made it.

Finally, you were away from him. To the one place where he couldn't get you. It might've been one last run, but it was something you did of your own volition. Nobody told you what to do, and you freely made your choice. Maybe Gojo could have given you a promising life, but you would never be happy. This outcome was what satisfied you. Your legs had grown tired from running, and now you could finally rest.

rip girlie

i like how at the start i was trolling but at the end it just got sad :')

dividers: cafekitsune

follow for other writings;

♡ quotev ♡ wattpad ♡ archive ♡ caard ♡

#yandere #yandere x reader #gojo x reader #gojo satoru x reader #gojo satoru x you #yandere gojo x reader #yandere gojo satoru #jjk #jujutsu kaisen #fem reader #x reader #x female reader #yandere x female reader #yandere writing #writing #one-off writing #tw dark content #tw dark themes

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i-believe-in-melinda-may · 1 month ago

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One more sneak peek of my Agathario family fic before i start actually posting chapters after the new ep

I am sharing this because I'm not sure i am the best at 'action' scenes, so i wanted to know what people thinks, honest opinions on this please.

After over an hour of carrying her son as she runs Rio finds herself feeling very glad that it takes a lot to tire herself out, but she also feels beyond frustrated with the Salem Seven.

Due to her status as ‘the’ green witch Rio is using the fact that they are running through a forest to her advantage and doing everything she can to create obstacles to prevent the feral Coven from following them.

“Mom, south,” Nicky says, being able to sense that that is where someone is coming, from and without even questioning her son Rio uses her magic to cause vines to come up from the ground, grabbing hold of the coven member. “Cool,” Nicky says amazed then his face gets a scared look. “Blast incoming,” Nicky tells his mother, and a second later Rio sees a blast coming towards them and while she is able to block most of the force it does still knock her off her feet, causing Nicky to roll onto the ground, and the bag she is carrying to fall on the ground next to him.

“Stay down,” Rio says, before speaking a language Nicky has heard his mother use before, but words which he doesn’t understand, which creates a protection ‘bubble’ around him, something which Rio knows won’t last long.

Once Nicky is as safe as he can be, at least temporarily, Rio takes several steps away from her son, not wanting to be close to him when she does what she is about to do, and draws on her concentration, her power. Muttering a language that not another being speaks Rio lifts her arms, brings them to her chest, then pushes them out, and as she does an incredible force of magic is released from her, a force that even Nicky can tell is strong.

In the seconds that follow Rio letting out an incredibly strong force the magic echoes throughout the forest and causes every living thing, except for Nicky who is protected, and Rio herself, to be made dormmate either, in the case of human or animal being made unconscious, or in the case of any other living thing being made dormmate.

After releasing her power Rio has to spend a few seconds collecting herself, as there is a reason she only does that as a last resort, before walking over to her son, who can practically ‘feel’ the power radiating off her, something he has never felt before.

“It’s okay, Nicky,” Rio says as the protection around her son falls.

“Mommy, that was…. Amazing,” Nicky says to her son.

“Glad you think so,” Rio says, squatting down in front of him. “Are you okay?” Rio asks, knowing that while they have to get moving again soon, they do have enough time for her to check to make sure her son is okay.

“I think so…. My arm hurts a little,” Nicky admits, still feeling in awe of his mother.

“Let me see,” Rio says, and Nicky sticks out his arm. As soon as Nicky sticks out his arm Rio sees that he has a decent cut on it, something which likely happened as he fell to the ground. “Oh, that’s nothing, I can fix that right up,” Rio says, as she lifts Nicky’s arm to her mouth and places gentle kisses along the wound on her son’s arm, using her own healing ability to heal it. “Better?” Rio asks.

“Yeah, thank you Mom,” Nicky says to her.

“Good, them let’s get out of here,” Rio says before picking up her son and the bag that were dropped.

“Are you going to be okay after doing that, Mom?” Nick asks concerned.

“With time,” Rio admits, as she will need some time to recover from what she just did, and she is going to be a little weaker for a little while. “But that doesn’t matter what now, what matters is getting to safety,” Rio says, and she once again pushes herself to run while she carriers her son knowing that the Salem 7 won’t be able to follow, at least not for a while.

(LIne break)

Across the world the person Nicky and Rio want to see most, Agatha Harkness, is sitting alone in a basement studying the Darkhold, as she obsessively reads, flicking the pages with her blackened fingers, she feels a force so strong that she has to stop what she is doing as she tries to catch her breath.

“Rio,” Agatha mutters, being able to identify exactly who is the source of the magic, as she knows it just as well as she knows her own, and for a brief second she finds herself wondering just what her estranged wife is up to. “Not my problem,” Agatha says, as she doesn’t want to see Rio, doesn’t want to deal with her, even if a part of her can’t help but wonder if she is okay, but she pushes those feelings down and instead goes back to reading the book having no idea that if she were to investigate what she just felt she would find exactly what she is searching the Darkhold for.

#agatha harkness #rio vidal #nicholas scratch #agathario

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amerricanartwork · 11 months ago

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RW Headcanon: Goodnight, Moon

AHHH YESSSS, now that that Lilypad essay is done I can FINALLY share these—!

Hey, @ghostlycoze! So you remember a few months ago how I made that drawing acting on the Moon beepsnort headcanon, and how in my last reblog I eluded to the possibility of drawing out some of your headcanons again? Well, it looks like that time has come, and this time I've got not just drawings, but lots of additions to another headcanon of yours!

This time, it's from your tags in these three posts, which I also saw a while ago! Yet for some reason I began thinking about it again recently, and as is my nature with ideas I like, I decided to develop it further, and even draw it this time!

Also, just to preface, you'll see I did a bunch of notes beside the actual drawings as well. I'll share the picture and roughly type out the notes (in case my handwriting is a bit hard to read) as well as whatever info I couldn't fit on the page. Some of the text also just says "robots" rather than "iterators" because some of these ideas are stuff I actually imagine applying to robot characters in general! Maybe I'll make a post on that someday...

With all that out of the way though, the actual headcanon is under the cut! Hope you like it!

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What are iterators like when they’re sleepy? Do they even get “sleepy” the way we humans do? This headcanon answers that question with a focus on the iterators’ puppets. Much of this info is also framed in the context of a hypothetical “worm-off-the-string” scenario, since I believe that’s the main situation where sleep and getting tired would actually matter to the iterators.

Firstly, when iterator puppets are low on power, until they find a place to recharge they usually enter a power-saving state where, to conserve what’s left of it, their energy is temporarily redirected away from some of their less-important processes. The side-effect of this, however, is that iterator puppets show symptoms of drowsiness kinda like humans! Whereas humans may yawn, stretch, or rub their eyes when sleepy, iterators will often make sloppier/less precise movements, close their lenses a little, and may even have a harder time thinking, since they sometimes shut off some processors and other cognitive functions until they can recharge. The most common symptom, however, is slurred speech, coming from less power given to their speech-forming software.

Another very-common sign of iterator sleepiness is frequent beeping, often in place of words. This is because, like slurred speech, beeps take much less energy and processing to make than analyzing data, formulating a complex response, then vocalizing it clearly. Beeps are thus far more efficient for conveying simple emotions and reactions than words. Looks to the Moon in particular gets super beepy when she’s tired because she and other early models relied more on beeps for communication — they were made back when things like vivid emotion weren’t as taboo in Ancient society, and iterators were meant to be more friendly and openly interactive with their citizens — so she’s more used to beeping to easily express her emotions.

As a side-note and mini-headcanon (wow, real headcanon-layering action here), while even the newest iterator puppets can beep, the older iterator models, as a result of this design influence, also have a much greater “beep-vocabulary” with a wider range of sounds that shrunk with the generations. Their beeps are thus a lot more expressive as well, with some sounds even being similar in nature to animal noises or regular speech! I imagine the entire range of their beeps would closely resemble shorter versions of the “droidspeak” sounds of the astromechs in Star Wars.

But, back to sleepy iterators.

When it’s hibernation time, iterators enter a “sleep-mode”, where almost all of their systems are shut down and recharging becomes the primary objective. However, compared to how I imagine other robots, iterator puppets have a unique way of recharging. Rather than shutting off completely and absorbing power from an external source, iterator puppets have a few key systems within them that remain on even during sleep-mode. These systems, just like those in their superstructures, are capable of converting nutrients into power directly. They emit a soft, rather comforting whirr while the puppets sleep — the only sound iterators make while sleeping, and comparable in nature to stomach sounds during digestion. Otherwise, though, the only other systems remaining on during sleep-mode are a few basic senses, and a program that decides when to “wake up”. The presence of this program also means, uniquely to iterators again, they can wake up on their own, rather than having to be powered back on by someone else like other robots. Overall, these systems are yet another aspect of iterator designs that make them far more biological than many iterators (*cough* *cough* Pebbles *cough*) would like to admit. And in my imaginings of a “worm-off-the-string” AU, systems like these are one of the main sources of both physical and internal conflict for these characters.

Also, since most of their systems are off during sleep mode, iterators sleep, both figuratively and literally, like statues. Whatever position they fall asleep in is the position they remain in the entire time unless a.) someone moves them or b.) they wake up and move on their own. This also means (unfortunately, if you thought these ideas would be cute) that iterators do not snore, shift around, sleepwalk, sleep-talk, or dream while in sleep mode.

That’s about it for this headcanon as it applies to iterator puppets overall. Now, I’m gonna get into how I imagine Looks to the Moon specifically likes to sleep.

In addition to getting very beepy, Moon also gets very cuddly when sleepy, though some of this comes from her affectionate personality. However, it's also due to a lasting trauma from her collapse. Of course she's learned to tolerate the rain over time, yet after spending so many cycles being rapidly drowned over and over in her can — with endless disorientation and senses so out-of-control from being disconnected from most of her superstructure, no one around to comfort her save for the occasional wandering creature, and the knowledge that her own beloved brother was responsible for this — it’s still left a fair amount of bad memories with her, especially from those cycles most recently after her collapse/revival, and this general unease often resurfaces with the sound of the rain. Therefore, whenever the rain comes, this trauma serves as another, more internal reason Looks to the Moon always wants to fall asleep holding onto/being held by someone, or at the very least while sharing the shelter with someone she loves.

On a more positive note, since I’m now officially a Lilypad shipper, I imagine that No Significant Harassment is Moon’s default choice of cuddling partner! It can be a little hard to get in position — I imagine Moon always likes to be the little spoon despite her being slightly taller than him — but they manage! Moon pretty much always falls asleep first, because, as the oldest model of the group, and having sustained the most damage post-collapse on top of that, she simply doesn’t use power as efficiently as the others do and therefore gets tired much more easily. In some ways, the poor thing even feels a little guilty about it; she’s supposed to be the leader of this group, and yet here she is, tiring out after less travel and growing drowsy before the rain even starts! Luckily, Sig makes an effort to ensure her she’s more-than worth keeping around, because after every awful thing the world has thrown at her kindness, the least she deserves is some quality guilt-free nap time! And sometimes, if they want a little alone-time (or if Pebbles gets too fed-up with their lovey-dovey gestures), it’ll be just the two of them, and perhaps their slugcats, cuddling together in the shelter.

And speaking of slugcats, Moon’s second choice of cuddles is Rivulet! Being very soft, warm, and equally cuddly, she makes another good source of cuddles for Moon. And sometimes, if Hunter’s also around and willing, the two join forces with Sig and Hunter for a big, soft, cuddle-filled slumber party!

Still, though, Sig is definitely no. 1 provider of snuggles for Moon. But he loves her dearly, so for the most part he doesn’t mind! Since she falls asleep first, some of his favorite moments each cycle are from just watching her and holding her close as the rainfall echoes from outside; she always looks so beautiful when she’s relaxed, and having her in his arms makes him feel like he can protect her no matter what. So he never really minds when Moon, slurring her words, tiredly asks for him to hold her while she enters sleep mode.

That is, except when this happens and he’s stuck in that spot for the next several hours…

A few more ideas to this headcanon:

Moon’s third choice of cuddles is Five Pebbles. It’s a bit interesting, because in basically all other scenarios Pebbles insists on sleeping alone in a separate shelter, even though he’s actually rather touch-starved (though it'll be a while before he admits it). Moon is one of the only people he’s actually willing to sleep with, besides occasionally Artificer (in which the feeling is mutual and no one else must be in the room). If I someday decide to ship Pebbles with someone, I imagine he’d also be willing to sleep with them, again, only if no one else is around to see it.

To elaborate on the last point and shift to Five Pebbles’ perspective, the reason why Pebbles always wants to sleep alone is because, as I imagine the worm-off-the-string story so far, Pebbles’ biggest internal conflicts are learning to accept all those “worldly attachments” the Ancients so strongly rejected, and overcoming his god-complex and fear of relying on others. And one of the main ways this manifests is him being so deeply embarrassed to be dealing with these basic survival needs — like yet another one of the savage beasts roaming the world, after having been a vast mechanical god so far above those primitive creatures — that he refuses to let others, even his friends and family, observe him in such a “pitiful” state whenever possible, and resolves to try and overcome it alone.

To further continue this idea, this is why Moon sometimes insists on sleeping with him. Even though he’ll have to overcome these conflicts on his own, it doesn’t mean he has to be alone while he does it. She makes an effort during these and other moments in this scenario to assure him that it’s okay, no one’s gonna judge or punish him for living this way, and she’ll always be there if he ever decides to accept some help. Pebbles always falls asleep with his head buried in her chest and holding onto her very tightly.

The iterators often like to sleep with their slugcats, who in the AU also stick around a lot to help guide them as they figure out the ins-and-outs of organic survival.

Both Moon and Pebbles tend to sleep in a curled position. It's actually very similar to how slugcats generally sleep!

Pebbles is quite the workaholic in general, but it also means he has a hard time falling asleep — not because he doesn’t get sleepy, but rather that he often denies it or its significance in an attempt to get more done that cycle (and because, again, he’s “too advanced” for animalistic things like sleeping). The group often has to literally drag him to bed to get him to sleep, and Sig often teases him when his lenses start drooping and his syllables begin to stretch.

In extreme cases, where almost all of their power has been exhausted, iterators won't just slur their words anymore, but their speech will often lose coherency overall, like a spoken case of very drunk typing .

When sleepy, Moon not only slurs her words, but has a tendency to say rather strange and very silly things. It’s another side-effect of less power being used to actually think through her words. There have been many instances where the whole group erupted in laughter after Moon made a really out-of-left-field comment!

Oh, and here's one last quick doodle based off one of the ones above:

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Aaaand that's all for another headcanon! Even though it took me a whole week to do the drawings, it was SO fun getting to develop this idea, especially since sleepy Moonie is such a cute concept! I am so glad that you shared that little idea, Ghost!!

And speaking of which, if you've made it all the way down here, Ghost, may I invite you to add any more ideas to all this, if you want? I'd especially love hearing ideas for the other iterators' sleeping habits (how fast they get tired, what position they like to sleep in, who they usually sleep with, how they wind down before bed, etc.)! I mainly focused on Moon and a bit of Pebbles at the end, since I'm still trying to get a read on Sig and Suns's personalities (especially Suns), so it'd be fun to even further expand on this idea in that regard! Of course, you don't have to, but it's a proposition!

But regardless, I hope you and anyone else who made it to the bottom enjoyed my contributions to the idea! And be sure to keep the adorable headcanon ideas coming!!

-.-.-.-.-.-.-.-.-

Bonus: Here are the full sketchbook pages, in case anyone was interested in seeing the completed layout! I think I'm gonna be making more of these kinds of drawing/explanation combo artworks!3

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thekingofwinterblog · 1 year ago

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Maka vs Crona episode 20-21

When writing fiction, there are many points that can end up becoming the defining moment where a story peaks as a tale.

The final climax is ideally when this happens, and the amount of times when that is the case aren't exactly rare.

However it is just as common for stories to peak early.

Goku versus Freeza on Namek is generally considered far, far better than Goku's many, many following bouts, Tolkiens battles of Helm's Deep and the Pellenor fields, climaxing with Aragon's sudden appearance with the rest of the Southern Gondor Forces is generally remembered far more than the battle at the black gate or the scouring of the shire, while One Piece has tried, and failed consistently to recapture the glory that was Water 7 and Enies Lobby that together formed the absolute best story in Shonen.

As for Soul Eater, wheter looking at the Anime, or the Manga, it is not exactly a controversial statement that neither qualifies as it's absolute best. The manga ended on a terrible note, while the Anime while sticking true to it's themes, didnt quite hit the landing as good as it could have.

What both have in common though, is the moment where their tales peaked.

The Rematch between Crona Gorgon and Maka Albarn beneath the halls of the school leading up to the ressurection of Kishin Asura.

Rematches are always a fun thing in fiction, for a variety of reasons.

The most obvious is simply seeing how characters have grown or regressed since last time they brawled, but the simple fact is that rematches are baked into stories where there is conflict.

The Hero suffering an early loss, then facing their earlier foe only to emerge thriumphant is baked into the Storytelling DNA of the Human race. It's one of the most important parts of the Hero's journey for a reason, and you will find COUNTLESS examples of it, especially in shonen, which thrives on conflict and battles between individuals.

Ichigo vs Byakuya, Luffy vs Crocodile/Lucci/Katakuri/Kizaru/etc, team 7 vs Zabuza, and so on.

In the case of Soul Eater's rematch, on paper, and how it's set upon it's start, this battle is very much set up as a classic revenge rematch. Crona and Ragnarok obliterated Maka and Soul the last time they met, and now it's time to turn the tables.

It starts off with a kickass action scene where Maka has learned from her mistakes in the earlier fight, and so uses Crona as a punching bag rather than something to cut...

It event has both combatants trash talking the other... Everything is set up for a good grudge match.

The funny thing is though, that this could not be further from what this fight is actually about.

Because after that exciting action opening, that is meant to contrast with the first one sided fight, it almost immediatly switch gears to what it is actually about.

Maka and Crona as people, their flaws, their strenght, how both of them act as foils and mirrors, and brings out sides from the other that the story has not shown us before.

The first such moment is a follow-up to something Crona said in their first match.

"I don't know how to handle pretty girls"

That was a compliment, though obviously not meant as direct flirting, and this new line isnt either.

"S-stop. I can't look directly at people with big, strong eyes."

Crona looks at Maka as, in her own way someone to be admired... Because Maka has something Crona does not, and wants. Confidence, strenght, beauty.

Crona is both terrified of Maka... But also admires her at the same time.

The trash talk has nothing to do with bravery, or even looking down on Maka... Instead it's an attempt at putting up a brave front so the problem at hand will go away... But the moment Maka refuses to do so, and instead stares Crona down, Crona immediatly begins to crumble and instictively back down in front of Maka's cool and confident gaze.

Also while the fight goes on, a lot things happens concurrently. Not much of it is important for the Fight, but the other big battle taking place, is. Medusa vs Stein and Spirit.

This fight has two purposes, in regards to Maka vs Crona. The first is to give us Medusa's opinion and testimony regarding how she raised Crona, and thus we, the audience does not need Crona to make a long monologue about their past while talking to Maka.

The Second is contrast.

Spirit is absolutely certain that his little girl will win this fight. He has the bravery to trust in her, and her capacities, even after what happened the last time she fought Crona.

By contrast Medusa believes Crona will win because of logic, and calls spirit's faith in Maka "Blind Parental Love."

The funny thing is, they are both right.

Crona IS stronger than Maka... Yet Maka will ulimately win.

Their conversation also serves to contrast both of their children, and how they grew up. Medusa raised Crona as a weapon that is desperate for her approval and love. This will in turn be hammered in by Crona's own rather depressing flashback.

Meanwhile Maka was raised with love and care. It was not a perfect home by any stretch, brought down by adultery, abandonment and the blame game as everyone blames someone else, rather than accept the bigger picture(Maka blames her dad for everything rather than fully accept that her mother abandoned her, Spirit blames himself for his weakness rather than lay any blame at his exwife for abandoning his daughter and running off rather than take the parental responsibility she took claim too by fighting for Maka's custody, while mrs Albarn used her husband's infidelity as an excuse/justification to in turn abandon her own child).

Ultimately what this fight is all about, is both of these children finally beginning their journey to healing from the wounds left behind by their childhoods.

It also shows the values both Medusa and Spirit passed on to their children. Medusa twisted her child by instilling values like not killing... Then deliberatly forced her child to either break those values, or lose her affection, speciffically to emotionally break Crona down into an obedient weapon.

By contrast, Spirit, upon hearing Crona's backstory reacts with compassion, empathy, and understanding. And as the fight between Maka and Crona rages on, Maka will make it clear, that despite all of her protestantions to the contrary, she is her father's child.

The fight that follows between the next generation is a nice spectacle, but the next important development comes as both of the two meisters soul ressonance with their weapons, with Maka betting it all on her Witch Hunter, her strongest move...

And Crona completely blocks it with no problems, with a simple armguard, breaking the technique.

This moment is important for two reasons.

The first is the way it hammers in the point and themes that will later be repeated beat for beat during the climax of the series where Asura does this exact same thing to Maka's strongest technique in terms of raw power in either the manga or the anime, the Kishin Hunter, the same move that Shinigami used to beat and batter Asura around with ease.

Strength and Power will NOT beat madness and fear.

You cannot defeat fear, lonliness and depression by strength of arms, no matter how strong you are.

That is why ultimately Black Star and Kid will all ultimately fail to defeat Asura, and why Shinigami at his prime ultimately could not do it either, being forced to simply seal Asura away instead. Because every one of them faced this problem of trying to conquer their fears by using overwhelming force.

And they failed. Just like Maka fails here.

To defeat it you need something more, something completely different than might and power.

The second thing, and why this specific moment is what prompts Crona into going into a flashback right now, is that upon blocking Maka's best attack with ease, Crona suddenly has a spike of confidence, and lashes out, and brings Maka to her knees.

And it brings us into the next section of the fight, as we explore another aspect of fear, madness, and bravery.

"Weakness can imitate strength if bound properly, just as cowardice can imitate heroism if given nowhere to flee."

This is not a quote from Soul Eater, instead being from the Stormlight Archives, but it encapsulates the Theme of the next section of the fight perfectly.

Crona is not brave. The sudden burst of confidence did not lead to a turn around where Crona confidently and bravely defeated Maka in combat.

It was the lashing out of a scared child with nowhere to run, who HAS to win this fight, even if Crona does not want to be here at all. That one moment simply gave Crona the push to unleash an overwhelming assault of power that Maka could not match.

Weakness can masquarade as strength, and Cowardice can pretend to be bravery if it has nowhere to flee.

Which is why this in turn leads Crona compares Maka to the first creature Medusa forced Crona to kill.

The Fact is Crona has no idea how to interact with Maka, either as an enemy, a rival, someone who Crona finds Attractive and cool, or just a human being in general... So it sorta just jumbles together into a mess.

But Crona has not had the option of running away from either of their two fights, and so has been forced to actually interact with Maka, and so is completely all over the map in how to deal with her. Sometimes it sounds like Crona is hitting on her, cause she's an attractive girl as far as Crona is concerned, sometimes Crona puts up a brave face, sometimes tries to decisively kill her, and so on.

Which is why this in turn leads Crona compares Maka to the first creature Medusa forced Crona to kill.

We don't really know exactly how Medusa raised Crona before this point, but there are several important points to note here.

Crona understands at some level here that killing is, fundamentally wrong. When Medusa tells Crona to murder this thing, Crona does not want to do it, nor how to actually muster the will to actually kill.

That tells us 2. things.

1. is that Medusa deliberately raised Crona to be unprepared for this task. As Crona's mother, it would have been incredibly easy for her to raise her child with a far, far more viscious and brutal attitude against killing other living things.

But that is not what Medusa wanted. She wanted a broken and obedient weapon, an experiment she wanted to test and prod to see the reactions out of.

She WANTS Crona to not go through with it, and to be reluctant to do it at all, in order for the subsequent "Lesson" regarding obeying her speciffically no matter what, would hit as hard as it possibly could.

Upon little Crona's refusal to go through with it, she then locks Crona in a dark room with no food or water for days, alone with Ragnarok that bullies and beats Crona up for failing at the "task".

And when Crona still doesnt immidiatly go through with it, she throws Crona right back in, and blames it on her own kid again, hammering in the "lesson" that this Crona's own fault for being a "Bad kid".

this is all brutal, but it leads us into the second point to take from the way she raised Crona before this.

Crona WANTS affection from other people... But Medusa only gives it on a conditional basis, but also very deliberatly isolates Crona from ANYONE ELSE to the point where Crona doesnt even have contact with animals.

In the end, this does lead to Crona finally going through with it.

There is a very deliberate difference at this point between Manga and Anime though.

In the Manga, the animal that Medusa wanted Crona to kill was a defenseless, cute bunny, to further hammer in just how defenceless it is. The anime though, probably for censorship reasons was forced to drop this imagery... So they did something better instead, that connects it to what Maka and Soul are about to do.

in the anime, the animal is a small, dragon, unicorn thing that breathes fire, and upon first meeting it, Crona is for obvious reasons terrified of this thing, flinching away as it unleashes a jet of flame.

But after being starved, denied water, and physically abused by Ragnarok, Crona is let out from the room a third time. And this time, the reality that if Crona does not murder this thing, it will be right back to the room has set in... So when the dragon thing breathes fire right at Crona's face again, Crona doesnt even Flinch.

The fear is not gone though. it's just that with nowhere to flee, Crona mimics bravery, by embraces madness in order to not have to deal with the very real fear at facing the fire.

Crona is able to pretend to be both strong, and brave, by giving all in to madness.

The funny thing is though... Maka and Soul do the EXACT same thing.

Upon their tactic of just throw themselves in to the fight and hope to crush Crona with overwhelming force and power doesnt work, they instead decide to try to beat Crona and Ragnarok at their own game, by giving all in to the power of the black blood that makes Crona so powerful, with no heed of the dangers of embracing madness.

This moment, and the subsequent beatdown that Maka delivers is probably the single most iconic moment in the soul eater franchise.

Maka going completely nuts, completely unheeding of danger or any sense of tactics or morality, as she kicks Crona's ass, is Soul Eater's best action scene as it not only is visually stunning and entertaining to watch... but PERFECTLY encapsulates the stories Themes.

Maka wants to win this fight, and so she throws herself into a course of action that at first glance might seem to be brave... Giving up your sanity for power to win.

If Soul Eater was a story about people sacrificing themselves for the greater good, this might work, but it's not.

Soul Eater is ultimately a story about bravery, and bonds. About how it's people coming together despite all their differences, that makes life so worth living.

Sacrificing yourself... or others, is the cowards way out. It solves nothing.

Maka is not brave as she faces Crona withouth a hint of fear. Just like Crona prentended to be brave in order to have the capacity to kill that dragon thing, so Maka pretends to be brave by throwing away all her fears and sanity for power.

And in the end, embracing Madness only leads to Maka munching and gnawing on Crona's skull, having completely lost her marbles.

It's a different kind of defeat, but it still harkens back to her previous failure.

You cannot defeat fear by removing it, and pretending it isn't there... no more than you can do it with power.

Having completely lost herself to madness at this point, the only possibility left for Maka at this point, is to reassess her surroundings, and pull herself back from the edge.

And so, pulling on her speciality as a meister, her ability to sense and read souls, she begins that journey by reconnecting to her own soul, noting how it's such a small and fragile thing... surrounded by madness, it's so easy to fall in... And that's withouth jumping head first like she and Soul did.

And of course, being directly connected to her through the black blood currently steeping her very being, she also feels the soul of her best friend and partner Soul Eater Evans, a twisted, yet great guy who is always willing to listen to her, even when she's being selfish.

It is then though that Maka is drawn to another soul, one that fascinates her far more than either her own, or Soul Eater's soul.

Now the anime doesnt fully make it clear why Maka is immediatly so facinated by this soul... Crona's soul, but it's very clear that she is immediatly drawn to seek it out.

The manga however, makes the reasoning abundantly clear. She finds the soul beautiful for reasons she probably doesnt fully understand herself.

Regardless, she bonds with it, embracing it, and what it holds inside just like she did with her own soul, craddling it to her heart as she delves into it's mysteries.

It's mysteries is a beach with no water, an unatural thing, where there should be beauty and life, and yet is as as devoid of both as the desert it so resembles.

This is Crona's soulscape, the defining mental landscape of the young Demon swordmaster's psyche, as defining for Crona as Soul's jazz and piano room is for him.

It is here that we meet Crona's inner self, a young child, who deliberately draws a circle to be separate from the world... And yet so, so badly wants there to be someone, ANYONE else there.

And yet, when a companion appears, Crona's own shadow, Crona rejects it in a sad, yet resigned way, refusing to answer questions, passing on every one of them, until finally driving the shadow away as it becomes frustrated.

Now the questions are important in how Crona feels, but the actual takeaway isnt the answers, but how Crona refuses to respond to any of them, even completely obvious ones.

Crona does not know how to do so. Medusa's parenting and deliberate isolating her own child from any form of interactions besides her has completely and totally stunted Crona's growth, hence why here, inside Crona's own head it's back to the childhood self, not the teenage years Crona has entered into.

Which brings us to Crona's relationship with Maka. As bizarre as it might seem, Crona's interactions with Maka is the closest thing to actual socialization with another human being besides Medusa that Crona has ever had.

Because Maka by virtue of opposing Crona and refusing to back down has forced Crona out of that figurative sand circle, and actually had to interact with someone else. It was all over the place, but it was real, genuine, human interaction.

Hence why Crona thinks back to Maka in this moment as the shadow leaves, yet another lost opportunity that Crona let slip for interaction.

it's at this point that Maka, having now fully connected to Crona's soul, makes her appearance, in the form of her younger self with an adorable, lion's roar, scaring Crona, who protests that nobody else can be here, that this is where Crona is supposed to be alone from anyone else.

Maka does not care, and instead, upon being told of the circle's supposed purpose, destroys it by literarily stamping it out.

This completely destabilzes Crona's entire soul.

And upon returning to the physical plane, having left behind the Black blood and it's madness, Maka is face to face to a Crona who is having a form of seizure. All the methaphysical and psycological barriers that Crona has put up against the world have now been broken by Maka's actions, and is currently taking the form of the black blood inside of Crona's body shooting out everywhere in the form of spikes.

From a tactical perspective, this is a great development. Crona is wide open and immobilized, so now is either the perfect time to take another shot with Witch Hunter, or to just leave Crona behind to go join Kid and Black Star.

However, things have changed.

instead of doing either of those, Maka leaves Soul behind(much to his suprise and confusion), and withouth a weapon, completely calmly, walks up towards Crona, while talking in a kind, calm tone... The kind one does to someone who is freaking out and needs help.

And she keeps going forwards, despite the spikes that keep shooting forward almost impaling her every time.

In many ways, it resembles the kind of just abandoning fear to try to overcome it that she just tried to use to win this fight... But it's not.

Maka UNDERSTANDS Crona now. She knows what drives Crona to the core... And so she believes that Crona does not want to hurt her.

She doesnt know this. She fully understands that Crona might just kill her on accident... But she does it anyway.

She takes the risk that comes with this march forward, because she WANTS to connect further with Crona. Crona needs help, and maka wants to give that help.

That is bravery. True bravery, not the kind of bravado that drove her to take Crona on to begin with because she wanted to avenge her previous loss.

It is also insane. Pure madness... And yet it works.

Once more, she connects her soul to Crona, but this time, it's the opposite way, instead of delving into Crona's soul, she instead opens her own heart to Crona, to show that she understands.

Crona in response completely calms down, and after Maka lays out that she finally understands how Crona has never had anyone reach out and offer human contact before, Crona is... suprisingly at peace.

Crona still thinks that Medusa will now move and and that the time has come for mom to make good on her promises that Crona is expendable... And yet it somehow doesnt matter anymore.

Crona long ago gave up hope for physical, and emotional human contact with anyone, and now that someone finally has given Crona just that... That's enough.

It's time for Crona to just dissapear into the ether... To which Maka, very softly, but firmly delivers one of her book chops to get Crona's attention and out of the ending it all mindset.

Rather than let Crona continue on in this suicidal mindset, Maka instead takes the next step, and offers Crona the one thing that surpasses even the low, low bar of basic human contact and compassion. Her hand in friendship.

An offer that brings Crona to total tears of happiness and joy, and as the two of them grabs the others hands, they once more bare their souls to the other, while Soul Eater Evans looks on, and addmits to himself that Crona's great fear, of contact with other people is a fear that he too shares.

Just like Crona... And just like Maka, he too ran away from that very thing... But as the Manga shows in his thoughts, despite running away from his brother, he managed to find the very thing he ran away here at this school, in the form of Maka, blair, black star, tsubaki, death the kid, liz and patty... just like Crona now found Maka.

It's an astonishingly strong and powerful fight that encapsulates absolutely every theme and idea about bravery, madness, human companionship that the story had, while utilizing it's cast to the fullest, while also making use of it's power system to forge one of the strongest bonds in Manga.

However, we still have one final thing to discuss before we're done.

as we get as shot of Maka and Crona in Crona's soul scape once again, this time happy and smiling, hand in hand, the ocean finally begins, turning the desolate sands into beauty, washing over and then pulling back again, leaving the landscape actually alive, rather than the desolate, and lifeless void it was, and we end the episode on a special animation for the ending credit song.

That song is Soul Eater's second ending Theme, Style, and as we do a deep dive over Maka and Crona's development, we need to also go over it, and what it means, while also answering another question.

Why did Maka appear in the form of her kid self when she dove into Crona's soul scape?

the answer ties into why Maka and Crona made such incredible good foils and parallels for each other in this episode, and why both of them ultimately forged such a powerfull bond from these events.

Style you see, is a story told from the point of view of a child who is just making a new best friend by taking a risk and opening their door. It's about adults desperate to forge a "perfect future" like cogs in a machine, rather living in the moment, embracing everything as it comes, and asking god to make sure to record every one of the memories so they would be able to look back at these moments forever.

It is very much a soul eater styled song, but more importantly, it's a song that was very much chosen speciffically for Maka and Crona.

in a meta sense their relationship is DEFINED by this song, given how the episode ends with a special ending just for the two of them.

Maka and Crona's growth as people, are both defined by going forward... By going back and embracing their childhoods. More speciffically, what they both lost during it.

Crona lost both Childhood innocence, kindness and seemingly any chance to ever have friends and make normal, healthy human bond ever again.

Maka lost her ability to trust easily, became spiteful, hyperagressive, and lost her natural childhood kindness to others.

And both of them lost all of it, because of their parents. Crona lost it because of abuse, victim blaming, grooming and being treated as a weapon, rather than a child to be loved and nurtured.

Maka meanwhile lost all of the kinder, gentler, and trusting aspects of herself because of having to grow up and constantly see the dad she loved and looked up to cheat on her mother, and then subsequently being abandoned by that same mother, rather than have her serve as a source of strenght in her hour of need.

And through this newfound bond, both of them are able to regain all of it. That is the true beauty of Maka and Crona's relationship.

It's not as if all their problems go away, or their personalities go back to from before... the past, and how it has affected both of them is not ignored, or backtracked. but the path forward is a blend of what came before, and what they have become... while hopefully leaving behind the worst aspects of what they became at their worst.

Maka thinks Crona's soul is beautiful because deep down Crona is someone who wants to be kind and who thinks of others before themselves. all encapsulated by Crona's cute smile. That in turn brings out all of those feelings and emotions that Maka has tried so, so hard to bury to never be hurt again.

Crona thinks Maka is beautiful because she is a confident, brave, kind girl, who was willing to give even someone like Crona love, friendship, support and help even while being enemies. And in turn that makes Crona somehow reawaken the hopes, dreams and Values that Medusa cultivated just to deliberately murder for her own ends.

They both help the other to eventually get over their trauma in their own way and embrace their best selves... Despite the insane chance that Maka took to forge this relationship with someone she had no reason to even like, they were both so much stronger for it.

because they had the bravery, and madness to try.

Bravery and Madness, two sides to one coin.

And it all began here, over the course of two episodes.

#soul eater #soul eater anime #maka albarn #crona gorgon #spirit albarn #medusa gorgon #episode 20 #episode 21 #maka's mother #meta #croma

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getvalentined · 3 months ago

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@sephirthoughts: my tumblr app isn’t showing your ask box for some reason so i’m asking here 😂 8, 12, 35, 47 for vincent please? 🖤🖤🖤🖤

(I turned it off and back on again so let me know if you see it now! I just turned it back on today after having it off for a couple weeks, so I'm not shocked it's a bit buggy.)

[For the Random Character Asks game.]

8. Unpopular opinion about them?

I mean my most unpopular opinion about Vincent is definitely that he's the single most compelling character in the entirety of Final Fantasy VII, but with regard to like...headcanons and character interpretations, it's probably that I don't think most of his monsters are actually entirely separate entities with their own unique personalities—I don't even interpret Chaos as sapient the majority of the time.

Aside from Hellmasker, who I've discussed before, any personality seen in Vincent's monsters is literally just a facet of Vincent's own with various traits and aspects stripped away based on the trauma through which they manifested. Galian and Gigas are more like partially-dissociated identities, not complete entities unto themselves, while Chaos has the capacity for periodic sapience only after decades of filtering itself through Vincent's consciousness via the protomateria. At its core Chaos is really just an animal, meaning any personality it might seem to express is the result of it mimicking Vincent over time, which is why it's just vicious and out of control when it manifests in Dirge without the protomateria. (I think my take on the protomateria is probably also wildly unpopular, but I actually can't remember seeing anyone else ever talking about how they believe it functions, so I'm not sure you can call something "unpopular" when there is no "popular" option.)

Fandom really likes portraying all of them as completely separate fully-fledged characters, and it's easier for my Vincent to refer to them similarly in most contexts, but he knows that's not really how it works—he just chooses not to explain it.

12. Crack headcanon?

Vincent is the king of Junon. No, I'm not kidding, this is consistent in basically all my renditions of Vincent. Even if it doesn't come up, if I'm portraying Vincent in basically any version of the canon universe wherein the Wutai War took place, Vincent is the king of Junon.

My version of Valentine family is founding nobility in Junon, which is a crowned republic, with the royal family basically operating as a ceremonial figurehead. The royal family has no actual ruling power at this point, but people like having them around—particularly the other noble families, who use their existence as a way of maintaining the right to a share of taxes and the like—and between the war with Shinra and everything else, nothing has ever really been done to change that.

I was going to try to explain the genealogy behind this, and then I remembered that I have a chart—and I'm gonna put it and the rest of this post under a cut, because this is stupidly long at this point and I'm two questions deep.

Vincent's extended family tree:

Okay so, Vincent's second cousin was Queen Adelaide, who took the throne fairly young due to her mother passing away; the one who "married in" doesn't keep rulership after the death of their spouse except in cases where their heir is still a minor, and then rulership passes to the heir upon adulthood. If there is no heir, the title gets kicked to the next royal-by-blood on the line. Adelaide died in the late '90s, unmarried and without an heir—but there were no other royals left. She was an only child, and all the others were dead.

...Well, probably. See, Vincent had been listed as missing in action since 1978. Because of the clandestine nature of the department, Turks that disappear aren't listed as dead until there's either a body recovered, or they've been missing for 50 years, whichever comes first. Legally, Vincent was still alive, and the Junon Society of Royals (aka the JSR, the group responsible for keeping Junonese nobility in their wealth) grabbed onto that to perform what's called a "paperwork ascension." These used to be pretty common back when heirs would get sent away to war or for school or whatever, gone for years at a time whether their ruling parent died or not.

The plan was for the JSR to plug Vincent in temporarily and proceed to dig back through the entire genealogical record to try to find some distant heir who was actually present and definitely alive to put on the throne instead (there is also a mechanism for this in Junonese tradition) but there was the whole war with Wutai, and then a bunch of terrorist nonsense happened, then everything went sideways with Meteor, then Geostigma, then Omega—and then King Vincent Vickalor Valentine VII, a man who should have been about 60 years old and whom everyone assumed was actually dead as hell everywhere except on paper, reappeared working with the WRO in 2010.

Vincent had absolutely no idea any of this had happened. He had no fucking clue that he'd legally been king of Junon for over a decade. Upon finding out via a very angry letter from the JSR asking him to pass the crown to another noble family and please do not come be King Cryptid the public cannot take it, he instead routed as much of the royal family's share of taxes as he was legally allowed to the WRO as a recurring charitable donation, including that same percentage from the escrow account into which that share had been fed since Queen Adelaide's death, and divvied up as much of the rest as was permissible to various other charitable causes. A good chunk of it is stuck just sitting there, which is annoying because he doesn't want it, but if he dissolves the monarchy then the WRO stops getting that funding so he can't do that just yet. He will eventually, since he can't die and thus the JSR screwed themselves over by putting him "in charge," but it will be a while before he does it.

This means that the king of Junon owns three pairs of pants, lives in an apartment that contains only a mattress and a radio, and hasn't gotten his hair cut in over 30 years. The JSR do not broadcast his existence and he doesn't meddle too much with their bougie nonsense, so it's not general public knowledge.

Reeve knew the entire time and just never said anything.

35. Their idea of a perfect day?

This one is actually really hard, because my Vincent doesn't really...think that way? He doesn't really make his own plans or have his own aspirations, because if he thinks about his future he won't stop and that's pretty crippling for him what with the immortality, so the idea of a perfect day hasn't crossed his mind since he was sent to Nibelheim.

If we're going outside his thoughts on the concept and into what would be a perfect day for him within the feasible bounds of his general existence immediately postcanon, it would vary depending on which headcanon universe I'm working with. Going with the one I've been playing in the most recently, it would start with cloudy weather in Junon and a short workday at WRO HQ—busy enough to keep occupied but slow enough that he can afford to head out early—followed by his mostly-monthly visit to Edge to help Tifa deep clean the bar and kitchen at Seventh Heaven. After that, he and Tifa and Cloud (and Barret, who is stated to live in Edge as well post-AC) would hang out in the closed bar and catch up, maybe have a few drinks; once it's dark enough, Vincent and Cloud would split off, finding somewhere quiet and secluded to recover from all that peopling. Maybe up on the roof, maybe a little ways out of town, and they'd stay out there until Cloud got sleepy, at which point Vincent would get him home. Maybe Vincent would stay the night, but realistically it'd only ever be to sleep. Someday maybe it would be more than that, but Vincent does his best not to think about the future.

A perfect day is being useful, getting to pretend he's still a normal person, and spending time with the people who won't call him out on the lie.

47. Their dream job?

Vincent's dream job is being a Turk. Period. It doesn't matter what point in time we're talking about, that's the answer.

Postcanon, this isn't because he wants anything to do with Shinra (the Turks don't actually work with Shinra anymore by then in my headcanon, the department was absorbed into the WRO just after AC), but because it was the only thing Vincent ever really wanted to do before. He and Tseng would butt heads too much for him to rejoin the department, but that doesn't even matter—Vincent is extremely mako-enhanced, among other things, and Turks aren't allowed to have any biological augmentations. His abilities may have been forced on him, but they're still very much enhancements, so Vincent's physiology bars him from the only job he ever wanted.

Vincent is no longer a Turk, and never will be again—no matter how much he might dream about it.

#vincent valentine #headcanon warning #ask game

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supernaturallyginger · 1 year ago

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One Piece Live Action Review

Now that I've had time to watch and digest all the episodes it's time to discuss how I feel about the adaptation. This break down will be full of spoilers, so read at your own risk.

One Piece Live Action is good, actually.

Live action anime adaptations have a tendency to be soulless cash grabs that either don't give a shit about the source material or bank too much on just showing things the fans recognizes in place of an actual story.

OPLA loves the source material. It is clear that this production is a celebration of the manga series. The easter eggs and small nods to the series are not just there to make you point at the screen and say "There's the Thing!" They are apart of the world. Taking a note from Oda's writing to make the world of OPLA fill just as rich as the manga.

However, it is not a one for one recreation of the East Blue saga. How could it be? It would be impossible to take ~100 chapters of story and cram it into an 8 hour tv show season without it being a powerpoint of Luffy's Greatest Hits.

The story had to be changed to fit the medium and the pacing. Overall, I think the pacing is good and the changes made are for the better. But it's not perfect.

Episode 1 (aka mostly Zoro's intro):

Of the entire season, this was the weakest episode in my opinion. It had the most to introduce which is quite a challenge and it does so fairly well, but there are changes made here that I'm just not a fan of and I believe make the story weaker.

Zoro's introduction being changed to his face off with Mr. 7 is fine. It shows us him praying for Kuina, him being sassy to a bad guy, and ultimately him killing Mr. 7. Awesome start!

Unfortunately, we suffer when we cut to Zoro at Shells Town. He's only tied and imprisoned for a day, if that. And that's not even where Luffy first sees him. Instead, Luffy first sees Zoro at a bar starting a fight. Taking away the impact of him seeing Zoro's strong will after being tied up for days.

And it gets worse... Luffy just let's Zoro out, no strings attached and Zoro fetches his own swords. It takes away from the charm of the original scene where Luffy (a little bastard) blackmails Zoro into joining his crew to get his swords back. This change takes away two things: a showcase that Luffy is willing to be a stubborn shit to get what he wants and Zoro's willingness to give up his resolve because Luffy kept his word and brought him his swords.

While we're here, time for a Zoro tangent;

I'm really not a fan of how the character was adapted. This is not Zoro, this is some smug, emotionless samurai. All the beats were there. There were references to him being lost and a few jokey moments, but they are all delivered in the same monotone. Rarely is this Zoro shown to emote. Nor does he ever get to be goofy because YES! Roronoa Zoro can goofy. He's just a teenager in the East Blue saga, and yet OPLA plays him like he's alcoholic Batman.

Episode 2:

Oooh boy, give it up for episode 2! And Buggy, my little meow meow Buggy! I love him <3

As for the episode, the change from having Buggy being some shitty pirate just camped nearby and annoying the village to being a pirate who enslaved the village into being his audience was excellent! It's so fucked up and campy and even more fucked up.

Buggy's desires are for attention and fame. He wants what Shanks has and yet he's still stuck in the East Blue, desperate for a map that he can't get his own greedy hands on.

Buggy was such a stand out character in OPLA. I love Buggy in general and this version is a bit different than the pathetic Buggy we love from the manga, but he is like a evil cartoon villain chewing the scenery! I'm so glad they roped him into the plot to keep him throughout the season.

Episodes 3 & 4:

These are fine. Some people aren't fans of the changes and yeah, I agree taking away a lot of Usopp's agency sucks. It really doesn't feel like this is Usopp's arc, more like that he's just some guy who happens to be there.

But I was never a huge fan of the Syrup Village arc. I felt like it was poorly paced in the anime and the changes made at least kept the story condensed and Kuro's plan seemed more well thought out.

Biggest highlight of these episodes was Usopp! Jacob Romero does an amazing job at bringing the character to screen. He has so much charisma that it's hard not to smile when he's in a scene.

Episodes 5 & 6:

Anyone who knows me, knows I LOVE the Baratie arc! And this adaptation... is fine. Much like how Usopp is an after thought in his arc, Sanji is sidelined here to make room for PLOT.

Changing the Big Bad who threatens Baratie from Don Krieg to Arlong is a great choice. Don Krieg was always a lame, forgettable villain, so having Arlong show up to help push the plot towards the next arc is smart.

Much like Zoro's introduction, I'm not happy with Sanji's either. Specifically with how he meet Luffy. The scene where Sanji is the crew's waiter and has to fight some rowdy pirates is charming. But then Luffy say, "He's a great fighter." and UGGGHHHHHH

Luffy does NOT recruit Sanji for his strength. Nor does he recruit him for his cooking abilities. He recruits him because he is KIND. This is the same gripe I have with the Zoro intro. Luffy sees Zoro fight before recruiting him. When really he's supposed to want Zoro after seeing him tied up and learning that Zoro was captured because he saved a little girl from Helmeppo's dog. While Zoro and Sanji are the two strongest fighters on Luffy's crew, he never recruited them because they could fight.

ANYWAY

Luffy does see Sanji's kindness, only after seeing him fight and trying his food, and the two actors have great chemistry on screen. It's easy to believe that they are becoming fast friends and you can see in Taz Skylar's acting how much Sanji admires Luffy right off the bat. It's cute!

Unfortunately while Sanji is sidelined in his own arc, so two are the reveal of his backstory and the famous All Blue dream talk. His backstory is revealed in a random trauma dump to the crew which is only used to further the Zoro losing to Mihawk story. And the All Blue talk is just dropped randomly and has nothing to do with Sanji learning to pursue his own dreams. That's just done with a short shouting match between him and Zeff. Whatever.

Episodes 7 & 8:

Arlong Park was a good place to end the season. And the adaption of the arc is once again fine. Nami's backstory is rushed and the change to having no one in the town knowing her true intentions is a weird one.

BUT! Something I hadn't mentioned before, the sets are really fun! Arlong Park is a good example of this because it takes the design from the manga/anime and adds its own twist. The twist? Making Arlong Park look like a fairway at an amusement park. Which is a fun (horribly depressing) nod to something fans of the series can pick up on.

Other notable sets are Buggy's circus tent, Kaya's Tim Burton themed mansion, and the Baratie. God the Baratie is an amazing set! The detail of the lighthouse on top is *chefs kiss*

Something else I didn't mention before, is that there is a B plot throughout all 8 episodes following Garp in pursuit of Luffy while training Koby and Helmeppo. It's loosely based on a cover story the manga ran early on and it's fine.

The characterization of Garp is a little odd, as he seems more strict and book smart than his manga counterpart. (I cheered when we saw him finally throw some canon balls!!) But it all lead up to a moment of him meeting Zeff. Two men of the older generation. A former pirate and a marine sitting down over a glass of wine and steaks. And they discuss having to accept the changing world when really the conversation is about accepting their boys moving on follow their dreams. It's a simple scene, but it's one of my favorites.

NOW the Arlong Park battle is good, if not a little short because they have to make time for the Garp stuff. There is one line in particular that really bothers me. There is a moment where Luffy agrees with Arlong and says something like, "Maybe I can't defeat you." and... that's not Luffy.

Arlong Park has one of Luffy's most iconic moments. A moment that defines his character and the entire series.

And I think that's how I feel about the OPLA as a whole.

It's good, but it's not One Piece. Well- it's not the One Piece we already know.

This Luffy is different. OPLA Luffy has a moral compass. He has snappy lines and has maybe even read a book in his life time. He's not the same Luffy from the manga, and that's okay. Inaki Godoy is a joy to watch on screen and his version of Luffy is just as wonderful in his own way.

One Piece Live Action is witty and very charming. Filled with great action scenes, lively sets & costumes, and actors who are giving it their all in every scene.

Despite some changes I disagree with, this was an amazing adaption that is a celebration of the fans and an introduction to the wacky world of One Piece to new viewers.

#one piece #opla #opla spoilers #one piece live action #my writing

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melonteee · 10 months ago

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When opla was announced I was guarded, but trailers and learning that Oda would have first and last word about everything made me hopeful.

But I knew that live action are never for the actual die hard fans.

Too much need to be cut because of time, as real actors cant look like they only age two years for 26 years, and some cartoon stuff doesnt translate well to live action *cough* garps fist of love *cough*

So I was able to convince my friend to watch opla with me.

She had read the manga when she was little, up to syrup village, so she was excited to see Kuro because she actually liked him back when she read it.

I was mostly there just to observe my friends reaction to it instead.

My favorite moment was watching her freak out after the "grandpa?" reveal.

I dont like that Garp was included that early on, I didnt mind him being there at rogers execution. But more than that seemed too much. I watched some Netflix guy explaining that they wanted to add a reason why the strawhat had to keep moving from island to island, but no marine would do because who would bother chasing a pirate crew with no bounty. I understand that reasoning. Still dont like it, but I understand.

But my friends reaction made it all better.

Did you know netflix wanted a romance between Nami and Zoro? Thank god Oda was there to stop it.

Also my friend and I quote "Oregano is for savages!" a lot now.

I'm truly glad you liked it anon and I do understand the excitement that came with it, but I honestly could not stand it. Nearly every scene and every line was like "Sanji wouldn't say that. Nami wouldn't do that. Why is this happening? Luffy definitely wouldn't say that."

An adaptation must adapt to its medium, true, but that is not what this did. This was an insanely loose reinterpretation that took so much charm away for me. I've talked about it on this Tumblr tons now but I've finally had the time to watch through all of it now that the hype's died down, and it just made me angrier per episode?

They had to shorten things down, but they included so many new scenes that added nothing? They had to explain the Strawhats going from island to island... WHY? They literally had a spine to go off, the original property had them going from island to island to find a crew and get to the grand line. That's literally a very solid reason. WHY did they need any marines chasing them? It just sounded like an excuse to add a fan favourite character so the Garp fans could scream about it.

And I've said this many times, but Oda being part of the process genuinely means nothing to me. Netflix infamously do not listen to their creators, and not only did they admit Oda HATED the Garp addition and they STILL added him, you can tell so much of his original vision was thrown aside for non-anime fan audience convenience. Usopp and Sanji felt like side characters for god's sake, Buggy felt comically evil for a LIVE ACTION, Mihawk's fight was literally so empty due to the fact no one was THERE? NAMI was the one who yelled she believes in Zoro and they'll always be friends??

I truly do not believe Oda would agree to most of that, and considering we know he was ignored for Garp, we know for sure he was definitely ignored for many other things.

As always, if you loved it, great! I'm glad the excitement was met. Maybe I'm cynical, maybe it's not to my tastes, but it screams Netflix cash cow to me and the whole time I watched it I thought "This is not One Piece at all."

As a reinterpretation? Great!

As an adaptation? It failed miserably. None of the characters felt like themselves and the additional scenes were so nothing. Sorry for the sour reply anon but for those on here who know, I indeed have a sore spot for that entire production.

I honestly think a lot of people got blinded by the pretty actors and the millions of dollars that went into production and promotion to really look at it for what it was trying to be.

#ask #melonask #oplatalks

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zoroara · 6 months ago

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Okay you know what I wanna share another type of interaction analysis, I did this yesterday but got nervous. Anyway It's about Squalo's loyalty and then lead into just noting the reactions of Squalo being harmed by Xanxus, when and why they happen. This is how my rambling works Idk why, though the first half is definitely more interpretation the part where I get into the harming is more direct analysis. Short note: It's actually used really sparingly only really once an arc but at specific key moments. but the longer one will be below.

Squalo's intense loyalty is just an inherent trait to squalo I think it's very interesting to make it sheer willpower and drive that Squalo does most of his things, he's shown to be incredibly motivated to anything he puts his time into, to an overzealous degree. I really do think he was simply Impressed by Xanxus' ambition, strength as well as his wrath as Squalo himself claims, and wanted to see where it would go, as it presented many opportunities to improve himself further which it kind of has. He's also eternally focused on many causes, such as wanting Yamamoto to be at his best so they can fight again and he can win. He literally hates being in the same room as Yamamoto, gets pissed off at Yamamoto's light treatment of something he devoted his life to, yet just for his goals he spent an entire week alone in the forest with the kid JUST to make sure he could be ready to fight Genkishi again and take back that loss. Not only that shown to be loyal to the vongola, protecting them twice in future arc, trying to stop shimon, so on, he's an very intense and despicable man, but the things he chooses to be important to him are what he will devote himself to, no matter the cost to himself It's more to me that Squalo is willing to suffer through things to get what he wants one way, or another. So Squalo allowing Xanxus to take the leader spot isn't an act of submission to Xanxus. But he saw it beneficial to what his own wants were. it should be noted the fact that Squalo only ever really takes being harmed in the present but when then that's only because the scene moves far too much for him to stay focused and mad at Xanxus usually be interrupted by things by everyone literally having to haul ass somewhere, and when given the chance to do so in the future he has to be held back by Luss. The man is READY to at least give Xanxus what for, just more important things prevent him to doing such because unlike a good amount of other varia members, he very much focuses on what objective is most important at the moment.

Squalo's VERY first instance of being harmed is when he failed with the rings, and it's immediately "okay we need to move fucking NOW", It's not that squalo just accepts it, he just needs to move right away. plus this one specifically Squalo realizes that he failed, so of course he's a little more stunned than he usually is when it happens. he didn't KNOW and has to process he was also TRICKED.

The next, is the whiskey scene, however, in the manga it cuts off before we see any resolution, clearly more of an egg on, and we do not know Squalo's reaction after this, and honestly I would not be surprised if he kicked the shit out of xanxus. But also in this scene, both times in Varia arc Xanxus does have a clear reason for his actions. One was punishment for failure, and one was because Squalo was literally insulting him and what he was doing.

This was however changed to Squalo leaving the scene in the anime, leaving a different feel to this. Which is honestly a really good way to show how a small change can lead to a very different feeling in a scene. Because the anime version makes it seem like Squalo accepts this treatment. In the manga by having it hold on both of their eyes, the tenseness never relieves itself and makes it seem like they are prepared to clash instead. Emphasizing the next thing Dino said.

The ONLY time Squalo has time to react to this and isn't in the middle of something, is only in future that we get to see the after in the manga, and then there's someone to actually hold him back. which feels more consistent to the manga version of after the alcohol gets thrown at him. and he's ready to beat the shit out of xanxus(maybe he learned after the previous time not to throw shit at Squalo while they're alone.)

then, the last and final example, he is once again distracted because this happens in the middle of the hibari/fon fight in rainbow so he needs to focus immediately after it happens, with Mammon's little petty complaints against fon(A majority of panels being flashback panels so it feels like it takes longer) only in the middle of these two things in real time.

It's used very sparingly, usually when the viewer least expects it for emphasis which is why it sticks out so much in our minds. But not only that, there's usually some things that influence Xanxus' when and why for doing this.

As already stated, the TIMES Xanxus actually does this are usually chosen in the sense that a good 90% of the time, Squalo actually has his hands tied and can't retaliate at all, either by virture of other people being there, OR by virtue of something far more important happening there was only ONE time where it was just them But one of the most consistent reasons is that Xanxus is doing this to literally knock him down a peg(and then it doesn't work) it's not a good reason but it's still notable as a reason.

First one he's literally saying he deserves a reward for his work(without knowing he failed). Second he was telling Xanxus this was a waste of time and that he was going to win. Third he was asking if the vongola kids manages to survive and saying how they would have to help them. Fourth he literally was talking shit to hibari and Fon on how easy to beat them it would be. Xanxus is narratively used to bite down when Squalo's pride goes too far. But Squalo FAR from accepts this treatment.

Additionally, if you're choosing to count gags and such, Squalo isn't actually the only target to it. There are ones where they complain that Xanxus does this with all of them and he even blows up the whole castle because they were all annoying him. So when it comes to jokes there's more of an equality about it, just Xanxus is generally violent. Though! Even then I've noticed that he's only explicitly that violent when it won't backfire against him in non-gag scenarios. His rage is a little more tempered when you look at him, it's just when he knows it's not going to be an issue it's at 100. Xanxus is a lot more logical than even I initially realized but that's a different post.

#khr #khr analysis #superbi squalo #xanxus

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