#i just don't really talk about them that much lol
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why hello I'm the guy who sort of accidently started sibling Rane saturday. And I find fandom culture a rather interesting subject and found the way you talked about the reasons Rane became fairly popular for being a minor character, really interesting. It is true that I'm drawn to characters who are left up to interpretation, there's just allot to talk about with them despite us not knowing that much about them.
I remember when there was still only like 2 drawings of Rane, oh how Ranenation has grown lol. I always wonder what its like from a creators point of few to see a fandom just take a life of its own like that? -Sincerely Sibling Rane's number 1 fan
I think I've spoken about my philosophy before, but what I feel is probably a bit like the happy detachment of a musician whose sample is used in a different, more popular song. "I didn't intend for this to happen and I don't feel a strong personal connection to it, but it's really cool and lovely to see what's being done with it."
Which I think is good and healthy. I think that creators end up suffocating (and coming to hate) their own creations without ever quite realising it if they're too led around by fan enthusiasm.
If we'd been in a position to react to Ranial enthusiasm by cravenly giving Rane a bigger role, a backstory episode, an actual Faulkner romance, etc - that might have spurred on a noisier fan reaction and felt like success. But it would have also been pandering, it'd have likely confused or annoyed anyone who doesn't share in the Ranemania, and it'd have sent us narratively off-course.
It's a challenging balance, because on one level I believe it's really important and valuable to watch for and learn from cues and enthusiasm spikes (and dips) in your audience response when you're putting out a serial narrative online. But you do also have to be like the driver keeping your eyes and focus fixed on the road while everyone in the passenger seats is yelling "imagine how awesome it would be if we were going to an ice-cream store! Let's all discuss our favourite ice-cream flavours" and you have to maintain the discipline of, "you guys keep talking about ice-cream as we drive on to the Aeronautical and Automotive Museum of Calgary, which will be fun on its own different way."
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Character + Prompt/Request:
Sol x GN!Reader, for the beginning, then Sol and GN!Reader (spoiler. you break up)
One angsty torturing of Sol coming right up! pfff <3 (More could of been added to this...A continuation? Maybe Reader comes back...Even after all the red flags there, and suspecting what was done...What if they still come back? Only time may tell. lol)
Warnings: Attempted drugging with sleeping pills, manipulation, toxic relationship.
âWhy would you put so much hope in me? Things have clearly never worked out for me!â
Rarely he rose his voice at you, unless he really was affected by his emotions, which clearly he was right now.
You've heard him say this before though, done this before. Over and over again, things go well, then they fall, then you work to try to rebuild it all with him, for him.
You loved him, you did. Cared for him deeply. But everyone has their limits, and you finally reached yours.
"You're right...They haven't, and maybe it's a sign this won't work out after all." His eyes widened at your words. He opened his mouth to speak but nothing came out at first. Then he started to panic, you could see it clearly, he quickly grabbed your hands, with pleading eyes.
"NO! THIS WILL WORK! IT WILL! IT HAS TO! YOU'RE MY SOULMATE AFTER ALL! WE'RE MEANT TO BE!" You felt his hold tighten, it was starting to hurt...
"Sol...Maybe you've been wrong though? What kind of soulmate can't make their love truly happy?...Help them with their problems when needed most? Make them more happy than sad, and feel more love than sorrow? That's no soulmate...at least one you deserve. You deserve better."
"No no no please don't say that. Don't believe any of that. I'm sorry! I'm sorry I keep screwing this up! I keep making it hard for you, for us! But I'll try, I'm trying! I'll do better. I'll--I'll try therapy again. I'll talk to Hyugo and--"
"And what? We repeat this all over again? Sol...Please...You know we've been hanging on by a thread for too long...I love you, I really do but...I love you too much to keep making you suffer like this...I...I can't stand to see you hurt anymore...And I know I'm mostly to blame for it all..."
"NO! YOU'RE NOT! IT'S HIS FAULT! ALL ICHABOD'S FAULT! EVEN AFTER RIDDING OF HIM HE STILL--"
"...What?"
Sol let his grip go, taking a step back, realizing what he said. "I mean...I..."
"Sol...What about Crowe? What do you mean 'ridding of him'?"
"P-pumpkin...I can explain. Let me just--" Sol attempted to hold your hands again but you stepped back, moved away from him. Eyes widened in confusion and fear.
"...What happened to Crowe? Solivan, god help me if you did something to him--"
"Pumpkin please! I swear it's not like that! Just let me explain and--"
"Then explain right now what happened to him. Explain or I will call the cops." Sol felt his heart skip a beat and tighten from your threat. Yet he forced a smile, trying to act calm.
"Of course...But let me please make you a drink, some tea, it'll help calm you while I explain...Okay? Please..." Sol's pleading eyes never failed to have a affect on you...So you nodded and let him go get that drink for you.
As Sol left the room, he texted Hyugo, a simple text, saying "They found out." sent out and then he put the phone away to focus on you.
He went to the kitchen to prepare that tea he promised, but pulled out something he thought he'll never have to use again.
"...You just need some sleep, pumpkin. I promise you. It'll all be better soon." He softly said this as he mixed in the pills into your drink. Then looked at the drink in his hands. He knew this had to be done, but wished it didn't come to this again. "I'll make this better again. I promise..."
After a moment of making peace with this decision with himself, he made his way back to the room where you were at.
"Here you go, pumpkin. One warm cup of tea made with lov--" Sol froze as he entered the room, to see no sight of you. Then saw the window wide open, your one and only exit taken. He didn't even care about the cup of tea he dropped, that both shattered and spilled over his shoes.
All he was focused on now was running to the window, to look around outside, in hopes of seeing you but you were nowhere to be found.
"PUMPKIN?! Y/N!" His breathing quickened, his heart raced, he felt his panic rising more as he started to pace the room. Looking for a sign of where you could of went. He even flipped the house upside down for a possible chance of finding you, hoping you were just hiding but you weren't there. You were gone.
Then with trembling hands he grabbed his phone to try to call Hyugo but kept messing up. He was scared, not over you getting the cops after him though. He was scared of losing you, of you being away from him.
He wasn't thinking straight anymore. He left the house in a panic now to look for you, to find you and bring you back home. To make this all right, but you wouldn't be found...Not anytime soon that is...
So he'll just run, and search for you for hours, calling you out, begging and pleading for you to come back. All while he ignores Hyugo's panicked texts and calls...
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âź neck in neck (Finnick Odair) âź
summary; he just canât seem to accept the fact that youâre better than him. so now, to defend himself, heâs calling you a copycat in the capitol because of this stupid tattoo. when really, it has a deeper meaning.
warnings;Â swearing, alcohol consumption, vague threats to violence.
wc; 4.7k
notes; i talk about snow in a """good""" light bc there is no prostitution, not that you can tell in this imagine but still lol.
--
âUgh, I just love the cocktails here!â Cashmere shouts over the music with a grin on her face. Sheâs leaned in close enough for you to smell the alcohol on her breath, but sheâs trying to make sure you can hear her. âTheyâre intoxicating!â
âDo they have anything strong?â You ask back, squinting at the liquor they have behind the counter.Â
âItâs the Victory Spot!â She laughs, âOf course they do.âÂ
Cashmere stands on her tiptoes, even though sheâs tall and thereâs no need to make herself bigger, but then she leans on the counter. She reaches over, grabs a laminated paper, and then sets it down in front of you.
Itâs a menu.
You squint through the darkness, reading the long list of finely printed drinks, until you find one thatâs going to get the night started on the right foot. You place your finger beneath the name, and then look up to find the nearest bartender. Only, thereâs already one hovering over you and Cashmere, sheâs just waiting for you to order.
âIâll take the carnivore.â You smile. âWill you add an extra shot? I donât care which liquor.â
The bartender raises her eyebrows. âAre you sure? Itâs pretty strong.â
â(Y/n) has a high tolerance.â Cashmere chips in, âYou wonât be killing her.â
She closes her eyes, shaking her head as she backs off the counter. âIf there is a funeral, donât invite me.â
You let out a laugh, turning to face Cashmere while the drink is made. âSo, whatâs new in the world of District One?â
âThe usual shit.â She rolls her eyes. âThe mentors before Gloss and I are complaining about the lack of victors in our district recently. And theyâre blaming it on our mentoring style, but none of them want to take over.â She shrugs. âApparently we have appearances to upkeep.â
âThereâs been a streak lately.â You wave your hand. âSince I won itâs been nothing but districts that havenât seen a victor in a good couple years.â
âAnd I see nothing wrong with that.â Cashmere shrugs.
âAgreed.â You murmur, watching the pattern of flashing lights.
While the Hunger Games are supposed to be a competition between the districts, youâre not selfish enough to be disappointed that other districts are taking home their children. Thereâs plenty of anger to go around, of course, but itâs not aimed at the mentors around you. Itâs directed at the Capitol.
âHereâs your cup of death.â A voice says behind you.Â
You glance over your shoulder first to look at the drink the bartender has just made you, a smile coming over your face when you see the dark red color. You pull out your metal card thatâs provided by the Capitol for your monthly allowance. Except, itâs pretty much useless in District Two because everything is handled in cash, but you canât use cash here because they think it's dirty.Â
And itâs outdated.
She takes the card from your fingers, and you watch as a brief wave of impression crosses her face, something youâre not unfamiliar to. The heavier the card, the wealthier you are. Itâs not super common for Capitol citizens to have such a luxury.
You lift the glass, watching the cubes of ice dance inside. As soon as the liquor hits your tongue, you know you don't need another drink tonight. This will be enough to get you loose, but not inebriated enough to not get back to the Tribute Center.Â
You take a larger sip, the bartender slides the card back to you.
âTaxi services are listed by the door.â She points to where you entered from.
âI like to walk.â You wink at her, and then you look at Cashmere. âWhere to?â
âThis way.â She cocks her head to the side, walking into the crowd of people.Â
You follow behind her, not really paying attention to the bodies, or those who bump into you. Thereâs even a few hands that caress at your skin, desperate for the attention that youâll never give. Not without a price, at least.
Thereâs a few high tops that are open on this side of the room. Cashmere chooses the one pressed against the wall, allowing you to pick your chair first. Out of habit, you slide onto the one that allows you to get a clear look at the door, in case anything were to happen. And since Cashmere has no preference, she happily slides into the seat across from you.
âOkay, Iâm ready.â She says, swirling her glittery drink. âWhat has Finnick been saying about you this year?â
âWe havenât even been in the Capitol for three days and heâs been calling me names to all my regular sponsors.â You press your lips together. âIâve been building up this clientele for years, I canât afford to lose them, if I actually want to have a chance this year. He knows this.â
âHeâs just upset because he thinks youâre taking his mentoring style, right?â She asks.
You let out a breath of air. âYou mean the mentoring style that the Career districts have been doing since the beginning?â You ask back. âThe original Career districts?â
She makes a face. âI still donât understand how theyâre a part of the pack.â
âYour guess is as good as mine. I donât see how fish can be that great of a luxury but Iâm not the one who lives here.â You raise your hands defensively. âAll the times Iâve had it, it tastes as good as it smells.â
Cashmere smiles.
âAnyway, besides him calling me names, heâs also telling them that I donât keep my promises and I never had. Thatâs why I havenât been able to bring a tribute home.â You nod. âBecause Iâm just one big fraudâa scam artist. A wannabe.â
âA wannabe?â Cashmere repeats.
âThatâs what I was told by one of the richer women.â You smile. bitterly âAnd then she went right back to ignoring me. I canât talk sense into any of them now. Itâs like they wanted to give me an explanation, just so they could stonewall me.â
You take a drink of the carnivore, getting a little enjoyment from the burn in your throat as it goes down.
âI would try, but we both know how that would end.â
âYeah, thereâs no point in getting us both blacklisted in the Capitol.â You agree. âI wish there was something I could do about it.â
âYou could confront him.â Cashmere suggests with a shrug, taking a sip of her drink. âSet things straight.â
You snort, âThe only way I know how to do that is with my fists, and something tells me that wonât go over well with President Snow.â
âYour fists?â
âActions speak louder than words.â You smirk.
She shakes her head, staring down at the table for a couple of seconds. âDo you think roughing him up would actually work?â
âAre you kidding? Iâd probably get crucified.â You sit back in your chair. âHeâll always be the Capitol favorite, Iâm just a close second.âÂ
âGuess youâll have to have a heart-to-heart with him.â
You mock a gag, pressing a fist to your mouth. âYou think he has a heart? Heâs knowingly taking sponsors away from innocent teenagers.â
âInnocent.â She laughs. âOur tributes are hardly that.â
âThey are until they get their hands bloody.â You tell her. âTheyâre still children.â
For the next hour, you talk to Cashmere about your tributes becoming allies, their strengths and weaknesses, and the likeliness that theyâll end up pairing with the Four tributesâwhether you like it or not. At the rate theyâre currently going, they havenât shown any interest in Finnickâs tributes, but that doesnât mean they wonât change their minds later on.
Cashmere then offers to talk to her sponsors about teaming up with you, at least until your situation is sorted. You take her up on it, except you ask her not to go through with anything just yet. If itâs possible, youâd like to continue to use the people youâve gotten to know these past couple years.
Which means that you need to have a conversation with Finnick at the first given chance.
The night ends early when one of the bartenders approaches your table and tells you that Cashmereâs escort is calling around to see where sheâs at. As an apology for interrupting your conversation, he drops off two shots and then goes back to the bar.
Cashmere rolls her eyes, sliding off her seat. âI should get back, heâs been up my ass lately about making sure Iâm present for mentoring. As if Gloss doesnât attend everything.â She motions to the shots on the table. âTake mine for me, will you? Iâll see you tomorrow.â
âSure.â You wave her off, she gives you a cheeky smile.
You watch her disappear into the sea of bodies, before you turn to the shots. With a shake of your head, you throw back the liquor, one after the other. You arrange the glasses neatly on the table before getting to your feet, straightening out your skirt.
It canât be any later than midnight, and the place seems like itâs packed from wall to wall. You carefully navigate your way to the bar, figuring itâll be easy to leave from there. The bartender that served you the carnivore earlier gives you a wave on your way out, and you lift your hand as a courtesy.
As soon as you step on to the colorful Capitol street, the warm July air kisses your skin, cooling you down. You stare down the block for a couple of seconds, enjoying the peace, before you have to go back to the Tribute Center and deal with your own version of crazy.Â
Youâre so sick of being bossed around by your escort, but you were warned by one of the stylists that if you keep intentionally screwing with her, then you were going to get in trouble. Apparently sheâs already started the process of getting in contact with Snow, and sheâs just waiting for an excuse to tell him everything.
Youâre not really afraid of what will happen if she does tattle on you to the President, you think he would get your side of the story first before making any final decisions. Itâs the fact that sheâll be smug after thatâs making you hesitate. You donât want to give her the satisfaction.Â
After a minute or so, you turn to continue down the street, heading in the direction of the Tribute Center. Itâs not that long of a walk, youâll be there in less than fifteen minutes. Despite this, youâre sure that Cashmere will still call a taxi to get home, she was wearing a nice pair of heels.
You really donât know what to do about this situation with Finnick. As nice as it would be to pull him aside and talk your feelings out, youâre not that type of person. When you suggested settling the situation with your hands, you were only partially kidding.
After everything heâs done to you these past couple of years, it would be well deserved. Heâs got his head so far up his ass that he thinks youâre following his every move. When in reality, youâre just using the strategies that are being taught to you by the mentors in the past.
Lyme, especially.
If you do decide to throw him around, he has it coming, so you wonât entirely feel bad about it. The only issue is that you come from a family where fighting your problems out is the usual. He wonât be able to defend himself as easily.Â
Youâll have to deal with the repercussions, though. Finnick is a Capitol favorite, he gets everything he wants from his team, and sometimes even the President. If you so much as leave a bruise on his golden skin, youâll bet that theyâll have you replaced in the Capitol forever. You wonât be welcome back, and youâre not sure if youâre willing to give that up just yet.
Either way, youâll have to figure it out soon. Preferably without the help of that idiot they sent you here with. If they were trying to piss you off, they did a great job of it. Heâs notorious for leaving all the work to the female mentors so he can do all the schmoozing, but as soon as he heard of what was happening with the sponsors, he holed himself up in his room.Â
Hopefully he stays there.
You take a shortcut through an alley that should lead you right to the front doors of the Tribute Center. The streets of the Capitol are safe, you never have to worry about some creep hanging around, only the workers of the shops. Even then, theyâre not really that intrusive, they just want to get through the night so they can go home.
Thereâs no one here except for you.
About halfway through the alley, it gets incredibly dark because of a light thatâs out above one of the doors. This doesnât bother you, all you do is keep your eyes on the ground to avoid stepping on any trash that might have gotten flung by accident.
A sharp pain seizes your left forearm, so sudden and unexpected that you think someone has just stabbed you. Without a second thought, you throw your entire body into a punch behind you, but it catches nothing. Your momentum works against you, bringing you down to the pavement.
You collapse in a puddle of what you can only imagine is garbage juice. The little care you have for the integrity of your clothes is gone the moment the pain spreads in two different directions, the feeling of pins and needles stabbing at your arm. You clutch your skin in a tight grip, squeezing your eyes closed and rocking, wishing it would stop.
And it does.
You sit for a minute, taking some deep breaths while you carefully look over your arm, needing to know what happened. It doesnât look like anything has changed, but there is a smudge of dirt thatâs being stubborn. You leave it for now, youâll scrub it off in the shower when you get back to the Two apartment.
As soon as you get back to your feet, your skirt suctions to your skin, as well as your nice shirt, which is most definitely ruined now. You let out an annoyed sigh, as you continue through the alley and back onto the main sidewalk. A street light illuminates where you stand, allowing you to get a clear look at your arm.
You hold it out, expecting to see mud, but youâre met with something much more permanentâa tattoo. What you had thought to be a mess of dirt on your arm, is actually a freshly carved tattoo, just beneath the inside of your elbow. You press your lips together at the sight of your irritated skin.
You have a soulmate, and either they can afford to get a tattoo in the districts, or theyâre somewhere here in the Capitol. And judging by the handiwork, you think itâs the latter.
Before you can even give yourself a moment to wonder who might be on the other side of it, your feet begin to move. Right now, you need to get this cleaned if you donât want it to get infected. Youâll have plenty of time to figure out who youâre meant to be with when you wake up tomorrow.
â
Copycat.
Itâs what youâve been called all day. From the moment you woke up and walked out of your bedroom, to just five minutes ago in the sponsorship room surrounded by Capitol people. Itâs driving you up the wall, and itâs because of the mark on your arm.
âCopycat,â Hannesâyour fellow District Two mentorâsaid as soon as his eyes found the tattoo on your arm. âDid you really get that last night?â
âYes and no.â You told him, dragging your feet to the dining room table, where breakfast had been recently served. âCopycat?â
He raised his eyebrows, shaking his head. âWhat do you mean? Did you get it this morning?â
âNo, Iâve been sleeping since I came back from the Victory Spot with Cashmere.â
Hannes squinted at you, not at all convinced. âYouâre not a very good liar. Whereâd you get it?â
âIâm not lying.â You told him. âI got it in an alleyway.â
He sputtered out a laugh, coming up the steps to get a closer look. âYou got that in an alleyway? Whoâd you have to pay to get that sort of intel?â
âWhat are you talking about?â You stared at him. âIntel on what?â
Hannes elongated his neck a little bit, trying to decipher if you were fucking with him or not, but you werenât.
After a long pause, he said: âFinnick, obviously.â
âHannes, what about Finnick?â
âHe got the same exact tattoo last night. I was with him and Gloss at the tattoo shop on the corner. The one down the road from Sugar and Spice.â
In that moment, you felt all the blood run from your face, the expression on your face dropping completely. Finnick. Finnick got the same exact tattoo last night? Finnick is the one that youâre supposed to be with for the rest of your life? Is this some sort of joke?
âDid you not think anyone would notice?â
âHoly shit.â You murmured, sitting back in your chair.
âYouâre a fucking copycat.â
âIâm not a copycat, you moron.â You snapped back. âLeave me alone.â
It couldnât stop there, of course. When you got dressed for the sponsors, you tried to look nice by wearing a summery dress with a cute pair of wedges. Usually, you go for an expensive set, trying to look like you come from wealth, but you were hoping that if you took a page from Cashmereâs dress, then maybe it would be easier to get through to them.
Unfortunately, it did not work. In fact, you think you set yourself up for violence, because you practically got verbally assaulted by the Capitol people that hang around Finnick the most. You have thick skin, so nothing they could say would ever get you riled up, but it kept coming.
And then it began to encourage the people around them. By the time Cashmere and Gloss were finally arriving, you were fuming. Your skin was hot to the touch, and you were grinding your teeth.
âYou look like you want to kill someone.â Cashmere told you, placing a hand on your shoulder. âWhy are you so warm?â
âIs that a tattoo on your arm?â Gloss asked without giving you a chance to answer his sister first. âWaitââ
âI did not get this tattooed last night.â You told him, steely eyes encapsulating him into a stare down, challenging him to call you some form of a copycat.
âWell, how could you? You went right home after the bar, right?â Cashmere asked, reaching to grab your arm to get a better look.
Gloss had a question on his tongue, eyes wide as he looked between the mark on your arm and your face. He knew that if he said the wrong thing, he would immediately get reamed, forcing him to reconsider his words carefully.
And you knew that he already knew who else had just gotten that tattoo on their body.
âYes, I did. I even took a shortcut through an alley to get to the building quicker.â You told her through tight teeth.
Gloss opened his mouth, taking in a breath of air, and then it hitched. He changed his mind, not quite ready to ask you.
âSo⌠this morning?â Cashmere asked, not paying attention to her brother. âWhen did you have time?â
âI havenât.â You finally looked at her. âI did not get this last night or this morning.â
Gloss swallowed. âYou know, Finnick was at a tattoo shop with Hannes and I last night.â He started slowly, testing the water.
âOh, Iâm fully aware. Hannes told me this morning, and Iâve been getting an earful from these assholes all afternoon.â
He pressed his lips together. âI donât know what to say right now, because all Iâm coming up with are ways that will get you pissed off more than you already are.â
âI am not a copycat.â You told him, then looked at Cashmere. âI got it in that alleyway last night.â
Her brow furrowed, eyes narrowing while she stared at you, trying to figure out what you were trying to subtly tell her. âOkayâŚ?â
âFinnick has the same tattoo, Cash.â Gloss nudged her a little. âI watched him get it.â
Her eyes bounced down to whatâs been permanently etched into your skin. âSoulmate mark?â She asked, her tone slightly hopeful.
âThatâs what Iâm afraid of.â You told her, âAnd now I have no choice but to talk it out with him.â
âYouâll be able to catch him tonight.â Gloss told you. âHeâs free, he has no plans.â
âGood, because we need to settle this.â
After this, you went back to the apartment to change into something more casual, tired of appearances. You settled on a pair of jeans, sneakers and a long-sleeved shirt that would cover the damn thing. However, when you got to the sponsorship room to be with Cashmere and Gloss, it was infuriating.
It was like you became a zoo animal. Once word got out that you had gotten a tattoo exactly like Finnickâs, less than twenty-four hours from when he got it, everyone had to come and see. And while it did get incredibly busy, and it wouldâve been perfect for networkingâall people wanted to do was see the tattoo and ask you if you were proud of yourself. Or if you had a hard time being your own individual.
Which is rich coming from a group of people who talk, walk and dress the same. They have one collective mind and itâs controlled by the President, but itâs not like you could say that to them.Â
So, you gave up for the evening and youâve spent the rest of the night stewing in your room, waiting for everyone to go to bed so you can leave. As you step into the elevator, you jab your thumb into the four button on the box. The doors slowly slide shut, and then youâre sent a few floors up.
From what you understand, all the floor layouts for the Tribute Center are the same, so it should be relatively easy to get around. When the elevator stops, the doors open, revealing a differently decorated apartment. Itâs incredibly cliche, with the seashells and sand vases with ocean paintings on the wall.
Something moves in the darkness, you step forward to place your hand on the doors to keep them from trying to close. You donât move further than that, waiting to see who it is thatâs in the living space. If itâs Lynneaâor whatever the girl mentorâs name isâyouâll have to come up with some lame excuse and go back down.
A low laugh interrupts the silence, as the person barely comes into sight. Itâs Finnick, and heâs got this smug look on his face. You hate smug people.
âWell, look who it is.â He says slowly, you step out of the elevator. The doors close immediately, blocking off the light. But heâs prepared for this, because he reaches to the nearest table to flick on the lamp. âCome to scope me out and see what else you should steal from me? A tattoo wasnât enough?â
âAre you stupid?â You shoot back, it comes out harsher than you mean for it to. âGenuinely. I thought that you had to be smart, considering your strategies, but you have to lack some common sense.â
âIâm stupid? The least you could try to do is be subtle.â He motions to your arm. âNowhere else? In the exact same spot as me? I thought Hannes was kidding when he told me.â He shakes his head. âYou had to be stalking me in order to get it that quick, and then you went to some alleyway artist to protect their identity? Youâve got to be kidding.â
âYou think I care about your life that much?â You laugh a little. âYou donât think itâs strange that I happened to get it the same night you did?â
âI figured it was a form of dedication.â He shrugs. âIt wouldnât be the first time you tried to follow in my footsteps.â
You open your mouth to correct him, but you remind yourself that you canât get sidetracked. âIt appeared on my arm.â
Finnickâs face twists, as if youâre trying to feed him a spoon of shit. âTattoos donât just appear on your arm. How fucking stupid do you think I am?â
You donât take the bait. âThey do in some cases.â You tell him, not wanting to outright give him the answer.
Honestly, itâs not like you really hate Finnick and the thought of being connected to him makes you sick. Itâs because you want him to feel stupid for how heâs been treating you these past few yearsâespecially this year.Â
You donât really care about him, usually you can stomach and brush off what he has to say, and the shenanigans heâs up to. Youâre actually pretty similar in most ways, which is why his behavior doesnât get to you. You have the same fashion taste, mentoring style, arena strategies, and more. And you only considered this to be a coincidence until recently.
It clicked in your mind this afternoon while you were changing. All the pieces have fallen into place since. Youâve always been drawn to each other, whether you liked it or not. It mightâve been romantic or friendly from the beginning if Finnick hadnât already hated your guts. Instead, it just turned you into competitors.
âLike what?â Finnick asks, still actively being combative.
âTake a second and think about it.â You tell him, leaning against the wall. âIâll even give you a hint; we have the rest of our lives to figure it out.â
The creases in his forehead get more defined while he turns your words over in his head. It doesnât take long for him to realize what youâre telling him. His eyes dart to his forearm, where he rubs the tattoo on his skin, lips pressed together in a thin line. Then his arm drops.Â
âWeâre soulmates.â
âIt explains everything, doesnât it?â You ask him.
âYeah, actually.â He looks up from the floor. âHow long have you known?â
âI knew it was a soulmate mark when it appeared on my arm after the bar last night, but it was Hannes that actually indirectly told me it was you.â
He lets out a hiss. âThis will be a hard one to explain to the Capitol.â
You shrug. âTell them the truth, or donât. Either way, I want my sponsors back.â You raise your eyebrows. âItâs unfair to turn them against me like that, especially since theyâre not for me, theyâre for my tributes.â
âThat was Lynnea.â Finnick shakes his head. âShe wanted them to come to us, instead. Iâll have a talk with them to make sure we set things straight.â
âYou canât blame it on Lynnea. Everyone has told me that you called me a wannabe.â
Finnickâs face twists. âDo I look like I call people wannabeâs?â
You squint at him. âFine, Iâll let that go. Just tell Lynnea that if she wants to go home with a black eye, thatâs the way to do it.â You press the button on the wall, and the elevator opens right back up. You step on, âIâll see you tomorrow.â
âHey,â Finnick takes a step forward, you block the doors that have begun to close. âWhat are we going to do about this?â He asks, showing you the tattoo on his arm. âWe live in two different districts.â
You stare at him for a couple of seconds, âIâm in no hurry to find out. Itâs not like we donât see each other every year for a month at a time.â
Finnick nods a little bit. âGoodnight, (Y/n). Iâm sorry.â
âYouâll make it up to me.â You give him a cheeky smile, moving your hand away from the elevator door. âGoodnight, Finnick.â
#ilguna#finnick odair#finnick odair imagine#finnick odair fanfic#finnick odair x reader#finnick odair x you#finnick odair oneshot#finnick odair x yn#finnick odair x y/n#finnick imagine#finnick fanfic#finnick oneshot#finnick x reader#finnick x you#finnick x yn#finnick x y/n#thg#the hunger games#requested#angst
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And the thing is, I don't even care if you demonstrate you understand the material. Like, it doesn't make my life better if you can write an essay on x, y, or z. I want you to learn because I want you to learn. Writing an essay is often part of the learning, because part of learning can be communicating, but really, truly, learning is the point. And not learning how to prompt a robot to do the thinking for you, and not even learning so you know how to do whatever career capitalism decides you have to do, just learning because what have we been doing in our species's long quest that has ruined so very much if we also give up ever using these brains we've evolved?
We do things backward in so many ways, but one of the ways is cabining "school" into this limited portion of the very beginning of your life and so many people I talk to are just trying to get it over with so "real life" can begin, as if learning things is a huge waste of time we make everyone go through before the real stuff happens. I wish learning was not seen as a means to an end but as the end itself. I wish we took all these robots we made and used them to free all of us up to just sit around and learn about stuff. I think it would be so cool if we thought of ourselves as beings who learn rather than just...Idk, beings who buy stuff? Idk how we think of ourselves now lol. Anyway. Idk. Learn things. It's cool, in and of itself.
(This, btw, isn't about education itself. Schools have issues, I'm not trying to solve them or address them here. I'm just saying learning is cool. And also, I think learning many things you wouldn't ordinarily do just for yourself is cool. Like, being forced to read and think about things you wouldn't do yourself is a good thing sometimes. Being forced to get outside of your comfort zone of subject areas is a good thing. If we weren't always so stressed about our grading ourselves, I sometimes feel like this would be more evident to us and we'd do it more often, instead of being conditioned to avoid things we can't get an A+ in. I include myself in this.)
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Softening
A/N: AAA YAY POOLVERINE!! i absolutely adore these two and have wanted to write them for months now, just now getting around to it. i really want to get into writing consistently again, so i hope there'll be more soon (i really wanna write one with Logan and Laura, so we'll see if i get around to that) <3
Summary: Wade learns about the best way to comfort a Logan stuck in his mind, and also learns that Logan doesn't mind said comfort very much.
this is a sfw tickle fic and features implied romantic Wade/Logan, plus a decent amount of language. if you don't like it, don't read it. đŤś
also spoilers for the movie lol
Logan was tired.
Okay, tired was a very very large understatement. He was absolutely exhausted.
Now, granted, he wasn't nearly as exhausted as he had been before a certain merc showed up at the bar and dragged him on the weirdest journey of his entire 200-year-long existence. Wade was actually a good person at heart underneath his constant quips and innuendos, and was now someone that Logan considered a good friend (perhaps he felt something more, but he hadn't decided on that yet.)
But right now, he didn't feel like debating on his feelings about Wade. His mind was filled with memories that he'd tried so desperately to bury and forget, memories of those he had once cared for, those that had died because of his negligence.
He leaned back against the couch cushions in the living room of Wade's apartment, taking another swig of the alcohol from the bottle in his hand, trying to drink his feelings away as he had done since the incident.
Wade, however, was not going to allow that to happen.
The merc walked into the room in a Hello Kitty t-shirt and shorts, carrying his best-dog-buddy in his arms. He let out a slight huff at the sight of Logan chugging booze like there was no tomorrow, setting Dogpool down on her overly-large dog bed.
"Hey, peanut, put down the bottle for at least two seconds, would you?" He asked with an undertone of sarcasm, walking over and flopping down onto the couch next to him, just slightly too close as usual.
Logan, not exactly being in the mood to deal with Wade's jokes and nonstop rambling, ignored him for a second to take another sip. "I don't feel like puttin' up with you right now. Go away, I needa be alone." He grumbled, gazing down at nothing in particular, his expression contorted with irritation and suppressed emotion.
Wade, of course, didn't listen. He was able to read the other mutant very easily by nowâit wasn't like Logan bothered to hide it very much, anyway, so it didn't take much to see that he was being weighed down by something. Despite his tendency to turn everything into a joke, he knew when something was important.
Although he knew that the grumpy man usually didn't allow Wade to touch him, he reached out and gently placed a hand on his shoulder, inwardly celebrating when Logan allowed it to stay there. "Hey, what's on your mind?"
Logan didn't answer at first, having a mental battle with himself within his head. He trusted Wade, genuinely, but sharing his thoughts and feelings was something he'd never been good at. Pushing people away was what he was good at.
But... look where that had gotten him last time.
Deciding that he would have to do this eventually anyway, he let out a sigh before speaking up in a grumble.
"I jus'... miss 'em. I wasn't there to protect 'em, and now..."
Logan's voice trailed off, his gaze troubled as he avoided looking at his roommate. He felt pathetic, talking about thisâit was something he'd only shared with a couple people (one of which was manipulating him), but... for some reason, he found himself trusting Wade with it, despite the fact that he was the most annoying person he'd ever known.
Wade, on the other hand, didn't think it was pathetic in the slightest. He was absolutely thrilled that Logan was being so vulnerable with him, and he wasn't about to let it go to waste. Besides, he understood how he felt, in a wayânot protecting the ones you love, and feeling the guilt destroy you from the inside out.
The merc leaned forward so that he was in Logan's line of vision, offering him a small smile.
"Thanks for telling me, peanut. Really. I'm sorry about all that."
Wade said, nodding his chin a little. He hadn't been this genuine or sincere with Logan since their talk before the whole creating-a-matter-antimatter-circuit extravaganza.
But, of course, he was still Deadpool, the Merc with the Mouth.
"Come on, bud, I gotta get you to cheer up a bit. Ya can't brood forever, as hot as you look doing it." He joked, giving Logan a light poke to the side, trying to get him to loosen up a little. He did not, however, expect the reaction that the poke got him.
Logan flinched at the unexpected poke, his eyes widening briefly, drawing in a quick breath at the sensation. He hadn't felt that in so many years, and... fuck.
Wade was definitely not going to let this go.
A shit-eating grin spread across the mischevious Deadpool's face, multiple thoughts popping into his mind, but one was able to be heard above allâLogan was ticklish.
"Actually, Wolvie, I think I have the perfect idea to help you cheer up..." Wade said slowly, leaning closer and closer to his now inwardly panicking friend-maybe-more.
Logan was definitely not about to let himself get tickled of all things by the most insane person he'd ever met, for he knew that Wade would take forever to drop it.
The man shifted uneasily toward the arm of the couch, scooting backward and keeping an eye on his roommate at all times. "Absolutely not, motherfucker. You better not touch me or I swear to god I'llâAHCK!"
Logan's threat (that he didn't really actually mean) was cut off as Wade tackled him down, pinning him to the couch and straddling his thighs so that he couldn't go anywhere. The merc grinned like a Cheshire cat, a few fantasies playing out in his head now that he had the Wolverine pinned underneath himâ
Nope, we're not going there. Besides, Wade had different plans right now.
He placed his hands on Logan's abdomen, just resting them there for now, smiling broadly as he felt the mutant tense up underneath his touch.
"Ooh, I didn't peg you to be the sensitive type, but you learn something new every day, huh? Now, let's see here. Since Marvel Jesus is merciful, I'm gonna let you pick out a safeword! Whaddya think of that, peanut? What do you want it to be?"
Logan felt his sanity slowly deteriorating as Wade blabbered on and on, and frankly, he didn't really know what the fuck he was even talking about (although he'd gotten used to that by now.) He was currently clenching his fists at his sides, using every last ounce of self control he had to not stab Wade through his arms.
"The only reason I'm not cuttin' your fucking hands off right now is because Althea doesn't want blood gettin' everywhere. Get the fuck offa me and find someone else to bother." Logan snarled up at Wade, shooting him a glare sharper than a piece of shrapnelâbut, of course, Deadpool was not deterred in the slightest. In fact, Logan's mild panic masked by anger only egged him on further.
"Well, that isn't a safeword, is it? I guess you're just gonna have to go without. Sorry not sorry!"
Wade declared with a joyous smile, curling his fingers and starting to scribble up and down both of Logan's sides over his shirt, his fingertips climbing up to his ribcage and digging into the muscles there. Being the dexterous mercenary he was, quick movements like this were a piece of cake for himâand came in handy when tickling, apparently.
However, it proved to be a death sentence for Logan.
The Wolverine was now squirming and bending away from Wade's hands as much as possible, although that didn't exactly prove helpful, considering his currently pinned position. His lips were stubbornly clamped shut, forcing back the laughs that he felt were quickly bubbling up in his chest.
"Fuckin' piece ofâgrrrgghh! Wilson! I'm gonnaâ" Logan began to threaten through clenched teeth, falling silent again when he realized he was growing closer and closer to breaking with every word. He hadn't been tickled in literal decades, and he found himself reacting to the feeling way more than he expected.
The thing was, he had long ago grown accustomed to violence and an otherwise lack of physical touch in his life. The only times he was touched was when he was fighting, in danger, things along those same lines of violence. To be touched in a gentle way at all felt incredibly foreign, and he frankly didn't know how to feel about it. The idea that he wasn't in danger, and that he could allow this to happen without any harm to anything aside from maybe his ego, was a surprisingly comforting thought.
That thought sort of helped (or hindered, depending on how you looked at it) Logan loosen up a little, and caused him to break a little sooner than he would normally have allowed himself toâespecially when Wade's mischevious fingers crawled their way up to his upper ribs, near to his underarms.
"Pfffuhuhuhuck! Dahahamnit, you dihihick! Stahahap it!"
In that moment, Wade definitely fell in love. Whether it was with Logan himself or his laughter, he didn't know. What he did know was that he needed to do this more often.
"Aww, listen to those sweet little laughs! C'mon, Logie, I know you've got more in you! I think I've just gotta find the right spot, huh? Wanna tell me where that is?"
"Fuhuhuck yohou!"
"Now, while that does sound quite enticing, I'm afraid that's not what we're doing right now. If you're gonna be a stubborn little asshole, I guess I'm just gonna have to find that spot myself. How terrible..." Wade beamed, his expression filled with pure glee.
So, now, Wade went on a new mission: find Logan's worst spots and then proceed to exploit the shit out of them. The mischevious merc's fingers crawled up from Logan's upper ribs into his underarms, digging his wiggling digits deep into the soft muscle.
Logan let out a loud snort before dissolving into wheezy laughter, clamping his large arms to his sides reflexively while simultaneously punching and smacking at his roommate's arms in a feeble attempt to get him to stop.
"Wihihihilsohohon! Gehehet the fuhuhuhuck out of thehehere, ya mohohohoron!" He managed to snort out, hating himself for being unable to hold back the wide grin he knew was on his face at the moment.
Wade cocked his head to the side, his devilish grin widening even further. "Oh, not there, huh? That's okay, I've got plenty of other options here..."
After giving one last scribble to Logan's underarms for good measure, Wade brought his hands down to those stupidly attractive abs that he was hiding underneath that shirt, kneading them with both hands on either side while drilling his thumbs into the flesh around his navel.
Yet another snort was ripped from Logan's throat before he erupted into a fit of hearty laughter, the sound a little more wild and frantic than it was a second ago. Of course Wade had managed to find the spot that practically made him explode as soon as it was touched.
Except, as he writhed around underneath his roommate, another thought occurred to him amidst his persistent giggling. He didn't really mind this as much as he thought he would. In fact, he found himself secretly enjoying it, in a sense. It allowed him to let go, giving him a reason to laugh, which was something that Wade said he didn't do nearly enough. Perhaps he should take his advice, just this once.
However, Logan was forcibly ripped out of his thoughts when he felt Wade's hands sneaking their way underneath his shirt, pushing it up before he began scratching at his abdomen rather than kneading.
"Ooh, now I can really get in here. Look at those gorgeous abs, how could you possibly go around hiding these?" Wade beamed, admiring his muscles as he kept up his attack.
Logan, meanwhile, was laughing so hard he could barely form thoughts, pounding his heels against the couch cushions while he grasped desperately at Wade's wrists, trying to wrench his hands away from his stomachâbut the mercenary was freakishly strong.
"WahahAHAhade! You're suhuhuch aâahahEEK! Fuhuhuhuuuck, nohohot thehere!"
Logan had been about to threaten Wade with the usual decapitation (which he never meant), but it had been cut off by his own squeal when Wade's finger dug right into his navel. He was losing his mind by now, and he wasnât sure how much more laughing he could muster. The answer was a lot, but he didn't know that.
He was probably about to find out, though, because Wade had yet another mischievous idea. It seemed he was never short of those, and Logan was often the person who ended up the victim... see the pattern?
The merc leaned forward to get a better look at Logan's smiling, red face, a smile of his own spreading across his features. It was devilish, but it had a bit of genuine warmth behind itâthis was the first time he'd ever seen Logan smile so much, and he looked so relaxed, even if he was laughing his ass off. He definitely wasn't going to let this opportunity go to waste.
And so, he set his idea in motion, even though he knew he probably would get stabbed for it. (It wasn't like he hadn't gotten stabbed by Logan a million times already, what was one more?)
"Y'know, Wolvie, I'm feeling a little hungry. Whaddya say I just take a big ol' bite of these sexy abs?"
Logan didn't even know what the hell Wade was talking about, but he barely had time to process his question before his insane roommate came forward and planted his mouth right above his navel, nibbling at his skinânot nearly hard enough to hurt, but definitely enough to tickle the poor guy out of his mind.
Logan let out a shriek he didn't even know he was capable of producing, the wildest laughter ever exploding from his chest, snorts and squeals erupting from him in betweenâmuch to his own dismay. Wade, however, didn't think it was as bad as Logan did. In fact, he found it adorable more than anything else.
He wished he could hear Logan laugh like this more oftenâhe was always so tense, never able to relax fully due to his own mind. If Wade was able to take his mind off of the thoughts that plagued him, even if for just a few minutes through something as silly as tickling, he would definitely do it.
...Which was why he continued to nibble at Logan's abs, making exaggerated eating noises as he did so, loud "OMNOMNOMNOM"s filling the space in the room that wasn't already filled with Logan's hysterical laughter.
"Ahahahahaa, Wahade, for fuck's sahahAHAke! Thahahahat's enoUGH! Seriously! Pleheheheheeeease!"
Wade blinked, pulling back for just a second to make a theatrical flabbergasted expression down at Logan.
"Do my ears decieve me? Was that... dare I say it... a 'please'?! You're begging? Oh, man, I must be dreaming. I'd ask you to pinch me, but seeing as you can't right now, I think I'll just pinch you instead."
Wade didn't give Logan time to process the blabbering that was coming out of his mouth before he started pinching at the mutant's ribs, going one at a time as he slowly made his way upward, leaning forward again to nibble at his abdomen simultaneously. Logan lost his shit, between the little pinches that tickled way more than he thought it would and the unbearable nibbling of his ridiculously ticklish stomach, he was going insane.
"Ehehehahahahâc'mohOHOhon! Stahahap it, no mohohohORE!" Logan managed through his hysterical laughter, slapping at Wade's arms, seemingly endless snorts being torn from his throat every few seconds due to how hard and how much he was laughing. His roommate simply smiled down at him and continued, expression filled with glee and pure delight.
"No can do, honey badger. This fic still isn't long enough, so I've gotta do a little more... unless I stop now and we hug it out for a few paragraphs..."
"Hehehell no, fuhuHUcker!"
"Well, then it seems like you're just gonna be stuck here for a while longer. Such a shameây'know, I wonder how often I can do this without you stabbing me. Does daily sound good to you? I think that sounds wonderful, I wanna hear your cute little piggy snortsâ"
Logan felt a burning warmth rising up his cheeks and at the tips of his ears at Wade's words, managing an annoyed (embarrassed) groan through his giggles, which were growing louder and more frantic as Wade made his way back up toward his armpits.
"Shuhuhut uhuhup! Gohod, I hahahahate you..." He retorted, letting out a squeak when Wade give a firm prod to his underarm in response.
"Now, now, my little honey pie, I know for a fact that's not true. People who hold hands while listening to Madonna can't hate each other. See, your problem isâAACK!"
Wade had been about to dive into a deeply comprehensive list about the reasons why Logan could never possibly hate him when he was promptly bucked off and onto the floor, rubbing at his head as he picked himself up. He was about to pounce on Logan and attack him with revenge tickles for throwing him off when the sight before him made his heart melt into mush.
The feral man was lying on back still, a smile still on his lips, a red color having bloomed across his cheeks, spreading up to his ears and down his neck. There was a sparkle in his tired eyes that hadn't been there previously, his hair all messed up from how much he'd been squirming.
Honestly, Wade thought it was adorable.
The merc sat down on the edge of the couch next to the still-panting Logan and gave him a little smile and tilt of his head, deciding to keep all his quips to himself for the moment.
"Feeling better, peanut?"
When Wade asked that question, Logan blinked and realized that yes, actually, he did feel better. A lot better, at that. He didn't think something so stupid could manage to take his mind completely off of what had been haunting him, but... he wasn't really complaining.
He sat up and tried to regain his bearings, pushing his shirt back down and running a hand through his hair, gazing down at his lap for a few moments before he looked over at Wade, not holding eye contact with him for longer than a few seconds.
"Uh... yeah. Um... thanks. For that. I didn't realize I needed it, but... you seem to know me better than I do." Logan said quietly, letting out a slight huff of air as a lopsided smirk made its way to his face.
Wade smiled at him, simply giving him a nod of acknowledgment for his thanks. Honestly, he didn't need to thank himâhe would so tickle the shit out of him every day if Logan let him, which he wouldn't, but hey, a man can dream!
He wrapped one arm around Logan's shoulders, expecting the former X-Man to push him away, but found himself surprised when he didn't. He gave another internal celebration before he pulled him close to his side, giving friendly pats to his shoulder (this was probably about the non-gayest thing they'd ever done: the bro side-hug.)
"Anytime, peanut. Cures something in my soul to see ya smile, really, so I'd do it again."
Logan shivered a little at that idea, instead opting to just not think about it and instead relaxing into the gentle physical contact that Wade was slowly training him to become more used to. Hesitantly, after a few moments, he rested his head on his roommate's shoulder, expecting to be poked fun at for his action.
However, the silence that followed genuinely surprised him. Wade was too busy being completely enamored with Logan and how vulnerable he was allowing himself to be right now to say anything for once.
After a long while of silence, Logan was considering letting himself drift off here since the after effects of the tickle session Wade had put him through was hitting him, but the merc broke the silence before he could do so.
"...So we did end up hugging it out for a few paragraphs."
"Motherfuckerâ!"
#sfw tickle community#tickle fic#deadpool and wolverine#poolverine#lee!wolverine#lee!logan#ler!deadpool#ler!wade#finally finished#that took so long#the end sucks but it's because i rushed it
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Hey so I want to get into lifesteal. I donât exactly feel like watching hundreds of hours of vods. I did also watch one of the three hour long summaries by one of the members but most of it went right over my head. At this point Iâm mainly interested in watching pangiâs and clownâs pov. Could you catch me up with the lore and maybe recommend a few vods?
absolutely!!! the first thing i'll say is that lifesteal is sort of like hermitcraft or the life series (if you're familiar with those), in that it has multiple seasons, each of which is on a different server and comes with new teams/plotlines/builds/etc., although they do sometimes reference past seasons. so if you want to only watch some seasons and not others, that's an option! both pangi and clown joined in s2 and are still members today in s6; clown is imo most famous for his s3, which is where clownzy comes from.
(if you don't want to watch hundreds of hours of vods but don't mind watching like a hundred hours of edited videos i also have playlists of all the edited videos buuuuuut i assume that you do not want to do that either lol. i'll link the playlists of Just clown and Just pangi povs though bc those should b shorter!)
the good news is that clown doesn't really stream and does make edited videos, and pangi is also pretty good at making edited videos. the bad news is that pangi streams a lot. the other good news is that i love Talking About Lifesteal.
uhhhh first off. some edited-video playlists:
clownpierce s2 (11 videos, 2.5 hours)
pangi s2 (2 videos, 15 minutes)
clownpierce s3 (9 videos, 3.5 hours)
pangi s3 (5 videos, 45 minutes)
clownpierce s4 (3 videos, 1 hour)
pangi s4 (10 videos, 2 hours; has some videos not by pangi if they are relevant to pangi's story)
clownpierce s5 (7 videos, 3 hours)
pangi s5 (2 videos, 30 minutes)
[there are no clownpierce videos for s6]
pangi s6 (16 videos, 2.5 hours)
general overviews of the seasons and whether/how much i recommend them:
i quite like clownpierce's s2; it's kinda old and a bit messy, it's from when he and lifesteal really blew up as youtubers, and also from when he was cracked at crystal pvp. he's very involved in the ~main plot, between the M.O.B. (clown's team) and the Poggies (parrot's team). he gets some delightful monologues and fun moments. if you have derangements about Content and Narrative within mcyt the way i do i definitely recommend his s2. pangi ... only joins halfway through s2 and doesn't really do much lol
clownpierce's s3 is REALLY good. there is a reason that clownzy is the #1 lifesteal ship on ao3, and it's because of clown and branzy's s3. i personally prefer branzy pov of s3 tbh but clown pov is also quite good! evil clown runs casino, falls in love, does a lot of scamming and murder. very good imo. pangi's s3 is good but kind of forgettable imo, although it (especially the last video) is good as leadup for...
pangi's s4! once again i REALLY like pangi's s4. (not to brag but you can spot me in the twitch chat of one of his videos.) he gets very involved in the plot this season; he starts shit with the NPPP, clownpierce, and team awesome, in that order, and has a deeply messy relationship with princezam, including "princezam literally flying to the netherlands and using pangi's minecraft account to give pangi's hearts to his enemies", "princezam pretending to be on pangi's side when pangi declares himself king only to actually be double-agenting", and "pangi traps a suicidal princezam in bedrock". love those guys. and pangi's s2-3 (but ESPECIALLY the princezam empire) sets up their friendship a bit more if you end up interested in them! you can skip the valentines date & escape room if you are primarily watching for major plot events, they're very filler-y, but they're a fun time and they were pangi videos from s4 so
clown's s4 is. fine? it's got one video of "this event is also covered in the pangi playlist" (shades vs clown duel) and two videos that are fun for clown but pretty disconnected from The Rest Of The Server. that said if s3 got you invested in clownzy you should check out I Trapped Him In Minecraft's Safest Base. clown basically did not log on for most of s4 and it shows ToT
pangi's s5 is another. it's fine? it's really really short. it is literally two videos. one of my favorite s5 streams that never went anywhere or got made into a video is related to pangi but it, uh, never went anywhere or got made into a video lol. tl;dr: he and zam are teammates this season! for real this time and they aren't going to have a big dramatic breakup!!! this lasts...about half the season until they have a big dramatic breakup (not shown in the youtube videos, which are all set before that). he also got involved in some Dragon Egg Shenanigans and started some shit with subz early-season but nothing huge.
clown gets more involved again in s5! he's not quite as involved as he was in s2-3 but he is There for a lot of stuff: he makes the PMC with Minutetech, Leowook, and Sort Of Branzy, doesn't log on for a while, logs back on to help with the scavenger hunt during void arc (aka "do our scavenger hunt or else we turn all of spawn into void"), and then betrays the PMC for end-of-server. there's some good stuff in there imo.
pangi's s6 is ... mostly just Silly Bits rather than Getting Involved, both in videos and vods. that said it might be worth watching some of it as a realm viewer bc it's the origin of his current bits--eg the therapy thing is a lifesteal s6 original!
in terms of character stuff about the two of them:
with clown there are a couple things i want to talk about. the main thing everyone talks about is clownzy, and i'd also like to talk about the broader phenomenon that creates clownzy, which is that clown really loves having a Little Guy: someone who's kind of pathetic and bad at pvp, so that clown can Protect Them and be a little threatening to them and even more threatening to their enemies. the other thing i want to talk about is actually not clownzy-related? clown likes (and is quite good at!) playing evil menacing villains, but he's in many ways a believer in politeness and fair play; he's a very gracious loser, to the point where lifestealers have said before that they feel kinda bad when they win against him, and he tends to strongly favor fair fights over traps or exploits. which is interesting to me! uhhhh another thing that's interesting is that (as is the case with many/most lifestealers) his videos tend to editorialize; his s3 especially stands out to me for this, for a few moments but one that stands out to me is that when mr. cube successfully rigs the casino against him he just cuts this out of his video even though he's got the moments right before and right after it in his video.
with pangi something that sticks out to me is .... well first of all i could talk about his relationship with zam for aaaaaaages. there's a thing there of. he and zam are quite close ooc, and so zam tends to take him for granted as an ally, even when zam treats him quite poorly and doesn't prioritize him? this was most obvious in s4 but i would say even in s5 when they teamed up again uhhhhhh zam does very much (a) find another team that zam ends up much closer with (b) plan to spawnkill pangi. but pangi's still very much in a position where his strongest/closest relationship is usually zam. there's also a thing where he's currently known as a Silly Lighthearted Bits guy and not someone who gets seriously involved in the LoreTM and i think sometimes people forget that this wasn't always true? but even in s4 when he was much more involved in things there's some level of disconnect; in late s4 there was a lot of "major developments happen while pangi's asleep, the next day zam catches pangi up on everything that happened". and i would also argue that all of this is v related to pangi being european time zone and lifesteal being overwhelmingly american. it's harder for pangi to form strong bonds or get super involved in things when people are just... not online at the same time as him.
uhhhh also if u just want to jump in w s6 u can do that. pangi hasn't had any Big Lore this season you can just start watching him. go for it. clown doesn't really stream it bc he hates us but he hasn't done much in s6 so far so if he starts doing stuff, again, you won't be missing things, u can just jump in
i was going to talk more about the lore for each season beyond whether i recommend it, since you mostly wanted me to give summaries that catch you up, buuuuuut this post is already absurdly long. most of my favorite pangi vods either got made into videos or i mostly enjoy them for other characters (e.g. there are at least three pangi s4 vods i really like because zam is being incredibly suicidal in them lol) BUT. have the princezam-pangi divorce vod from s5 in which zam tries to spawnkill pangi bc zam needs hearts and pangi gets away and then they argue for like an hour. this is the aforementioned stream that never got made into a video. i know it is a zam pov stream but i really like it for pangi as well :3
youtube
if you prefer vods to edited videos and want me to recommend a few others that did make it to videos, or if you want a more in-depth summary of any of the seasons: just send another ask and i will happily yap more!!! this is kinda all over the place bc i'm sick rn but i will do my best. i am torn between "i hope this wasn't too long" and "i am worried it should have been significantly longer in order to actually answer your questions abt lore instead of just linking videos" lol but ! as i said feel free to just, send another ask, u have no idea how excited i was to get this ask, i love talking about lifesteal ^w^
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"Tbh I was starting to feel a bit down about my blog and what I was putting out ( the eternal crisis on how to give full answers and opinions without being stupid, boring and annoying lol)"
OMG no way! Your blog is one of the best here! What i love the most is reading the analysis and meta from the users, there's always more information and good takes, and yours are always quite deep and insightful.
I would love if you share your opinions about Stuart as well. I feel like he is obviously more sanctified that he should be since he died young (like that insane quote from his mom saying that Brian told her that Stuart could have been the Beatles' manager, no way lol) and i feel his memory has been used to attack Paul, sometimes in a very unfair way. Like, i don't deny the teenage drama and jealousy that Paul felt about him but he *was* a shitty bass player and the band was Paul's future, he was allowed to criticized him not only for being John's new bestie. I also think John played with them both but i lack of your eloquence so i will love to read your take about it.
Hi anon! And the other anons!
Thank you again and to all the other messages I got, they were extremely sweet and really made my day. :)
From my inbox, it's clear you guys want to know about Stu and his role in the Beatles legacy. Well you asked for it and a novel you shall have. Be warned this might be the longest post I've done so grab like a drink or something.
A few disclaimers: I wish and had intended for this to be more of a deep dive into Stu as a whole person rather than just his relationship with John and Paul. Unfortunately I just didn't have the space to do it. If you want to know more about Stu I would highly recommend @eppysboys' blog which is the source for all things Stu Sutcliffe and where I got a lot of this info. Please check their stuff out. Also, I'm going to be a bit blunter on this than maybe I usually am because this topic has been irritating me for some time. Oh also Iâm trying my best to answer a lot of asks in one post so please forgive if I donât fully answer your specific ask about this!
Stu in a perfect world should be a fandom darling: an exciting cipher, a handsome artistic talent that died way too soon who had a major influence in the early Beatles style. It's like thereâs this secret other James Dean looking mf Beatle hidden away to uncover, that's cool and he is cool! The problem is that heâs sort of becomes radioactive to talk about in a normal way due to how he's been portrayed and utilised in some biographies and fandom spaces, particularly those that have been infected by John Lennon aspirational boy bestie syndrome. As those types of spaces cannot seem to exist without tearing down Paul to prop John up as their special lil guy, Stu as John's other best friend has become the ideal heavy object to hit Paul McCartney over the head with. It's like a corrosive element, the minute Stu hits a Beatles bio, the biographer suddenly loses all training in objectivity and source work and starts waxing lyrical about 100 percent reliable never biased or wrong Saint Stu of Hamburg who died for our condom arson sins and that Paul McCartney should feel bad about every day of his life for not worshipping Stu and not accepting his own âplaceâ in life as John's just-some-guy placeholder best friend. Iâve personally seen so many posts and forums where Stu being mentioned leads to a legion of comments about how Paul could never have been Stu (correct both ways) and how John would never have even glanced at Paul for much longer if Stu had been alive. Sidenote: If you seriously think that the musical savant from down the road whom John went on to produce the most prolific song writing partnership in history with couldnt have kept his attention for long then I'm begging you on hands and knees to get your head out of the arse of your John Lennon body pillow and be serious. But anywayâŚ
This boy bestie battle royale approach has in turn lead to a reflex reaction where Stu gets studiously ignored by other sections of the fandom as a precedent has been set that shining a light on him diminishes Paul and John's relationship with Paul. It's frustrating because if people weren't so keen to cut Paul out of his own story then we would get a much better nuanced view of every single person involved.
So let's put aside all of our defenses, cut the John Lennon loved one ranking system bullshit and lets look at the actual question here which is what was John and Stu's relationship really like and what did he mean to John?
John and Stu met at art college a year or so after Paul and John met. Up to that point John and Paul had their fun little codependant thing going on but Stu quickly became a huge fixture in John's life. Stu had things that Paul couldn't really offer at that point in time. John was at his heart a musician who aspired to be seen as an artist (he would later express surprise that he didn't become an artist). Stu was the passionate artist who knew tons about the art of the period that could teach and inspire John. Their creative leanings meant they could work on projects together and share art notebooks and poetry. (Including yes the one with anti-semitic story which I mention again as I believe it's an important thing to remember when it comes to both John and Stu and the culture of the time.) Stuart by the sounds of it was even writing a novel about John at the time of his death. They were fascinated and inspired by each other.
So, creatively they fired each other up but more importantly perhaps, Stu and John were peers. It's funny to think about when you see the Beatles later but at the time Paul and George were the kids in their school uniform coming to see their cool older friend at art school. That's an important divide. When Paul and George's parents insisted their kids do their homework and go to bed, John and Stu could stay up and talk all hours of the night, which they did. They also could rent a place together and spend long hours chatting (despite John moving out later after realising electricity cost money lol.) There's a different dynamic that the age similarity offered as well. Whilst Paul would later somewhat grow into this role, Stu could act as an authority figure to John as well as open up to John in a way you can really only do with your peers. Stu was the person John opened up to throughout Stu's life:
How long can one go on writing and writing like you. I now donât really know who Iâm writing to or why itâs quiet peculiar. I usually write like this and forget about it but if I put it in a little part of my [almost?] secret self in the hands of someone miles away who will wonder what the hell is going on or just pass it off as toilet paper. Anyway I donât care really what happens because when I think about it, itâs so bloody unimportant â but what is important who has the right to say that this letter is not important and this is a something any way â anyway â anyway â yeah! I wonder what it would be like to be a cretin or something. I bet itâs gear. & how are you keepin Stuart old chap are you as ok â is life as good â bad shite, great â wonderful as it was or is it just a thousand years of nothing and coolness on and on and on. I think this is it Goodbye Stu donât write out of â er what is it? well not because you think you ought to write when you feel like So goodbye (from John you know the one with glasses) ANYWAY BYE BYE see you soon I donât know why I said that I remember a time when everyone I loved hated me because I hated them so what so what so fucking what I remember a time when belly buttons were knee high when only shitting was dirty and everything else clean + beautiful I canât remember anything without a sadness So deep that it hardly becomes known to me so deep that its tears leave me a spectator of my own STUPIDITY + so I go rambling on with a hey nonny nonny nonny no
Extract from a letter to Stuart Sutcliffe from John Lennon, 1961
By lots of accounts Stu was gentle but firm when it came to telling John he'd gone too far. John references this aspect of Stu to Hunter Davies:
"I looked up to Stu. I depended on him to tell me the truth. Stu would tell me if something was good and I'd believe him."
The Beatles: The Authorised Biography (Hunter Davies)
In this way I kind of see Stu as a proto-Yoko. John was so insecure and uncertain about his grip on the world and reality that he relied on Stu to be his point of reference and guide. Paul did this too later and I think in Hunter Davies John mentions this, but not at this time period and not as much due to their competitiveness. This may be why some people saw Stu as the person that really understood John at this time period:
"During the turbulent adolescence that prefaced a turbulent manhood, hardly anyone knew Lennon as intimately as Stuart Sutcliffe. If they weren't exactly David and Jonathan, June Furlong, one of the life models at Liverpool's Regional College of Art, had "never seen two teenagers as close as those two."
The Gospel According To Lennon by Alan Clayson
Now this person likely never met John and Paul together but this is only one of many similar quotes and even Julia captain of John and Paul's friendship boat seems to agree there was a period where Stu dominated and Paul 'kept his distance' from the John-Cyn-Stu 'menage-a-trois'. But the friendship wasn't perfect and his position as John's ultimate best friend was never iron clad. This is best outlined by the shit they pulled when John convinced him to join on Bass for the Beatles.
Despite being John's best friend, Stu was teased and bullied:
"They argued as usual amongst themselves, but most of all they picked on Stu, the newest member of the group. John, George and Paul had been with each other long enough to know that rows and arguments and criticism didn't mean much. If it did, you just argued back. "We were terrible," says John. "We'd tell Stu he couldn't sit with us, or eat with us. We'd tell him to go away, and he did." At one hotel they stayed at, a variety show had just left. There had been a dwarf in the show and they found out which bed he had slept in and said that would have to be Stu's. They certainly weren't going to sleep in it. So Stu had to. "That was how he learned to be with us," says John. "It was all stupid, but that was what we were like."
The Beatles: The Authorised Biography (Hunter Davies)
Why John encouraged this I have no idea, maybe jealousy over Stu's looks and wanting to play people off each other? Things were tense in both Scotland and Hamburg, especially between Stu and Paul. As I said in my last post, the girls were fighting and it was mutual. Paul was mad for both fair and immature teenage-boy reasons. Stu could not be bothered with the bass most of the time and couldn't really play well and was only there as he was '(John's) best friend' (ouch for Paul). Paul conversely had given up higher education to be there and was sending lots of money back home. He also was dating the girl Paul fancied. Stu was popular with the new group and also did mean things like help John steal Paul's money when money was really tight for him. Paul in turn was a passive aggressive, jealous and mean. It all came to ahead in the punch up onstage which according to Spitz came about from Paul wanting money back and saying that Stu could borrow some from Astrid. Stu goes for him and reports vary from full-on bust up to embarrassing scuffle. Stu then goes to where Astrid and Paul's gf Dot are, demands Dot leaves and goes on a rant about Paul. Now all of this must be framed in the context of Stu receiving increasing brain damage from his condition that seemingly lead to mood swings and anger. Nevertheless, the mutual needling and anger, as well as John's refusal to do/say fuck all about it, especially given how protective John was of Stu, suggests that it wasnât straightforward and/or John may have been playing some games to make both feel threatened. This would also make sense as to why we hear conflicting accounts of John and Stu being the centre of everything and everyone else in orbit AND John and Paul being the centre and everyone else playing catch-up, as well as John giving Paul the lead to take him round the Reeperbahn when John got dressed in the gorilla costume. (I know Paul may have just been the closest there but that always gave off bestie behaviour to me.)
(I did get an ask about how John and Paul's friendship survived it, I think it was damaged by Hamburg. When Paul got back home he got a job at a construction site and there's just a vibe of everything being a bit on tenterhooks. John also acts a bit weird at the period, not talking to anyone for a few weeks then making a lot of weird demands from Paul. I'm really not sure what to make of it.)
Even when he's back in Liverpool, John still writes long letters to Stu and vice-versa. I can't find it at all but Iâve read a really sad interview with John saying he missed his best mate and it's a shame that he's not with them. He had no idea at that point that Stu had already died of a brain hemorrhage at 21.
John is said to have gone into hysterics when he found out Stu had died. A lot of people who've spoken about this time (Aunt Mimi, his sister Julia, the Exsis) concur that at this point Stu was his best friend and the death shattered him. He even told Astrid he wished he could give his life for Stuâs. This is backed up by the fact that John never forgot Stu and his shadow lingered for the rest of John's life:
Stu was recalled in In My Life
Years later, after John composed the first of his truly poignant and heartfelt Beatles songs, "In My Life"âwith its lines about "friends I still can recall/some are dead and some are living"âhe revealed to me that the two people he had had uppermost in mind were myself and Stuart Sutcliffe. And then he stunned me with a statement that I'd never heard him address to anyoneâleast of all to another man. "You know, Pete," he said softly, "I do love you. But," he quickly added, "I loved Stuart as well."
Weird that Paul isn't mentioned surely you think that he would be mentioned if Pete was there too okay, okay my tin hat is going away this isn't the time
Pete Shotton, Nicholas Schaffner, John Lennon: In My Life
In 1965 John drew Stu on a postcard
He apparently said this about Stu prior to sending the postcard, prompted by an article about Stuart.
The card had been sent from Genoa mid-way through the Beatles' Italian tour. [...] But the conversation had become maudlin when I reminded him that he was going to talk to me for an article about Stuart. [...] In that sad telephone conversation before they set off for Milan, I asked him if he was happy: 'I'd be a lot happier if Stuart was still part of us,' he said, 'The Beatles would be complete.' And before he rang off he said 'Ill send you something.'
He also appears on the cover of Sgt Pepper
As mentioned, Stu gets mentioned in Hunter Davies in terms of wistfulness and guilt AND he gets a mention in John's insane 'if I were a homosexual' ramblings in early 70s. According to Yoko, John also wanted Yoko to write letters to him and didn't think it would be strange because Stu wrote letters to him.
I have a pet theory that as with a lot of things for John, his unresolved grief over Stu really came to the fore in the late 60s now that he had actually had a chance to sit down and think about things. I believe it was partially why he wanted Yoko to write letters and why he gets mentioned in the early 70s as a collaborator/best friend and not in 1980 where John only gives that credit to Paul and Yoko. I think with the cracks with Paul, John had started to think back on his old friend and guide and what advice he would give.
Stuarts presence is still felt throughout the seventies:
âHe told me everything. He loved to talk about Hamburg. There were no secrets. It was the kind of life I never knewâŚ. It meant total freedom. At his side always was Stuart, sweet Stuart. There wasnât a time in Johnâs life when he didnât think about Stuart. He spoke always of his love and respect for Stuart.â
Yoko discussing Stu in When They Were Boys: The True Story of the Beatlesâ Rise to the Top by Larry Kane
Coming to grips with his death is also present in Skywriting
SEAN OâHAIRE: What happened to Stuart Cliff? DR. FISCHY: What happened was a full exchange of energy where it was not needed within the expression of your own self or in the energies involved around and about you. We cannot call it a happening. Weâll say it is an awakening, for in that way it has served an expression from the past to the present and to the future to where there shall be more of that incomplete vibration expressed to you in a more fuller understanding.
Skywriting by Word of Mouth, John Lennon
This isn't exhaustive but I think from all this it's pretty clear that John adored Stu, John grieved Stu and kept grieving Stu. Stu had a specific place in his life as a confidant that he tried to recreate with Yoko. At the time of Stu's death, he was John's best friend, probably slightly over Paul. Stuart had been able to be both a friend and paternal presence, a confidant and an artistic collaborator. His presence and loss was one of the foundational points in John's life.
But as we've been asked to play this stupid game and so many bios like to make a hoopla about it, were they at their closest ever as close as John and Paul were at their height?
No.
How do we know? Because John told us so:
" He [Paul] still is the closest friend I've ever had, except for Yoko, so I'm still close to him whatever goes on."
John Lennon to an interviewer, 1971
But Walrus! John just says shit! How do we know he isn't leaving out Stu because the press don't know Stu. Well true John does just say shit but this is at a time where John isn't the most glowing about Paul and he's had no problem mentioning Stu in this time period ('one of my best friends ever' would have made a similar point).
But Walrus again! If John picked Stu over Paul when they were young why wouldn't he be the boy bestie of all time, and why would John say that he was closer to Paul? Well, because of the environment and timings. Stu's death happened near the beginning of John and Paul's major bonding moments. If you look at their personal timeline, Paris, the Nerk twins, and getting signed happened just before Stu died. That's missing the major years of Beatlemania, Key West, LSD, Paul growing more into being John's peer and a load of other huge moments in their lives. It's like how John writes to Cyn in 1962 about wanting the house to themselves and not have Paul around all the time. Would you say because he feels closer to Cyn then that John in his overall lifetime loved Cyn more than Paul? No, because relationships change over time and theirs were no exception. (One thing to consider as well is that we don't yet have many letters between John and Paul during their Beatles years and earlier, probably because they were spending so much time with each other. We know a couple exist that Paul considers too personal for publication but I'm sure there are others. It's easy to understand what John felt for Stu as we have the letters, I think we would also have an easier time understanding what John felt for Paul if we had the equivalent of those.)
At the end of the day Paul was the man he believed he had a psychic bond with, the man he couldnât shut up about, the man whom heâd conquered the world with with their endless collaboration, the man with a twin personality to him and according to John spent more time with throughout the 60s than he had with Yoko ever. To be frank if Paul had died in 67' I don't think this would have been a conversation.
As mentioned early, in early 1970s John elevates his partnership with Stu to his collaborations with Paul and Yoko but by 1980 heâs pretty clear that Paul and Yoko are their own category.
"I was saying to somebody the other day, âThereâs only two artists Iâve ever worked with for more than a one night stand, as it were. Thatâs Paul McCartney, and Yoko Ono.â And I think thatâs a pretty damned good choice!!"
John Lennon interview with DJ Dave Sholin, 1980
There are of course the what ifs. Would Stu still being alive mean that John was not as close with Paul? Maybe, highly doubtful though as the Beatles experience was so intense. If Stu remained a Beatle would John be as close with Paul? If Stu remained a Beatle he wouldn't be Stu so no. At the same time who knows what it would have been like if Paul and John were peers from the off? I said this to @the62ndbugsfan when it comes to Stu vs Paul (hi girl sorry i've made our chat a whole ass post lol) but to go a bit Wuthering Heights, soulmates are made as much from the earth as they are of the stars. What binds us is our experiences just as much as our personalities. There may be a universe where Stu and John took on the art world together or became inseparable bffs again after the Beatles disbanded, but it is not our universe. In this universe Stu tragically died and John and Paul chose to become Lennon/McCartney and artistically unite themselves forever.
Even going back to Stu's lifetime, I've said it before and I'll say it again I find it interesting that not only did John choose to go to Paris with Paul rather than pay to meet up with Stu somewhere but that they arranged to meet up with Juergen and nobody told Stu until they'd already gone. Stu was shocked and didn't know if it meant the end of the Beatles which is a pretty big thing for him not to know about. Why didn't John tell him if they're apparently still writing long letters? Was it because he really wanted to do this with Paul and didn't want to hurt Stu's feelings? And that's really the point I want to make here. Due to his trauma John was preoccupied with reinforcing ranking of relationships within his life. But the thing is friendship rankings are made up guidelines and the reality is far more complicated. You can have a designated best friend but feel closer to another friend at times, you can want to do one thing specifically with one friend and not the other for various reasons. You can (as I do) have more than one equal best friend. Friendship as with most relationships are in a constant state of flux and each friendship you have will give and mean a different thing, even if they are of similar value to you.
Paul may have ended up closer to John than Stu had been, but that doesen't make John's relationship with Stu any less special. Nor does Stu negate the significance of Paul. Whilst both fit into John's pattern of intense relationships and demands related to that, both had unique positions and meaning to him. Considering what I've gone into about John's closeness to Stu, it actually says something deeply, borderline unnervingly, intense about John and Paul that Paul pipped Stu to the post. Maybe it's time Beatles bios accept the fact that John Lennon just wouldn't be into them like that, stop using a tragically prematurely deceased young man as a prop in their jealous psychological warfare against Paul McCartney, stop perpetuating one of the most damaging games that John did to his loved ones and allow both relationships the space to shine and showcase the amazing talent that was the Beatles and those that surrounded them.
#if I wanted to be truly truly tin hat#I would say that Stu is the friend he recalls and still loves#but Paul is the one he loves more#but THATS TINHATTING NOTHINGs BEEN CONFIRMED ABOUT THAT SONG#Iâm just side eyeing it respectfully#but donât let the weird biographers win#donât make two girl bosses fight like this#John had two hands you know?#john and Stu#john and Paul#really long post sorry#Submarine postbox#Ask#anon#ask me anything#Please look Stu up heâs super interesting#And more than just Johnâs tragic friend#Though bless him he was not meant to be a writer#That prose is PURPLE#Stu Sutcliffe
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KIRANDER / WOLF NARI THINGS FACTS STORY IDK
He's an albino gray wolf, he acts a lot more like a dog... Maybe millennia in the void tamed him or maybe is just his people pleaser nature. (Despite that he can be authoritarian I think)
Kiran is very old, the oldest of bishops, the first of them to find a crown.
He's not a big fan of fighting but is very good at it, he taught his siblings some techniques!
The relationship with the other bishops isn't really good, he loves them but they don't like him much because he's "too affectioned" and overall strange. They don't understand his vision of the world and I mean fair.
His morals are mostly pessimistic he believes in the concept of destroy and rebuild, his "excuse" is that he doesn't want to see people suffer so he comes to the conclusion that dying is better than living and that the world would be better without gods.
He's very impatient but doesn't show it... And he doesn't allow more than one (1) second chances, all his previous vessels were definitely killed by him after their first death againsts the bishops
He would come up with some bullshit like "I'm sorry, I won't prolong your pain any longer, I clearly was wrong you're not fit for this... Now rest" or "you tried but it wasn't enough" a bit evil... And not very productive from him since he can't free himself alone... Ironic because he's impatient lol his morals are very strong
So yeah basically goat killed all bishops without dying even once... That was hell
(Goat playing hardcore lmao)
Cal and Deb (kiran's Baal and aym) weren't given by the bishops but by they're mom did a ritual to gift them to their father (yes I'm gonna make Kiran x forneus (name need a change) canon here and make him the bio dad of the pups , how were they born? Idk immaculate conception probably), they are demigods, kiran loves them very much and they keept him "sane"
Also forneus is his most Loyal follower đĽđĽđĽđĽ´
After goat kills all bishops Kiran uses his freedom to... Take care of the pups...
They knew this was going to happen and let him do it (like... Brainwashed behavior)
If the world was to be freed from gods then demigods shouldn't be here either, so he killed them. Fast and painless.
Ok ok relationship with goat :
Is always ups and downs but mostly it starts as just you help me and I help you kind of deal... After the first bishop down Kiran kinda start to catch feelings... Nobody went so far yet this goat was the one, goat never died again so they saw each other's only after the first chain got destroyed and Kiran was able to use a bit of his power to bring them to him as the pleased, they use those summonings to talk e know each other's better lol.
So after bishop one was down they were in a friendly mood? Relationship??? Positive?
After the second bishop goat started to be a bit confused about their big friend's plan... The bishop told them some stuff but they decided not to believe him still doubt started forming in their heart even if Kiran was always so affectionate
I think the crush start here
After bishop 3 was down the seed of doubt finally sprout and Kiran noticed that goat started to be more distant from him... After one day goat asked him "after you're free, What will you do to me? " and Kiran simply responded with "I'll free you too, from you're regrets and from all the pain, I'll free your soul and we will be together in peace" that didn't reassure goat one bit but they let it slide because they wanted to believe their god
At this point their relationship was a bit confused but I think there was love in there under all the doubts
After the fourth bishop was killed goat was scared, terrified even.
They finally knew what the real plan was, the last bishop told them, He told them everything and how that wolf would take their second life just for a crazy ideology. They won't let that happen, they are stronger than him anyway... This whole deal made them go a little mad and on a full rampage, it didn't help finally knowing that the stermination of their kin was basically kiran's fault, yes the bishops started it but it was all to stop the crazy plans of the wolf, a "little" price to pay to save everything else.
When they arrived to purgatory they noticed the pups were gone, not surprising considering everything they learned that day about their beloved wolf.
Their fight wasn't long, Kiran asked goat to just listen to him but they were not willing at all.
it all ends when they finally manage to pin him on the ground.
The relationship right now is divorce đđ
So Kiran dies, a very painful and slow death. Goat claims his place and they become the new God fo death.
That didn't satisfy them toh, now there was emptiness in their heart. They loved that wolf! They felt safe with him, he always attended their words wounds and now just like that he was gone. They killed him.
Goat would stop thinking about it for some years and would keep attending on their cult (in a very bad way) until one night they decided to bring the wolf back and make him pay and his actions again, like yes out of spite and to fill the emptiness.
Now can start the toxic yaoi
Bringing Kiran back will start this circle of love and hate, a desperate attempt from goat to fix the problems in their head??
Bro needs therapy (lamb is their therapist and will help them)
Every time Kiran would die goat would bring him back, bro doesn't deserve peaceđĽđĽ
Ok but with time goat calms down, realize that this is useless, Kiran realize that his actions were actually the problem, that he missed his siblings and his pups so much.
Sorry chat he changed a bit I think đ
#gods do be gods...#anyway idk you can see I'm no writer like đś yeah#never liked to express my ideas with words I'm more âI'll show you with a doodleâ kind of person#cotl#the goat#wolf narinder#kirander#pupigoat#goatverse au#lol that name is so stupid đĽđĽ´#i am NOT giving this a third reading#no beta we die like kiran#btw order of the bishops: 1 shamura 2 kalamar 3 heket 4 leshy#they all have different names but is easier like this noe#*now... god#anyway hm... yes hmmm#*scratches head*#oh.... oh chat oooh..... I'm so bad at posting
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<<On the less horny side, "wearing the horns" (also a predecessor to bunny ears) has another meaning entirely.>>
Yes. Something, something The Ineffable Quartet choosing each other when the demons are considered by Heaven/Hell to be Satan's property and the angels are not supposed to have lives of their own and, instead, to be effectively married to God and do whatever The Metatron claims is the will of God... it's a matter of perspective as to who is being cuckholded here.
Absolutely to all of the record references!!!
Journal in journalist! Nice catch. It also gets at something I think is wordplay-ish, which is the fact that Aziraphale calls his journal a diary. I know some English people do but a diary in the UK has also traditionally been more of a day planner. Speculation being that one of the reasons why Aziraphale keeps a diary is as a record of his life in the event of memory loss would then also make him calling it a die-ary darkly funny. His various licenses-- the non-euphemistic ones lol-- are also forms of records, too.
You've got me thinking now too about how artistic works are also records-- Jemimah's pot, the Gabriel statue... The Gabriel statue is this weird record of Gabriel's existence and it's more about who he is supposed to be than who he actually is. Records being made for him, not by him. He's not being seen through the statue-- it's actually making it harder for people to see him. A record he's not really in control of or giving permission for, which is also the case when he's being recorded by the people on Whickber Street when he arrives at the bookshop.
In Heaven, after he gets cast out, he's basically then just a file folder with a handful of papers to them, onto which has been handwritten re: the matter of Gabriel. The funny visual pun of Muriel putting their hand through the file folder-- the matter of Gabriel not containing any matter they can access, literally and figuratively.
It's also an interesting word nod back to Gabriel's dry "I don't sully the celestial temple of my body with rose matter" in 1.01. [Preemptive response before someone yells at me as they have every other time I've mentioned this scene: yes, it's "rose matter" that Gabriel says in response to Aziraphale offering him tea. His face says he thinks it's gross but he says 'rose'. We duel at dawn lol.]
If we go with the words-within-words here, too, within the word record are the words rec, short for recreation, aka play, and cord-- a tether, part of a knot, but, maybe, also a noose, if it's S2's no nightingales season and we're talking about C&A-- and cord's homophone of chord. Words about music and playing in the word record itself. đ Records are also discs-- the halo & the Discworld. [The discs on the walls in the scene below, too.]
Beez "likes this song." What song? "The music that's playing now."
Beez likes "Everyday", yes, but "Everyday" is also just a way to tell Gabriel that they like this thing between them, that they like being with him. They-- the two of them-- are the music and they're playing now-- out having some fun together-- and Beez likes it. The song/record contains useful information, as you pointed out that Beez pointed out. This song is a record that they've elected to make themselves, much healthier than the statue and the records of Heaven & Hell. Beez sees Gabriel for who he is and they like him and this song that they're writing together. The two of them use a record to agree they like making music. đ
Then, the literal song now always there on the jukebox for Beez, especially in case of something happening to Gabriel, but the real thing being said being that Gabriel is the song that will always be there for Beez.
So, Aziraphale arrived in Edinburgh with a briefcase we never see him open and a hat that reads, among other things, "PRESS 66" on it, right?
And we might think that these are just Aziraphale's journalist cosplaying accessories but I think there are some hints that there's a bit more going on here than we might think-- all of it very relevant to The Finale.
We think that Aziraphale's arrival in Edinburgh is the first time that we see these things but, in true Good Omens form, the hat and briefcase are both actually glimpsed in a prior scene... rather significantly placed in that earlier scene, even.
Here they are, sitting together, the hat atop the briefcase, both in front of Jimbriel's once Fly-containing box, beside/behind the memory-wiped Muriel, in the scene below:
So, as Muriel is sitting there, not remembering Aziraphale, and as Aziraphale is sitting there, remembering Muriel and thinking all the things about the fact that they don't remember him at all? In the shot between them is the box into which Jim put his memory and brought it to Crowley and Aziraphale for safe keeping. In front of that box? Is Aziraphale's press hat and briefcase, seemingly drawing some connections between the journalist accessories and the memory plots in S2. Hmm...
What this scene also shows is that Aziraphale didn't just magic this stuff up as props when he arrived in Scotland. Even though we didn't see them in the car on the way up, they were there on the passenger seat for him to retrieve upon his arrival. He brought them with him from the shop. He packed them overnight and they were there, all ready to go, prior to Muriel's arrival, which coincided with Crowley coming over and moving the plants out of the car because Aziraphale planned to take it to Scotland. Why does this matter?
Because it might signal that there's more to the briefcase and the hat with its press credentials than we might initially suspect.
I think it would be safe to say that Aziraphale, by this point in the story, would be concerned that his memories were in danger.
He knows he's always been on a collision course with falling and this is all escalating pretty quickly in S2 in the two days prior to Aziraphale packing this press stuff and taking the car. Gabriel was The Supreme Archangel and he couldn't remember who he was and the archangels had shown up to threaten them and say that they're going to be spying on him even more closely, sending another angel to bug them the next day... the memory-wiped Muriel being quite an interesting choice, as that's sending quite a threatening message. Aziraphale also had roped Maggie and Nina into this and he knew he was likely going to have a confrontation with Heaven and Hell coming.
One of the first things he'd be concerned about would be his memories, right? and it's here where we can mention what we later learn about what Heaven can and cannot do regarding those memories... things that are new to us but that Aziraphale likely would have already known and factored into his plan, as we'll see.
Hints are given to this all season via Gabriel but it really becomes overt in this scene here:
This scene proves that Gabriel's memories aren't just in The Fly in S2-- they're also still in his mind. His memories are shown to be in two places at once. Gabriel's memories-- ones even directly related to the trauma he underwent-- actually began to come back before The Fly, in this scene. Gabriel felt safe and like he was talking with someone who could understand in this scene with Crowley so the memories began to come back for him.
The point here is that this scene shows that, when Gabriel "took his memories out" and put them into The Fly, what he was really doing was basically backing them up. He "uploaded" his memories into The Fly for safekeeping so he could retrieve them later, as a way to keep it so that they wouldn't be erased forever, but those same memories are still also on the "hard drive" of his mind. They were just mostly inaccessible to him for almost all of S2 because of trauma.
Before you say well, Gabriel might be a special case because he took his own memories out to avoid Heaven attacking him? Consider that Crowley didn't have a chance to do that-- but he tells Gabriel he knows how Gabriel feels.
Crowley has had the same experiences with his own memories. He's been able to bring some back at different times, without a lot of context, but a lot remains blocked. Crowley saying that he's been able to retrieve some memories means that those memories are still there in his mind, just very painful and difficult to access.
The idea might be that their memory loss is actually trauma-blocking. If Crowley's situation has the same effect as Gabriel's, it suggests that Heaven can't actually take people's memories-- they can only block them.
This would then be suggesting, as a lot in S2 did, that Gabriel didn't develop retrograde amnesia from taking his memories out-- he developed amnesia from the trauma he underwent.
When he felt safe enough to confront some of that trauma, the memories started to come back to him a bit.
What does this have to do with Aziraphale's briefcase, you ask?
It is connected because Gabriel's memory loss being from the trauma of Heaven trying to kill him, not from putting his memories into The Fly, proves that an angel could take his out their memories and not get amnesia from doing so.
Gabriel's story is showing that they could take out their memories whenever they want and still retain those memories also in their minds and be perfectly fine.
It's showing that Aziraphale could have backed up his memories in S2 without experiencing memory loss-- and the press hat and the briefcase are tied to just how he might have done that.
Aziraphale might have taken one look at Gabriel and his memory situation and the archangels circling the shop and thought that it would be a good idea to backup his memories and store them somewhere safe for if this all went pear-shaped.
What's interesting is that then, in a parallel shot to Aziraphale arriving in Edinburgh, we have this later scene when Aziraphale returns to London... note what's missing:
We see him park by the suit shop-- but no suitcase/briefcase this time. No hat. He's also taken off the raincoat. We never see them again for the rest of the season but we see a whole bunch of scenes that hint at where they are and why Aziraphale has left them in that location.
In this moment, we spend a strange amount of time on watching Aziraphale get out of the car and look around, hands-free, pat The Bentley, go for a little walk for a moment...
He talks to Nina, he goes back to the bookshop and greets Crowley and gets an armful of plants. The Bentley is largely the focus of the scene with Nina as well and its moving up in a scene that involves Nina and her bicycle-- another "mad 'American' woman on a bicycle", in parallel to Anathema in S1-- recalls Aziraphale miracling a bike rack onto the boot of The Bentley to transport Anathema's bike back to Jasmine Cottage. The key to getting Anathema and her bike safely home to her cottage was the bike rack Aziraphale made happen; the key to getting him and Crowley safely to the South Downs Cottage might be what Aziraphale stashed in the trunk of the car on his trip.
Here's where we can see that scenes before and around this involving Shax and Crowley show us pretty emphatically where the briefcase and the press hat are not located in the car...
They can't be on the passenger seat as they were on the way to Edinburgh because Shax wouldn't have been able to sit there when she got into the car on the drive back from Edinburgh. They also can't be in the backseat because the scene adjacent to Aziraphale's return to London is he and Crowley loading the plants back into the backseat. Crowley would have handed him his things if they were back there.
So, we have all of these shots of Aziraphale's return that are, among other things, emphasizing that the hat, the raincoat, and the briefcase are all not things he's taking out of The Bentley's trunk upon his return, even if they are his belongings and he brought them with him from the bookshop. He's intentionally leaving them all in the Crowley's car.
Aziraphale definitely did not leave his memories in a briefcase in The Resurrectionist Pub, even though that's the last place we saw the briefcase. How do we know that?
Because let's say that we're right here and Aziraphale did put his memories into the briefcase... either into something else that he then locked into the briefcase or just into the briefcase itself. What's the one problem with this?
He locked them in there for safekeeping, right? So...
He can't just leave the briefcase for Crowley-- he also needs to leave the key to the briefcase, yes? He needs to leave the combination somewhere... but he also has to hide that combination key. The briefcase wouldn't be very safe if just anyone could figure out how to open it, right? It needs to be something only Crowley can understand.
This is why Aziraphale is not a private detective in Edinburgh but a journalist because the key is in the hat.
How does one open the locked briefcase?
Press 66. đ
The briefcase and the hat go together because the briefcase cannot be opened without the press credentials in the hat which, in very Good Omens and Crowley & Aziraphale form, look like they're one thing but are really another when you consider alternate meanings of words. Aziraphale knows that only Crowley would see Aziraphale's hat atop that briefcase and the 'Press 66' and work out that it's how to open the briefcase.
It would also be very Good Omens to nod to famous film Macguffins and then make them actually important in Good Omens' story. While a "what's in the briefcase?" thing here is very Pulp Fiction, the film that inspired the briefcase in Pulp Fiction is 1955's atomic noir Kiss Me Deadly, which is being referenced all over the place in S2.
The scene where Aziraphale picks Shax up from the side of the road is a homage to Kiss Me Deadly's opening scene, Gabriel's memory issues and his "I am in The Fly" note is similar to part of the central mystery of that film, and Kiss Me Deadly is the origin of the popularization of the word vavoom/va-va-voom.
Like basically every other film referenced in Good Omens, it's also known for innovative use when it comes to language-- particularly, coded cinematic language, in this case. Like North by Northwest, which is referenced in both parts of 1941 so far, Kiss Me Deadly found innovative ways to get around the Hays Code to tell its story. References to The Maltese Falcon in the story are also likely in relation to that story using etymology-based language to queer code aspects of its story, in a similar way to Good Omens, but also that The Maltese Falcon itself is a bit of a MacGuffin. In Good Omens, though, it seems like they're actually winking at those by making Macguffin-alluding things actually important parts of the story.
Anyway, the biggest fan theory about what's in the briefcase in Pulp Fiction is based around the combination to the briefcase being 666 in the film and the idea is that it's Marcellus Wallace's soul, which he sold to the devil. Famously, the audience never sees what's inside the briefcase. We might be saying here that the combination to Aziraphale's briefcase being 66 may be nodding to Pulp Fiction's briefcase a bit and hinting at the Satan in The Final 15 ideas. 66 is also tied to Route 66 and rock 'n roll in America, Buddy Holly, and the paralleling Gabriel & Beez flashback, maybe especially hinting at memory-related things happening with the briefcase.
I won't spoil you on what's in the briefcase in Kiss Me Deadly but let's just say that it goes along with Good Omens pretty well thematically... in a much, much darker way. The film being very bleak noir makes it very different in tone from Good Omens but the fact that the briefcase is actually is relevant to the story in the end of that film might also hint that Aziraphale's disappeared briefcase might wind up being important in The Finale, too.
Adding to this theory is also that another briefcase in The Bentley's trunk/boot was also something shown earlier in S2-- on a very significant night in Crowley & Aziraphale's history:
When Aziraphale is in Edinburgh, we see him intentionally hamming up his newspaper man persona and, in doing so, he takes the briefcase into The Resurrectionist Pub, right? Bit of foreshadowing there as to what will happen to Aziraphale and what will need to happen to bring him back?
Yes, we don't see the briefcase again after this scene but I doubt he left it in the pub because it would be useless to Crowley without the hat, on which Aziraphale has hidden the briefcase combination hidden in plain sight. Aziraphale was seen wearing the hat in one scene set after we last saw the briefcase, proving that both of them and the raincoat are in the trunk of The Bentley:
Aziraphale wore this whole get up to Edinburgh so that, if anyone was watching him, they'd think he was Muriel-like cosplaying a newspaper man. I mean... we know the trench coat is a little Columbo-esque, but why wouldn't he just be a private detective and not a journalist, if the goal was just to play a role to help solve the Gabriel mystery? Because he had to be a old movie-esque journalist so he could have the word press there in the credentials, only for its other meaning for the briefcase combination.
Aziraphale definitely had a whole other list of motivations for being the one to go to Edinburgh. He wanted Crowley to rest in the shop and to talk to Gabriel, he wanted to be the one to go tackle the mystery, and he wanted to work on his 1827 issues by going to the graveyard again... but we might find we can add to that list that he also realized it would be a good opportunity to hide his memories in a briefcase in The Bentley with actions that are right there, in plain sight of anyone who is watching-- including us đ-- but might not be deemed suspicious.
Parallel-wise, the briefcase and The Bentley are the matchbox and the moving box and PRESS 66 is Aziraphale's equivalent to I AM IN THE FLY... all before Aziraphale and Crowley actually figured out what Gabriel and Beez did to protect Gabriel.
He's pressing on the press hat he's leaving for Mr. Six Shots of Espresso... đ The press card is in his hat, like a feather... Crowley's "it'd be a real feather in your cap wing" joke from the foreshadowing "I'll be damned"/"It's not so bad when you get used to it" scene in 1.01...
That demon doesn't know it yet but he's driving around with Aziraphale in the trunk because Aziraphale figured out how to get around the worst case scenario. He knew he was on a collision course with falling and he found a way to potentially dodge the memory loss by stashing his memories for Crowley in The Bentley.
His enthusiasm in Edinburgh is him barely able to contain his amusement at getting one over on anyone watching him who think they know what they're seeing but don't realize what he's actually up to.
No wonder why he was walking on air when he got back to London-- it was mission accomplished. He'd managed to leave Crowley the ability to bring him back, tucked away in the safest spot possible.
The bookseller who, like the others, is a metaphorical book/paper, left their out for Heaven and Hell trying to kill him for Crowley's safekeeping in a briefcase... the thing people use for...
...paperwork. đ
But wait... there's one other big question, though, yes?
Why didn't Aziraphale tell Crowley this?
There absolutely was enough time and opportunity to tell Crowley he'd backed up his memories and left them in The Bentley's trunk.
The fact that this didn't come up seems wild, right, because they both know that Crowley has been having a steady anxiety attack about Heaven and Hell circling all week. We would think that, if Aziraphale had figured out this plan to circumvent that threat, the first thing he would have done would be to tell Crowley about it, yes?
Except... while I wrote this meta from the perspective of what the end result of Aziraphale's actions with the briefcase might be in The Finale, I don't actually think that was Aziraphale's own motivation for doing what he did.
Aziraphale didn't take out his memories and leave them in the briefcase in The Bentley for Crowley as a backup plan for them to elude a form of death for Aziraphale.
He left them there for Crowley to find and have after Aziraphale was already gone. Why else would Crowley need the combination on the credentials on the hat, right?
If Aziraphale had intended on his memories in the briefcase being a plan to save himself, he would have told Crowley about it so that Crowley would know. Instead, though, it's something of a suicide note. He left them for Crowley to find and have in the future.
I think The Bentley was even warning of this suicide ideation and showing concern upon the return to London for Aziraphale over what he had put in its trunk. The car is worried. [I love Good Omens-- when else am I going to type a sentence like that? đ]
Aziraphale first parked it in front of Battye [madness] & Palm [to take]. It's a shop reflective of a lot of that depression and suicide ideation happening in Aziraphale's story and leading to his fall that I looked at in The Devil Takes The Hindmost.
The Bentley then drives itself-- and all Aziraphale's Aziraphaleness in the briefcase-- up a few feet. What is The Bentley then aligning Aziraphale with?
Death.
The car parked itself in front of the Give Me Death half of Give Me Coffee or Give Me Death...
... until Aziraphale told it to go back to where he parked it. Then, The Bentley backed up a few feet to Battye & Palm and all the madness that is the rest of the season. The car was foreshadowing the end, parking itself right along where it would be parked the last time we'd see it in S2.
The trunk is aligned with Give Me Death in The Final 15...
...fulfilling the foreshadowing of the end of S1.
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I literally made a post on Tumblr about this idea but thought I'd actually share it here but decided to make a more special version:
The y/ns one day going into a throw down to see who is the best y/n...the superior y/n...like the embodiment of the song 'the ultimate showdown'...Or, if you want another version I think is also super fun...'the ultimate smash bros' lol...
And can imagine the cookies standing idly by in shock as they see things like streamer cookie throwing a left hook at alien y/n or entity y/n going John Cena on timid y/n...oooor the cookies, when they notice the y/n show down, start trying to stop it, loving all the y/ns and not wanting them to destroy each other lol!
Decided to write this bonus with the version where cookie are trying to stop the fight...just various scenarios that are happening all at once because of the number of y/ns lol:
Entity, in a tree about to jump from it elbow first onto timid y/n: AND THEIR NAME IS ENTITY Y/N COOKIE!
Regular, seeing entity jump right at them: OH DEAR WITCHES-
pure vanilla, quickly running up to push timid y/n out of the way and then catch entity so they don't take fall damage: BOTH OF YOU, STOP! WE LOVE YOU EQUALLY!!!
Meanwhile:
Streamer, holding a modified keyboard to work both as a keyboard and a blunt weapon in their hands: LET'S FUDGING DO THIS!
Alien, with a blunt alien weapon: COME AT ME, YOU COWARD!
Caramel arrow: OK, BREAK IT UP YOU TWO!
Meanwhile:
Timid y/n and shy y/n...really not wanting to fight but know this is a free for all and both immediately think the other is gonna kick their butt: .....
Both immediately start crying.
Cream ferret rushes up, trying to calm them both down: shh shh it's OK you don't have to fight, let's go for hot chocolate instead...doesn't that sound nicer?
They both go off with cream ferret.
Just pure chaos heh...sorry if this idea sounds stupid just with the y/n tag having so many different kinds of y/n cookies...having a creative mind and listening to these songs all combined really makes ya think XD
Let's- Lemme just list how many Y/N cookies I've made just to be sure what I'm getting into=
Ancient Y/N- virtue of patience
Beast Y/N- Shadow of wrath
Child ancient Y/N- Virtue of innocence
Child beast Y/N- Shadow of grief
Male batman Y/N
Entity Y/N
Alien Y/N- (No stories on them yet)
Robot Y/N
Streamer Y/N
Timid Y/N
Shy Y/N
Ghost Y/N
Merchant Y/N
Isekai'd Y/N
Baker Y/N
Tarzan Y/N
Child of White Lily cookie Y/N
Yeah- I'm gonna figure out how to do all of them T T oh boy-
Y/N cookie showdown!
On a random day of a random week on a random month in a random year, the Y/N cookies found themselves in a predicament. They wanted to be the best Y/N cookie. But what happens when everyone wants to be the best? They argue and fight to claim that title. And unfortunately for the cookies, these 17 cookies were no different.
Ancient Y/N cookie and Beast Y/N cookie are trying to stangle each other
Ancient Y/N: DIE, FOWL BEAST!
Beast Y/N: TASTE MY WRATH, STUPID COPY!!!!
Pure Vanilla cookie and Shadow Milk cookie are tying their hardest to pull the two apart.
The Children aren't exactly any better, even if they aren't fighting physically since Mystic Flour cookie and White Lily cookie are holding them back.
Ancient child Y/N: Crybaby!
Beast child Y/N: Goody two shoes!
Both stop talking for a moment, before crying to the adults.
Both: They were being mean to me!
Mystic Flour cookie: There there,
White Lily cookie: It's ok little one.
Male Batman Y/N: *Holding merchant Y/N in a choke hold* Admit your defeat!
Merchant Y/N: *Wheezing* Over my dead body!
Male Batman Y/N: That can be arranged!
Black Raisin cookie: *Trying to push them apart* No! Stop fighting! I love you both too much to lose any of you! Stop!
Streamer Y/N: *Hitting Alien Y/N with their keyboard* Be gone!
Alien Y/N: *Behind a shield* Like your father?!
Caramel Arrow cookie: No no- no insults! Stop fighting before any of you get hurt!
Robot Y/N: *Trying to shoot entity Y/N* STOP MOVING SO I CAN ELIMINATE YOU!!!
Entity Y/N: *Moving in all kinds of inhumane ways* MAKE ME, METAL HEAD!
Agent Jjajang cookie: No- don't taunt each other! Just behave for witches sake!!!
Baker Y/N: *The only sensible one at the moment* Guys- there isn't a best Y/N, stop fighting-
Ghost Y/N and Isekai'd Y/N: SHUT UP!
Isekai'd Y/N: I'm about to exorcise a stupid ghost!
Ghost Y/N: Not if I hit you with another truck first!
Pumpkin pie cookie: No! Stop fighting! You'll end up hurting yourselves! Please stop!
Tarzan Y/N: *Casually holding child of White Lily cookie (COWL) Y/N by their ankle* Hahahahahaha
COWL Y/N: Put me down you brute! Put me down right now!
Cherry Blossom cookie: Aye! put them down!- put- Hey! Put them down and stop fighting this instant!
Shy Y/N: *Thinking they're done for*
Timid Y/N: *Thinking it's over for them*
Both begin crying and Cream Ferret cookie rushes to them both.
Cream Ferret cookie: Hey hey, it's ok. You don't have to fight. You're safe. Come on, let's get you some ice cream and candy for the other two crying over there.
Both nod as they follow Cream Ferret cookie.
#crk#cookie run kingdom#cr kingdom#cookie run#crk x reader#I am not about to list these cookies-#shadow milk cookie#mystic flour cookie#pure vanilla#white lily cookie#cream ferret cookie#caramel arrow cookie#black raisin cookie#cherry blossom cookie#pumpkin pie cookie#agent jjajang cookie
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Have you thought about how it would go if Kant didn't tell Style that Fadel was a hitman? Style would still be hiding something from Fadel and maybe he's thrown off how forward Fadel is now that they're dating but he'd regroup and lean into it and would totally be down for a double date with his BFF and if Kant is making a special night for Bison why can't Style do the same for Fadel and then Fadel disappears for a week and Kant is a sad moo who isn't helpful and then Fadel is back and Style is so happy but Fadel gets that call from Bison but Style has no idea.
So I have actually thought about this scenario a lot. It would have been even more fucked up for Style, because he would be even more oblivious and innocent than he is in canon. Because yeah, he started to follow Fadel around for a car (and then for the principle because he got intrigued by the chase) but that is nothing compared to knowing the truth of them being hitmen.
Now, him still being unaware would have changed things a bit. He wouldn't have acted weird or suspicious immediately after Fadel agreed to date him. He would have fully embraced it. Did you see the way he was grabbing Fadel's face at the end of episode 4 when he agreed to be his boyfriend??? Style was so fucking happy about winning him over. That was genuine joy. And if Style has anything going for him, it's that he can't hide his feelings for shit. When he is happy, he lights up and bounces around.
So he would have never acted strangely and Fadel wouldn't have had that moment of WTF is going on here? I think he still would have been hesitant to trust Style, but I don't think any red flags would have been raised like they were in canon. Fadel really took a second to try to figure out why his newly acquired boyfriend would suddenly not want to be touched by him or why he was running away. Without that interaction, Fadel wouldn't have had that thought.
Style still would have gone on the double date because he is still actively talking to Kant. Kant just isn't telling him the truth. Style would have noticed Kant being a little off, but he would be way too obsessed with Fadel and seeing him and getting laid to wonder too much about what is going on with Kant. He'd just go a long with Kant asking him to take Fadel back home because at that point it wouldn't be a strange thing to ask. He'd probably just assume he wanted to do something with Bison, even after the fake out with Babe. He probably would have been like..ok Kant has it handled. You still wanna bang? And of course Fadel would be like...yes. because those two are compatible and kinky AF and would be fucking like rabbits, (i mean honestly. I don't know how Fadel gets anything done anymore with Style trying to touch his titties every five minutes lol)
Now, him not knowing may change some of their conversations, but probably not as much as you'd think. Before he knew the truth, he was already wondering about what Fadel was hiding. He's seen him kick three men's asses without breaking a sweat and has seen that he goes to grief support group regularly, so Style is aware that Fadel is hiding a lot of things and Style is a curious person. He would have 100% still tried to figure him out and find out what his deal was. I think they'd still talk about their parents and have the trust conversation. It just might not have as much layered meaning because Style actually doesn't know, but he WANTS to. He wants to know Fadel.
What would that mean for Fadel thinking he is a snitch later? Well, it would hurt a lot more. Because if Fadel reacts the same way as he did at the end of episode 6...and then slowly tries to find out what he's been lying about, he's not going to come up with a lot because Style wouldn't be lying. he would have no clue that he was being suspected of anything. He'd be totally clueless as to why his boyfriend is acting strange.
Fadel would also probably get frustrated at that because Style wouldn't act like a snitch would act. (He acts strange a few times in canon and Fadel would definitely be looking back on those moments with suspicion after the fact) So, if a confrontation happens, whether violent or not, Style would end up feeling more betrayed than Fadel. and Fadel would come face to face with the fact that Style literally didn't know a damn thing and he's spent all this time treating him with suspicion and anger and maybe even trying to punish him for hurting Fadel, when his feelings were genuine. I think Fadel would then redirect all the anger and frustration he feels at Kant for NOT telling Style who he was and tricking him into this whole thing because Fadel could have killed Style and it would have been the wrong thing to do because he was oblivious the whole time.
It would have definitely been interesting to see that all play out. I think it would have shown even more true concern from Style towards Fadel, and more confusion for Fadel when he'd try to catch him in lies and come up empty.
#the heart killers#thk#anon asks#thk meta#fadel thk#style#fadelstyle#what if style was never told about them being hitmen
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oh gosh i agree so much with u on the intercrural part for isagi, had to search for the meaning as well lol
there are also others like him who are very careful (and they also find it so hot and dirty) : karasu, kunigami, sae, and chigiri who at the same time does not want a child
that was so hot thinking abt it ngl pls indulge more on this even if it's just isagi thank you very much
as much as i want the others like nagi, shidou, rin, aiku, etc. to like this, i fear some of them would just simply prefer p in v after minutes of intercrural, cough, aiku , cough, and nagi who become very impatient (and shidou i think does not mind a child lol)
jfjfdsfsdfkjsd i did not know it was such an unknown word it is in tags a lot on ao3 but yes intercrural = thigh fucking
i think there are probably several bluelock men who find it hot for different reasons. the only people i would switch is oliver and sae on these lists jkfsdkj. disregarding the risk of pregnancy in general tho bc i <3 birth control and contraceptives etc
i think oliver is like. a certifiable, tried-and-true FREAK. like in the traditional sexual way, that guy is really loose with sex and he likes to get into some freaky shit. i always say this but he sluts around for the love of the game, so while he definitely wants to be putting his dick somewhere
he can and does get very into thigh fucking because of the like,, teasing element. him and isagi are kind of the same in the sense they both do it so hard and so long - you end up desperately begging them to just fuck you already because of how frustrating it is and just how much they seem to like it.
isagi fucks your thighs less intentionally. he's just trying to get as much sexual contact as he can after his dick feels like it's going to implode. its usually after foreplay - when he's used his mouth for long enough that your thighs and pussy are embarassingly soaked and it feels especially nice for him to fuck through them. does it while laying behind you, very intimate - but very, very intense because he's basically grinding against your pussy. squishing your thighs together so much that that it feels like he's fucking through them. head against your shoulder, panting - precum covering your legs like he's just into It.
but you really, desperately want him to fuck you and he just. keeps saying to give him a little longer.
oliver does this one purpose but he likes doing it from above so he can see his dick reach through the other side when he does it. and he probably does it after fingering you like he's going to fuck you but then not going quite there. he just kind of... holds you. presses against you like you're going to get fucked and then... doesnt it. and it does feel good because he's using that same brutal, rough pace he does when he fucks you. the longer he does it, the wetter and slicker it gets the better it feels. so then, he keeps doing it because it feels good. he thinks its cute also, watching you go back and forth before finally caving bc you want him to Fuck you.
i think sae in general prefers giving u the most stimulation as much as he can if he's gonna have sex. he can be teasing if he wants to be, but overall - he likes to sitmulate you again and again and again and mess with your head that way. but he does all that so ultimately you'll be so wet it feels like you don't resist his cock at all. doubly bc i think his dick is Big.
this is too long to be talking about thighfucking. but ye dsjsdjk
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WAKE UP EVERYONE IT'S OCTOREVIEW TIME!!
HAZARDOUS HABITATS MY BELOVED
(I know this post is LONG overdue (it's been sitting in my drafts since November) but I was taking a break sorry)
I HAVE SO MUCH TO SAY ABOUT THIS EPISODE.
HAZARDOUS HABITATS MORE LIKE A HAZARD FOR MY HEART
This episode is absolutely one of my favourite Above and Beyond episode because it had so much to offer. Aside for the fact that it was absolutely adorable there were so many authentic character moments for both Dashi and Shelligton that I was genuinely going feral.
ALSO for anyone that ships Dashton this is THEIR episode. This combo is so iconic; they're such cuties and can talk about their passions effortlessly with each other. Genuinely love them so much.
Right from the get-go the episode is set up perfectly, they're both going out to get some photos for shellington's creature collection in extreme habitats. Dashi loves photography and extreme environments, and Shellington loves niche creatures and his collection; it's a win-win mission for both of them.
âDonât worry shellington I can get you your photos in any conditions, extreme wind, extreme rain, extreme snow-â
They're so cute and passionate, Shellington is like "I really want these photos but they're lowkey impossible to get" and Dashi's like "heh buddy don't sweat it. I've got you bro"
âNo worries, Tweak upgraded my wandercam to handle the heat, the cold, the wet pretty much anything so I say letâs go!â
LIKE THEY'RE JUST SO AHHHHHHH
Massive shoutout to Shellington to having so many loser moments in this episode as well.
E.g. He getting scared by the thorny devil (like bro I thought you were an expert on these things) and Dashi picking up the lid after he spills the water everywhere
PLUS THE ULTIMATE LOSER MOVE
Him being like "Erm be careful, it's really slippery here đ¤âď¸" and his goofy ass just instantly fell into a puddle
He's honestly a little pathetic throughout the whole episode and Dashi has to pick him up (they are literally girl boss and malewife)
Then oml there was this when they were trying to get more photos but they had to climb because of the rocks
âYou mean up there?!?" *gulp*
(He's like damn girl are you being fr right now?!?)
âAh, sure. weâll use our climbing claws! Easy peasyâ
LIKE SHE SAYS THAT AND WINKS AT HIM LIKE?!?! (OML I'M NOT NORMAL ABOUT THIS)
âAh, right easy peasyâŚâ
HE KNOWS HE AIN'T BUILT FOR THIS. Plus to top it all off when he's climbing up the rocks he's like
âEasy peasy, is making me queasy".
Genuinely them at the tepui's was genuinely so assuming. They're being stupid, falling in puddles, messing with each other, watching this poor pebble toad on the camera and being like
"Oooh toad" đŻ
"AHH tarantula" đ§
"Omg she's falling! Bro does she need help?" đ¨
"Nah she's alright, they do that sometimes" đ
*toad starts drowning * "how about now?" đ°
"oh yeah NOW she's trouble, she can't swim lol" đŹ
It was such a we share a single brain cell moment but hey they got their photo. Then at that end of all of it when the toad is telling them what a good climber she is and shellington says "heh, at least that makes one of us". He's so comedic throughout the whole episode.
Honestly, both of them are so casual with each other. They can make jokes and puns which we don't usually get a lot from these two. Dashi's lingo isn't as serious and she's openly going on rants about topics throughout the episode (which again is great because we love dorky Dashi moments). Shellington is a lot more willing with trying uncomfortable things (Especially after watching the Kilimanjaro climb, shellington was just outright refusing to do anything he wasn't familiar with for half of the episode).
All of this shows how comfortable they are with each other, they are more authentic and vulnerable which is a major kudos to the quality of their relationship.
THEN there was the Sistema Huautla
OMG just look at how happy she is! Like yes! Deepest cave in the western hemisphere! Letâs jump right in!
Also a quick side note, why did they make the Sistema Huautla look so shallow. I get it's would be hard to do but it's 1560 metres deep? THAT'S ABSOLUTELY TERRIFYING!!?!?! ORIGINALLY, I thought Shellington was being a bit of wuss but oml you would NEVER catch me in here.
ANYWAY, back to them.
Despite the Sistema Huautla being that deep Dashi's like "yeah we'll just climb down there to get our photos" (Although I guess she's really just going back to her roots)
âWe still have our climbing claws so easy peasy!â
(She's so nonchalant about all of these extremes. It's funny. Shellington's like "hey these are some of the most dangerous habitats in the world" and she's deadass like "easy peasy")
âWhere have I heard that beforeâ
He's so the voice of reason like "girl bffr this AIN'T easy peasy"
She's honestly just thriving, landing like a pro and smiling the whole time, completely unfazed; it's just so Dashi.
Then the ledge breaks and shellington nearly falls to his death...
Nice.... (help he's so damsel in distress coded)
Dashi's like ah well shit I can't get you out of this one by myself...
The change up in their attitude is so crazy they go from happy go lucky yay weâre in a cave letâs beg the blind scorpion for photos to damn these extreme habitats are actually dangerous. We might die.
They call the crew and Ryla's on their way to help them out but obviously, she's not going to get their before that tiny ledge breaks away.
Then there's this scene where they need to weigh up saving the photos or shellington. Shellington's all for keeping the photos (even at the expense of himself) but Dashi pulls through with a classic Dashi moment (I love it when Dashi has moments the relate well back to the OG series (well the few dashi centred episodes anyway). It was very manta ray episode core)
âSaving you is more important then saving the photosâ
She ejects those photos they worked so hard to get (much to shellington's despair) and gets him down to the bottom safely. Gotta love her "sacrifice everything to save the ones I care about" mentality Then Ryla gets there and everything is aye-okay.
Tweak was so silly and casual when these two finally rescued.
âHi guys, guess you two will do anything to get a photo of a critterâ
She summed up their dynamic so well it's great.
It's genuinely so funny how chill the girls are throughout these extreme situations. It's so in character too. I can imagine if it was a different combination of characters they would be freaked. But these three? Ryla, Dashi, Tweak? Yeah, they're not that phased at all.
Then when they were wrapping everything up and showing all of their work to the others (because thank got the camera and survived falling down the 1560m cave) they were so adorable.
Shellington was so proud of all the photos they managed to get in 1 day (like yes guys we slayed so hard) then when he realised he actually got the photo of the scorpion he shoved everyone out of the way
Just look at how happy he is!
Another side note: This episode was so pretty! I thoroughly enjoyed this scene in the ray, the aesthetic was immaculate. All the places they visited were so pretty and cool too!
Finally as a little cherry on top, Dashi's on an extreme adventure high after all this excitement and she starts going on a rant (gosh I love it when she rants, dorky Dashi for the win). They can both be such dorks when they are on a roll which is something I adore about them.
âThen why stop now? We can climb up Mount Everest, the highest altitude mountain in the world and find some Himalayan jumping spiders !â
He's just horrified. They nearly died and now she wants to go and climb Mount Everest. She's just a lil crazy and obsessive, just a lil...
âOh thanks, but Iâve had enough extreme adventure for one day. The next thing Iâm climbing into is my bunkâ
Just look at those glares. It's so funny bye.
I love how they are both so obsessive over their passion it makes them such a perfect pair. Shellington is willing to risk dying for his research and Dashi's ready to put herself in extremely life-threatening situations and just do it all again for her photos.
Tweak said it herself. They really are willing to do anything for their passion.
And for each other.
(They are so stupidly in love. Lord help me.)
Anyways, this episode is in my top 5 for Above and Beyond. 10/10 thoroughly enjoyed it. Nearly died because of how good it was.
Thats all I have to say for now.
Byeeeee
#octonauts#octonauts dashi#octonauts shellington#dashton#this episode is everything to me#you don't understand#I can't believe there a 30 image limit per post#I'm gonna have to do a photodump#also sorry I went on a side tangent there about the caves but oml caves like the genuinely terrify me#I lowkey had a calamaroo bear moment. Spiders? Chill. Bears? chill. The ocean? no sweat? Caves and being trapped in small spaces? kill me#I might be captain barnacles gang#I've heard too many stories#But the episode was great well written it ate#I could say more but I've gushed enough over this episode#thank you kim for making me want to write this after reminding me of how cute this episode is#they are such lovers#DASHTON FOREVER#Also dashi being so chill about extremes is so Australian coded#like pal your extreme is my backyard#l/bozo/unfazed#octoreview
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Day 7: Best Moment
Hands down, Chapter 86 of the manga. I know it's not a single moment but I can't really boil it down to just one.
The entire mole hunt arc was top notch. The ending made it even better. And not just because of the infamous Twilight Shower Scene.
It starts in the sewer, when Twilight tells a half-truth to Nightfall about why he spared Yuri:
I'm a sucker for whenever Twilight has these moments (of which there are several in this arc). That exact expression. His eyes say it all. He's defeated, shaken, not "himself." He can barely admit the truth to himself, but he has to come up with some kind of explanation to satisfy his colleague and the rest of WISE when he writes the mission report.
That "for the mission" defense isn't holding up so well anymore, is it, Twilight?
His solemn, defeated mood continues as he heads home as an ordinary civilian:
Again, the eyes say it all. He looks up at his apartment with something like dread. It takes effort to raise his head. He looks to be walking slowly. Like he doesn't want to be there. He knows he's heading into a difficult conversation after an already difficult day where he made a nearly fatal "mistake" and almost lost his life.
Then, against all expectations, Yor welcomes him with the sweetest smile, to the point where she has a halo around her head in his eyes. Once again, Yor defies all that he thinks he knows about human nature and women!
Look at him. That tiny dot of a mouth looks so cute. He's stunned, unable to process. I won't copy paste all the fainting he does since I don't want to copy paste the whole chapter!
So many miniature golden Twiyor moments and shoujo filter close-ups of Yor here. I love how soft her expression is, the contemplative look in her eyes and the shape of her smile. Yor isn't the best at expressing herself in words, especially when it comes to her own wants and desires, but when she tells the truth, it hits hard. She feels comfortable enough with Loid to tell him what's really on her mind, what she wants! What a major milestone for her.
Twilight looks so adorable up there! He's listening and absorbing her words. His mind is not on overdrive. It's just focused solely on Yor. What a sweet, slow moment.
Then, there's this beautiful panel of them in the midst of all this white space. Completely focused on each other, at face level, sitting on the ground. Not putting on a front, just talking as husband and wife. Other fans have analyzed this a lot so I won't say much more.
Side note, it's kind of funny that right after this Yuri bursts in, and while Loid springs to his feet immediately, Yor is still sitting on the ground. I wonder if Yuri noticed his sister was randomly sitting on the ground? What could that have implied? Allow me to have a bit of a dirty mind here, lol, it reminds me of this iconic sentence in @miss---nothing's amazing fic Little Deaths, "What makes you think we haven't sullied the floor?"
Ahem. Finally, there's Twilight's reflection on all of this:
Finally admitting that Yor is a weakness. That she is the reason he "slipped up" so horrendously and left himself extremely vulnerable, not only with debilitating injuries he could have avoided (which then cost him the fight with Wheeler), but by leaving an SSS agent alive and wondering why the hell the most notorious spy of the West would spare his life! That is a HUGE risk to take!
I just love the character development, the epiphanies, that shine through in this chapter. Twilight's still taking baby steps emotionally, but when we really think about it, he legitimately fulfilled his vow he made all the way back in Chapter 14:
He took a bullet for Yor!! Literally!! Actions speak louder than words.
He won't admit he loves her (probably will take 100 more chapters for that LOL), but he sees her as a "weakness." Which places him on the path toward that elusive point in the distance.
All in all, this is the chapter I have reread the most. It'll take a lot to top it in my mind!
#spy x family#spyxfamilychallenge#sxfchallenge#agent twilight#yor forger#yuri briar#mole hunt arc#loid forger#twiyor
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Pilot | The (Mis)Adventures of Meg Winchester ii
Summary - the pilot but with Meg added! (She's 8)
Pairings/characters - Dean Winchester, Sam Winchester, Meg Winchester (OC), Jessica Moore, John Winchester (mentioned), Bobby Singer (mentioned)
Sam Winchester x little sister, Dean Winchester x little sister
Warnings - mentions of death and violence, spoilers for spn (obviously lol), that's it?
Language - English (British)
Word Count - 2,675
Notes - I'm NOT doing a series re-write but many of these will be/feature episodes, although there will be plenty that don't take place within an episode. Please let me know if you like!
Credits - @firefly-graphics for the dividers
Stanford University, 2005.
Dean stood in his brotherâs apartment, face to face with him for the first time in over two years. Their not-so-happy reunion had been interrupted by Samâs girlfriend, Jessica, whom Dean immediately decided was way out of his brotherâs league (and he proceeded to hit on her).
Dean needed Sam with him on this. Dad was missing, and Dean didnât know what to do. His only back up was a scrawny eight year old, and - much as he loved the kid - that wasnât much help. He needed Sam.
âDad hasnât been home in a few days,â Dean said, choosing his words carefully in front of Samâs civilian girlfriend.
âSo heâs working overtime on the miller time shift. He'll stumble back in sooner or later,â Sam replied. He didn't see why this warranted Dean breaking in at midnight. Couldn't the man pick up a phone?
Dean opened his mouth to reply, but a clunk and a bang from the kitchen made both Winchesterâs tense up. Then Dean sighed in resignation.
"You were supposed to wait in the car.â Dean called. Sam - who had been ready to tackle for the second time that night whomever had broken into his apartment - gave his brother a confused look. But his worry and confusion fell away when a small head of brown curls and bright green eyes poked around the kitchen door.
"I was lookinâ for Pop Tarts,â she said with a toothy grin. Her eyes moved from her eldest brother to the one she hadnât seen in years. âSammy!â
She'd grown, gotten taller, but she was still wiry and thin. As a baby, Meg had looked like Sam, but she was growing into a carbon copy of Dean, with his green eyes and spattering of freckles across her cheeks.
She moved at the speed of light, throwing herself into Sam's arms. He swung her off the floor so she could wrap her legs around him. She was bigger, but she was still small. She'll always be small to Sam.
Meg's arms went around her brother's neck and she held him tight for several seconds.
"I missed you!" she cried out, pulling back far enough to look at her brother.
"I missed you too, Scout," Sam replied affectionately, surprised at how easily the nickname slipped out. "You got tall."
Meg grinned, flashing a gap in her front teeth. "Almost as tall as you, I reckon." Sam chuckled. Meg then looked shyly to the girl standing by Sam, giving her a small smile.
"This is Jessica. Jess, this is Meg." Sam said softly. Jess smiled widely.
"Hi, Meg. I've heard a lot about you." Jess replied. Meg beamed. That meant Sammy had been talking about her.
"Meg." Dean said behind them, but he wasn't really mad. Not watching his two favourite people reunite. "I told you to wait in the car. How'd you even get in?"
Meg shrugged one shoulder as Sam set her down, the strap of her dungarees falling down. "Climbed the fire escape. I wanted to see Sam," she reasoned. "Plus, I'm hungry." Dean rolled his eyes fondly. The girl certainly had his appetite. She went to stand next to her oldest brother, who placed a gentle hand on her unruly curls.
"Was just explaining to Sammy why we're here," Dean said, shifting his focus back to his brother. "Dad's on a hunting trip, and he hasn't been home in a few days."
Sam stiffened, his face serious. "Jess, excuse us."
____
Meg knew it was bad. They'd come to get Sam from school, so it had to be bad. The didn't bother Sam for anything, not even when Meg hurt her leg last year. Sure, Dad would take off for days, sometimes weeks at a time, but he always called. Kept Dean up to date on where he was and what he was hunting. Sometimes he'd ask after Meg. Most of the time he trusted Dean to look after her and assumed he'd call if anything was wrong. Not that John could - or would - do anything if she was sick.
Dean had already been getting worried in New Orleans when they hadn't heard from him. Then they got the voicemail, and his worry turned to dread. He'd ran the voicemail through a computer and found the EVP, a crackling female voice talking about home. They'd left for Stanford that night.
Meg knew it was bad, but she wasn't that concerned. The thing that worried her most was Dean's fear. He was trying to hide it, but she could see that underneath his smile and confidence, he was worried. For Meg, things were much the same. In fact, they were almost better. She could go months without seeing her father or hearing his voice, that wasn't new. But getting Sammy back? That was awesome.
She sat in the back of the Impala while Sam and Dean had a conversation in hushed voices about Dad and EVP and Monday. Meg didn't know what was happening on Monday, but it seemed important to Sam. She waited for them to finish talking, and looked up at Sam's apartment. She liked Jess, she decided. Meg had been raised by her brothers, her Uncle Bobby, and very occasionally her father, but she didn't know many women. Jessica was nice, and she was pretty, and Sammy seemed to really like her - maybe even love her.
The driver side door opened and Meg sat up eagerly.
"Sammy's gone to pack a bag," Dean said with a smile. Meg stuck her head out the Impala's window.
"Sammy!" she called. He turned at the door. "Bring me a Pop Tart!"
_________
"Can I sit up front with you?" Meg asked her brothers after Sam slung his duffel in the trunk. Sam didn't have any Pop Tarts in his house, but he'd brought her a brunch bar to snack on. It tasted like cardboard and disappointment.
"No, you stay back there, munchkin. Get some sleep." Dean replied. Meg pouted.
"I can't sleep! We just got Sammy back!" Meg cried. She turned her attention to Sam. "I like Jessica. Is she your girlfriend?"
"Yeah, yeah she is." Sam said, and he couldn't keep the smile of his face.
"Awww." Meg said, scrunching up her nose. "Jess and Sammy sitting in a tree, K-I-S-S-I-N-G, first comes love-"
"Alright, alright. Cut it out." Dean said, but he smirked at the blush creeping up Sam's neck to his face. "Hey, Goose, why don't you tell Sam what you've been up to since you saw him last."
"Dean, we haven't seen him in for ages! That's so much stuff! Hmm... Okay, Uncle Bobby got a new dog, his name is Rumsfeld and I love him. Last year I hurt my leg really bad and I had to get shots but even then we couldn't come see you. But it was alright 'cos Dean looked after me for a week and I didn't have to do any school work. I lost like four teeth since I last saw you as well and now I can't whistle. Umm... what else? Oh - Dean taught me how to fix the Impala and I'm really good at it. I've been riding shotgun when it's just us, but you can have that seat now. Just don't touch my music. I also grew taller and then my shoes didn't fit so we had to go shopping. That was kinda boring though. Uncle Bobby's been teaching me lots of things, too, like -"
Sam held up a hand. "Slow down, Meg. Take a breath. What happened to your leg?" The admission she'd hurt her leg had been the most concerning thing he'd heard, and she hadn't been forthcoming with any details.
"A monster got it. I had'to go hospital and get shots and stitches, but then Dean got me ice cream, and even Dad-"
"Why in the hell were anywhere near a monster? Dean, what the hell are you thinking? She's a kid, she- "
"I know she's a kid, Sam, it's not like I planned it. Dad needed help on a case and I didn't have time to take Meg to Bobby's, so she stayed in the car. There were only supposed to be three - Dad hadn't clocked the other Skinwalker until it was at the car. We handled it, Meg got patched up, everyone's fine." Dean fired back defensively, raising his voice.
"How is that fine, Dean? She could've been taken, or killed, or turned! You're supposed to be looking after her, not putting her in danger, for crying out - "
"Looking out for her? Sam, that's all I do. It was a freak accident, and you ain't gonna make me feel worse than I already do. Not to mention, you haven't even been here for years. I ain't about to get a lecture from the guy who bailed on us, on his family - "
"Enough!" Meg cried out from the back seat, eyes getting watery. "No arguing when we just got Sammy back! 'Sides, he left 'cos he and Dad argued all the time so if you keep arguing, he'll leave again." Both boys softened at her outburst.
"Meg, that isn't why I left - "
"I don't care. I didn't get that hurt, really. Plus Dad stuck around for like almost a whole week, which I think is the longest I've seen him since... ever? And Dean made me pancakes whenever I asked, and then we went to stay with Uncle Bobby while my leg got all the way better and he looked after me really, really well. It wasn't Dean's fault, it was the monster's fault. Don't shout at him."
The car lapsed into an awkward silence. Dean's guilt was still eating him up inside, even though it had been over a year since Meg got hurt. He knew it was his fault, knew he should've looked after her better, but Sam throwing it in his face didn't help. Not to mention the fact that Meg thought Sam was staying so long as they didn't argue. He'd have to sit her down and explain that Sam was probably leaving them as soon as they found Dad. But that conversation could wait.
"Do you want to see my wicked cool scar?" Meg offered, trying to ease the tension. "I look like the Terminator!" Sam smiled softly and nodded, so Meg rolled up the leg of her dungarees to show him.
"Just like the Terminator," Sam murmured, running a finger over the raised, pink scars. There were three, clearly claw marks, running up her shin. Eight years old and scarred by a monster. "You said Uncle Bobby'd been teaching you stuff. Hunting stuff?"
Meg shrugged one shoulder as she rolled the cuff back down. "Sometimes, but mostly other stuff. We've been readin' about myths and the Greeks and how the Egyptians made mummies. They pulled the brains out through their noses! We study a lot of history together, probably 'cos he was there when most of this stuff happened."
Dean snorted. "Maybe don't tell Bobby that, Goose." Meg just shrugged. "We got a few hours driving, you really should get some shut eye."
"But Dean..." Meg whined, shutting up when Dean shot her a look in the rearview mirror. She huffed, reaching for her blanket and stuffed dog toy, Patch - her best friend, really. She draped the red and black checkered blanket over her lap, leaning her head back against the seat. She was tired, but didn't want to go to sleep. She stifled a yawn.
"Sammy'll be here when you wake up," Dean said softly, as if he could read her mind. She smiled a little, closing her eyes as the thrum of the Impala's engine lulled her into sleep, as it had done her entire life.
_______
This case was different from the others they worked, Meg could tell. Their Dad wasn't in Jericho, in fact he'd packed up mid-hunt, leaving Sam and Dean tracking down something called a Woman in White. Then Dean had been arrested, Sammy drove the Impala into a house and nearly had his heart ripped out by a ghost.
Average day for a Winchester.
They were on the road again, and Meg had an awful, awful feeling they were taking Sam back to Stanford. She was in the front, squished between her brothers, her favourite place in the world. Dean's music was playing in the background, the familiar bass welcome in the otherwise silent car, Meg's head resting on Sam's shoulder.
"Do you have to go back?" she asked quietly, so quietly they almost hadn't heard her. Sam sighed softly, stroking her unruly curls away from her face.
"Yes, sweetheart, I do. I have an interview on Monday." he replied gently. Meg's lower lip quivered as she fought back tears. Both her arms were wrapped around Sam's large one, gripping the fabric of his jacket.
"Please don't leave us." She begged, a few tears slipping down her cheeks. Sam and Dean exchanged a look over her head. "Please."
"I'm sorry, Meg." Sam said, wrapping his arm around her. She buried herself in him, his scent, his Sam-ness, savouring it. "I... I have to. You'll be okay. Dean'll look after you." She knew that. That wasn't the problem.
"Everyone leaves," she mumbled into his shirt, and both boys knew she was talking about more than Sam.
"Don't worry," Dean said with more confidence than he felt. "It'll me and you again, like always. We'll find Dad together." Sam's heart twisted at Dean's words, with guilt and hurt. Was there a place for him in this family anymore? He knew Dean's words were meant to comfort Meg, that they weren't intended to hurt him. Or maybe Dean was pissed at him for going back, or for going to college in the first place, and they were meant to hurt, in which case, mission accomplished.
Sam looked down at Meg, the guilt eating at his heart. He knew what it was like. She'd grown up with the three Winchester's and a handful of other hunter's as family, the Impala as a home. Her mother had left, then Sam, and now Dad was missing too. He didn't know what to say. Couldn't offer her the comfort or reassurance she needed. So he squeezed her shoulder and pulled her in closer, savouring the feeling of her in his arms again.
_____
The smell of smoke was all around them, even though the fire had been put out. They'd hung around a while outside Sam's apartment, Meg dozing in the back seat, Dean watching the building closely. He hadn't been sure what he was even waiting for. Until he was. Until the flames erupted and he heard Sam scream.
Meg was tucked under Dean's arm where she was safest. She'd been crying, partly for Jess, even though she barely knew her, but mostly for Sammy. The small, selfish part of her that may have been glad Sam was coming with them now was muted by the empty look in his eyes, the grief on his face, the lingering tear tracks on his cheeks.
It wasn't fair, she thought crossly. Sam loved Jess. They'd seen her only three days ago. How could someone be gone so quickly?
Meg had tried to comfort Sam. But she didn't really know what to do or say. So she had stayed quiet while Dean held their brother, extending one hand to rest on Sam's knee, her own tears snaking down her face as she watched one of her heroes cry.
She knew enough about her brother's mom, her father's mission, to know Mary Winchester died similarly. That's what scared them the most. The monster was still out there, and the Winchester's weren't safe yet. Maybe they never would be.
Sam's grief began to give way to anger. His eyes hardened, body straightening, as he rifled through the Impala's trunk, surveying the weapons. His voice was sharp as he looked at Dean.
"We got work to do."
Thank you for reading!
Taglist - @podado-t-memes @ariesandwolves
(P.S. - I posted the first part to @/winchesterdefender first, then moved my writing onto this blog. If you requested to be tagged on winchesterdefender I have added you here - please message if I have missed you!)
#winniewrites#supernatural#spn#spn fic#sam winchester x little sister#dean winchester x little sister#spn sister#sam winchester#dean winchester#spn sister fic#supernatural sister#winchester sister#little winchester sister#supernatural fic#winchesters x sister#spn fanfic
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May I ask you about your writing??? First of all and possibly most importantly, how do you do it? How do you find inspiration and such? How do you make it happen? Because I sat down with a really juicy idea not long ago and I was excited and it was incredibly hard. I deleted it, I was embarrassed. So how do you first, come up with a great idea (which you do you write such cool stuff!) and then bring it to fruition? Iâve always been a decent writer but I was really frustrated with the fic I set out to write!!!
Hey anon! Sorry for sitting on this for a while but it came in the night before a big academic conference for me, so I've had almost no time for anything, sadly.
First off, thank you so much for the compliment on my writing! A lot of the direct answers to your questions are not very satisfying, tbh. Ideas come to me from everywhereâthings I watch, read, random internet thingsâand how I bring it to fruition mostly involves a lot of planning. I got a lot happier with my work when I started making outlines for my fics, so I always know where I want to go with the story and how I'm getting there, versus meandering around aimlessly.
I'm guessing that there was something about your idea that was particularly challenging, since you said that you've always been a decent writer but found what you produced frustrating. Since I don't know the details I'm gonna give some advice that will hopefully cover a few different aspects. And first, a short list, and then the details under the cut because I'm a wordy bitch.
Just keep writing. It can take a while to find your voice.
Get help. Seek out 'subject experts' and people who you think are good at writing the kinds of stories you want to write.
Read a lot, and broadly, especially in the genre you want to write.
1. Just keep writing. It can take a while to find your voice.
I started writing fanfic (or, re-started, because I wrote when I was young and then took a looooong break) to get the stories out of my head, and my first fics were not great lol. They were also for a rarepair and approximately 5 people read them, so there wasn't much pressure I suppose. I was just putting them on AO3 because I figured why not? And then I just kept writing, off and on for different fandoms, until the writing bug really caught me and I started producing a lot more, about five years ago. But it probably took me ~20 fics (several of which were quite long) before I'd consider my stuff to be decent. Whether you share your early works or not is up to you, but in general I'd recommend it because there's a good chance someone will love it (even if you consider it to be substandard) and that can help you feel better about your own writing. I didn't start out good at writing action, but I wrote (and read, see below) consistently in a lot of action-heavy fandoms, so I got a lot of practice. I also feel like the more I wrote, the more ideas I got, and the more unique ideas I got.
You occasionally see someone in fandom who's like "this is my first fic!" and it gets really popular or and lots of hype or whatever, but that's not the typical experience. Most of us start out writing like crap. It's ok. It gets better.
2. Get help. Seek out 'subject experts' and people who you think are good at writing the kinds of stories you want to write.
Ok, so you wrote a first draft you were disappointed in. Ask yourself what was disappointing about it? Do you feel like the beats aren't hitting, or the action is wooden, or the language is awkward? The great thing about fandom and fanfiction is that there are so many people that are willing to help out as beta readers or even just someone to talk to. I understand that getting a beta reader can seem daunting. You don't want someone to criticize your work, or it might seem embarrassing to show someone else a work you feel bad about. But if you get someone else to read it, you'll have the chance to both hear good things about it and also get advice about things you're uncertain about. People come to fandom from all walks of life and I'm a big fan of asking for help if you're writing about something you're not super familiar with. I've never actually been to therapy, so getting help from @celeritas2997 was absolutely critical for me to feel good about my couple's therapy AU. Also you can ask people for advice if they write the kinds of fics you want to writeâI've had multiple people ask me for help with their action scenes, and I'm always happy to lend an eye and give advice.
Also, related to this: it's ok if you don't like your first draft. But don't delete it! Put it aside, whether you ask someone else to look at it or not, and come back to it a while later with fresh eyes. It may not be as terrible as you thought! Or maybe there are parts you still hate, but there are other parts that you can work on and revise.
3. Read a lot, and broadly, especially in the genre you want to write.
Want to write sci-fi? Read a lot of sci-fi novels. Read a lot of sci-fi AUs. Break out of your fandom and read fics in fandoms you don't knowâI used to do this a lot and it was one of the most important steps in my process of finding my own voice as well as understanding how stories are built. When you read in only one fandom, you get used to a lot of the same voices and types of stories, but there is SO MUCH out there. I've been known to scroll through the 'Enemies to Lovers' tag on occasion, but also I will go into fandoms for media I know but have no strong connection to, don't want to write in but know the characters, and read those. I spent a lot of time reading X-men, Good Omens, Witcher, even MCU juggernauts like Stucky even though I don't really ship them. I know it probably sounds crazy to tell you to go read other fandoms when (I'm assuming you're RWRB) there's so much in this one, but I do think it's valuable. This one is not only for getting exposed to a lot of writing styles, but also lots of ideas. I've definitely gotten a lot of ideas that spun off from something else I read.
I feel like none of this is particularly revolutionary advice, but I hope it at least gives you (and anyone else who manages to read this far lol) some confidence to keep going and go after those stories you want to write. Everyoneâme, popular fandom writers, professional authorsâstarted out just writing a lot, and they improved over time.
Most importantly: just keep going. You can do it!!
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