one of my friend is really into arthurian legends so we watch a lot of those type movies together and so far ‘the kid who would be king’ is the best of the lot! also has the funniest merlin
do not erase the caption, use or rePOST my art (reblog ok)
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The Barbie movie really said. Yes you will grow up and childhood wonder will vanish. Yes you will grow up and learn to hate yourself, your body, your awkwardness. Yes you will grow up and lose your confidence and certainty and sense of purpose. Yes you will grow up and the world will seem a bleaker, lonelier place every day, and society will seem bleaker and lonelier every day, and you won’t understand what went wrong in the span of just a few years, what took you from a happy and secure young girl to a sad, uncertain, scared grown woman.
And yet. You will learn to find beauty again. You will find joy in not having a purpose, in building a purpose for yourself. You will find beauty in connection, with the people and the world around you. You will learn to love signs of ageing as proof of a life well lived, of experience and happiness. You will take that little girl by the hand and tell her “I know, this isn’t what you thought it would be, but it’s real. Let me show you how beautiful it can be.”
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for me at least, theres always been a really stark divide in the 'child character is the main antagonist' sort of stories.
on one hand. theres stories that rely on the shock factor of a child being evil, because we're supposed to believe that kids arent capable of that sort of thing. i guess its supposed to be frightening but the novelty always wears off really quickly for me.
i think 'a child is the villain' always lands most successfully for me when a kid is given power beyond their years (either by adults around them or otherwise supernatural/societal forces) and then everyone is floored when they arent exactly responsible with that power. and sometimes theyre even selfish! not because that kid is evil, but because theyre a kid.. acting like a kid would in their situation.
it means that any sort of story that follows requires a protagonist to reason with someone who may not even understand the harm theyre doing, or worse - not have the life lived to understand why they should care in the first place. and also, i think watching what happens when u have an destructive force seeking comforts that any child deserves doing whatever they can to have those things is (to me) much more interesting than 'child who is fucked up and evil for no reason but being born that way actually'
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As someone who grew up in a household where men were never allowed to show affection, let alone to another man, from fear of being seen as weak.............
These forehead touches between friends/bros are so healing to me. Please, we need more of this. Platonic affection between men is beautiful, and I wish I had grown up with it.
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I think a lot about Leo standing up for his brothers in the things that really matter to them.
Like- Leo is the one who immediately pushes Mikey and Donnie into finding Raph the second it’s clear that their oldest brother is missing because he knows Raph can’t handle being separated like that.
Leo is the one who stands up for Mikey when Mikey wants to go on a solo mission, actively vouching for him and being the one to convince Raph into letting Mikey go, because being independent and proving himself just as capable of standing on his own two feet as everyone else means so much to Mikey.
And Leo defends Donnie’s honor in particular when his brothers’ intelligence is insulted because Leo is well aware of how important Donnie’s smarts are to him - and how important having those smarts valued and acknowledged is as well.
All this goes right into just how well Leo knows his brothers. For as much as he’ll tease or fight with them, he knows them, and he loves them.
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