#i hope to write it one day!!!!!

[merakiui]

after writing angst for azul, i feel much more confident to write angst pieces for jade and floyd. >:D

the idea for floyd is that he was your closest and only friend in childhood, but you disappeared one day and so he spends the entirety of his life searching for you because the two of you had such a special, unbreakable bond. floyd is determined to find you and he ignores all of the doubtful people who tell him you're long gone. but it's been years since his childhood and he's well into adulthood now. still, he refuses to give up (even though there are days where he really contemplates whether you're still out there). floyd just wants to bring his shrimpy home. :( where did his shrimpy go?

for jade, it's a story in which a rain god (jade) washes up on the shore and realizes he's lost the ability to cry. this is bad news for villagers because without jade's tears/sadness rain cannot fall and thus a horrible drought plagues your little seaside village, rendering the land dry and cracked and producing very scant harvests. you find jade and decide to nurse him back to health while also attempting to get the rain god to finally cry. only, jade doesn't know what makes him sad anymore... but he learns a lot about what it means to be human when he spends so much time with you. there's always been something strangely sad about humans, but jade doesn't mingle with them and so he's never known just what this something is. but he learns. he learns, even if he doesn't want to, about what makes a human life beautifully tragic.

[athina-blaine]

images saved under folder titled "actual 22-year-old who should have been at the club 😭"

I know there's this idea in fandom that Kabru is already in a place where he's able to easily shoulder others' burdens, or that maybe taking care of someone else would teach him how to better take of himself. I'm sure a huge part of that comes from his fairly utilitarian role in the main story (he doesn't really get the chance to be vulnerable or break down outside of maybe ch 76), but I just don't subscribe to that. If anything, I think it would be excessively easy for him to continue neglecting his own needs if it's for the sake of other people, especially for someone he cares about 👇

I think it's important that, in the end, Kabru isn't the right person to say what Mithrun needs to hear here. The only desires Kabru offers up to Mithrun are Kabru's own desires to help others with their needs; "I want you to live a life that isn't driven by revenge", "I want to help my friend by eating my fill" (as beautifully illustrated by @yuri-puppies here). Mithrun says, "I wanted to die and part of me still does", and Kabru thinks that this is an acceptable thing to feel so long as Mithrun is able to keep his promise and be useful to others. It takes Senshi offering the idea that scraps are useful no matter what that Mithrun is able to finally feel relief. Just look at the difference between,

versus

which I think is a message Mithrun needed to hear as much as Kabru does. All this to say, I hope Kabru is able to get to the point one day where he feels safe and secure enough to put his own wants and needs first, even when it helps no one but himself

[frogchiro]

Hrrrnnn thinking about boy next door!Kyle who is the absolute sweetheart of the neighbourhood, the kind whom old ladies praise after he led them across the street and all the mothers want their daughters to end up with him or at least with someone like him.

But he has eyes on only one person, you! You were childhood friends, always together, always playing in the garden together and spending time and even now that you're both in college didn't stop or put a damper on your friendship! Even better, you two somehow got even closer because you just couldn't help but slowly fall for Kyle's big, beautiful eyes, how they softened every time he saw you, his lips that stretched wide whenever you called out to him, not to mention his obvious charm and charisma and his goodhearted nature...Oh if you only knew.

Boy next door!Kyle who is obsessed with for many years now to the point of almost insanity. You're perfect in every aspect to him; your smile, your soft voice, how sweet you are and how you're genuinely the best person he ever met...But that attracted trouble.

He stalked your social media, he took photos of you whenever he couls just so he could look at the in the privacy of his own room and touch hinself to them, moaning your name out and imagining you bouncing on his dick, calling out to him in your sweet voice, but after the deed his mood always soured. He knew that he was far from being the only one who felt for you this way, and he always had to do something about them.

Like that jock in high school, Connor was his name. Up and coming sports star, the golden boy of the football team and the known school casanova who changed his girls every week and it just happened that his flavor of the week was you. Even after multiple times you shot him down politely, he still insisted. And insisted. And insisted until it clearly made you uncomfortable and Kyle couldn't have that right?

What a shame that the same month poor Connor had a incident which basically made him say goodbye to any sports carreer in the future. Pity. But Kyle was so happy! No one made his girl upset. No one.

[twentyfivemiceinatrenchcoat]

HOW DEEP IS YOUR DEVOTION? ; SATORU GOJO

synopsis; you’re his knight, and he’s your prince. if only it were that simple.

word count; 6.6k

contents; satoru gojo/reader, gn!reader, royalty au (..but no effort put into making it historically accurate in any way oops), knight!reader x prince!toru!!, childhood friends, mutual pining, fluffy overall, some hurt/comfort too, vague allusions to abuse (reader is punished by one of the castle maids as a child but it’s only really hinted at), knight!reader is horrendously devoted but prince!gojo is arguably worse, he would burn the world down if u asked nicely <3

a/n; big big BIG thank you to @/teddybeartoji for having the biggest brain in the galaxy and infecting me with this concept <33 if u pay attention while reading you can tell the exact moment i started slowly spiraling into insanity

you are five years old when you meet the prince.

five years old, a mere child, and too young to be blinded by such brilliance. too young to be where you are; curled up in a dark alley, back against a grimy brick wall, covered in bruises. like a beaten dog — scrawny and afraid. waiting for a strike that never comes.

the boy in front of you is also five years old, but you don’t know that. something in him looks older, somehow, something in the way he carries himself. like he doesn’t have anything to be afraid of. like he’s never even felt fear. he parts his lips and speaks like he has the right to, like he’s comfortable in his own skin, a radiance so blinding you could mistake him for the sun. too much for you to bear.

”does it hurt?”

the words fall on deaf ears. but you flinch, your body reacts, a tremble down your tiny spine. you hear the sound but not the words. too mesmerized, too paralyzed, unable to look away from the blue of his eyes, painted with rich watercolour hues. seeping into the world around you like ink on paper, cobalt and aquamarine and something else, something you’ve never seen before —

a blue so jarring it makes you shiver.

the boy has an innocent face. almost girlish, plump cheeks and long lashes, clean clothes and smooth skin. a little too pretty to be out here, you think, in this part of town — too pure to be anywhere near someone like you. he’s above you, that much you can tell. a pretty, innocent face, untouched by dirt or ache; the face of royalty. an entirely different species.

there’s something keen in his eyes, a contrast to his childlike features. a sharp gaze, something that sees through you, something that won’t look away. something mildly frightening. enough to have you cowering in fear, hugging your knees closer to your chest.

but then he smiles. and it’s sincere. sweet, vibrant, all honey and milk and a world you cannot reach.

a smile so captivating you take his outstretched hand, and let him drag you away to god-knows-where.

(that's how it begins. the dynamic that’ll follow you into your adult lives; satoru takes the lead, and you follow. no matter where he’s going.)

satoru gojo, as you soon come to learn, is the prince of the nation you reside in. the only child of the royal family, born with talent and prestige, fame and fortune, set to become king. a different species, indeed.

but he brings you home with him, to a castle so grand you feel as if your very presence is an insult to the architects who designed it, and convinces his parents to let you stay. it’s surprising, but you don’t protest; following him like a puppy at his trail. and he’s stubborn, insistent, demanding that he get to keep said puppy. 

the king and queen don’t care one way or another. they glance at you with apathy, and tell satoru to do what he wants — but convincing the scary and displeased castle maids takes some work. 

satoru doesn’t waver, though. he holds your hand in his, and demands that you be treated with respect.

and he wins. he always wins.

that’s how you become the prince’s playmate. raised alongside him, allowed to stay close, eat from the same food. he won’t settle for anything less. defending your honour, always, before you even know what honour means. before you care.

time passes slowly. joyously. every day is a new adventure, as you attempt to get used to the miracle that is your new life — sweet and silky, apricot blossoms and fresh peaches, duvet pillows and a bubbly laughter you didn’t know you still had. he coaxes it out of you, with every secret midnight outing, every bout of mischief he drags you both into. 

satoru has nice hands, uncalloused palms, fingers that grasp yours and don’t let go. he takes you outside, to see the stars, to catch fireflies in the dark of night on top of the hill that oversees the castle. to take a dip in the river just below it, gleaming a silver hue under the blue shade of the moon. you worry about getting in trouble, but he reassures you — the prince can do what he wants.

that might be true, but you are no prince. not even close. satoru may safeguard you, but all you’ll ever be in the eyes of the world is a stray he got to keep.

and one time, only one time, you do face the repercussions of your midnight outings. you, and you alone. a bad influence — seething words, buzzing in your ears. an angry castle maid, and a stinging pain in your cheek. blurry tears. 

but that’s an incident no one in the castle dares to speak of.

(you’ll never forget that look in his eyes.)

satoru is an odd boy. he keeps you close, always, clinging to you like he needs you to breathe. you don’t understand why, but you’ve learned not to question him. the castle guards all know you as the prince’s best friend, and some part of you knows that’s all you’ll ever amount to. but you don’t mind.

because you love him. at five years old, six years old, seven and beyond, you love him. satoru gojo, the kindest boy in the stratosphere. 

a boy who keeps finding you, no matter where you are, who tugs you along as naturally as the rise of the sun. who raids kitchen cabinets with you and always makes you laugh, little giggles and chuckles that have him beaming proudly. a boy who cleans your wounds with a serious expression, and tells you that he’ll protect you forever. 

(you tell yourself the same. that you’ll protect him forever and ever, until you run out of air to breathe. a boy so sweet you’d die for him.)

a pledge is made. you make it before you know what a pledge is. pledging to protect him, to become his sword, because even as a child you understand that his life will be difficult. you see it in the dullness that sometimes comes over his eyes, the apathy of his so-called parents, the hours he spends locked up with nothing but a pile of dusty books to keep him company. 

so you decide to become his knight. his, and his alone. 

it’s challenging. but you push through; training with another aspiring knight, miles better than you, black hair tousled by the breeze as he knocks you off your feet for the thirtieth consecutive time. wincing as the girl who sometimes watches your sparring patches you up, soft hands cleaning your wounds so tenderly that you almost choke up.

and eventually, as the apricot blossoms of the castle orchard wilt and bloom over and over in a flurry of pure white, your dream comes true. 

there’s something playful in satoru’s eyes, when he places his blade on the curve of your shoulder. something sweet and fond, and just a little bit ironic — as if you’re still seven years old, and playing house. 

you want to tell him that it isn’t a joke. that you’re serious, about this, that you’d tear your stomach open to keep him safe. but you know he’d just laugh. so you let the words clog up your throat, honey-sweet devotion sticking to the walls of your esophagus. breathing in through your nose, as he speaks. as the words you’ve waited to hear flow from his glossy lips.

when all is said and done, satoru smiles. he calls you his little knight, and you can tell that he’s teasing you. indulging you, as if he’s in on some joke that you aren’t. but you’ll take what you can get.

you call him my prince, expecting him to laugh it off, but his smile begins to fall. and a pang of ache rushes through your soul, instantaneous, guilty, although you don’t understand why.

so you keep calling him satoru. even though it’s more than a little unprofessional, and you become painfully accustomed to receiving a few judgemental looks here and there. a knight and a prince shouldn’t be so very close, they think, and you don’t disagree. but there’s nothing they can do about it, anyhow.

the prince and his knight can do what they want.

not much changes. you’re his knight, but he treats you the same as before. he’s playful, a little goofy, and you indulge him. as always. attached at the hip, bickering and bantering, bouncing off each other effortlessly. and satoru never bothers to hide your history, the soft spot he has for you; it’s in every fleeting glance, soft tilt of his head, teasing call of ah, there’s my favorite knight. 

(you’re no stranger to jealous looks. sometimes a pout on the lips of a pretty girl, a crease between the brows of one of your fellow knights. and sometimes a glare, from his fiancée — a woman he was engaged to before he was old enough to speak.

but you don’t mind. you’ve never cared what anyone but satoru thinks of you.)

satoru never loses his smile, that effortless air of confidence. the charm that makes people want to follow him, a charisma you know well. one you fell victim to at five years of age. he’s still just a prince, far from being a king, but he receives the same respect.

and that keen, sharp glimmer in his eyes never quite goes away; the hardened shell around his heart unbroken. you see it in fleeting glances, during meetings, ones he allows you to attend despite your status. when he speaks to a room of people with more power than you can imagine, his voice unwavering. back straight. elegant, serious, the presence of royalty — enough to receive respect without even trying. 

but he still shoots you a smile, easygoing, when your eyes meet. one only you can see.

as for you, the step into knighthood is a clumsy one. but you take your duties seriously, and adjust properly. a deep devotion runs through your veins, from your beating heart down to the tips of your fingers, where a sword lies clutched. you keep it close, always, ready to serve. to obey. to protect. 

all of it for one person.

all you do is for him. duels in his honour, beasts slain for his peace of mind, and he’s always there to welcome you back. wiping the blood from your cheek, tenderly, smearing his untainted skin with red; all while he looks at you softly, a coo or word of praise waltzing on the tip of his tongue. 

that’s only for when you remain unscathed, though, when the blood on your cheek isn’t your own. when you get hurt, it’s different — something begins to brew inside his eyes, and you can’t tell what it is. but he insists on bandaging you himself, paying no mind to your meek protests.

sometimes, you’re more reckless than usual. your injuries worse. sometimes he looks upset, angry with you, and doesn’t speak. you don’t, either.

a strange look comes over his eyes, every now and then. when you get down on one knee, to kiss his hand, the metal of the ring on his finger — and if you look up, you’ll see it. simmering inside those blue depths, something just as fond as it is sad. troubled, you think.

(something tells you he’d kneel, too, if only you’d let him.)

the bond between you remains intact. even as you begin to shoulder more responsibilities, more duties, even though you don’t have as much freedom as you used to. even though you seem to get less time to spend with each other every single day. but you stay together, even so; just like when you were children, running around and causing trouble, more than you could get away with now. 

despite everything, satoru has grown up into a fine man. and you couldn't be prouder.

“do you think i look good in black? be honest.”

you throw him a glance. curious, somewhat perplexed, eyeing him up and down.

satoru is wearing a white blouse, puffy sleeves and a low neckline, showing off the skin of his bare chest. no black colours to be seen. you think back to that banquet he attended last month, forced into an expensively tailored black coat. a corset around his waist. and then you hum.

“sure you do.”

”suguru said it makes me look like a try-hard,” he scoffs, crossing his arms. tilting his head in your direction. ”do you think he’s jealous?”

”definitely.”

a moment passes. 

satoru narrow his eyes, and gives you a dubious look. clicking his tongue. ”… something tells me you aren’t taking this seriously.”

”i am,” you assure him, a lazy smile at your lips. meeting his gaze, that displeased little pout. still smoothing a brush down the mane of your horse, the smell of hay soothing your muddled senses. ”just tired. you look good in anything. you know that.”

he hums. silent, the sound of a spring breeze filling in the gaps.

it’s late. outside the stables, the world is engulfed by a dark sky, almost too murky to see anything. hazy stars glimmer in the distance, and a sense of fatigue gnaws at your bones. it’s been a long day, and yet you’re here — doing even more work. just a little more.

and satoru’s right there with you. even though he’s just sitting there, on the floor, not lifting a finger to help. not that he has to. insistent on spending some quality time with you, keeping you company. just talking and munching on the food he snuck in, bread and cheese and an expensive bottle of wine, that he leaves completely untouched. he tries to leave some of everything else for you, though. keyword being tries.

a sense of peace simmers in the air. palpable, almost enough to taste, as midnight air streams in from the opened doors, chilly and pleasant on your skin. ruffling the thin fabric of your clothing.

and it’s nice, you think, just to have satoru there — talking about this and that, complaining about all the annoying people he had to meet yesterday, yawning every now and then. nostalgic. like this, it almost feels like you're still kids. back when you spent every single hour of the day by each other’s side.

it’s been a long time since you got the chance to speak like this. satoru’s been busy, and so have you. more so than usual.

”are they running you ragged?” he suddenly asks, and you don’t realize you’ve spent the last minute staring into space. resuming your brushing, with steady hands, but turning your head to meet his gaze.

”need me to…” he makes a slicing motion with his hand, right over his throat. a glint of mischief in his eyes. ”handle it?”

and you scoff. amused, but answering him seriously; unsure if his question is all-together humorous, if it doesn’t carry a hint of something genuine too. ”of course not.”

there’s a weariness in the way you blink. the way you pet the animal in front of you, having finished getting the dirt and blood clots out of her mane. she lays down in her stall, and you smile. turning around to rest your back against the wooden border between you, a respite for your aching bones.

it gets just a little bit tiring, sometimes. fighting, patrolling, helping townsfolk. protecting the castle, making sure everything is in order. killing whatever needs to be killed. cleaning the stained silver of your sword.

but…

”it’s my duty,” you answer, seriously, and it comes out sounding like a vow. because it is. 

you avoid his gaze, but you can feel it, as you pick up the wine bottle by your feet and pop the cork. soft moonlight flits in from the windows, illuminating the green glass. a chartreuse glow that reminds you of fireflies, shimmering in your grasp, and for some reason it soothes your heart.

satoru only hums, far from approving. popping a piece of cheese into his mouth. 

after a brief pause, he continues. ”you don’t have to be so serious all the time, you know.” his voice comes out a little raspy. it’s got a certain tilt to it, one that means he wants you to take him seriously. ”not around me.”

you take a sip of the wine. expensive, blood red. it’s too sweet for your taste, heavy on your tongue.

”… i’m less serious with you than i am with others.”

satoru sits up a little straighter.

”yeah?” he grins, a kind of satisfaction blooming in his eyes. cerulean and sweet. almost smug, you think, like the cat that got the cream. ”that’s good. you really should loosen up, though.”

a glance. fleeting, just to see him — but he isn’t looking at you. he’s looking outside, through the opened window, at the sway of the apricot trees. white petals flitting in, landing by his feet. in his hair.

when his eyes meet yours, they’re smoothed over by that something you can never put your finger on. a blend between longing and fondness. crinkled at the edges.

”you’ve got a pretty smile,” he exhales. ”be a shame not to show it off.”

when you look at him, really look at him, you see it. that fatigue. it slips out when he talks to you, a sincere way of speaking that never quite allows him to hide his emotions. you hear the hint of a yawn, can practically feel the weight on his shoulders. the weight of an entire nation. a weight he was always bound to carry.

(you could never bring yourself to be even remotely alright with it.)

“have you been doing okay?” you ask, and satoru blinks. there’s a soft look in your eyes, as they trail over the contours of his face, his lashes catching the light of the stars. an innocent, pretty face. but he looks tired. frail. like he hasn’t been sleeping properly.

something rotten bubbles up inside your throat.

”they’re running you ragged, too,” you say, hand settling on your hip. where your sword usually is. unconsciously, on instinct — or maybe just to make him laugh. ”need me to step in?”

satoru chuckles. husky, mellow. dripping with soft amusement.

”settle down, little knight.”

a moment passes. silent. his eyes flutter shut, for a second, and a breath slips from his lips. almost a sigh. in the distance, you hear the quiet coo of an owl. 

”of course,” he eventually answers, opening his eyes. and you think he looks a little resigned. but smiling. self-deprecating, you think, although he’d like you to assume otherwise. ”all of it is just preparation, anyhow.” 

a flimsy smile, as he looks into your knowing eyes. ”it’s what i was born for, wasn’t it?”

you purse your lips.

“… i don’t think so.”

another chuckle. a little delighted, this time. 

“yeah,” he cranes his neck, emitting a low groan. “me neither.” something sweet blossoms in his eyes, sweet like the crunch of the apple he bites into, juice dribbling down his chin. ”but it is what it is.”

a beat. you part your lips, trying to find the right words. ”tell me if there's anything i can do,” you settle on. the same words you always choose. ”anything at all.”

satoru smiles. “right.” his voice carries a teasing tilt; almost a purr. ”there’s nothing you wouldn't do for me, hm?” 

“— there isn’t.” you smile. “nothing at all.”

he blinks. a little dazed, for a second, and you watch as his ears redden. slight, enough for you to notice, but gone before you can bring it up. a contemplation smooths over his features. and a pleasant breeze flits in, ruffling his hair, apricot petals kissing up his skin. he looks at the apple in his hands.

then he sighs. placing his palms on his knees, and rising to his feet. his arms twitch, muscular beneath the flimsy blouse, and you gulp. although you aren’t sure why.

“alright, then.” his eyes flicker in the dim light, sharp and decisive. he crosses over to you with long strides. “there is something you can do.”

when he’s close enough, satoru reaches out his hand; opening his palm. a silent beckoning. you look at him, not saying a word. his expression is unreadable. 

then you intertwine your fingers with his. unquestioningly, even in the midst of your confusion.

(it reminds you of that day. when he pulled you up to your feet, held your hand in his and refused to let go. leading you to the promise of something better.)

no matter where he goes, you follow.

and satoru grins. it’s sweet, just like back then, a smile so vibrant you wish you could tuck it into your sleeve and keep it there forever. he curls his fingers around yours, gentle, fondness bubbling up inside his eyes. for a second, you think you see the sun.

“come with me.”

at first, you truly aren’t sure where he’s going to take you. hand in hand, you begin to walk, feeling the midnight breeze nip at your skin. beyond the castle walls, away from the hustle and bustle of the nearby town. satoru holds your hand and smiles, tousled tufts of white hair swaying with the wind, leading you to a place you know well. a place where the air tastes like freedom.

it’s the river you used to play by as children.

gleaming a solemn silver under the evanescent moon, framed by bushes of lilacs, blooming indigo and violet and pure white. butterflies flutter about, almost glittering, blue wings settling down on the leaves. the scent of nectar hangs heavy in the air. on top of the hill just above you, you think you can spot tiny little glowing dots; green and yellow, buzzing around. dancing merrily, now that there aren’t any troublemaker children left to trap them.

satoru lets go of your hand, to roll up his sleeves. the hems of his pants. then he’s taking a step forward, dangerously close to the edge of the river, and you can tell what he’s thinking.

“ah — wait —“ you stumble forward, to grab hold of his arm. a worried crease forms between your brows. “that's dangerous, satoru. you could slip and fall.”

he turns to face you, a teasing mirth in his eyes. smirking lightly. “oh? is that so?” he hums, a slight tilt of his head. then he’s stepping closer, so close you feel his warm breath on your skin, but you will yourself not to step back. “wanna know what i think?”

he leans forward, just a little further, warm air brushing against the shell of your ear. flushing beneath it. his voice comes out low, a sleepy lilt, dangerously raspy. hand ghosting over your waist.

”i think you’re too scared to get in.”

you blink.

”… really?” you deadpan, stepping back a tad. satoru looks pleased with himself.

“really,” he purrs. “you were always like that. could barely dip your toes in without shivering.” he reaches out to pinch your cheek, a coo on the tip of his tongue. ”scaredy-cat.”

you raise an unimpressed brow. satoru steps back, inching closer to the river, until a quiet splash tells you that he’s standing in the water. lapping up his bare legs, not enough to even reach his knees — it felt a lot scarier when you were smaller. he’s still holding your hand, very loosely, fingertips ghosting your own. 

“c’mon,” he coaxes. soft, encouraging, a playful glimmer in his eyes. teeth catching the light of the moon. “or is it too much for my brave knight to handle?”

satoru laughs, when that makes you furrow your brows, attempting to hide the flush of your cheeks. a warmth spreads through your chest at the term of endearment, and you bite your lip. melting a little. 

his knight. his favourite knight.

“... fine,” you tangle your fingers in his own. sighing deeply, taking a tentative step forward. “just be careful, okay? i don't want to deal with your whining if you hit your head.”

“ah, but you’d kiss it better, no? if i asked?” he flashes you a honeyed grin, eyes rich with amusement. you hope the darkness of the night is enough to hide the red of your ears.

a grumble buzzes in your throat, locked behind your pursed lips. something in your jaw goes tight.

the man in front of you softens. parting his glossy lips. he says your name; slowly, thoughtfully, as if savouring every syllable. dragging them out, speaking with a lilt that tells you he’s being sincere.

“— loosen up. it’s just you and me.”

so you do.

and it’s odd. how easy it is to get lost in him, the watercolour of his eyes, the brightness of his grin. how pliantly you let him whisk you away. before you know it, you’re playing in the water — because satoru splashed you, laughing at the shock on your face and the shiver of your spine, and you had no choice but to retaliate. 

the sound of his laughter fills the air, sweet and bubbly. deep and giddy. strands of hair stick to his wet skin, droplets running down his neck, but his grin never falters. bright and toothy, boyish. he looks younger than you ever remember him being. like there’s no weight on his shoulders, none at all, only soaked fabric weighing him down. a flimsy, see-through blouse.

you think it’s ridiculous. two grown adults, splashing each other like children. but his melodic giggles are contagious, and before you know it, you’re laughing too — and satoru looks at you like you hung all the stars in the sky. through dewy eyelashes, with cerulean eyes that melt into the pale blue of the moon and the silver of the river. filled with wonder.

a particularly ruthless splash knocks him off balance, and he has the instinct to reach for your arm; stumbling, slipping, dragging you down with him. you land on his chest, cheek against his neck, his pulse against your skin. erratic, joyous. fluttering happily. his chest is heaving, lifting you up and down, a little, rhythmic and comforting. 

a sudden yelp slips past your lips, as you get snapped back into reality, into the realization that you basically just pushed your own prince into a river and used his unfairly soft chest as a cushion. a mumbled string of apologies escapes you, as you attempt to get up, scrambling to find footing.

but satoru wraps his arms around you. tucking you under his chin, keeping you flush against his chest. nice and still. 

and then he sighs. a blissful little breath, fatigue seeping out of him. into the air. 

“stay like this, for a bit,” he rasps. ”it’s okay.”

his heartbeat resounds in your ear. warm and rapid, like claps of thunder, coaxing you into closing your eyes. satoru has always felt so very safe. the water of the river is cold, seeping through the fabric of your clothing and sticking to your skin, but…

(he’s warm.)

silence. and then, a whisper; frail, slipping past his lips, gently slicing the silence in half. softer than you've ever heard him speak.

“i missed this.”

…

nuzzling into his neck, you breathe him in. he smells like sandalwood and dried roses, buzzing with warmth, heavy arms around your waist. solid. when did he get so big? you used to be taller. 

then again — that was a long time ago, wasn’t it?

“… me too.”

“missed you,” he continues, his jaw on top of your head. it’s a sincere confession; childlike in its innocence. “missed hearing you laugh like that. feels like it’s been so long.” 

you stay silent. unsure of what to say. satoru continues, and you let his husky voice carry you away, the tremor of his chest running through your entire body. soothing like a lullaby. 

”we haven't had much time together, lately. i’ve been worried,” he admits, and something about it strikes you as rather sheepish. a little ashamed. ”it bothers me that i can't be there to watch over you. make sure you're treated with respect, you know.”

a sleepy chuckle. muffled into his shoulder, almost a scoff — slightly exasperated. little droplets cling to his skin, sticking to your lips.

”relax, your majesty,” you tease. ”i promise the other knights aren’t bullying me.” 

satoru pouts. you can hear it, when he speaks. ”i’m serious,” he huffs, squeezing you lightly. ”and it’s not them i’m worried about. suguru’s there.”

another scoff threatens to escape your throat. you want to tell him the only knight that should be suspected of bullying you is suguru himself, but before you can even think to part your lips satoru’s beaten you to it.

”they all treat you so carelessly.” there’s something cold to his voice, an irritation tugging at his teeth. oddly seething. ”like you exist to serve them. like you’re disposable.” 

a moment passes, heavy with a silence so thick you don’t dare break it. when he speaks again, it’s an order. a demand. 

”i want you to tell me if they go too far.”

silence. again. you can do nothing but gnaw at the flesh of your bottom lip. 

(he isn’t wrong. but that’s simply what it means to be a knight — half-human, half-weapon. an unattainable ideal, stuffed inside a suit of armor.

when a weapon breaks under the force of a slash, the only choice is to throw it away. that much you know.)

”it’s fine. i’m not that fragile,” you weakly protest, but it’s not enough. satoru huffs.

”you’re a human being,” he reminds you. strangely stern, for once. chastising. ”you deserve to be treated with respect. knight or not. fragile or not.”

a deep inhale. he breathes in, and the rise of his chest carries you with it. his voice buzzes with something, a slumbering kind of fury. one you haven’t heard in years. 

“if anyone gives you trouble — if anyone hurts you… if anyone makes you feel unsafe,” he almost spits the words, like they’re venomous, sacrilegious. ”tell me. i’ll destroy them.”

silence. and then, a chuckle.

that’s all you can manage; that one meek little breath. resisting the urge to cower, at the love that clings to every word he speaks. angered affection. a promise, dangerously genuine, like a growing wildfire. ”i can take care of myself, satoru,” you remind him. hoping it’ll soothe him. ”you know that.”

but his grip around you only tightens. gentle, even still. as if you’re made of glass, a firefly cupped in his palms. he lets the silence linger, for a moment.

and then; 

“i’d do it, you know.”

“… do what?” you ask, though some part of you already knows. 

satoru’s reply is instantaneous. an arrow hitting its target, cold and concise, decisive. frighteningly honest. almost a growl, flattened, a hint of teeth behind his soft lips. ”destroy them. anyone.”

”i’d tear this nation apart if you asked me to.”

…

(ah. that look in his eyes — one you remember well. strung together with blurred memories, the sting of a palm on your cheek, a castle maid you never saw again.)

you search for the words. biting back a gulp, hesitant. “… i wouldn’t.”

“i know.” satoru yawns, breathing you in, voice shifting back into the softness you’re so used to. your shoulders relax. “but i would. if that’s what you wanted.”

and it’s a little scary, the depths of his devotion. but you’re almost certain you’d do the same for him. maybe you're both a little sick in the head, a little too eager to serve your hearts on a silver platter.

“it bothers me, you know.” satoru breaks you out of your thoughts. gentle, a soft lull of his tongue. ”when you get hurt. when you fight for me.”

“i know,” you murmur. you’ve seen it in his eyes, a worry he’s not as good at hiding as he thinks. ”i want to, though.”

“and i want you to be safe.” a chuckle bubbles up in his throat, just a little bit rueful. “you never listen, do you? so stubborn, i swear. always worrying me.”

you bite down on your lip. he sounds… a little sad.

“… sorry.”

a moment’s pause. then he shakes his head; cradling you close. “it’s fine. i’m here. always,” his palm runs down the small of your back. ”in case anything happens.”

he inhales. ”and when i become king —” a beat. he swallows thickly. ”you’ll never have to worry again. no one will be able to touch you.”

”satoru,” you crack a small smile. amused. raising a single eyebrow. ”i’m not worried. i can protect myself.”

”i know. but i’m saying you don’t have to.”

and then he’s pulling back. just a little bit, just enough to see you. cheek smushed against his chest, comfortable and soft, more unguarded than he’s seen you these past few months. it’s enough to get his heart racing. enough to have him reaching out, fingertips ghosting over your hand, tangling your fingers together. bringing it to his glossy lips. a chaste kiss, brimming with unspoken murmurs of love.

”— i’ll protect you forever,” he vows. ”remember?”

there’s devotion in his eyes. heavy, a vow he’ll never quite be able to voice in full. something that makes the blue of his eyes glow even brighter, cerulean, aquamarine, a blue so jarring it makes your heart beat faster than it should.

you blink. starstruck, caught in a daze, lost within that sea of blue. distracted by his warm breath on your cold skin, the soft whisper voiced against your knuckle. something shy blossoms in your chest, enough to have you averting your gaze. 

“... you really don’t care about the dynamic here, do you?” is all you can reply. a meek scoff, a weak attempt at hiding how flustered you are. “i’m the knight. i’m your protector.”

“oh, i know.” a smile sticks to his lips, playful, the back of his hand caressing your cheek. a coo on his tongue. “my little hero. what would i ever do without you?”

a roll of your eyes. satoru chuckles. in the distance, you hear crickets chirping, a breeze rustling the lilac bushes all around you. he’s still cradling your cheek, smoothing over your wet skin, brushing a drop of water away with his thumb. clinging to your bottom eyelash.

“i don't get it, though.”

you blink. when you meet his eyes, satoru looks a little perplexed. muttering under his breath, absently rubbing circles over your cheekbone. you resist the urge to close your eyes again, biting back a blissful sigh.

”a prince shouldn’t care for his knight…” he repeats, like he’s heard the string of words a million times before. ”the idea of that. i don’t understand it. never have.”

the smile that blossoms on his lips is soft, indescribably so, as if he’s looking at the most precious thing in his life. rich and warm, like wine in your veins, nectar on your tongue, a chest pressed against your own. dripping with fondness.

satoru tilts his head, as if in confusion — but he’s smiling. “what’s so strange about wanting to protect the one dearest to my heart?” 

…

his hand slips from your skin, a warmth leaving your cheek. only to search for your hand, again, cradling it in his larger palm. placing it right over his chest, against the soaked material of his blouse. ”feel that?”

you do. a rhythmic rise and fall, a soft flutter from the depths of his ribcage. as if it’s itching to break out, out of the cage that binds it, the hardened shell around it. a heart too big for his body.

”it’s you,” satoru whispers. ”all for you.”

a moment passes.

silently, you lean forward; tucking yourself into his neck. into that comforting warmth, wet skin beginning to dry, the steady thrum of his heart right by your ear. you listen. not saying a word, afraid of what might leave the confines of your strangled throat. it feels as if your heart has begun to crawl upwards, sweet honey blocking your airways, and all you can do it feel it pulse. 

all while satoru gazes at you, fondly. placing a big palm on the back of your head.

fireflies dance in the distance. butterflies flutter about. strings of lilacs bloom under the glow of the moon. and satoru’s heartbeat never changes, never falls out of tune, a sound you would recognize even if the sky were to shatter, if the world were to end. the sound that saved you, the boy who dragged you out of hell. into his light. 

satoru gojo is everything. he’s the beat of your heart, the silver of your sword, the reason you believe in goodness. he’s your prince, your favorite person, and you’ll protect him until your very last breath. until the world runs out of oxygen.

a boy so sweet you’d die for him.

(a boy so sweet he wouldn’t want you to.)

a shiver runs down his spine — sudden, a shudder of his bones, and a quiet little sniffle. you feel it, hear it, and don’t attempt to bite back the fond smile that slips into the curve of your lips.

”c’mon,” you beckon, almost a coo, placing your palms on his chest to hoist yourself up. ”let’s go home.”

but satoru shakes his head. and then he traps you again, strong arms around your waist, pressing you against him. you could escape — you’re almost certain you’re stronger — but you don’t quite have the heart to. ”it’s fine,” he huffs. almost a whine. ”stay.”

”you’ll get sick.”

”i never get sick.”

a deep exhale. tumbling from your lips, just a little bit humorous. mostly exasperated. ”that can change,” you mumble, fingertips dancing along his exposed skin. absentmindedly.

a smile. one you can’t see, but you hear it clear as day. he sounds content, like he’s got everything he needs right in front of him. ”some things never change,” he informs you. pleased. ”just look at us.”

and he’s right. so you don’t say anything else. 

but your heartbeat quickens, only for a beat or two, and you’re almost certain he feels it. if he does, he opts not to tease you for once, and you’re grateful. and so the silence lingers. as if time has begun to freeze, into an eternal dusk, a string of silent seconds. broken only by low melodic chirping from faraway fields, his soft breaths in your ear. 

until satoru suddenly chuckles.

“hey,” he hums, shifting a little, the river swaying around you. pulling back to meet your gaze, eyes crinkled and voice raspy. “wanna know a secret?”

you raise your head. a dubious look on your face, one that has him breathing out an amused puff of air, like you’re getting ready to hear a bad joke. “... what is it?”

before the words have fully left your throat, he’s resting his forehead against yours — breath fanning over your lips. a pleasant shiver trails down your spine, at the close proximity, goosebumps spreading across your chilled skin. only exacerbated by the whisper that follows, so quiet you almost don’t know if you heard him correctly. childlike in its sincerity. a sunlaced smile woven in between the vowels.

“i think i was born to meet you.”

(a sentiment so sweet you barely even feel the warmth of his lips meeting yours.)

[bluerosefox]

Good Doggos Give Hope!

Cujo was, is a good boy both in life and in death.

He knows this. Everyone knows this.

So when Cujo notices his favorite half boy seemed more hurt than normal when he goes to see him, notices how stressed and on the verge of tears, notices the strain in his voice as he pretends to be okay as he pets Cujo's head. Cujo knows his favorite boy needs help.

Cujo is a good boy, and as he listens to his favorite boy and his friends talk about the GIW getting more deadly, how his parents inventions are becoming to much, how Vlad circling around his favorite boy even more often, how he's failing more classes again. Cujo decides his favorite boy needs helps.

But first Cujo needs to figure out how.

He needs help.

He needs... hope.

Hope to find help for his favorite boy.

'Everything will be okay!' A voice spoke to him, Cujo spooked yelped and flew higher than he already was and he boofed when he realized he was no longer alone... or on earth anymore, turns out he started floating up and away from earth when he started thinking of how to help his favorite boy.

Cujo, floating from both him being a ghost and from space, turned around to see... Oh! A fellow dog! Who glows blue! It has been a while since played with another dog!

He barked, tail wagging in greeting at the idea of meeting a new and fellow floating friend.

'You new friend. Need hope? I help!' The other dog voice echoed out as their tail wagged as well 'We play soon but first hope! I knows many who can help!'

Cujo barked back in excitement, yes, hope for his favorite boy is here!

[i-like-forcefem]

When browsing through the wares of a newly opened magic shop you passed by an item that caught your interest, a massive mirror

You peaked inside expecting to see yourself, but instead you saw, a girl? About your height, quite pretty, good taste in fashion… Maybe your mom when she was younger?

It feels weird, in a good way, to see this girl follow all your movements, you couldn’t help but smile, and her smile is radiant

You felt an odd sense of relief… until you looked down to see that, you’re you, of course you are

Why do you feel so sad?

…

“Quite the item isn’t it?”, the Witch tending the shop noticed your interest and started talking to you “a magic mirror that shows you what you’d look like if you were born the opposite sex”

You stare into it

Why do you feel this deep dread?

“But that’s not all it does!” The witch continues “want to see a magic trick?” The witch asks laying a hand on your back

You’re curious to see where this is going, so you nod your head

In one swoop the witch pushes you against the mirror and as you brace yourself to slam into it, stumbling on your feet across the floor, you find yourself slamming into the witch face first

She laughs “I probably didn’t need to push that hard”

As you lay on the ground you feel different, you look as you prepare to push yourself up from the ground you notice your hands… are they smaller?

As you get it up and oriented yourself you glance at the mirror, still the same showing girl you, but how did you get turned around did… did you get

“Sorry” the witch says as her laughter days down “that’s the first time I’ve pushed someone through a mirror, should’ve seen that coming”

You look down and see the dress you’re wearing

“Now cutie” the witch claps her hands, and jumps up! She has a grin you don’t trust “I hoped you enjoyed the trick! If you ever want to become a guy again And I hope you have some savings! Gender-bending magic is quite expensive!”

You stumble back, you can’t turn back? The mirror is showing yo- Girl You, not the real Guy You, so… that’s a no go? You’re way to poor for anything

“But don’t worry cutie, we pay quite well here and just so happen have an opening for a maid and I can assure you, you’ll look just adorable in the uniform”

[ringosmistress]

[teethkid67]

PAYDAY

aka a valentine for the lovely @itsnotmystic / @corvids-calling - fanart for stars fic of the same name, which you can read here !!! i really enjoyed this concept and wanted to do some art for it :3 hope you like it because i REALLY loved your work & i hope this shows that !!! HAPPY VALENTINES DAY !!!!

this is also a loose love-letter to the wonderful @arginnit 's crazy background-drawing-ability and style/skill at portraying environments . wadds your stuff is insane and i love it

happy @mcyt-valentines exchange !!!!

[nondelphic]

i fucking love writing a healthy best friendship between a man and a woman without making it weird or having them fall in love

[mattodore]

birthday boy 🎂

[steveseddie]

outside looking in

for @steddie-week day one “secret relationship”

rated: t | cw: none | wc: 4,8k | tags: max’s pov, post vol. 4, 3+1 things, secret relationship, friendship, max & steve, max & eddie

click here to read on ao3

1.

Max is sitting on the front steps of her house, adjusting the wheels of her skateboard when the screen door of the Munson’s trailer swings open.

The noise it makes as it slams against the side of the trailer makes her jump. It’s only been a few weeks since Spring Break and she’s still on high alert after everything that happened.

Looking up from her skateboard, she expects to see Eddie or his uncle. She’s used to it- catching them on their way in or out of the trailer or sitting on the old ratty couch that they keep on the front porch. She’s used to waving at them and them waving back. Sometimes, if it’s Eddie, she’ll stick her middle finger out just to make him crow with laughter so loud she can hear it from across the gravel path. 

What Max doesn’t expect is to see someone else stumbling out of the Munson’s trailer. 

She certainly doesn’t expect to see Steve. 

It can’t be Steve, Max thinks. She remembers one of the doctors at the hospital telling her that her eyesight suffered some damage from being trapped in Vecna’s mind prison for too long and now she thinks that he must’ve been right. Maybe she does need glasses. 

But even if she squints her eyes, she still sees Steve. More importantly, she sees what Steve is wearing, and even from a distance despite whatever eyesight problems she might have, she can see that the clothes Steve is wearing aren’t his. Well, the jeans probably are, but the shirt is black and the logo plastered on the front is a big skull surrounded by flames, and while she can’t make out the words that are written in big bold letters, she’s willing to bet it’s the name of one of Eddie’s metal bands. Which would make that Eddie’s shirt.  

And it looks wrinkled, slept in.

Huh.

Jogging down the front steps, Steve makes his way to his BMW, parked out front and sticking out like a shiny sore thumb. Max is surprised she didn’t notice it sooner. 

She watches as he runs a hand through his hair, his messy hair- another sign pointing to the fact that Steve spent the night in Eddie’s trailer.

And the thing is Max didn’t even know they were friends. 

She’s seen them talk- or more like bicker when the party hangs out, but she had no idea that they sometimes hang out just the two or that they spend the night at each other’s places, or that they share clothes. 

She thinks she’s not supposed to know, based on the way Steve stops in his tracks with his hand frozen mid-air as he reaches for the car door handle when he spots Max across the road. 

His eyes go wide and his jaw drops a little, the dopey smile that was plastered on his face disappearing as he stands there, staring at her for several seconds. 

Max raises her hand in an awkward wave, which seems to snap him out of his reverie. He offers a small finger wiggle in return. 

Max doesn’t know how clearly he can see her. Just like her, Steve was advised by one of the doctors to wear glasses- his own eyesight showing signs of damage after the multiple concussions that he’s suffered over the years. And just like her, Steve didn’t listen.

Still, she raises an eyebrow at him while staring pointedly at the shirt he’s wearing.

And despite his own shitty eyesight, Steve must be able to see her face clearly enough because he ducks his head, realizes what Max is staring at, and his eyes widen even more. Then, without looking at her again, he hurriedly slides into the driver’s seat and starts the car, backing it up and driving it away.

Once the car disappears, Max jumps to her feet, and tucking her skateboard under her arm, she walks over to Eddie’s trailer. 

Her knuckles rap on the door and she hears movement behind it- the couch squeaking, a loud thud, and a heartfelt “son of a bitch!” coming from Eddie as he, most likely, trips over something.

Eddie starts talking before he opens the door enough to see Max, rubbing at his eyes. “Did you forget something, Stevie-” He pauses when he finally sees Max, whose eyebrows are knit together in a frown. Stevie? She’s only ever heard Eddie call Steve by his last name or by some mocking title before. “Oh. Hey Red, I thought- I thought you were someone else,” he tacks on with an awkward laugh, a hand hanging from his neck. 

Max studies him for a moment. He’s in boxers and a shirt that could very well be the same one that Steve was wearing, equally slept in. They both must’ve woken up recently- Eddie’s hair is even more of a mess than Steve’s was. 

“Who? Steve?” She asks, and Eddie makes a noncommittal sound. “Nah, he left already.” 

Eddie bites his lip. “You- you saw him?” 

“I was fixing my skateboard outside when he came out.” She narrows her eyes at him. “Wearing your shirt.”

“Um,” Eddie says dumbly, scratching the back of his neck. “He, uh, he spilled something on his shirt last night. If you ask me, it was an act of divine intervention, no one should own that many polo shirts.” He chuckles, but it sounds a little strained. 

“So he was here last night?” Max asks and Eddie grimaces, mentally face-palming himself.

“Um, yeah.” 

“Since when do you guys hang out?” She asks, raising an eyebrow.

Eddie shrugs. “Since we found ourselves as the only two adults in a group of children, I guess.” 

Max rolls her eyes. “We’re hardly children.”

“Sorry, teenagers,” he says with a smirk. “But you know, same shit. Sometimes it’s nice to hang out with someone your age who also understands, you know- everything that happened.”

“I guess,” Max concedes. Maybe in a universe without the Upside Down, Eddie and Steve never would’ve become friends, but it makes sense that they did. After everything they went through. 

Eddie reaches over and flicks Max’s forehead, sniggering when Max bats his hand away with a huff. “So, milady, is there a reason you visited me on this fine morning?” 

There isn’t. Truth is, she was curious and wanted to ask about Steve and she did that already, so she might as well just leave. But she also has nothing to do all day and she was hoping to practice with her skateboard anyway-

“Can you give me a ride to the skate park?” She asks and when Eddie glances down at himself and raises an eyebrow, Max scrunches up her nose and adds, “After you take a shower or something?”

Eddie snorts. “Yeah, sure. Come in, you can wait here while I get ready.” He steps to the side and sweeps his arm with a flourish.

“Nerd,” Max mutters but steps in any way, leaving her skateboard on the porch. 

“You can watch something or if you want to grab some breakfast, we have Cocoa Puffs and Honeycomb.” He scrunches up his nose. “But the milk might’ve gone bad, so. Careful with that.” 

Max snorts. “Thanks, but I think I’ll pass,” She says. She had breakfast at home anyway. 

“Suit yourself,” Eddie says, throwing some finger guns her way. “Be right back.” And then he disappears down the hallway.

Max has been inside the trailer a few times, but she’s never been left alone so naturally she decides to snoop around a little while she waits. There’s not a lot that she finds interesting- worn furniture, old newspapers, Eddie’s uncle’s mug collection and-

Steve’s polo shirt that somehow ended up on top of the TV like it was tossed haphazardly by someone. 

She picks it up and inspects it.

There’s not a single stain on it.  

And well, Eddie’s excuse sounded flimsy at best, but this is confirmation that it was actually a lie. It makes Max wonder why Eddie would lie about it. Friends can share clothes and if Steve spent the night it would make sense that he would borrow one of Eddie’s shirts-

But why would his shirt end up on top of the TV if that was the case? 

Before Max can answer her own question, she hears footsteps approaching. Putting the shirt back where it was for Eddie to find later, she makes herself seem busy by staring at the mugs lining up the walls just as Eddie appears. 

“Ready to go?” He asks, oblivious to Max finding the shirt and discovering he was lying about the stain. When she nods, Eddie gestures at the door with another flourish and a, “Ladies first.” 

Sending one last glance at Steve’s shirt, Max steps outside, still wondering what it could mean. 

2. 

Max doesn’t expect it to happen again, but just one week later she sees Steve leaving Eddie’s trailer again.

This time she doesn’t need to squint to notice there’s something off with Steve’s clothes. She’s on her way to Eddie’s trailer when Steve walks out and jogs down the steps, not paying attention to where he’s going, almost knocking Max over. 

“Dude!” She says, stopping him in his tracks. 

“Christ! Where did you come from?” He hisses, stumbling a few steps back, clutching at his chest. 

It makes Max’s eyes dart down to it and she raises an eyebrow. “Why is your shirt inside out?” 

Steve’s eyes nearly bulge out his face as he looks down and notices that his baby blue polo shirt is, in fact, inside out. 

“Uh.” 

Max can see him trying to come up with an explanation, she can almost hear the gears turning in his head, but he seems to be coming up blank. She narrows her eyes further. 

“There was- uh, there was a spider! It ended up caught under my shirt and I had to take it off to- to get it off me and I must’ve put it on the wrong way,” he stammers out with a strained laugh.

“A spider?” Max asks slowly, her eyebrow arched. 

“Uh-huh.” 

Max doesn’t buy it. Just like she didn’t buy Eddie’s excuse about Steve’s shirt having a stain. But since she doesn’t know the real reason why Steve was wearing Eddie’s shirt or why his own is inside out after leaving Eddie’s trailer, she doesn’t confront him about it, just filing the information for later. 

“Okay.” 

Steve awkwardly shuffles from one foot to the other for a second, eyeing his car like he wants to duck inside it and drive away from the trailer park and Max as fast as he can.

At that moment, the trailer door opens and they both whirl around to see Eddie lighting the cigarette dangling from his lips as he walks out. He freezes when he sees them, his eyes darting between the two.

“Oh, you’re still here,” he mumbles through the cigarette. “And so is Max, hey Red.” 

Max gives him a wave.

“What are you two talking about?” He asks, taking a drag from the cigarette.

“I was telling Steve that his shirt is inside out,” Max says, her lips twitching into a smirk. 

Eddie’s eyes widen the same way Steve’s did as he clocks in the inside-out shirt. “Right, that’s- that’s because, um.”

Max waits for him to come up with an excuse of his own, wondering if he’ll come up with the same one that Steve did. But before he can say anything else, Steve intervenes. “There was a spider, right, Eds?” 

Eds? Steve calls him Eds now?

Eddie claps his hands together and points a finger at Steve. “A spider! Right! Nasty little crawler!” 

Max rolls her eyes, wondering if they think she’s stupid. Idiots.

“Whatever.” She turns to Eddie. “My mom made lasagna and she told me to invite you over for lunch,” she says. That was the reason she came over in the first place.

Eddie grins around his cigarette. “Hell yeah, your mom’s lasagna is the shit.” 

Max turns to Steve. “You can come too if you want. She made plenty.” 

The corners of his mouth twitch up for a second before he frowns. “Crap, I’d love to but I have a shift in,” he pauses and glances down at his watch, “twenty minutes. Sorry.”

“Another time.”

“Definitely,” Steve says, ruffling Max’s hair and ducking out of the way before Max can punch his arm. “But for now, I gotta go!” He starts jogging towards his car.

“Don’t forget to fix your shirt!” Max calls and Steve makes a face as he opens the door. 

“And beware of spiders!” Eddie yells right before he climbs inside. Max still catches a glimpse of the fond smile teasing at Steve’s lips. 

When the car disappears, she turns to Eddie again. “You coming or what?”

“Well, when you ask so nicely,” Eddie says with a grin, walking down the steps. 

As soon as he’s within reach, Max snatches the cigarette from his lips and drops it on the ground, snuffing it out with her foot. 

“Hey!” 

“Smoking kills, you know?” She says, crossing her arms over her chest. 

“My dear Red,” Eddie says, throwing an arm over her shoulders as he steers them towards her house. “I defied death once, and I shall do it again!” He says in a silly voice. 

Max bites her lip around a smile. “Yeah, yeah, you can defy it where I don’t have to smell it. Come on, Mom’s waiting.” 

He withdraws his arm and jogs a few steps forward, crouching down in front of Max. “Hop on, milady.” 

Max rolls her eyes, but she grabs Eddie’s shoulders for balance and jumps on his back. Eddie laughs, hoists Max up by her legs, and yells, “Onwards!” before he starts running towards her house. 

Max can’t help but laugh along with him. 

3. 

The next time Max sees Steve outside Eddie’s trailer he’s not leaving but arriving instead. 

She’s sitting down on the porch with her Walkman, waiting for her mother to pick her up. She doesn’t just listen to Kate Bush these days, but she still keeps one of her tapes with her at all times. Right now, she’s listening to a mixtape Lucas made for her. 

It comes to an end just as Steve’s car rolls into the trailer park, stopping in front of Eddie’s trailer. 

As she rewinds the tape, she expects Steve to step out of the car and head inside, but he doesn’t. Eddie doesn’t come out of the trailer either. Steve just sits in his car with his hands on the steering wheel for seemingly no reason.

After ten minutes, he still hasn’t come out and since Max has nothing better to do until her mother gets here, she decides to walk over there to find out what’s going on with Steve. 

She opens the passenger door and slides into the seat without announcing herself, making Steve jump and hit his head with the roof of the car.

“Jesus Christ! Ouch! Fuck!” He glances at Max with wide crazy eyes. “Goddammit, Max, are you trying to give me a heart attack?” 

Max ignores the question in favor of asking one herself. “You’ve been sitting here for ten minutes, dude, what gives?” 

The hand that Steve is rubbing his head with stops abruptly. “Um.” 

“Well?” Max gives him an exasperated look. Her mom is going to be home any second and she would like to get an answer before she does.

Steve bites his lip, watching Max closely. “Can- Can I ask you something?” 

He seems nervous and that’s the only reason why Max lets him ignore her question. “Okay?” 

“You and Lucas-” he starts and Max raises an eyebrow. She wasn’t expecting Steve to ask about them. “You’re together again, right?” 

“Uh-huh.” 

“Did he- when he asked you to-” He waves his hand in a vague gesture. “You know- be his girlfriend, how did he- what did he do?” 

She bites down on the why? that’s at the tip of her tongue. “He gave me this. A mixtape,” she says, holding her Walkman for Steve to see. “And he- he just asked me. He said that after Vecna he didn’t want to waste any more time. He wanted to be with me.” 

Steve smiles softly. “Smart kid.” 

“It wasn’t terribly romantic but-” Max trails off with a shrug. She hadn’t cared about that. Vecna made her realize she wanted to be with Lucas too, and that’s all that mattered. 

“He probably knew you wouldn’t want a big romantic gesture,” Steve says and Max nods.

She narrows her eyes at him- at the way Steve bites his lip while glancing at Eddie’s trailer, thinking.

That’s when it clicks. The shared clothes, the inside-out shirt, Steve asking about her and Lucas, how nervous he is to go inside-

“Is that something Eddie would want? A big romantic gesture?” She asks and Steve snaps his head in her direction so fast she thinks she hears his neck crack. 

“What- what do you- how do you-” 

Max scoffs, crossing her arms over her chest. “Dude, I saw you leaving Eddie’s trailer wearing his clothes and then with your shirt on inside out. And don’t give me that bullshit about the spider! You were obviously- you know.” She gestures vaguely but Steve gets it. His cheeks go pink which is enough confirmation. “And now you’re asking me about Lucas and how he asked me to be his girlfriend like- like you’re thinking about doing that so- is that it? Are you gonna ask Eddie?” 

Steve sighs heavily, slumping back against his seat. “Yeah, that’s- yeah. I want to ask him,” he admits, gripping the steering wheel. He glances at Max out of the corner of his eye. “Is that- is that okay?” 

Max snorts. “You know you don’t need my permission, right? But if you’re asking if I think you and Eddie being together is okay? Yeah, of course it is.” 

Steve relaxes slightly. “Thanks. I- we- this thing between us is new. We haven’t told anyone. Not that we had to tell you,” he chuckles. “Of course, you figured it out, but we haven’t, you know, made it official, but I want to. I just don’t know how.” 

“I thought you were supposed to be some kind of ladies’ man?” 

Steve lets out an undignified squawk. “I- that’s not- I mean I was, but my game kind of went downhill after high school and Eddie- he makes me nervous.”

“Is that why you’ve been freaking out here for ten minutes?”

A high-pitched laughter tumbles out of Steve’s lips. “Yeah, that’s- yeah.” 

Max rolls her eyes. “Steve, just tell Eddie how you feel! How you really feel.”

“Easier said than done, Mayfield.” 

She turns sideways in her seat to face him. “Look, Eddie likes you, that’s obvious, and you like him so just tell him that. Tell him that you want to be together. Officially.”

Steve runs a hand through his hair, blowing out a breath.

“And stop doing that!” Max chatises, slapping his hand away. “You don’t want to look like a bird built a nest in your head when you ask Eddie to be your boyfriend.”

He drops his hand to his lap. “No, I don’t,” He concedes. Then he takes a deep breath. “Yeah, okay, I’m doing this.”

Max waits for him to move and get out of the car, but he just sits there. “Dude, you’re still in the car-”

Steve throws his arms up. “I know! I know, I’m going!” 

And then finally, he gets out of the car. Max follows his lead, leaning her crossed arms on the roof to narrow her eyes at Steve. 

“Now you gotta walk over there-”

Steve groans. “Yeah, I know that. You,” he points at her with one finger while the other one settles on his hip, “you gotta scram. I’m not doing this in front of you.”

Max rolls her eyes. “Whatever. My mom will be here soon anyway.”

She starts walking back to her house but before she gets too far, Steve calls her name. She turns around with a raised eyebrow. 

Steve is smiling softly at her. “Thanks.”

Max smiles back. “Good luck!”

Her mom’s car appears then and she waves at Steve before running towards it. She gets in, and as her mom drives away, she sees Steve fix his hair one last time in the car window before finally walking towards the trailer. 

She faces forward in her seat, convinced that the next time she sees Steve leaving Eddie’s trailer, he’ll be doing it as Eddie’s boyfriend. 

+1. 

The next time he sees Steve, however, it’s not outside Eddie’s trailer, but rather inside it.

She’s sitting down at the Munson’s table, watching Eddie putter around the small kitchen as he cooks them pasta for dinner while she works on her History homework. 

Eddie has music on- loud, heavy metal music that Max rolled her eyes at when she walked in. But the truth is that she’s used to it by now and she prefers this to the silence back at her house when her mom is at work. 

Because of the loud music though they don’t hear the car that parks outside or the person that walks up the front steps. It’s only when the door flings open that both Max and Eddie jump and glance at it, both of them relaxing when Steve walks in carrying a six-pack.

“Honey, I’m home!” He announces, shrugging off his jacket. 

Max watches as Eddie’s eyes widen comically before darting between her and Steve, who still hasn’t noticed her. Steve must’ve forgotten to tell him that Max knows about them- probably too embarrassed to admit he asked a fifteen-year-old for advice on boys. 

“Uh, Stevie-” Eddie starts, but Steve, whose back is still turned towards them as he hangs his jacket on the coat rack, ignores him and keeps talking.

“It smells great in here, Eds! I’m starving. Robin ate the last of my sandwich at work and then she wouldn’t let me steal anything from the candy display. I thought we could order pizza, but thank God my boyfriend decided to surprise me with a home-cooked meal. Oh hey, Max.” He wiggles his fingers at Max, finally noticing her, and she waves back. 

Eddie’s jaw hangs open as he stares at Max. “Shit, I guess- I guess the cat’s out of the bag,” he chuckles, nervously tugging some of his hair in front of his face.

“Dude, the cat’s been out of the bag since I saw Steve leave in one of your shirts after spending the night here,” Max says with a snort. 

Eddie splutters. “What?”

She smirks. “Yeah. And that time Steve walked out with his shirt inside out? Did you really expect me to believe it was because of a spider?”

Steve’s face twists into a grimace. Eddie shrugs, hanging a hand from his neck. Yeah, they should be embarrassed about that one. 

“Also, who do you think was the one who gave Steve a pep talk before he asked you to be his boyfriend?” 

At that, Eddie’s head snaps towards Steve, whose cheeks have turned pink. “She- what?”

“Okay, it wasn’t a pep talk, come on! I was just- I was a little nervous!” 

“Aw baby,” Eddie says gleefully, leaning his elbows on the kitchen counter and resting his chin on his hands. “You were nervous?” 

Max sniggers. “He was. He sat in the car for like ten minutes.”

Steve squeaks. “Shut up!” He tells her. Then when Eddie coos, Steve points a menacing finger at him. “You shut up too!” 

Still giggling, Max watches as Eddie walks around the kitchen counter until he’s standing in front of Steve and cups both sides of his face while Steve pouts at him with his own hands resting on his hips. 

“It’s okay, sweetheart. I think it’s cute that you were nervous,” Eddie tells him before swooping in to give him a quick peck on the lips. “Even if you had no reason to be.”

Steve visibly melts, his hands falling from his hips like a puppet with his strings cut, his pout turning into a dopey smile.

Ew.

“If you guys start making out, I’ll leave. I swear,” Max announces, and both their heads snap in her direction, looking like they forgot she was there. 

Their cheeks turn pink, but while Steve does look a little embarrassed, Eddie looks pleased. 

“Apologies, my lady,” he says with a flourish. “Here, sweetheart, let me take this,” he tells Steve, grabbing the six-pack and walking around the counter to put it inside the fridge before going back to making dinner. Max finds the pet names very cheesy and gross too, but she doesn’t tease them about that. She has the feeling that this is the first time that they can act like a couple in front of someone from the party and she doesn’t want them to think they have to hold back- not unless it comes to kissing. 

Steve joins her on the table, twisting one of the chairs around and straddling it, resting his chin in his arms. “If I’d known you’d be here, I would’ve brought you something to drink too.” 

“That’s okay.” Max shrugs innocently. “I can have a beer.” 

From the kitchen, Eddie cackles, and Steve’s eyes turn into cartoon-like hearts as he glances at him for a second before turning back to Max and speaking in that bitchy tone of his. “Yeah, that’s a no. Nice try. Maybe in a couple of years.” 

Max rolls her eyes as hard as she can. 

“What are you working on?” Steve asks, glancing at her notebook. 

“History homework, I’m almost done.” Then she makes her voice a little louder so Eddie hears it when she says, “I would be done by now if Eddie didn’t listen to his music so loud it makes it hard to think!” 

“You know, Red, music is supposed to improve cognitive performance,” Eddie says in a snarky tone. 

“Yours isn’t music, it’s just noise.”

Steve sniggers and offers his hand for a fist bump that Max accepts. From the kitchen, Eddie sticks his tongue out at her. 

“Whatever, your homework is gonna have to wait anyway. Dinner’s ready.”

Max closes her book and her notebook and moves them both to the coffee table while Steve clears out some old mail and flips his chair forward again. Then he helps Eddie with one of the three pasta bowls and Max grabs a soda from the fridge and two beers for them, carrying it all to the table. 

Steve wasn’t lying when he said it smelled good. Max’s mouth waters the moment she sits down in front of her bowl, wasting no time before she digs in. 

They eat in silence for no more than two minutes which is how long it takes for Eddie to start telling them about his latest study session with Nancy through mouthfuls of pasta. Max scrunches her nose every time she catches a glimpse of Eddie’s half-chewed food, but the whole time, Steve watches him with a dopey smile. Halfway through his story, Steve reaches for one of Eddie’s hands, holding it over the table. Eddie stutters in the middle of complaining about Nancy not believing in breaks (“That woman is a machine! It doesn’t matter if she’s facing off against a dark wizard or an English final!”), his eyes darting to their joined hands and then to Max’s bored expression before relaxing and flipping his hand over so that their fingers intertwine.

They don’t let go for the rest of their dinner- not while the three of them bicker and tease each other or while Steve tells them about his shift at Family Video or while Max tells them about El coming to visit during summer. They don’t let go when Eddie lets Max have a sip of his beer and both he and Steve double over with laughter when she scrunches up her face and gags at the taste. 

They let go only when they move to the couch to watch a movie, but then they cuddle up to each other almost immediately. 

Max gags again, but it’s just for show. She doesn’t mind any of it- the pet names, the cuddling, the hand-holding. She’ll draw the line at seeing them kiss because gross but she’s happy to see them relax and act like this in front of her. Someday, they might tell the rest of the party, maybe even the rest of the world. 

For now, they seem happy to let her be the only one who knows. The only one who gets to see them like this. 

And Max, well, she’s happy too. 

[snailmail444]

Late night gaming with Shane

I was possessed to make a comic page about the Chicken Man

[gentlebeard]

If I could hold you for a minute, Darling, I’d go through it again

For @edsbacktattoo & @stedesearring 💕 Show: Our Flag Means Death - Season 1 & 2 Music: Francesca by Hozier YouTube

[deoidesign]

Time and Time Again comes back tonight!

Thank you all for being so patient with me, I know it was a long hiatus.

My health was struggling, my arm was (is) hurting, and I decided it wasn't worth it. I'd rather be slow!

So thank you for giving me that grace, and I hope you'll be there with me for the rest of the series.

[wikiangela]

fuck it friday

another snippet of the barbecue fic (aka another snippet of buck being horny for his boyfriend lmao I swear this is a wholesome fluffy family fic haha), this is my priority now, I wanna finish it soon so send all the motivation haha <3

prev snippet

___

“Behave.” He scolds with no heat behind it.

“Mhm, yessir.” Buck purrs, his lips moving across Tommy’s bare shoulder. 

“Fuck.” Tommy breathes out and completely stills, and Buck can’t really see his face but he knows his boyfriend closed his eyes and is trying to calm down – which can’t be easy with Buck still plastered against his back. “This food is gonna burn if you keep this up. And we have guests to feed.” He adds, and as if to make a point, he flips a slightly overdone burger, Buck hindering his movements just a little bit.

Before he can respond, he hears another voice get through the chatter and music and reach his ears.

“Buck!” Chimney calls, and Buck looks over his shoulder to find everyone’s eyes on him, amused expressions on their faces. “Don’t distract our cook, we’re starving!”

“I’m just scolding him for taking his shirt off.” Buck says easily, then adds a little louder, to Tommy but making sure everyone hears, “Babe, you’re gonna burn yourself, you’re a firefighter, you should know better.” He shakes his head, and Tommy looks back at him with a raised eyebrow.

“Oh, you’re gonna pretend like you don’t approve?”

“Oh, I so don’t, Tommy, at all.” Buck tries to keep a straight face, but a chuckle bubbles out of him anyway. “You’re such a distraction, this is dangerous for everyone here.”

“I think you’re the only one with that problem, Buckaroo.” Hen laughs, and only then Buck remembers everyone’s still paying attention to them. It’s so easy to get lost in Tommy, to feel like it’s just them, even in a crowd of people. So distracting. It’s a hazard, really. He should keep Tommy away from everyone, preferably locked in the bedroom with him, for everyone’s safety.

___

no pressure tags (lmk if you wanna be added or removed):

@dr-shortsighted-owl @eddiebabygirldiaz @watchyourbuck @ladydorian05 @diazpatcher @monsterrae1 @rainbow-nerdss @pirrusstuff @bucks-daddy-issues @rogerzsteven @honestlydarkprincess @jesuisici33 @steadfastsaturnsrings @diazheartsbuckley @giddyupbuck @thewolvesof1998 @underwaterninja13 @your-catfish-friend @kinard-buckley @evansboyfriend @beyourownanchor6 @weewootruck @kirkaut @jewishbuckley @loveyouanyway @daffi-990 @lonelychicago @bibuckkinard @spotsandsocks @bucked-it-up @theotherbuckley @drcloyd @bidisasterevankinard @hippolotamus @girlwonder-writes @perfectlysunny02 @dadbodbuck @kinkleydiaz @diazsdimples @aringofsalt

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.