#i have to remind myself this sometimes
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idk who needs to hear this but if you take meds for adhd, anxiety, depression, schizophrenia, hell if you have prescribed meds for anything, and you feel that you're faking your disability because your symptoms have improved, you're not faking. your meds are working.
#i have to remind myself this sometimes#its easy to forget especially bc it took me literally almost half my life to find an anxiety med that works for me so#to talk over my symptoms with my psychiatrist and actually agree with her that im at a good stable dose thats actually working as intended.#its. weird. good weird. but still weird#um also i really only reblog here so im nervous to post this rip#also dont really know how to tag it#uhhh#anxiety#generalized anxiety disorder#disability#adhd#also! if u didnt know. adhd anxiety depression etc are disabilities#which can be hard to accept but thats okay#take your time#it took me quite a while#no one ever told me my anxiety was a disability bc they didnt want me to limit myself#but instead i was left wondering why the fuck everything was so much harder for me#where if id known i was disabled it wouldve made sense#anyways. yeah. idk
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personal happiness or what the fuck ever
bonus:
#xmen#xmen comics#cherik#charles xavier#erik lehnsherr#professor x#magneto#jeans here too but ssh#snap sketches#i havent posted anything in what feels like forever and i GUESS i have to remind people i do draw sometimes. whatever.#aka in my brain i have at LEAST a five-page doujin where this gets incredibly nsft but i dont have TIME for that these days do i#so for now we get just. these scribbles. ill be able to make something exemplary again someday i swear <- optimistic#i think im going to close my comms off for the rest of december once i get through the batch i have now#which ... doesnt sound hard since the amount i have will probably take me to the end of december anyway 💀#i just need everyone to believe me i have better visions for yaoifying issue 309 .... the opportunity is right there...#like wdym the dream sequence is gon end on a panel of erik's eyes as he reinforces the idea charles needs happiness like scott and jean's..#call up your ex. right now charles.#what got me peeved about this issue is i have no idea what color eriks outfit could be vjaeLVKEJARK its like.#is he wearing a lab coat over a suit .... i think thats the intention ... or maybe it is a trench coat....#idk shit for me to figure out if i ever get the time to explore this thing again#LIKE UGH IM SCREAMING i have Such Visions that i dont have time to execute and theyre killing me#maybe ill just write them down idfk <- trying to write fanfiction ends even worse for me than trying to draw#anyways. im gonna drive myself mad good night everyone#i have to go to a christmas party tomorrow night. later tonight. whatever.#BYE
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touch starved reader with an oral fixation x kidnapper!Simon who’s all punishment and no physical affection? Please Simon just a little kiss? with tongues? :( (i just wanna make out with this man while my heart aches for him)
by Allah, you people are dogs. i will write the filth as usual.
DEAD DOVE, 18+ | dubcon. kidnapping. mean!Simon. dom!Simon. masking corporal punishment as affection. kissing. size kink, size difference. some thigh riding. degradation + humiliation (verbal). non-con pet play. marking (heavyyyyyy mentions of Simon biting you like a chew toy). choking. daddy kink (but in the awful, demeaning way). manipulation. forced affection. coersion. forced/manufactured dependency. brief mention of Simon stepping on your back to hold you down so he can whip you w a cat o nine tails. yanno. the usual Friday night.
idk. there's something so hot about you, completely naked, riding Simon's clothed thigh as he holds you up by your neck. tongue out, desperate for a kiss while he just mocks you the whole time.
It's survival.
At first.
A means of masking the innate horror of being stripped of your agency, your autonomy, by a man you barely even know. One you met once before (fate sealed), and now—outside of your apartment complex where he was idling by the foothold, smoking a cigarette as he leaned against the brick wall, head turned. Gaze narrowed as you approached.
Waiting for someone, you assumed, thinking nothing else about the matter.
Nothing else, except—
He looked familiar. You think you saw him before. He was staring at you. Hadn't stopped. Hasn't said a word, either. The silence was oppressive. Heavy. Your hands fumbled with the keys. Shaking. Trembling.
He's pretty, you thought, suddenly. In the way car wrecks can sometimes be. Jarring and awful and hideous, but—
Mesmerising.
Macabre. And that's what he is. Everything from the mask on his face (skulls, go figure), to the absurdity in his size, his width. The way space itself seemed to move around him, bending and distorting just to let him pass. His own gravitational pull. Magnetic. You feel it tugging on you as he pulls another lungful of smoke. Another. Another.
(like an hourglass, a timebomb, almost. you wonder what will happen when it runs out—)
He gives you the creeps. Suddenly. Unexpectedly. A visceral sense of unease curdling in the pit of your belly as he keeps staring, staring. Eyes—crystalline under the broken headlamp, washout into crushed topaz—drilling into your back, sharp enough to flay skin. Everything inside of you says to run, but your key won't fit inside the lock. Won't—
Ever.
And hindsight has always been a bitter thing, hasn't it? Cruel in her mockery. Had you known, then, that he wasn't a workman loitering by the complex, waiting for a friend; or a low-level drug dealer casting webs into the plum hewn aether, it might have saved you. Might have.
Maybe. Because he was there, waiting for you, all along.
Life has a funny way of paying back good deeds. All it took for your life to crumble down around you, rubble falling off of a shaking mountain, was kindness. Was seeing a large man in the pouring rain, already drenched. Black clothing sticking to the granite contours of his body, and offering sanctum in the shape of a rusting umbrella you found at a thrift store for three dollars.
(“here,” you said, chipper. All smiles. “i live just down the street, and you look like you need it more than i do. do you want it?”
and he—
he simply stared. stared. his eyes liquid, molten, as they carelessly dropped, roaming down the length of your body at his own leisure. leering. assessing. it was odd. weird, but—
he huffed, then. seemingly satisfied by whatever you measured up to in his head. his neck lulled back, and he gazed at you from down the crooked length of his nose, tucked neatly away under the thick band of a facial mask. skulls. how could you be so stupid?
slowly, like he was trying not to startle a mare, his gloved hand reached out, curling thick fingers around the hilt of it. he tugged once. in your stupor, you forgot to let go. embarrassment flooded in. he huffed again, quietly amused, as you untangled your numbed fingers from the umbrella.
in your distraction, he moved closer. smelled of ash, of mildew. sweat and stale cigarettes. there was something predatory in the way he slipped through space. a preternatural quiet. an eerie stillness.
you hadn't realised he was there, looming, until he rasped out, “more ‘n you could ever realise, pet.”
and you're sure why you do it. did it. but your hand slips into your shopping bag, eyes widen. heart thundering in your chest.
“are you hungry? i, uh, i just bought some apples, um—”
his eyes are lavascapes. shackles. chains. “i could eat.”)
And now—
Forced to play this strange cat and mouse of his where he treats you like soot on the bottom of his shoe, and you pretend that it's affection. Love. How godless.
Protection, he calls it.
("mine," he whispers, orison soft, into your ear. "ain't go' nowhere else to go, do you, pet? world's big. would eat a small thing like you up. safer here. wit' me. only me.")
You wonder what he'd do if you told him the biggest danger here was the madness nestled inside your head, the one that sometimes made you look at him like he was your salvation instead of the warden holding the end of your leash in a firm hand. Unyielding—like everything he does. Is.
Withholding, too. Everything must be earned. Nothing given. Nothing handed out. And you know that this is a ploy, a tactic. Subterfuge meant to chisel into your sense of self, dehumanise you. Turn you into a simpering, obedient little doll for him to play with as he wishes. You know this, and yet—
It's survival, you promise yourself as he tugs on the hook latched to your collar, testing it for weakness. Survival, when his hands—bare, bare; warmed skin against skin, you could just weep—brush over your throat, nails skimming goosebumped flesh as he wedges one, then two inside, hirsute knuckles tickling your pulse. It tightens the collar to near choking. Intentional, you know. He likes it when you beg—for air, for food, water, him.
Vile man. Awful.
(You want to roll on your belly at his feet.)
This cold, cruel touch lights a fire under your skin. It's been months since he's last done so. Always wearing gloves when he has to. Using paddles, belts, when you misbehave. Never his bare hand. Not anymore.
(“m’hand is for good girls,” he slurred, words merging, meshing together, painted with exertion. He wedged his boot against the small of your back, holding you down, and cracked the end of a cat over your bare ass, thighs. Unbothered by your howls, your screams, as the whip bit into your skin. You've never so much as been hit as a child for misbehaving, and now, as an adult, you have a madman standing over you, introducing you to something called a cat o’nine tails—a favourite in the army, lovie. “bad girls,” his boot pressed down harder, heel digging into your spine. “Bad girls get the whip—”)
Bad. Bad. Because you tried to run, to leave him. He dressed you up, called you Mrs Riley, and you—
Ducked out the back door when he turned away for a second.
Stupid. It was poor timing. A test. He set you up, measuring your loyalty to him, your commitment, and you failed. Failed.
(“this is what ‘appens when spoiled little cunts get their way too much. they act out, don't they? bitin’ the ‘and that feeds. you'll learn soon enough, though—”)
Ghost—sir, sir (master, maker, god; you'll call him anything he wants if he touches you again)—pulls his fingers away, depriving you of his touch once more. And it's all so stupid. So fundamentally wrong, deplorable, but you follow. Needy. Whining for it in the back of your throat.
It's been months. Months without touch. Without sensation outside of leather lashing across your thighs, your ass; harsh, gloved fingers digging into your jaw, braced against the back of your head, as you swallow down his cock in an effort to prove to him you've been good. So good. Can be good. His good girl.
You need to touch him. Need his touch. Ache for it, for something outside of this nook he placed you inside of, denied the privilege of living upstairs with him after you tried to escape.
You want to. Badly. Your fingers twitch. Ghost sees it. Hums.
“Need somethin', pet?”
Your mouth is dry. You swallow. It burns. It hurts. “Yes—”
“Yes, what?”
“Sir—”
Behind the mask he's yet to take off for you fully, only ever hitching it under his chin to devour your cunt whenever you've been good, his jaw tightens, the fabric bunching up.
You reel back from the look of sheer displeasure etching harsh lines into the hollow gaps of his eyes. Heart thundering. Stomach churning.
“Mas—” he cuts you off with a soft sigh. Marked with his irritation. “D—dad—”
Dad. A new one. Daddy. He didn't seem like the sort to be into this type of play, not with his sardonic, deadpan eyes. His mockery. His dessicated humour, awful and biting. You'd have sooner expected him to laugh at you—in that slow, deep hum he gives; a little chuff, full of condescension and jeer—than to get off on it. On you, kneeling between his legs with your chin braced against his palm, mouth open, tongue out, as he fucks into the tight clench of his fist, groaning as you beg daddy to give you a taste.
It's gross. Disgusting.
It's not done for anything else other than to humiliate you. To crush you under the heel of his boot—little bug—so that you will always know where your place is in this scenario. His little wife. Mother, mum—
He pulls on the leash, jerking you forward. Purrs, “good girl,” and then steps back, moving away from you. Cruel. Dismissive. You hate him, hate him—
(Need him so deeply. With every fibre of your being—)
You watch him as he goes, mourning the loss of his presence already, as he paces around your space, your cage. Broad shoulders barely fitting inside. Head ducking to avoid hitting his crown on the popcorn ceiling. It's strange seeing him here like this. Prowling. He usually comes when he wants you, when he needs to enact more merciless punishment on you for whatever perceived evils you committed (not greeting him with a kiss when he walked in, not letting him suffocate himself in your cunt when he had you sit on his face, not making him cum all over your face quick enough when you knew he had other engagements to get to—), or when he ruts, heavily, between your thighs, cold and detached. Seeking pleasure from your icy flesh, and giving nothing in return but white hot agony.
Him here, idling in your presence, is revolutionary.
“S–sir—?”
He hums, quiet. Sits in the chair as you gather the fragments of yourself littered on the ground. His mood is malleable, it seems.
You push, fingertips sinking into the putty of his agreeable temperament. “Can I—”
You waver when his sharp eyes raze over your bare body—clothes are for good girls, after all—pupils sloshing over the edges, bleeding into midnight blue.
Your body is a battlefield. Every inch of skin branded with his mark—pretty, thrawn rings of teeth tattooed in silver, haloed in black and red, desecrate your flesh: neck, collarbones, breasts, belly, thighs (a particular favourite of his), ass, mons; all bitten through, chewed up. It weeps when you move, has blood trickling down your skin. The cracking scabs make him coo, poor thing, all bloody fer me? and he licks at them, sucks, until only a pinkish wound in the mimesis of canines remains.
Uprooted, turned into something new—
His chest expands when he settles his gaze on the sliver of space between your spread thighs. Concealed in tenebrous, hidden from his leering, lecherous view. He cocks his head, considers something unknown to you. His thoughts, his mind, worlds away. Untouchable.
(only to bad girls, he’d snarled out when you asked why—)
“Testin’ my patience still?” He doesn't rip his gaze away from your cunt, speaks to it sometimes more than he speaks to you. “Thought this alone time might’a cleared your ‘ead.”
You flush. Embarrassment roiling through you. His displeasure is a palpable thing. Heavy. You hate the weight of it.
“I need—I need you.”
Another toneless hum. “‘Course you do. Ain't got anyone else.”
He's awful. Hideous. You want to rip his tongue out of his mouth. “I—I want you. Please.”
Ghost doesn't answer. You stopped expecting him to a long time ago, his moods odd measures of ebbs and flows; passive and mild, cracking terrible, awful jokes as he strokes your back, hands riveted to your skin, and then biting and caustic the next. Pushing and pushing until you lash out, snap, so he has a reason to push you down, punished and smothered under his bulk, as he ruts into you like a beast, a man starved. Tells you it's for your own good. That you need him. Would be lost without him.
Bludgeoning a hole into you wide enough for him to crawl inside of. Poisoning you from the inside out with the same nocuous rot that flows in his veins.
Maybe that's been his agenda all along. Maybe. To make you want him as badly as he wanted you. Desperate, obsessive. Going so far as to follow you home, lost little mutt waiting in the shadows outside of your door until you threw him another bone. And when that didn't work, when the food stopped being enough—
He took you. Held you captive in his house deep in the wilderness. A place so endlessly green that you sometimes stare out at it—unfathomable sea of phalthos and jasper—and feel dizzy. You'll get lost out there—
just like he says.
As he turns your obsecration over in his head, you wait, supplicant to this man as you rest on your knees. Pretty pet with a golden collar adorned in gems.
Fitting, you find. With his head cradled against his thick knuckles, you can't help but shiver at the way he looks shrouded in the gloaming embers of a fading twilight. Leonine. A king perfectly at ease in this thick, caliginous atmosphere.
His eyes burn, magmatic, in the low light. Vats of endless ink. Black holes that will swallow you whole if you get too close. But he's poised. Contemplative. Assessing.
And then grips the end of the leash tight in his other hand. Tugs.
You obey the wordless command, crawling on your hands and knees to where he's spread out on the recliner. Laxed, dripping with a careless indifference as you wander to him, resting your chin on the spread of his knee.
Looking up, up, at him, waiting. Wanting.
There's so much of him—a fact that has been the catalyst to your downfall the moment you saw him standing under the awning; this massive creature. Thighs wider than the width of your body. Burly forearms. Broad shoulders. He's big. Indomitable. Thick, endlessly so. But there's a give to his body. Valleys of softness hiding corded muscle. Firm, but—
Your fingers sink into the soft give of his belly when you reach out, bracing against stomach. Pulling yourself further into the bracket of his spread thighs, inching closer to him.
He meets your reverent stare, eyes liquid along his lower lash line.
“Thought you were gonna keep me waitin’ all night,” he muses, giving another pull on the leash. It destabilises you. Your nose bumps into his sternum, and you moan at the sting.
There's a dissonance in the back of your head. A hairline fracture in the line that keeps a degree of separation between pleasure and pain. They meet against the crack in the divide, merging into a abysmal polyphony conducted by his hand.
He watches, amused, as you whimper, sniffing harshly against the burn. It's not bleeding, and not broken—small mercies, you suppose—and you let it simmer into a dull ache as you slowly clamber into his lap.
Ghost leans back as you settle, greedily taking in the sight of your thighs stretched wide over his leg, cunt pressed, tight, against the rough scrape of his jeans. The touch burns. He hasn't touched your pussy in weeks—
“C’mon,” he urges, hand spanning the width of your lower back. Coaxing. “Show me ‘ow good you can be.”
It's all the permission you need. Slowly, slowly, your hips start to gyrate, dragging your slit over the coarse material. The friction is agony. You need more—
He draws his other hand up, curls it around your neck, forcing your head back, back. You gasp, staring at him, dizzy, from down the slope of your nose. The clasp of the collar digs into your skin. It hurts. It's too much.
you don't want him to stop.
His hand is huge. It spans the entire length of your neck, thumb to your pulse, pinky grazing the hollow of your throat. It forces you to lift your chin higher just to let him fit.
He likes it, too, you know. His eyes darken as he takes in the sight of his bare hand, scarred and thick; dusted with a cropping of fine hairs along his scabbed knuckles, sitting against the whole of your throat. Swallowing you up. Can feel how much he enjoys the sheer depth between your sizes when his cock twitches, stiffening more
The look on his face is appraising, anatomising. There's a cold measure of distance in his gaze. A barren polynya. You want to cross it. Chart these untamed lands until they're deeply ingrained within your being. Cimmerian effigy burning to keep you warm.
It's survival, you think, and arch into the palm of his hand.
He holds you like a doll. One hand on your lower back, pressing your cunt to thigh. The other tightening around your throat. Bare skin against bare skin, and oh, you could just cry—
But this is not what you need. What you want. And he knows. He always does. Knows the inside of you like it's written down—inked on paper. Thumbs through the makeup of you, chapter by chapter, until no mystery remains.
“Tell me what you need, pet. Beg for it.”
“Let me—” his hands tighten, choking the air from your throat. Crushing your collar against your neck. “Lemme—kiss you, please, please—”
Tighter. Tighter. The world around you swims under a thin ocean. Phosphenes swim, untethered, in your periphery, ghosting along the curve of his shoulders. He might kill you yet. Keeping going, going, until those brittle, bird-like bones in your neck snap—
You'd let him, you think, muscles falling lax. Submissive. Just the way he says he likes even though you know he fucks you harder, touches you more, more, when you act out. Misbehave.
“Kiss me?” He taunts, words abrasive. Strident. Scrubbing hard against your skin. “Ain't that jus’ the sweetest thing I ever ‘eard.”
You burn, blister. “Please—”
“Reckon I ought to. Kissed your pretty cunt ‘fore I even kissed your lips, huh, pet?”
Your chest folds over itself. Stomach knotting. Balling tight. Unease is a razor blade scraping your nerves.
“Simon—”
“Ah, ah—” his hand tightens. Vicious. Chiding. “You ‘aven’t earned the privilege of sayin’ my name, ‘ave you? Cheeky thing. Might ‘ave to take a cane to you next.”
“No, no, no—! I'm—”
“Sorry?” He mocks, cocking his head. Condescension drips from the corners of his eyes.
“Please, sir—”
“Dad is gettin’ tired of this attitude of yours, pet—” his fingers dig into your skin, hard. Biting. A warning, you know. The blunt press of a blade to your jugular. But it thrums along the suture line to your desire, a wellspool of murk coiling low in your guts. You throb, cunt clenching down around nothing. Achingly empty. “Thought we got rid of it this time ‘round. Learned our lesson.”
The words are frank, prosaic. Had you any sense of self still malingering in the back of your head, you might have struck him for the blatant disrespect. But as you struggle to reach for it, pawing around in the vacuous abyss for any fragment of who you were before this, before him, you know—without any doubt—that none exists. Nothing. He’s too ingrained in your marrow, hewn into your skin. Copper sutures holding his filament within you. Cradled between your thighs, nestled in the rotting vacancy of your heart.
He knows you. Every part—
“We did—we did, da—daddy, please—”
It’s shallow. Muffled, like he’s trying to swallow it down, but you feel it rumble through his broad chest. A guttural sound. A groan. Drenched in pleasure, in want. So thick, you could almost taste it.
He hides his need under a layer of derision.
“Such a needy thing, ain't you? Desperate little slag like you wouldn't last out there, would you?”
His hand digs into your hip, pushing you off of his thigh. Eyes skewering into the wet stain on his trousers. A huff spills out—the sound a near perfect mimicry of crushing charcoal in your hand.
“No. You'd be eaten alive. Torn to pieces. World's too big for somethin' like you.”
Mindless, dazed, you nod. Arching into him. The leather leash snaps against your chest. “Yes, yes—”
His cock presses into your thigh, hard, fat. Your mouth waters. Drool dribbles down your chin.
He smells of tinder when he leans in close, blood drenched words biting into your skin. “messy today, aren't you? Be lost without me. Tha’s why you wear a collar, isn't it?”
Pitifully, you nod. Eyes full of tears. Each word is a bludgeon into your resolve. Into your sense of self.
But it earns you his affection, and his thumb presses into the corner of your mouth, unhinging your jaw until it falls open, lax. He holds you like that, mouth lax with his hand still around your neck. The other lifts away from your lips, goes to the thick band around the bridge of his nose, slips inside.
There's no buildup to it. No lingering sense of anticipation. Practical, detached, he merely tugs it down, and lets it snap under his chin.
Your breath is punched out of your lungs at the sight of him. Barefaced. Scarred. His nose is crooked; a jagged hook with scar tissue delineating the spots where it's been broken too many times. His lips are—
Full.
Mangled.
Scars run in thick slashes over them, denting the flesh in places. Burn marks line his pale flesh. Charcoal rubs into his eyes, highlighting the whites of his lashes against smeared soot.
He's—
Pretty.
Like a car crash. Calamity. The broken remains of a town after a hurricane, a tornado, ripped it apart. Ugly, brutal. His face looks like it's been mauled by a bear, a tiger. Scarred and hideous, and—
You shiver. His eyes drop, landing on your own lips. The soot on his brow flutters down, lands on his eyelashes when he lifts his brow up mockingly. Derision curdling an awful smirk on the corner of his mouth. Crooked. Like him. Like his teeth. His nose. His boxy jaw. His lips—
You kiss him.
Can't help yourself, really. There's a pull. Gravitational. Magnetic. You need, need, to taste him. To quench this ache in your jaw that makes you want to wrap your tongue around something, play with it between your teeth. Soft and sweet—
Ghost's lips are plump beneath yours. The thick scar tissue is almost velveteen when it glides over your bottom lip. You moan into it, into the feeling; victory—however pyrrhic—swims like mercury in your veins. Finally.
And he doesn't kiss you back. Doesn't make any effort to reciprocate at all, but he's not tense beneath you. Not stunned. Or reluctant. He’s pliant. Malleable. Agreeable, willing to let you devour his mouth, his taste, as much as you want. Doting. Letting you spoil yourself on him. With him.
Because you need him, don't you?
Like the air you breathe. The food he gives you—apples, always, on rainy days; salmon and rice in a pretty bowl with your name etched into the porcelain—and the attention, the affection—
(suck my cock, pretty girl. don't make me put a gag on you—deeper, you can take it, can't you? take my fat cock all the way up inside your sweet little cunt—my pretty girl—)
—it’s all so divine.
His hands on your body, your throat, spasm. Once. Just once. Against your leg, his cock twitches. Leaks prespend into the demin. You rut against his thigh, aching for it. Whimpering—
And then he's groaning into the kiss, snarling out your name until it wedges between your lungs, syphoned in from his scorching breath. Another brand in the shape of him.
Ghost kisses the same way he eats—messy, sloppy; all teeth and tongue, and full pretty lips. Clumsy, like no one taught him how to properly hold his silverware and he's trying to mock what he saw on television. Brumish. A broken, contemptuous pastiche of sumptuosity. A starving dog, snarling around its plundered morsel. Protective. Possessive.
It coils around you. Thick, smothering.
He sucks your tongue into his mouth, catching it between his teeth. The sting brings tears to the corner of your eyes, and when you pry them open, you find him already staring at you (always, always, always—), lidded. Heavy pools of desire shaded in the brume of a winter dawn. A bonfire flickering in the distance of a whiteout. Sanctuary from the cold—
He seems to catch himself. Expression flickering. Warbling around the edges. It closes off in a blink. He pulls back. Locks into the ashlar veneer of this indifference he wears like a suit of armour.
But you saw it. It was there. Within reach—
“Need me, don't you?” He drawls, timber a needlepoint between cruelty and desire. Sultry, low. Husky. He knows what it does to you. How he can unravel you at the seams with just his voice alone. “Need me so fuckin’ much, pet. Would be lost without me—”
“Please, Simon,” you whisper, feather-soft. Cunt throbbing, pulsing. Needy. “Please—”
The strident reprimand for using his name doesn't come. His hand tightens around your throat, unconscious. A paroxysm that has pleasure carving itself down your spine, electric.
“Come get it, then,” he rasps, voice wrecked. Raw. Curling at the edges, thickening his accent until the words elide.
Hand to your throat, he drags you close. Closer still. Keeps you sat pretty on his lap as he pulls you in for a bruising, hungry kiss. Tongue shoving between your teeth when you gasp.
His kisses are always hungry, but this is different. Greedy. He devours you whole. Eats you alive. His hand falls to your lower back, holding you tight to his chest.
You moan into it, fingers digging into the fabric of his shirt. Squeezing until your knuckles blanche, joints twinging in discomfort.
After months of nothing, this alone is bliss. His taste soaking onto your tongue, drenching it in the bitter tang of sage, wheatgrass, and stale cigarettes. Intoxicating. It leaks into you, nocuous. Infects from the inside out.
His plan coming to fruition, you think. What he sought out to do all along, ever since you wandered close to this untameable Tartarean guard, and offered yourself up to the jowls of a starving beast.
He pulls away with a heavy breath, eyes charing around the edges; brittle briquette.
“Gonna be a good girl from now on? Come upstairs, be a good mum for dad? Or am I gonna ‘ave to cane this—” his hand drops, grabbing a fistful of your ass in his hand, fingers digging into the skin between your cheeks. Possessive. It cracks like a whip down your nerves. “—tight lit’le arse?”
You shake your head instantly. Quickly. “I'll be good,” you whisper into his chin, tongue flicking out to lick across his scars. The dried sweat on his skin tastes briny. Reminds you of the ocean on a brumous November evening. The incipient yawn of a ravenous hurricane gathering its lot on the shore.
Sirens blare in the distance. Fear curdles in your guts, sits heavy like a stone. An anchor.
“So sweet f’me,” he mutters, words deepening as his head falls back, letting you pepper kisses across the underside of his jaw. Mouthing along the constellation of scars. His voice is rumble. It shivers across your lips, tongue. Shakes the marrow in your bones. “Better stay this way, pet.”
Into his pulse, you murmur, “I think you like it better when I’m bad.”
You can feel the snarl brimming in the back of his throat. Your ass stings with the phantom burn of when he lashed out with the whip. It drags a whimper out from deep within your chest.
His hand tightens around your neck. A warning. “Got some guests over f’dinner tonight. Would love to finally introduce them to my sweet little wife—” deft fingers slip across the dewy skin of your folds, knuckles grazing over your drenched hole. The touch makes you squirm. “But if you’re gonna be bad, then I’ll leave you locked up down ‘ere.”
“I’ll be good,” you swear, words a hushed breath over his jugular. His finger flattens, drawls soft, slow circles around your clit. “Ah, I’ll—I’ll be so, so good, Simon—”
“Good girls deserve rewards, don’t they?” His palm flexes possessively around your throat when you nip at old scar tissue. “Maybe I’ll let you sleep in our bed tonight instead of in your dog house. We can ‘ouse together. I’ll fuck you proper—” he roughly shoves two fingers into your hole, leering when you gasp, back arching in a bow. “Know this pretty pussy has been achin’ for me, ‘asn’t it? Gonna breed it full—”
There’s static in your head, ringing in your ear. The noise distorted, pulled underwater. You think you say something, plead—no, no, no, anything but that—but his hand tightens around your throat, fingers pushing up, up into you, notching against that spot inside that makes your head swim, your vision flicker. The abyssal chasm inside of you aches, rages; its waters swell, currents frothing, slamming against the ceiling of its iron prison, and—
Simon pulls away. Fingers stilling inside of you. No friction, no relief. Hypoxia renders the world silent. Muted. Held in stasis, stagnating at the edge of a gaping precipice he holds you over, secured by the fragile curve of your neck, fine bone china.
Phosphenes swim by. The chossy wobbles.
This distance is agony. You need to be closer, closer, to crawl inside of him, to live in the brackets of his ribs, safe and protected from the world he warns you about. Stone cold. You mewl, whine—
“Gonna be my good little wife?”
Gasping with broken lungs, you nod. Nod, nod until you’re nauseous. Dizzy. Sick—
His spit cools on your lip. Your hackles raise, body shuddering in revulsion—some primal part rears, hisses it’s infectious. Wrong. Get rid of it—
“Not gonna run?”
Slowly, you lick your lips, catching his sickness on your tongue. Swallowing it down until it sinks like a stone to the bottom of your belly. Heavy, for such a small, damning thing.
How absurd, you think. How absolutely mad.
Then you whisper, paperthin, “kiss me again, please, Simon—”
And he moves. Liquid in the gloam. Made more for shadows, midnight, than for golden apricity, where the light is harsh on his face, unveiling ruins and ravines; monoliths meant to be paid tribute to in the dark. Your hands lift to his jaw when he moves in, catching your lips in a bruising, biting kiss.
His touch is searing. Owning. He isn't laying claim: no, you're already his.
It's possessive and angry. No finesse. All slate teeth and tender tongue. They slide together in a strange game; little fawn stupidly nipping at the tiger's heel. He lets you, groaning into your mouth when you arch back, hips pushing into his fingers, taking him deeper. A pale pantomime of what's to come when he lays you on his soft bed, sweet and divine, and buries himself deep.
It should scare you. Ought to. And maybe it does. Survival, you think, but you still pull him closer. Deeper. Because it’s bliss, you find. The world around you falling dead. Silent. Pulled into a vacuum. Teetering on the edge of a black hole, event horizon. He drags you in.
Simon hums, pulling you closer. Touching you—soft, sweet. Palms a gyve. Shackles, chains. His fingers lift from your neck, trailing down the slope of your throat until he reaches the golden loop of your collar's hook. His gaze glides, magmatic, down to where your leash dangles between your heaving breasts.
It's almost tender when he grabs it into his fist. When he pulls, pulls—
Your back arching. His fingers slipping deeper inside your cunt. Obedient little doll.
When he lifts his eyes, the look you find is hot enough to char bone. You taste blood in the back of your throat—
Into the seam of your mouth, he purrs, “good girl.”
—and you swallow it down with a moan.
(after all, you know better than to run from starving dogs—)
#when your kidnapper is mean and rude as hell but you've been dtf since day one: the manifesto#simon riley x reader#ghost x reader#i forget where i put peoples hands sometimes and then have to go back and remind myself where everyone's at lmao#hope you enjoyedddddddddddd#i'm gonna go pour myself a glass of bleach bye#simon ghost x reader#simon ghost riley x reader#cod#ghost#simon ghost riley#simon riley x you#ghost x you
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You are under no obligation to converse with anyone who insists on talking to the version of you they made up in their head.
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straight up. what is wrong with these two
#house md#malpractice md#hatecrimes md#gregory house#james wilson#hilson#I LOVE YOU OLD MAN YAOI#sometimes i have to remind myself that hilson#also hello wilson mcgill sweater my goat
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You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.
-Shrimp Anon
The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.
Get ready cause this is a yap session:
Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.
I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.
The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.
This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.
Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...
These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.
I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.
Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.
It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.
I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.
It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.
There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.
End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.
#i also think it is because mouthwashing is first and foremost a game about rape culture and the patriarchy especially in work spaces#regarding women and centering conversation around Curly a man rubs people wrong because it does overshadow that commentary#but it still mixes other topics into its initial theming and message on how abuse conditions you to accept certain things that are harmful#and how getting used to a culture/enviornment does not mean you are happy healthy or most importantly safe in it. I personally like to#explore those aspects where it mixes all the themes so we can discuss the ways you have to watch out for things because there is a differen#in the idea Curly enabled Jimmy just because they were bros and because he was an example of another man afraid to step out from what#is a still oppressive system that does try to punish those who act against it even if they fall in the category of those who would benefit#from it as Jimmy and PE 100% represent that sort of misogynistic system where men that would be “good” are altered until they follow line#in a way both on the personal and professional level as PE is the corporate lock out and Jimmy represents the social and its just the issue#that the discussion of it sounds like “in defense of men” when I am more so trying to discuss how it is much deeper than men being scared t#upset other men but complacency is rewarded by not becoming another person subjugated hence as all the moments Curly does try to do#something we can tie it back to how Jimmy reacts and a possible penality from PE where we now need to address the ways to combat those#two concepts so we dont get cases like Curly or Daisuke or Swansea where male avoidance of the issue is considered neutral or even good.#i think most of this boils down the perfect victim mentality to where if someone who underwent or is being abused is not a perfect example#or accpetible type than their abuse can not be considered a valid or substantial reason for effects on their behavior compounded with the#fact that Anya's abuse at the hands of Jimmy is a systematic issue that Curly is a part of even if unwillingly and was more physically#violating and topical cause sometimes i have to remind myself that all media is still critiqued through the lens of the culture it came out#in cause i do think about what if this game came out inlike 2014 like the conversations would be sooooooo different could you imagine it?#but back the before statement Curly isn't perfect but I feel like boiling it down if hes a good person or man is not the point of the game#but more so good people can still be part of the problem and the idea of condemning a person for one act creates a false sense of#rightouesness and justice that does not aid the victim and in fact aids the abusers in escaping blame for their mulitple behaviors as we se#how the men on the ship tend to blame Jimmy for just one act against them including himself while there is a plethora of things Anya is#concerned about with Jimmy#and its not that Curly just made one mistake with Jimmy but more so we consider his actions more damning because he didn't stop Jimmy#instead of focusing on the fact Jimmy did what he did regardless of Curly and the consequence because we already know he's bad n maladjuste#which is problem in the conversation where the individuals are blamed but the system and perputrator are overlooked in a sense of acceptiab#complacency as we know how they are and the lack of tangibility to personally affect them on a larger scale like I should just make a post#on like cutting out the face when it comes it confronting systems of oppression rather than tag talking but just ask me to clarify if#you want that like im jus trying to say we avoid talking about Jimmy and PE so much cause it is obvious what they do wrong that we make#the initial and inherent problem out to be one aspect someone in this case Curly does and the the constraints they use to force actions
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Cool awesome reminder that you don’t need amazing technical skill to be a good artist/storyteller
#I still compare myself to other people but also like. Damn. What if I don’t need to#That’s literally what working with other people is for . so you can fill in for eachother and make an awesome thing :)#Reminder that Toby Fox is not a skilled visual artist LOL he makes concept art in mspaint#Ik He’s more of a composer / character writer but you know what I mean. He works with other people to bring those ideas to life#You don’t have to be good at everything !!#Txt#art#I say this because rendering pieces of art takes me dozens of hours and it’s literally so much work and I hate it sometimes#Ok then make a simple stylistic choice instead of doing a giant painting !! it will still carry the same or maybe even greater impact#I still want to make awesome giant beautiful pieces of art (illustration) but alas I don’t have infinite energy#I usually only make sketches instead and that doesn’t mean they’re unfinished. Maybe that’s just all they’re meant to be#Until I change my mind at least 🩷#Adhd#Honestly anything that gets your idea across is good enough. Depends on the idea
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Strife
Personal project for the most talented
@imagine-darksiders
(if y’all like to read the most wholesome and thought provoking stories PLEASE for the love of pizza, I HIGHLY recommend reading her stuff)
I hope I did him justice because I honestly believe that we would be the best of friends. Very much would like to give him a hug 🫂🧡
#just being jayus#doing this ugly and scared#darksiders strife#darksiders#darksiders art#i’ve never even played darksiders#But imagine-Darksiders fanart and fanfics are so riveting I now consider myself a fan#It’s just that good#traditional art#traditional drawing#traditional sketch#it felt good to get my hands dirty with charcoal again#Sometimes I get frustrated because I feel like can’t draw things that are cute and fluffy#So I try to refugee my thought process and be like ok what CAN I draw#And I’m like I can draw epic stuff with good shading and detail#THAT I can do#It’s good to remind myself that we all have talents in different ways and that all are special and needed even if it’s not what we want#I’m grateful for my hands and the years and experience that it has taken me to be able get this far#It’s a good day y’all#I’m grateful to be able to create#Also process pics because the final result is rarely my favorite but here we are
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thinkin im the only person who has seen the tiktoks of this person analyzing kpop idols astrology charts and she said that if u wanna date sunghoon, you have to really love sex 😭
i don't rly pay attention to other people reading charts because i read charts myself and sometimes I can tell these people are just pulling stuff out to make the stans go insane and/or exaggerating things. charts do say a lot about love and sexuality though. KJHFDSKJ i haven't read sunghoon's yet so I can't really say they're wrong. After all, a few people who have read for Jake were pretty spot on. bro is a horn dog fr. contrary to belief tho, he's dominant and a lil bit insane ... he is not the subby lil loser man we want him to be. for legal purposes that is just a general view of what I have read myself lmfao do NOT take it as 100% fact jfsdkjhfkjsdfds
#ask#anon#reminder to anyone seeing this ask that i do NOT read charts for people who ask nor do I post my chart readings#i do it myself from time to time or for my close friends#the reason I do not post chart readings is because you guys sometimes take what people say and claim it as FACT#none of the charts are fact but just a general view of people born in very precise conditions- it's astrology- not everything is accurate#and enha don't have their birth times posted so a lot of the stuff is shaky and just an assumption of a noon time birth#KFJHDSKJFSD#on occasions i touch on stuff I've noticed in readings in passing and thats it pls do not ask for more#not directed at u nonnie#its just every time i discuss a chart ask people will bombard me with requests to read for specific idols
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comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity
Everytime I have a negative thought about my writing, or find myself comparing my writing to another writer, I tell myself this: comparison destroys creativity
#it’s hard sometimes#but comparing yourself to anyone for any reason only does damage#and I have to remind myself this often#comparison destroys creativity#so this is just your daily reminder to write the thing#write it#write write write#and continue to write#no matter what
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caretaker desperately kissing, cuddling, hugging, etc whumpee because "you're here. you're alive."
whumpee basking in the affection, and returning it (as much as they can). they missed caretaker more than anything. and caretaker came to save them.
#could be right as whumpee is rescued or after#also i could prob elaborate on this more but my brain is already so fried#ive got a cold thats like. not awful? but exhausting#idk if other ppl assume whumpee and caretaker to be romantic or at least something that could become romantic but i do bc my ocs are#in a qpr and i have to remind myself that sometimes ppl's whumpee and caretaker are like siblings or something fhsdkjfhs#caretaker x whumpee#whumpee x caretaker#comfort#whump#whump community
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can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest
like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!
#me.txt#jjba#i'm going to ramble in tags actually. excuse me#ok. rereading sdc and so confused at the general perception of jotaro and his friends/family. he's not NEARLY as flat or as dickish#i understand that the anime (particularly the dub) tends to slander him but even then he still clearly cares for them! i'm confused#i also understand that a lot of people dig against jotaro and kakyoin as a dynamic because 'they're popular' and that generally disliking#popular things across media is a thing that i've seen consistently everywhere but the discredit to them simply as a DUO and not even as a#pairing is so..... odd..... like they're considered to be a duo that clicks for a reason. i enjoyed them even before i got into the fandom#every time i see someone say jotaro is overrated/dull i take a shot and assume they're an anime-only or only read the manga like once btw#joseph and jotaro also have a neat dynamic and they obviously both love and care for each other. like they're not going to go around loudly#or anything but literally the entirety of the lovers and the prelude to the dio fight IS jotaro being worked up over joseph getting hurt#equally i don't know if it translates to the anime as much but joseph is VERY complimentary when it comes to jotaro. like he sings his#praises so often and reminds everyone that he's his grandson so frequently (d'arby the gamer is a good example of this). either way it's so#peculiar....... there's not enough avdol and jotaro content btw (also in canon) because jotaro obviously looks up to him and avdol jokes#around with him on the occasion they interact after their intro which doesn't start very well. it's very cute#i do think an important thing to note about jotaro's character is how he acts AFTER his intro because he's so drastically different. early#jotaro and later jotaro aren't the same character and i do not mean this in a character development way. excluding the jail incident he's#completely different and probably shouldn't really be taken into account (especially considering the amount of slapstick in araki's intros)#and i think that's really???? what people center on for his character? Which sucks balls bad!#anyways. i could ramble more about this if asked i have so much to say but sigh. jotaro cares so much for his friends and family he's not a#flat fully cold asshole character regardless of whether you watch the anime or ova or read the manga. you just have poor media literacy#i wouldn't recommend watching solely the anime for his character though. the dub also changes a lot so it's... questionable#i love the anime and it's still important for him though. also adds neat stuff. i need to stop myself. i have many thoughts on the matter#jotaro kujo#joseph joestar#noriaki kakyoin#adding in case anyone sees: i am not saying that he is perfect about this. in fact he is very ass about it with jolyne and holly and that's#very important. he also is in fact an asshole sometimes. NOT as much as you guys are making him though!#please don't get me started on how much of a dick etc people make kakyoin to veer away from the 'woobified' characterizations of him#in fact i think that's bad if not worse because it CLAIMS to be in character. hes a prim asshole at times but not that angry or dishevelled
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me, engaging in other media be like:
#so i slipped and made a meme from my orv hyperfixation#orv is like a lover that one have an on-off-and-on again relationship with#sometimes im normal about orv and think im finally over it#but then orv *knocks* on my door while im engaging in other fandom/rl chore/work and im suddenly reminded about the little things#those little things that seems insignificant but to an orv reader????? nauuuuurrrr#i cannot escape orv#orv follows where i go#i close my eyes and orv is a hyperfixation i cannot stop myself from not fixating#han sooyoung#yoo joonghyuk#kim dokja#omniscient reader's viewpoint#orv#omniscient reader
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award for most neurotic 13 year old goes to...!!!!
(LOW-EFFORT FUNNIES UNDER CUT)
#mp100#mob psycho 100#kageyama ritsu#ritsu kageyama#Okay. fandom tags out of the way now I get to be annoying#so. um. several things first i havent properly drawn anything digitally since August?#and this is also my first time in several years to do something on a computer. and not my phone#I have yet to invest in any sort of shitty tablet so this is a bit stiffer than i would like but its fine!#I've been for lack of a better word '2018-maxxing' because i managed to get back into mob at the same im back on bandori.#its great. probably#But yeah i dont know how mp100 re-entered my brain it just happens like that sometimes.#This has all reminded me awfully of how formative ritsu was for middle school me .#funny thing i remembered is spending several history classes drawing ritshou. fun times#also caption is completely a lie the average hobbyani protagonist is significantly worse than ritsu but shhhhhh#also how the hell do people come up with backgrounds. i just put colors there because i think theyre cool. if it works it works.#someday I'm going to make myself learn actual composition techniques and anatomy and literally every other art basic
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Me when I see someone rambling negatively about a character I wrote, or making incorrect assumptions about them based on their behavior
Me when I remember they haven’t read the 100 pages of backstory on said character, watched the nonstop footage of said character’s life in my head, and are going entirely based off little crumbs I’ve shared and don’t understand the meaning of unreliable narrators
Me when I remember it’s ok to be at peace with people not liking a character I wrote, whether it’s because more hasn’t been revealed about them yet or because of their personality - because that’s how real life works too, people like some folks and don’t like others, and it means that maybe I wrote a three dimensional character
(Shoutout to @/linkeduniverse for the images)
#writing problems#just a reminder to all my writer lovelies#Whether your writing is everyone’s cup of tea or not is their problem - not yours#I have to remind myself too lol#Especially when it’s a character I like#Like EXCUSE ME THAT’S MY BABY YOU’RE GRUMBLING ABOUT AND MISREPRESENTING#sigh#it’s not MY fault they don’t know every facet of this character#(It is)#lol#I do feel like reading comprehension is not something everyone possesses though and I need to just take a deep breath sometimes 🙃#But whatevs
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just a reminder that you are loved !!!! and valued!!!!! and you belong, you are not out of place or annoying or too much, you are unique and worthy and make people smile and deserve to feel at home!!!!! i love you!!!!!!
#having a weird day feelings wise#so reminding myself of this rn!!!!! and now all of you too!!!!!!!#sending you all a big kiss and hug#thank you all for being here with me and making this place feel like a little home#even if sometimes i struggle with making it feel like my own#i will cover the walls in love!!!!! i will welcome you all in with open arms!!!!!#mwah <33#q speaks
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