#i have the most of these in my drafts but all of them have been made in the past like 2 weeks 🫣

[reidsmanuscript]

Profiler, profiled.

Summary: When the past creeps up, more vivid and dangerous than ever, at the same time that the attraction becomes undeniable—and so do the mistakes. Pairing: Spencer Reid x lawyer!reader Genre: mutual pinning but painful, angst. wc: 7.3k! TW: Profiler, profiled canons! so Child abuse (implied and discussed), Sexual abuse, Framing/wrongful accusation, Police misconduct, Violence, mentions of traumatic readers' past!, female rage, violent thoughts. not proofread yet A/N: SO EXCITED FOR THIS ONE, this is my take on soulmates, thank u for all the feedback/support btw, really mindblowing <3 part I - part II - part III - part IV

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Something as routine and comforting as traveling to your hometown for your mom’s birthday can go wrong in an instant—sometimes, all it takes is a single moment of doubt. Unfortunately for Derek Morgan, it was the absence of doubt that could become his sentence.

Hotch was notified, as per FBI protocol, that one of his agents had been arrested as a homicide suspect. Maybe it was the fact that he knew Morgan wasn’t capable of something like that—he had been a prosecutor before joining the Academy, after all. As his boss, he refused to believe it. But as his friend, he knew that the smartest move—the one most people failed to make—was calling a lawyer.

The problem? Morgan didn’t have one.

The Bureau’s legal counsel wouldn’t intervene in a case where one of their own was being charged. It had to be someone who knew him, someone who would believe in him.

There was only one person who fit that description.

A.D.A. Woodvale.

So, after issuing an emergency recall for Reid, Prentiss, Jareau, Garcia, and Rossi—Hotch called you.

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One thing some victims, or their families, do after the person who ruined their lives is convicted is express gratitude. Sometimes immensely, sometimes barely—especially when the verdict isn’t what they had hoped for.

Still, they are grateful for your time and commitment to their pain. That’s why some send gifts like baskets filled with fruit, chocolates, candy, or all three combined. 

You were at your desk, late at night, again, reviewing case files and drafting a legal brief, absorbed in the task at hand. The basket with its chocolates, and cookies remained sitting on a chair near the window, quietly out of place among the legal paperwork without any card or name, maybe they forgot to put it or it fell on the way. 

The phone rings, and you answer immediately, announcing yourself. When the voice on the other end speaks your name, you recognize it instantly.

“I’m gonna need your help.” Agent Hotchner.

You straighten your back. “What is it? A warrant? It’s going to be hard at t—”

He cuts you off. “Morgan is in trouble.” That was enough to tell you this wasn’t just any ordinary favor.

You hesitate, cautious. “What happened?”

“He was arrested as a suspect in a homicide in Chicago.” Morgan? Homicide? For a moment, you’re ready to refuse—this isn’t your field. You put people in jail, not get them out. But then you remember—he saved your life over a year ago. And the weight of that debt settles heavily on your shoulders.

“Hotch, I... What do you want me to do? I don’t have connections there. Maybe I could talk to—”

He interrupts again. “He’s going to need a good lawyer. I know this isn’t what you do, but you know him. You know he’s not capable of something like that.” There’s a brief silence as you weigh your options, considering your next move.

"The jet takes off first thing tomorrow morning," he says, giving you an out—leaving the decision in your hands.

You exhale, and resolve settling in. "Send me the details. I’ll be there."

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As you stepped onto the jet, you spotted Hotch already seated alone. Without hesitation, you slid into the seat across from him, greeting him with a quiet nod, your back turned toward the entrance.

One by one, the rest of the BAU arrived, offering you brief acknowledgments as they settled in. When Reid stepped onto the jet, he barely glanced up—until he caught sight of the back of your head. He hesitated for just a second before moving to a seat diagonal from yours.

Hotch quickly explained that you were joining them to assist Morgan as his defense counsel. The weight of the situation settled over the jet, unspoken but palpable. You noticed it in the way the air felt heavier, in the subtle shifts of the team’s expressions, like how Prentiss shifted in her seat or the way Reid’s lips pressed into a thin line.

Since the Katie Jacobs case, he wouldn’t call it an obsession—that would be an exaggeration, and his mind rejected the idea of something so unscientific, but a fixation? Perhaps. There was something about you that tugged at the edges of his thoughts more often than he liked to admit. His memories of your first meeting were frustratingly blurred, dulled by the lingering fog of withdrawal, but he remembered enough. The way you carried yourself—composed, sharp, unreadable. The precision of your movements, deliberate in a way that suggested control rather than ease. The way your voice stayed measured even when you were angry, like someone who had learned to sharpen their words into weapons rather than waste them on emotion. And your eyes—steady, assessing, like you were always five steps ahead in a game only you could see.

Did you ever place two magnets next to each other and test how close they could be without touching? If they would repel or attract?

Magnets could only get so close before they either locked together or violently repelled each other. If their north poles faced one another—mirrors of the same force—they would push apart, unable to exist in such perfect reflection. But if one turned, aligning its south to the other’s north, the pull would be instant, inevitable.

That was a physicist's way of explaining why, the moment you caught him in the corner of your vision, you noted how his hair was longer than before, tucked behind his ears; how his fingers brushed over the pages of a book, a well-worn paperback pulled from his bag. Crime and Punishment. The same one you had almost mistaken for yours once. North. North.

But now, seeing it again, you wondered—what did he think about Raskolnikov’s theory of extraordinary men? Did he believe true morality could be measured mathematically, the way Raskolnikov tried to justify his crime with cold logic? Or did he see through it, past the numbers, past the equations, past the desperate rationalizations of a man trying to convince himself he was above consequence?

And what would he think about your take on it? That a man was either a fool for failing to control himself or a coward for refusing to own what he had done? Either way you just wanted to know his opinion. North. South.

You were just about to ask him when JJ spoke up. “I don’t understand. Can you even represent Morgan if you’re an A.D.A.? Wouldn’t that be a conflict of interest?”

It was a fair question, one you had asked yourself last night before finding a loophole.

You let out a slow breath, considering. "Technically, I’m not Morgan’s lawyer—he hasn’t called me personally to represent him. And I wouldn’t be joining you as his defense attorney… officially." You glanced at Hotch. "Prosecutors consult on defense cases all the time—off the record. I’m not filing any motions, I’m not putting my name on anything. I’m just… advising."

Prentiss raised an eyebrow. "Advising?"

You exhaled, running a hand through your hair. "I can’t officially defend him, but that doesn’t mean I can’t help. And the police don't need to know every detail about that."

Hotch gave a small nod. "That keeps you in the clear. No official involvement, no risk to your career."

Reid, who had been silent, finally spoke. "But what happens if they’ve already decided Morgan is guilty?"

Your jaw tightened, but Rossi answers first "Then that’s where we come in. We find out who’s setting Morgan up—and we make sure they don’t get away with it."

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As you arrived at the police station, you hung back from the group, not wanting to interfere with the BAU’s process. But when Detective Dennison refused to take Hotch to see Morgan, you decided you wouldn’t stand by quietly anymore.

You stepped forward, standing next to Hotch. “Are you going to take us to see Derek Morgan, or not, Detective?”

He glanced at you as though he didn’t understand the urgency. “Detective Gordinski's in with the suspect now”

“Now is when we need to see him.” you shot back.

“Excuse me?” he started to respond, but Hotch cut him off.

“I have your superintendent's personal cell number,” Hotch said calmly. “And, in the interest of not running roughshod over another police agency, I’ve resisted calling him so far. We need to see Agent Morgan now.”

You couldn’t help but think how Hotch was finally getting some work done.

The detective nodded and, after disappearing into a room, came back with another man. Detective Gordinski, you assumed. It was something you were used to, this unspoken assumption that you were a junior, a minor player in the room, because of your age. It happened often when older men met you—defense attorneys, paralegals, specialists, and even police officers. They assumed you were less than you were. Gordinski was no different. When he approached you, he only offered his hand to Hotch.

“Detective Gordinski, CPD,” he said, as if you weren’t standing right there.

Hotch didn’t seem to notice the slight. “You think an FBI agent, a BAU profiler, committed a homicide?”

Gordinski answered with a level of pride that made your stomach turn. “Actually, three homicides at least, over 15 years.”

You heard JJ and Reid protest, both equally shocked by his ridiculous statement. And the way Gordinski spoke, as though the case was already closed, irritated you. “Has he been charged with anything?”

“I’ve got 72 hours for that,” he replied, clearly still lacking sufficient evidence.

“We’d like to see him,” you said, your tone final. He hesitated for a moment, then reluctantly agreed as Denninson took you and Hotch to see Morgan.

As you entered the interrogation room, you found him in a sort of trance, staring at a photograph in his hands. When he finally looked up, there was a flicker of surprise in his eyes.

“You okay?” you asked, aware of the detective’s overbearing presence in the room.

Morgan exhaled sharply, turning the photo toward you. “This kid—I was with him yesterday.”

“So?” Hotch prompted.

Morgan shook his head, his voice tight. “So, he’s dead. I drove him home, Hotch, and Gordinski’s saying I was the last person seen with him.” His gaze flickered between the two of you, frustration and disbelief written all over his face.

You didn’t need to analyze the detective’s stance to know he had already made up his mind—his persistence was nothing more than a show, an act to reinforce a conclusion he had already reached. But the look in Morgan’s eyes told you everything you needed to know. He cared about that kid.

Turning to the detective, you asked smoothly, “Is there a more private place where I can speak with my client?”

The man hesitated, taken aback. Up until this moment, you hadn’t explicitly stated that you weren’t an agent. His expression tightened. “I’m afraid we don’t have another space for you and the suspect,” he replied with a forced smile.

You returned his look with a cool, unwavering stare. “You do know that any conversation between me and him falls under lawyer-client privilege, right?”

His mouth opened in protest, but you didn’t give him the chance.

“And denying us the proper privacy means that any so-called evidence you think you can get from this interrogation would be inadmissible in court. Not to mention, it’s a direct violation of SSA Morgan’s constitutional rights.” Your tone remained calm, professional—not threatening. Not yet.

The detective narrowed his eyes but gave a short, forced nod, his polite smile not reaching them. “I’ll see what we can do.”

That was code for We’re not doing a damn thing, but we’ll make this as difficult as possible.

Fine. You’d play their game. But first, you needed to find out exactly what they had on Morgan—and fast.

As you step outside, a harsh voice—too raspy and loud for your liking—carries through the room, discussing evidence. You stay quiet, listening. Being on the other side of the law feels strange, but it’s not difficult. If you know how to prosecute, you know the tricks and games cops play. And if you know your opponent's strategy, it’s easier to disarm them and lead them where you want.

The detective asks Rossi if he’s Agent Gideon, and when the detective explains he was the one who sent the profile that led them to Morgan, you curse Gideon internally. First Reid, now Morgan. 

"It also said the way the body was placed gently on a mattress, not just tossed on the ground, indicated someone who was probably consumed with guilt, especially for the first victim. The exact words are—'with a guilt-ridden offender,' the BAU postulates the first victim is the most important and the unsub may still visit the place of the crime or even the victim himself.'"

Gordinski’s voice drips with conviction. "Care to guess who visits my first victim every time he's in town?"

You notice Reid glance at you, but you keep your focus on the detective, listening carefully as he continues. 

"Then yesterday, another kid ends up dead, and the last person he was with was Derek Morgan. In the boy's pocket, we found one of his FBI business cards, his cell number written on the back. In fact, every time Morgan's in town, he hangs out with kids."

JJ calls it a coincidence.

"A hell of a lot of coincidences," Gordinski retorts.

“I prefer the term 'circumstantial'” you say from the back of the room.

Gordinski turns, sizing you up with an incredulous look—too young, maybe too idealistic. "And you are?"

"Derek Morgan’s attorney." There was no reason to hide anymore, you didn't bother offering your hand.

Gordinski barely reacts before flipping open a file. "Did I mention that your client found the body in 1991? Hidden way back in a vacant lot. Now, don’t they teach you that when a body is hard to find, the person who finds it is always a suspect?"

You do the math quickly, Morgan would have been too young.

And you feel like Reid reads your thoughts when he answers. "There are key pieces of the profile that don't fit, Detective. The age—25 to 35—Morgan was 15 at the time."

"Profile Also says that age is the hardest to predict, and I should never exclude someone simply because of a discrepancy with the age." Gordinski is grasping now, trying to force the facts to fit.

Prentiss speaks up. "What about the speculation that since he didn't leave any evidence at the crime scene, he's likely to have a criminal record or law enforcement knowledge?"

"He may not have had knowledge of law enforcement, but Derek Morgan definitely had a criminal record." He tosses a file onto the table. You open it, scanning the contents. Resisting arrest. Vandalism. Aggravated battery. You inhale deeply.

"So he was a troubled kid, not a murderer. What kind of 15-year-old kills another boy, then deliberately stages the body just to make sure he’s the one to 'find' it?" Your voice is sharp, challenging him to walk into your tramp.

Gordinski smirks. "I’m sure you know psychopaths are very smart people, Miss."

Bingo.

You tilt your head. "So, is Morgan a psychopath? A guilt-ridden killer? Or an FBI agent dumb enough to leave his own business card at the crime scene? Because he can’t be all three, and right now you're contradicting yourself, Detective."

The room is silent for a beat. Gordinski clenches his jaw, his grip tightening on the file in his hands. He glares at you like you are his personal enemy.

You don’t give him time to recover. "You're reaching. And I think you know it." you say as you leave the room to look for your client.

And if Reid hadn’t been so mesmerized with the way you had subtly guided Gordinski, he might have given in to the impulse he had to correct him when he addressed you as Miss and not Counselor. 

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Rossi had sent Prentiss and Reid to Morgan’s house to investigate, while you stayed to ensure none of the Detectives would do something sketchy with the proofs.　　

Maybe it was the PTSD Dr. Fitzgerald diagnosed you with when you were 11, but the moment Carl Buford entered the room, something felt off. It wasn’t obvious, more like a second nature—a survival instinct that had been honed over the years. You weren’t always right, of course. You’d had a few false alarms before, but this time, something in the air shifted. It wasn’t in his appearance or his words; it was in the way he presented himself—as someone kind, someone willing to help, harmless. But it triggered something in you. The sirens in your brain went on, even if they were faint, too faint to be taken seriously but still enough to be annoying.

Reid had just returned from Morgan’s house when he saw you standing by the board, JJ on the phone and Rossi talking to you. He noticed how you discreetly stifled a yawn, and it hit him—it was nearly evening. The Cheetos packet that probably belonged to JJ and the half-eaten cheese sandwich from Rossi were the only signs of food nearby. It dawned on him that you likely hadn’t eaten all day.

He didn’t want to be the kind of person who overcompensated in an obvious way, but seeing you like this stirred something in him. It reminded him of the last time he saw you at the mall, how you’d instinctively avoided him, as if you couldn’t stand being around him for more than a few seconds. The longest you’d managed to stay in the same spot was 8.12 seconds.

That had been the last time, though. Now, things felt different. You were talking to Rossi when Reid approached and offered coffee to everyone. You could tell he was overcompensating—or at least, that’s what you assumed.

Then again, maybe you were reading too much into the moment when he’d slightly quickened his pace as you all entered the police station, holding the door open for everyone. Or maybe he was just anxious about his friend and eager to get inside quickly.

Or when you were rummaging through your bag for a pen, and he handed you one without hesitation. It could have been just a simple gesture, a convenient moment. But you couldn’t help but wonder if there was more to it—if he was trying to do something, anything, to bridge the gap between you.

You felt stupid for liking his gestures, for craving his attention. That’s why you said yes when he offered the coffee—because you couldn’t help it.

And he was happy to do it. He put special care into preparing your cup, even though he hadn’t asked how you took your coffee. Statistically speaking, most people put about two teaspoons of sugar in their coffee, but he didn’t know what you preferred. Maybe you liked it with even more sugar than that, just like he did. Maybe you didn’t use sugar at all, maybe you used honey.

He caught himself before he poured too much, measuring out what he assumed was the “average” amount, then handed it to you with a small, careful smile. There was a brief moment when your fingers brushed, and maybe his lingered for a second longer than necessary.

But when you took a sip, it hit you. The sweetness of the sugar was overwhelming, and the unexplainable presence of Carl Buford seemed to crawl into your mind, making it worse. It was your fault for not telling him no sugar. Your hand froze for a moment as you fought to swallow, your fingers tightening slightly around the cup.

Reid noticed. He saw how you stiffened, how your grip on the cup tightened, and he assumed he’d gotten it wrong. Maybe you didn’t like sugar in your coffee, or maybe you just didn’t like it at all. He felt a pang of regret, thinking he’d misread the situation. He wasn’t sure why, but for a moment, he wondered if he was always this wrong about you. North. North.

You didn’t want to overreact or be rude, so you quickly excused yourself to the bathroom, needing a moment to splash some water on your face and steady yourself. You stared at your reflection in the mirror, silently telling yourself to calm down.

Maybe you were overreacting to Buford. But that thought was short-lived. The moment Hotch and JJ entered the room and she began speaking, confirming what you had already sensed, everything inside you seemed to crack. Carl Buford—the man who was fervently helping the police catch Morgan, was the same one who had written a letter to clear his record. The contradiction hit you like a punch to the gut, and you couldn’t shake the sound of the sirens growing.

You followed Hotch as he approached the interrogation room, your mind racing with the unsettling sense you couldn’t shake. You didn’t even notice Reid following behind you, keeping a respectful distance. Hotch entered the room, and the questioning began.

"Carl Buford." Morgan’s voice was tight, his shoulders tensing at the name. He stood up from the table where his arms had been resting. "What?"

"Carl Buford. He runs the youth center." Hotch's voice was calm, measured, but you could feel the pressure building behind it. From the other side of the glass, you stood in front of the glass, only for a moment, before Reid joined you at a respectful distance.

"What's that got to do with anything?" Morgan's tone was dismissive, brushing off the mention of Buford like the idea of talking about him was unbearable.

"He's responsible for getting your records expunged." The words hung in the air, sharp and deliberate. Maybe it was the steady presence of Reid beside you that kept you grounded, or maybe it was that something about Buford just didn’t sit right with you. The sirens in your head grew louder.

"I told you to stay the hell out of my business." Morgan’s voice rose, defensive, but not with rage—more like a wounded animal cornered by a predator.

"You said you visit the youth center every time you come here," Hotch pressed, not backing down.

"So what?" Morgan spat out the words like they were poison.

"Buford says he hasn't spoken to you in years. Why don’t you visit the man who made your career possible?"

"Damn you, Hotch." Morgan’s fist slammed onto the table as he stood up, knocking the box over in frustration. That was when you knew. The sirens in your brain were deafening now—loud enough to drown everything else out, and you couldn’t ignore it.

The sickness in your stomach was undeniable. You swallowed it down, fighting the urge to leave, but your instincts were already pushing you forward. You grabbed the door handle, taking one last breath before entering.

"Agent Hotchner, I would like to speak to my client." When Hotch didn’t move, still focused on Morgan, you added, "Now."

With a quiet but firm nod, Hotch left the room, his stoic expression unchanged. You sat down in the chair, your mind racing even faster. If you wanted Morgan to trust you—if you wanted to get through to him—you had to give him something first.

“Aren’t you supposed to be defending me? Looking for a way to get me out of here?” he snapped.

“I can’t help you if you’re not honest with me, Derek.”

“I am being honest. I didn’t kill those kids! He has nothing to do with this!”

“Then why is he so eager to help the police?” you shot back.

For a moment, he didn’t say anything—just glared at you, jaw clenched, shoulders tense. You recognized that look. It was the look of someone who had learned, maybe too many times, that the world didn’t always care about the truth.

"Derek I can't do much if you don't trust me." You say as calmly as you can.

Morgan let out a humorless chuckle. “Trust you?” he said, shaking his head. “I barely know you.”

You leaned back slightly in your chair, eyes flickering over him. That’s fair. Trust wasn’t something that could be commanded, especially not in a place like this.

But you also knew what it was like to sit on the wrong side of an interrogation table. To have someone who was supposed to protect you look at you like you were already guilty. To feel like the walls were closing in, no matter how much truth you were screaming.

You swallowed, forcing the memories down before they could surface. If you wanted Morgan to trust you, you had to give him something first.

“Derek… I’m on your side, whether you believe it or not. Not because I owe you one, but because I can recognize someone whose trust was betrayed by the person who was supposed to protect them.” That made him look at you—really look at you. And you hated it. Hated the way he was seeing straight through you.

Being read, being seen—that wasn’t something you allowed often. But Morgan had spent his life reading people, understanding them, profiling them to find the truth. And you had spent your life sharpening your edges, and weaponizing strategically everything you didn’t like. But right now, you were offering him a piece of yours.

You took a slow, measured breath, and even though the room felt too warm, you forced yourself to keep going.

“My parents… my birth parents ran a meth lab in the kitchen,” you said, voice steady, though your hands curled into fists beneath the table. “When I was four, it exploded. I was sent to the hospital with burns, malnutrition, and withdrawal symptoms I didn’t understand. That was the first time CPS got involved. They put me in the system.”

Morgan’s expression didn’t shift, but you saw something flicker behind his eyes. Recognition.

“And if you know anything about the system, you know it’s broken. It fails. It doesn’t protect the people who need it the most,” you continued, your voice steady, but your chest felt tight. “There are cracks in it, and some people…take advantage of that. They play the part, they act like saviors, they pretend to care.” Your voice caught, just for a second. But you forced yourself to push through it. “I know men like Carl Buford. I grew up with one of them.”

Morgan’s jaw tightened. That name—Buford—hit the air like a hammer. You weren’t just asking for trust. You were offering something real. Something raw.

His fingers curled into fists on the table, and for a second, he looked away, shaking his head like he was trying to push a memory aside. But he didn’t deny it. Didn’t challenge you. Because he knew.

“And what happened?” he asked, voice lower now, controlled but heavy.

You exhaled sharply. “I clawed my way out, just like you did, got adopted when I was 8. And when I had the chance, I became the system—to change it the only way it’s possible, from the inside out.”

Morgan let the silence stretch, studying you, his fingers tapping once against the cold metal table. Finally, he let out a breath, something almost like defeat but not quite. “So what now?”

“Now,” you said, straightening, “We stop playing defense.”

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You stepped out of the room, and though the tremor in your hands had subsided, the warmth lingering on your back remained. Scanning the precinct, your gaze locked onto the person you were looking for—Gordinski.

You strode toward him, your pace sharp, your voice sharper. “Are you going to charge my client with something, or are you just going to keep stalling?”

He smirked, relishing the frustration in your tone. “Miss Woodvale.” The mockery in his voice was deliberate, savoring the way your desperation bled through. “I still have over 40 hours to hold your client as a suspect.”

“Have you found any new evidence? Because all you have is a questionable profile and circumstantial evidence.” You leaned in slightly, wanting to get under his skin. 

“We have motive.” He said it like it was a trophy, something definitive, something final.

You let out a short, dry laugh. “No, you have a grudge. There’s a difference, and if you don’t know it, the jury won’t buy it.” You’d seen stronger cases collapse under weaker arguments.

His jaw tensed as he looked down at you, exhaling through his nose like you were an inconvenience. “Look, we have three dead kids and a family that wants closure. We’re just doing our job.”

You knew it was a low blow. You knew it was too much.

“Oh yeah? I wonder where I’ve heard that before?”

That was exactly why you said it.

Gordinski’s expression twisted as realization struck. One of the other detectives snapped at you, voices rising, the BAU stiffened, and you could already see Hotch preparing to apologize—everything was escalating.

Then— “Hey! What, did we turn him loose?”

The tension shifted. The detectives forgot your words in an instant, all eyes snapping to the officer outside the holding room—where Morgan had been.

Chaos erupted. Gordinski bolted toward the room, Dennison scrambled to dispatch patrols, Prentiss and JJ exchanged alarmed glances.

And that’s when you slipped away. Nobody noticed… Well nobody except Reid. He always had an eye on you, even from a distance.

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The air was cold, and in the rush of the moment, you’d forgotten to grab your coat. But in some strange way, you were grateful for it—the chill seemed to cool the simmering anger that was creeping through your veins as you headed toward the community center.

Morgan walked beside you, leading the way. You kept your head low, ducking behind columns to avoid the patrols that were probably looking for you. The familiar sensation of hiding felt strangely nostalgic—if you closed your eyes, you could almost imagine the cup of coffee in your hand as you walked through the campus at Harvard.

After ten minutes, you spotted a small field with the lights still on. A kid was out there, playing football by himself. Morgan moved closer to him.

“Lookin' good there, kid.”

You stayed a few feet behind, not wanting to interfere.

“I was tryin' to call you.” The kid stopped running and looked at Morgan.

“I’m here now.” Morgan spread his arms, inviting and friendly.

“Who’s that?” The kid glanced at you quickly, signaling toward you with a tilt of his chin. Unable to stay hidden any longer, you stepped onto the field and leaned back against the fencing, crossing your arms.

“Someone I trust. One of mine.” Morgan’s bold words were enough to drop the kid’s defenses.

You stayed silent, as invisible as you could be, observing how the kid tensed and relaxed automatically when Morgan mentioned needing to talk about Buford. You never thought you were good with kids—didn’t know how to act around them without overthinking, constantly looking for signs and flaws.

The more they talked, the more Derek described Buford’s manipulative ways, using his influence to make kids trust him only to exploit that trust, the more the freezing air of Chicago couldn’t keep the heat from rising inside you. Your hands curled into fists, squeezing your sides, wrinkling your shirt.

There were so many sick ways people used to reward or control others. Buford used alcohol and false bonds to make kids feel like adults, while others used toys or candy.

“My oldest brother’s in jail. My sister was paralyzed in a drive-by... She’s eight years old, and I’m all my mom’s got left. I gotta get us outta here.”

No kid should ever carry that kind of weight. No child should feel like enduring abuse is the only way out.

“Carl’s gonna make sure I get into college. Then I can make something of myself.” The gratitude in his voice was painful—the twisted sense of owing someone everything for their attention, their gifts.

You closed your eyes and looked up at the sky, trying to keep yourself from walking into the building alone and finishing whatever it was you had come here to do.

“James, you are something, man. You’re something right here, right now, without Carl Buford.” Morgan’s words hit you hard. He was right. James was someone. He was someone. You were someone, too. Despite everything, you were still breathing, still standing.

A tiny part of yourself felt grateful when you heard James had told Damien about what he was going through, that he had been brave enough to speak up and look for someone who would believe him and would do something about it. Damien knew. Morgan connected the same dots and realized who was staging the whole thing up.

Carl. Motherfucker. Buford.

Derek eventually finished talking to the kid and motioned for you to follow him. You didn’t know what his next move was, but you were backing him up. “Derek?”

He turned to look at you. “Yeah?”

“Whatever you want to do, I have your back.” You knew he saw it in your eyes—an intense, boiling rage that had driven you to places both good and bad. He knew that whatever he was going to do next, you wouldn’t stop him or doubt him.

　　 　　　       .˳˳.⋅∘ ˚ ˚∘⋅.˳˳.⋅∘ ˚ ˚∘.˳˳. 　　　

He gave you instructions on how to get through the back door of the office. But when you got there, Morgan was already calling him out.

“All these years, I kept my mouth shut. I let you go on being a hero. Carl Buford, my mentor.”

Buford’s back was toward you, and the more he talked, the more the air seemed to thicken with the heat of your rage. Your vision narrowed, blurred at the edges with red. A man. No—a monster. A predator who walked free for far too long, spinning his web of lies, manipulating, violating, ruining.

And he had the audacity to deny it. The smugness in his voice. The complete absence of remorse.

“Whatever lies James told you…” he said so easily, as if that erased the truth. As if that rewrote history.

Your hands clenched so hard they ached. How many lives had he destroyed? How many boys had suffered under his hands? You had seen men like him before—hell, you had been a child under the power of a man like him once. The weight of their hands. The control they wielded. The false kindness that masked something vile.

Your stomach twisted violently as you took in the sight of his office. The trophies. Row after row of gleaming gold, polished plaques. A shrine to his own ego. A testament to the world that this man was trusted, respected, celebrated.

And then you saw it. Dr. Or you think you did

The word burned itself into your mind like a scar. Dr. Calloway. It wasn’t his name, but your hands trembled anyway, your breath coming fast and ragged, and the sirens grew louder and louder. Was it the name? Was it the way the gold glinted under the dim light? Or was it just the overwhelming wrongness of all of this? 

Buford was still talking. Still spewing poison.

“How many lives have I provided? Look at you. You’d probably be dead by now.”

Lives.

Lives he had ruined.

Lives you could still save.

Your fingers curled around the base of a trophy—a heavy one, sharp at the edges. You barely registered the name engraved on it as your grip tightened, your knuckles going white.

For a split second, your mind whispered, Do it. The same one that had accompanied you in moments where you couldn’t move. Moments when your body wouldn’t answer to your orders. The voice of that version of yourself that would unleash violence. Do. It.

But then—Morgan. This wasn’t your moment. This wasn’t your fight.

But if he wanted to tear this office apart, you would hand him every single thing worth breaking. You would burn it to the ground and stand there, just to watch Buford scream as the flames took him.

Morgan’s voice cut through the storm inside your head.

“Actually, I’m saying you have everything to do with making me who I am.”

And so did you. Because this rage—this blistering, all-consuming, blood-boiling rage—was just another scar left by men like him. Men who stole, who twisted, who took and took and took until all that was left was ruin.

The sirens in your mind screamed. The voices clawed at your skull, howling for justice, for vengeance, for something more than just words, more than just silence.

Just like the ghosts of the past. Just like the hands of the past. Just like Calloway in the past. In the present.

Calloway. Buford.

"I never hurt you. You could have said no.”

Your grip on the trophy tightened, the sharp edges digging into your palm, but you barely felt the sting. All you saw was red. All you felt was fire.

"You're under arrest, Carl." The words cut through the haze, sharp and final.

Buford barely had time to react before the officers stepped in, twisting his arms behind his back, snapping cold metal around his wrists. He said something—denial, excuses, more of the same filth that men like him always spewed—but it didn’t matter.

It was over.

The red began to fade. The fire inside you simmered, but the embers still burned low, smoldering beneath your ribs. Your breath came in sharp, uneven pulls as you unclenched your fist. The trophy slipped from your fingers, clattering against the floor with a hollow, metallic thud.

Morgan was still staring at Buford, his jaw tight, his hands balled into fists at his sides.

For a moment, you wondered if he felt it too—that same bone-deep ache, the need to destroy, to make it right in ways the law never could. But then he inhaled, long and slow, and you forced yourself to do the same.

He saw the trophy in your hand, and you expected to find judgmental eyes—eyes that would look at you like you were dangerous, like you had lost control, like you were no better than the man they were dragging away in cuffs.

But there was no judgment in Morgan’s gaze. Just understanding. Maybe even something closer to recognition.

Your fingers trembled around the trophy, your pulse still hammering in your ears, but you couldn’t let go. Not yet. The weight of it felt good in your grip, solid and real. It would’ve been so easy—so easy—to swing, to carve your fury into something tangible.

He must’ve seen it in you. The way your shoulders still heaved, the way your jaw clenched so tight it hurt.

Morgan reached out, slow, steady. Not to stop you. Not to take it away. Just there.

A lifeline, if you wanted it.

You exhaled shakily, then forced your fingers to unclench. The trophy slipped from your grasp, landing with a dull thud against the floor.

Your hands were empty now. But the fire still burned.

　　 　　　       .˳˳.⋅∘ ˚ ˚∘⋅.˳˳.⋅∘ ˚ ˚∘.˳˳. 　　　

Resting against the wall, breathing heavily, you watched as they took Buford away under your intense gaze. Gordinski approached you.

“Your actions could be taken as obstruction of justice, Counselor,” he said, the sarcasm in your title not going unnoticed.

An old man threatening you, just to scare you and gloat himself, a pathetic move, especially now when there were still remains of the fire, not ashes yet. You sighed, as if too tired to deal with him, not even bothering to look his way. “And what are you going to do? Arrest me?” You finally glanced at him. “I have the General Attorney one phone call away, and I could charge you with misconduct and Sixth Amendment violation, which could dismiss the case you have been working for so long.”

You let the words sink in for a second while he remained serious. “You got your guy Detective. Walk away while you can.” 

Like in chess, any smart player knows when to retreat. He glared at you but ultimately backed off.

From the corner of your eye, you noticed Reid watching. For a moment, you couldn’t help but return his stare. But then, lifting your chin, you towards the SUV, ignoring the strange sting of shame, the kind of shame you feel when you want to show the best version of yourself to someone, only to show the worst. It wasn’t the first time you had talked your way out of a charge, but it was the first time you felt ashamed of doing it.

　　 　　　       .˳˳.⋅∘ ˚ ˚∘⋅.˳˳.⋅∘ ˚ ˚∘.˳˳. 　　　

You and Morgan were the last to board the jet. After last night, you'd talked—just not about the… incident. He'd invited you to the grave of the unidentified child with him and his family, and, for some strange reason, it had brought you a sense of peace. Afterward, you joined the rest of the team on the way home.

You spotted Reid sitting by the window, absorbed in his book. North. South. You weren’t one to judge anyone’s demons, especially when you couldn’t even control your own. Maybe that’s why you sat in front of him. Maybe you were tired of pretending you didn’t want to know what was going on in his head.

When he noticed you, his eyes widened slightly, and his fingers nervously traced the edge of the page. Was this it? Would you confront him? Would he finally have the chance to explain himself?

"Do you think Raskolnikov ever believed he deserved the punishment?" you asked, your voice quiet but firm, meeting his gaze. "Or did he just convince himself he was too special to face it?"

Reid blinked, clearly caught off guard, but after a beat, he answered. "I think Raskolnikov believed he was above it all. That his intelligence and theories made him different. But that’s the tragedy—he never understood that punishment isn’t just about what you deserve. It’s about confronting what you’ve done. The guilt you carry. Sometimes, it’s about having someone who believes in you, even when you can’t believe in yourself." His voice softened with the words, as if careful not to scare you off.

You didn’t break eye contact, letting the weight of his words settle. After a pause, you glanced back down at the book. "Someone like Sonia?"

Reid’s gaze flickered, sensing the shift in the conversation. You weren’t just talking about Raskolnikov anymore. Maybe it was about him. Maybe about you. "Someone like Sonia," he said quietly. "She believed in him, not because he was special, but because she saw his humanity. Sometimes, it’s not about whether someone deserves forgiveness—it’s whether someone else is willing to help them find it."

A quiet tension lifted from your shoulders, and your expression softened, the unspoken understanding between you both almost palpable in the air. North. South.

　　 　　　       .˳˳.⋅∘ ˚ ˚∘⋅.˳˳.⋅∘ ˚ ˚∘.˳˳. 　　　

By lunchtime the next day, the events of the prior day still gnawed at you. The feeling only worsened when your eyes landed on the basket sitting in the corner of your office—filled with chocolates and candy.

Taking a deep breath, you picked it up and turned to your temporary assistant, a guy covering for Molly while she was on maternity leave. “I’m stepping out for twenty minutes,” you told him.

Basket in hand, your thoughts blurred together as you walked toward the park. It was a familiar refuge, a place where kids and elderly chess players gathered, lost in their games. A little distraction wouldn’t hurt. It would be good for you to clear your mind—and they always appreciated it when you brought baskets like these or treats from your mom’s bakery.

　　　　 　　　    .˳˳.⋅∘ ˚ ˚∘⋅.˳˳.⋅∘ ˚ ˚∘.˳˳. 　　　　　　 　　 　　 　

So we finally see more of reader's past! been waiting for this since i started drafting the story in my mind. You'll know more the next chapter!　 　　　 Feedback feeds motivation! Likes, reblogs and comments are all appreciated <3 Tag list: @arialikestea @hellsingalucard18 @pleasantwitchgarden @torturedpoetspsychward @cultish-corner<3

[revelboo]

revel, i am bowing down before your feet, asking so very nicely for scavengers content...

Sure!

A Lifeless Ordinary Pt 19

Scavengers x Reader

• “Spin treat you right?” Misfire asks as Spinister shifts against you, sitting up. And you’re painfully aware that Spin had chucked your clothes over the edge of the berth as you squirm upright, twisting so your back is to Misfire. Watching the Seeker over your shoulder when he goes over to the Medbay sink, back to you and wings up as the water runs. Spin leans to brush his jaw against the top of your head before he’s mass shifting and going after the energon. Watching him drink, you almost shriek when Misfire hook a servo against your thigh and turns you.

• Head lifting on an uncertain growl when Misfire slides a damp cloth between your thighs and you smack his hand, Spin reaches to pin his friend’s hand flat to the Medbay berth, rotor blades flicking. “Don’t.” Letting go of the cloth and holding up his hands in surrender, Spin turns his attention back to you, taking over cleaning up his mess as you just groan and lay your head against his hands.

• “Hey, didn’t mean to overstep, big guy,” Misfire says and he’s grinning when you turn your head to scowl at him. Head tipped to watch Spin drape the cloth over a servo and stroke it against you despite your efforts to shove him away because Misfire is still watching. “I’m just trying to help care for our little human.” You don’t buy that for a minute. “I mean, you heard Swindle. Humans have needs. What if you’re off the ship and Tiny goes into heat, hurting for a spike and you’re not there? I’d hate them to suffer.” Is he serious? ‘Humans don’t go into-’ you begin and Misfire presses a servo against your mouth as Spin hesitates.

• “You know, us Scavengers, we’re brothers really. Right?” Misfire grins as you shove at his servo, his head tipping when Spin removes the cloth. And you immediately try to cover yourself with your hands. “We share everything. Weapons. Engex. It’s only natural we’d share caring for Tiny here.” Hears your little exasperated huff, but Spin is listening. Or at least, doing a lot of serious frowning. Sometimes it’s hard to tell what’s going on in that damaged processor. “You want Tiny fully under all of our protection, right?”

• Misfire is using the voice. Knows that voice. It’s the one that talks him into things that usually upset Krok. But he does want you safe. You’re the most important thing to him right now. A bit of calm in the confusion of his processor. “Right,” he mutters as Misfire removes his servo and you smack him again. Because it sounds reasonable when Misfire says it. Like it’s foregone that they’d share you. You’re one of them.

• Nose scrunching to tell Misfire off, his optics dip and you tuck your thighs together, twisting so you’re not just on display. And hating that you like the way he looks at you. Fulcrum had been curious and embarrassed, but Misfire is just interested. It’s not like anything can come of anything between you and them except some harmless pleasure. Something you desperately need amid all the chaos you’ve been drowning in since ending up on that dead world. And it’s not like there are any repercussions if you did get to spend time with all of them. So you keep your mouth shut kind of hating your greedy little self.

Previous

I figure out the story as I go with these, so they act like my drafts. Not every story will go that way, but I don’t really know which ones will until I get there if that makes sense.

[starsinmylatte]

I saw your dilf Veritas post and listen I had to hop in cause I am so damn hungry for this man istg

Anyway, I don't think I've seen anything in regards to the moment when Veritas loses his cool for maybe even the first time in his life. And that's the birth of his child. He has knowledge on birth and all about it but with that comes the knowledge about all that could go wrong and bro is stressing 🥲 he wants his beloved partner and his precious baby safe and sound and healthy. He also hates to see his partner in so much discomfort throughout all this

I have failed my fellow HSR cuties bc I have been HOARDING some delicious content in my drafts while waiting for the hyperfixation to return. Everyone thank @delirious-donna for pinging my last brain cell and reminding me that hoyoverse still exists 🙂‍↕️💕

Anywho..... Back to our scheduled simping!

Veritas is the man who always has a logical plan or a well-thought-out answer to everything. He is aloof at most times, able to step away from any situation happening in front of him so that he may analyze and produce the best course of action. He prides himself on his ability to organize his thoughts and process his feelings according to logic, oftentimes being the only person to take charge during emergencies. That is, until you wake up in the dead of night to find that your bedsheets are.... strangely damp? Oh shit.

Being the chronic over-planner, Veritas had your due date neatly penciled into his calendar for precisely two weeks from now, so when you tapped at his shoulder rather urgently, he was decently confused. "My darling, I know cravings are intense, but eating at this time of-"

You cut through his raspy, sleepy drawl- the same one you'd heard groaning obscenities against the shell of your ear as his son was conceived-" Veritas, the baby is coming."

His head twitched, raising off the pillow as if he needed both ears to hear what you were saying, "I, I apologize, but it sounded li-"

"Veritas. Get the bag. Our son is coming."

For the first time since you'd met the man, you swear that you can hear the subtle clicking of Veritas Ratio's mind running as he processes a set of data. During that particularly pregnant (ha) pause, you heard one distinct tick as he registered the condition of the bedding, and then the father of your child was immediately out of bed vaulting across the room.

A choice string of vehemently hushed obscenities falls from his lips as he snarls in frustration at all the extra fucking buckles on his goddamn pants that he's never noticed before and-

"Dear, just keep your sweatpants on. Just find a shirt and some shoes first, and then grab pants and shoes for me."

Your clear voice stops his thoughts on a dime. Of course, How had he not thought of that? His beloved wife was so brilliant.

For the first time in his entire life, Veritas's brain was simply on overdrive. His carefully separated thoughts and feelings were clashing with no intention of stopping, leaving the man on autopilot. If it were any other situation, you'd have been amused.

Veritas's mind snapped back to normal after you winced from a contraction as he helped you with your shoes. Knowing that you were in distress gave his mind the kick it needed to prioritize correctly again, and he got you to the hospital in record time.

Originally, you had planned to go to the hospital that was further away- the one Ratio didn't lecture at daily- but now that didn't seem like a possibility. Getting you comfortable as quickly as he could won by a mile in Ratio's list of priorities, so many heads turned in the Emergency Department as they suddenly heard their strictest professor's voice at three in the morning. Some twitched in their chairs, fully convinced they were in the throes of a nightmare as the widely respected, widely feared Doctor Veritas Ratio strode toward them at a breakneck pace in his pajamas.

"Mywifeishereandsheneedstobetakenuptoaroomimmediately."

The doctors glance at each other. From the sea of confused faces, that didn't make sense to anybody. "uh- sir?"

"My wife. Is here. She needs a room. Now." Veritas annunciated his words very slowly as if they were the densest people on the planet, which meant that he actually managed to speak his sentence at a somewhat normal pace.

As if to drive the point home, the nurse Veritas had left to gather your things and bring you in suddenly appeared, quickly wheeling you into the room. The staff paled as they noticed you groan softly in pain, one arm draped protectively over your heavily pregnant belly.

The medical team whisks you away to a delivery room, and Veritas is quickly thrown into an unfamiliar world. The man used to having decisive answers is sat squarely in a chair next to his wife's bedside, grasping her hand tightly as she cries out in pain. He can't stop thinking about all of the variables, all of the things that could go wrong- the way your face is scrunched up in agony- the knowledge that he's about to meet his son.

The thoughts continue on a revolving loop of horror and wonder until a shrill little cry pierces the air, and Veritas Ratio snaps to attention to meet his son for the first time.

[chessboredom]

OMGHG THANK YOU SO MUCH FOR COMMENTING THIS ADDITION HAHAHAHAHAH (You have NO IDEA how much analysis is contained in my brain that I haven't even posted yet. *glances at the long shadowvanilla post in my drafts*)

And the link you sent? I noticed that as well through rewatching the story So Many Times as well as bothering them both in game. (Did you know that Pure Vanilla hates himself? Find out more on some random analysis I would make lo)

And the lines of the old cookie OHHHHHHJOHOHOH MY HEART. I actually went through Pure Vanilla's story again and saw that part, but I didn't have to look back or mention it to know how painfully understanding PV is and would do anything to protect every cookie in need. And you know who else is in need? Shadow Milk Cooki- Even though Smilk put him through allat bullshit, he wouldn't stop to try to help him. But he's still being stuck in the state of Truthless Recluse, and he still has to find the Truth in the ocean of lies Smilk has put him in, and WHO ELSE would he turn to but INTO HIMSELF (Just look at that closed eye on his staff. HIS HOPE IS STILL HOLDING ON IN THERE). Look, Pure Vanilla has always been a healer. He heals everyone, but he never actually cared for himself. There's literally an interaction between PV and Hollyberry where she asked him if he skipped his meals again.😭😭

AND BY THE WAYYY, if this helps you sleep at night, I watched the entirety of the developers' update commentary, and it's very much all an illusion, and I qoute "It turns out that the path Pure Vanilla Coolie took was actually orchestrated by Shadow Milk Cookie." and what ever other people(or ship hater) are saying is the most piss poor reading comprehension I've ever heard. God bless these people.

"Pure Vanilla Cookie is entangled in a complex relationship with Shadow Milk Cookie." HAHA, what did they MEAN by that??(🤨🏳️‍🌈⁉️)

"so we're trying to depict Pure Vanilla Cookie suffering as much as possible, focused on" they sure fucking did. It's so good. The writers COOKED, alright.

Anyway, thank you for reading my silly analysis post. It means the world to meee. 🥺

I'm going insane making so much fucking gifs out of that trailer but you could see how Smilk's eyes are looking away/at each other like a subtle self consciousness/subconscious guilt having to make PV suffer just so he could understand what he's going through as a Fount of Knowledge having to find out that so many things in existence is a beautiful lie covering painful truths.

"... and your entire life has been a lie... Do you regret it? Do you regret... everything?!" He is talking to Pure Vanilla, but he made Pure Vanilla dress up AS HIS PRE-CORRUPTED SELF. HE'S PROJECTIIIIIIINGG

DON'T get me started on Shadow Milk's SERIOUS face(masked slipped off) starts glitching, his hair also swept to the side, showing Pure Vanilla's face, like it's just screaming with "You will become me... as I was once you." and then goes back to his Act of Making Pure Vanilla Cookie Suffer As Much As Possible.

AND PURE VANILLA JUST ACCEPTING GETTING CRUMBLED UNDER SMILK'S HAND LIKE?? I know how self sacrificial he is, but this is him Understanding. He is SMILING.

"Will we able to find happiness?"<- the Light of Truth. "Yes, hope is the first step towards a better world for everyone. If I could win, you will too." HE *IS* THE HOPE. HE IS TRUTH IS THE OCEAN OF DECIET. HE IS THE BRIGHTEST STAR IN THE VAST EMPTINESS OF SPACE. HE WANTS PEACE FOR EVERYONE. AUGH I'M GONNA EXPLOODE,,, GOOOOD I LOVE THIS SO MUCH

[incorrect-green-lantern-quotes]

ty @shoot-i-messed-up for inviting me (technically my main blog @light-the-spark-of-dawn but I realized that some of the people I'm gonna tag might not know that one) to this ask game

rules: make a new post with the names of all the files in your WIP folder, regardless of how non-descriptive or ridiculous. let people send you an ask with the title that most intrigues them, and then post a little snippet or tell them something about it! and then tag as many people as you have WIPs

WIPs:

Kim & Kal

Ichibayashi

Uncle Hal

Branching Paths

@effietrinket1619 @ikibli @oceanicairways @aj-artjunkyard you've been drafted (no pressure) and anyone else who sees this and wants to play can also join in!

[robo-milky]

hiii milkyyyy! u’ve been popping out so many manga pages and i’m just so amazed?? i’ve been wanting to get back to manga drawing so can i ask for some tips? like what’s your process and how do you decide the screen tones/sfx/effects/speechbubbles to use? the latter is something i’m struggling with 😭

tyyy 💕

Hi Yudi, thanks for dropping by!

General note: One thing I’ve learned about trying to go for a more manga-esque style is that there’s really no particular way to do it, and EVERY artist does it differently. Everything I do here is a blend of my own style and things from JP artists I admire! However, the most important thing is that panels aren’t meant to be masterpieces but to convey information and get the dialogue going.

This process will be CSP oriented. I’ve made a mini screen tone tutorial (and how to turn on Layer Property) but I did not talk about my own settings ^^ You’re free to do any resolution you want, though I stick to drawing on a B4 template for fun (and imagine that one day my stuff can get published /j). I hope this helps, as I’m still trying to figure my own style and set limits on the details too.

[Process]

Script + Thumbnail

I used to wing stuff for one-pagers, but now I’ve found that scripting and thumbnailing has made my process so much faster. (Omg it’s almost like people make drafts for a reason- @ me cause I hate planning)

There’s no standards of a comic script, and each publisher has their own format. My usual scripts don’t separate pages, since I leave that to the thumbnailing once I do dialogue placement. If trying to imagine panels without seeing them overwhelming, at least get the dialogue down.

The B4 thumbnail template I use is pretty darn big, so it also doubles as the sketching stage. Once the thumbnails are done, I transfer them (screenshot) to a comic file on CSP. Once the set up is done, I do speech bubbles + dialogue first, insert the frames, then get to the line art. Since I don’t think anyone is actually gonna print their works, you’re free to trim your canvas however you want to post online 🫡

Speech Bubbles

Any speech bubble can work and will eventually blend in as the viewer is reading, but I have a vendetta against super flat/digital-looking ones. I made a custom brush for a textured speech bubble pen with line width by adjusting its taper and changing the brush shape. Published manga are a different story, but I like the more organic polygonal bubble shapes from indie artists-

For different shapes and situation… Squares - Narration, Flash/Urchin - Character thoughts/internal monologue, Hexagon - Phone call/text (not a concrete rule but a common pattern)

You can also add emanata (sparkles/symbols) on the bubbles for flairs as you see fit.

Screen tone (Please read the linked mini-tutorial above)

I split my tones into two folders. One specifically for black, and greys.

I first fill in all black areas, the duplicate them. The top layer will be the shadows (remains pure black), and the bottom layer is set to [Opacity 75%] and turned into a screen tone layer with a [frequency of 45-50] (It must always be at a lower frequency than the greys). To add texture, I use a grainy brush to erase bits of pure black on a mask. To show light on the screen tone layer, I use gradient erase on a mask.

For the greys, I split them into three tones (dark grey, medium grey, light grey) all in the same folder so they don’t overlap and it’s easier to fix. I use a [frequency of 75] or any number higher than the screen tone in the black layer. Overall, tones can be as simple and complex as you want, but it’s best to save more detailed tones for important panels. (Planning to change this as I’ve realized how big the B4 canvas actually is, and the frequency doesn’t need to be so high- The size of screen tone is a preference. This example was done on a smaller canvas, so higher frequencies still look less pixelated/small.)

Emanata/SFX

Special effects is whatever the situation calls for! It can to make a blank canvas feel more dynamic, to evoke certain emotions, hint/foreshadow. It’s best used sparingly on important panels you think would be the most important… but how do you get those effects?

THE CLIP STUDIO ASSETS STORE- Or draw/download your own depending on the program (You have no idea- ever since I downloaded too, I can’t unsee them in other works of artists I like 😭) Not used in the example but these are my essentials- You can also find a lot of gems if you straight up search “manga” and see the most popular assets.

Another good place to find comic fonts in general is blambot.com (?). They have quite a bit of free, personal use fonts if you ever need flavour text when italics or bold isn’t enough. (Current font used is Anime Ace 3 Regular BB).

Happy creating and feel free to ask if anything was unclear ^^

[little2nerdy]

prolouge for one of my wip's: neil's last year at palmetto + andrew's first year in the pros

(this is my first time writing in a while, any feedback is appreciated)

“I’m gonna be an Outlaw.”

“Are you planning on committing another crime? Wait, don’t tell me. Plausible deniability and all that.” Neil smiles, eyes closed. The diminishing summer sunlight turning his auburn curls to fire as he kicks his legs back and forth over the side of Fox Tower.

“No. Not unless you keep saying stupid things.” Neil huffs a laugh as Andrew clarifies. “Exy. Colorado.” Neil’s eyes open, lips parting in surprise. 

“I know that. I thought you said that thinking that far ahead was pointless…”

Now it was Andrew’s turn to be quiet for a moment. “The draft happens in the spring. I’ve already been approached by scouts.” Neil knew that scouts from teams all over the country had been approaching Andrew after games last season and through incessant emails to coach. Andrew’s the best goalie in the NCAA, his stats are more than impressive. Every professional team wants him, despite his “checkered past”. But every time Kevin or Neil attempted to ask Andrew about life after graduation he had brushed them off.

“I thought you wanted to escape the orange.” The corners of Neil's lips curl in humor and uncertainty. He was under no impression he was perfectly able to read Andrew but he knew him better than most. So for Andrew to have taken him by surprise with this conversation was leaving him reeling. 

“You said Colorado.” Neil was quiet again, that conversation had happened years ago at this point. Neil knew Andrew never forgot anything but he didn't realize Andrew had recognized the weight of it. Andrew glanced over at him steeling himself for what he'd been preparing himself to say. “They're a good team, their first-string striker is going to retire in the next year or two. They want me, and they’ll take you.” 

Neil’s voice was quiet, “There is no guarantee I’ll get signed. And I have no way of knowing if they’ll approve of me signing with The Outlaws over someone else.” The ominous ‘they’ was not something either of them wanted to talk about but Andrew knew with only one year left at Palmetto Neil was getting nervous about satisfying the requirements of the deal that allowed him Kevin and Jean to keep their lives. 

“Their starting salary is enough to fulfill your deal, and I alone will make more than enough for the both of us.” The silence stretched as Andrew took a drag from his cigarette. He knew he'd dropped a metaphorical bombshell but it was unlike Neil to be silent in this way. He tapped a finger on the crease that had formed on Neil's brow. “Have you fallen down the rabbit hole?”

“It’s far.” Is all that came out of Neil's mouth, a frown pulling at his lips. Andrew heard the underlying sentiment. 

What if I need you?

What if you need me?

Will we be okay?

“We’ll get through it.” He takes Neil’s hand in his and squeezes. “We’ve been through worse than 1,515 miles.”

[starvingnarcissistmusic]

I've had this drafted forever and I'm not entirely sure why I didn't post it. Oh well, better late than never!

MAL DU PAYS (the song) fun facts:

(Like the original post, spoilers for Act 5 ((and also 2hats)))

- Originally, after finishing the game, I wanted to write a song about Loop. They're one of my favorite parts of the game and I really loved their character, but I ended up scrapping that idea very early on, as I couldn’t really find a personal tie to anchor the song to me. While I did want to write a song about the game, I didn’t want to write something that didn’t resonate with me and my musical “mythos” in some way. It's a fan song, but it's also a Starving Narcissist song, and I felt it was important to strike that balance. MAL DU PAYS (Monophobia) only got released because I felt that it was something that fit into the larger body of my works even without the context of the game. So in the end, I chose to write about Siffrin, as I found them a lot more personally relatable. The final version, lyrically, is almost like I’m using Siffrin as a vehicle to write about my own feelings. Some lyrics are his, some are mine, a few are both of us, it’s a weird sort of style I’ve never really written in before.

I do have some leftover lyrics from the scrapped Loop version, though!

“There’s a you you’ll never be, across the cosmic sea / Who has everything you wanted, now it’s everything you need; is it over yet?”

- I think originally the song had a lot more of an exhausted vibe, but with most of the stuff I write, the tempo usually gets faster the more I play it. At some point in the writing process the song channeled more of a manic energy than I had originally intended it to. Loud and shouty is kinda just my default lol.

(The first ever demo for the song, recorded September 15, 2024. Features some slightly altered lyrics!)

- The title was also subject to change! I think for a while I was going back and forth on just calling it Homesickness, mostly because I was a little nervous that my song’s name was technically a late game spoiler. Half the reason I wanted to even write the song was because I thought MAL DU PAYS would make a great song title though, so in the end I just sucked it up and went with my gut. The alternate title was also not set in stone, I think originally I was considering just calling it Mania or Paranoia, but I thought those would be a bit generic. Eventually, I settled on Monophobia, because I felt it was apt in describing the song as a whole. I write a lot about loneliness, and Siffrin is afraid of being alone, so it felt fitting to name the song after the fear of it. (And also, a bit more superficially, I thought Monophobia made a better song title.)

- The song is the only Starving Narcissist song on a nylon string guitar, and it's also the second song in a completely non-standard tuning (third if you count ITWYW?, but that's just a half step down from standard). MAL DU PAYS (Monophobia) in DADF#BD, with a capo on 1.

- THIS SONG HAD SO MANY REVISIONS. I don't think I've ever had this many versions to a song ever. It got so bad that I made a specific folder just to hold all the different variations I had for the song. They're not all too different from each other, and they're all built on the same take of the song, but I was playing around with mixing and structuring and vocal layering and its a whole mess. Honestly, the fact that it's a song about a timeloop makes it probably the funniest song this could have happened to.

- And that's about it! To end off this little fun fact post, here's a little something I wrote for Genius (where lyrics for this song and all my others are posted! plus annotations I write! <3) about the song. The response to MAL DU PAYS (Monophobia) has been pretty wild, and I'm glad it managed to resonate with people, even some who don't even know the game it's about.

That's all. While I guarantee this year will probably be slower for Starving Narcissist, rest assured that I am working on stuff, just very slowly. There's a very low chance I'll ever do something as flagrantly self indulgent as this song, but whatever I do end up doing, I hope you're around to see it.

In the meantime, stream the song on spotify! or buy it on bandcamp! or even just go watch the lyric video i made for it (please i spent like a week on this)!

Thanks for everything, see you later <333

Happy one year anniversary to In Stars And Time! tldr; i wrote a song about it. if you wanna skip all the gushing and just listen to it, click here. (spoilers for act 5) If not, behold this big rambly mess of a thing i wrote:

So funny story, I kind of wasn’t planning on releasing anything for the rest of the year. The album wore me out, and the only other idea I had sort of fell through, so I was content on just letting the album be the only thing of note I would make in 2024.

… and then, in September, I played a little RPG called In Stars And Time. beat the whole thing over the course of three days, then spent the next couple weeks ravenously consuming all the fan content I could get my hands on. my friends have been forced to stare at my siffrin pfp every day for two months straight at this point and frankly i think they are tired of me talking about it.

i love the art, i love the story, i love the music, i love the characters, i love the world. siffrin sort of immediately became one of my favorite protagonists like,, ever. and it definitely did not help that i am also a scrawny forgetful person who has to regularly fight off the part of my brain that convinces myself that All My Friends Secretly Hate Me.

I’ve never really been so called out by a character before. The spiraling, the deflection, and the agony of being a stranger to yourself. the yearning for something you cant even name, because how could you? you cant even find the words on your tongue. not being able to tell anyone how you feel because its just easier to live with it, easier to let it eat you from the inside out then to bother anybody else. its easier to keep the mask on, stick to your lines, let the show go on.

all that hit just a bit too close to home. so i did what I usually do When Things Hit and wrote about it.

(like i said, spoilers for Act 5; It’s pretty devoid of context but they’re spoilers nonetheless)

MAL DU PAYS (Monophobia) is a song about cyclical burnout, self-estrangement, and homesickness. It’s half about Siffrin, half about me, but mostly it’s a rumination on loneliness and the hell that is the self.

Out now wherever you listen to music.

“How can you be homesick if nowhere is home?"

[florida3exclamationpoints]

House MD + text posts pt. 47/?

[wonder-worker]

Wild how we know that Elizabeth Woodville was officially appointed to royal councils in her own right during her husband’s reign and fortified the Tower of London in preparation of a siege while 8-months pregnant and had forces gathering at Westminster “in the queen’s name” in 1483 – only for NONE of these things to be even included, let alone explored, in the vast majority of scholarship and historical novels involving her.

[flickering-nightfall]

I wanted to update my design refs (I never posted the old ones, but they're from maybe six months ago now). But then it took forever because I kept putting the iterators into ten bajillion outfits. Well here they are now!

I'll probably do this with the slugcats too.

[one-flower-one-sword]

well I know what you want from me you want someone to be your reflection, your bitter deception setting you free won't you come and dance in the dark with me? show me what you are, I am desperate to know nobody better than the perfect enemy and I know what you want from me you want the same as me my redemption, eternal ascension setting me free

for @bladesmercy's fic The Fear of Falling Stars

[twentyfivemiceinatrenchcoat]

i’m so . excited to write kitsune!geto and merman!sugu and wolf/hunter!sugu you have nooo idea

[hephaestuscrew]

I do think there's something special about the way that audio drama creators seem to love including cameos of voice actors from other popular audio dramas. Obviously, part of the reason why actors from one show might pop up in another is because the audio drama creator community is relatively small and interconnected, and also because those actors are very talented.

But there's also often such a sense that creators are having fun with these cameos. Like Greater Boston casting audio drama heavyweights Briggon Snow, Zach Valenti, and Felix Trench as famous film actors Matt Daemon, Ben Affleck, and Mark Wahlberg respectively. Or Faux and Stallion having Tom Crowley (who plays a Victorian detective in Victoriocity) pop up as Dr Watson. Or Unseen casting Beth Eyre and Felix Trench as characters who are twins. Or Arden getting Emma Sherr-Ziarko to play an actor impersonating a character played by her former Wolf 359 costar Michelle Agresti (with Michaela Swee also appearing as an actor impersonating the other main Arden lead).

In these cases, it's not just that there's a cameo, but that the cameo is given particular (often comedic) significance to those who are aware of the featured actor's other work. The vast majority of people wouldn't recognise any of these voices. But by doing these very intentional cameos, these creators show confidence that a fair chunk of their audience will know these actors and enjoy the link. There's an awareness that listeners of one audio drama are fairly likely to listen to (or at least be aware of) other fiction podcasts, even when the shows in question aren't of particularly similar genres. Recognising these cameos feels like being in on a secret. It feels like these shows are giving a little nod to listeners to say that we're part of the same club.

[icewindandboringhorror]

boy in silly sitting positions compilation

[wundrousarts]

Going to do a Nevermoor series reread in June + July + August ? if anyone else also wants to do a reread around that time, could be fun to have more of the fandom prepping for Silverborn

Did initially make a roadmap plan to split the books up into weeks on top of already being months, so that people could focus on specific parts and discuss each week….. but between the fact that I messed it up the first time, Silverborn kept getting delayed as I planned it, and I’m actually really bad at keeping to stuff like that (looking at you, Silverborn Countdown Challenge…) I’m deciding to just go for it at whatever pace happens.