Transfem Stan Thoughtdump
Okay so @/abyssalzones made a pretty good post that sums up a lot of my thoughts as well, but I have a few extra ones I'd like to add to this discussion, as well as elaborating on one of the post's points. I've been thinking about transfem Stan for a couple of weeks now and at this point I'm like "fuck it we ball" and throwing it out there.
For one, it warms my heart whenever there's an older character who was raised in the mid-1900s/older times who realizes they're queer, or comes to terms with their identity in old age. You're never too old to realize you're part of the community, and never too late. Adding this on top of the many, MANY identities that Stan has had to take to survive in her life, it'd be like really turning over a new leaf for her. She'd get to really step into an identity that she aligns with completely, and not something else given to her or that she took to protect herself.
Not to mention, everything regarding Ford. The fact that she had to pretend to be Ford for so long, she more than likely never had the chance to even think about taking on any other identities. She had to keep this one as intact as she could. Otherwise, she could risk loosing the Shack, and with it, the portal- her brother. No way that was happening.
It was briefly touched in the post, but when Stan was watching that one movie and she was like "JUST LIKE ME FR", obviously the writers intended that to just be a joke since this was as far and away from Stan's identity as they could get. But we're gonna ignore that and take it at face value for a second.
The channel introduces itself (jokingly) as the boring old lady black-and-white channel, clearly something that a manly-man like Stan wouldn't be into, and he reacts like how you'd expect. But once it gets going, he gets fully sucked into it, leading eventually to the scene where the main character, seemingly about to complete a Character Arc™, tells her mother "I'm not just a dutchess, I'm also a woman!" and Stan cheers for her, saying the "just like me fr" line.
Without any transfem headcanons, again, this is a joke. Or you could interpret this in hindsight as Stan feeling a similar way about his father, since lines like "I'm a woman!" declared like that usually means "I'm free to make my own choices," which is a message resident make-my-father-proud-issues Stanley Pines would relate to pretty hard. Even though this isn't a conclusion Stan comes to in the show, we could easily see him coming to a conclusion like that in the future.
Now let's add the transfem headcanon back in. With that new layer to it, Stan (whose egg hasn't cracked yet) would be confused as to why she relates so hard. After all, she's a man who was raised to shove feelings down and be a manly-man man by Filbrick. She's more than likely gone her entire life trying to conform to that idea of toxic masculinity that her dad pushed on both her and Ford. Stan was always the one who resorted to punching, after all. That's a manly-man trait, so surely this goes no further right
There's a part of Gravity Falls that I feel doesn't get discussed enough, and that's the underlying misogyny of it. There's not a ton of it, but there are quite a few jokes about how men are stronger than women and the like. Stan has quite a few lines like that herself. So she would be subscribing to a similar mental state, the idea that if you like punching, CLEARLY you're a guy. Cuz that's how it works. Obviously.
Introducing Mabel Pines, someone who is VERY much a girly-girl. She likes pink and unicorns and rainbows and makeup and sleepovers, stuff of the like. Now I could make a whole other post about my headcanons for Mabel and her queer journey, but one thing she can definitely do that "girly-girls" DON'T? Punching.
Mabel can punch. And she punches a lot.
It's a small thing, and something I think Stan has just kinda accepted without question over the course of the series, but if she were to stop and think about it, she'd be like ".....wait a minute." and it could very well be the first piece that cracks the idea of manly-man masculinity vs just. existing as a person and what that actually means.
Once Stan finally starts to break away from toxic masculinity and all those lessons she got thrown into her head, then her egg would finally be able to start cracking.
As for why it even matters, first off, it just makes for an interesting interpretation of the character I haven't really seen before until VERY recently. Like, within the past 2 days recently (and maybe once like a month ago?? idk).
But secondly, for her character, it would be a good, healthy step into really taking back her identity. Who IS Stan Pines? She's spent so long being other people, either as a form of self-defense or pretending to be her brother so she can help save him from the sideburn hell dimension, that I don't think she's really allowed herself to connect to who Stan is.
This is true regardless of gender headcanon, but I think the transfem angle makes it so much more interesting. Who is Stan? Not even she knows. And she's starting to feel VERY confused about the whole thing.
As for Ford, I think he'd be more than willing to support an identity journey for Stan. After all, he's traveled across dimensions and more than likely had all his teachings questioned as well. I am willing to bet money he's encountered trans people before. And, knowing Ford, he'd be open and curious to the idea, not close-minded, no matter what their father tried to teach his kids. Honestly, I could see Ford pestering Stan with questions long into the night regarding the whole thing, and taking up the whole identity mystery for himself as something the two of them can "crack" (heh) together. Just another adventure for the crew of the Stan'o'War II!
There's SO much more but I don't wanna re-say things that the og post already said, these are just the big ones that stick out to me and what I wanted to elaborate on.
TL;DR Stan goes on a journey of realizing that toxic masculinity Is Bad Actually and honestly so was his father, and once he accepts that and starts actively challenging his own beliefs about gender, her egg cracks and she realizes that maybe she isn't a guy at all. The rest of the Pines- but Ford especially- are supportive, and although Stan has a LOT of self-reflection to do and I could see her getting frustrated, flustered, or even embarrassed of her newfound realization, ultimately it makes her happier like this. Cuz it's her identity. She's not pretending to be anyone else anymore and she can just wholly be herself.
Thank you and goodnight
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Kamiki is such a weird character. I keep talking about him because he's like a puzzle. I want to make sense of him because I'm... really confused when it gets to him. I really enjoy analyzing characters, but I usually don't even feel the need to write things down to figure out their character: for his case though?
There are so many claims about him being a horrible, evil, maniac, a heartless psychopath serial killer selfishly using others for his own gain.
Since he's supposedly the father of the protagonist and who had a relationship with Ai, I look at him intently whenever he makes an appearance, because I get curious just what is UP with this man and see him for myself, and I find that when he ACTUALLY does something, he.. tends to be so mild compared to what he's been thought to be. It's so weird. He's nothing like all those things he's said to be when he shows up in person, so the information I've been given to interpret him and the actual character does not match up. I keep feeling he has a kind nature. I think I believe that more compared to the descriptions he has because... it's what he actually is, you know.
People say he's done things, but we never see it in present tense with him actually carrying out these actions in person. It's all speculation.
You see, the thing is, we NEVER get to see him actually DO things on screen. We still don't know what he's said on the phone with Ai (and it turns out that he probably really didn't say much. I say he really DID want to only just send her the bouquet. Anyhow, Ai doesn't seem that uncomfortable talking to him, and we find she had him in her heart all along.) In that phone call with Nino as well, if you see her reactions, it was about turning themselves in?? How was that supposed to be a trigger to go stab a person? Could he have predicted this? Claims that he's manipulated and caused people to become killers? Well, we see ONE case of it something like it happening right now in 161 OH MY GOD even our main protagonist, Aqua could not escape this weird.. turn of events, and here we see Kamiki ACTUALLY wanting to keep Aqua from trying to kill him/become a murderer for whatever intent he has behind it. Aqua still ends up doing something really reckless. In this case, it's exactly the OPPOSITE result of what Kamiki's desired.
I really feel like he never intends for these things to happen and yet, it does. What is there for him to gain from this??? At least for Ai, Gorou and this current.. 161's case, I don't think he even dreamed of this happening. I don't know about the other cases if there are but, Nino says all he did was "talk", and that must be it... he could have some powers to make people grow insane by just talking maybe, but even if it's so, I think it's happening against his wishes and it's not something he can control.
To add, there really isn't much solid base for these claims he's facing STILL, even till the series reaches its end. Some accusations are being thrown at him, but just how much has ACTUALLY taken place? What's the truth? If he's a murderer, just how many lives did he take? I guess... that could be revealed later but; why.. keep it so hidden if he really is that kind of person? In 160, he says he didn't do anything. What if that's true? Why do we never see him take some direct action, even till the final arc? To be fair, there IS the case of Yura, but even that is very vague. I'll talk about that a little more later.
At this point, I feel like they've never shown these scenes to us BECAUSE that would make for a twist. If things go as expected and he is just a mere serial killer who's killed anyone who surpasses Ai for his self-satisfaction, it wouldn't need to be kept so hidden;; in fact, it should have been revealed more because that'd make this guy a menacing antagonist our heroes must defeat. It would add more drive and flavor and make us want to cheer for Aqua's revenge, but it isn't that way. The twist would be that, he could have really done nothing much.. been pretty sensible all along.
In cases like Nino or Ryosuke, we've seen situations where they expressed hatred, stabbed someone, or did something drastic. We see them being dangerous people.
But with Kamiki, whenever they actually do something, it’s not really a big deal, and they come across as rather gentle. To the point where their actions could even be interpreted as kindness. From what I see, they seem to have a genuinely good nature, and apparently, they used to be like that.
There’s just one thing that bothers me—Yura’s case. Honestly, their reaction back then was really strange. When I look at Kamiki’s behavior patterns, whenever they’re dealing with something overwhelming or hiding their true feelings, they always smile. He says some really weird things and he smiles... anyhow, yeah, he does seem to feel guilt about it...
I mean, if they were going to kill Yura, there wouldn’t be any reason to warn her to 'watch her step,' right? That’s what confuses me. What needs to be cleared up now is this: Ai, Ryosuke, and Gorou—he wasn't responsible for those three deaths at least. So, if this suspicion can be resolved, unless there's solid proof that they’ve killed others, it all just sounds like speculation. Is there anything that’s really been confirmed to be their doing? Tsukuyomi was wrong once already; should I trust her about Kamiki's true motives?
Why do I keep feeling like this person is actually a good person every time they appear? Their actions and the accusations are so different.
It’s starting to feel like, 'Could this kind of person really have killed anyone?' Is this supposed to happen or am I reading this story wrong? But here’s the thing—I think the author and I are on the same wavelength with some things; I’ve guessed so many things correctly...
There’s something more to this. This isn’t the end… It feels too suspicious.
If Kamiki's really, truly bad, I’ll accept it—I’ve already said that they should die if they are. But there’s still something nagging at me. I wouldn't be the only one, right?
A truly bad person with real fault wouldn’t behave this way. Of course, people act in all sorts of ways. But this character… something always feels off, so I can’t be certain.
And honestly, that would make for a better story. In the grander context and message of the narrative, it would be more fitting if this character were actually innocent but wrongly accused over and over. That’s what I think.
Also, the fact that Ai left a message asking someone to help this person… that’s partly why I keep thinking about this. They seem really kind…
It makes sense why Ai might have loved them. I get it. I think this person is actually good.
You see, I didn't hold much thought about the guy and just went along with the claims he faced until I heard "Fatal", and having seen Ai wanting to help the guy. Just three seconds in the song (I didn't even know the lyrics at first) I get this...rush of sensation... it's so hard to describe, but I just knew, this emotion there, that must be his.. and so I started drawing him and Ai a lot. I rarely get these wrong. It was such a strong wave of feelings I got.. I guess that's been one of my biggest fuel for the past few months! I really hope I'm right! I felt very.. stunned and sure back then. It was a very strong type of feeling that anchored my thoughts. I trust my intuition when it comes to emotions, I'm usually good with them! It's hard to ask others to trust with me, but I can write posts like these with the reasoning that stems from those feelings I have along with some evidence I find from the work! I've already stepped too deep into this pit and I'll be so embarrassed if I'm wrong but, at least I had fun. I think I've been learning a lot.. having thought a lot... it's been good practice, trying to read characters- I really want to be good at it! It's fun!
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Every time I think about machine herald Viktor happening in the arcane universe my body vibrates at a frequency that could shatter glass
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Broken Roofs and Fixed Perspectives
[First] Prev <–-> Next
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Finally catching up on the Horizons episodes I missed 👍
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ILY FP 210, 211, 212
WOOOOOOOF I’ve been holding off on writing this post, because I wanted to wait for this whole “episode” to fully come out. Quimchee revealed they were all meant to happen in one episode, but SO MUCH was happening in the episode that it was too long to do as the one. I... kind of wish I hadn’t waited because now there is SO MUCH for me to cover, so I’m going to do my best to keep this organized and coherent.
No lie, these go up there in my top episodes, especially 212. I have a feeling I might have some different feelings than others on this one...? We’ll see, I’m keen to hear how all of you are thinking and feeling about it. To me, these episodes really encapsulate a good 80% of the plot that we’ve been dealing with, and there’s some good reveals in here that have been a LONG time coming. I think everything is set up now for the time skip to come, and especially after all the events that transpired this arc (remember how this all started out so many moons ago with Nol going to the company Christmas party? That feels like it was years ago to what is happening now!) I am BEYOND excited to see what the time skips have in store for us!
Anyway, before I start spoiling things, let’s get into it!
Well and truly, I love this arc! It’s really capture so much of the story this bigger story has centered on - the relationship between Nol and Kousuke. This isn’t the root of the story, of course, but it’s a significant portion of what we’ve come to read for, I think, and I cannot tell you how much I love seeing the characters verbally acknowledge things they’ve swept under a rug.
212 felt especially raw to me - Kousuke’s confessions are tragic in the way of too little too late, and the realization that Nol was never against him, that he was always on the same side, that they could have been an incredible team may come to haunt him. That acknowledgement of his that nobody really liked him - no one else but the one person he had demeaned and devalued until he was truly nobody - really hit me like a sucker punch. I truly thought these were truths Kousuke wouldn’t be able to reach until he lost more, like his job or his sense of self, but I guess we can argue that he’s lost a lot of his sense of self; from the moment he punched Nol, it’s clear that he’s dissociating. That also serves to tell us how important this moment is for Kousuke, what it means to him, what Nol means to him.
Now, I’ll be upright honest with you guys, because I think this is where the difference of opinions will come in. I really enjoy stories with this kind of element of hatred and care so intricately interlaced in family or friends. There’s something about this sense of care being overwritten by jealousy so scathing it mutates into resentment and hatred and loathing. The way these two feelings battle out, the way ugly emotions are so strong they come to eclipse any hope for warmth. Idk it’s intriguing to me, it creates a compelling story.
And in Kousuke’s case, it is! A running theory has been that Kousuke treats Shinae the way he does because he is, subconsciously, treating her how he wishes he’d treated Nol. As the story went on and Kousuke’s ugliness started to come out more and more and his paranoia began to consume him, I think it was probably difficult for many to find credence in this theory - that there was no way Kousuke could have cared about Nol and transferred it to Shinae when he treated Nol how he did but I’m still here for the theory. It’s just that Kousuke’s ugliness was so strong, overwhelming, it eclipsed anything else.
Now I’m not saying I think Kousuke loves Nol or thinks of him as a brother, but rather I think deep down, he understood they were connected. As a child, Nol was the only person who didn’t treat Kousuke like an object - like a puppet or rich vending machine or influence to be gained. But how could Kousuke allow himself to think so favorably of Nol when he was so deeply rooted in jealousy?
This is what I find especially intriguing about their dynamic. Something I talk about a lot is that Nol and Kousuke are both the products of abuse - Kousuke is the way he is due to neglect and manipulation, and in turn he took that out on Nol. I’ve seen people say Kousuke doesn’t make sense to them, but he DOES and this episode really drove that home and confirmed a lot of things I’d felt.
Kousuke’s treatment of Nol all stems from Rand and his affair. Let’s look at it from Kousuke’s perspective. He has a father who is never around, and when he is he’s busy and always puts his career first. He rarely joins them for family time, there’s a rift between him and his wife. All young Kousuke wants is for his father to spend time with him, to be around, to notice him. His mother tells him things - if he’s a good boy Father will pay attention; if he wants his father’s attention he needs to be just like him; if he wants Father to care to notice he must be exactly like him. But his mother also says other thing - that there’s someone else, money is being wired to someone. At school people murmur similar things.
All he wants is his father’s approval, his father’s pride, his father’s attention, his father’s time. He must not be good enough, yet. He must not matter, yet. He’ll make sure he does, though. He’ll do exactly what his mother says, he’ll buckle down just like she tells him, he’ll make sure to become the perfect son that his father can be proud of.
So you can understand, then, why the discovery that the murmurs are true, that there’s another family, would shatter him the way it did, why it remains a point of breaking for him even as an adult, why he never really reconciles his father’s affair. How is it that the man who has no time for him or their family, had enough time to create a second family? Why was he so undeserving of his time? Why was he so undeserving of his attention?
And it rooted deep inside him, right in the core of his foundation. This other boy who describes his father as someone who couldn’t possibly be the same man as his father - a funny man, a kind man. That is not the father Kousuke knows, so why does this other child know him? (Never mind that this child has also never met that version of his father.) It all stems from that: a craving for something he’s never received.
Kousuke’s whole speech about how there was only one kind, sweet, generous, funny person in his life was the very person he attacked and tore down hit me HARD. His admission of fear, that he ACTUALLY ADMITTED TO BEING SCARED, that he’ll never be good enough for Rand, that nothing he would ever do would make him worthy of his attention actually hurt. This is the kind of thing I’ve been wanting Kousuke to acknowledge and embrace, because it’s the one thing that has been fueling and propelling him. He doesn’t do this job because he’s passionate about it - he does it because he’s still vying for love and attention. He didn’t forsake his childhood because he was above it - he literally sacrificed it for his father. Regardless of what you think about Kousuke now, it has to be acknowledged that he, too, has suffered. And let’s not pretend that Yui truly believed that Kousuke could win Rand’s affection this way - it still feels like it was a game for her, a manipulation to turn him into someone she could use to get her way, a puppet if you will. It’s fucking sad to think that he gave up everything because he was so determined to earn his father’s love, that his love and attention was believed to be so conditional he had to make himself worthy of it.
“I hate you for making me aware this person exists. And I hate your face being a constant reminder of it.”
So many times, Kousuke has berated Nol for his playful, joking behavior, for seeming so lax and carefree. I’d always thought it was jealousy that he didn’t have that kind of life, that he wasn’t allowed it - and that probably is still a part of it - but now we know that when Yeonggi laughed and played around, he was a vision of a version of Rand Kousuke had never known, a spitting image of a man Kousuke didn’t even know could exist.
And as Nol points out, it was all for naught. All of Kousuke’s jealousy and his fear, tearing down Nol so that he could instead get to know that version of Rand. All of it was for naught, because who knows if that man even exists? It seems like only one person ever knew her, and who’s to know if she didn’t make him up. Kousuke has spent his entire life - sacrificed his childhood, accelerated himself through school, forsook any fun or leisure - on a quest for a man who probably doesn’t exist, for something he’ll never achieve. He spent his whole life tearing down someone innocent trying to get to something he’ll never have.
I really thought it would take for Kousuke to lose it all, to stumble in his career before he’d realize it, but here he is.
But on the other side of that, we have Nol. Nol, who also lost - and lost more than Kousuke did. Nol who was isolated and alienated, Nol who tried time and time again to reach out and create a connection, and was refused every time. Nol who suffered under Kousuke and Yui’s watch over and over. Nol, who despite it all, still tried to treat Kousuke well, still tried to give him a chance, still tried to reach out to him at his most desperate.
I think that really illustrates something important: an understanding that there is a reason for Kousuke’s behavior and his paranoia, where it comes from, but that reason doesn’t justify. I can acknowledge both that Kousuke absolutely is the product of his environment and that he has been an asshole about it lol. Idk I can admit that my intrigue in his has grown a LOT.
These episodes have just tapped into something so deep that I love about this series - that our experiences heavily color our interpersonal relationships, as well as our relationships with our own selves. Nol notes that he, too, suffered, he, too, lost, he has been alone and alienated and despite it all he still tried, and he still attempted to be a good person, in contrast to Kousuke who let his suffering turn him into an asshole. It was kind of a hard-to-read moment, because Nol spoke the truth, and as much as I feel for Kousuke, Nol is right. Because he never attempted to deal with those ugly feelings, because he never chose to face them, because he instead wore them as armor, it became his identity, he became an asshole through those experiences. Had there ever been a moment that he could have met Nol in the middle, that he could have put aside his jealousy, that he could have turned off his Rand blinders, he could have seen what Nol was able to see earlier and more clearly. And isn’t that sad? They could have been a great team, they could have had each others’ back in a world where no one else did, they could have been there for each other, but Kousuke couldn’t cross that line.
Again, I fully acknowledge that Kousuke is the way he is because of those experiences. I acknowledge that this is the wake up call he needed, that he was forced to finally reckon with the truth.
But I also worry what will come of Kousuke as a result of Rand’s arrival. Is he going to backpedal? Is this going to short-circuit something and push him to double down, or is it going to free him?
Kousuke has spent his entire life trying to earn Rand’s favor, to earn his attention. Everything he has done has been an angle to get closer to his father. Like, when you break it all down, that’s the sad, basic truth. He was a child who so desperately wanted his father’s attention that his life became about that. And here comes Rand, showing up when it looks like Kousuke is running away. Rand who never had time for him, Rand who didn’t shower him with warmth and affection.
Rand who showed up and wailed “My son” in response to Nol.
That whole scene honestly hurts me. Nol is hurt, Rand is anguished and horrified, and Kousuke? Kousuke finally witnessing his father show a fatherly side - and it wasn’t for him. And not only that but Rand might not even believe that Kousuke was trying to get help, that he attempted to get Nol up but couldn’t. And does it even matter when the truth is that Kousuke DID cause this? I can’t imagine it was his intention - I don’t think his mind went “punch Nol and he’ll fall over the railing” as much as Nol tried to leave and Kousuke reacted on that. But the point still stands: even if it wasn’t his intention, this is still ultimately his fault. Nol goaded him on and played a part, but Kousuke was the hand that acted.
I fear that this will ruin what little relationship Kousuke has with Rand - and it’s a fear because it means Kousuke could swing in two wholly opposite directions. Does he double-down and return to the side of his mother, the only family member who has made him feel like someone’s child? I don’t think he’s at the point where he can extricate himself from the family, as good as it would be. And I worry that if that’s the case, will he double back down on his treatment and resentment of Nol? For this one moment, he saw that they were equals, that they both had a broken, shitty relationship with Rand. And then Rand showed up, showing that paternal side Kousuke has longed for.
As much as I WANT Kousuke to hold on to that moment, I don’t know that he can. I think the cracks have formed and I think his fragile reality is crumbling faster, but I fear he’ll retreat back into the “comfort” of the world he knows.
Here’s the thing about Kousuke: on some level he knows. He knows that Yui isn’t great, he knows that she has done awful things, he knows that Nol did no wrong, he knows that Rand will probably never change. But these are such uncomfortable truths and he has spent his life propped up by a false reality. This was pointed out by AugmentedElle on reddit, but look at the difference in Kousuke’s flashbacks. Look at the memory in 210 vs 212. The flashback in 210 is the strongest, most vibrant memory we’ve yet seen. Ordinarily they’re in some kind of grey scale, or at least muted colors, sometimes with spot color like in Shinae’s. In Nol and Kousuke’s flashbacks thus far, we’ve seen those muted colors or alterations - Nessa’s face appearing scribbled out in Kousuke’s memories, just as in 212. The use of color suggests that the memory in 210 is, quite possibly, fabricated. It starts out with Kousuke dazed, unable to remember what just happened, and Yui comes in and tells him he won’t have to see that boy for a long time. It feels like something happened - that perhaps Kousuke did something (the huffing that parallels his huffing after he punches Nol in the current story) and blocked it out or whited out and Yui came in and gave him an iteration of the story. It’s the strongest memory because it didn’t come from him - because it was filled in and colored in by someone else. The whole time we’ve thought Nol had perhaps been pushed to the bring, that Kousuke instigated a fight and Nol snapped, but maybe it was never Nol. Maybe the whole time Kousuke has associated Nol with danger and violence - because he was wired to think that way. That whatever happened and lead to that moment was so traumatic he doesn’t have the real memory, and instead carries a fabrication.
And that is essentially the basis of Kousuke’s entire life. Regardless of intent, Yui does manipulate Kousuke. She says things knowing full-well the effect they’ll have. Consider that moment with Nol and Nessa vs Yui in Kousuke’s flashback in 212. He watches Nessa blow raspberries on Nol’s cheek, a warm and silly exchange full of so much love and care - and then he looks up at Yui, who wears her maternal mask, shadows falling eerie over her face. Doesn’t it feel so much like she set this up? Doesn’t it feel like she knew Nessa and Nol would be around? She fills his head with things like “the only way to get your father’s attention is to be just like him” and “we’re not like other families we’re so special” and “isn’t it just so wonderful that rand at least has enough time to eat with us”? That’s not vouching for Rand - that’s passive aggression towards Rand and creating an idea of who Rand is - that Rand unwittingly lives up to. Despite speaking of the affair in front Kousuke, she turns and tells him that “Your father values us too much, he would never do such a thing” - a blatant lie that only plays into that feeling Kousuke wears that he’s been cheated, that there exists a version of his father that has been denied to him. Nessa tells Nol that Rand was a kind, sweet, generous, funny man. Yui tells Kousuke that Rand is anything but funny and he has no time for jokes. Maybe both are true, but Nol’s unintentionally makes a point about how Yui speaks of Kousuke’s father, vs how Yui spoke of Nol’s father. Why would a parent speak ill of the other parent -- if not to make the child see them that way.
(She also tells him there’s nothing she hates more than people who don’t take things seriously, and well, look at how Kousuke came out.)
There’s a fragile cognitive dissonance between what Kousuke knows to be true - that is, the reality that has been shaped by his experiences and Yui’s manipulation - vs actual reality, and we’ve seen this a number of times when various events threaten that tentative balance. Kousuke at the club, angry and paranoid, is aware of what people really think of him. Deep down he knows people don’t see him as great, as an honorable gentleman. Deep down he knows he’s a selfish, judgmental asshole, but it doesn’t fit the fabricated reality he believes in, so it only comes out in his paranoia. He knows that Nol is like him, that he didn’t have the love Kousuke coveted, that he tried to get by quietly, but Kousuke’s fear and paranoia still thought of him as the boy who had earned the love that Kousuke couldn’t, and that made him a threat. He knows what kind of person Yui is and has tried to draw boundaries, but he’s still told her things about Nol that she could act on, because he knows what she is capable of. When people or events fracture that reality, he struggles and lashes out, because he needs that reality to keep it together, but it’s crumbling fast.
Between the phone call with Rand and the moment that Rand shows up on the scene - what is the state of Kousuke’s reality? Is it crumbling? Is he trying to stuff the crumbling rocks back into the foundation? Will he retreat to his mother, the only one who can keep the tint of his rose colored glasses or will he be forced to face reality for what it really is? I wish it would be the latter, but I just don’t know if he’s ready for it yet. I don’t know if he can face that which he’s run from this whole time just yet.
As for Nol, woooooooof. What a fucking NIGHT. To think - THIS IS HIS GODDAMN BIRTHDAY. On the one hand, I think, maybe this can give him some kind of peace. He’s finally gotten a piece of Kousuke’s mind, he finally knows how Kousuke sees him, what he thinks of him, and what motivated him all these years. Maybe with this knowledge, Nol will be able to walk away in peace. He doesn’t have to wonder anymore. He knows where he stands - and where he’s always stood - and I think he’s made it clear that he’s drawn his line. He is done, he is finished, with all of them. If Kousuke can find his way to the other side of the line, then good for him, but Nol has no intention of trying to bring him over anymore.
I do think there’s a lot of room for them to reconcile in the future - when Nol’s raw anger has maybe ebbed, when Kousuke has found himself and learned to stand on his own ground, rather than prop himself up by his fabricated reality. But they are far from there. I’ve said before that I had a feeling maybe we’ll see the three main characters reunite in the time skip as adults after having gone separate ways, and that feeling still lingers. Nol has made it clear that he still wants to get away - and frankly I think he needs to. I wish he’d say so much to his friends, I wish he’d tell them where they stand. I feel so bad for Shinae, who went through so much grief and angst and really put herself out there to bring him back, to get her closure - and then when she had it and was ready to let him go, he insisted on staying. For him to turn around and leave like that again, after everything she told him, after the ways she opened up to herself, god that must hurt a lot. I guess on the one hand, she got the closure she wanted but.... it wasn’t even that long ago that Nol was making jabs at Kousuke for abandoning his friends, and there he goes doing it a SECOND time.
There’s a piece I’d love to give more time and thought to - that maybe all along, on a deep, subconscious level, Kousuke feared Nol leaving and that’s why he’s always acted when Nol was on the leave. If Nol leaves he’ll be truly alone. If Nol goes, there is truly no one left who ever liked him, who ever saw any value in him. This post is already long enough, so I’ll try to spit that out later this week, if I can. I think it’s not a coincidence that Kousuke punched Nol as he was leaving, that he didn’t bring himself to do it when Nol promised he’d leave, just as he let Yui know Nol was planning to leave. Maybe he doesn’t recognize it yet, but I think Kousuke is terrified of being left alone and Nol escaping without him.
Like I said, more on that later, but it’s an important point that I think ties in really well with this relationship Kousuke has towards Nol. It’s complicated, fucked up, toxic, and messy, and it needs a LOT of untangling by professional help. But I do think these last episodes really set something up for Nol and Kousuke’s future - as much as there is so much resentment and anger between them, there’s a mutual sense of longing, of needing each other to fill a void: for Nol, he sought out a brother in Kousuke, a companion against the adults in their lives; for Kousuke, that knowledge that Nol, too, had suffered that neglect, and was the only person who had ever truly liked him. I think one day when that anger has died, when they’ve made peace and hopefully worked on themselves, when Kousuke has freed himself, I think there’s a chance they will be able to reconcile. Like I said, maybe they’ll never be family to each other; there’s so much damage there, it’s really possible that can never be undone. But I think at some point, at least, they will see themselves on the same side, rather than each other.
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Disclaimer im just processing some thoughts im not cancelling the show
have almost thoughts about how i find the like....narrative on here that if you have chronic "zebra" conditions youd want a doctor like House and wouldnt sue for malpractice bc at least youd have a doctor that cares about whats wrong with you but lets take it one step further. so often he does NOT give a shit about the patient and actively endangers them frequently with his god damn heoric era of medicine approach? non zero amount of times he gets a diagnosis but it comes too late, or he gets a diagnosis after their first wrong 3 guesses of the episode shut down the patients kidneys and they either have to get a transplant or they are just, doomed due to other preexisting conditions etc? idk. i know ppl are almost certainly exaggerating and just letting off steam about the very real failures of our current medical systems and the ableism baked in and All That Shit. i just think its weird how ppl romanticize House who STILL, FREQUENTLY, MULTIPLE EPISODES will actively dismiss shit in the exact way that is a problem in our current system, especially when hes being Forced Against His Will To See Clinic Parients, he loves to be dismissive as fuck of symptoms and if he was a real doctor i think he'd be fucking 50/50 on cases he Notices Something To Dig Into vs cases he dismisses as an Anxious Hysterical Woman Who Wants Attention, the only reason he's Right so frequently in his snap judgements is cos it reinforces the narrative. its like a crime drama that has the mastermind serial killer masterfully using "loopholes" and lawyering up all sneaky and dodging Justice and if only our poor little cop protags were allowed to do A TEENY BIT of Justified Police Brutality, they could Save Lives!
and like sometimes in the show they will have a patient die despite his efforts to narratively punish him. not to mention, i think its been at least mildly brought up and glossed over how much they absolutely do not think about insurance costs for these ppl for the insane amount of tests that find nothing and Wrong Medications To Force A Diagnosis they use? i think it was brought up once in the episode following a day in the life of cuddy where she had to fight a lawsuit bc a guys insurance like didnt cover his thumb being reattached but chase reattached it anyway while in surgery cos it was The Right Thing To Do and the guy didnt have the money to cover it and the insurance wouldnt pay unless he sued the hospital or whatever. thats like the only time its come up. whereas like frequently the doctor I go to for osteopathic manipulation tries to check in with me and make sure im covered by insurance etc and that im not going to go broke or get buried in medical debt seeing her.
idk. just some Thoughts. not a defense of our current system and all the flaws it enables and enforces etc. his approach to medicine is really reminiscent to me of what I know of the Heroic Era Of Medicine which i dont...love? and hes framed on here as being an asshole but would kill for his patients to get them a diagnosis etc. but hes definitely extremely paternalistic to patients ? and despite some good clippable lines about ableism and being against eugenics, it honestly feels like his stance on that is kind of a toss up.
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as someone who isnt like. huge on d3stiel. i will say it is interesting going through and seeing all the 'big d3stiel' moments in context and some of them are very 'yeah, i get that' and othes are '...you have to purposely take this extremely far out of context and then spin it around in a circle to interpret it the way you did'
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Started thinking about the Amanda Waller + Ben Turner relationship again.... fuck, I'm gonna need a minute
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sobbing over nozue’s confession scene again
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The way that my friend felt disappointed when he found out as a kid that an androgynous character he idolized was a woman because he quote "couldn't relate to the character anymore" and the way that the creator of Celeste """discovered he was non-binary""" because he wrote a female character that he was able to relate to are branches off of the same vein of misogyny I think
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I finished Marineford Arc.
There's a lot to unload here but I don't wanna mark as spoilers so won't say too much:
This Arc broke me and I cried like a baby, watching Ace protect Luffy right when they were so close...
Watching Ace die in Luffy's arms while Luffy begged him to live...
Watching Ace fall to the floor and Luffy break down...while all of Ace's family cried over him. Even Whitebeard started crying...
It's just too much.
Then Marco saying Ace will live on through Luffy, I broke down crying even harder.
WATCHING WHITEBEARD BUNCH THAT BASTARD WAS AWESOME THOUGH.
Then him....okay I should stop here before I do post too many spoilers.
All and all, this arc was definitely the hardest to watch, so many emotions...
This will be the last time (probably) that I post about my One Piece watching lol. I just wanted to post about this arc cause ik it would be the hardest for me to watch. Cause Ace is my favorite character after all and I love him. Luffy being a close second.
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i don’t get how people can complain about the writing “doing Martha dirty” when that same writing gives her an ending that addresses her treatement over the course of the season, allows her to finally put her to foot down, to establish her self-worth as an individual and to air out her grievances, and gives her the most respectful and satisfying exit from the TARDIS we’d yet seen in the show . like it’s one thing to dislike the direction the writing team took with her arc and to criticise it (perfectly fine) and another to somehow miss it entirely lmao . the ‘martha feels out of place, second best, and like a rebound’ is an intentional piece of writing that gets resolved by the end of the season . like that wasn’t smth they threw in for shits and giggles, it had in-story repercussions
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My mind is plagued by them so badly if anyone wants to do me the biggest solid and send me asks about them I know no one goes here anymore but this is for me to say my many thoughts at a void I just need a single prompt
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“ A HOUSE IS NOT A HOME ”
pairing: satoru gojo x reader
summary: you come home after a long day of work unable to find the person you call home anywhere — until you reach the bedroom.
warnings: 18+ suggestive, fluff, comfort, some angst, implications of the shinjuku showdown arc, implied gojo is no longer a sorcerer, gojo is your househusband, taking a bath together, taking care of him, copium really, satoru being a silly man
w/c: 1,184
“I’m home!”
You call into your home, the clatter of your keys and shoes as you shedded the things that chained you to the outside to submerge yourself in your oasis and into his arms. But as you got no reply, you stepped into your living room, scanning over the kitchen, to find no one.
Now where was your home?
“Satoru?” you called, heart skipping a slight beat, he was always waiting for you when you got home, usually on the couch or maybe in the kitchen the clank of the knife as he chopped away. Or even the many times that he was waiting by the door to only ambush you with kisses. But this time, nothing.
You rounded the corner to the hallway and peeked into your bedroom to find him asleep. You crept closer, careful not to wake him, and yup, he was fast asleep. His pretty snow white lashes resting against his cheeks, his chest slowly rising and falling as the soft sounds of his breaths parted his lovely lips.
You could watch him sleep for hours. You knew he never did enough of it before, and you’d argue he still didn’t do enough of it now. He always said he was fine sleeping 6 hours since it was twice as much as he usually got — and now he was working at home, so he could be ease.
But even so, you know he needed more.
As if he senses your thought, he stirs, starry blue eyes finding yours as he flutters sleep from his gaze, “sweetheart?” He’s murmuring, voice still beautifully raspy from sleep, “when did you get home?” He’s shifting to get up, but you use gentle hands to ease him back, “I haven’t started on dinner yet, sweets—“
“I got it, Toru,” you’re running your fingers through his hair, “just rest, baby,” and a protest is already on his lips, “let me guess what you did today — cleaned the house from roof to floor, stocked us on groceries, cooked lunch for me for the week, and probably a million other things,” you lean down to press a kiss to his forehead, “I think I can handle dinner for one night at least,”
He’s pouting now, “but you just got home from work, Princess, what kind of househusband would I be—“ and you can’t help but laugh, he loved his self appointed title of househusband, especially since it was one he had chosen for himself, and he took any opportunity — even now to call himself that.
“I think even the absolute best househusbands need a break, and should listen to their wives, since I’m the one you want to pamper so much,” and his lips party in protest, but you’re leaning down to kiss them and his pout away, “let me take care of you, Toru,”
He’s sighing, as he leans up to press his forehead to yours, “and does your offer include a bath, sweetheart?”
~~~
“Y’know sometimes I feel guilty,” and you pause in your massage of his head, fingers tangled in his hair, suds from the bath you’d drawn for him covering both of your bodies as he leans against you in your tub, back pressed flush to yours.
“Guilty about what?” you ask, holding your tongue on the million reasons why he shouldn’t.
“For so long, I was the strongest,” he gives a small chuckle, “and it was fun, sometimes. But it was mostly lonely,” he leans back to look up at you, a small grin on his lips, “except when I was with you,” your lips curl, “and now I get to be with you, and I get to stay home — and the worst thing I have to do are the dishes,” and you snort.
“I told you I’d do them if you hate them so much,”
But he’s shaking his head, “Sometimes I think trying to deal with our cast iron is worse than fighting Sukuna—“ and you roll your eyes, “but there’s always this urgency that I have to be doing more. Telling me to keep going, moving, fighting—“
“You’ve done enough, Toru, more than enough,” your fingers cup his cheek, “too much, honestly. It’s okay to rest now. You’ve done your part—“
“But—“
“Didn’t you or someone say jujutsu is like a marathon, a baton pass?” Your fingers run through his white locks, before you shift yourself to sit in his lap instead, “the marathon is over, racers have packed up and gone home, and the finish line has been crossed,” your fingers rest on the back of his neck, tracing his undercut, “and that’s because of you and all you did to fight and raise up the next generation,” you say softly, and he’s pressing his head to your forehead.
“Is it okay for me to rest now?” and you’re pulling him into your arms, hoping your touch conveys what your words can’t.
“Yes, it is, Satoru,” you’re pressing soft kisses to his neck, “you don’t need to be the strongest. You’re Satoru Gojo, and that’s all I want,” and he leans back, “you’re all I want,”
“Is that a proposal?” And you snort.
“We’re already married, weirdo—“ and his lips find yours, as they always did, his arms around your bare waist, as the water shifted and splashed, but you could barely feel anything except his lips against yours and the circle of his thumb against the small of your back.
He finally pulls away, a genuine smile on his lips, “And you married this weirdo,” and you chuckle, tracing his jaw with your finger, “you’re stuck with me for life,”
“Promise?” And he’s kissing you again in an instant, stealing your breath like he did the first time you met him all those years ago at jujutsu tech. And you knew you’d never love anyone else — not like him.
“Promise.”
Bonus:
Satoru’s arms wrap around you from behind as the two of you towel off after your bath, “what are we having for dinner?”
“Well someone insisted on me being in here with him, so I had to order out,” and he’s grinning, as he nuzzles your neck.
“Whoopsie, hehe,” and he’s humming, as he tugs your hips against his, the friction drawing a gasp from your lips, “can we have dessert first?”
“It is dessert. We’re having ice cream for dinner—“ and he’s kissing you again, but this time it’s languid and messy — all tongue and teeth, until he’s pulling away with a smirk at your breathless face.
���I want something sweeter, wife,” and you smile.
“Think you can finish before the delivery gets here?” And he’s already picking you up with ease in his arms, pinned under him in a moment, as his ocean blues flash with mischief from between your thighs.
“I can, but I don’t know if you’ll be done by then.” He says cheekily, as you only sigh.
If there was one thing that would always be true is that you would always be weak to Satoru Gojo — but not his abilities, but who he is.
Your husband.
“Let’s see, hm?”
a/n: I’m real upset about the leaks and this is my coping. I needed this.
taglist: @staryukis, @cloverlilies, @asgoodasdead666, @strawmariee, @chuuyasboots, @forest-fruits-jam, @catsgomurp, @rat-loves, @hanlay, @risuola, @spider-fan72, @sunamatic, @difficultdomains
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Here's an arc I thought about doing but won't do because, it'd be a bit too sad and also it's too similar to the Turing Point Arc I already did and also it would be long. But I'll write it here for you angst enjoyers. This ended up being longer than I thought.
Despite getting the "okay" from Ash to date Jessie, Delia still worries that she's not doing the right thing or being a bad mom. Up until now she'd convinced herself that she had the right to be selfish for once after knowing only sacrifice and putting herself last.
Jessie and Ash, while not as antagonistic towards each other, still go at it. A Pikachu zap here, an angry "twerp" being uttered there. The guilt settles in for Delia and figures that it's best to just cut things off before things potentially get worse or before she gets too attached to Jessie. Her son comes first after all. That's what she signed up for when becoming a parent.
She sits Jessie down, eyes watery (it's the first time Jessie's ever seen Delia come close to crying). Delia says she thinks they should end things. Jessie is stunned but accepts it quickly. She sucks it up in the moment, puts a resigned smile on her face and tells Delia she'll leave immediately and not to worry about her. Delia's also broken up about it but promised herself she'd never cry over a goodbye and she wasn't gonna start now.
Jessie goes to James and Meowth's place greeted similarly to this, lightly teasing her about blowing it with Delia, and she breaks down sobbing. Oops it's real this time. James and Meowth do everything in their power to make her feel better. They let her know that things like this happen and they're ready to go wherever she wants to go (knowing that it'd likely be to painful for her to stay in Pallet). As much as she wants to leave, she doesn't want James and Meowth to lose the good thing they have going. She's not in the right headspace to make any decisions so she'll get to it later.
Ash returns home after doing a little training at Oak's lab. He notices Jessie's not around and asks his mom where she is. Delia is about to tell him but can't quite bring herself to say the truth out loud yet. She simply says "I don't know". Ash looks disappointed. "Aw man, I wanted to see if she wanted to battle. She makes a good battle buddy for all of my newer, baby Pokémon." Delia perks up that this. As quickly as he came, he leaves again to go train his Pokémon.
Later, Delia approaches Ash, asking him if he really meant that what he said about Jessie being a good battle partner. He gives her an enthusiastic "yeah!" and tells her that it's been nice having another battle ready trainer around since there's not many in Pallet. Delia starts to pry a little more. "I thought you and Jessie didn't get along?" Ash is confused, and tells Delia they get along great! "Jessie doesn't steal anymore! And she's getting better at battling which is cool." Delia brings up that she's head them argue before. "Oh... well I guess that's just how we are. I'd be weirded out if she was suddenly too nice to me all the time. Jessie's actually a lot like Misty. But taller!" This gives Delia a lot to think about but what's done is done and it's no use pressing on. It's easier this way.
The next morning Delia's getting ready for work. She must not have noticed that she was acting weird but Ash picks up on it. "What's wrong mom?" Delia's shocked he noticed (he's not usually this perceptive). She tells him it's nothing and that she just slept bad. "Hm. But Jessie says that when you're upset you get really quiet and intense." Delia notices that she was pretty intensely mixing the pancake batter. "Jessie told you that?" Ash nods. "Hey speaking of, where is Jessie? Haven't seen her since yesterday." Delia stops mixing and tells Ash that she and Jessie aren't together anymore. Ash is confused and upset at the idea of Jessie doing something that would hurt his mom enough for them to break up. Delia lets him know that Jessie didn't do anything like that and that them breaking up was just for the best. But Ash questions this, pointing out that he's never seen Delia as happy as she was when Jessie was there and also how Delia looks really sad now. Delia can't argue with that but then tells him that it's complicated. Ash, to Delia's surprise, looks a bit disappointed. He's bummed he wasn't able to say goodbye first and asks if she thinks Jessie would still be willing to come by and train with him sometimes. Delia asks him once more if he was really okay with her and Jessie dating. "Yeah I thought I said that already? Jessie's pretty cool when she's not being evil. And she really likes Pokémon which is a plus!" Such simple criteria. Delia's now worried that she might've made a mistake. She finishes making breakfast and heads to work.
At the restaurant she's met by James. She can feel an awkwardness hanging in the air. She knows that James knows. Before she can say anything James tells Delia thank you for employing him and helping him, Meowth and Jessie get back on their feet but that he's going to quit working at the restaurant and that they'll likely be leaving Pallet soon. Delia's heart sinks. There's now a ticking clock and she has to decide what she wants to do SOON. She asks James where Jessie is. James hesitantly tells her that she's at his and Meowth's place. Delia pleads with James to work the restaurant for one more day at least and to cover this shift. She has to go talk to Jessie. He agrees, hoping that this is a good thing.
Delia runs to James and Meowth's place. She knocks on the door upon arrival and waits. It takes a moment but she hears the door unlock. Jessie opens the door, disheveled, tears and snot all over her face, draped in a blanket. Jessie notices it's Delia and, frightened, slams the door. Delia's stunned for a moment and goes to knock on the door again but before she can the door opens. This time Jessie's tears are gone, her hair's fixed and she ditched the blanket. "Oh hey, Delia! What brings you here?" Delia can't help but be charmed. But this is serious. She shakes it off and asks if they could talk. Jessie invites her in. They get to the couch and Jessie starts frantically cleaning up all the crumpled tissues and dirty dishes off the ground. "Heh I caught a cold yesterday. A one day cold. I'm fine now." Delia doesn't call out the obvious lie and gets straight to the point.
She tells Jessie that she's worried she made a mistake. She made a panicked decision that she was hoping would protect Ash and her future self. But now realizes that she was afraid of the idea that she'd made a selfish decision by dating her. It was a selfish decision but that didn't mean it was a bad one. She was the happiest she'd been, Jessie and Ash were learning to get along and were getting along much better than she'd though. She acknowledges that Jessie has been there for Ash in a way that she can't quite be and is also grateful to her for managing to keep Ash home a little longer. She asks if Jessie would be willing to take her back (despite the distress she caused). Jessie starts sobbing with happy tears. She tearfully says she'll try even harder to get along with Ash and be a better person. Delia reassures her that she's doing just fine.
They kiss passionately but then realize it's weird that they're making out in James in Meowth's place and say they'll continue later. Delia tells Jessie to head back home and that Ash is looking forward to battling with her (and she also needs to let James and Meowth not to quit their jobs).
The end~
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