#i have no clue how to make his armor make sense
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roseywastaken · 9 months ago
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c!dream ballpen sketch 💚
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imaginesbymonika · 5 months ago
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Not a violent dog | Part 2
Pairing: Logan x fem!Reader
Plot: Back in Wade's world Logan meets someone he thought he would never ever see again.
Warnings: slight spoilers for Deadpool 3!!!! mentions of death, angst, cursing, and fluff at the end if you squeeze your eyes at the screen, I haven't written in A WHILE so bear with me
Previous Part
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“Come on!”, Wade groaned before he threw himself on the old couch, and it made a squeaky sound:” Admit it, you missed me!” He keeps his head low as he peeks up at you through non-existent lashes. You only roll your eyes at his behavior:” I’m already missing the quiet.”. A blatant lie. God only knows how fucking worried you were when he abruptly vanished. It brought back old feelings, and you certainly weren’t a fan of that.
You sit down next to him when his expression suddenly shifts. It’s not often that you see Wade concerned, even though you know that his sarcasm and comedy are nothing more than a coping mechanism. It’s like looking into a mirror. “What’s wrong?”, you question him, swallowing thickly while you study his features for any clues:” Why did you need to see me…alone?” It was an odd phone call to receive at 3 in the morning.
Wade clears his throat:” I told you about saving the universe, right? And before you drop to your knees to thank me like the maid thanks her knight in shining armor. I have to tell you something important.” You run a hand down your face and sigh softly:” God, I miss the silence so much.”
“I didn’t save this world alone…”, he declares, twisting his body to fully face you:” I had help. And that help is living with me from now on and I just cannot keep him in my room the entire time whenever you’re around- even though that’s kinda sexy, now that I'm thinking about it. As if he’s my mistress...” You only blink at him in pure perplexity.
“I- I just need you to meet him, okay?”, he rises from his spot beside you and walks towards the door to his room. “Wade…”, you observe his every move and lean back:” Did you kidnap a stripper? Again?! I swear to God, I-.” But when he opens the door and does a hand motion notifying that whoever’s in the room can come out now you turn silent.
A sixth sense you hadn’t felt in a long time begins to limp its way out from some dark and quiet spot inside your soul and towards the surface.
“Come on.”, Wade makes a few more hand movements, almost as if he is calling a… cat?“You can do it, kitty.” Your breath hitched in your throat, and something inside of you is arising again from a long, and deep slumber- it aches terribly. If someone asked you to guess who was inside that room, you could nod but not give them a name. Your heart was carved in with the name of a lover you tried your hardest to forget.
And a second later he comes into view. “Now, please keep in mind that this Logan is from another universe.”, your friend clarifies, while he slowly moves in front of him. Almost as if he attempts to shield him from whatever reaction you were about to give him. But you don’t move.
There’s a longing look on Logan’s face. His fingers twitch now and then. “Y/N.”, your name leaves his mouth like a prayer. Like some sort of spell that hasn’t been used in decades. Smooth like honey, and dripping off his lips onto the filthy carpet. You yearn to drench in it. After all, you haven’t heard it in such a long time, it feels like you are listening to it for the first time all over again. And you finally rise to your feet.
Wade swallows thickly and turns to attend to the empty air:” What do you guys think she’s about to do? Do you think they’re going to fuck on the carpet? No… Disney wouldn’t allow that. What a fucking shame! It’s Stucky all over again.”
It takes you a few seconds to react, but once you finally do you only turn around and scan the room for a trash can before you eventually rush to the nearest and throw up. Wade tilts his head and sighs:” Well, that’s disappointing.”
“Y/N.”, Logan quickly walks up to you but you snap your head at him and hiss. “That’s so Cat claw coded.”, the bald man whispers before he makes his way towards you. “Don’t fucking touch me!”, you shout at Logan. And you can sense all the bitterness and anger and hatred boil inside your veins.
“What the fuck, Wade?!”, you yell at him as you stand up from the ground:” What the actual fuck?! You couldn’t just fucking warn me?! Couldn't have told me this over the phone?!” Tears are streaming down your face and they make your friend take a step back. You have never cried in front of him before. “What the fuck?!”, it’s the final thing you declare before you storm out of the apartment.
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erose-this-name · 9 months ago
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Kabru is such a brilliantly written character, one of the best in Dungeon Meshi (which is a high bar as it is, most of the main cast are similarly genius). 
His thing is that he is very friendly and nice confident and maxed out his charisma stat, but is also kinda ambitious and manipulative. But not in an overtly malicious way. Which kinda scares me.
The most impressive thing about him, writing wise, is that it’s all show-don’t-tell. He very frequently uses his charm and empathy and understanding of how people think in really clever ways.
We’re often walked through his thought process of how he does these social deductions. We’re never told he’s scarily charismatic, besides other characters reacting to him being scarily charismatic.
Kabru is a natural-born leader and social engineer with superlative skills in both, which makes him the perfect foil for Laios, who’s too autistic and unambitious that he’s not even the de facto leader of his own party that he’s the official leader of. He’s so bad at leadership that his party just, sort of, doesn’t have a leader. They just kinda argue and do stuff.
What’s also neat, and perfectly inline with Meshi’s general theme of clever and logical subversions of fantasy tropes, is that Kabru’s character design in no way clues us in on this fundamental character trait of his.
He’s sort of a human fighter / knight archetype, which in the language of fantasy RPGs is a class most would associate with being a white bread jock, chivalrousness optional.
(Laios subverts the same trope in the same way. It’s really funny that the walking exposition dump of the group looks like the character creator default preset spec’d as the most generic class available.)
If Kabru was a bard or noble and Laios a wizard, their character traits would be far less interesting
Even better is that we would expect someone who looks like Laios to have Kabru’s personality, and vice versa. Their character designs are flipped; the confident super charismatic leader is a short wide-eyed twink, while the slightly naive and very autistic monster enthusiast is a tall conventionally attractive Aryan lookin’ mf.
(see what I mean by Kabru being such a good foil for Laios?? No wonder everyone ships them, they’re perfect for each other!)
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Yet, their designs also work for them. Kabru just has a face that’s easy to talk to, his piercing blue eyes and curly hair gives him a false sense of naïveté, while his iconic 👁️👁️ expression hints that there’s actually quite a bit going on inside his head. Meanwhile, Laios believably looks like someone who doesn’t know what hair conditioner is. His armor’s collar gorget thing is also pretty dorky.
You can’t trust people like that (I mean overly charismatic people with a manipulative streak, not blue-eyed twinks) because you can’t know what their real motives are. You can’t know they aren’t pretending, you can’t know they aren’t trying to or haven’t already manipulated you. How could you? When he has so much more social intelligence than you do, average socially awkward Tumblr user? He’s touched all the grass!
In episode 16 (spoilers, btw) Kabru finally meets Laios’s party, who he’s been trying to find and fight for the better part of the season, and he just decides that no confrontation is necessary. Like, immediately upon meeting the guy. Just from how Laios looked at him. He figures that since Laios didn’t seem to recognize him, they either have never met meaning he has the wrong guy, or Laios forgot meaning he didn’t think it’d be a big deal, meaning the treasure was a trap or something. Which is pretty in line with Kabru’s established ability to always roll nat 20s for every charisma and deductive reasoning check, so cool.
But he doesn’t even seem curious about which of those cases is true. (He might be interested to find out some of the treasure wasn’t dangerous, but accidentally got thrown off a bridge). Much to Rin’s dismay, he’d rather just not bring it up because that could upset the leader of the party he might be working with for the foreseeable future.
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Actions speak louder than words. So, all we really learn in this scene is that Kabru’s goals and M.O. can change on a dime, and that he values reputation and political capital more than money and vengeance. More than his own party’s desire for those things. Not only is he someone with a silver tongue, but he knows its value and is determined to use it at every opportunity.
Kabru and his party might not be very good at fighting or surviving in the dungeon, in fact their frequent TPKs are a running gag. But, he also doesn’t need to be when he can just manipulate Laios’ and Shuro’s much more proficient parties into helping him.
So far, Kabru seems like the most likely one to become king of the dungeon or whatever the mcguffin is. He is the only protagonist so far who has said that’s an actual goal of his. He’s said that he doesn’t think someone like Laios who isn’t a born leader should get it.
In fact, Kabru seems to have very strong opinions on what kinds of people should be allowed to adventure in the dungeon, evidenced by the fact that he murdered an entire party over it, justified or not. Kabru seems to think that Kabru is such a leader, and he’s probably right about that, but what kind of leader? 
What would Kabru do with that kind of power if he gets it? Because I’m not sure. All I know is that he is the kind of person with the ability to use real political power to its full potential. For good, or for very, very bad.
I’m not saying that Kabru is evil or that he’s secretly gonna be the surprise villain. I dunno, I haven’t read the manga. He could just be a nice guy that’s just, like, is like that. Everything he’s done could be justified by the explanations he’s given. He actually reminds me a lot of one of my IRL friends, and I’d trust him with my life.
But, I can’t help but feel a distinct sense of unease whenever he’s on-screen. I try not to trust confident natural-born leaders like him right out of the gate. I don’t like that our instinct as humans is to blindly follow them without thinking about it.
Tyrants and psychopaths also use confidence and charm and a friendly demeanor to make people think they’re a good guy, while manipulating everyone into thinking their self-serving actions are altruistic. Benevolent, confident, skilled leaders do exist. But there exists many more snakes wearing their skin. Wolves rarely bother with sheep’s clothing, they dress as shepherds and sheepdogs.
Anyway, my point is that I think it’s kinda neat that it’s possible to overthink this much about a character whose probably just a nice guy that is the mirror opposite of an autistic person. Writing that kind of ambiguity is hard, and employing it in this way is inspired.
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revelboo · 23 days ago
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god. revel youre a terrible (affectionate) influence, we got the bumblebee lego in at work and its the CUTEST goddamn thing. they gave him BUMPER STICKERS. and REASONS for said bumper stickers (like his street smarts or w/e and its. not much but i think its cute) AND his shattered glass counterpart- goldbug?? iirc?? is on one of the license plates they gave him and on top of that it TRANSFORMS AFTER YOU BUILD IT. im gonna get him n wrap him and park his cute stickered butt under my tree. they gave him a little bee in his cab and on the back of his little id card thing and everything, its so unreasonably cute
I need pictures, because that sounds so cool! Don’t make me go buy a Lego kit, they’re so darn expensive and I’m broke right now. Unfortunately, it looks like I’m the only one at work today, so I’m going to write nonsense
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The Weakends Pt 10
TFP Ratchet x Reader
• Heart racing as he drags you into him, servos wrapped around your arm so tight he’s probably going to leave bruises, but it’s hard to care about anything beyond the fact that he’s finally opening up. And he’s also somehow not quite your size, but much closer. “I’m not okay,” he says again, voice tight with tension as you hesitantly go up on tiptoe so you can loop your free arm around his neck and give him a hug. Because you know exactly how hard it is to say those words, because as much as you push at him out of worry, you do the same thing. Work past exhaustion, forget meals or just not want to eat at all because of stress. Worry over everyone but yourself. And his other arm bands around you, pressing you to him so tight you can barely breathe.
• “I know. You don’t have to be,” you whisper and he feels like a fool clinging to you like a sparkling clutches to their carrier. Embarrassed even as it feels like a weight’s been lifted from him. And you’re giving him permission to not keep up the act, but he’s not sure if that indifference and attitude is all that’s keeping him together. If he’ll break if he loses that armor. “We can talk about it if you want? Or about anything, but Doc you’re crushing my ribs a bit.” And uttering a startled laugh, he eases up his grip on you. Freezing when you cup his cheek in a warm hand, eyes staring up at him. Smiling. “I don’t think I’ve ever actually heard you laugh before.”
• Sure he scoffs and laughs, but it’s always dismissive or sarcastic. Never real like this and you want to hear it again. Want this tired, exhausted bot to smile. To be happy so bad it hurts. “I laugh,” he mutters, tone defensive as his optics flick toward your hand on him, to your face, back to your hand. Not asking you to stop touching him, but clearly uncertain about it. Making you wonder how long it’s been since someone touched him like this. Held him. Kissed him. Do they do that? There’s so much about Cybertronians you have no clue about. So many things that are achingly familiar to humans, despite how different they are.
• Startlingly soft and warm, your little hand lingers on his face. That touch tempting him to touch you in return, becoming all too aware of the way you feel against him. Could turn his head and let his mouth brush your palm, could run his servos through the softness of your hair. Aware that he’s staring at you, lost in those lovely eyes. Unable to move in case you come to your senses and move away. “You should laugh more,” you say, thumb sliding against him and brushing the corner of his mouth. “I like when you smile.”
• You’ve lost your mind, but it seems to be contagious as he bends toward you. When he vents, it fans across your face and stirs your hair. His serious mouth so close to yours and his big hand sliding from your side up your back as the other lets go of your arm and his servos just barely ghost over your cheek. Blood heating with awareness of him, of those big hands on you as you want something you’re not sure is allowed or even possible. “Do you?” He asks, voice gruff and deep, lips almost brushing yours. Know that any minute he’ll realize what he’s doing and stop. The walls will go back up and you don’t want that. Don’t want to let whatever this is slip through your fingers even if it’s a mistake. Even if you’re just going to regret it. Free hand catching at his chassis, you crush your mouth to his before you can overthink how terrible an idea this is. And he recoils back in surprise or distaste and it hurts, your face heating at the rejection. Then his mouth comes down on yours, those hands tightening on you until there’s no way they won’t leave bruises and Cybertronians do kiss. He kisses with a consuming desperation that leaves you molten with the need for more. For everything.
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anoray · 6 days ago
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Cohesive storytelling
The beauty of Skeleton Crew (so far) is that there is clearly an overall storyline that serves as a scaffold for the ongoing character and plot development rather than a mish mosh of disparate episodes stuck together without glue. The different directors add their own flavor to each episode, and the characters take turns having their moments to shine, but the puzzle pieces seem to be fitting together in a coherent way that will result in a satisfying season finale. Another plus is that if you know very little about Star Wars, the show is still understandable, and if you're a Star Wars nerd like me, you can pick up on the various nods that are interwoven throughout (blessedly without Big Neon Signs Saying Hey Here's An Easter Egg You Guys!!!).
A very tiny example of dialogue being part of this process: In Ep. 5, the resort hostess whispers to her underlings that they may have a Waste Management issue concerning the Onyx Cinder, then in Ep. 6 it makes sense when the waste removal drones show up to haul the ship away to the trash heap. And then we get that glorious surprise when the kids manage to save the ship by blasting away the same outer armor that Tak Rennod referred to in his holo message.
Like the Onyx Cinder, the story itself is a nesting doll by providing hints and clues (some more obvious than others) of what may come somewhere down the line. So far, they've managed to keep what pops up fun and fresh regardless of its predictability. I'm hoping the last two episodes twist things in unexpected directions, yet retain the storyline cohesiveness that's been built up along the way.
I especially look forward to seeing how this space pirate and his first mate interact now that Jod is SM-33's captain. They are such a dumpster fire together, yet can be genuinely deadly at the same time!
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brucewaynehater101 · 8 months ago
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Hello I have an idea for Tim.
What if he got those game screens pop up whenever he's doing some side missions or quests. And after that he'll get some cool and valuable stuff like: cool weapons with superpowers that are not from his world, advantages of gaining more information than the whole hero community, etc..
The Batfam probably thought that he was doing those missions because he was bored and wanted to relieve some stress, which is kinda true but whenever he does these quests he also makes a lot of allies from across the planets and helps him through it while also being part of the "Tim protector squad".
Also the screen will always congratulate him and give him some praise, plus the screen can also help Tim by upgrading his stuff or watching him from any danger and giving him a warning to be careful. Just a guy with his screen, what could go wrong? Hahah-
But. The screen can also give him some weird quest like "protect your loved one from [Redacted]" which confuses Tim but the screen doesn't have any power only providing him so who's the one controlling the screen???
Anyway these are just silly thoughts that I want to give :333
Heck yeah! I love exploring unusual/non-typical powers.
I really really want to develop this some more, so let's set up a power!
My favorite genre of games is horror. The fighting styles, gameplay, concepts, stick layouts, and all of that can be drastically different between games [at least Tim isn't stuck with game powers where he can't fight back]. Because of that, the end goal may be impossible to reach and thus changes to a new objective.
Here is an example of where this happened with Tim:
Convince Dick Grayson to become Robin Become Robin
Tim's thoughts and feelings can affect the missions he's given. He will never be given an objective he would not do (e.g. Kill Alfred). Not completing any task (side or main) can have consequences. Main ones have drastic outcomes that he can only somewhat control if he attempts them.
Upon completion, he gets points and rewards. His rewards are anything from new skills, connections, weapons, resources, etc.
His points can be used either in the "shop" or for his skill tree (Tim desperately wishes it was a "pay to play" game so he can get more points).
The shop has weapons, elixirs (one of which is Lazarus water), one use spells, maps, information/clues, outfits with effects, armor, etc.
His skill tree has three main branches: Body, Mind, and Soul.
For Body, he can enhance any of his characteristics to the upper limits of humans: eye sight, health, stamina, strength, sense of smell, etc. His points can also lower the difficulty or time needed to learn a very specific skill (ex. spending 5 points to decrease time needed to learn how to wield a pistol).
For Mind, he can hasten his thinking speed, create defenses against multiple mental attacks (including emotional manipulation and telepathy), decrease the mental energy required per tasks, decrease time spent learning languages/information, etc.
For Soul, this includes abilities to protect himself from magical/whatever interference, increase charm, increase ability to understand/read others' emotions, etc.
If he sounds OP, worry not! Tim suffers from never having enough points (he learned the hard way that he also needs to keep an amount saved up in case he suddenly needs to buy a tool or skill to save his or someone else's life.). There's so much he can buy, but there are only so many hours to complete side missions
Tim's least favorite quest was when he was chilling alone with his Zesti and suddenly got the notification:
Run
Jason's a jerk for scaring the shit out of Tim like that at TT
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crazyk-imagine · 29 days ago
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The Last of Her Kind
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Pairing: Peter Pevensie x Knight!reader
Characters: Peter Pevensie, Susan Pevensie, Edmund Pevensie, Lucy Pevensie, Knight!Reader
Warnings: Angst, fluff, sweetness, reader has a sad backstory, reader is powerful, happens with the first movie, the kids are aged up, reader helps Lucy, the Pevensie's don't know what they got involved with, per usual, this was a little itch in my brain write, I'm better now that it's out lol
Word Count: 1.1K
A/N: Peter is 18, Susan 17, Edmund 15, and Lucy 13
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A knock on the door should have been the first clue but still in your paranoia, it’s never easy to decipher whether it’s safe or not.
You cautiously walk to the door, finding four children on your door mat as you check through the peephole.
"Who are you?" You ask, not wanting to be taken to the one who deems herself the queen of Narnia.
You wish Aslan would take her down now.
"Uh- I am- am-"
You furrow your brows at the blond’s behavior. "Are you stuttering because you don't know how to lie?"
"What?" He scoffs, "no- no, I'm not."
You glance over him once more. "Doesn't sound like it."
He scrunches his nose. "You're not exactly who I imagined I'd be meeting either but we can't focus on that now, can we?"
"Well, now I'm definitely not opening the door now." You step away, hoping that they’ll leave.
Peter scoffs, staring at the door. "How can you be such a-"
Susan pushes him away.
Lucy steps forward, knocking on the door.
The blond shakes his head, “Luc, it won’t-”
"Would it change your mind if we told you Aslan is gathering troops to defeat the white witch?"
Your snaps in her direction.
"How do I know you're telling the truth?"
Edmund rolls his eyes. "He told us where you live, duh."
"Edmund," Susan smacks his shoulder.
He shrugs. "What?"
The door swings open, startling the siblings. “What’s happened to him?” You step forward, “where is Aslan?”
Lucy asks if the four of them can come in so she can explain.
-
You step away to pull your tea kettle off the stove. “I am sorry to hear that but I’m afraid you’ve all made this trip for nothing.”
“What do you mean? You’re not going to join us?” Edmund asks.
You stare into the cup you cradle in your hands, watching as the steam wafts into your face. “I cannot.”
“You’re just going to let her win?”
Your head snaps up, “you make it seem as if I want her to win.” Your hands clench the cup. “Don’t you think if I could, I’d join you all! If I could lift my sword the way I used to- I’d join you in a heartbeat but I cannot. I,” you sigh. “The last battle it- I’m as good as dead now. You wouldn’t understand.”
“I understand perfectly.” The dark haired boy haphazardly sets his cup down. “You are a coward and are too afraid to admit it.”
Susan trails after him, calling out his name followed by Lucy.
You gulp, knowing he’s right.
“Don’t listen to him. He means well, he’s just- he’s not good with words.”
You shake your head. “No, he’s right. I- I am-”
“A strong fighter who knows when to not push themself past their limits,” Peter finishes before you can.
The corner of your lips twitched, “I appreciate your kind words but I am afraid if you do not leave now, you won’t be able to catch up with your siblings.”
He nods and steps out.
-
You sigh, pushing your clothes to the side.
Your hand twitches at the sight of your sword, feeling the magic pulling you in; a connection you haven’t felt in years.
You pull it out and hold it for a moment, remembering the first time you were called into battle, even though you were nervous; it was this- the tingles- the magic flooding into your veins that keeps you going.
You close your eyes.
-
You quickly throw on your armor before heading out.
All your fellow soldiers and comrades, bow on one knee.
The Pevensies can sense a change in the field and turn to find you, plus an army.
Your second in command bows. “It’s good to have you back, my queen.”
Edmund’s head snaps to you. “Q-queen? I- I insulted a queen?” He turns to Susan and whispers, “did you know?”
She stutters, unable to find an answer.
“I haven’t been one in ages, I preferred being on the field more.”
Peter stands in front of you. “It’s good to have you here then, my queen.”
You wave him off, wanting him to stand as an equal. “You are more likely to be the newest of royalty here, High King.”
-
You lost sight of the three eldest but sought after Lucy.
You followed her, not wanting her to endure the true pain of war. “Lucy! Lucy!”
She stops as you call for her and pulls you with her. “We need to cross.”
“It’s dangerous here.”
“It’s less dangerous if you help me.”
“You don’t know what you’re asking of me.”
“I do, Aslan told me stories of you. I need your help if we are to find him.”
You sigh, “stay behind me.” You close your eyes and hope for a miracle.
“Open your eyes,” she tells you.
You slowly peel your eyes open and gasp. “I did it.” You spin around with wide eyes, “Lucy, I did it!”
“I told you, you could.”
You find Alsan on the opposite side, nodding to you.
-
You and her search for her siblings, letting the Pevensie's reunite from a distance, scouring the lands for any potential threats.
Peter makes his way to you. “Thank you for looking out for my sister.”
You nod, “of course, I couldn’t let one of our queen’s fall from the throne.”
The corner of his lips twitch. “Right-”
You nudged his arm, “I’m kidding, I wasn’t going to leave her alone during these- what was a dark time.”
He offers a small smile, “well thank you… for everything.”
“What did I do? I didn’t do anything.”
“You brought us more soldiers and helped us, even if we are strangers.”
“Well, although my parents taught me never to talk to a stranger, I admit, you four are worthy of earning my trust.”
Edmund bumps into you from behind and turns, prepared to apologize once he realizes it was you. “I apologize, your highness.” He bows.
You offer him your deadliest stare. “You will be punished for bumping into me.”
His jaw drops, “wh- what?”
“Prepare for your end.”
His eyes widen at your words. “I did nothing wrong.”
You step closer and pat his cheek, “no you didn’t and that’s why I decided to mess with you.”
You glance over your shoulder, staring back at Peter, “I’ll see you at your ceremony.”
He furrows his brows. ‘Ceremony?’
His eyes never leave your figure as you walk away, checking over everyone you can. 
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bite-the-bloody-hand · 5 months ago
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Setting aside the knee-jerk 'eeeeew you're in love with your cousin' reaction to Daeran's illusion in Areelu's Lab, I need to talk a second about what a profoundly telling character moment that is for both Daeran and Galfrey.
Daeran refers to Galfrey as the 'Queen of his dreams' and mentions it being twisted by demon logic when questioned. It makes sense that demons would immediately latch on to a psychosexual implication, but it's not about having a crush on her.
The desire to have Galfrey 'out of her armor' is the desire to reconnect with the last member of his family.
He mentions when you ask about his Mother that she was a 'real' mother as opposed to a 'Countess' mother, implying that she was less interested in raising him to be a Proper Noble and more interested in just being present as his only parent. This is indicated in the glimpses we see of his younger self at the party, and in his often-stated resentment towards the necessities of 'proper comportment.'
Galfrey also mentions how close she was to Silaena, referring to her as a 'real' family member, the only person she was truly close to. From the way both of them speak about her, Silaena Arendae was a central, stabilizing part of both of their lives. Galfrey also mentions what a sweet boy Daeran was as a small child, implying a much closer relationship than the current mutual polite revulsion. @thedosianexplorer surmised to me that it's likely Galfrey was once a beloved, comforting figure in young Daeran's life, and I agree. How could she be anything else to the son of someone she so loved? And how awful must it have been to both of them to have that taken away?
Losing the rest of their noble family was certainly a blow, but neither of them even mention their names. The moment Silaena died, however, that was when they were both orphaned. What makes it all the more tragic is the grief that could have brought them closer only served to completely sever their familial connection.
Galfrey has no clue about the true reason Daeran clings so desperately to enjoying life; all she knows is that he may have physically survived but the child she loved was very much dead with the rest of them - in its place an irresponsible, flippant, spoiled brat unwilling to fill the space Silaena left behind. Daeran has no way of communicating the truth to Galfrey, and acts resentfully towards who or whatever else she puts her attention towards, while flaunting his lifestyle at every opportunity.
His lifestyle, as such, is an Emperor's Wardrobe of red flags, but it's hard to see those flags through tunnel vision stained with demon blood. Neither of them are allowed to mourn, but at least Daeran can try to be happy. But as for Galfrey, thedosianexplorer put it best in this hypothetical line:
'How dare you let yourself be happy, I haven't let myself be happy since your mother died.'
The tragedy is that Daeran's need for secrecy and Galfrey's state- and self- imposed martyrdom has created an impenetrable armor between them, and I think is at the heart of the loneliness they both feel. The cruelty of that moment, where the dream of connection is twisted into a mean joke, still sits with me.
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that-guy-sleepy-miles · 5 months ago
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Mid-Blueprint Nap (ft. The Demon Bull King)
I've been thinking about Red King a lot, so here's a ficlet with an accompanying art piece! (Or an art piece with an accompanying ficlet...?) It includes a lot of information about the Red King AU, so I hope you guys enjoy it and are interested in the AU!
Heads up: Red King has a funky little gender! She uses she/her pronouns and male nouns, so if you have problems recognizing which pronouns go to which characters in prose, this might be a little difficult for you to read!
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Despite her quick disappearance, Red Son—or, as the Demon Bull King learned, she was now a "Red King"—didn't abandon her family. She'd never been one to do so; his Princess had assured him that such a thing hadn't happened in his absence. (His wife hadn't explained why their boy left in the first place, which gave him the idea that it was a tender subject. He would ask her in detail as soon as they had exacted their revenge and taken this city.)
When he desired more power, the Princess called for the bull clones to get their son and she was instantly at the Flaming Foundry with a solution. She'd brought out the blueprints for the Furnace with an uncharacteristic indifference, and explained how she'd imagined that this would be what he wanted, so years ago she’d come up with an idea years ago.
She’d said something about being unable to make a prototype because she didn’t have his measurements (which made no sense, why hadn’t she just asked her mother…), but she’d updated the ideas whenever she could. (Her specific wording was ‘woke up’, but the Bull King had no clue what she meant by that. She couldn’t have worked on it every morning if she was this disinterested…)
After that, Red King (how odd it was, to think of his son as being a king now; how much he had missed) had built the Furnace, oversaw the bull clones as they fit the armor onto the Bull King, and then explained how the armor worked. Halfway through her explanation, her eyes began to fall closed and her words slowed.
He’d watched her nod off in confusion until his wife struck her fan against the floor and startled Red King awake. They’d shared a look—tense on the Princess’s side and tired on Red King’s—before his wife sighed and his son continued, going on about finding rare items and giving pointers on where to find them in the city. She’d left after that, leaving him to find a shoe store on his own.
Something was happening in his family, and the Bull King was completely on the outside of it.
But, nonetheless, they continued like that: Red King would arrive when needed, providing them with what they asked for, and then depart quickly—it was like she was leaving as soon as possible. Which, frankly, was unacceptable. It was disrespectful and rude, especially to her family! However, it didn’t seem new; his wife, who was normally intolerant to any form or implication of disrespect, let their son blatantly disrespect them without a word.
In fact, she seemed almost grateful for it. She would relax her tense shoulders the second their boy had gone, let out a snide comment about how she was surprised that Red King was still awake or how it must be the little boy’s naptime under her breath, and then return to managing the dig site.
The dig site.
The dig site was the reason that Red King was called here by his mother today.
The Bull King wouldn’t lie, he was getting rather impatient with the slow speed of the excavation of the power source. He could feel the power in his fingertips, but he just couldn’t access it. He was so close, but he had to keep waiting! He had spent hundreds of years waiting, and he wouldn’t STAND for it any longer!
His wife, understanding his plight, called their son. There was no reason to even think about calling anyone else. They needed a machine, and they needed it to be precise so as to not disrupt whatever power was down there; who else would have that done at the same speed their son would?
(She’d arrived only 30 minutes after they sent a bull clone to fetch her. She was never one to be late, but the Bull King was beginning to wonder if she showed up so quickly so that she could leave sooner.)
The Bull King had been on his new throne, chin in hand, brooding, when she arrived. Red King was still in that robe of hers, he’d never seen her in anything different. Not that that was particularly unusual—it was quite like his son to have an article of clothing she liked to wear often—but the more she wore it, the more he began to realize it didn’t look much like a royal robe, and potentially something more for lounging in at home.
She rubbed her eye with the heel of her palm before asking, “You need me, Father?”
He grunted in affirmation, grinding his teeth for a second before he started, “I did not spend an eternity trapped under a mountain to be forced to wait longer! This is taking far too long, and I need you to speed it up.”
She tilted her head minutely to the side as she mulled over his words, and then yawned. Agitation set into his bones at her disrespect, but she quickly amended, “Apologies for that, Father... Consider it done, I’ll have an excavator built by the end of tomorrow.”
She turned to leave, but the growl he let out stopped her. She turned back to him with a confused and cautious glance, “Father?”
“I won’t wait any longer, especially not for you to return. I want work to start the second you’re finished with the drafting. You’re to stay here.”
She frowned deeply, “Father–”
“You are to stay here,” he shut down her protests immediately, slamming out the words “stay here” with utter finality.
She sighed and put her hand to her forehead as if nursing a headache, “As you wish, Father.”
What a rude little boy his son had become. As if he was wasting her time.
Leaned against the wall nearest to her workspace, arms crossed, the Demon Bull King’s anger at his son quickly turned to concern. It was the concern that had been bubbling this entire time, amplified as he watched her work—er, try to work. He was beginning to think she truly did have a headache.
She was on her third blueprint page, frustration clear on her face; she’d crumpled the first one and ripped the other. He watched with unease as she kept beginning to nod off, snapped herself awake, and then spent maybe ten minutes working before she was back to barely conscious. Her pencil skidded across the paper far too often as her hand went lax over and over again, leaving white marks in its wake.
She snapped herself out of another sleeping spell and sighed miserably, a hand on her forehead the only thing keeping her from faceplanting onto the workbench. It was time for him to step in.
The Demon Bull King stopped leaning and walked over to her desk, arms still crossed, “What is the holdup?”
She scrubbed her face before looking up at him, “I can’t focus, Father.”
“Clearly,” he bit out. She scowled at him in return. He sneered back at her, showing sharp teeth.
She didn’t let up her own stare at his visual displeasure, so he lowered and turned his head. A threat display only meant to intimidate her and remind her to be respectful of her father, he’d never even think of hurting her. (He'd kill anyone who injured his precious boy, including himself.)
It seemed they’d entered their first standoff, like the ones she and her mother had, but the Demon Bull King couldn’t explain for the life of him why it was happening.
She sighed heavily—long-suffering and, again, miserable—before she turned back to the blueprints. After a moment's consideration, she began to speak: “I am making an excavator. It’s construction equipment for digging, a human-made design. I’m designing a boom, arm, bucket, and a cab on a rotating superstructure—the undercarriage isn’t necessary. I don’t imagine, we won’t be moving it from the Flaming Foundry, and we’re digging in one spot.”
The Bull King raised an eyebrow. Well, at least she wasn’t half-asleep anymore, and he wasn’t stuck waiting. He prompted her to continue with a nod of the head and a grunt.
She put her cheek in her hand and gestured around the blueprint as she explained, her voice still mostly disinterested, “I can build an excavator easily, but we both know you don’t just want an excavator, Father.” She chuckled minutely at that before continuing, “You want something that looks nice and sleek, but also looks powerful. But… how do I make an excavator look powerful? The arm, boom, and bucket will all be fine, you’ll like those as is, but I need to do something for the cab…”
Her tone concerned him so much in a way he couldn’t explain to anyone who didn’t know her. She was always so talkative and excited when she was a little boy, young and excited about her work—nearing manic. She would've killed to have her father's attention like this when she was getting into engineering…
Red King rubbed her eyes as she continued to prattle on about excavator cabs, noting how she normally wouldn’t struggle with the cab design but nothing was coming to mind. The Demon Bull King was not in the habit of lying, as said before, so he would admit she was entirely correct about him wanting something designed personally, and he did appreciate her care. It was a form of affection, he could tell when she said it, to pay attention to his aesthetics and how he liked his machinery.
Her chin was in her hands now, both elbows on the table. Her voice was slower as she said, “I might look back at old designs I made for you, but all of those blueprints are at mine…”
Now her cheeks were in her hands as her elbows slid forward slowly. Her eyes were slipping closed, and her words became just a bit slurred, “Mmm, i’sh not like I’m incapabul of designing somethin’”—she yawned—“I’m jush… so… tir’d…”
Down, down, down–
He slid a hand under her quickly before her head crashed into the workbench. She used what must be the last dregs of consciousness to bring her arms up to cross on his palm and cushion her face, and then she was dead-to-the-world asleep, snoring immediately. It might be a trick of his mind, but the Bull King was certain she was even slightly heavier in his palm.
Bewilderment overtook him as he stared at his son. They’d just been having a conversation—well, she’d been talking and he’d been listening—and now it was as if she’d been asleep for hours. He was stuck, half-leaned over and waiting for his son to wake, which he was certain wouldn’t happen for a while.
He sat down begrudgingly, ready to stay here until she woke up so that she wouldn’t bash her head against the metal workbench; this wasn’t necessary, but that would be an unfortunate way for his boy to be woken up, and Red King clearly needed this sleep. He huffed in irritation as his eyes traveled the room for a second, but they soon returned to his offspring.
The Demon Bull King realized quickly that he’d been unintentionally denying himself of one of his greatest joys: admiring his child. It was perhaps foolish, but no matter what anything thought of his boy, he still loved her. For years, he’d recanted the details of her birth to anyone who would listen for years and had memorized her zodiac (inner animal, true animal, and secret animal, of course), earthly branch, yin-yang, and element. He couldn’t shut up about his son.
And there was so much to admire, so much that was new. He paid close attention to her now as he cradled her in his palm: her even breaths against his skin, her thigh-length hair—warmed by her magical power as it spread across and fell between his fingers (and it was so warm, his boy was so strong), her cute horns that she'd grown scraping against his palm as she turned her head.
His son is was still little, like all creatures are compared to him, and yet she had gotten so big. So grown. 
And she was asleep on his hand like a baby.
The Demon Bull King (again, not a liar) sat there for perhaps hours—he had no idea how long it was, there wasn’t a clock—admiring his boy and listening to her snore. She hadn’t moved an inch other than her body rising and falling with her breathing, completely in deep sleep and giving no indication that she’d wake soon.
“My love?”
The Bull King looked behind him to see his wife, “Yes?”
“It’s been four hours, beloved. Why are you still over here?” Concern colored her voice as she came to his side, a frown on her face. (She was so pretty, even when she was frowning. Or, perhaps, especially when she was frowning. She had such an elegant frown.)
He gestured to the sleeping boy on his palm, “She fell asleep.”
Her concern turned into annoyance quickly as she cast a callous look at their offspring, “Ah. Of course she did.”
“Her inability to stay awake is… concerning.”
The Princess scoffed, “Yes, it seems she’s given herself narcolepsy. What could possibly be so upsetting that she’d rather sleep for the rest of her life instead of having a conversation with her own mother, I couldn’t tell you. Did you even know we’re in her territory?”
The Bull King’s eyebrows raised, “Are we now?”
“Yes! The entire city is hers, but she refuses to take control of it!” His wife was exasperated, rolling her eyes as she continued, “She’ll barely even help her family take over her city! She’d rather sleep all day in that dreaded cave of hers—oh, well that’s not true.”—she checked her nails—“It’s a lovely cave, my love. You’d love the architecture, she put a lot of thought into it. It’s the last thing she’s put thought into for the last 500 years.”
The Bull King hummed deeply, his unease mounting.
“I can’t believe her sometimes! She doesn’t even send letters anymore! She doesn’t send letters, she comes without gifts, leaves before tea– How disrespectful can one get?” It seemed that he was not the only one offended by his son’s behavior, at least. But the Princess refused to comment on it in their son’s presence…
Why?
What questions did he need to ask to get to the bottom of this? Could he just ask his wife, “What happened?” Would that get more answers that explained everything but the core of the issue?
“If I didn’t visit her, she’d only wake up to eat every few months. Oh, and on that! She’s abandoned her diet! Not that I care about her diet, and we’ve all eaten people before, but it’s just another thing that she’s neglecting.”
“My love,” The Bull King sat up straight and eased Red King down onto the workbench with gentle fingers, “I think it’s time for us to turn in as well.”
His wife sighed and nodded, “It is getting late.”
They left the Red King to sleep.
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ganondoodle · 9 months ago
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I probably still wouldn’t have been a big fan of the game, but I don’t think I would have been NEARLY as upset about TotK if BotW didn’t seem like it was so obviously setting up plot points for a sequel. Like, you’re very clearly MEANT to wonder what malice is, and how Ganon became the Calamity instead of just the Demon King. Fi is awake again, where are they going either that? What’s the deal with the Triforce-shaped symbol on Zelda’s hand? There were a LOT of other things like that, and many of them had to do with overarching lore for the series.
I get it if they want to reboot the series, but “BotW 2” was the single worst game you could have done that with. It could have been an amazing conclusion to the original continuity.
EXACTLY, you, you get it
botw felt like the introduction to a vast world with secrets and hints to things that were planned to become a bigger thing- a big giant game as a big giant set up, and then ... like totk likes to do alot, it lacks a pay off, and that is something it even does within itself, cosntantly, set up and no pay off, or set up and the most boring and uninspired pay off you can really not even call that, from the bigger things like the whole dragon thing being hammered into your head as irreversible and then it IS reversible.. out of nowhere without you having to do fuck all, the whole thing with the ancient hero beign a big mystery with lots of interesting ideas attached and then its some weird ass dog creature that doesnt resemble any other race with, of course, sonau armor, bc there nothing that isnt sonau in that game, even finding the old treasure maps you can find that then lead to amiibo stuff from botw id call that
botw wasnt that great with rewards either but exploring the world and wondering about those, surely intentionally, placed mysterious and intriguing designs and places did alot for making it so interesting to think about, totk fumbles it all and even the new stuff doesnt even come close to that environmental storytelling botw was so great at, sonau ruins? ha they look entirely different than in botw actually, bc those were built by hylians you see, the actual sonau stuff is in prime condition considering the time thats passed and its all the same blank blocky blocks that serve no purpose but to be a place for you to find a thing or exchange some currency- the most you can think about it is ... that the sonau hollowed out the entire underground of hyrule, every inch of the map, ... which is WEIRD and doesnt exactly make them look that good but ... thats all there is
at least with the shiekah it made somewaht more sense and it felt much less .. invasive? and you didnt have anyone from that time to talk to, other than dead monks whos only purpose is to give you their last piece of their own spirit, but in totk ... raurus ghost and mineru too are both just there to talk to but DONT tell you shit but vague hints that were already clear, the sky islands used to be on the ground? oh you dont say, you see them there in the stupid memories! and dont get to know how they got up there and theres nothing that can clue you in to that, its just sonau magic yet again i guess
dont even get me started on the whole malice/miasma thing, it made so much SENSE that there was a source of it, someone that has keep kept in a horrible place just between life and death for thousands of years trying to break free by their hate and anger manifesting to such a degree its literally spilling out and building creppy eyeballs, mouths and ribcage like structures like they are trying to rebuild themsleves outside of their awful prison no one knows about is so damn compelling, but no, actually, the guy trapped there was the msot evilest evar, was sealed bc him evil and no other motive, and the previously mentioned stuff is pretty much utterly unceonnected, and his magic beign miasma with red instead of pink and no creepy body parts was the true version of it, that pink one was its own thing heehooo SHUT UP argh
it doesnt help that really, i dont feel like the sonau were set up either, they were a tiny part in botw, really only serving to make the world seem more ancient and more full of history, having ruins from a past civilization there you know nothing about and cant find out more is so good, its compelling and sad and makes the world feel more real, just shoving them into everything, being the center of attention all of thes udden and not even the architecure fitting feels so ... forced, i really truly believe the og sonau werent meant to be more than that, but in their fear of the game being too similarly looking like botw they took the sonau to replace the shiekah with them- imo the shiekah were the ones set up to be deeper explored in botw, with their whole misstreatment by the royal family in the past, monk miz kyoshia reacting the same way a yiga commander would was deliberate and brings up even more interesting ideas, the comments about where the mysterious energy the ancient shiekah used to power everything being concentrated in certain regions?? thats a big ass set up, the fact that the center of what is signaling everything to reactivate being below hyrule castle? the fact the whole arena thing was BUILT INTO THE CASTLE or it on top of it is so??? cool??? and sso damn intriguing, we are scratching the surface of their history- but then no, actually, the sonau are the cool new shit those other ones just uh ... disappear, also the sonau did everythign the shiekah did but even better wayy before them haha
its like they didnt want to tackle the more complicated stuff with the shiekah, their relationship to the royal family and how the yiga ... have a point and a good reason- so they replaced them with entirely new purely goodest good guys that did the same stuff before them with none of the history attached :))
this is why im so insistent on it not really being a sequel, thers no follow up on anything that was set up, NOTHING, and no, a couple having a kid now or whatever isnt a follow up on an interesting set up, how hard is it to understand that-
.... listen to me rambling, you probably know all that already nhjdfkbnkd
(i know i always bring up the shiekah but ... they were so central in botw, while also not taking up every single corner- unlike some other ones >_____>, with so much interesting stuff to connect and think about, i cared about them so much i felt kicked down the stairs by their treatment in totk)
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kaldurahms-lover · 2 years ago
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Hello, can I request Sal fisher x gn!reader, maybe a one shot about Sal showing y/n his face for the first time
AGH THANK YOU FOR REQUESTING THIS I NEEDED AN EXCUSE TO WRITE IT WJSHSJHS
Pairing: Sal Fisher x Reader
Warnings: use of y/n, fluff, sal's face oops, i kinda fucked up the different tenses but i cannot be bothered to fix it, very minor swearing, not proofread.
Word Count: 773
A/N: takes place when Sal and the reader would be around 17 and have known each other for like two years
Sal knew he had to let y/n see his face at some point. They were the closest friend he had. (Larry doesn't count, Larry's family.) He knew in the back of his mind that it made no sense for the person he's closest to to be the last one in their friend group to see him without the prosthetic, hell, even Neil had seen him (i know in canon only his dad, larry, ash, and dr. enon have seen him. ssssshhh). He had no clue why he hadn't shown them besides his romantic feelings for them, they would never judge him. So when he heard them telling Todd how they felt like he didn't trust them...
"I just don't understand. It's his decision and I don't want him to show me if he isn't comfortable with it. But thats what hurts, is that he isn't comfortable with it. I love Sal, he's my best friend and I would do anything for him, I just can't help but feel like he doesn't trust me. And I know I sound terrible, being upset that someone I care about isn't ready to unpack their trauma with me, but I can't help it."
He knew something had to change.
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Y/n was over within minutes, making the quick trip up from apartment 304. Sal ushered them into his room quickly, wanting to do this before his dad got home. They were obviously very confused, sitting down on his bed and asking if everything was okay.
"Do you think I'm uncomfortable around you?"
Y/n was taken aback by his blunt question. "Sal, what?"
"I heard you talking to Todd, y/n."
"Oh. Sal, I'm not upset with you, I didn't mean anything by it–"
He cut them off. "I know. I'm gonna ask again, do you think I'm uncomfortable around you?"
y/n gulped. "Sometimes I feel like maybe you don't. But who you take your prosthetic off around his completely your choice, I don't want you to do it just because you heard me say something to Todd, I want you to do it because you trust me and want me to see you."
"Thats the thing! I don't know why I don't want you to see me. You're my best friend, and I fucking love you, and you should've seen me years ago."
Y/n sighed. "It's okay. I promise it's okay."
Sal doesn't say anything, he just unclips his mask. Before Y/n can even realize what's happening, Sal's hand is the only thing holding his prosthetic against his face. He lowers it slowly, freely presenting his face, every scar, every bit of missing skin, the way it's now much more obvious that one of his eyes is also a prosthetic. His eyes are down, not wanting to see their reaction despite willingly removing his armor.
"Sal..."
"I know. It's not pretty."
y/n put their hands up and moved their head back as if offended. "Not at all what i was going to say. You're so pretty. In a very unconventional way... but theres nothing wrong with how you look. Can i..." Their hands reach out to cup his face, but they keep their distance until they have permission.
He nods and suddenly they're holding him so gently, as if they're afraid he might break under their touch. And as they softly caress his scarred skin, Sal melts. In fact, he gets so lost in the moment that it takes him a moment to realize they're talking to him.
"Sal? You still with me here?"
"Huh? Oh. Yeah. Yeah I'm just... processing. No one's ever really had anything nice to say about me taking this off. I mean they've never had a huge problem but they haven't... they haven't reacted like this."
"Can I kiss you?" The question is sudden, purely formed from y/n thinking out loud. It takes everything in them react at how shocked Sal looks.
"What?"
"i'm sorry, I shouldn't have said anything, I don't want to make you uncomfortable or mess up us being friends–"
"No no no, y/n. Yes. Please. For the love of all things good, please."
"Really?"
"Really."
That was all the confirmation y/n needed before their lips were connected. It was awkward, considering the scar tissue and the fact that it was very obviously Sal's first kiss, but it was sweet. When they pulled back, y/n rested their forehead against Sal's.
They smiled. "Hi."
"Hi."
"This what you expected when you asked me to come over?"
"Hoped? Maybe. Expected? Never."
"Learn to expect this every time I come over now."
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arctic-scorpio · 5 months ago
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(finally gets around to making this post; long posts are scary... anyways)
did anyone figure out what the red robe / clothing / armor?? jiao liqiao was caressing in episode 5 was? it's been on my mind for a while now because we never actually see di feisheng wearing it
this is the robe in question from episode 5:
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on a casual watch it looks like di feisheng's red mengzhu robes, but it isn't! for one, he's wearing the standard red mengzhu robes at the presumed same time as this scene is occurring (before, during the welcome back ceremony; and after, at the private waterfall with wuyan):
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so it can't be hanging out with jiao liqiao too. I guess theoretically it could be an optional outer robe that's part of the same set? but seeing as we never see him wear it, I'm not so sure...? and the standard red mengzhu outfit looks pretty complete and imposing already, to me?
so, what is this thing? was it even di feisheng's in the first place,,? the best guess I've come to after mulling it over is that... it's his wedding outfit that jiao liqiao prepared in advance and had waiting all these years (!??)
okay, so. reviewing the clues we have:
at first I was thinking that the metallic shoulderpad things make it look like armor... the closest outfit we see with similar metallic shoulderpads would be this one:
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from episode 5, just coming out of seclusion; + episode 17-18 official mengzhu business breaking out yanwang xunming 阎王寻命 from prison by crashing qiao wanmian & xiao zijin's wedding
but that's kind of neither here nor there. at least it establishes affinity with the jinyuan alliance mengzhu position. it's clearly got Official / Formal jinyuan alliance vibes to it, which would make sense. esp regarding how jiao liqiao sees him and her position in relation to him (in the alliance, as his subordinate)
okay, here's a bunch of wedding robes:
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xiao zijin's, from episode 17
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a-fei's ghost groom clothes, from episode 20
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jiao liqiao's, from episode 38
they all have the same two long ribbon trimmings down the front, all the way to the floor. complete with matchy sleeve ribbon decorations. this is similar to the episode 5 mystery red robe's gold ribbon design...
compare some non-wedding red robes:
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li xiangyi's sect leader robes (episode 12)
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jiao liqiao's standard red outfit #1 (episode 5)
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jiao liqiao's homey vibes red outfit #2 (episode 17)
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jiao liqiao's murdery vibes red outfit #3 (episode 34)
thoughts?? opinions? more theories or any extra clues??
[outer robe for official mengzhu battle armor that never got used in the show? or stashed wedding robe for non-consensual wedding plans that have been in the works for potentially 10 years and counting??]
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zoeys-ksbd-fan-blog · 11 days ago
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Book 1 First Impressions
Part 1
Hiya, so as a kinda fresh ksbd fan I feel like other fans would enjoy hearing what it's like for a newcomer to read it for the first time. Maybe give them a little taste of what it was like to read it the first time themselves.
So, my first impression...
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...was oh my god holy shit the art is so good wow wow wow cool oh my god wow
Also, as of writing I'm a decent chunk into book 3. When I first saw this panel I was actually overwhelmed. Which I feel like is the intended affect since the leading up pages are pretty typical. I didn't even notice the center figure got fucking beheaded until my 2nd reread.
But also it's fun seeing this panel now and being, like, hey I know what all these characters are
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On that note, I am excited to eventually learn exactly what's happening here. Is that bird significant? I know what this area is called but is there anything more significant going on here? Is it all metaphorical.
Which i dont think it is, because in the description of many pages there is supplemental stories. They mimic ancient poems, and other historical texts.
And birds are mentioned pretty frequently, as small creatures made by old gods that are small enough to travel through holes in reality to other realms.
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White Chain is a trans king. A male person stuck in the shell of someone who looks feminine. Based.
Although the more I read an angels gender seems to be pretty fluid, which would make sense.
I'm not trying to summarize the comics, but I guess for context. Angels can only affect the physical world through one of these sets of armors. Their real forms are less human, usually.
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And I guess this is a good place to compliment the visual design. Holy shit the aesthetic of these cities being built on these corpses is extraordinarily fucking cool.
And in the description the author left an I-Spy sort of puzzle in the description which is an excellent way to get a reader to look at a panel longer.
And shoutouts to the commentor who told me to read the description and comics, there is so much extra content there I've re-read book 1 four times and have had new experiences each time.
The world building is so intricate it completely trumps most other media I've seen. I dunno what to tell you, its just great. You can just taste how long the author has been cooking this world for. And it all paid off.
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Cool background character is cool.
In gonna talk about the extra description content again, they're cool and are mandatory to read. Although maybe leave it to your second or third reread because the world building already present is still very dense.
Some of them involve a figure who is talking to their birds and asking questions to the reader. Which people answer in the comments.
Those same answers are then mentioned later as conversations had by people in Yisun's hall.
Don't know who Yisun is? Read the comic.
But things get confusing, the figure asks the readers where they believe Allison is traveling right when she is pulled from her own world. Someone says that she is going to the future, and Yisun likes it and makes it true.
But she isn't going to the future? Like she just isn't? We know later that this is all taking place linearly.
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It's all very meta.
On page 16 we get some wild lore. It seems to be a background on Pree Ashma. Who's name I definitely recognize but deadass cannot remember who they are.
I'm probably not gonna mention the description again, but I wanted to yap so there you go.
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No clue who this person is but I thought she was cool enough to make my pfp. We know her last name from the description though.
Later clues tell us she's a knight. That and people call her The Beggar Knight.
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Boy would I love to pick the authors brain about where his mind goes when he creates these characters. Because they are so consistently unique and impressive. Praman Nand is a more important character so I would expect his design to be more striking. But the effort in his design is present in even the most insignificant background characters.
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I imagine the dialect Cio is speaking here vs how she speaks to Allison and White Chain is the devil equivalent of code-switching.
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I really love the action scenes. The author packs in so much detail that one panel feels fast paced. While giving the important events time to breath.
And this is where I learned tumblr has a 10 image per post limit i didn't know about. Continued in part 2!
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undeadoracle · 15 days ago
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just to clarify, since i see it being criticized/misunderstood a lot:
wardens die killing archdemons because archdemons are blighted dragons with a fragment of evanuris soul inside them, which grants the evanuris immortality. when the dragon is killed, the piece of evanuris soul is released and begins seeking a new host to live in, which must always be blighted. however, the mortal soul and the evanuris fragment cannot coexist, and thus the new host is immediately killed, taking the evanuris fragment with it.
(why doesn't the fragment just hop out again and keep looking for someone else? why is larius able to take corypheus in without dying in da:2? don't know. but those are plot holes that existed long before da:tv.)
the way morrigan's ritual in da:o works: she uses an egg fertilized with blighted semen and blood magic to attract the old god fragment into the egg, and since there's no consciousness in a fertilized egg, it's apparently able to latch on and turn it into a host. once it attached to the egg, morrigan then used blood magic to cleanse it of blight. (this is presumably also why she needed a warden who was freshly blighted, as opposed to, say, riordan; blight can only be removed from living beings within a certain timeframe.) blood magic being able to cure blight is a repeated thread of knowledge in the series: merrill uses it to cleanse the mirror in da2, and isseya uses essentially the same ritual as morrigan to cleanse the griffon eggs before putting them in stasis in da:lf.
once the evanuris fragment in the egg is cleansed, it essentially becomes like the fragment of mythal in flemeth, or the one that we meet in the crossroads: no longer blighted, but possessive of some of the power and memories the god once had. kieran is born with a fragment of, presumably, june in his body, but is only just learning what that means and how to access that power when mythal takes it from him in da:i. at this point, kieran is a normal child again.
(dragon age as a whole has always been very inconsistent on what absorbing a spirit or fragment of a spirit does to a person. whether the two fully merge, or one dominates the other, or the spirit is just kind of background noise, etc, varies from case to case. this could be deliberate, that no two cases are the same, or plot convenience. probably both. again, not unique to veilguard.)
this blood magic ritual is not common knowledge, even among grey wardens. morrigan only knows about it because flemythal taught it to her, merrill learns it from a spirit in the fade, and isseya delved very deeply into blood magic to learn it; this is likely why she becomes the gloom howler, as wardens who use blood magic extensively are given longevity and strange powers by it, but also tend to lose their minds (see: avernus in da:o.) the reason wardens have historically always died fighting archdemons is because they do not know there is an alternative, not because it's actually a necessity. (many people have speculated that andraste was created in a similar way to kieran and kept her evanuris fragment until death, based on clues in canon, but that hasn't been confirmed by bw.)
what changes in da:tv/why davrin lives: historically, the veil separated the fragment of evanuris in the archdemon from the evanuris it originally belonged to, which is why the fragment goes searching for a new host. in da:tv, when razikale is killed, ghilan'nain is literally right there, with no veil between them. the piece of her soul that was in razikale goes back to her instead of into davrin, thus making her mortal and not killing davrin. it isn't a plot contrivance, it isn't giving davrin plot armor (he can die in multiple ways in the endgame, ffs), it's completely justifiable and makes sense for what's going on in that moment.
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doodlingwren · 6 months ago
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✨️Gold Saints✨️ if they were to be ✨️Dungeons and Dragons✨️ characters
If you were wondering what I’ve been up to in the last few days, I was making this list based on my own headcanons. Mostly, I decided for what kind of class or subclass they could be. I don’t think I will add a race or a background for them because I am not up to date with the latest released manuals 😂 and these are just the official builds. If I had to look through the homebrew material I'd still be searching. Also, I used the classes of the fifth edition ^_^
Aries Mu
He’s an artificer (or if you are more familiar with the older name, he’s a tinker). There’s even an Armorer subclass, that let him have proficiency with heavy armours and so he can go in the middle of the battlefield without too many problems while still being a smith. When I say it’s perfect, I’m not even joking. Mu is possibly the easiest one to translate as a DnD character.
Taurus Aldebaran
Look, I would love to say paladin, but since he’s more on the pure physical strength rather that paladin stuffs, I’d assume for him a class like a fighter. I wouldn’t mind for him some sort of fighter + paladin multiclass where for the bigger part is a fighter. Maybe a Champion fighter + some levels of an Oath of Devotion paladin. Those subclasses are very basic, but they do the work. I cannot put his as a barbarian because well, I don’t think it would fit him (maybe the strength part, but only that).
Gemini Saga
He’s the dungeon master.
Okay, joke aside Saga is a bit more difficult. Visually, I think he’d be a paladin. Unlike others he has a good balance between physical strength and use of cosmos (both for attack and defence purposes). The subclass is a bit tricky, in the end it could be the Oath of the Watchers, since at least at the beginning, his wish was to protect Earth and then maybe he could later become an Oathbreaker? I’m partial to the Watcher since one of the spells for this class is Banishment and if it isn’t the poorer version of Another Dimension ability, I don’t know what it is.
Cancer Deathmask
He has the necromancer vibes without being a necromancer. In short, Oathbraker paladin: he can cast the ✨edgy✨ spells with ghosts and undead and it kind of makes sense that during the fight against Shiryu his cloth yeets off because of how bad he fucked up.
Leo Aiolia
Undecided between a normal fighter or a paladin. If he had an animal like Leo Kaiser in ND had those huge lions, he would be the ultimate ranger (subclass: Beast Master). But he doesn’t so… paladin. Maybe the subclass could be Oath of the Ancients, but I’m not sure.
Virgo Shaka
I’ve been thinking of where to put Shaka for almost two hours. My mind says monk, but my heart says wizard, but he must be a paladin somehow. Monk could be the perfect class for Shaka: you can easily see ki (the magical energy that empowers a monk attacks) as cosmos and the training/asceticism part would make sense for him. My only problem is that personally, I don’t see Shaka as someone that would resort to fighting bare hands against enemies (which is the core concept of the monk class). And mostly important, the monk class don’t have armour proficiency, which is the point of being a Gold Saint (neither does the wizard). As a wizard, I’d put him in the War Caster subclass, but being a wizard would make him a sort of cannon glass (wizard have the highest damage output, but at the same time the lowest number of hit points, aka life). Unless it is the Shaka from KotZ, then I could forgive a monk/wizard multiclass. As a paladin, I’m not even sure if he should be an Oath of Devotion. So, I will use the ace up my sleeve and say: Shaka is a cleric either with the Light Domain or the Order Domain, but I’m partial to the first one.
Libra Dohko
MONK. ASCENDANT DRAGON SUBCLASS. And if you feel silly enough, either a few levels of Paladin – Oath of Devotion or some levels as a Fighter - Battle Master .
Scorpio Milo
I am afraid that I have no clue of what Milo could be. My personal idea would be to make some sort of rogue, so I could imagine his scarlet needle to be a kind of sneak attack with a poisonous dagger. The subclass in this case would be either an Assassin or a Swashbuckler, to have the best implement of damage output. Maybe also a multiclass with a fighter (Champion subclass)?
Sagittarius Aiolos
He could be a paladin (Oath of the Crown?) with a feat like Crossbow Expert or a fighter with the Arcane Archer subclass. But because of his role as the Sagittarius Saint, I’m for the second option. Truth to be told, I wouldn’t mind a multiclass between those two.
Capricorn Shura
Another character that could be a paladin or a fighter BUT I say fighter AND the subclass must be Samurai, which is one of the best for striking powerful attack with a sword. No paladin class could do such things.
Aquarius Camus
Camus, like Aphrodite, has that kind of power that can be based on some sort of natural element, that would make me go “HE’S a DRUID!!!” if I didn’t know better. My main problem with druids is that they cannot wear or wield anything made of metal, therefore there would be no possibility for him to achieve a gold-saint-like kind of armour. As a paladin, Oath of the Ancients has a few spells that are ice-based, and I would implement that by giving him some levels in the sorcerer class (the subclass isn’t important for choosing those spells, but I’d like for him the Storm Sorcery subclass).
Pisces Aphrodite
Like Camus, he could be a druid, at least on paper. The ranger class has access to some druid spells, but I don’t know if it would match Aphrodite aesthetic completely. As a ranger, I’d go for a Fay Wanderer subclass and maybe a few paladin levels (Oath of the Crown subclass). He can have some levels a cleric (Nature Domain) as a treat.
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truly-neutral-art · 8 months ago
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Din/Luke Pacific Rim AU pt.4
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Pt.1 | Pt.2 | Pt.3
Posting part four of this for a slightly late Star Wars day post. (It's technically still May 4th for me).
I had a lot of fun designing/drawing their drivesuits. I've always been a fan of drawing armor, so this was definitely my comfort zone.
More sneak peeks for this WIP fic under the cut, for funzies. And may the 4th be with you!
Din rolls his shoulders in his drivesuit as he makes his way through the shatterdome. After all these years he thought it might be odd to get back into the suit, but it's like he never left. It's almost uncanny how natural it feels to put on the old polycarbonate armor.
After the confrontation between Marshal Skywalker and Luke, Din isn't sure what to expect as he makes his way to the Crest's conn-pod. It was clear Luke was the best candidate, even ignoring their drift compatibility, he was the only other person who had experience in an actual Jaeger. It made no sense for the Marshal to keep Luke grounded from a strategical standpoint, so it must be personal.
It didn't take a genius to realize that the relationship between the Marshal and his son was strained. Din didn't have the first clue as to why, but despite it, he understood where the Marshal was coming from. Even with everything on the line, he's not sure he could ever willingly put his son's life on the line. Thinking about it, Din is surprised that the Marshal even let Luke pilot for as long as he did. If Grogu grew up wanting to be a pilot, if the war lasted that long, Din isn't sure he'd be able to handle it.
But the way Luke and him fought. His skin was still electric from the way they met strike for strike. Din can't imagine piloting with anyone else after that. He isn't sure he'll even be compatible enough with any of the other candidates. Then what? Will he just go home? Watch from the sidelines as they make a run for the breech? He isn't sure what's worse, being unsuccessful here and watching his slow death on the TV, or being unsuccessful at the breech. Either way he'll die knowing he failed, failed the world, failed his son. He can't let that happen. So he'll just have to succeed. And the only way to do that is with Luke.
Din had just made up his mind when he approached the scaffolding that would lead him to the Crest's conn-pod. He was about to turn around and find the Marshal when a familiar figure walked towards him.
"Luke..?" Din trailed off. Luke was wearing a shiny black drivesuit and a sunny smile.
"Looks like I won that bet after all." Luke jogs over to Din's side, giving him a friendly punch on the arm before making his way to the ladder.
Din stays frozen for a long moment, unsure of what to make of the situation. He just stares as Luke begins to climb the ladder up to the conn-pod, helmet under his arm. Halfway up Luke pauses and turns towards him, meeting his gaze.
"You coming or not, partner?" Luke asks with a smile bordering on mischievous.
Din can't but help but return a small smile before jogging to catch up to Luke.
~~~
Just a cute little moment before reliving ✨trauma✨ in the drift!
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