#i have my theories B)

[poorly-drawn-mdzs]

Dungeon Meshi: The RPG

[teachyouhowtodothesponge]

Betrayal!

[mortispoxi]

Seeing Twitter users recommending the People Make Games documentary as a good way to get insight on the issue is so….

I know, I’m always extremely disappointed whenever I come across someone who thinks it’s the end all be all explanations regarding the Studio ZA/UM situation.

Recommending that video always comes with a heavy caveat from me that the person needs to stop around the 40 minute mark since the interviewer shows a very clear bias that’s unbecoming of a journalist.

Regardless, now that more people are finding out about these layoffs, which might take out members of the studio that have been there since the beginning, it could finally help smack some sense into those Twitter users that actually thought, FOR SOME REASON, Rostov, Kurvitz, and Hindpere were lying for shits and giggles rather than seeing what's ACTUALLY going on which is that the investors have a very obvious agenda against the real wronged party. Hopefully this'll also open their eyes to how the People Make Games video fed into this twisted narrative that Kurvitz was somehow at fault/responsible for the theft of his own IP, but that might be asking too much from their concrete brains. Here's hoping though!

[scarlett-fever]

sometimes u make fan seasons not to see ur favs win but to see ur favs annoy each other. i just like noah being a hater

hes doing the get a load of this guy he is NUTS finger gesture i couldn't find a proper reference for it 😔

[welcomehomeincorrectquotes]

We all know that something is going on with Wally and Home, but who else could be active behind scenes?

Frank Frankly:

Frank has been here since the Beta, so it's likely Clown Coffin has something planned for him.

Frank is obviously designed by Clown Coffin to be incredibly at odds with the rest of the neighbourhood; with his more reserved personality, less saturated colour scheme and lack of an "-ie" sound at the end of his first name.

He is the bug expert in Welcome Home, and there are literal bugs all over the website that happen to be linked to the Wally POV videos.

As the "smartest neighbour," it seems he would be one of the first to notice something wrong with the neighbourhood.

Eddie Dear:

Has the most mysterious backstory out of the neighbours.

His memory problems seem to go beyond being "forgetful" and into "plot relevent."

The envelopes the Restoration Project recieved match the ones Eddie is seen carrying and possibly made himself.

Sally Starlet:

Like Wally, she has devil allusions as the "brightest star" who "fell from heaven."

She is an actress, making it fitting for her to become aware of being in a tv show, and she would likely be very invested in bringing it back.

She has openly conversed with the Narrator.

If any of the neighbours had to be villains, I think Sally Starlet has the potential be the coolest!

Howdy Pillar:

Howdy played a role in the Wally Plush advert.

If Capitalism played a role in the show's downfall, shopkeeper Howdy would be good character to explore how making money often comes in the way of creativity!

Julie Joyful:

She has been here since the Beta and had that ominous image centred around her.

If Frank were to figure something out, it's almost certain that Julie would be there right beside him!

Barnaby B Beagle:

Barnaby has been here since the Beta.

There is a LOT of ominous imagery surrounding Barnaby that makes me genuinely concerned for the guy.

Despite his careless act throughout the videos, he was the first to acknowledge Wally's off behaviour.

Barnaby was physically present during the live interview alongside Wally.

Poppy Partridge:

Like Julie, Barnaby, and Frank; Poppy has been here since the Beta.

Poppy is a hermit who is scared to go outside. Maybe this isn't just a cute character quirk that the creators programmed into her, but because she knows something about the neighbourhood.

[paintedcrows]

Empire of Death | The One Who Waits at the End of Everything

Choosing to believe One Who Waits is Death the eternal, until proven otherwise.

[bring-cringe-back]

Okay I might just be reading too much into this. But while I was watching the episode *cough cough* procrastinating *cough cough I realised that they don't show how the Doctor and Ruby got there.

And I know that it's probably just meant to be vaguely like 'they just went for fun'.

BUT this is the third episode in a row where we haven't seen them arrive. And for 73 yards it was clearly a doctor who episode when it started but it immediately gets rid of the doctor. ( I know that for 73 yards and for dot and bubble it was because Ncuti Gatwa was filming other stuff but let me cook) In Dot and Bubble you could effectively be forgiven for assuming that it was a random Black Mirror episode or something similar until the Doctor turns up, and tbh if you were just flicking through channels and haven't been watching Doctor Who you could probably basically not know for much longer. In Rogue they are just there, except for the title screen (the same for dot and bubble) you could basically watch it as a Bridgerton episode until the Chuldur turn up.

(And there's whole other rant about how the Chuldur fits into the theory about this basically being a TV show within a TV show, I don't know the name for this theory)

But anyway these episodes are increasingly separated from the Doctor and Ruby as plot points particularly in the beginning of episodes. They are more and more like an excuse to tell the story or explore the topic that the writers want to explore. Which isn't totally different from the occasional episode of previous series, but this is a lot more in my memory at least from previous series. So it feels a lot like they are skimming over the more sci-fi doctor who elements. Which fits in in my mind to the idea that the 'One who waits' is a representation of story telling. I've seen theories that it's Ruby but she doesn't know it which makes sense, I think it would also make sense for it to be her parent(s) who left her, or alternatively just it's own thing all together. But it feels very like that bit where Amy is living a life and starts to realise it's all fake.

The narrowing down of these episodes into not showing them arriving, and at least in Rogue - I can't remember in the others - not showing them leaving the story, feels very different.

It feels more and more like story telling. They have covered fairy tales, Period pieces/Romance, Dystopia, War/SciFi, Musicals, Political Drama. They are also showing the doctor playing his role, something that we see companions doing often enough but we seldom see the doctor doing it.

In Space Babies he is scared of a new creature. In the Devil's Code he sings a song that makes little sense in the story, he doesn't question the road making noise. In Boom he's more himself but it's also the closes to his 'normal' environment. In 73 Yards they just fully remove him from the story, which I realise was done for filming requirements but would have been so interesting to see the doctor in a Political drama. In Dot and Bubble he plays the role of the outsider bringing information to those living under a Dystopia, how is he UNABLE to access the inside, sure he plays a role that's fairly similar to himself but Doctor Who is really Dystopian.

In Rogue he is becoming more and more his role, he is playing the role of a sort of Elizabeth Bennet style character, a strong romantic interest for the brooding man. Which is great, he makes fun of the genre, but he is hyper aware of the genre and still ends up in its pitfalls. He trusts a man so quickly he ends up handing over his sonic, he gets proposed to and basically immediately accepts. Now I am really hoping that Rogue gets to stay around I really liked him as a character, regardless of which theory of his identity if any are true. But the Doctors reaction to him is still a little out of character, he is feeling what he is SUPPOSED to feel and he is acting how he is SUPPOSED to act.

It just feels to me like an increasing number of these episodes are more and more story like and more and more separated from the more Doctor Who elements. And the lack of an introduction of how they get there, and the lack of them leaving in the TARDIS is so unusual to me and stands out to my brain so much.

It feels like they are removing elements that don't fit the genre. Anyway not sure if that makes any sense but I'm vibing with it.

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[fumifooms]

Makima, devils and self-fulfillment

Dumping some Makima and CSM thoughts after a part 1 binge bc I think about her forever and ever. I’m sure I’m forgetting some devil lore, feel free to correct what i get wrong/what’s been confirmed. On the table of contents there’s why & how Makima got fixated on Chainsaw, her revealing liking for the country mouse and discussion of her nature & emotions & desires. Was the scorpion doomed to be a scorpion?

The most of this post was thought of during a conversation with @saccharineomens and I don’t think it makes sense to jump into the spiral it sent me on without first laying down the interesting groundwork theorizing she did:

"Thinking about how makima herself wants to be deified. I wonder whether she recognizes the difference between Love As Worship and the love that Aki, Power, and Denji had. She says she wants to help humanity by having Chainsawman eat the “bad” devils, but why does she want to help humans? Because she was ordered to by the Prime Minister? No, her drive seems much more personal than that, it seems like she teamed up with the PM for contractual reasons. (In the most recent chapters we see governmental members wanting certain devils to be eaten, too. What was Makima’s relationship with them? She’s too independent to just follow THEIR orders, she’s Control.)

So is she wanting to better humanity for the accolades, or out of the goodness of her heart? She sees the big picture. She sees any small sacrifice as worth it for the end result, and she’s ruthless. Perhaps she thinks that a more sedate human race would be easier to control? But Makima doesn’t loathe humanity. She never acts like she sees all humans as lesser. She loves humanity’s creations, like good food and movies. She just wants Good Things all the time

She says she prefers the country mouse BUT adds a story where she helps exterminate country mice like vermin. She likes the simplicity yet rejects the idea of being simple. Makima the complex individual you are"

~

The story itself seems to prefr the country mouse. Well- it strikes a balance, shows that a risk to live good & fully can be very worth it, but still that stability over ambition is preferable, proning having a simple happy life over fame, a simple job instead of a dangerous one, etc etc. And I do find Makima’s answer on this so so interesting, she prefers the country mouse, but this preference isn’t out of affection or sympathy but because of how relaxing it feels to exterminate them when they cause problems.

Order satisfies her. Her order satisfies her. She likes the action of rooting out disorder. Maybe this is the devil part, like how Power especially wants blood and drinking it, I feel there’s an itch to every devil, and for Makima it’s a very rigid world view/morality/standards & making things follow her rules and submit to her order.

And maybe this is why she’s attached to humans too, why she felt it was worth it to stick with the government- because devils are chaotic by nature (it’s a whole plot point that hell is essentially a free-for-all battleground for example), meanwhile humans are the species that universally rule Earth with systems they invented and instilled. They made then enforced rules, complex and intricate webs of them. She feels alienated amongst devils but she understands the humans’ need for an orderly organised society, and now she wants to be part of it. Control and conquest require social dynamics after all, requires civilizations or groups. War is chaotic while peace is, well, peaceful— Makima resents her sisters for being death, famine and war, things that throw the world in such chaos. She wants a world of perfect order, no matter how much collateral damage there will be if the end result is control.

This is even more interesting if you consider that yes, Makima is untouchable of her own design, she deifies herself with her omnipresent amount of control and the sway over others that she seeks and encourages— There is this urge to dehumanize her for it, that yes, she is the devil of control and that means she was never going to be any different, have any more feeling be any less uncanny. And I love part 2 so much for this, because it shows us the war devil and the famine devil and we see how frankly uncharismatic with poor self-discipline they are, Nayuta too, and it helps us realize just how much Makima’s success was self-made.

She admires Chainsaw Devil, the Hero of Hell, because he had his own code and his own rules and he made Hell, the chaos pit, submit to them unfailingly. Wherever he goes he decides what he does and what happens to the people he encounters but does so consistently, he has his mechanism and his rules that he always obeys, and he fulfills them every time. It’s still a mystery the why of Chainsaw Devil’s behavior back then and how it works exactly, maybe Pochita left hell because he was tired of these rules he lived by like chains, but still, he was a servant to his code. Makima would have been glad being killed and eaten by Chainsaw Devil because it’d have been becoming part of his design, his conquest, his domination, she’d have been part of that —his— order. Through her death she would be shaping his world and be part of a conqueror’s making history. Like how she appreciates the country mice that die for the sake of order. Like how sacrifices must be made to herself, like listing the name of every person whose life was lost to the Gun Devil— All for the ~greater good~, for her vision for the world. Conquest always thinks its reasons are justified.

And she does mention with the country mice thing that she goes out to a friend’s farm every year! She has a human friend?? That she visits yearly and she genuinely likes it?? Ultimately she lives a busy city life because of her goal and drive and her urge & satisfaction with overseeing shaping the world herself, but part of her, like so many characters including Angel and Aki and Reze, wishes she could live a slow peaceful country life. Moviegoing and dogs and mice in a farm- Wouldn’t it be so much simpler if Makima could find fulfillment and happiness in being a farmer, in keeping control of her own farm, getting satisfaction from exterminating vermin and expertly getting everything right, the right crops grown at the right time on the right soil? Here, too, in a way it’s trying to have full control of an ecosystem, but her goals would be easier to achieve and better, without ceaseless sacrifice or much pressure. But Makima wants grandiosity and her goal does matter to her on a fundamental and moral level, she does think she knows what’s best for the world, and with the power to change it why wouldn’t she strive to? Visiting the farm is just a break, just something she does in fall to help out and just in time to see the vermin extermination. It calms her, then it’s back to actual work.

In capitalism, even the one at the very top of the ladder is ultimately alienated from others and often unsatisfied by their lifestyle, always wanting more and more power because surely that’s the extra edge they must be missing to be content— like how Makima thinks she wants to dominate Chainsaw Devil instead of being his equal. And she says it herself too, she likes humans the way humans like dogs…….. And she keeps so many dogs :( Makima prefers the country mice because they’re calming to root out, maybe because she usually mainly deals with city mice. It’s very easy to equate humans to the mice in this allegory because it’s pretty direct and she’s already likened humans to lesser animals compared to her. She’s self-isolating by design for her design but she still craves relationships and contentment, and the dogs are the embodiment or her want for bonds and occasional simplicity because there is no possible ulterior motive, no way they tie back into her wider plan. They’re her personal life— something that feels so alien when speaking about Makima. Personality and individuality and likes and preferences and friends they visit every year. She likes how easily she can train a dog and how they become putty in her hands, at her beck and call, how much they love her and how much she enjoys their love. How simple and straightforward and easy it is. She keeps them because she likes being loved by them and loving them, and she’s gotten and raised so many. A conqueror always wants more and more and more, is never satisfied.

Devils and agency

Like Power the blood devil wanting blood and having a fixation on drinking it like with Denji’s, or how it was shocking that the violence devil was pretty tame and nice and how he himself theorized it was because he was a fiend and possessing a human body… There’s something to be said about nature vs nurture with the devils. The way they reincarnate and always embody their fear makes it seem categorically like nature, that they always always end up fulfilling the role they were named after and born to fill… Outside influence they’re helpless but to conform with. Like the humans accepting their spot in the social ladder and the shittiness of their living conditions and job under capitalism. Makima craved being equals with someone despite being the control/conquest devil, Angel Devil despite claiming to be a devil who likes to see humans dying was haunted by their deaths and wanted to avoid ones like Aki’s. The Ghost Devil being ironically haunted by Himeno, seemingly helping Aki in her memory out of… Lasting affection? Or maybe it was less about being haunted itself and more about it recognizing how Himeno haunted Aki, and acknowledging that, with the memento, paying her respect to the ghost of her. It’s Angel Devil’s devil nature that makes him like human suffering, so then is it his angel nature too to still care about their deaths? Is there truth to this or is that just personality, just our confirmation bias haunting every part of their identity like it might in their own view of themselves too? We do know different reincarnations of devils do have different personalities after all.

Yoru, war devil, is the most interesting one when talking about the nature vs nurture debate with devils. There is how through her we see the perhaps the most the consequences of a devil stopping being feared— we see a horseman for a concept as universal and horrifying as war be reduced to some bird who needs a contract with a human to have any power even just on the situation when meeting Asa. And through the story we get to know her better, and it becomes clear that her goal is fueled in good part by simply wanting to be remembered and respected through fear. Liked, validated, seen a powerful. But what is more isolating than war? Or control? We also see Nayuta accepting others’ house rules. If part 1 shows perhaps the futility of running away from the truth, with Denji’s memory, with escapist coping mechanisms, with passivity and denial under a corrupt system and with abusive relationships- running away from your own feelings and from the reality of things and from all that you are, more complex than simply human or devil or both or neither— part 2 builds upon the theme of cult of personalities, the chainsaw church, etc. The apocalypse is coming, but this celebrity superhero might save us all, or doom us all uh, dunno. The hero of hell reliving the cycle of pressure from responsibilities and expectations, maybe the part will end with Denji running away like Pochita did~

But yes, on the reverse, I think Famine is a very interesting example of how a devil’s namesake may be more innate than coerced by circumstances. One would think that a famine devil would only like inflicting famine upon others, not being famished itself, but Famine has a bottomless stomach that can never, ever be satisfied, sated. I struggle to find a psychological explanation for this, except that maybe instead of her being hungry it’s her feeling empty when she’s not eating, tasting and having that high sensory experience that releases serotonin in humans, sort of like drugs? But I do take this as a step towards the compulsion theory overall, feels like a reach in the consistency otherwise. And compulsion does not mean it’s something that they like nor that it’s something that they fight against, pretty neutral, just a nature that nudges you towards one path. Maybe it’s even just their go-to for entertainment. Maybe it’s the only thing that makes them feel right and whole. But still the debate remains, what is it, a compulsion or an urge or an itch or an active desire or a conscious chosen want? Does it change anything in practice?

And because of all of this earlier, devils being self-fulfilling prophecies with their role is not in unsignificant part nurture, because doing their atrocities is how they stay remembered— feared, powerful, known— hell and devils are a very isolating place and breed after all, and we do see devils can want companionship. Existentially, it’s their purpose and how they justify their place in the world, in the terrifyingly vast and unknowable cosmos.

We still know so little of what makes Chainsaw Devil so special, why his carnage is so self-controlled. Despite a chainsaw maybe being possibly one of the most "nature" thing you can be— a tool to cut things, a human tool that can be helpful for many things, something to be wielding by another at their judgement on what they decide, but mainly something to cut, a tool suited for carnage, to hurt and to destroy. A blade with a toothed chain, spinning around and around and around endlessly on the same road at the same pace. Such a…. Innately circular concept. And yet the Chainsaw Devil is his own, not driven by an urge or by chaos but his very own brand of order, his own unique assigned purpose, a "if you call i’ll come running to help" policy equalizing everyone. He chooses to withhold his destruction and interference otherwise, and then he chooses to be used. If it’s a choice, of course.

Maybe this is what inspired Makima so much, that Chainsaw Devil could decide what to make of himself despite expectations or innate role. Because even Hell he decided & managed to subjugate under his will and whim, with a precise vision and process. When Chainsaw Devil acts like Denji or is defeated, Makima clicks her tongue and loses her admiration and respect. Makima admired and liked Chainsaw Devil, but only as long as he matched her great image of him in her mind, as long as he followed he rules for what she thinks he should be like. She admired him for his unrivaled self-made success, but once he stepped out of that to truly embody self-fulfillment and agency, disappearing from hell to live on his own road at the beat of his own drum… Well. Surely that was a mistake she has to correct. However their second battle ends, the better conqueror will have prevailed and she’s happy about that, all in the spirit of domination and subjugation.

Imo Makima’s biggest tool, similarly capitalism’s most helpful effect for its own purposes, is complacency. Resignation and passivity helps uphold the system and go along the flow of the will of the people in power. Aki and Reze go along with orders even when knowing their job is trash, etc. In Angel Devil especially we see him go along with the flow uncaring about anyhing, and we discover it was in part due to Makima taking away memories that motivated him. If every devil decides this is just how things are and how things should be that’s what they’ll continue to be and do mindlessly, not pursuing a better life like Chainsaw Devil and Denj and not seeking to change the world like Makima. I think even Makima veils herself to a lot of things, she doesn’t like to think deeply about some things, like her desire for connection, or how making bad movies disappear is strenuous and unsustainable and requiring sacrifices at best— how her judgement is as subjective as anyone else. How liking the country mouse and her friend back at the farm and her dogs could be not devoid of sentimality. Wanting bad movies erased is her one biggest show of selfishness, of pettiness and individuality, it’s about her tastes, simple as. About how she can have tastes, and cry seeing a scene of people hug, and want things that aren’t logical, her ideology and mind twisted into a pretzel to avoid acknowledging that she doesn’t live and breathe purely for the mission she’s made a single-minded robot out of herself to accomplish. Nayuta is assertive and selfish and loud, Makima is manipulative and strategically both for her goals and for coping hollow.

Everything in her plans and goals she says is for the greater good, necessary evil, manufactured happiness the way she’ll have decided for people— and that’s the thing isn’t it, like with War, it’s the crack that shows it was all truly about herself after all. Her self-made deification still had the flaw that a self made it. Makima is not omniscient, and it’s not Chainsaw Devil the not-so-fellow-kindred-soul conqueror who gets the best of her, but a city mouse, a dog, someone she would have never thought to respect, Denji.

[g1ngerbeer]

what kind of sauce are they putting in the link click audio drama. HELLO? THE LITERAL LAST SCENE OF THE LAST EPISODE?

程小时: 说起来，我们第一次见面，也是在篮球场吧。 陆光: 是啊。 程小时: 你我本无缘，全靠一颗球。 陆光: 我就不该答应你比那场。

cheng xiaoshi: speaking of which, the first time we met was also on a basketball court, wasn't it? lu guang: it was. cheng xiaoshi: (half-jokingly) you and i weren't meant to be [lit. "originally have no fate"?]. this is all because of one basketball. lu guang: i really shouldn't have agreed to play that match.

(the important bits are from google translate because i am bad at mandarin. also i did transcribe this off just the audio + i don't have access to captions or know where to find official transcripts. so i hope i got this right 🙏)

[alullinchaos]

sending out the call, people, give me movies or shows to watch that you'd recommend. currently isolating from family to avoid getting sick with the plague (you know which one) and this means i do not have access to my big boy computer that has all my video games and stuff on it. i just have my laptop. which is not nearly as beefy. and so i ask the people, things to watch?

[cryptidm0ths]

Vvvvvv messy doodles of magical girl au

[accirax]

DRDT New Character Talent Analysis

WHO ARE THESE GUYS???? GOING CRAZY GOING STUPID

Ahem. 

As likely everyone has now seen at this point, DRDTdev made a very exciting announcement on Twitter– namely, that he’s been working on another fangan alongside DRDT! (Very relatable, once you make one fangan it’s kinda hard to stop.) Understandably, assuming this fangan is ever developed in full, it will be several years down the road, given that it would only be published after DRDT is complete.

However, we have these designs now, and I wanna know what their talents are, dammit! The blurb says that they are students trapped in a killing game, so I assume that they have been given Ultimate abilities. Thus, here’s my best shot and first look analysis. I tried not to look at anyone else’s work too much before presenting my opinions in order to get them out as fast as possible, so, sorry if I missed any major details that people have uncovered!

Notably, when I downloaded the images to my computer (so I could look at them without waiting for the website’s load time), all of them saved with weird number/letter codes. These probably mean nothing, although they do all end with “_o”, which could indicate that they were put through a code scramble of some kind. At the very least, the codes are a kind of convenient way to refer to the characters, so I’ll use the first three letters as a name. Also, I’ll be using they/them pronouns for all characters, since we don’t know how they identify.

We’ll start with the Protagonist, and go alphabetically by code from there. I’m so excited!!! Here we go:

I’m glad that this guy is basically confirmed as the Ultimate Teacher, because I honestly have no clue what I’d call them otherwise.

The main thing I noticed throughout their design was the repetition of red undertones everywhere. You can see them in two places: on the jacket, and in their hair. We know from the July 31st Q&A that characters in the Despair Time Fanganronpa Universe (DTFU) see blood as red, and that Monokuma’s color palette is black, white, and red. It’s kind of a suspicious color– the children’s hospital color theory of it all. O-or, maybe it’s just their favorite color…!

The bows in n9Z’s hair kind of remind me of the one on Peko’s sword case (sorry I didn’t put in a picture), although I doubt there’s a connection there. The gloves make me think of something fancy, the trenchcoat makes me think of a detective, the ID makes me think it’s something top secret… dude, what are you doing?

I guess there is the question of what exactly this person teaches. If we assume they’re the teacher Min mentions in A History of Hope’s Peak, it seems like the answer would be, “Ultimates.” If you want to teach Ultimates, you need to know and be able to do a lot of stuff, so that could explain the utilitarian design. They could have also initially had a background as something else, such as a government agent or employee of XF-ture Tech, before winding up as a teacher.

The fact that their eyes are always closed is also notable. Given DRDTdev’s penchant for putting important stuff in the eye designs, it’s possible there’s some important info in there that he's not ready to release yet. Like, if n9Z had black/red heterochromia or something, that would send us spinning. (Personally, I’m kinda hoping there’s an apple in there…) I also had the thought that n9Z might just permanently have both of their eyes closed, kind of like how Setsuka Chiebukuro of SDRA2 always keeps one eye closed. That would be a cute parallel to Min, whose eyes are always obstructed.

So, yeah. Ultimate Teacher, probably. Despite the fact that we more or less have their Ulimate talent, I somehow feel like we know the least about them…

My first impression of this person is that they’re definitely athletic in some regard. The ponytail that ends in a braid would be keeping the hair out of their eyes, and the athletic shoes would be helpful for running around.

About the marks under the eyes... While the comparison to my superhero design for Arturo is still a lighthearted jest, the reason for them being there may be fueled by the same reasoning. The superpower that @1moreff-creator gave Arturo was a skill that involved his vision, so I put those marks under his eyes as a natural mark that would mimic eye black. If you don’t want to read the entire link, eye black is those lines of paint (or sometimes stickers) that baseball or American football players wear under their eyes. While it’s not entirely scientifically proven, the point of the marks is supposed to be absorbing the rays of sun around the eyes to reduce the glare you would see. Thus, 0a6 may have these marks under their eyes to make it easier to see in a fast-paced situation (even though they're not particularly dark in color).

Additionally, if we didn’t already know who the protagonist was, I would guess it was 0a6. They have an ahoge in very much the same way that Teruko does, and they share an eye design with Hajime Hinata. The styling of their belt buckle also reminded me of how truth bullets are designed. However, 0a6 is NOT the protagonist, which must mean that these things mean something else. I don’t have much to say about the ahoge, but the eye design might instead imply that this person’s talent has to do with rejecting, opposing, or ending something. The bullet could be a regular bullet, and therefore imply that this person’s talent has something to do with guns.

For whatever reason, the hairstyle already made me think Ultimate Archer at first glance, so with the gun thing, I’m going to submit my guess as Ultimate Sharpshooter. This talent (and other slight variations of it) shows up pretty commonly in fangans (Kiyoka Maki of DRA, Desmond Hall of P:EG), and for good reason. It’s a talent that gives off a cool vibe, a potentially level headed yet aggressive personality, and can obviously be involved in many cool murder tricks.

My other guesses besides Ultimate Sharpshooter are in a similar ballpark– aforementioned Archer, Ultimate Bounty Hunter, Ultimate Spy, etc– but I could be way off track. I don’t see any weapons on 0a6, which would be weird for any of those talents. It could be more of a Debater type talent (with the eye symbol and truth bullet), or the blue gloves could hint at something more scientific (a la Charles and Arturo), although I don’t see the benefit to the sporty under-eye mark in either of those cases.

3Km is interesting, because they’ve got a lot going on. Hexagons, fire, zebra print– put it all together, and what does it mean? One interpretation is that their personality, too, is a lot.

I was immediately drawn to the markings on the left side of 3Km’s face, because I don’t know what they are. They could be angry veins, but… I don’t think veins really work like that in the shoulder. It’s far more than the typical anime stylization, not in the same place, and they don’t look particularly angry, so that's probably wrong. In that case, it’s probably a scar. But, what kind? Acid? An animal? Fire, like the symbol on their shirt?

Let’s move on for now and take a look at their pants. There’s a zebra pattern, which could imply a connection to animals/zoos or travel/Africa. The kind of pants they’re wearing are called chaps, which, hey, are typically ridden by horse riders! They’re meant to protect the rider’s legs from “thorny vegetation, extreme temperatures, and the animals they work with.” That definitely makes it seem like the zebra is important, as an equine animal.

Thus, my guess for this character is Ultimate Wild Animal Tamer. They wear chaps and gloves to protect them from the untamed animals they work with, yet they may have gotten a scar from a taming gone wrong. They’re strong so that they can get the upper hand, and the fire and piercings could speak to their rebellious, similarly wild personality. @venus-is-thinking also suggested that, as a Wild Animal Tamer, this character could work in the circus, which could further explain the flamboyant clothing and fire motif. They definitely seem like a character who could be putting on a show.

As for the other character pictured… that person is almost certainly 3Km’s sibling, likely a twin. However, as a fellow member of the killing game cast, we’ll get to them later! For now, let’s check out somebody else.

This character is one of the ones that I’m the most baffled about. They don’t wear a lot of symbols or field-specific clothing, so, it’s kind of a shot in the dark.

They definitely seem kind of fancy, what with the super swirly hair. Square scarves also typically seem to be worn in professional circumstances for stylish people. They’re wearing a lot of layers (including said scarf and a sweater), so it’s possible they work in a cold environment? Or maybe they just naturally run cold. There’s a lot of draping elements in their clothing, between the folded jacket and two-layered skirt, but that doesn’t really correlate to a specific location or profession.

The eyes patterns are also weird. They’re very spiky and not perfectly circular. What they reminded me of first were either an explosion, a loud noise, or a circular blade distorted while spinning quickly. Glasses are typically associated with nerdy or smart characters (like Eden and Charles), but anyone can wear glasses, so I wouldn’t use that as a huge selling point.

Anyways, the combination of fanciness, loudness, and potential nerdiness made me think some kind of talent incorporating a voice and art. I had ideas ranging from Ultimate Opera Singer to Ultimate Art Critic. In the end, I settled on Ultimate Stage Director, mostly as a vibe check. I could imagine this character ordering writers, actors, and set designers around with the goal of following their vision. A person like that who’s used to being in charge could be an interesting figure in a killing game. Again, though, I don’t have super strong feelings about this, so I’m extra looking forward to learning more.

I was going to slam dunk this one as the Ultimate Shepherd until @fuji-iri pointed out to me that there’s actually a sewing needle pattern in their eye! I’m kind of glad, because it gives me more to talk about and might explain some of the weird things I noticed if this character were the Ultimate Shepherd.

Besides the sewing needle, the eyes are definitely reminiscent of a sheep. Same with the braids in their hair– they’re arranged in a spiral reminiscent of a sheep’s horns. The cloud-like pattern on their cloak, as well as the soft-looking trim, seem fluffy and wool-like. 9lt definitely has a sheep motif, but that doesn’t mean it’s the talent exactly.

9lt’s bell hints at that concept. Although sheep often wear bells, according to google images, they’re more often regular bells than the circular bell depicted in their outfit. It seems like sheep can wear these bells, but they’re more commonly seen on cats.

There’s also a strong focus on pastel colors in the design, particularly pink. The design is very fun and childlike, it’s silhouette appearing smaller due to the large bow and lack of visible arms. (They’re also just pretty short.) The cloak, which obscures most of their body, kind of reminds me of Toshiko Kayura of P:EG. Small, cute, and childish, yet kind of mysterious and strange: that’s the vibes this design is giving me.

Given the sewing needle, it’s tempting to give this character a talent in fashion design. They do have a very specific style, which could play into their designs. However, with the strong connections to animals and fluffiness makes me think that they actually might be something along the lines of the Ultimate Plush Maker. It’s cozy and cuddly while also involving the sharp eye (of the needle) that a creator needs to have.

Now, this is a character with a lot going on. They’ve got symbols all over and a really fun hairstyle, so, let’s see how it could all fit together.

One of the aspects that first caught my eye was the flower in hwR’s hair. I’m pretty sure it’s a dandelion, which could be read in a couple of ways. The first is that a dandelion is a weed. hwR could be a character who often isn’t wanted, but manages to persist regardless. Secondly, dandelions have a lot of medicinal benefits if you consume them. So, hwR could be a character focused on health, especially in alternative ways. Thirdly, there’s the superstition that blowing on a dandelion will grant you a wish. I’d lean against this one because the dandelion isn’t… ripe(???) enough to be blown on yet, but the interpretation is still there.

The bunny symbol also has a lot of interpretations. As I listed out in the image, some options are good luck, longevity, opportunity, and adventure. The white rabbit is also a main character in Lewis Carroll’s Alice in Wonderland, which DRDTdev is clearly familiar with if the LGI MV is anything to go by. Generally, rabbits are also fast, cute, and known for multiplying. White rabbits seem to have generally positive connotations, which is a good sign for this character.

Other symbols include the crescent moon and sparkle type shapes, which seem to indicate nighttime or mystery. The symbol in hwR’s eyes is a spiral, which is also mysterious and could have to do with hypnosis. Apparently they also represent the circle of life, which could be suspicious…? Dying and living, killing games, and the like.

Anyways, with all this supernatural and superstitious imagery, I feel like the talent has to deal with something similar. I’m not exactly sure what to call it, or what the specific niche is. The one I wrote down in my notes was the Ultimate Alternative Medicine Practicioner, tying in the medicinal uses of dandelions and therapeutic uses of hypnotism. However, that title is a mouthful, and there are definitely other options. I sort of wanted the talent to just be someone who believes in spiritual practices, but given that a spiritualist is apparently someone who believes in talking to ghosts, the best name I could come up with for that was Ultimate Believer. hwR could also be something like an Ultimate Fortune Teller or a straight up Hypnotist, or a Lucky Student who really leans into the title. There are plenty of options, but I think it’s something in this genre.

This guy is fun! The fashion is pretty plain so there’s not a lot to work with, but I’ll give it my best shot.

As compared to 8CT (the one with the curly hair), Jfl at least has the very obvious symbol on their shirt to point us in the right direction. I’m pretty sure those are audio levels, which means that their talent probably combines something with sound with something with technology. I don’t know why they would need a lot of pockets or a hat with a visor for that, but hey, always good to be prepared.

The hat is pretty plain, but there is that green square on it. It may just be a large tab, as appears on many baseball caps to show off a logo. This one is blank, though, so it could be something else. It kind of looks like the press marker that appears on stereotypical reporter hats in, like, the 1920s, but those weren’t typically lime green, either (unless the black and white movies are fooling me hard).

The overall color scheme plus the fingerless gloves sort of make this character look like an Ultimate Hacker to me, but then I’m not sure what the connection to the audio levels are. They could also be something more like an Ultimate DJ, but the hat, jacket, and cargo pants make me feel like it’s something a little more active/outdoorsy. Thus, I’m going to go with the kinda-compromise that this character is the Ultimate Podcaster. In my mind, they would do some field reporting first (hence something that looks kind of like a reporter hat), and then come back to their home office and talk about it to publish in a podcast.

With my argument about the clothes feeling more outdoorsy, I have a few ideas for what the podcast could be about. The first is something along the lines of hunting cryptids. Jfl goes into the woods, looks around, and then reports their findings in, like, a ghost log. A little more in the realm of realism, Jfl could tail important figures around, either as a paparazzi-type person or someone who’s unraveling a conspiracy, and then release a report on them. That could also get Jfl involved in some kind of scuffle with XF-ture tech, which makes me lean more in that direction.

With the fish scales, knA is pretty obviously nautically coded. Their talent probably has something to do with water, but, in what way? Let’s look at the other details.

Just like Nico, knA has slit eyes. In Nico’s design, it was meant to make them look catlike, due to their profession as the Ultimate Pet Therapist. Similarly, 9lt has horizontal slit eyes, which are meant to make them look like a sheep. It seems like these elongated pupils are meant to make us think of animals, so knA’s talent probably heads in that direction. They also have a catlike mouth ( :3 ) and wear a collar, which (like Nico) makes them lean feline. Maybe it’s a catfish? Or maybe that’s more of a personality beat.

On the other hand, knA’s eye pattern has two circles in it, a larger one that goes around the long pupil and a smaller one that’s sort of hidden behind it. In context, this most reminded me of a sonar/radar system, which sailors use at sea to make sure they aren’t running into anything. Through that lens, the belt(?) that wraps around their leg reminded me of an anchor wrapped around a post. That’s kinda confirmation bias with the water thing, but it may have been intentional.

To be honest, I was really back and forth on whether to call this character the Ultimate Angler or the Ultimate Diver, but by the bolding, you can tell I settled on the former. I liked Ultimate Diver because it would place the character more among the fish (why they’re coded as an animal) as opposed to someone who catches them. But also, cats are known for catching fish, right? Plus, my interpretations of a sonar and an anchor would connect the character to a boat, which is less important for diving and more important for fishing.

Now this is the character that seems to be the talk of the town! And for good reason, too: they have a lot more recognizable imagery that specifically ties them to DRDT than anybody else.

First off, there’s the obvious XF-ture Tech logo, shaped like a hexagon, which appears on u1l’s jacket. That certainly connects them to the company in some way, whether they’re an employee or just someone who received some merch. This is extra interesting given that u1l wears the same pin that Min has on her design. In A History of Hope’s Peak, Min says she was sponsored by XF-Ture Tech, so maybe this guy was, too? It could be a kind of alternate company logo. Or it could have some kind of bug to listen in with. That’d be fun.

Otherwise, it’s pretty nondescript. They have regular eyes, a regular shirt, and a regular ol’ pink tie (other than the connection it may have to the Sleepy MV). The jacket is tied really weirdly at the bottom, kind of looking like a fish tail, but I think it’s a normal jacket. The boot design kind of reminded me of Xander’s, which could indicate that this character has to be prepared to run around.

Pinning down u1l’s talent is kinda hard because… honestly, I kinda feel like they’re just “Ultimate XF-Ture Tech Guy.” Like, they’re clearly connected to the company, and may be here as their representative. Thus, in my notes, I called this guy the Ultimate Technician.

A technician is “a worker in a field of technology who is proficient in the relevant field and technique, with a relatively practical understanding of the theoretical principles.” Is that vaguely tech-ish as hell? Yeah. Is XF-Ture a tech company that also does vague other things? Yeah. Ultimate Technician lets this u1l have a lot of skills yet not have to elaborate on it at all, which is something that I feel like they would enjoy. Just like how they might enjoy how all of us are chomping at the bit to learn more about them, and yet, we probably won’t hear anything for a while…

A very pretty addition to the cast! I love their vibes. Time to figure out what they mean.

There’s a lot here that signifies wealth. The crown hairpin is very obvious in that regard, as is the cape. Purple is often thought of as a color of royalty, and uBg is wearing a lot of it. Same with the cape– it’s an article of clothing often worn by kings. Their eye pattern contains a diamond within a circle. Diamonds are a jewel; wealth, royalty, etc.

This character also has some elements of promiscuity to them. Garter socks (which is what I think is what they’re wearing on their left leg?) are typically thought of as a sexually-charged thing to wear, and their other leg is fully exposed (oh my!). You can also see their bra peeking out from under their shirt, as well as some cleavage. Is this related to talent, or just to personality? I’m not sure.

While it’s tempting to go with something more along the lines of Ultimate Celebrity or Ultimate Heiress, I’m actually kind of partial to my interpretation of Ultimate Treasure Hunter. They wear a crown because it’s the treasure they’ve won, and there are diamonds in their eyes because that’s what they’re looking for! The cape could read as more of a heroic/adventurer thing, and the gloves also feel like ones belonging to someone more active. I’m aware this has nothing to do with the promiscuous aspects, but… like I said, that could just relate to personality! Plus, if you’re traveling the world searching for treasure, you might want a chance to tour the people, too.

Finally, we’ve returned to the probable sibling of 3Km, the potential Ultimate Wild Animal Tamer! If the similar color schemes and eye designs weren’t enough, the fact that their little chibis were obviously paired together makes it pretty obvious that they’re related. Assuming that everyone in this cast is the same age (18+), they would be twins.

However, I also want to propose that 3Km isn’t the only character XWu is “related” to. Remember how I mentioned that the XF-Ture logo was a hexagon? Well, the pattern in 3Km and XWu’s eyes is a hexagon. Could they also have a connection to XF-Ture tech, and thus, u1l? Maybe they’re part of the family who founded the company. It’s a big stretch, but it’s possible. Just wanted to bring it up.

Back to XWu, it’s interesting that they’re probably the twin of 3Km, ‘cause their designs are pretty opposite. While 3Km seems wild, XWu is very fancy. They have a chain, much like uBg; some boots that look sort of princely; and a very fancily-patterned vest. I didn’t notice while I was making my visual, but I think that the vest has snowflakes on it to mirror 3Km’s fire. Honestly, I don’t know if that means it’s more likely that it has something to do with their talents, or less…

I feel like XWu might have some kind of managerial talent. It could be something more business-y, related to XF-Ture Tech, or if 3Km is part of the circus, XWu could be, like, the Ultimate Ringleader. Leaning on the former, I settled for the Ultimate Business Consultant. I was thinking about 3Km going around the world taming animals or whatever, and XWu tagging along, making business connections and deals along the way. The “X” in their bangs makes me think that they might have a talent or personality that revolves around rejecting things. That could lean business leadership, so… yay?

-

And that’s that! To summarize, the cast of talents as I determined them were Ultimate Teacher, Ultimate Sharpshooter, Ultimate Wild Animal Tamer, Ultimate Stage Director, Ultimate Plush Maker, Ultimate Alternative Medicine Practicioner, Ultimate Podcaster, Ultimate Angler, Ultimate Technician, Ultimate Treasure Hunter, and Ultimate Business Consultant.

Obviously none of this is concrete, and I’m speculating based on very few details. I won’t be disappointed no matter what the talents are because, hey! We get more fangan content from DRDTdev either way! I feel like the Ultimate Winner with that fact.

I hope you all enjoyed reading this, and, if you have alternate interpretations or design elements I missed, I'd love to hear about them! I might make an update if we get any additional information any time soon.

[okurrroye]

See what we not going to do is dangle Darilyn again instead give me Benius you idiotic cowards.

[philzokman]

GUYSSS I GOT MY EXAM RESULTS BACK :D

[welcomehomeincorrectquotes]

Theory Time: What if that Live Interview was the turning point?

PHEW! This took way longer to draw than I thought it would! I just kept adding panels!