#Only time will tell if that is right! but that has been my theory!

[naomi-nana]

✎ᝰ. jealousy is a disease !

there's nothing wrong with a little bit of jealousy, right? as long as you're honest about it, surely...

featuring : till

cw : fluff, gn!reader, mentions of death/being killed but nothing too graphic, probably ooc till...

a/n : OMGOMGOMG ALNST FIC ON TUMBLR???? i wasn't expecting to find any, but i find quite a lot!! i was so happy so i decided to make one myself and joined all the other writers>:) i've never watched any theory videos, so i dont really know how till acts. but from the limited videos alone, i can atleast know his personality;)

he really wouldn't have cared at all if you got closer to another human, or even an alien—is what he thought, as if he isn't glaring at you talking to your fans. your smile at those aliens lining up to shake your hands doesn't help. why would you even smile at all the aliens anyways? they all look ugly. he knows that how popular you are is not under your control, and that this is all arranged by your owner. but still, he doesn't like it, not even a single bit.

but he is happy that you're getting the recognition you deserve, after being forc—i mean, working hard for it all. but it still upsets him at how happily you talk to all the aliens, the smile you gave them, the look of adoration that you gave them. you noticed that he's been staring at you the whole time, though. but you made it seem as if you didn't, which annoys him. if he could, he would grab you by the wrist and ran away as fast as he can with you following him. but he won't. he doesn't want or like the risk of the both of you being killed because of that.

so, he endured his jealousy for what felt like an hour, and it all finally ended. "i'm sorry, have i kept you waiting?" you finally turned at him, your face glistening with sweat. even with how messy your makeup and hair has gotten after all those handshake, you still look as ethereal as ever. "till?" you tilt your head curiously when he didn't reply.

"uh—huh, what? sorry. was zonin' out." he noticed that he have been looking at your face the whole time and unintentionally ignored your question. "what did you say again?" he asked, looking away from your face this time in embarrassment. you only chuckled softly at him before finally repeating your question. "no, you didn't, it's alright." he answers quickly, as if trying to hide something, making you raise an eyebrow. "really? i really didn't keep you waiting?"

"no, it's fine. let's get inside the car before the driver leaves us here." the driver really won't leave you both here, since it's literally his job to drive the both of you from place to place. it's just his excuse to leave the place faster so he could make you get away from all your fans. "you seem to be eager of leaving this place, is something wrong?" you come closer to him, concern lacing in your gaze. with how close you are to him, it's hard for him to hide his flustered face.

so, he just turned around and walked towards the exit, making you even more confused and concerned for him. he walks really fast too, while you struggle to follow him behind.

"till, are you alright? do you feel sick? uncomfortable? or is it something else?" you asked him once again, and he avoided your gaze again. it keeps happening over and over to the point that if someone else were to watch you both from afar, they'd thought that the both of you are playing a game of tag. it took a lot of convincing from you, but he finally tells you why. not directly though, he doesn't want you to think that he's too clingy.

"i-i got a little... annoyed, when your fans got closer to you, i guess..." he muttered to himself, which made you unable to hear what he says clearly. you tilt your head to look up at him, then cup his cheeks in your hands, earning a soft gasp from him. "w-what are you—"

"are you perhaps... jealous?" you grin at him, his face growing redder as time pass. "i'm—not! let go of my face!" he grips one of your wrist with his hand, but he didn't even make an attempt to move your hands away from his face. "really? your expression says otherwise." you giggle when he glares at you, although his red face betrays the 'scary look' he's giving you.

"i said i'm not, end of the story. let's get in the car or whatever..." he finally swats your hand away, not too harsh though, and he walks away from you. your giggle only grew louder at how flustered he got just from one single interaction with you. "wait for me, till. you can't leave a celebrity like me behind... you don't want any of my fans catching up to me, do you?"

"ugh, stop talking about that!"

naomi-nana. do NOT repost, do not use,(with or without permission), do not reccommend or talk about my works outside of tumblr.

[myokk]

✨MASTERLIST✨

(fanart, longfics, oneshots)

Welcome to my blog!!! Here is my masterlist of ALL of my little sketches, artwork, writing, and general brainrot related to Hogwarts Legacy💘

🌿 - Madeleine / Maddy / myokk

🌱 - AO3

🌿 - likes and follows come from my main blog, @oerflink, because this is a sideblog (🥲)

🌱 - Eloise Babbit, my MC and basically the whole reason for this blog🫶 I don’t necessarily view her as the game’s MC, as my fic is quite canon-divergent and she is sweeter than the evil gremlin I played in-game😆💓 [link to her character sheet]

🌿 - my art tag🫶🫶🫶 here you can see basically every drawing I've done since joining the fandom!

Writing:

Before It Felt Like A Sin (AO3 / tumblr - ongoing)

Sebastian Sallow x F!MC, canon divergent, longfic, wip, dual pov Eloise/Sebastian

Summary: Eloise never wanted to be different.

And yet, her differences are what have defined her life up until this point: growing up as a squib in one of the most prominent wizarding families, being exiled to muggle society, and then attending Hogwarts at the age of sixteen.

She finds herself thrust into the life she should have been prepared for from birth but was denied. As she navigates this new life and her new precarious position in her family, she must come to terms with the fact that maybe what she dreamed of her whole life isn't turning out how she ever expected it would.

Tags: slow burn, angst, magical theory, mythology references, pureblood culture, occlumency, legilimency, hurt/comfort, family dynamics, eventual romance, eventual smut, sacrificial magic, blood magic, dark magic rituals, implied/referenced child abuse

[coming soon] - an excerpt from the Ominis longfic I’m working on💘

Oneshots:

clumsy (AO3 / tumblr)

pairing: Sebastian Sallow x f!MC

word count: 9,1k

rating: E

summary: sebastian is clumsy.

or: two stubborn brats make things more difficult than they have to be.

cw: fluff, mutual pining, idiots in love, two really stubborn idiots in love to be exact, sir cadogan guest appearance, anne and imelda are the gremlin best friends every girl needs, smut (18+ ONLY), oral (f. recieving), no y/n

legilimency (AO3 / tumblr)

pairing: Ominis Gaunt x F!MC

word count: 1,7k

rating: m (language)

summary: (His parents and Marvolo insist it’s a gift handed down from Slytherin himself, just like the Parseltongue Ominis despises. It is not. It is a curse.)

or: The Gryffindor student has caught on that Ominis can read her thoughts and decides to get her revenge.

tags: ominis is a natural legilimens, he is entirely too introspective, fluff, no y/n

remembering the snow (AO3 / tumblr)

pairing: Imelda Reyes x Poppy Sweeting

word count: 3,3k

rating: G

summary: Imelda remembers the first time she saw snow.

Her parents always started the story telling her that she cried and cried and cried.

or: a character study on Imelda and how she grew up because I love her & she doesn't get enough appreciation :)

tags: character study, fluff, romance, first kiss, emotional hurt/comfort, I just wanted to write a sweet story & explore Imelda as a character

Illustrated scenes:

(aka where I illustrate little scenes from my longfic and oneshots💓)

🌿 - the summer before Sebastian and Anne’s first year at Hogwarts🥺💓

🌱 - Sebastian hates Eloise’s guts😳

🌿 - Eloise is really, really bad at chess😔 (this scene always makes me laugh SO MUCH)

🌱 - right after the pensieve scene🫶🫶🫶

🌿 - Eloise and Sebastian’s first kiss😇😇😇

🌱 - some angst after their first kiss😇😇😇

🌿 - sebastian overthinks things a lot😔

🌱 - an excerpt from my oneshot, clumsy💘

🌿 - another scene from my clumsy 🫶 I really love writing Sebastian’s pov & this was just so much fun to paint and write😫💓

🌱 - Eloise and her mother😔

[pseudophan]

nora can i just ask… WHAT was he thinking? how was that lie ever going to work when they were doing everything so publicly in 2009? sure you can delete stuff but he must have known it was still out there anyway right? isn’t it pointless to be like i didn’t watch his videos when he was commenting on the interactive adventures like his life depended on it ?? he was trying to convince people he just happened to be in manchester one day with a friend and he just saw phil ???? when we all saw you counting down the days to meeting each other online like WHAT

https://x.com/pinofdnp/status/1855973085771387187?s=46

tweet link (it's one of the infamous 'we met through a mutual friend' claims)

to be fair to them both, if the phandom wasn't as unhinged as it was (is) they could've gotten away with that lie. kind of. dan and phil are hardly pr experts but this isn't really too crazy a move, like yeah the people who know the truth will always know the truth but if you tell a lie enough times then in theory new fans, and people who just never looked into it, are gonna go with your version of events and not question it. the main issue for dan and phil specifically was that their fanbase was essentially built on and around speculation about their relationship and cataloguing any and all proof of it. new fans and casuals often believed the lie at first just because like, why wouldn't they, but the second they stepped foot into the phandom they obviously discovered the not-so-hidden truth, because you didn't have to be a shipper or be looking for Phan Proof in order to come across it, all you had to do is search dan and phil on literally any website with a prominent phannie presence

to their credit they seemed to realise it wasn't gonna work pretty quickly, they abandoned the 'mutual friend' story almost immediately it feels like. then they went with the 'yeah we met online but we met up to collaborate' angle but i kind of feel like they didn't go too hard on that one, probably because they had finally started to learn that Oh My God Say Less Please Say Less Always Say Less Stop Talking Jesus Christ. like by far the most damning part of the clip in the tweet is dan insisting on being like "a lot of people seem to think-" about the actual truth like girl why would you plant that idea in the heads of those who hadn't heard it before. just say you met through a mutual friend and move on like fbsdhjfbdjksf. also at that point they kinda didn't give a fuck anymore, by the time they gave that infamous editing tips interview in 2015 they had long since abandoned trying to convince anyone they didn't meet because dan was an amazingphil fan and desperately wanted to befriend him because of it. the only part they were trying to hide at that point i would say was the whole y'know, fucking and sucking of it all

this whole reply is way too rambly and idk if it makes sense but i guess my point is IF dan and phil had a more casual core viewerbase (and also didn't give up on the lie immediately. and dan was less blatantly defensive about it) they probably could have made it work in the long run, even with the amount of evidence against it. i would go as far as to say that if not every then at least nearly every single influencer/celebrity/public figure of any kind have readily available information about them out there that most people, even fans of theirs, don't know about literally just because they wouldn't think to search for it. like how often does a Major Scandal break about some celeb and some people in the comments are like yea this has been known since 2004 everyone just stopped talking about it, lmao. not that dnp being gay for each other is a scandal but you know what i mean

basically they started telling that lie just as their popularity skyrocketed and i guess the hope was that the massive influx of new people would allow them to rewrite history, but alas...

[canonicallyobserving911]

Buddie: Episodes 6x10 vs. 8x7

Last Thursday when I watched the promo for this week's episode, I noticed a lot of similarities to 6x10 and since then I've been wondering if the callback to the lightning strike will have any significance along with an effect on Buck and Eddie. Aside from the obvious of a firefighter hanging from a ladder truck's aerial, there are several others that are blatant and appear to have been done on purpose.

Since season 8 began, there have been numerous callbacks to previous seasons and they include emergency calls the 118 has been dispatched to. In 8x6, they were sent to a home where a young boy was trapped in a pipe and it looked similar to the well Eddie rescued Hayden from in 3x15. However, before Eddie could be pulled up to safety, the well collapsed and Buck lost his mind and started clawing at the ground and trying to dig Eddie up with his bare hands. Now, even though the 8x6 callback to the well didn't appear to have any obvious effects on Buck and Eddie, it's possible the call in 8x7 might.

An actor from the TV show set of "Hotshots" gets injured and he ends up hanging from the 119's aerial. It's too eerily similar to a call the 118 was dispatched to in 6x10 and it's when Buck got struck by lightning and he died for 3 minutes and 17 seconds. However, this call seems to be more than just a similarity because all of the 118 team members are standing in positions and doing the same things they did in 6x10. It almost seems like TM (showrunner) is setting up something big and he's trying to jog someone's (Buck's) memory (it makes me think my Buddie Crack Theory [linked here] is still in play).

Reminder Buck was dead, so he has no idea what happened after he got struck but everyone else does. In CANON, no one has told him about that time period that he was hanging in the air and the look on his face in the promo makes it seem like he's trying to figure something out.

Let's get started.

After the 118 arrives on the scene, one of the first things I noticed is Eddie, Chimney and Buck are all standing in the same positions they were in before Buck climbed up the ladder in 6x10. Eddie and Chimney are right beside each other and Buck is standing away from them. In 6x10, he was preparing to go up the ladder.

The second thing I noticed was Bobby looking up at the Hotshots' actor the same way he looked up at Buck after he was struck.

Hen was looking up too the same way she did in 6x10.

Furthermore, Eddie's (it looks like Eddie on the left and Buck on the ladder on the right) position on the ladder in 8x7 appears to be the same as it was when he climbed up without a harness to save Buck.

There weren't any shots of Chimney looking up in 8x7 or of how he will be involved in the rescue but his role was key in 6x10 so I'm anxious to see how it will all play out.

Gerrard and Bobby are standing side by side and they're both looking up so I want to know if Bobby will have a flashback to Buck being struck and I also want to know if he'll have to tell Gerrard the best way to get the actor down.

I also noticed Chimney and Eddie are wearing sunglasses but no one else is. They all have them and since the sun is out and Buck's squinting when he looks up, it seems like he should be wearing a pair. Hen has eyeglasses that have lenses in them that transition to sunglasses but she's not wearing them. Also, I've noticed Eddie only wears sunglasses when he doesn't want anyone to see his eyes 👀.

When Buck (on the right) and Eddie (on the left) start trying to rescue the actor, Buck starts yelling "No, no, no, no!" and it sounds similar to the yell he let out after he was struck by lightning.

Just saying.

It's unclear what TM is doing and no one will know until the episode airs but I'm excited to see if Eddie being in the same position he was in after Buck got struck will have an effect on him.

I'm excited for 8x7 and I hope the obvious call back will have some meaning and allow the 118 to remember what happened to Buck and hopefully, Buck will ask questions about what happened to him. Reminder, he STILL HASN'T PROCESSED HIS DEATH.

[nadas-dirthalen]

A Veilguard Achievement Icon Opened My Eyes on 15 Years of Lore... but Was I Right?

PART TWO: What Veilguard Did Narratively, and What That Tells Us Going Forward

[ 1 ]

Hello again, friends and travellers. Now that I've beaten Dragon Age: the Veilguard, I wanted to go through all those 30,000 words of predictions that I wrote in the ~11 days leading up to its release. I'd seen an achievement icon that pieced together a lot of Dragon Age lore for me.

But, I hadn't played Veilguard. All I had was the footage from September 19, the achievement list, and anything else BioWare had released.

So... was I right? And if so, how much was I right about?

This is your warning:This post will contain spoilers for the entirety of Dragon Age: the Veilguard, and all Dragon Age content made before Veilguard.

(my davrinmance is going great as i try and collect every codex, thanks for asking!)

Today's Discussion: to Understand Dragon Age, We Must Understand Its Writing.

Before I can go any further on why I think the way that I think, or why I imagine the story might take us in certain directions, it's essential that you all understand where I'm coming from. Veilguard, like any game, is a piece of art. Its bones are built with similar narrative structures to novels (though not identical, and that's important!). To make sense of what's to come, we must examine Veilguard's bones the same way.

I've seen a lot of people wondering why, for instance, the Inquisitor is not Veilguard's protagonist. I've seen people lamenting the fact that there were not on-screen clarifications of popular lore theories. Before this series goes any further, I need to say my piece about why I believe that it was essential that Veilguard was written as it was, and why its writing does in fact help us better predict Dragon Age's path forward moreso than even Inquisition.

That said, today I hope to cover:

What Veilguard Demanded of BioWare's Writing Team, and Why

The Protagonist: Why Rook's Perspective Matters

The 3 Act Structure: Our Lens

The Companions: Paths to Our Answers — and Future Games

What Veilguard Demanded of BioWare's Writing Team, and Why

Let's get this out of the way right away: it has been 10 years since Inquisition. And, like it or not, that means one gigantic thing for BioWare: if they wanted to have any hope of making more Dragon Age, they needed to bring in new players and resuscitate the interest of many old players who did not stay in the fandom the whole time. They didn't—and couldn't—write Veilguard specifically for you or I, people of Tumblr. If they did, it would've pleased us... and then cost them so much money that we'd never get any more Dragon Age.

That doesn't just mean modernizing the game's aesthetics, or providing a glossary in its Codex. It means they would have to balance all of the following (just at a glance):

Managing the learning curve in general. Not even I looked in the glossary as I played. Me, supreme enjoyer of all codices ever. It's just not something most players are ever going to do, as much as it the lore is such a fundamental part of the game in general. That means simplifying terms where possible — elven gods in place of Evanuris, for example — but also trimming down what would have to necessarily reference past games. Only a tiny fraction of the fanbase has played Inquisition in the last 3 years, nevermind this year.

Recontextualizing the lore. That does not mean rebooting it, it means situating all we have learned so far in a framework that fits all we have learned so far. Much of what we learned about the Evanuris seemed, for so long, to be totally separate for the things we knew about the blight and Blights. Veilguard needed to show us how those things relate, and to do so in a fresh context that would allow everyone to develop new understanding.

Pushing us one step past Inquisition's knowledge. Veilguard, after reframing the lore, had to leave us a path for new lore, and increased understanding. I think the devs put it really well when they say that their aim is to give us some answers, but leave us with even more questions. More on that later, and in future posts.

Updating Thedas' ethos. Let's face it. It has been 15 years since Origins came out. The things that were more typical of scifi/fantasy (SFF) then are just not the same now, and would not be perceived by 2024 players in the same way as by those who started Origins in 2009. The world has changed; our cultural understandings are broadening and need to continue broadening. BioWare is doing a good thing by incorporating things like nonbinary identities into Veilguard, and it is good that Veilguard is progressing the world of gaming in that way, especially considering its success. (This is also, I wager, why we choose an Archon out of two choices who want the same thing, rather than leaving that open to a more "evil" option).

Dislodge older fans from their Solas headcanons to get everyone old and new to the same confusion and potential distrust. Hear me out. Everyone who's stayed since Inquisition has beliefs about Solas. Even me, who got here in March of this year, whose fic reads overly soft now because I just didn't know Solas' grander plan until 48 hours before Veilguard came out. Everyone has had headcanons for so long that everyone has had time for their opinions of Solas to cement themselves. In order for Veilguard to work as a story, they had to debunk what everyone thought they knew: both lovers and haters of the famously controversial egg. By breaking down our existing beliefs, the devs open up essential curiosity from the players as to who—and what—Solas really is, which propels us through the narrative and has us absorbing information.

And this curiosity? It is why Veilguard could not have the Inquisitor as its protagonist. To keep us curious as players (and "readers" of the lore), BioWare needed a new protagonist.

Specifically, they needed Rook.

The Protagonist: Why Rook's Perspective Matters

Here's the thing. The protagonist is not just the face of the game. They are our vehicle to understanding that game. The plot follows their wants and responds to their understanding. What they don't know, what they want to know, is what makes up our every objective. Their emotional journey through the game is our emotional journey through the game. Following it, going after the things that matter to our protagonist, is how the entire game (including its lore) takes shape in our minds.

That's why it's essential that they don't know everything—especially after a ten year interim between games.

Veilguard's plot and twists proved that the Inquisitor did not know everything. They, in fact, knew less than half of everything. If we had kept them as the protagonist, all of our knowledge and curiosity would be shaped by the Inquisitor's understanding: a wrong understanding. We could constantly be fighting with what we think the Inquisitor should know, what should be true because we had seen it through the Inquisitor. We would be set up to be at odds with the very events of the game. Rook is a blank slate, barring a few key tonal indicators, and that blank slate allows for us to fit all previous lore into its new, recontextualized shape that I mentioned above. (Again, note that I am not saying rebooted.)

That, and Rook has multiple motivations. The Inquisitor is focused largely on stopping or saving Solas; Rook is charged with figuring everything out as it is happening to them in real time with almost no context or experience, AND stopping or saving Solas. The Inquisitor has existing allies and resources; Rook does not. Rook must build their own campaign from the ground up, and that means the player is building their own experience from the ground up. Their allies, abilities, and home base, yes, but also their knowledge. Discovering things at the same pace as Rook, with a similarly urgent drive to do so, keeps the game from infodumping at us. It keeps the reveals evenly spaced, but also immediately interesting to the player.

And best of all? Rook allows the writers to do what they want to Solas without breaking his dynamic with the endless sea of Inquisitors (or, at least, with way less risk of doing so). We needed to have our theories about him broken down and rebuilt as players; to do that to the Inquisitor would damage an entire sea of headcanons. We'd never get the Solavellan ending we wanted, for instance, if Solas had played mind games with Lavellan for that many months. And if Solas didn't do those things, if he'd been wholly defanged, he would have lost his appeal and importance in the narrative. He wouldn't be the Dread Wolf in the ways that matter to Veilguard.

It's important, then, that Rook has just the slightest bit of backstory. They care about their allies. They are not a potential political force like the Inquisitor. They have many options to be impulsive. Every single Rook has rebelled against authority. Every single one has a stubborn streak. BioWare put all those qualities there on purpose, because Solas uses every single one, in every single Rook, as a tool. That was all essential for his character development in this game! At the same time, they couldn't do that with the Inquisitor as protagonist, because after 10 years, no two Inquisitors are similar enough to predict/script their actions and responses in that way.

Those twists are perhaps the most important tool for forward momentum in the game. The more they keep us guessing, the more we'll play and seek new information, the more we'll learn. Which brings me to...

The 3 Act Structure: Our Lens

Like I said: BioWare couldn't just infodump at us in Veilguard. It wouldn't be interesting to even half the fans that stayed, these ten years. To keep us engaged as players, they had to string the lore through a series of engaging events. Keep the momentum up, so we would not be lazily looking over codices, but chasing new knowledge and understanding. It all had to be emotionally relevant and resonant to keep us caring, because very few people play games they don't care about.

Veilguard, like a lot of written art, follows the three act structure. Though there are a lot of variants on the more precise beats, they all broadly follow the same-ish path.

Hook: The opening image. In Disney movies, this is the song where the character sings about all the things they want in their journey, and what they truly need is only implied. It gives an opening note for the theme by showing what the character lacks, and what they might need to gain before defeating the final villain. In Veilguard, this is our prologue, centered entirely around Varric: the big red herring where we see that Rook is out of their depth, opting to push over a support beam rather than take on the Dread Wolf. Off-screen, it is also the background information about Rook, showing us who they are and what they want before we play.

Inciting Incident: The event that kicks off the main plot. In DA:tV, there's a big collection of these (because every companion needs one; we'll get to that). The first big one is, of course, the failed ritual. The death Rook doesn't see. The Evanuris are freed, but Rook has only half the information.

First Plot Point: "Plot Point" means "big/defining decision" in writer-speak. This is the moment the protagonist decides to go forth on their adventure. In video games, this is more or less determined for you, but you have the option to flavour this moment in Veilguard. You can choose how to tell Solas that you'll do what he wants: either by appeasing him or angering him. You do the same for Neve and Harding afterward, and then again in Arlathan and D'Meta's Crossing. You state that you're doing this, no matter what it takes.

First Pinch Point / "The Setback": "Pinch" means "twist" in writer-speak. It's the first time the narrative is shaken up, and is also usually the first time we see the true scope of the villain. In Veilguard, the first big twist has been called "the Setback" by some of the devs (notably, I heard it at a panel in September). For Veilguard, this is Weisshaupt. We see the true scope of Ghilan'nain's horrors, but we also see the first BIG hints (outside of Varric) that Solas is manipulating us—because he really doesn't seem to hate the Wardens as much as Inquisition enjoyers like myself expected. This event concludes act 1.

"New World" / "Fun and Games": The devs have remarked that they wanted to see the tone of their setback (Weisshaupt) threaded through the rest of the game, and we do: through Davrin and Lucanis' banter, through the reflections on the consequences of Weisshaupt, through every character struggling with their confidence and identity after that point, through the blight getting worse and worse and worse. That's what the New World is: the characters getting used to new circumstances after that first big twist. The Fun and Games are the slow and steady recovery from the twist, warming and solidifying formerly tenuous relationships. This is where we do a lot of companion and faction quests.

Midpoint: In a narrative that ends in a victory (so most games ever), the midpoint is a false victory. We think we've nailed something, only for something else to happen that begins to seed doubt in the protagonist's capability and/or ability to solve the plot. For Veilguard, this is the blighted dragon fight: we think we've got Ghilan'nain, but then Elgar'nan shows up and demonstrates that Rook is in so, so over their head.

Second Pinch Point: The second twist. The villain's identity is crystal-clear, and by now we've definitely interacted with the villain more directly. This is Arlathan, Elgar'nan's mind-trap—and Solas' "rescue" of Rook, showing his duplicity in full. Elgar'nan notably says a line about not falling for Fen'Harel's tricks again, and it foreshadows what we will see of Solas.

Disaster / Crisis: This is the event that triggers the protagonist's downward spiral. Not a twist (necessarily), but a catastrophe. In Veilguard's case, it's both: the Ghilan'nain fight leaves one companion dead-dead and another presumed dead. Then, the twist: Solas using Rook's sharply felt regret to pull his gambit and swap places with them. A series of events that literally had me gasping so frequently I got dizzy. Thanks, BioWare :) Many people say that this event, or something between this event and the "All is Lost" beat, conclude act 2. For games, the pacing is sometimes different, as is the cutoff mark, because otherwise the third act has the potential to be very short.

"All is Lost" / The Dark Night of the Soul: It's exactly as the name suggests: all has been lost. The protagonist doubts themself completely. It seems like nothing more can go wrong, and like nothing might ever go right again. The protagonist is at a loss for how to move forward. In Veilguard? Varric is dead. Davrin/Harding is dead. Bellara/Neve is dead. Rook is literally trapped not only in their regret, but in a reflection of Solas' regret. And to get out, they'll need...

"The Epiphany" / Second Plot Point: "Plot point" means "big/defining decision" in writer-speak, as stated above. Only this one contains more layers than the first. This is where the thematic statement of the piece comes out: the lesson that the protagonist must learn is stated, clearly, for all of us to see. It is the thing that picks them up off the ground, giving them strength to face the climax and the danger it promises. In Veilguard, this is Varric saying to Rook, "Have you learned nothing here?" and reminding both Rook and player that he chose this; Rook's companions chose this; we cannot blame ourselves for the actions of others. We cannot carry grief for other people, or we'll drown in it. Sound like any other character we know?

Climax: The big fight! But also, the big moment where the theme is shown to be the narrative key. In every ending of Veilguard, Rook being Solas' perfect mirror is the key to winning the day against the Dread Wolf. It just depends on what facet of Solas Rook chooses to mirror: the trickster, the nasty combatant, or the person who was haunted by their own failings and lost companions.

Resolution: Narrative threads are tied up, or a promise is made to tie up those loose ends in future installations. Veilguard's credits do both of those things. :)

Why am I telling you all of this? Because the lore must follow that skeleton. Every reveal we get must fit into both the timing and the feeling of those events. It would not fit to suddenly drop everything about the Titans right after Rook gets to the Lighthouse, which is why those enemies you need to kill to get the last memories are level 30-40. It would not fit to uncover everything about the blight's origin before Weisshaupt. If they forced us into that as players, all the casual fans and new players would duck out, feeling overwhelmed.

Even for us older fans, narrative structure shapes significance. You can tell a lot about a codex's overall importance and tone just by understanding where you find it, and when. That's why the Trespasser codices carry so much weight, even the ones about the Evanuris' actions that we don't see on screen at all: they are at the bitter end, and so they carry all the bitterness, longing, and mourning of that ending. Without the context of Trespasser, they mean less.

This is also why Veilguard paces its companion quests this way, not allowing you to complete them until later in the game. Every companion has something to teach us, and BioWare wanted to give each companion's narrative the weight it deserved.

The Companions: Paths to Our Answers — and Future Games

Anyone who's played Inquisition knows that companion quests shape entire facets of the lore in individual games, as well as set us up for the trajectory of the next games. Just look at Solas and Cole: together, they shaped our whole understanding of spirits in Veilguard. They set us up to ask all the right questions about not only spirits being bound as demons (Solas' quest), but about spirits being able to manifest in physical shape (Cole's quest). Together, their narrative conclusions foreshadowed much of the Evanuris' reveals in Veilguard: that they were spirits who could manifest into corporeal shape, and that they had the ability to ask others to manifest—and then bind them.

Again, these quests are paced throughout Inquisition's main plot. You cannot do their before Skyhold, and you cannot do them after the cutoff of (I believe) the Temple of Mythal. Inquisition forces you to see those quests' endings in the exact right spot: sometime around the midpoint (Adamant/WEWH), but before the disaster/dark night (the Temple of Mythal). They do that so you will feel that those things are significant.

Veilguard does the same thing. Every companion has a facet of the lore attached to it, but you cannot follow those threads to their conclusions at the beginning of the game. The game won't let you, because the moments need to be spaced out properly and carry the necessary emotional weight. Not all of their quests promise speculative material for future games in the same way, because some explain the context of the current game (Varric, in DAI, accomplished both with the red lyrium content, for instance; Leliana, meanwhile, dealt with the theme of faith in DAI and did not promise future speculation).

These concepts will all get far more attention in due time, but in short, here's what I think is associated with each companion:

Harding: Titans! But also, angry titans, and the difference between "angry titan" and "source of blight." In the same vein, what the dwarves should do going forward, and where they should place the titans in their culture.

Neve: The soul of Veilguard; her narrative is very current to DA:tV, in my early understanding. But she brings forth a lot of nuance to the themes of regret, and what that regret looks like on a smaller scale (a city, rather than a world). She does a lot of work in showing us that regret is regret, no matter the scale, and that the work we do to do better matters, no matter the scale. Additionally, her personal quest foreshadows Solas' use of blood magic against us being more than we thought by showing off Aelia's puppets, suggesting to us (tonally) that Rook may be Solas' puppet.

Bellara: The Forgotten Ones!! Anaris! Also, the place of ancient elvhenan in the future of Thedas, and what the elves should do/feel going forward.

Lucanis: I think they were going for some Forgotten One/Forbidden One hints, judging by some notes from the Ossuary and some banter between Lucanis and the others. This needs more dissection. Lucanis sort of does both what Bellara and Neve do: the Forgotten Ones, and also the heart of Veilguard's theme, with a lot of found family vibes thrown in.

Davrin: The blight itself, and the future of the blight without any archdemons left to cause capital-B Blights. Thedas' path to healing its nature.

Emmrich: The nature of what spirits are. I need to go screencap more specifics, but I swear this necromancer has referenced the difference between spirit and human soul and has stumbled upon saying that the two might not be so different at least once. Also, the Formless One centers around the Necropolis, and I'm thinking "spirits seeking bodies" and this whole idea of unlife/undeath is going to be explored later.

Taash: Remember how I said BioWare needed an ethos update? I think we see that most predominantly in Taash, whose entire personal quest is an examination of the values and priorities of different cultures, as well as the place of gender and gender ideology in Thedas. We saw this with Dorian and Krem in DA:I, but Taash modernizes that conversation (10 years has changed a lot!) and brings it front-and-center. At the same time, their existence is referencing (potentially) the Scaled Ones, and showing us that the kossith (Qunari) might have far more ties to Evanuris shenaniganry than we thought—and that those shenanigans did not happen on Thedas, but potentially far across the sea. (Neve and Lucanis accomplish this, also, with the Shadow Dragons and Crows, but not to the degree that Taash does).

This is why the companion quests MATTER, and (at least partially) why the game asks you to complete these quests or suffer consequences in the finale.

You know what else happens, upon completion of these companion quests?

You get codices. In Dragon Age, they are the threads that tie the seemingly disconnected pieces of the plot together, and that's on purpose. This time, they automatically unlock upon completing different stages of companion quests—and as far as I can tell right now, days after completing the game for the first time, the ones revealed later DO contain spicier hints about future lore than those revealed earlier.

And between ALL of these things—the demands Veilguard's timing placed on Bioware, the need for Rook as a protagonist, and the structure for every companion's quests—I think BioWare did an amazing, genius job with their narrative. Yes, I have seen some of the art book content, and yes, it would have been so cool to have those things, but... I truly do not think BioWare needed them, as close as I would have held cameos like Cole to my heart.

From a lore perspective? They knocked it out of the gods-damned park with Veilguard. They did an amazing job with each of their quests, and I promise: there is no shortage of juicy lore to be found in Veilguard. Now that I've inflicted an outline of what I know about stories upon you, I promise: all of this serves as context for everything I look forward to saying in future posts.

_____

If you got this far, thank you, as always!

This series is going to take a turn toward what I noticed in Veilguard, how I feel that Veilguard adds to my theories (or perhaps debunks some of them), and where I think the series is going to go from here. But in order to write all that properly and miss as little as possible (even though, in November 2024, with no wiki or transcripts, I am guaranteed to miss things), I need to keep playing the game and keep reading the codices I find.

Stay tuned for the next instalments, though I cannot say how quickly they will come after this. <3

[rootspiral]

part [1][2][3]

We left Agatha killing her coven in a flashback (but sparing their children). Back to present Agatha, and what is she doing? Pretending to talk to her rabbit. Look, she might be a dedicated con artist, but she can only come up with very cheesy characters, what can you do?

Is she meeting the real you, Agatha, are you sure?

oh she's so intrigued

She's about to be very very cruel, and there's a lot to unpack here. To her torture is a mean to an end, but there's also rage, jealousy, bitterness, so much bitterness there. She hates witches, and she hates Wanda. She also can't help sympathizing with Wanda, the parallels between the two of them are obvious. There are always so many contradicting emotions in Agatha.

Like, the way she's been teaching her about magic. She's taunting her, she's showing off. But once upon a time she was a clueless young witch denied knowledge from her elders. And now that Wanda is in that position, she could teach her. She almost wants to. She is curious, she loves learning, finding out how things work, and in other, better universes she is a teacher.

*angrily shakes a bird at Wanda*

LOOK WHO'S TALKING, OH MY GOD. But honestly though, that's why she can't help sympathizing. They are the same.

And she is a biiiiiit in lust too tbh. Not her fault she has a high libido. Agatha is having a DAY.

A good rule of thumb is, the more Agatha jokes, the more she's uncomfortable with a situation, the fact that she's making fun of a little boy tells you right away that she doesn't mean it. Sarcasm is her defense skill. She was barely able to contain her rage a moment ago, she is not as calm as she appears. And she doesn't like having to sit through Wanda's trauma one bit, both because she's sorry for Wanda and because she doesn't want to witness that pain herself. She had hoped to crack Wanda without having to do this, but she won't step down now, she won't relent.

that's a whole lesbian, dear god. thank you costume and hair departments and thank you kathryn hahn.

my theory is that detective Agnes of Westview was clearly created by Agatha herself rather than Wanda and speaks about her grim personality and eagerness to solve mysteries, but we'll get to that later

that's interesting, she smiles at Wanda, looks worried at the door for a second, then smiles at Wanda again. play acting or real concern? Wanda wasn't looking at her face in that moment.

her body language is something between intrigued and defensive

NOT THIS BITCH DRYING HER EYES AGAIN AT THE "WHAT IS GRIEF BUT LOVE PERSEVERING" SPEECH.

You know what though, for Agatha to know exactly what buttons to push to break Wanda, she'd need to have a deep understanding of how trauma and grief work. Which means she knows the way she blames Rio and hangs up on Nicky's memory is not healthy, but she is unwilling or unable to make an effort towards healing. Not that you can ever completely heal from something like that tbh, but she knows the way she's acting is making things worse.

The slow clap, she's such a cheesy villain. That (gay) way she sits though, she wants both to project strength and to shield her body, she is nervous. She's now 100% sure that Wanda is the Scarlet Witch. Time for her last gamble.

Knowing Agatha as we know her now, it's easy to see she's wearing her best witchy costume to put on the ultimate show. She made Wanda cry to get at her secrets, now it's time to make her angry. She could just have provoked her in the first place, but like I said she's at her core a coward detective and scholar and yearns to learn stuff. I really do believe that Billy and Tommy weren't in any actual danger here and it looks worse than it is. On the other hand, she is absolutely scaring them shitless, but like with Sparky she chooses to ignore their mental well-being if it gets her what she wants. She's not physically hurting them so that's fine, right? And, well, she did the same with Nicky. She loved him so desperately and also selfishly kept him isolated and kept killing in his name. There's a reason why she feels so guilty and can't face him now.

The parallels, tho. The episode starting with Evanora calling her a monster, and ending with her calling Wanda a monster.

Last episode!!!!

telling the kids to take cover as soon as she can get away with it. Wanted to hurt them my ass.

Pathetic! Are you even a real witch? Yep, her usual bit. And especially harsh too. Agatha is gambling a LOT here.

"The Scarlet Witch is not born, she is forged. She has no power, no need for incantation." Agatha was forged the same way, with pain and hellfire, does that give her a claim to Wanda's magic? (Also, power of mother earth on the poster behind? How very green witch!)

How hard and deliberately Agatha is working to traumatize Wanda even further, to make her believe she's a monster. And Agatha is in such an unique position to understand what Wanda is going through, what it means to be called evil for something you are and not for something you do. She knows what it means not being able to control your powers, Wanda never meant to hurt any of these people! She could teach her, offer her community and support. But what does Agatha do instead? Exactly what her mother did to her.

She wants to kill her to take her powers, and she wants to kill her because she's afraid of her. And yet she's also looking in a mirror. Doesn't her neck thingy look like a clergy collar too? She's on the other side of inquisition now.

have you ever read Passing by Nella Larsen? it made me think a lot about how marginalized communities isolate their most vulnerable members and recreate the dynamics of the oppressor, as a way to keep some form of control and also to express their trauma and anger. Wanda didn't do anything to Agatha, but she's the perfect target for Agatha to vent all her pain and anger and frustration.

Wanda tries to copy Agatha and make her relive her traumas, not a good idea trying to manipulate the master manipulator. Agatha has studied and observed and knows a lot about Wanda and that is why her manipulation is so effective, Wanda doesn't know Agatha at all, she's only heard lies so far. Here for example she assumes that Agatha killed the Salemites on purpose, she has no clue that their situations are so similar.

I told you that witches wouldn't accept you, that they would call you a monster and come after you. So much bitterness. That's Agatha's tragedy, and that is what's behind all her selfishness, killing witches, keeping Nicky isolated, torturing Wanda. Passing her trauma along. As much as she chose to be what she currently is... choosing the opposite would have been much easier if she had a community cherishing and teaching her. Just look at how much having an actual loving coven, even for a short time, will make a difference in the future.

and then Wanda wins not because she's more powerful but because Agatha couldn't stop herself from blabbing and showing off and teaching about runes. oh, the irony

what WANDA'S done???? Agatha, you've been poking a nexus being with a stick for days, you useless fuckup (affectionate)

lmaooo she fell ass up

LOOK WHO'S TALKING

Agatha under the spell immediately flirting with Wanda is maybe top five most hilarious things she's ever done

and that's a wrap! Ballad of the witches road here I come!

go to AAA part I

[sporadicmoontimemachine]

Buddie realization earlier than expected? (Theory: looong)

Ok so what led me on this train of thought was bc I’ve been thinking about is the beginning of season 7 when Eddie is talking with Buck about Chris being a player. Eddie says “I don’t know where he gets it from, I married the first girl that I dated”. Fast forward to season 8 and bummy breakup and Turkish delight telling Buck that he’s his first and won’t be his last blah blah. Now let’s go to how Buck was ofc as usual ready to move in with Travel Agent and be serious. We’ve seen Buck from season 4 onward pushing to settle down and it was assumed that was bc of the Abby closure at the end of season 3 BUT…what if it’s not? What if it’s really a nod to Bucks need to be close to Eddie and in this sense I mean more mentally and theoretically.

Although Buck has seen Eddies relationships fall apart multiple times he has always tried to be like Eddie and establish “security” in a partner and eventually a family- something that he found in Eddie and Chris- but also really hasn’t bc Eddie has continually given up that spot that Buck unofficially holds as part of the Diaz family for years. However throughout the time Buck has known Eddie , the spot as Eddies best friend has been secured by him…until Trumpet. Once he was introduced Buck panicked(the first spot in Eddies life was already taken by Marisol and now there was competition for the other) so he did what he could to right the situation-remove Tourniquet from Eddies life himself. Buck found a willing substitute for Eddie while also ensuring that he would be Eddies secured first(bestie slash “platonic” life partner).

Back to the Eddie marrying his first and Torpedo saying that they can’t last BECAUSE he’s his first. I think at some point this is going to be brought up or referenced to, especially with the stills showing a depressed Buck. I think he has mentally seen Trombone being his first as something that relates to the validity of his relationship with Eddie. With him trying to emulate and fill the gap that not holding that “true” top spot in Eddies life and provide reason for why he should be okay being only Eddies bestfriend. Buck will at some point think well you married your first and overall it worked out great right(despite the divorce and her dying…)? You have your kid you got to experience the love etc. This is why despite multiple little(and not so little) references to Triste not being the one for him( the Evan Thing, “You wanted MY attention”, he’s good for you - how do you know that?, I gave you basketball tickets for our anniversary when you don’t like basketball, Do you love him?…, I led on the woman that changed your outlook on relationships and completely broke her heart), he still proceeds to ask Tommy to move in with him.

So then comes the question Why Buck? Why are you so heartbroken over this when you know deep down Trashcan was right? Because the whole thing was a product of his fear that he wont be important in eddies life forever. And from the articles Eddie is supposed to have a unique reaction to the breakup which I think is he is going to be completely care free about it in a “What can you do way”. This again will bring up Why do you care this much? Everyone else is moving on, you weren’t even this bad with Abby. I can totally see Buck having a meltdown about it. Another unique thing that hasn’t really happened before- Eddie is relatively free of emotional and mental weight atm while Buck is the complete opposite. Either both have been down bad or Buck was the free one and Eddie needed him. If Eddie reacts how I think in addition to everything else, this will be when Buck realizes what he truly wants from Eddie. Buck has always been there for him when the roles were reversed so Eddie not making it a priority will probably cause a I’m always there for him? Why is that and why am I so angry that he’s not as devastated as I am that our-I mean- me and Trampoline’s relationship didn’t work. This is all going to lead to Buck ending this episode or next episode with the realization that he has real romantic feelings for Eddie. BUTT I might just be way off and Eddie gets really protective and threatens Turnips life for not seeing how great Buck is and then asks Buck to marry him instead🙂.

Also this is probably hard to follow but it makes more sense in my head promise

[teachyouhowtodothesponge]

Betrayal!

[walker-lister]

I just have to remind myself sometimes that no matter what anyone else says, the way a piece of media makes me feel and the positive impact it has had on my queer identity is valid, and that tearing myself apart thinking I have to defend it or questioning my own place within queer communities is not at all important when compared to the almost tangible sense of 'rightness' that piece of media helped me to feel about myself.

[countdown-til-sanders-take-over]

this is a formal apology for every time i've read ur fnaf theories, gone "ah... of course! yes!" and then forgotten to respond

This is a formal apology for every time I've read one of your asks, not immediately had a TQ&/E, and forgotten to respond

[doctorbrown]

MCFLY JULY ‘24 ⸺ 「 17 / 31 * DAVE'S NIGHT OFF 」

March 3, 1986, Twin Pines Timeline(β)

Five months since Marty’s sudden disappearance. 

Linda doesn’t even have to pretend she doesn’t know exactly where she’ll find Dave when he’s not at home. If he’s not working, busting his ass taking whatever job that pays so he can keep funnelling it into the supplies to stock this cursed garage, he’s hunched over on the couch, buried up to his brain in papers that may as well be written in Greek for all he can read them. 

It’s the same place he spends most of his free time these days; surrounded by ghosts and a couple of Mom’s swiped bottles of vodka.

Not like she notices when a couple of them go missing. 

Dave once said he could hear Marty in here. Like he was still alive. Still here, because Marty’s not dead. He’s somewhere, God-only-knows, but he’s not dead because they only found one body in that parking lot and Marty had to be there because he was Doctor Brown’s fucking shadow—but since Marty’s body wasn’t there, just that truck and that poor dog—Einstein or Edison or whatever; some dead scientist—lying next to the body, according to the cops, that meant someone must have kidnapped him.

They're faint echoes, Linda, he'd said, three-quarters deep into a bottle, but he sounds happy.  

It sounds like bullshit, but it's far more than anything they have at the moment.

And it means, regardless of however tightly she has to wring her own heart to get even a single drop of hope out of it, there's a chance Marty is still alive. 

“How long have you been here today?” Dave pretends not to hear her. Or maybe he wilfully ignores her. Once, she knew how to tell. “Dave, face it. T—”  

“Shut the fuck up, Linda,” Dave snaps, and it takes every ounce of her resolve not to march up to him and slap him in the face for that. 

It’s grief that made him an asshole. It isn’t him. It has a way of burrowing into the deepest, most vulnerable parts of a person and poisoning them from the inside out until they were but shadows of their former selves. 

It’s already hollowed her out, stuffed her full of ice and made a cold, heartless bitch out of her until she was numb to the world. She figured that out when her mother’s broken sobs didn't spear her through the heart like they used to. As if it was her fault.

Why weren't you nicer to him that night?

That shouldn’t be an excuse. But she lets it be for Dave’s sake, and her own, because maybe, as fucking crazy as it sounds, they’ll just find that one in a million breakthrough scattered in the ramblings of a dead man. 

Who apparently claims he learned to leap through time. 

Some good that did him if it was true. He’s buried in Oak Park Cemetery, looking like Swiss cheese. Wasn’t time-travel supposed to help prevent exactly that?  

Maybe it could have saved Marty.  

Maybe it’s exactly what stole Marty away from them.  

“They’re going to tear this place down, Dave. In two weeks! T-w-o. And they’re not going to stop the bulldozers because you’re glued to that fucking couch. What good are you going to be dead? Do you know what that’s going to do to Mom?” She puts her hands on her hips and might have inwardly shuddered at how much she sounded like Mom if she had the energy.  

With Marty gone, she didn’t expect to be an older sister again. 

After a long, tense silence, she finally sighs. She didn’t come here to fight. “Did you eat anything today?” He’s swimming in his T-shirts now; they’re all but falling off his shoulders.  

Dave huffs, dragging his fingers through his shaggy hair. “Jen left about twenty minutes ago; she’s grabbing Chinese. You know, that place...where...”

Yeah. I know.

“I gave her some money. Then we’re gonna go back to this.” He spreads his arms, gesturing to the mess of paperwork that makes just as much sense as it did four and a half months ago.

“Are you staying?”

Linda says yes because a part of her, too, is trapped within these four walls.

[arolesbianism]

Oh baby I am getting way to ambitious with my current oni run for someone who's laptop starts screaming anytime it opens steam

[secretmellowblog]

People who try to analyze what happened on Tumblr on November 5th, 2020, often really overstate how much it was actually “about” Supernatural. As someone who has never been in the supernatural fandom ever but dID join in on the hysterical destielposting—it was really more about the stress of the pandemic and the 2020 presidential election.

The two biggest Youtubers I’ve seen try to dissect “what happened that November 5th” in video essays both weren’t American—- and I think that explains why they both tried to explain the hysteria primarily via analyzing the Supernatural fandom/the original show, rather than through the lens of the election. And while those videos are cool, valid, informational, and make lots of really well-considered interesting points— I can tell you that me and almost all my mutuals had literally no knowledge or interest in the fact that “oh supernatural had made nods at the ship in the past but the creators were adamant that I wouldn’t be canon” or etc etc etc etc. the first time I learned about any of that context was way later, watching videos where people claimed that fandom history context (that I did not know anything about) was the actual reason for the hysteria.

But the reality is that people latched on to the Destiel stuff because it was a piece of big useless inane zero-stakes fandom news in a time when we were desperately waiting for serious high stakes election news. We were latching onto a “positive “ piece of inane stupid fandom news in a time of great stress, with all the desperation of a drowning man who latches onto whatever piece of wood will keep him afloat.

The core of the hysteria was that Americans (who make up a huge chunk of tumblr’s userbase) were currently glued to their laptops watching the live presidential election vote counts come in. These vote counts were taking an extended amount of time due to the pandemic causing high numbers of mail-in ballots, resulting in a constant state of Election Day Stress for multiple days straight.

This was also during the height of the Pandemic. People had predicted Trump’s presidency would be bad; no one had predicted it would be this apocalyptically bad. No one had predicted pandemics and lockdowns and hospitals overflowing with bodybags. remember Trump spreading Covid lies and conspiracies?? There were so many Qanon conspiracies about democrats being Satanic child traffickers who had to be put to death, and coup threats were mounting from the right wing side. It seemed like this election was a choice between ‘centrist democrat’ and “apocalyptic right wing conspiracy theory authoritarianism,” in the midst of pandemic conditions that people feared would never ever improve— and it seemed like a close election.

Another major point was that Trump voters were more likely to be antimaskers/Covid deniers, while Biden voters were more likely to take the pandemic seriously— so Biden voters were more likely to send in mail-in ballots instead of risking the in-person voting crowds, which meant their ballots would take much longer to count. And so, in many state electoral vote counts, it would initially seem like Trump was very far in the lead— only for Biden to slooooowly build up an agonizingly small lead as the mail in ballots came in, and then defeat Trump at the very end.

So you’re just watching these news sites giving live election updates, refreshing the page every 2 minutes to see if you’re going to live under a spineless centrist democrat or a literal Qanon Dictatorship. And then you go on tumblr to distract yourself, and there’s more election posting, and more agonizing over the votes, and more stress and despair—-

And then it’s been days and we’re right at the crucial tipping point where it’s anyone’s game and the next few hours will determine whether Trump will win, so you need to keep your eye on the vote count, because the next hours will determine the future of the pandemic and your country and your plans for your entire life—

And then stupid Destiel becomes canon! And it becomes canon in the silliest way possible!

If Destiel had become canon at any other time, it would have been a big goofy tumblr celebration? But we wouldn’t have gotten the insane explosion of hysterical interaction.

The entire core of it was the contrast between the inane meaningless stupidity of fandom news vs the actual stressful election news you wanted to hear! It really is best conveyed in that meme where Castiel says “I love you” and Dean indifferently responds with a piece of important election news.

It’s about the contrast between the low-stakes inanity of fandom and the massive life-destroying stakes of a terrifying election. There really was no reason it had be Supernatural specifically, except that Supernatural was a thing everyone knew basic things about from dashboard osmosis— it could’ve been any other equally huge silly fandom ship news about a ship everyone *knew of* but might not necessarily be invested in (ex. Stucky becoming canon, Johnlock becoming canon, Kirk/Spock becoming more canon somehow, etc etc etc.)

I think it’s true that people who weren’t paying agonizingly close attention to the American election news got swept up in it, and that non American Supernatural fans also were extremely excited for purely fandom reasons — but the entire reason it blew up to an unprecedented degree was because of that core of stressed out terrified Americans glued to their computers watching election results and suddenly receiving stupid fandom news instead, and deciding to just hysterically parodically hyper-celebrate this absurd useless zero-stakes news.

I think it was also all elevated by the fact that, as I said before, this happened at the crucial “tipping point” of the election where the next few hours would determine the winner. The fact that Biden began to slowly develop a lead in the hours after made it feel, hysterically, as if the hours after Destiel became canon was somehow the turning point where he began to win; so celebrating Destiel felt like celebrating that slow turn towards victory.

The tl,dr is that it’s so important to Remember the Fifth of November …..in preparation the inevitable hysteria that will happen in the presidential election on November 5th of next year. XD. Personally I’m rooting for Johnlock or Frodo/Sam to somehow become canon in the eleventh hour right before the democrats win

[gallifreyriver]

I don't know who needs to hear this but anyone saying "Just stop- You sound like Trump voters after he lost in 2020" in regards to those considering asking for a recount are either psyops or woefully ignorant of the situation.

You don't sound like a sore loser for taking note of the well documented cases of burned ballot boxes in at least three states, and multiple bomb threats to polling places in heavily democrat-populated areas in swing states, which shut them down for hours on election day.

Or taking note of other alleged voting interferences such as mail-in ballot tampering, or the case where a mail carrier has been arrested for stealing and forging mail-in ballots in Colorado.

Or for taking note of the fact that Trump constantly told us he "had a secret plan" to win the election on election day.

Or the fact that conservatives (and Trump) have a long history of cheating, and the fact that there's literally evidence that they meddled in at least the last two elections.

And no, I won't be linking sources, because I want you to look this up yourself instead of just taking my word for it.

My point is that it's reasonable to be suspicious and want to double check, especially given all that I listed above.

The reason we called Trump voters sore losers wasn't because they asked for a recount- they had every right to do so, just as we do now.

They were called sore losers because not only had there been no evidence of tampering or fraud (unlike this election), they didn't stop at asking for a recount- they got violent and started not only multiple riots, but also an attempted fucking coup where they stormed the capitol and chanted that they were going to hang Mike Pence because he refused to overturn the election.

Ask for the damn recounts if you want them. Every party has the right to ask for a recount.

Is there a good chance it changes nothing? Of course!

The worst that might happen when asking for a recount is just finding out that the count was accurate and needing to accept that and move forward.

But that still doesn't make it stupid for someone to ask for one given the fact we saw in real time several reports of election tampering. Besides, even if it doesn't change the outcome of the presidential election there's still a chance it might influence the outcome of the local elections, which are also very important!

This obsession with the left needing to appear constantly stoic and poised and unbothered, to the point of being too embarrassed to stand up for ourselves or even ask questions in fear of "looking as bad as them" is going to be the death of all of us.

***

[Adding this to the main post as well]

There's something to be said here about the fact that, upon checking the blogs, all the people (aside from 1) who have trolled this post have been open trump supporters gaslighting people in the notes and actively saying anyone who considers asking for a recount is stupid and/or delusional. (The comments have been since deleted and/or hidden to avoid further hate and trolling in the notes, full disclosure.)

And it speaks volumes at the lengths they're going to, to try and equate even suggesting a recount to denying the election or conspiracy theory.

Recounting the votes is literally the barest thing you could ask for. It's one step up from nothing. Hell, this post doesn't even suggest an investigation, let alone tells anyone to riot in the streets screaming that the election was stolen. It just tells people that if they're questioning anything based off any of tampering attempts we've seen so far, that it's ok to ask for a recount or to track your ballot. Tampering doesn't inherently mean stolen election, it means there was tampering, and it's ok to want to double check things to make sure counts are right. Local elections are just as important as the presidential, and people have every right to want to make sure their votes get counted for any/all of them. Nothing about that points to panicking, and it's kinda weird to imply it does. If anything it makes it look like you think your party cheated, regardless if the other party does or doesn't. I mean, unless you thought your party cheated, why wouldn't you also be advocating for recounts just for the transparency of proving your party won fair and square? It's weird that they're trying to get in everyone's head and make people feel crazy for suggesting we do even the bare minimum to double-check any of the races. Again, not saying a recount would flip the election. But many local elections get very close and a recount could always flip one of those.

But yeah, people need to stop acting like leftists are panicking just because they're doing their due diligence to make sure every vote was counted. It's weird.

[fable-x4]

Doing this because it makes me happy •Ꮂ•. Im making it difficult on all of you though.

1 note- I'll go drink water

10 notes - I'll set alarms to actually care for myself

50 notes - set up a daily productivity system so I stop wasting my time doing nothing.

100 notes - ask my friends to help me buy a skirt

500 notes - get a bra & a whole bunch of other affirming clothing !!!

1k - tell my dad that my gf is also trans

2.5k - ask my dad to address me by my prefferred name & pronouns 1k went pretty poorly, so I dont feel super comfortable making an attempt on this.

5k - try to get therapy/psychologist

10k - girl mode at all times (start actively wearing makeup/clothing/doing voice training around people at all times)

50k - try for HRT (0% chance) (also no guarantee on this one)

Asfgg. It feels surprisingly good to have a bunch of strangers who want me to be happy

I have now set up alarms for eating, waking up, and hygene related stuff. I seriously doubt we get to 500, but this has made me significantly happier •Ꮂ•

Doing some math... 25 notes in 4 hours. 6.25 notes per hour. 8000 hours or 333 days until this hits 50k. Hrt in a year ig.

Um. Wow. Its been a day, and we're almost at 300. Everything 500 & below was supposed to be things I'd do with minimal intervention. But now, we're getting to the scarier stuff. I am very intimidated, but also excited

My gf really badly wanted to be here when I buy some of the clothing, so the skirt will be this week, the rest of the clothing will be when she comes back from vacation

Saying that you're force femming me is so not allowed. This is unfair. You have no right to make me feel the ways Im feelingggg. Stop making me happy.

Welp. I told him about my girlfriend. And things went about as poorly as expected. He said that Im parroting what other people think. Slowly taking little parts of them, and applying them to myself. Specifically, being trans. He didnt even leave it to maybes. He said with certainty that I was copying everyone else. I know 9 trans people total. Only 2 of them are my close friends. Everyone else, Im barely aquaintences with. I should have told him that regardless of whatever theories he has, this has boosted my confidence massively. Slightly less excited for 2.5k notes. At least everything after that is very positive. And at least this lets me talk about my girlfriend for ages. I dont have to say her deadname through gritted teeth. Oh context. He already knows Im trans but was ignoring it.

I GOT A SKIRT!!!!!

Thank all of you so much. At first when I got the skirt, I was pretty intimidated by the idea of showing my legs. I thought everyone will just see me as a man. But there's a degree of confidence you all have given me. Yeah. Im pretty. Yeah, Im beautiful even. Yeah. Its a friggin fantastic skirt. And anyone who thinks otherwise is dumb. Im happy, and thats what matters.

[cloudwisp]

𝐬𝐲𝐥𝐮𝐬 · 𝐞𝐯𝐞𝐫𝐲 𝐩𝐢𝐞𝐜𝐞 𝐨𝐟 𝐡𝐢𝐦

contents: smut. minors dni 18+. reader wears a nightgown to subtly get the message across. attempt at seduction. lots of teasing and kissing. first time with him. size difference. fingering. borderline overstimulation. vaginal penetration. mostly sweet lovemaking but implications of leading to rougher sex. sylus has a huge dick (he is standing at 6’2 after all). 2.9k wc.

꒰ note ᰔ based off of this arranged marriage sylus x wife!reader post but can be read as a standalone. smut writing is never one of my strengths but I had fun with this one!! and I can only hope it’s an enjoyable read to those who were anticipating a sequel 🤍꒱

“Doing a little late night reading?” Sylus glances at your form through his peripheral as you enter his bedroom with a light skip in your steps. He’s perched at the end of his bed with a high profile report in hand, and with a tilt of your head and prying eyes you hover over the document between his fingers as you stand before him. You skim through a few lines before he tosses it aside, murmuring that it’s nothing of importance when something more interesting happens to catch his attention and you feel the heat of his gaze doing you a once-over.

Your cheeks warm and you feel a tad shyness wash over you when he quietly appraises your body clad in a gorgeous silk slip with lace embellishments. He hums in appreciation, a slow smirk curling on his lips before he reaches out to grasp your waist and pull you forward onto his lap. He secures one arm around you to keep you in place and his thumb sweeps over the delicate sleepwear and the bare skin of your thigh in a soft, languid motion. “You’ll catch a cold in just your nightgown, kitten. Or did you wear it for me?”

“Maybe I just wanted to change into something a little more comfortable.” You respond with a coy smile and playful shrug of your shoulder which causes the thin strap to fall from just a whisper of movement. He enjoys your little display and act of innocence if this is your way of telling him that you want to deepen the relationship through shared intimacy like normal marital couples do during this time of night. And truthfully, he’s been waiting far too long for this moment to come but he didn’t expect you to offer yourself on a silver platter. What a sweet and precious wife you are.

“I’m sure you could find something more suitable than a flimsy nightgown.” His knuckles brush up along your arm and hooks the fallen strap around his finger to slide it back into its proper place. “But then, perhaps you wanted to tease me, too?”

You click your tongue in disappointment. No matter what you do he was always two steps ahead of you—it’s thoughtful yet infuriating especially when you want him to act more surprised. “Nothing ever gets passed by you, it seems.”

His large hand slips under the lace trimmings of your nightgown and moves closest to your backside for a firm squeeze. “You should know by now how badly I want you, sweetheart. And with you sitting in my lap, looking breathtaking like that. I’m tempted to just rip this little thing off of you.”

You purse your lips into a small pout that’s adorable to him and grunt in disapproval. “What if this night dress is one of my favorites? Don’t I get a say in what you can and can’t tear?”

He arches a brow as though to challenge you by putting the theory into practice. You keep forgetting that he could read you like an open book, and he loves nothing more than proving you wrong at every chance. “Are you saying you wouldn’t enjoy it if I did? I’ll buy you new ones. Better ones.”

You mull over at the thought. “Sounds troublesome. I’ll have to keep making these frequent shopping trips.”

“I just mean the nightgown is in the way of me seeing all of you. You’re more than welcome to wear it any other time, but right now… I want it off.”

“Well, it’s only fair you make the next move.” He groans lowly when you shift your weight in his lap and rest your head against him. You drag your manicured finger down his chest and gently flick at the silver chain looped between his collar. “I did come all this way just for you.”

He understood your meaning and leans down close enough so his warm breath fans over your lips when he tilts your chin to look at him. “If you want me to take off my clothes, you’ll have to undress me yourself.” The soft spoken words in his deep voice send a tingle to the back of your brain, and the lingering kiss he places on the corner of your mouth adds a fluttering sensation in your stomach.

“Still making me work for it? And here I thought I would be cherished and wouldn’t even need to lift a finger.” You bring yourself upright and shove him down onto the bed to climb over him and straddle him. He gives you a knowing smirk at the sound of your cute gasp when you feel just how hard he is for you against your clothed cunt. You make quick work of undoing the underlay of buttons tucked beneath the thick fabric of his tailored dress shirt and remove it entirely to reveal every bit of lean muscle. His build akin to that of a spectacularly sculpted marble statue down to the details of his veins on his strong arms.

“Making you work for it is half the fun, kitten. But just remember who will be putting in the most work tonight.” His hand wanders up your thigh again and moves along the curve of your waist, the expensive silk bunches under his touch and he gropes the fullness of your breast. You feel the strap loosen around your shoulder once more. “Are you liking what you’re seeing? You’re allowed to mark what’s yours, you know. But I’d like to be able to mark you as mine too, wife.” His hungry eyes slowly roam over your matching panties and midriff before he returns your gaze.

Your smaller hand covers his knuckles meanwhile his thumb brushes across your nipple and he revels in the feeling of the bud hardening over the material. “You’re just always so straightforward, aren’t you?” You sensually wrap your finger around the other strap that’s perfectly intact and at your cue Sylus glides his hand down to the small of your back and watches as the dress cascades down to your midsection.

“And you’re so beautiful.” You’re a heavenly sight to behold with the way his amorous stare commits your very existence to his memory, particularly the swell of your lovely breasts that’s heavy with lust and begging for more of his attention. He gently reaches for your wrist and his fingers smooth under your palm to bring your hand up to his face. His thumb runs over the wedding band that binds you to him laying a light kiss against your knuckles, then places your hand over his shoulder waiting for your next move.

You don’t waste another second closing the distance between you two and crash your lips against his for a needy and desperate kiss. Your fingers tangle into his silver locks and your heat grinds against him hoping for some semblance of relief from the ache that’s building inside you. You feel him envelop your breasts fully with each caress and tender squeeze and a little bit of nipple play.

Sylus tastes faintly of sweet, tannic notes from the lingering aftertaste of red wine as your tongue meets his through parted lips. His arms and hands alternate between hugging your body and grip tightening on your hips, bucking himself up into your heat. You feel yourself needing more, wanting more and being closer to him so you hurriedly unbuckle his belt and suddenly the sound of fabric tearing reaches your ears.

You muffle in surprise against his lips and push him back just enough to see him wearing a smug expression. “I should’ve known you’d go against my wishes.” You scoff in disbelief and yet there’s a grin playing across your features that betrays your earlier words. You hate to admit he was right from the start—that you’d find the ripping more attractive instead of being carefully unwrapped like you both have all the patience in the world.

Sylus discards the now ruined piece of clothing aside. He lifts you with ease and your back embraces the cool sheets when he drops you down on the mattress and returns to his full height. “I was never one to follow rules. Besides, you look perfect like this.” You support yourself up on your elbows to follow his movements, and any smart comeback you have dies in your throat when he picks up where you left off by unfastening his belt and stripping out of his trousers. His boxer briefs follow suit and he thinks it’s adorable how you look mesmerized from this performance alone.

Your eyes settle on his huge cock. Almost gawking at it and you unconsciously clench your thighs together. It’s perfectly proportioned to the rest of him—long and notably thicker with an upward center curve and a few prominent veins here and there. He flushes a pretty shade of red that’s gradient from the head down and his pubes are neatly trimmed.

“You don’t have to look so scared, kitten.” He rasps an amused chuckle, and he feels you tense slightly when his hand scales up along your knee to your inner thigh and he dips his fingers between your legs. “I’ll take my time with you so you can handle me.”

Your breath hitches when he feels how drenched you are through your panties. He offers a gratified hum, his handsome face and broad shoulders become your main focus as he closes in on you. “Spread your legs wider.” He murmurs into your ear, and as soon as you give him more access he delves into your mouth for a bruising kiss and chases you down onto the bed. His ministrations on your clit feel absolutely sinful yet so wonderful and your arm wrap around his back meanwhile your hand explores the muscled panels of his upper body and the areas that are within your reach.

A string of saliva connects you both then disappears as your lips come apart. But he doesn’t stray far when the exquisite look on your face is a breath away and he pulls your panties aside to collect your arousal with two digits sliding through your puffy folds. Your lustful sounds escape in a warm exhale as soon as he slowly inserts his thick fingers into your tight pussy, and you’re quite the vision arching your back so tastefully.

“Mmh, that f-feels so good, Sylus.” Your eyes glaze over when he steadily pumps in and out of you, curling so deliciously at your sweet spot and he marvels at the way your cunt is greedily sucking in his fingers. There’s nothing else like him, the way he stretches you and reaches the deeper parts and hits the bits you can’t yourself. He adores the breathless sighs and mewls of his name when he pushes you to the edge even more while kissing you senselessly.

“You sound beautiful. I love the way my name tastes on your lips.” You can feel him smirk against you, but you’re too immersed in your pleasure to respond in words that aren’t broken syllables. He trails open-mouth kisses down to your jawline and along the column of your neck, grazing his teeth and softly sucking on your skin until hues of velvet purple form. Your head burrows into the soft cushion of the mattress, hips squirming as your hand clutches onto his forearm from tension coiling inside you.

“M’gonna come soon, Sy—!” Your pretty moans and pants grow heavier each second, and he loves feeling your body quiver when you’re pressed under him. He’s still knuckles deep inside you with every intention of bringing you up to heaven and back down to him. After all, he doesn’t believe in doing things halfway but can’t pass an opportunity to tease his darling wife.

“You’re getting so close already? I barely got started with you, sweetie.” He chuckles lowly yet his cock twitches as precum oozes and leaks down from the slit of his tip. “Don’t hold it in now. Let go and come for me.”

He’s met with your gorgeous o-face when the euphoric bliss courses through your entire body as your walls tighten around his fingers. Your moans turn into squeals and you try to shove his hand away to soften your orgasm but he doesn’t budge from being much stronger than you. The feeling is more than you can handle when your thighs clamp together to stop his movements. But you don’t want the addictive sensation to leave just yet when he borderline overstimulates you, turning you into a trembling and writhing mess.

You barely have a moment to catch your breath when a chortle escapes you from watching him bring his fingers coated in your cum to his mouth for a curious taste. “Mm. Sweet, just as I thought. You did great, kitten.” He leans down to plant a chaste kiss on your forehead, and the first wave of your drawn-out release slowly ebbs away. “Don’t you think you deserve one more?” Sylus pulls your soaked panties down your legs and casts them aside, leaving you completely bare under his gaze.

“I should hope so. Been wanting for you to stuff me with your fat cock tonight.” You’re still a little breathless when your finger glides down his toned chest in a sensual and playful manner. He makes a content hum at the sound of that with an upward quirk of his lips.

“What a bold and resilient wife I have on my hands. As long as I have you, I’ll never be bored again.” He gladly hoists your leg to wrap around his waist and spits down, giving himself a few strokes making it slick before aligning himself to your dripping cunt. His precum mixes with the remnants of your previous climax with the heavy drag of his tip from your opening up along your clit. He revels in the way your body responds with a little spasm. “I won’t have you going back on your words now.”

The flutter of your lashes steers away from his deep and enigmatic eyes, a nervous gnaw of your lower lips as you anticipate the painful stretch from taking him. “Go slow, okay? Because you know…” He knew you were implying about his sheer size, and you feel him grab hold of your hand and press your interlaced hand against the bed beside your head.

He captures your swollen lips that feel entirely too sweet and intimate, replacing your worries with a gentle tangle of his encompassing love and adoration that seeps into your soul. “I wouldn’t dream about hurting you. That’s a promise. But you have to let me in first.” Your breath hitches when his aching tip probes your entrance, yet the tension doesn’t leave your body until he tells you to focus on him with the exchange of kisses laced with a growing insistence. “You’ll let me know if it hurts, kitten? I want to make you feel good.”

With that said, your sharp nails dig into his shoulder blade and draw red lines at the burning stretch that feels too much yet so good at the same time. Your soft sighs and whimpers fill the hazy room and he’s fucking you slowly with just the tip to help ease the initial discomfort. He searches your face every now and again making sure you’re okay before he continues, letting out a guttural moan when he slips in a little more with each thrust until he carves his way into you completely.

“You’re in too deep—hah. Feel so full and good.” You shudder when he stills his movements, throbbing cock nestled inside you to the hilt and kissing your cervix. There’s a carnal desire brewing in his stomach seeing you pinned under his weight keeping him nice and warm. He wouldn’t mind spending the entire night with you, any plans and commitments he had prior be damned the moment you swayed in through the double doors. “Want you to m-move, please.”

The sound of your polite begging makes him twitch involuntarily, and he could only imagine what desperate pleas you have in store for him tonight and he’s looking forward to it. When your pretty lips implore him to fuck you faster and harder he won’t be able to hold back. After all, he has always been ready and waiting to give himself to you that aligns with your willingness to accept him. There is no love purer than his, this craving he has reserved only for you. “You know you only have to ask, and I’ll give you everything you want. Just be careful what you wish for, sweetie.”

Sylus chuckles at your cute whine shortly after—such a needy little thing you are. He falls into a sweet and slow rhythm that makes you feel each thrust, the head of his dick down to its shape and following the shaft that caresses the underside of your pleasure endings so incredibly good. Your legs wrap around his back and you pull him in deeper because close just isn’t close enough for you. You need to feel the heat of his body sear against your skin as you hold him, and in turn you feel him squeeze your interlaced hand. “Tonight, you’re all mine. Forget anyone else in the world but me.”