#i have been obsessed with this scene for so long

[violettwrites]

trailer park trash 🏹 young!daryl dixon

a/n: had this sitting in my drafts for a while 🫠 but i finally got around to finishing it ! i’m lowkey obsessed w the idea of young!daryl atm as well he’s just so fine 😭 but i hope y’all enjoy this ! please give me a like, reblog, and/or comment if you did 🫶🏻

this is my masterlist !

and my ask box is currently open for requests !

( also shout out to @madelyncilne for being my beta reader i love u gf 🫶🏻😙 )

summary: 1988. reader has been best friends with daryl since they were little. as they celebrate his 19th birthday, drunken conversations happen where feelings that had been pushed down are told. ( pre apoc )

pairing: young!daryl dixon x reader

warnings: mentions of alcohol, smoking, mentions of weed— just a grunge-y trailer park party scene, making out 🫶🏻

word count: 1,856

— — —

it was july, 1988, a sweltering summer evening in the small, beat up trailer park you and daryl had called home for as long as you could remember. the worn out trailers sat in uneven rows, nestled between overgrown patches of grass and dusty gravel.

your fathers were friends— and though they were both horrible people, you were definitely blessed to have found daryl dixon amidst the chaos of your personal life. he had turned into your best friend— your confidant. he was the one you told everything to. no detail was ever too small. and even though daryl wasn’t much of a talker himself, he always listened.

it was daryl’s 19th birthday. merle, daryl’s older brother, had thrown together a party without much care. however, you both knew it was just an excuse for him to get drunk. not that he needed one anyway. he had mostly invited friends of his own. the kind you weren’t really a fan of; loud, aggressive, always looking for a fight— and way too drunk to care about the aftermath. you didn’t mind though, because you were there for daryl.

the air was thick with the smell of cheap beer and smoke, whether it was from weed or nicotine. merle’s sound system drowns out the hum of cicadas with its scream of pantera lyrics. but it was familiar to you, because this was how majority of your weekends were. you and daryl laying in his bed, ignoring merle and his friends as you smoked cigarettes. sometimes one, others five.

“hey! c’mon, you’re fallin’ behind!” merle shouted, staggering over to you with a half empty bottle of whiskey in his hand. he was already wasted, his wild laughter echoing through the park. you rolled your eyes at him but took a sip of the beer you had in your hand. sure, you were definitely tipsy, and even though you had no desire to keep up with merle and his crowd, it was just easier to go with it.

daryl, leaning against the side of the trailer, had been watching you most of the night. between getting dragged into games of beer pong and the several shots that he had done, he had kept his eyes on you. ready to intervene incase any of merle’s drunken friends put their hands on you.

despite the alcohol in his system, you had noticed he had been quieter than usual. no echoing cheers as he won a tournament, or no whooping after he downed three shots in a row. his shoulders were tense, eyes dark in the moonlight. you really couldn’t tell what was going on through his head tonight, but you knew he wasn’t himself.

“hey, you good?” you asked when you had made your way over to him, the party roaring on behind you. someone had lit a fire out in the field behind the dixon’s trailer, and merle and his friends were starting to get really rowdy, howling at the flames like a pack of wolves.

daryl looked at you, eyes flickering in the dim light. he shrugged, taking a long swig from the bottle in his hand. “yeah, ‘m fine. just… it’s loud, y’know?”

you nodded, leaning against the trailer next to him. you could feel the heat of his arm just barely brushing against yours. it had always been like that with daryl. the way you were always near each other, like magnets that couldn’t quite pull apart.

merle’s laugh rang out again, and you could see him egging on some of the guys, probably looking for trouble. “looks like merle’s having a good time.” you rolled your eyes, sipping at your beer again.

“yeah, well, tha’s merle,” daryl muttered, his voice low and gravelly, like he had something caught in his throat. “he don’ know when to stop.”

the two of you stood in silence for a moment, listening to the noise of the party behind you. motörhead was now playing through the speakers, and the hollers of the group down by the fire in the field was still going.

“hey, it’s your birthday. we should do something. just you and me.” you weren’t sure if it was the alcohol making you bolder, but you decided to say what had been sitting on your chest all night.

daryl looked at you, his eyes narrowing slightly as if he was trying to read between the lines of what you said. “like what?”

“i don’t know,” you shrugged your shoulders, trying to play it off causally, “get outta here, away from this mess. go down by the creek like we used to.”

he stared at you for a moment, and you swore you saw something shift in his expression. he was already drunk, you knew that, but there was something else there too. maybe it was the same thing you had been pushing down since you were thirteen and realised what crushes were.

“yeah,” he said quietly, nodding, “let’s go.”

the two of you slipped away from the party, walking through the field and down towards the creek. although you could still hear the faint bass of the music, it was quieter down there. you could hear the water trickling over the rocks, and the occasional rustle of the wind in the trees. you sat down on the bank, the cool grass under your legs, and looked out at the stars scattered across the sky.

daryl sat down next to you, arms resting on his knees. he was closer to you than he normally was, his bicep brushing against yours. you could smell the whiskey on his breath, but you didn’t mind. you were used to the smell of cheap booze and cigarettes— it was part of life around here.

after a few minutes of comfortable silence, daryl spoke. his voice was rougher than usual, thick with whatever emotions he had been drowning all night. “y’ever think ‘bout gettin’ outta here?”

the question caught you off guard, but you answered honestly. “yeah,” you nodded, “all the time.”

he looked at you, his eyes glassy but intense. “where would ya go?”

“i don’t know,” you said with a soft laugh, “somewhere far away. maybe the mountains, or a big city. somewhere where things aren’t so messed up.”

daryl nodded his head, looking down at the bottle in his hand before taking another swig. “yeah, i think ‘bout it too.”

the silence stretched again, and you felt the weight of all the things left unsaid between the two of you. daryl shifted closer, his knee pressing against yours. his voice was barely above a whisper when he spoke again.

“i ain’t ever told you this, but… you’re the only person i give a damn about in this place.”

your breath hitched, and you felt your heart pounding in your chest. you’d always felt something more for daryl, but you had never brought it up to him. you didn’t want to ruin the friendship you had, and if you could only have him as a friend, then so be it. because it was better than being alone.

“me too,” you admitted, your voice barely steady. “i care about you too.”

he turned to look at you, his face inches from yours now, and you could feel the heat radiating off him. “i ain’t no good, though. you know that.”

you shook your head, your hand reaching for his, giving him a gentle squeeze. “don’t say that. you’re better than anyone else here.”

his eyes stared at you for a long moment, his eyes flicking down to your lips and back up again. the air was thick with tension, and then, without thinking, he leaned in. his lips crashed into yours, rough and urgent, tasting like whiskey and everything you’d ever wanted.

the kiss was messy, desperate, both of you giving into all of the feelings you’d buried for years. your hands cupped his cheeks, moving to crawl onto his lap, finding a new angle as you continued to make out with the boy underneath you.

when his hands moved to your waist, pulling your body closer, you swore it felt like fire when he touched you. you let his hands roam, both your tongues swirling with each other. it felt like bliss, like you were both lost in a world where only the two of you existed, the years of unspoken tension finally erupting in this one heated moment.

every breath was shared, every touch electric. you both had been waiting for this for far too long. his grip on your waist tightened, his fingers digging in just enough to send shivers down your spine.

you felt the warmth of his skin beneath your fingertips, your nails lightly grazing the back of his neck as you deepened the kiss. the taste of whiskey still lingered on his lips, but now there was something more— something raw and unfiltered. the taste of desire.

his hands began to explore more boldly, pulling you even closer until there was no space left. your heart raced, and you weren’t sure if you were feeling your own heart thump against your chest, or his.

“daryl!” you heard a drunken voice holler from the trees, causing the two of you to break apart, breathless and cheeks red. you looked down at him for a moment, a small laugh coming from your lips as you heard the drunken voice holler once again for daryl.

merle.

“you have no idea how long i’ve wanted to do that,” he mutters softly, hands gently rubbing at where he had dug his fingertips into you. he held your gaze, eyes dark.

“me too,” you breathed out, your voice barely above a whisper. you could feel the weight of everything you both had left unsaid, all the words that had been replaced by the kiss, by the touch of his hands on your skin.

“daaaaryl!” you heard merle holler once again, and you chuckled softly, rolling your eyes as you moved to get up, holding out your hand to the boy beneath you, pulling him up off the creek bed.

“c’mon,” you huffed, shaking your head as you pulled him back towards the trailer. “merle’s either gonna have a fit, or he’s gonna end up drowning in the creek if we don’t get to him soon.”

daryl just chuckled, enjoying the feeling of your hand in his as you both walked towards the trailer, finding a stumbling merle with a now almost empty bottle of whiskey in his hand not too far from where the two of you had been hiding.

“there he is! there’s my baby brother!” merle shouted, throwing his arms open wide, bottle of whiskey smashing into the trees.

he watched as you let go of his hand to turn merle around, your palms on his older brother’s shoulders as you walked him back towards the trailer, a small smile on his lips.

daryl may have been trailer park trash, but at least he had someone that cared about him.

[apoloadonisandnarcissus]

"The Last Temptation": One Megathread to Rule Them All - Clues and Speculation, PART 2

6) Galadriel's conflicted feelings for Sauron 

Well, she hates him and wants to kill him, destroy him, causing him to be dead for good, right?

Right?

RIGHT?

Okay, I’ll just let Morfydd explain how Galadriel is feeling these days: 

It would be like if you had the most intense type of synesthesia, and then you met someone else that had the same type of it, but then you find out they’re the worst person in the world. But you can’t undo that feeling of what it was to be understood and connected in that way. 

I think they’ve made a mark on each other in whatever, however, that turns out. And that’s very significant when someone’s managed to actually make you question the way you think of things and the way you think of yourself... and I think they were both so lonely when they met.  

Galadriel is heartbroken, and understandably so. She’s grieving the loss of her friend Halbrand. She thinks she has been played for a fool, and the connection they shared was a lie, and another one of Sauron’s deceptions, the cruel and cunning sorcerer. She's haunted by this moment, as we’ve seen on 2x02:

Everyone who has been deceived by someone they cared about can relate to this. Yes, Galadriel is sad and depressed, but she’s also angry and probably feeling a little bit humiliated and ashamed of herself for falling for Sauron’s lies. She’s going through all seven stages of grief. And so, she wants to destroy him, and make him pay for deceiving her, and manipulating her into caring this much about him.

She’s so obsessed with finding and defeat him, it blinds her (as we’ve discussed on Part 1).

The realization of having been played for a fool, pains her so much, here she is, in 2x06, emphasizing with Adar and oversharing.

And so, when she’ll go to seek out Sauron in the finale, she wants to kill him. Like 100%. No doubts there. She resisted him once, she will resist him again and again, because after her little chat with Adar (and probably with Celebrimbor in 2x07) she’s confident in herself. She’s prepared. She knows Sauron will bombard her with lies and visions to manipulate her. And since promises of power aren’t enough for her, there is nothing he can tempt her with. Like Adar said to her in 2x06, there is nothing he can give her, because she’s fully aware of his manipulations.  

My guess is that she’ll probably use Adar’s theory (Morgoth’s iron crown + Nenya) to try and slay Sauron. That, most likely, will be her plan of attack.  

7) The "Last Temptation"

As we’ve seen on the trailers, and with no surprise whatsoever, Sauron and Galadriel duel for a moment when they are, at last, reunited in 2x08.

Galadriel is looking at him full of anger and hatred, ready to destroy him, and his lies and deceptions. Sauron, on other hand, is just rejoicing he’s able to be in her presence again. From the interactions we, the audience, saw of him with Mirdania throughout the season, Sauron probably thinks dueling counts as flirting.  

Anyway, I don’t know for how long the showrunners will drag the fight, but it will stop, because the Halbrand form will be back, back again (like we were teased in 2x04): 

And this is not just “any” Halbrand: this is King Halbrand, the “I felt it too” Halbrand in all of his glory. My bet is Galadriel is prepared for this, and won’t fall for it.

But Sauron brought the big guns this time, and there is a plot twist. And I believe this is the scene that, according to Magda Walma aka “the Polish reviewer”, will make “Tolkien fans” (aka lorebros) lose their minds, the scene which caused her to believe Celeborn won’t ever be in “Rings of Power” and that someone in the production might have fallen on their head.

They might leave it ambiguous, however, Morfydd saying “they’ve made a mark on each other in whatever, however, that turns out” makes me believe the showrunners might have made it explicit, and reveal the truth of it. And that’s why the Tolkien purists will lose it.

My guess is Sauron will tempt Galadriel with what she least's expects: the truth. And the truth is their connection was real, and not a part of his schemes (the season pretty established he’s in love with her).

Now, I don’t know if there will be a kiss or not, because the mere notion of Sauron in love with Galadriel is enough to mind blow the lorebros. However: if this was a one-sided thing, why would the Polish reviewer believe that Celeborn will never be casted? So, here’s my two cents: Galadriel feels the same way, and this scene either explicitly states it or highly implies it.  

Now, I don’t know how Sauron will prove his love for Galadriel, honestly. I don’t think visions are enough to put that point across, and from what we’ve learned from the director of the finale, I don’t think there will be any deception involved in this scene. So, he’ll probably prove himself through some selfless action (which is a bit odd, but I don’t see how he could convey his point in any other way without looking/sounding manipulative): he either saves her, surrenders himself for her to kill him, or whatever.  

8) The Aftermath

As we’ve seen in Part 1, all foreshadowing points towards Galadriel succumbing to Sauron’s temptation.

Erasing all of that for a “she resists him at the end” or a rehash of S1 finale would be stupid, to be honest. And I know many criticize “Ring of Power” writers, but one thing they do well is building-up the season and the foreshadowing/clues (example: Sauron/Halbrand in S1).  

The question is: what happens next? 

Galadriel snaps out of it, for whatever reason: either Nenya, or Elrond (remember the promise? Turns out, he’s unable to keep it); 

She sacrifices herself to save Middle-earth/stop the battle, and goes with Sauron (somewhat unwillingly but believing she might “keep him in check”);

She willingly goes with Sauron/joins him, in “full Dark queen” mode;

Any other scenario where Elrond is forced to choose between stopping Sauron or saving Galadriel; only see it happening if it’s from afar and not him actually intervening, because that would remove Galadriel’s agency (and I don’t see the show going there). For instance, Galadriel is injured for some reason, and Elrond has the chance to save her, but choses to save the Elves instead, or something like that).  

Alright, that’s it. That’s the clues we’ve got. Let the debate begin. 

Just don’t mention Celeborn (it’s confirmed he’s not in Season 2) and the stupid fake leaks.

[f-imaginings]

If the concept is bill and ford interacting through the rift youre right why have we not seen people do that before, thats brilliant. “Great uncle ford why does the rift call you babygirl?” Poor ford

This person gets it!!!!! This person predicted my favourite scenes in the new chapter!!!

The line in journal three about the rift "if you hold it up to your ear you can hear the sound of mocking laughter" why haven't more people drawn ford or bill both obsessively listening to the rift??!!! Ford making a containment unit so he can take the rift with him everywhere "just in case I learn something to stop bills crusade of evil" yeah right you just want to listen to the one person who always made you feel special. Then there's bill, scooping the rift up into his tophat so it can also always be on his person, watching ford through the rift when he gets a five minute break from feigning customer service "making deals and getting ready for the big day" being SO FRUSTRATED that he can't just be there already, that he can't just reach through and touch Ford when he's being all melodramatic and lonely in the lab BC Stanley doesn't want him around the kids.

This has been my brainworm for so long and I'm watching the billford renaissance doing fabulous things with all the concepts I always loved about the pairing but y'all missed a spot!!!!!

Now it has come to everyones attention, here's the deal, I want you all to go forth and make the art pls. I'll be here waiting to reblog every speck of art 😊

[thebramblewood]

this is in a similar vein to an ask you got recently but do you have any tips for those who are interested in sims 4 (or even other games like ts3 and ts2) storytelling? I write fanfiction but I think making sims 4 stories could be a fun venture. Anyway, thank you for your time! I love your stories so very much they're literally my hyperfixation!

Well, that makes two of us because it's literally my hyperfixation. I think I've shared bits of advice before, so some of this might sound familiar, but here are some things I think are important to remember (and I tried to be concise, I swear).

Write the story you want to write. Obviously, it's a great feeling when something takes off and people get invested. But if you pursue an idea only because you think Simblr will like it, you probably won't be inspired for long and it'll probably show. I've been very lucky with my story, but it didn't blow up overnight. Early on, I was thrilled to get double digit notes or one reblog or comment and was admittedly disappointed when I put a lot of effort into something and nobody seemed to notice. But I kept going because I was obsessed and wanted to see it through, and that's more true now than ever.

Start with low stakes and allow yourself to evolve. Before I was on Simblr, I made Sims stories with no poses or visual enhancements or fancy editing. I wrote them for myself, and I loved every minute of it, but they also gave me a solid foundation for the kind of storytelling I do now. Even after starting this blog, I eased myself into it. I learned how to use poses and Reshade, then moved on to more advanced editing techniques, then moved on to teaching myself to make poses and very basic CC. If you try to learn it all at once, you're more likely to give up because you're overwhelmed. Take your time and make peace with the fact that perfection isn't possible. Everyone's always learning!

Take advantage of the fact that Sims is a game. Even though I've been a creative writer for most of my life, I don't come up with fully-fleshed, elaborate Sims stories from scratch. It started off with my legacy and not wanting every generation to feel the same. I thought about gameplay I hadn't experienced yet and centered each generation's story around that. Even with HZID, I just wanted to make and play with vampires! That's it! Initially, I used a lot of gameplay to convey Helena's college experiences, and I still try to incorporate it when I can. It can really be a great base to spark your creativity if you don't know where to start.

Don't have a life outside your story. I'm joking. Kind of. I'm not a very social person and I don't like leaving my house if I don't have to. This leaves me with a lot of time for working on story things. Honestly, I could probably stand to work on it less. But for better or worse, I'm doing story-related things most nights and weekends, and even if I'm not doing anything, I'm thinking about it. It's probably mental illness, but we'll just call it passion. At the same time, it's also important to take breaks! If you're feeling burnt out, step away for a while. If you can't make yourself step away completely (raises hand), just edit the script or spin your blorbos around in CAS or something rather than going straight for posing a scene.

Follow and interact with other storytellers. This is probably the most important thing, and as someone who struggles with social anxiety it was the hardest for me to do. But I try to make a point of keeping up with other stories, commenting, and reblogging. Not only will the amazing talent of other writers inspire you, but you're building meaningful connections that make them more likely to want to interact with your story. There's no denying it feels amazing to watch your audience grow. But no one's going to see you if you don't make an effort to be seen, as scary as it can be. So try to be active in the community and support other storytellers the way you want to be supported!

[mundaneblue]

Alien Stage Theory time!!

With Round 7 just around the corner, I felt it fitting to look back on my theories I've gathered so far and very heavily believe in. But my most CRUCIAL one that I always feel like talking about is:

Ivan meant for both him and Till to die in Round 6.

So I am of the opinion that Ivan did NOT plan to do the whole sacrifice at all.

It was spontaneous.

And I have several reasons to back this theory up.

So we all know that ever since Ivan and Till were kids, Ivan had been obsessed with the idea of them escaping together.

He knew Till valued “freedom” and because he did, Ivan started to value it too. But never alone. Only with Till.

Since Ivan went back to Anakt instead of escaping after Till did the same because of the fear of leaving Mizi.

Even in the scene where Ivan finds Till passed out in around 6, he looks helpless, and cradles his face in a “Dont worry, it’ll all end soon” kind of way.

So when Till stops singing and Ivan approaches him to kiss, the kiss was NOT planned.

Now this was the factor that surprised everyone. Even Unsha. It was so unexpected that he wished he knew what Ivan was thinking, but that’s the thing.

Ivan WASNT thinking.

Even Ivan himself was shocked at what he was doing since he had no control over his actions at that moment at all.

And this correlates to ivan's eccentric behaviour. As we know that ever since he was a child, he never really felt like he fit in with his fellow peers. This is very interesting to me as in Black Sorrow we are shown this picture of Ivan being very uninterested in spending time with the kids in his class. He has this mundane look of unamusement.

But as we look at more alien stage content, we see that Ivan was actually one of the most social in his class. Everyone admired him.

This shows that the rounds/videos don't necessarily mean what was infact happening but what the characters themselves felt.

This is also why I believe Ivan and Till were way more closer than what Ivan painted in his rounds. He just never felt the same love from Till, hence his constant inner mantra of wanting Till to look at him.

Now we've gotten that clear!

The main thing I want to deliver is that Ivan is an unreliable narrator. And he doesn't know how to handle his feelings in a methodical way. He has this distortive, almost possessive view when it comes to love and honestly that, to me, is what makes Ivan Ivan.

Ivan doesn't know how to properly think when he's faced with his emotions. He's used to tuning out his emotions to do things. So when his emotions get involved? It's like an electric shock and he relies on the thing closest to him to hold on to.

And that thing is Till.

Ivan was obsessed with Till. I'm sure we all know that but people really undermine his determination when it comes to Till.

I really do believe that Ivan planned for both him and Till to die in R6 as an ode to their longing for freedom.

Because all Ivan ever wanted was to be free with Till.

The counter statements that suggest he wasn't choking Till and merely had his hands on him simply doesn't sit with me as the animation clearly showed Ivan's hands clenching hard as he progressed to choke him.

Look at the dent formed by Ivan's fingers on his neck, right at the crucial point of air supply.

And Till is shocked but as he's gradually losing air, his eyes start to get heavy and he gets ready to accept the darkness that follow

And while Ivan is getting shot, he chokes him even harder.

Because that IS his goal.

For Till and him to die so they'd be together in whatever life that follows hereafter.

I disagree when I hear that Ivan meant to sacrifice himself for Till. Yes that did happen at the end but it was never what he initially intended. His initial intent was far more dark and possessive. Which is very on brand for a Vivinos character.

However, now we're getting to the sacrifice part and I believe this is where Ivan had a turning point.

As he gets his final shot and basically sees he's about to die, he looks at Till in surprise.

Because no matter how much he wished for them both to be together, he can't kill his God. He can't kill his Universe. Ivan is possessive but Ivan is also weak when it comes to him.

This smile of his shows that sentiment. "Ah I really can't go through with it afterall"

Ivan always believed he and Sua were similar but he resented her for sacrificing herself for Mizi. He believed he was better than that. He won't ever do that. Wherever Till goes, he goes. Yet, when he was actually faced with the task of doing it, he finally realised what Sua felt. Because Sua, just like Ivan, was also quite possessive of Mizi.

He couldn't do it, and at that moment he knew that he and Sua really weren't so different. Only difference was that while Sua was loved, felt love. Ivan never felt it.

Ivan did everything for Till. He stayed at Anakt for Till. He pursued alien stage for Till.

And his last act was also for Till. He wanted his last action to be for himself, to finally grant his long due wish of being with Till but he couldn't do it. And while the sacrifice was spontaneous, it was just so...easy to do. Because again, Ivan thought Till never cared as much about him as he did (abandonment issues at their finest) so him dying wouldn't really affect him as much.

This makes Ivan so much more tragic for me. And this heavily fits him as a complex character.

"Thank you for being the victim of my shallow emotions."

When were you or your feelings ever shallow, Ivan...

[stupidstupidratcreatures]

caught up with what happens next. thoughts mostly about the comment section under the cut sorry

1. it's always been really interesting to me just how abstract a depiction of a person can be and still have people that find that depiction hot. i check the comments because i'm a dipshit and there are pretty consistently 2-3 people under any vikki or gage panel there for that. also shoutout to that one "when vicki's done resting her head on her mom's lap can i have a turn" comment

2. there's a lot of speculation-presented-as-fact about 202X griffin in the comments and it all feels like stuff we kinda can't know? we've only ever seen him post-murder in that photo with gage and we haven't seen current griffin "in person" at all. this isn't normally something i would care about or disagree with but it doesn't seem like what current griffin is actually like as a person is relevant at all to the role he's playing in the story right now

3. hm it's like very possible that in-fiction named himself after the mcelroy brother huh. what year would it have been like 2014? scary stuff

4. there are like a pretty large number of people ripping on milo in the comment section also. that feels weird. i get disliking That Type Of Guy but he was made to cut up his dead friend with a saw and then also institutionalized for five years. can we be nice

5. i feel like there's stuff here that shows this comic's age even in the three years since it started. gage is less of an extant guyotype than he used to be (as in the cultural signifiers and the true crime/serial killing obsession. "poor and isolated trans guy who talks to people online" is not someone going away so long as poverty, transmasculinity, and the internet exist). vikki says "because of woke" in a panel that's meant to be part of the same scene as the very first page and that definitely isn't something they were saying in 2021. the look of the tumblr ui, that thing max graves draws a lot, has changed drastically since the comic started. i don't mean this in a cinemasins way i just mean this like. idk. the way time moves so much faster than any webcomic updating schedule does is just something that i think about and this comic gives me a lot of occasion to think about it. it's very good

[ptieuca]

The part at the end of the night where we say goodbye... it's getting harder.

[james-beaufort]

SMALLVILLE 8.17 | Hex

[sweetsouldhavernas]

Tony DiNozzo and Ziva David ↳ UNDER COVERS

[sunciv]

noone (and i mean noone) will convince me that this:

wasn't followed by some intense makeout

[expelliarmus]

[running-in-the-dark]

John Larroquette in Altered States (1980)

[autumnoficarus]

i can't stop listening to the 'purpose is glorious' track from this season's ost and thinking about how lovely the title and its meaning are. it's just such an amazing underlying theme in this show, and - while i do have criticisms about some of the choices made for the series finale - i really do feel the writers wholeheartedly delivered in sending that message home. for me personally, loki's ending is so gratifying and a large part of that is solely from viewing their arc's conclusion with the perspective of this theme in mind. to have spent years watching this character i hold very dear to my heart struggle to find belonging, to feel as though they matter and there is reason in their existence, finally get a chance to show - and recognize - their worth was so, so rewarding. and honestly, i think the message behind the phrasing of 'purpose is glorious' is all the more meaningful because of how loki's arc finished. yes, the outcome was bittersweet; yes, we're left knowing loki didn't get the happiness they undeniably earned after everything they'd gone through. it smarts something fierce to know their journey up until they deviated from their timeline and became a variant, as well as seen their eventual intended fate. the ache is only worsened after witnessing everything that happens within the TVA and the entirety of loki's character growth leading up to a redefining moment where they willingly choose to undergo a nightmarish amount of time in the endeavor to do the right thing. of course we want them to emerge victorious when they've struggled for so long, but that's not the point. loki's final moments are them forfeiting their right to a happy ending to preserve the stories of others because all stories matter and should inherently reserve the free will to be written; as sylvie says, loki makes their choice so their loved ones and life across the multiverse still have a chance to belong somewhere and embrace their place in the world. the take away is that even burden can be glorious. even with all the hardships of life - all the inevitable heartache, disappointment, and grief we encounter just by being alive - we have meaning in our existence. there is meaning in the trials we face, and the suffering we endure in order to overcome them. our pain gives us purpose; it gives us the ability to love, to grow from and for each other, and choose to sacrifice our happiness for the benefit of another. loki's purpose was forged in the bonds of those they met in their time at the TVA and the sense of value they gained from their companionship. their sacrifice perfectly conveys how the human capacity to love is one of cosmic greatness, which can ultimately surpass our instinctual desire to preserve one's self. we can move immovable mountains and challenge insurmountable adversity in behalf of the ones we love and their welfare. if that isn't an act deserving of glory, I don't know what is.

tldr; loki's purpose is the friends they made along the way = as the saying goes, 'tis better to have loved and lost than never to have loved at all'. or: our own lives have purpose because of the connections we share with others, even when we are met with great loss.

[shrowdly]

Hobs do not run away when their friends need them, he thought, not ever.

[not-rome]

I have a thing for spreadsheets. I can't stop making them for everything. Each of my chapter fics have a spreadsheet with multiple sheets. There usually at least three sheets but some have like 10. I'm fully aware I use them a little obsessively (I cannot do anything without updating/adding onto the spreadsheet) but I can't stop now. Things are so much easier to navigate in writing because all the information and organization I need is in one spot, neatly laid out. Everyone should use spreadsheets in my opinion.

[stuck-in-the-ghost-zone]

my boy he had a trauma haircut scene