Actually just curious :]
SYNESTHESIA is characterized as a 'cross wiring' of senses in your brain
for example
tasting words
Numbers and letters having personalities
and having a consistent link between colors and numbers/letters etc. This can be fully visual (seeing aura simmialr to migrains when hearing noises) or internal (imagining bright colors or shape/ number associations to things in your 'minds eye')
Diffrent days of the week having a strong color connection
Alternatively days of the week and calender months having a specific mental layout or 'shape' and days of the week and month having a specific place om this mental map that shifts depending on where you are in time, simmilar to a clock or time table
I'm also curious on how this effects you so you can leave that in the reblogs if your comfortable!
For me personally my synesthesia effects my writing because I'll often mix up letters and numbers ( I write down 4 alot instead of G and vice versa, I also mix up 4 and 7 because they 'look' the same, I'm wondering if this is some sort of dyscalculia though, the same thing happens with A and 8)
782 notes
·
View notes
It's not totally clear here why Dave's dream self appears to be already awake while his real self is also awake. I think we must infer that his dream self is in some sort of "waking trance" where he's technically awake but too preoccupied by certain things to be considered fully awake.
thinking about jade being lonely as hell on her island and going to sleep waking up on prospit and seeing john (not knowing his name yet) asleep plagued with the creepy dersite doll dreams with the scary teeth and just aughhhh
and she’d like overhear the white queen talk about the dark kingdom derse and the prince(sse)s of the moon that are there and trying to attract as little attention as possible jade would fly out there through the medium because shes so lonely. and she’d go to the purple moons’ towers. she’d find a girl is sound asleep in her purple robes and bed. but the other kid on the moon she finds is awake! except… not really. more like in a trance state. awake but not conscious. but she likes to hear whatever garbled stuff this triangle-speced boy has to say
the trip is long but jade visits this boy a few times since he’s the only non-asleep person like her she can interact with face to face. he usually seems lost in his own world, usually listening to music or talking to himself about stuff that doesnt make much sense. when she’s deprived of sapient affection she’ll touch him in small gestures like holding his hand while he listens to his music and he’ll squeeze back instinctually, and it helps her experience a microdose of the human connection. maybe he doesnt get much in the way of sapient affection either. when she hears The Horrors of the furthest ring another dream headset pops into existence for her to listen along with him and they listen to whatever music hes making. who is he
628 notes
·
View notes
WE PLAY THE SAME KEYS AT DIFFERENT TIMES — r. kaji.
cw: 18+ mdni, f! reader, car sex, spit.
wc: 0.8k
a/n: unedited. thought about him on my drive home. enjoy.
You and Kaji can’t ever just listen to music in the car together.
He really never intended for it to be like this at first— but once it happened the first time, it’s all he could think of the next time he got in his car. It’s the same every time; inviting you for a ride to listen to a tune that’s stuck in his head, one he claims he can’t get rid of until he hears it again. But with him, it can never just be one song. There are too many that make him think of you these days, despite his best efforts to press skip on those in particular.
He drives around until night falls, and you’ve both shared everything you’ve had on repeat this week. As he pulls onto the highway, the low vibration of his car picking up speed thrums against your thighs, much like the guitar blaring through his speakers. The low light of the city falls on his hands as he steers with practiced motion, heel of his palm flat against the leather. Warm yellow light trails along the veins on his arms, dragging your gaze wherever it touches. It highlights the rim of his features for a split second, long enough to see the way he side eyes you.
He lets out a huff, leaning back against the headrest to hide in the dark, though it’s futile. As he whirrs past the overheads, the light guides your gaze to his thighs, spread lazily even with one foot on the gas, and up, up, up to…oh. It’s only a second that you see it before light rushes past, and you wait on the next street light to illuminate him. It takes its time, stretching slowly over the same path, fingertips to forearms to biceps. A flit of your eyes down, and the car leers onto the exit ramp, light changing its course and missing the bulge of his cock entirely.
The both of you huff for different reasons, you in disappointment, and him in relief. Not that you can hear each other over the music, anyway.
You spend the rest of the ride bopping your head along and picking up your phone to add songs you like to your own playlist. He’s grateful that there aren’t as many street lamps on the route to your place, so you miss the poorly hidden smirk that plays on his lips.
Pulling into your driveway, he thumbs at his wheel to turn the music down just as that one song comes on. The one you fucked to the first time he did this; the reason he keeps inviting you to do this. He pauses, sighing, and turns it back up again. You tense, thighs crossing as you hear the click of his seatbelt and squeak of the leather as he reaches over to click yours, too.
Kaji’s breath always comes out ragged— grits his teeth and hisses through them even as his chest heaves for more oxygen. He’s got you bouncing on his cock in his backseat, guiding you to some extent, rough grip on your hips because he really can’t find it in himself to be gentle. Not when you move so perfectly you hit every goddamn beat.
You’re the perfect melody to him— he has half a mind to lean forward and turn the music down in favor of the sound of you. Ass clapping against his thighs, wet squelching from between yours, breathy moans and gasps and keens. He wishes he could isolate every salacious layer of sound— to savor it, ingrain it into his memory to replay over and over.
The beat of the song slows, just before he knows it’ll build up again. He takes the break to wrap an arm around your waist, effectively slowing the motion of your hips. You whine as he forces you to grind your clit against him, and he hums, captivated.
Using his free hand, he twirls his fingers through your hair, wrapping the strands around to get enough hold to pull you forward, the abruptness ripping a gasp from you. Perfect. Twisting his lips up, he tilts his head forward, letting a glob of spit travel past his lips and drip down onto your awaiting tongue as he plants his feet firm on the ground. With all the leverage in the world, he bucks his hips up into you as the beat picks up again, the heavy weight of his thrusts knocking the air from your lungs.
It gets hard to move when you squeeze around him, ticks him off that you’re slowing down his rhythm. He just wants to give you what you deserve and you’re always holding him back with that fucking grip of yours. At least, he thinks, you’re giving him a chance to readjust his hips, so he can hit that spongey spot inside you until the song closes out, until all that’s left is the sound of your shared panting.
59 notes
·
View notes
This isn't something I would describe as a prominent or even intentional theme, but there's something fascinating to me about how TAZ Balance characters associated with composing and performing music are almost entirely correlated with either being forgotten, or having an incredibly warranted fear of being forgotten.
Johann is obviously the latter. I have an ongoing fic about his parallels with Barry — who plays piano, and who is the character we see spend the most time knowing he has been forgotten by people dear to him, and grappling with it. And I've seen the Johann and Lup dynamic get well-deserved attention in AUs where she lives, and they get to relate to each other as violinists — yet the parallels are at their strongest in canon, where Lup is the "most" dead of all the undead characters, the "most" forgotten, the most reduced to a near-invisible specter haunting the narrative, and the most like Johann's worst nightmare.
There's even a parallel with Davenport, who is a beautiful singer, and whose life story and dreams and achievements are all completely erased. So that's three different characters whose forgotten stories — which Johann obviously does not know — still serve to silently justify Johann's fear of the same fate, emphasizing just how likely it is that it could come to pass. How yes, it would be that horrifying.
And as a non-musician, but an artist of a kind myself... it all resonates. The fear of one's legacy being forgotten is a common fear in general, but it has a particular type of teeth to it for us creatives, who shudder in terror at the thought of a masterwork — that feels like a piece of one's soul — being forgotten, let alone cut short by untimely tragedy.
But that's why I treasure, so dearly, that all of these musically inclined characters — Barry, Lup, Davenport, Johann — are not forgotten permanently, but instead immortalized by the Story and Song, no matter the varying degrees of alive and dead that they wind up in the end. I treasure the parallels between these characters that say being forgotten is a grounded, reasonable thing to fear; that it is scary — but that no matter what, memory will still find a way.
97 notes
·
View notes