#i have a pretty good lead…
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misty-moth · 11 months ago
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Just have to watch my rank for the next 40 minutes like a hawk 👀
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bonefall · 1 month ago
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Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?
A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.
Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.
So, why?
Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.
He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.
Bumble, on the other hand...
Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.
But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.
It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.
More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.
Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.
It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.
All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.
I can't say for certain what that will look like for your story, but here's some things I keep in mind;
When you make characters who exist to die, make sure they're people before you axe them.
Ask yourself; what about them does the cast miss?
If they just miss them because they were (pre-existing relationship), go back to the drawing board.
Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.
Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.
If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?
Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.
And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.
If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.
"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.
"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?
When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.
#Bones gives advice#These questions can be hard for me to advise on because making characters is one of the easy parts for me.#It's more the “working them into a story without overwhelming it” part#But making characters that are fun and interesting has always come naturally to me as a writer.#I just work out some fun dialogue and fill in what their wants and desires would be based on backstory#And the rest kinda fills itself out as the message and themes of my narrative forms.#In fact the thing that makes BB so easy for me to work on is having an existing “story template” in mind#I don't have to chart out the long term events in advance because I do have a full picture of what leads where#And what I want to say with each rework.#I've always been told I'm really good at killing off characters though#Especially in my RP days. I remember I singlehandedly turned a pretty standard 'escape from evil lab' plot into--#--a painful story about loyalty and suffering. I was the main villain and the escapees knew he would never give up.#Because he loved their master and believed fully in the idea of 'sacrifice for the greater good.'#Always friendly. Passionate. Would have been a dedicated leader in a slightly different setting.#They knew he would never want to actually hurt them so they had to trick him into trying to “coral” them with his fire powers on ice#He didn't know it was ice and melted through#I guess the thing I do is just... make them cool lmao. It's hard to give advice on this#''Draw the rest of the owl 4head''
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starry-bi-sky · 1 month ago
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danny and officer martinez's relationship in "late at night, when the nightingale sings" in a nutshell:
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Martinez: FREAK! GET YOUR FUCKING KID!
Battinson, on the other side of the crime scene: he don't bite
Martinez, with Nightingale firmly attached his arm, visibly biting him: YES HE DO!
*points at them* Danny is the Bugs Bunny to Martinez's Elmer Fudd.
Another Officer: i can't believe you're fighting with an actual twelve year old. Martinez: i swear to god that is not a twelve year old, that is a little hellion that crawled out of batman's shadow one dark and stormy night and decided to dedicate his existence to tormenting me. Officer: Are you really that mad about him putting a sticky note on your back-- Martinez: thats not the point
in danny's defense: the word "freak" is. a mini beserker button for him for.... obvious ghostly reasons, so like, even if its not directed at him, he still very much unappreciates Martinez's insults at Battinson. Danny may or may not be projecting.
he's not going to hurt the guy! not in any serious or permanently disfiguring way at least! But he is going to leave mean sticky notes on the square part of his spine that he can't reach, and stick salt in his 3AM Late Night Crime Scene Coffee, and kick the bottom of his heel while he's walking so he stumbles. And other petty, infuriating things that tally up and boil over, over time.
#dpxdc#danny fenton is not the ghost king#dp x dc#dpxdc crossover#blood blossom au#dpxdc memes#dpxdc au#the only thing martinez is right about is the fact that danny is. in fact. NOT twelve.#he's just shrimpy because he's half-dead#there's eventually a 'martinez vs nightingale' board in the precinct called the beef board. it tallies every time one of them gets got by#the other. danny is currently in the lead by a wide margin. martinez is very limited in what he can do bc of multiple reasons. but one#of them is the fact that batman HAS punched a cop before. three actually. and he won't hesitate to punch another if martinez actually did#anything to harm nightingale. and also nightingale shows up so rarely and doesnt stick around long enough for martinez to retaliate#or properly plan ahead. its kinda a wild card whether or not nightingale pops up on the scene.#nightingale: i am just a little guy!! the littlest of boy!! baddabing-baddaboom! you wouldn't do nothin to a little guy would'ya?#battinson who atp knows full well that if it werent for the blood blossom danny could turn martinez into a red smear: *would you?*#danny: if it werent for the laws of this land i would have committed acts of violence against You Specifically :)#and also like. every single other officer insulting batman and callin him a freak. they're not safe either martinez is just the poor sucker#that i have a name to give the face to#danny's a good kid but also i don't picture him totally.. hm... mentally stable? he's a little spicy. as a treat.#he's kind at his core but also he found his family's corpses and was isolated from society for 4 months by his abusive godfather and was#poisoned with quite literally the only toxin capable of destroying him entirely and can no longer (currently) use his powers without dying#instantly. so he's! he's doing his best! like between being chaotic and being kind he's def gonna choose being kind but also.#he's living on borrowed time and is in a constant active state of being slowly eaten alive by his own bloodstream. it weighs on ya psyche#danny's barely even processed his family's death and now he's got all this other trauma stacked on top to address. he is Windows EXP rn#tormenting martinez is just. an itty bitty way he can let loose some of the stress he's ignoring.#considering danny's alternate timeline was: world annihilation. he thinks he's doing pretty well all things considered
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stopper-my-heart · 3 months ago
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This was going to be very short and cute but there was just too much cuteness so now it's going to be longer and cute. In this gif we have:
The tail end of Nick pushing Charlie off of him (which it took him longer to do than was strictly necessary).
Nick, in no hurry to get up, with his hands expecting and ready for more roughhousing (and his face showing happiness at the prospect).
Charlie noticing something and Nick - instead of doing the typical person response of looking towards whatever has caught his attention - just continuing to look at Charlie for a while.
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marzipanandminutiae · 1 month ago
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does anyone else who dances ever find that like. you just can't get certain steps when they're broken down slowly, but at speed it makes more sense?
I just recall when I was first learning polka, I'd stumble and make mistakes when the company director showed me very slowly. but once I was actually thrown into doing it with normal-tempo music, it got into my body much faster
(also, god I miss regular rehearsals. my dance company is just starting to emerge from COVID hiatus- long break; long story -and I'm so out of practice that it's frustrating me to no end at events. the general feeling of I Used To Be Better At This, and knowing enough to be able to tell where I'm falling short, is driving me crazy)
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celtrist · 29 days ago
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I really want to see a more fucked up version of Charlie in canon. Like, okay, I am a die-hard for sweet bubbly girls in media. But I always see how some people make Charlie actually, oh I dunno... demonic? And it's so refreshing for her type of character. I could honestly see her having low empathy (and we kinda see this with how she handled Angel's situation or even Vaggie's nervousness about taking control on an activity). An exploration of that trait (if it was intended) would be interesting to see for a protagonist, especially when her main goal is about helping others. I would love to see her actually have a level of difficulty in understanding others' feelings from the other residents, sinners, and even her father.
But give her a fucked up side. Not a "she gets more power when she's angey uwu", but a "oh, she's a little fucked in the head". It would give so much to her character that she just doesn't have.
@/murmurmurena (don't wanna bother them so slash there we go) has some fun ideas with Charlie. I highly encourage people to check their stuff out! So many fun dark ideas with her character while also still keeping to her canon personality pretty well! Personally, I think Charlie being a bit more naive to her own messed up traits would work best but her also being aware of these traits can make for some interesting character for her.
THIS FIC, "A Game Between You and I". RIGHT HERE WITH THE FIRST CHAPTER. A bit of spoil for the fic here: but I love how they handled Charlie’s absolute ignorance as to why the idea of Russian roulette is horrifying to Angel Dust. It doesn't feel like her being intentionally malicious or aware that she's the odd man out here. This is also a pretty old fic going by only the pilot, but the point still stands that it was such a fun take for her character!
Charlie is one of my favorite characters in the show in part of the POTENTIAL she could have as being the most bubbly sweetheart character while also being the most messed up character in the show. I can't say I have strong confidence with the show's writing and fully expect them to stick with Charlie being the "nice girl but oh no, don't get her angry or she gets scarwy". Which isn't bad for a character mind you, there's just so much more potential to Charlie outside of that trope, especially when you get into the theories of her either being a doll, Roo's biological daughter, or what have you. And for the MAIN CHARACTER of the show, it would be not only interesting but also bring the spotlight back to her.
There's really no question that the side characters steal the show, particularly all the male characters. If I'm honest, Charlie does not feel like she gets a lot of love from the show itself when she's supposed to be the main character. She feels far more flat compared to the rest of the characters (again, the male cast in this "female-lead" show has more depth than most of the female cast currently. I wouldn't be pointing this tidbit concerning the genders of characters if it weren't for the fact Viv defended Helluva's lack of development with their female cast by saying "Hazbin is a female-lead show and Helluva is a male-lead" and Hazbin ended up with it not feeling female lead (to me) and the male cast just completely stealing the show. I don't normally care about gender stuff, especially since I do personally lean interest towards male characters. But using one show as a defense for poor development of the female characters, and then that show not really holding up with no very interesting well-developed feeling female characters irritates me. It's just very clear that these shows don't seem to care much about the female cast :/)
If you like how Charlie is written that's totally fine. PERSONALLY, I just think they're missing so much opportunity with her character by just making her the standard female character type. I honestly don't have a lot of faith they'll actually do something with Charlie's character though. She's a pretty static character in S1 being the same from start to end. Not changing or learning anything to create any development. What does the end of season Charlie do that start of season Charlie wouldn't do? Fight back? Because we see with the pilot (which is the “first episode”) that Charlie does fight people if pushed like with Katie Killjoy and even Valentino. Static characters can work in media depending on the show or their role. But Charlie is the MC of a show about “bettering one's self”. So to have her as a static with not a lot of strong dilemmas for herself (like we see with Angel Husk Al and even Vox) seems silly. Plus, considering Hazbin is telling a whole story and it's not a fun episodic thing, characters are expected to grow on some level. Or else, what was the point of their hero's journey?
#I honestly have a lot of problems with Hazbin's storytelling#That the limited time of doing plot doesn't even help it and shouldn't be used to shield the show from criticisms#Especially when you can find the same issues in Helluva Boss that has no excuse with the writing (though it's getting a bit better)#I love this show but goodness gracious it makes me have a tangent about it#Charlie's unimpactful character writing just being one of MANY issues#Hopefully the crew take all the criticisms into account for S3#S2 if possible would be nice but they probably had it all scripted by the time S1 was airing.#No shame on the female cast either they're fine. But when you compare them to the given depth of characters like Angel Husk Alastor and Vox#They're pretty lackluster. Vaggie's probably the closest to a female character with a lot of layers we've seen in the show#And she wasn't done very well with being essentially just “Charlie's GF” with not much identity outside of that explored much#Some of this may be more personal takes but it's frustrating. Again I don't normally care about gender stuff in media#It was just the excuse to Millie and Loona lacking development that bothers me#Like Hazbin is supposed to make up Helluva's poor writing of their main female leads#Loona got a bit of love with the Bee ep and Verosika and Octavia are pretty good. Particularly V with her relationship with Blitz#Whenever I start talking about aspects of Hazbin's writing I always end up ranting a bit (⁄ ⁄•⁄ω⁄•⁄ ⁄)⁄#Celtrist#cel rambles#hazbin hotel#hazbin hotel charlie#charlie morningstar#hazbin critique#hazbin criticism#hazbin critical#hazbin hotel critical#hazbin hotel criticism#hazbin hotel critique#hazbin hotel rant#You can really love something and still be critical with it#I do it out of love I swear#You're not in the Sonic fandom for like 22 yrs and don't learn to be critical of the media you enjoy lol
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corsairspade · 2 months ago
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Halenthir scenario where they get married for tax benefits (in a platonic good friends sort of way) and fall in love long distance via sending each other letters with ideas on how to best leverage their marriage for tax evasion.
#Haleth has never paid taxes before moving to brethil#And is FUMING about the idea. So she sends a letter to Caranthir who mentioned something about *evading* taxes#In this setting I guess they part on good friendship terms#She visits him for a crash course in tax evading and they get drunk and someone mentions marriage giving you tax benefits#They wake up the next day and decide “you know what. Let’s actually get married for tax evasion purposes. It would be hilarious”#Up to you whether they get married in the elven way or just in the human way#Haleth fucks off back to brethil with a bunch of gifts from Caranthir like “bye bestie” and he’s like “👍. Bye bestie.”#And they strike up a proper correspondence#Because they’re married obviously#not because they’re having fun talking about loopholes in the tax code#That would be ridiculous. Obviously they are writing each other erotica.#All of Caranthir’s brothers find out because Caranthir ticks married on his tax return#Maglor voice: YOU GOT MARRIED? AND YOU DIDNT INVITE US?#Caranthir voice: It was pretty low-key. Now tell me. Did Fingolfin cry upon seeing how I leveraged my marriage for tax concessions.#Literally all his brothers: various sounds of sudden realisation this is a tax scheme#half of them don’t even believe haleth is a real person. She might have just been made up for tax reasons#Obviously this leads to a comedy of errors and classic finwean snooping#at one point Haleth hits one of Caranthir’s (half) cousins with a shovel for snooping#claims her name isn’t haleth (despite all her people calling her Haleth) and dares them to call her out on it#they can’t btw she is terrifying#silmarillion#the silmarillion#tolkien#caranthir#morifinwe#haleth of the haladin
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mintjeru · 7 months ago
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it probably wasn't the smartest decision to start an ongoing 1000+ chapter webnovel when i know it'll consume my every waking thought but here we are
open for better quality | no reposts
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bagelarts · 1 year ago
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here i am, not sure you should take a chance...
(insp)
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feroluce · 6 months ago
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Belobog was my fave main quest but a lot of it is so. Contradictory. It's like they had multiple groups doing different shit and none of them checked in with each other for consistency. And you see this so much in Gepard's profile.
So in the main quest, they made him unfailingly, unquestionably loyal to Cocolia. Gepard's character arc is him learning to question authority etc etc. And this isn't even a bad thing; that's a story worth telling! It makes good conflict between him and Serval! And I love that we got Gepard as a boss battle and I get to see him all the time in SU!
But then you look at his character stories and it's like. The complete opposite.
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According to his profile, Gepard has already HAD this awakening, long before the Astral Express, and he'd already decided Cocolia sucks. Even outside of his stories, there's a pretty damning readable between him and Pela.
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He even disobeyed direct orders right in front of her- he has been disobeying orders for a while now!
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So I've decided I'm marrying the two different sides of this into a 1.5k fic-ish thingy, because I think there's some fun potential there with Gepard not trusting Cocolia, but still having to pretend to be a good obedient little soldier.
Anyway. I love to think of it as like. Gepard knows Cocolia has sunk into her apathy. He can see it in her eyes every time he looks at her. She doesn't care. Not about him, not about Pela, not about all his soldiers on the frontlines giving their lives to protect the citizens. And that's... It makes him bristle a bit, but ok. Gepard can deal with this. Even if Cocolia no longer cares, as long as she does her job then it's fine. Having compassion behind an action doesn't matter as much as the action itself. If Cocolia's heart is no longer swayed, then he'll just have to care twice as hard to pick up the slack. He considers it part of his duty as a captain of the guard anyway. It's fine. Gepard can deal with it.
And then, Cocolia starts coming down to the restricted zone. Issuing direct orders.
And Gepard realizes he is in way over his head.
Because Cocolia orders him to stay back and issue commands from the ramparts, away from all his comrades, away from where he can protect them.
Gepard had thought nothing could be as bad as watching a fellow guard die right next to him. But the first time he watches someone struck by a killing blow, so far away, it hurts. Every defensive scar across his arms itches, his fingers curl in want of a weapon, the cold cannot numb his hands enough as they desperately ache for his shield. It hurts.
Gepard tries to find any reason to stay. Because surely... He knows Cocolia has lost her love for her people, but surely... She wouldn't...
One day, Cocolia orders for their gunners to advance 20 yards. There are no survivors. She almost looks like she smiles.
Gepard doesn't sleep that night.
Pela brings him the report at the end of the first month; and then the month after that, and the month after that. A significant uptick in losses, and all of it started on that first day Cocolia started overriding his authority and issuing her own orders. The ends of Gepard's pens have all been nearly chewed off. Pela outright calls Cocolia an idiot, and Gepard corrects her. Cocolia isn't an idiot. Gepard had known her through Serval, knew her through all her college years and then some, and he knows how intelligent she is. It's not that she's stupid, and it's not that she's inexperienced, it's nothing of the sort.
Cocolia knows exactly what she's doing.
She must, there's no way she could make such a horrible mess of things so badly by accident. And Pela, quick as a whip, sharp as a tack, always too smart for her own good, catches onto the meaning behind Gepard's correction without any further prompting. The tent goes deathly quiet, nothing but the wind howling outside.
"...She's trying to kill us," Pela whispers, her voice swiftly suffocated by the silence.
Gepard swallows. He can't bring himself to correct her this time. There is nothing he could say that he would actually mean.
His gaze drops, back down to his desk and the reports on it. The names aren't listed, just the numbers, but Gepard knows them, knew them, and there must be something wrong, something he's missing, because why, why would she-? What could this possibly accomplish-?
“Gepard! Focus!” Something snaps right under his nose, and Gepard startles, eyes instantly honing in on Pela's irritated face as she leans over his desk. She holds his gaze for a moment before she huffs and begins to pace, wedges a knuckle between her teeth and bites like Gepard hasn't seen her do since cadet school.
Pela angrily strides from one end of his tent to the other, words hissed between her grit teeth. “What are we going to do?” In the dim lighting, Gepard can just barely see the damp spot of blood weeping under her gloves. “We need a plan.”
“A plan?”
“Wh- Yes, a plan! Unless you want more people to die!” Pela rounds on him then, all the wrath of a blizzard, winds roaring and snow sharp enough to cut.
“We don't even know-”
“What does it matter?! She killed-!!” Pela cuts off with a garbled noise when Gepard leaps up from his desk, hastily shoves his hand over her mouth. The prosthetic, not the flesh one, because he knows better than to assume Pela won't seize the opportunity to leave teeth marks in his skin.
“You're right. I'm sorry, I'm sorry; you're right. But you need to keep quiet.” Pela quirks an eyebrow at him and Gepard can read the question in her face. “Because we both saw what she did to Serval,” he hisses.
It's amazing the snow plains haven't thawed out yet, the amount of heat Pela can put behind a glare. The mere mention of Serval, and the smoking ruins Cocolia had made of her life and career, have her bristling up like a riled cat. The sudden hot breath she takes fans fog across his metal skin, and Gepard wisely keeps it in place until Pela finally sighs and reaches up, taps her fingertips against the back of his hand.
The second she's free, Pela bats him away and then her knuckle is right back between her teeth again, Gepard leaning back against his desk with his arms crossed to watch her resume her pacing. “If we spread the word, she'll have us discharged and make sure we can't even touch the frontlines,” Pela's voice seethes like an open sore. Gepard nods but keeps his silence. He knows better than to get in her way.
“And if you and I are both out of the picture, Belobog is fucked.” A little harsher than how he would have put it, but there's no denying that they're both important to the city's survival. Pela has the restricted zone running as efficiently as ever, and Gepard had become the youngest captain on record for a reason. “We need to keep this tight under wraps, at least for now… It can't leak to anyone higher up the chain.” Another nod. “Serval might know other discontents…” Another n-
Gepard's head snaps up. “No.”
“No what?”
“No. We're not involving Serval in this.”
Somehow, even the same tone that leaves entire squadrons shaking in their boots has never worked on her. “You're not deciding that for her, Gepard.”
Pela hadn't seen the worst of it, though, back when his sister had just been banned from the Architects. Serval's pride hadn't allowed it. Pela wasn't the one to find her passed out bottle still in hand, hadn't been the one to wash the sick out of her hair or carry her to bed. 
Serval still has trouble thinking clearly when it comes to Cocolia, still can't quite bring herself to be objective. And Gepard maybe doesn't want her to be purely objective- but he would worry a lot less if she thought twice before she acted more often.
“At least let me be the one to bring it up to her.”
“Whatever, fine,” Pela gestures affirmatively at him as she paces past, and Gepard sighs. Good, at least that's one thing he can help.
From there, it's a lot of hemming and hawing and frustration. Cocolia has them under her boot, and Gepard and Pela both know it. Even with the way she's been cracking down on freedoms lately, Cocolia is still, overall, liked by the people. It's unlikely anyone would believe them. They don't even have solid proof, because most people don't know Cocolia as well as they do and won't see the clues in the same light. 
The Fragmentum has been ramping up in recent years, too. Everyone is struggling just to survive as is, they can't afford a fight on two fronts. Gepard is a damn good captain, one of the best for that matter. But they're at a massive disadvantage, his experience is narrowed to fighting a defensive battle against monsters, that's all he's ever done. That's all anyone there has ever done. He has no way of finding first-hand knowledge for taking the offensive against a human opponent, and if he goes at this blind, there's no way he'll get everyone out unscathed. He's going to lose people. He's going to lose a lot of people.
He'd never thought before that Cocolia would have it in her to have someone killed. And with this new knowledge, he has no guarantee she won't go after Serval or Lynx if she decides to retaliate.
Gepard has to remind himself to breathe when he realizes this.
Pela writes down every name the two of them can come up with. Lists and lists of names and groups and anyone they can think of who might be an ally in all of this. They memorize every bit of it, make their plans of who to talk to and when. Gepard watches the sparks reflect off Pela's glasses as they burn the evidence together.
Pela finally leaves, far too late to make it home, but says she wants to stay in the restricted zone anyway to investigate. Gepard watches her make her way in the direction of Dunn's tent, watches her back until she's out of his sight and squashes down the urge to follow and keep an eye on her. His tent feels empty.
In the morning, Gepard is up before the wake up bells. He drags himself out of bed, leads his soldiers through their morning training. The same people gravitate to each other everyday. Friend groups and training partners. There's an ongoing rivalry between a few squadrons that everyone bets on. Some of them have lockets around their necks, keepsakes, mementos. Some of them wear wedding rings.
Gepard is suddenly, painfully aware of something acidic clawing at the inside of his throat, of a heavy weight low in his chest that blooms, takes up room until it threatens to spread his ribs. His mouth tastes of bile and blood.
He rearranges the schedules. Puts himself down for every open patrol into the Fragmentum, makes sure he'll be on the frontlines every single time Cocolia visits.
He only hopes that it's enough.
#honkai star rail#gepard landau#hsr gepard#pelageya sergeyevna#hsr pela#hsr#smacking Gepard out of Hoyo's hands and running off with him skzjmdkd#tentatively Figuring Out how to write these two... It feels a little tricky starting out with extreme circumstances like this haha#I feel like a lot of people see Gepard as naive for trusting Cocolia so much but I don't think that's quite it. He's not stupid.#He's not even naive.#He's someone who has been groomed since birth by his own parents to be an obedient Guard and nothing outside of that role.#You are not immune to propaganda etc etc#But even then there are a lot of things like all the included screenshots where he. Doesn't actually seem to like/trust Cocolia much.#I think Serval was a really good influence on him as a kid. He might have turned out much much worse without her.#and even with how I've written him here. I don't think he's normally slow to act or one to stand aside and make other people lead.#it's just that this specifically was a pretty extreme circumstance for him.#and also he openly states elsewhere that Pela is overbearing and he tries not to interfere with her work whenever possible nskzhdjdjd#Pela too. I don't know that I normally see her as someone with a bad temper or quick to anger.#But again; extreme circumstances haha#Bc like. they both would have seen what happened to Serval when she stood up to Cocolia. they know damn well what's going to happen to them.#if they fuck this up and get caught then they're done.#and I mean. What are they supposed to do? they're two people against the highest authority of the entire nation.#regardless I do love Gepard agonizing over this in the future after Bronya takes over and everything has settled down#did he do the right thing? did he make the right choice? if he went vigilante how many soldiers would have died without his protection?#would Belobog have fallen completely? how many people died because he DIDN'T run away? was it actually enough?#I love characters forced between a rock and a hard place. no good options. pick your poison.#no winning- only weighing what you can and cannot bear to lose.#make your choice and decide whether you want to rot or to burn.
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doveywovy · 3 months ago
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06 not realizing they’re injured
unhealthy coping mechanisms/healed wrong/"it's not my blood"
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After the last of his little brothers dies, Tobirama learns to always sense Hashirama's chakra. It's a drain on his own resources, if a trickle of one- but he starts when he's nine years old, and a trickle is a dangerous amount.
He does it anyways, and his abilities adjust around it. The relief of always knowing where Hashirama is has a massive impact on his ability to actually sleep at night. When he's twelve, he pushes himself so he can track Toka's chakra as well. Learning to divide his attention- between his brother, his cousin, and whatever task is at hand- is not easy. He gets migraines, makes mistakes. In the end he manages, and from there it's only natural to expand.
He can't manage all the Senju, but he can keep an eye out for the children. For the one civilian who reminds him of his mother, for his brother and his cousin.
And eventually, for Izuna.
That's from a different kind of paranoia. If he knows where Izuna is, it halves the threat he presents. He might not be able to keep an eye on all the Senju, but at least he knows where one of the greatest threats against them always is. He keeps a closer watch on Izuna's chakra than he does anyone but Hashirama's.
(It's easy to follow. It's distinct from the Senju, burning hot and crackling with energy, less like a fire and more like a lightning bolt. If he turns his full attention to it, which he rarely if ever does, it sends a shivering zap through his own system like static shock leaping between fingertips.)
Perhaps it was a mistake. Lumping Izuna in with his loved ones. Or perhaps the mistake was relying on the sensation of the man's chakra in the winter months, a warm fire banked compared to his own frigid nature. Perhaps allowing himself to cling to anyone's chakra at all, even Hashirama's, was the real mistake.
Regardless- he snaps into action when he wakes up to the sensation of someone's chakra sputtering out, using the Hiraishin to travel the distance- three jumps more than he's ever done before, a strain on his body that distracts him as much as the frantic feeling of chakra flaring and struggling as it's tamped back down that drives him on.
He saves Izuna. It's only after he's done it that he realizes his mistake, and by then it's too late.
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idolomantises · 2 years ago
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ngl, the more I think about it, the more I feel conflicted over how people sexualize my characters.
On the one hand, it would be silly to deny that I don't go out of my way to create aesthetically pleasing/attractive characters because I love to draw what I enjoy, and I love it when people simp for them.
But on the other hand, sometimes it does bother me that people are so fixated on sex and their own arousal that they miss important lore/plot information that I get a bit frustrated
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kindaorangey · 2 months ago
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well i'm comforted by the knowledge that book!armand has some faith in the christian god (and, like, that this faith is vital to his character) because it means theres absolutely no fucking way they'd just do that one-to-one in the show and so we're one step closer to an exploration of show!armand's relationship with islam
#iwtv#armand#the vampire armand#armand iwtv#interview with the vampire#i cant find a source on whether assad is muslim or not like i know there was that one interview where he said he grew up in a#muslim community#but that doesnt necessarily mean hes muslim himself/was raised muslim/if his parents are muslim#but i still think theres a good to fair chance that when he was called in to the writers room to discuss show!armand and to#collaborate with the writers over how show!armand is different to book!armand#that this was because armand's weird relationship with faith in the show will be concerned with islam rather than christianity#(and also because assad is south asian and show!armand is a delhiite but that so far isnt relevant to his character in the same way#that i know religion WILL be. because thats how it is in the books)#im lowkey trying to watch as many interviews as possible so that i can envision s3 in my mind. patient needs s3 to live.#anyway we poppin the biggest bottles when armand has a complicated relationship with islam in s3. or something#also i have something else to say but it's a pretty major book spoiler so this is your warning to look away#if im right about this. i wonder whatll change about armand attempting suicide#because the christian conception of heaven hell and repentance doesnt exist in islam#so yea. i wonder how exactly the suicide attempt will be characterised/if it will be to do with his faith in god or something else#because its lestat fucking with him that leads him to try and kill himself anyway? hes like hey i met the devil. god is real btw#not sure lestat has a keen enough understanding of islam to pull off the equivalent but yanno#(maybe that points to show!armand being christian and not muslim. but thatd be boring and i dont like that idea🧡)#thunder rambles#armandposting
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squuote · 11 months ago
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the way the broom closet and the infinite hole being nearly parallels to the other in that they are both areas of the game that stanley has immense attachment to but the narrator doesn’t understand why and makes an entirely huge fuss about his confusion for the affection towards these areas. I think what makes the infinite hole just as funny is the fact that despite succeeding in making a new game feature that stanley seems to really enjoy, he’s so much more focused on the fact that stanley is enjoying it the “wrong” way. aspects of the game that go hand in hand with the bucket.
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mathewton-cl · 3 months ago
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As An IzuOcha Shipper…
…them not ending up together isn’t the problem.
Horikoshi taking the “leave it up to interpretation” approach and then proceeding to COMPLETELY AVOID ADDRESSING their relationship status is the problem.
Horikoshi failing to tie up that one last loose end for Uraraka’s character arc (not closing off her feelings) is the problem.
Again, I ship IzuOcha. Still do, because I’m stubborn. Would I have liked for them to end up together, even if it was only a somewhat blatant implication that could be handwaved? Obviously. But you know what? Maybe I would be upset if the story went out of its way to explicitly de-confirm any chance of Midoriya and Uraraka being a romantic pairing, but I’d at least respect it and understand it a lot more if the story let Midoriya and Uraraka actually talk about this, or at the very least SHOWED US them talking about this. I’d understand if Uraraka completed her character arc by having a heart to heart with Midoriya and telling him that her feelings have changed, her priorities have changed, and Midoriya understands and they remain good friends. Let’s be real, romance isn’t Horikoshi’s strong suit, despite his many attempts to leave romantic implications throughout the series. I’d completely understand if he just had Midoriya and Uraraka talk and they didn’t end up together, because at least then it still provides both of their characters with closure.
But no, that’s too simple. Let’s just “leave it up to interpretation,” because it clearly wasn’t that important, right?
Well, as many people on the internet have already brought up, if it wasn’t so important, why did you spend so much time putting emphasis on it? Why did you have Uraraka, up until the FINAL WAR, have her crush on Midoriya be a crucial part of her character (it wasn’t her only character trait, mind you, but it was still important)? Why did the penultimate chapter have the class come to comfort Uraraka and tell her that they can talk to her… and then come the next chapter, Uraraka apparently hasn’t done anything regarding her supposed crush on Midoriya? For literal YEARS!?
…see, this isn’t even a shipping problem anymore. This is a character problem.
Horikoshi, for whatever reason, chose not to include a romance for the main character and his supposed love interest. And again, that’s fine, not every story needs to be a romance. Two problems with it here though (well, one problem and an observation):
1) Choosing to not at least address the romantic subplot with a “I think we’re better off as friends” encounter, thus actually concluding the subplot and providing a sense of closure, not only leaves the result feeling underwhelming and frustrating, but also actively damages Uraraka’s character arc. We can have her address the problem that caused people like Toga to exist, but heaven forbid she talks about romance with Midoriya.
2) Despite his supposed aversion to romance, Horikoshi still went out of his way to give Gentle and La Brava wedding rings… he’s willing to establish a side romantic pairing without bringing too much attention to it, but he can’t be bothered to do something similar for the arguable MAIN pairing? It’s the “Togata has special clothes so he doesn’t end up buck naked, but Hagakure’s still gotta go commando” debacle again…
I’ma go ahead and wrap this up ‘cause I don’t wanna keep y’all much longer, but like… being optimistic, this ending was… functional. I’ve got my problems with it, obviously, I don’t think it was BAD bad… but it certainly wasn’t good. It works. Barely. And it’s ‘cause of stuff like this.
Midoriya and Uraraka didn’t need to end up together, truly. All Horikoshi had to do was put the smallest amount of effort and give us something of substance, something with closure. Instead, we got what we got.
I get that he was exhausted and wanted the manga to be over… but that excuse only holds up for so long.
#14 August 2024#bnha critical#mha critical#bnha 430#mha 430#bnha spoiler#mha spoiler#bnha spoilers#mha spoilers#should I put this in the main tag?#...screw it#bnha#mha#boku no hero academia#my hero academia#i'm pretty basic/casual when it comes to how i consume media but like...#this was NOT it chief#horikoshi decided to not put in the work (even if it was somewhat understandable) and that backfired. HARD.#midoriya doesn't get to be a hero? well at least he's a respectable teacher at an accredited academic institution!#...except the story frames that as all midoriya was doing for that time period. no consulting on hero work. no helping with investigations.#just teaching. which is all well and good... if all of the teachers/mentor figures throughout the series weren't various levels of garbage.#that's a different discussion tho#or how about this new development in hero society will mean the heroes will finally have some serious free time... except they don't.#even with the lowering villain count they're all still too busy to have more than a few of them get together at a time.#at least actually reading makes it clear they didn't outright ghost Midoriya but like... something about that feels wrong.#“bUt It'S rEaLiStIc” AFO was defeated after a second resurrection by the power of friendship and other ghosts#edgeshot bakugo and gran torino survived despite all the fatal hits they took. this series doesn't know its stance on realism.#bakugo's finally got some serious character development! except y'know... he's still okay with telling off civilians.#y'know... the same thing that caused him to fail the provisional license exams? something he should have really figured out YEARS later?#at this point I can't even take him leading the charge on the power suit project seriously... it feels less like natural growth for
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ferryfoam · 1 month ago
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I think about The Seige of AR-558 all the time. It's probably one of my absolute favourite ds9 episodes (along with In Purgatory's Shadow and By Inferno's Light which can not be topped) that one part where Julian is treating the wounds of one of the star fleet officers who've been essentially abandoned in this war zone and the officer is clearly so deeply traumatised by his experiences there is one of the most poignant moments in the entire show to me. The dialogue is so good and it really reminds you that this is an actual war theyre having, not just some flashy space battle where the good guys win and then everything is fine- it's had lasting impacts on these people who star fleet is meant to protect but really they send out a group of officers to a planet and then leave them there for months longer than they were supposed to be and so utterly do not care about these people because they see them as disposable. Even after Sisko and the ds9 crew realised how awful the conditions were everyone was expected to stay there - a position too important to the federation for them to let these people go home but not important enough for them to send backup or replacement officers (I though Quarks presence in the episode was really good as well for providing a perspective of someone not in StarFleet and a lot of the things he said about human nature and the actions of the federation really reflected how I was feeling about it as well haha)
Also the music was really good
(Edit if you want to hear more of my take on star fleet corruption I have put it in the tags)
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