#yuki saying he didn’t get as much credit as other drivers for his good season: babe you basically had everyone jacking you off

[cecoeur]

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[drink-n-watch]

Editing Irina here: I have to admit this post got a bit away from me. instead of a simple list of anime directors I happen to like it turned into this little diatribe about the role of directors in anime production and now it’s way too long. Still I did enjoy writing it so I’m leaving it in but feel free to skip to the list section. I won’t be sad!

For some time I’ve been under the impression that anime directors have a much bigger impact on their end product than live action directors. By no means am I trying to imply that a traditional director does not shape the works they are a part of but for me, it wasn’t as flagrant. There are a lot of directors whose filmography stuns me. Unless they’re big names they don’t necessarily have that much control over the final cut so even renowned directors have some pretty confusing early movies. To me, I tend to notice writer directors way more, than those that stick to just directing.

But in anime, I almost never get caught off guard. I can usually see clear family resemblances between shows from a same series director even if they get produced by a different studio and are in completely different genres. I’m sure there are a lot of reasons for that but I think one of the main differences is storyboarding.

As far as I know, pretty much all shows and movies have storyboards. It’s a basic part of film production. I’m sure there are some rebels out there who just go out and wing it, but when it comes to animated works it’s considerably less optional. It also has more impact.

Even if a director didn’t write a particular series (or adapt it as is usually the case) they always have a final say on the storyboards, if they didn’t outright create them. The storyboards guide and shape the action in such a precise and deliberate way that it’s impossible not to leave a trace. This makes the director’s input as important and obvious as the writer.

or maybe not… no need to get mad

Of course, anime directors also have control of the appearance of a given series but unlike real life shows they are not bound by physical or budgetary constraints when it comes to setting and are never forced into bad casting…. Actually that’s not true. They don’t have to deal with any particular actor’s looks or physicality but they could get stuck with some horribly miscast voice actor and that can be just as damaging.

This said, as far as appearances go, animation in general allows for a much tighter control over the look of a series than would otherwise be possible. It also allows for easy signature looks. You know certain design styles and colours are favoured by certain directors and show up in most of their works. After a while you can tell at the glance when a new show is likely from a director you like. Of course you can get fooled.

The same type of signature look is very difficult and mostly, very expensive to recreate in a live action setting. Not to mention that because it is so involved, a lot of directors will purposefully avoid creating one as it can end up distracting from the story. I heard that in an interview. I don’t remember the director who said it but I like to think it was subtle shade at Tim Burton.

Animation is a more independent venture than traditional film making. Unlike actors on a set, animators do not have to be physically in the same room to create a scene. Everything is compartmentalized. Designers come up with a design. The tons of artists draw the different elements and scenes, separately. The images go somewhere else to be cleaned up and coloured. They then get put together and edited by different people once more. After that the voice and soundtracks are created. And all these people never even have to meet. The producer and director become much more vital to making sure all the moving parts fit together.

it sometimes works better than others

Because of how central the anime directors role is, they tend to leave their fingerprints all over the production. Not to mention that generally speaking, aside from new media (i.e. YouTube) most media has more oversight than anime and as such anime directors have more freedom to mould their shows than even western animation directors. Let me tell you, most of the stuff that comes out of the big anime studios would never fly at Disney. Wait, does Disney own anime now? It’s possible, they own everything else…

Once again, I want to make sure that I don’t sound like I’m trivializing the role of classic directors. They can make or break a movie or show in any format. I’m just saying that I personally feel the director’s presence more in anime than other mediums.

And it’s therefore particularly bad that I hardly ever acknowledge them. I speak or writers, voice actors, studios but I hardly ever mention directors. I would like to fix that today with a very short list of anime directors I am currently interested in. This is by no means an exhaustive list!

Hiroyuki Imaishi

Renowned key animator, director and co-founder of studio Trigger. Regardless of what people may say about Trigger’s narrative choices, most do agree that their productions are usually stylish and distinctive.

As a director Imaishi has helmed:

Dead Leaves (2004)

Gurren Lagann (2007)

Panty & Stocking with Garterbelt (2010)

Kill la Kill (2013)

Space Patrol Luluco (2016)

Promare (2019)

Considering my deep love for both Gurren Lagann, Kill la Kill and Promare, it’s not surprising that he tops my list. Beyond just the visual flare and fantastic palette choices, I find that Imaishi is very skilled at pacing high action with emotional verve. His works are often tongue in cheek and meant to convey deeper meaning and questioning through high speed antics and crazy over the top moments. He manages to balance out both plot and character development with good ole fashion fun in a way that has always managed to suck me in.

Kunihiko Ikuhara

A fantastic creator and veteran of the anime industry, if his name is attached to a project, it has my attention. Especially as a director. Utena alone was enough to win my devotion but this guy also directed:

Sailor Moon R (and a lot of Sailor Moon in fact – also Hell Yeah Sailor Moon!!!)

Revolutionary Girl Utena

Penguindrum

Yurikuma Arashi (will see this really soon)

Sarazanmai (I fell in love with this)

I don’t think I made my point clear enough, but Sailor Moon was a great series and it does NOT get enough credit. It should have been considered on of the Big Boys but somehow never makes the list. A travesty. Since Ikuhara often has a hand in writing or storyboarding the shows he directs, they often have a certain feel to them. That feel is bonkers. This guy loves him some surrealism and so do I. I don’t know what his next project will be but count me in.

Yuki Yase

Ok, I’m not gonna lie, I enjoy good visuals and strong compositions. I sort of give them disproportionate importance. So the director of Fire Force made this list. Whatever else it may be, the series has given me some of my best gallery posts by far.

Yuki Yase may not be quite as seasoned as the two I mentioned so far and although he’s worked as an episode director a lot (and in some very prestigious shows), he only has a few full series to his name:

Fire Force (TV)

Hidamari Sketch × Honeycomb (TV)

Kubikiri Cycle: Aoiro Savant to Zaregoto Tsukai (OAV)

Mekakucity Actors (TV)

Admittedly aside from Fire Force I’ve only seen Mekakucity Actors but it made an impression. I would say he is one of the most adventures directors I know, unafraid to experiment with productions. Sometimes even a bit too much but then again, I appreciate the verve. Both shows are distinctive and visually interesting which is enough to make me want to see what’s next.

Naoyoshi SHIOTANI

Naoyoshi Shiotani has been in the business for a while and racked up quite a few credits but as a director, he’s basically done two things. Blood+ and Psycho Pass. But pretty much all of Psycho Pass) I haven’t watched the second season of Psycho Pass (and I haven’t great things), but I have seen clips of it. And one thing I enjoy about Shiotani is his consistence. I can tell its Psycho Pass from a mile away. And it’s not all up to character designs and backgrounds. Colour choice, voice actor delivery, movement framing and camera angles. All of them have a very specific style and remain true in both movies and series throughout the years. There’s a dedication to his direction which I just appreciate. He also manages to spread out a complicated story in such a way that it’s clear for the audience without talking down to the viewers. That’s a gift.

Takuya Igarashi

Wikipedia makes a point of stating that Igarashi is a freelance director, I’m not sure why. And I might never have picked up on this guy until last season of Bungo Stray Dogs basically made me get a pinterest account so I could keep all my screencaps safe. It was gorgeous. The framing in the series, the angles… Beautiful and masterfully integrated into the atmosphere and ambiance of the series.

Bungo Stray Dogs (TV) : Bungo Stray Dogs (TV 3) :

Bungo Stray Dogs 2 (TV) : ) Bungo Stray Dogs: Dead Apple (movie) : Bungo Stray Dogs: Hitori Ayumu (OAV) : Captain Earth (TV) :

Ojamajo Doremi (TV) :

Sailor Moon Sailor Stars (TV) (Hells Yeah Sailor Moon)

Soul Eater (TV) (whoa)

Star Driver (TV)

Zatch Bell: Attack of Mechavulcan (movie 2)

So I guess the moral of the story is, I like directors who worked on Sailor Moon at some point? Good moral. Let’s go with that!

I am going to start paying more attention to the production team when new anime get announced cause that’s usually the best indicator of how likely I am to enjoy a show. Who am I kidding..? I’m gonna look at the promo picture band decide entirely based on that. Reading is hard guys! But maybe I’ll look at the production staff of the first few shows! Baby steps.

Do you have any favourite anime directors? Who are they?

Way Too Long My Top 5 Anime Directors post Editing Irina here: I have to admit this post got a bit away from me. instead of a simple list of anime directors I happen to like it turned into this little diatribe about the role of directors in anime production and now it's way too long.

[courage-a-word-of-justice]

SSSS.Gridman 3 - 4 | Double Decker 5 - 6 | Golden Kamuy 15 - 16 | Zombieland Saga 4 - 5 | Merc Storia 3 - 4

Gridman 3

Samurai Calibur is literally what pulled me back into the show – after all, he’s an indicator that despite this show’s serious demeanour, it is campy at heart. So it’s great to see him have a big role, even if he has to look stupid to do so.

Uh…by the way, kaiju (Anti?). What’s so cool about Wolverine blades? I mean, Wolverine himself has healing factor to back that up, but you’re just a kaiju…

That star explosion! There’s the Trigger we know and love!

“A kaiju that eats breakfast with me.”

I always love how anime deal with isolation through framing and other visual techniques. In this case, it’s Utsumi and Rikka in two mirrors of different shapes.

“…over, right?” I thought, as Utsumi said, “…disbanded.” – Close enough.

Literally everyone in this show has blue eyes. It’s striking, but it’s a bit much…? I personally like a mix of eye colours for characters, especially those eyes which seem to have flecks of different colours in them. Not that I’ve ever had an excuse to give any character I’ve created eyes like that (since it’s easier to describe single-coloured eyes), but it would be nice to have an opportunity to. Update: Apparently it’s a homage to something. A Transformers thing, actually.

This ED…hmm, it kinda looks like the Sarazanmai ads I’ve seen around lately. Just without the stylised background people and with Akane and Rikka.

Double Decker 5

“The Derick Special!” – Welp, aside from forgetting the E in “potatoes”, they got the spelling right, LOL.

I wonder if Kirill’s sister looks anything like him?

…Hmm. I noticed the license plate on that blue car has BNY. Maybe it stands for “bunny” or “Barnaby”?

*Kirill headbutts Doug* - Well…uh, that’s one way to use your head…

“My first partner died.” – Wait, but if that’s (Doug’s first partner) not Derick…then who is it??? The one before Derick? Update: Yep, I was right.

I just realised the motorbike (? car?) Max rides has her name on the license plate. At least in the ED it does.

It seems like the next episode is a breather ep…hmm.

Golden Kamuy 15

Kibushi is number 8 on this page.

“Bat man”…? Like the superhero?

I can’t believe I actually don’t mind the Blingee fire at this moment in the season…urgh. Why did I just say that? I might regret it later…

Oh my gosh…woodcock birds are adorable!

Inkarmat likes Cikapasi’s cover story? Even the bit about…boob-grabbing…?

I like the technique where it appears Nagakura and Toshizou have deaged. It really gives the scene emotional impact and emphasises the fact this episode is called “Let’s Talk About the Past”.

Zombieland Saga 4

I always imagine Lily’s voice to be extremely high pitched. So high pitched, it’s almost silly…but maybe that’s just what happens when I turn off the volume and try to imagine their voices that way.

Chatsumi means “tea picking”. As in picking tea leaves.

Bikubiku just means Junko is trembling from fear. She probably has a fear of heights…

Hey wait, I thought slapping Saganship Z on people who aren’t zombies is called “administering medicine”…

The CGI…I don’t think it’s entirely hideous, but it’s still vaguely obvious.

Marutchi/Tamatchi -> Yes, it’s another Tamagotchi joke from Saki.

Merc Storia 3

Oh my goodness…this (the queen) is the fairy I got hyped for way back when this show first had its ED showcased! She’s basically the anime version of a Shirley Barber fairy! She’s gorgeous!

Princess, didn’t the tale of Excalibur teach you not to pull swords from stones?

There are a lot of princesses in this, to the point where it makes me feel like a kid again. Then again, all good anime makes me giggly like a kid. Not to mention this actually is aimed at kids…

Who’s a healer, Merc? Jamo? (Yeah, yeah, I’m kidding, but seriously, get Merc to do a better indication of who she’s talking about.)

Oh, how did I not think of this? Yuu’s name is Yuu because he’s you, geddit? The player character?...Okay, stop booing…

Seriously, all the fairies, regardless of their gender, are gorgeous…! Except the bartender and the butler. The bartender looks like Tank from Brave Beats and the butler’s just an old guy. The background characters are only decent looking, too, but I’m talking about (most of) the main characters here. The princess is kinda cute, but not enough to awaken a moe instinct in me, y’know?

I didn’t notice this until now, but Paristos has pointy ears…hmm.

Wait, that was a dude fairy??? The black one, i.e. “one that knows the land”??? Update: Sorry. I listened to his voice and then realised…that is a dude. Sorry. He even kind of sounds like Ume…Update 2: A-hah! That’s why The One That Knows the Land (that is literally what he’s credited as) sounded familiar. It was Junichi Suwabe! Update 3: His name is in the next ep, it’s Zephrodai.

SSSS.Gridman 4

I noticed Akane has a Surume card. It’s probably a pun on Suika (Watermelon) cards. Apparently the pun is that tapping the card on and off is like water swishing (sui sui), hence the name. Update: It would be also nice to say they were a pun on Hong Kong’s Octopus cards, but the visuals on the cards are all wrong…

See? They’re (Namiko and Hass) using their phones like normal kids. So why didn’t Rikka remember to use her phone last ep?

Rumour has it Borr is a dude, which makes the fact he’s questioning why girls like older guys make a lot more sense. Then again, you could just headcanon him as a lesbian instead. I’m not going to stop you from thinking that way if you do.

Honest to stars above, this feels like Kiznaiver Round 2. I didn’t mind Kiznaiver but though it could be better. The drama felt a little too…melodramatic, y’know?

See? This episode just proves Calibur is best boi…until further notice, when they introduce that other Neon Genesis bishonen for real.

So if Borr -> Buster Borr, Max -> Tracto Max and Samurai Calibur -> Calibur, then Sky Vitter…either Sky or Vit. I already know the answer is “Vit” because I saw it on the wiki, but it makes a bit more sense now. Anyways, I was wondering…what happened to the 3 dudes from Arcadia? Max is the strongest, eh? So many questions, not enough time, y’know???

Double Decker! 6

“Good Noodles”, LOL.

The line that appears when the subs say “Let’s take this to our car” actually says something along the lines of, “For the moment, let’s take this to our car, shall we?”

Interestingly, the word “guinea pig” (as in, the “we’re being tested on” sort) translates directly – you can read the word morumotto (guinea pig) in the text.

Maybe I’m not familiar with terms aside from keiji/keibu etc. for policemen, but I’ve never seen a policeman being referred to as “omeguri-san”…

If we’re talking about noticing things…a post for this episode already spoilt for me that “Kirill now has a brother”, although I don’t know whether that comment was made in jest/deception or not. Also, that “sister” sure didn’t have any…er, secondary reproductive characteristics on the torso, to put it lightly.

Reminder, dear cowatchers: Doug is…kind of…an asshole.

*Milla’s disappearance involves getting on one of those double decker buses you see around Lisvaletta* - Welp, that puts another meaning to the name “Double Decker”, eh?

Apple Bieber (LOL) is so tsundere when people actually call him “Doctor”, haha.

Holy sisters, Batman! Milla even sounds like a man. I may be terrible at identifying voice actors from their voices alone, but heck if I can’t tell this “Milla” is a man! (The voice of “Milla” sounds familiar…who is it, though? I’ll skip forward and check. Update: Okay, it’s a name I don’t recognise, but it is a dude! The VA’s name is Yuki Fujiwara. But now that that’s established…I like Valery (sic…?) already. He’s definitely my type~.)

Soooooooooo…yeah. Kirill really does have a brother. Sorry for the spoilers.

Golden Kamuy 16

…Wait, so he’s (Shiraishi) actually getting captured this time?

I find it interesting there is a Japanese equivalent to “Kamuy” which means “residence of the gods”, to translate it somewhat loosely.

Shiraishi had such stupid faces in everyone’s heads…LOL.

I find Tsurumi wearing a proper outfit coloured like the 7th division (albeit more Chinese-looking) kinda strange. Tsurumi suits red more, methinks.

Opium, eh? I assume this talk about poppies and England has something to do with the Opium Wars.

Arisaka’s probably as bad as Brook from One Piece…at least, when it comes to skull jokes in the OP manga. Or like a group of dads having a meeting.

Nikaidou’s so petty…LOL. But it is a good idea to weaponise a fake leg – I mean, Toshizou could have the same advantage if he put a sword in his cane…but I think Toshizou thinks too highly of his Izuminokami Kanesada to do such a thing.

I laughed pretty hard when I learnt Ogata is meant to be part of the 27th. Probably because it wasn’t much of a coincidence in the first place.

Zombieland Saga 5

Wowee, what just happened to Tatsumi’s leg??? “The second you let your guard down, it can all fall apart!” – I think he was talking more about his leg rather than competitive baseball…Update: I swore the ball went through his leg. If you didn’t interpret it the same way, then…sorry.

So I heard you like KFC. Well, we’ll just grab Saga’s equivalent to KFC so you can have chicken in your anime while you eat chicken…or something like that…?

Shouldn’t that be “principles of Drive-In Tori”?

The fish eyecatch seems to involve a Karatsu-kun-chi…according to the banner in the back.

Google Translate tells me “Bonjour, Saga jeune” means something to the effect of “Hello, Saga youngster.”

They really like their live-action segments on this show, huh?

Seriously, which of these girls does Ookoba-san remember??? Is he the driver from episode 1’s Truck-kun? Update: It’s Junko, so that makes sense. If it were Policeman A recognising Junko, Ai or Sakura…we’d be in trouble.

I forgot why they were panicking, but then I remembered…they didn’t have their makeup on. Ah.

Eh? You’re kidding…the Gatalympics is legit!

Yugiri literally poledanced on that rope! Yipe, that’s stiff competition…

What is Tae eating in these in-between scenes, anyway…?

I believe I cannnnnn…*music cuts immediately* Fall…So much for the “I Believe I Can Fly” parody…

Merc Storia 4

Gah, that necklace looks like a Sims gem…

Okay, if I figured out what the next country is it won’t be so interesting. It’s the “country of the clan of few people”.

You can see Salodeah in the ED…and Fruedling (sp???)…but there are some other characters you don’t see in these fairy episodes. Now I’d like to meet the lady riding the spider and the blonde guy (you see them in the same screenshot). You can also see the dog girl from the animal in the ED (I forgot her name though, LOL). I’d also like to see the angel country…

I just realised the next ep previews are called Merc Yokoku (Next Ep Preview) Storia…hmm.