#i have a lot of feelings about characters who can have their faith twisted in such a juicy way turned into something else 😭

[rowanisawriter]

numba three for choose violence asks 😇

hot take time

3. screenshot or description of the worst take you've seen on tumblr

i… see terrible takes daily because i go into character tags a lot because i hate myself but recently ive seen a take about how cullen dragon age doesn’t actually believe that the inquisitor is the herald of andraste and doesn’t buy into the religious fervor around the inquisitor which i disagree with like adamantly lol. cullen is a firm believer, he is religious and has been his entire life whether by choice or because he was raised into it when he joined the templars as a teenager, he would be the person who believes above all others that the inquisitor is the actual herald of andraste and if he’s romanced i like a bit of religious conflict where his feelings for the inquisitor and his feelings for god/the maker kind of intersect 🥸

[darklinaforever]

So...

I saw someone say that Severus was creepy and possessive towards Lily... We're talking about the guy who always let Lily have her own friends and left her alone as soon as she asked him to, just for information.

Oh, and also that apparently he was bullying Petunia thus probably destroying any chance of the bond between her and Lily returning. WTF ?! He accidentally dropped a branch on her when he was, what ? 10 / 11 years old ? I do not know anymore. Also, I remember that it was actually James who completely ruined Petunia and Lily's slim chances of coexisting.

Also, quite simply, Petunia was basically horrible to Lily because she was jealous. Severus has nothing fucking to do with it.

Then obviously say he linked up with bigoted racists. You know... during a period where he was experiencing misery at home, his friendship with Lily deteriorating and him essentially being a reject at school ? Like... It's pretty obvious that the guy is influenced. Are people aware that we can also join this type of dangerous stupidity through manipulation and not just by choice ? No ? All right. Because I feel like people forget that Severus is actually a half blood.

The person went so far as to say that Severus loving Lily, was like a member of the Klu Klux Klan falling in love with a black woman...

Also, to say that apparently he hoped Lily would come back to him by saving her from Voldemort and leaving James and Harry to die, which... is false ? He just wanted to save her because he loves her ? He didn't expect her to fall into his arms ? Where the fuck does this shit come from !?

Oh, and also, the funniest thing, complaining that he betrayed the Death Eaters... because then that would prove that this guy has no loyalty.

Or maybe that just goes to show that he didn't really know what he was doing in this big mess ? Just an idea like that.

And so obviously complaining that he's only faithful to Lily which is apparently very unhealthy.

Also, apparently, nothing makes him gray, his redemption is bogus. Harry naming his son after him is stupid and Lily would probably hate Severus in the afterlife.

And this all came from someone hating James & Lily as a character and romance.

Like... how can you misunderstand a character so much ? The HP Saga has many flaws for me, but the character of Snape is clearly in the top tier and an excellent gray character.

And I don't understand why a lot of people find it disgusting, twisted and sick that he did good things in honor of Lily's memory, still loves her and has the same patronus as her. Like... I really don't understand. Why do people try to blacken and pervert everything ? Oh I know. They are allergic to complexity.

Yes, Snape wasn't the best teacher in the world. Favored his house and let the Slytherin students annoy the Gryffindors but frankly with his past, we can understand why he became the way he is. Not everyone is lucky enough to be able to mentally move on from the horrible things that have happened to us. Especially since adolescence has a big impact on our future life.

[meanbossart]

its funny looking between his former fixation (orin) and current one (astarion) and noticing he has a very obvious 'type'. what made him so taken with orin, though? what did he like about her? did he not have any initial misgivings? was he ever concerned she might turn on him?

B)c Please know how happy it made me to finally have someone spell this out lmao. It's absolutely true, at least within the dynamic that DU drow shared with each of them; there are a lot of parallels to be found between Orin and Astarion.

The tough part of this question however, is that I have a very difficult time pinning Orin down. She's easily the most elusive character out of the Chosen, and while I understand this Is likely a consequence of being underwritten, I also see a certain charm in a character who's lack of development is part of their tragedy - whose story is very much about not being allowed much individuality of their own, and having no resolution. I think this is a space worth playing in.

I couldn't tell you what the hell Orin likes, what she was like besides blood-thirsty and deranged. I can barely fathom her sitting down to have a conversation with someone. Think about it - she was raised from childhood in the Bhaal temple, both her parent's were faithful servants and she was essentially groomed from birth to be either Bhaal's Chosen, the Dark Urge's consort, or a sacrificial lamb. Nobody had ANYTHING to gain from allowing her to develop any humanity.

Of course, this doesn't mean she doesn't have any, deep inside. We see glimpses of it in fairly difficult-to-get dialogue regarding her origins during act 3. My very vague take on Orin is that she was a determined and persistent person who learned to make her circumstances work for her as best as she could, who had a strong sense of her boundaries but a horrifically difficult time differentiating between negative emotions - this is why I personally don't even know whether she """"led DU drow on""" our of malice or self-preservation. Perhaps she didn't know either - I think whenever Orin felt sadness, discomfort, anger or even happiness or love, she found a way to turn it into bloodlust and sadism, every time.

And it's in part this elusiveness that would have attracted DU drow. What did Astarion have to do to get DU drow to pursue him? He had to feign disinterest, he had to pull away - the fact that Orin never allowed DU drow to get close enough to truly know her plays a significant part in how unhealthy his attachment for her became.

That said, this was a long game - he did become infatuated pretty much from the moment he saw her when they were both teenagers. This is a much simpler concept to understand - he was profoundly emotionally inept and neglected, and she was probably the prettiest thing he ever laid eyes on, not to mention the only other person in the temple close to him in age.

Truth is, they did have a lot in common on the very basis of having been so thoroughly stripped of their humanities, but It was a closeness born entirely from circumstance - the implied vulnerability in the type of life they shared together, even if they never spoke about feelings or shared what normal people would qualify as a "sweet" moment. They didn't really use their words, and when they did, they were like daggers - twisted murder sibling banter.

But when they had to work together it was very different. They played off each each other like match and friction, like two fitted cogs turning a wheel. There must have been nothing that swelled DU drow's heart more than when they killed together, perhaps even more than when Orin hurt him. He loved seeing her in her element and yearned for nothing more but to be let into the joy she found in it.

He Never had any misgivings. He always thought she would come around (to him) eventually. He was completely and entirely blind to how much her resentment towards him grew throughout the years, how he lost a sister through wanting a lover.

[skrunksthatwunk]

actually i'm still thinking about the moral orel finale.

he has a cross on his wall. do you know how much i think about that bc it's a lot.

a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).

but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.

and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.

he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.

and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal

[readychilledwine]

Charms and Spells

SJM Villains Week - Day 3 - Secret Skills

Summary - You were far too happy to be Amarantha's test subject. Perhaps you should have thought differently when you saw the brand new spellbook

Warnings - Dubcon, sex pollen with a twist, manipulation, degradation, fxf, oral (reader receiving), pet play, mind control

A/n - Listen, we're running a little behind here for @sjmvillainweek, but I've been so busy loving everything you all are posting! I'm playing a catch-up game here with editing, so there may be errors I missed. I firmly believe Amarantha was a witch. We hear a lot in the ACOTAR world that witches steal power and use things that are not theirs to have access to. That fits perfectly what we know about Amarantha, and if SJM was ever bold enough to give us a prequel, I'd do many things to have Amarantha more fleshed out.

Oh, and a PS, you'll see this reader character again later with some other Amarantha smut that I'll be posting 👀

🗡Villains Week Masterlist🗡Master Masterlist🗡

Amarantha watched as you sat, blinking at her after she had you drink the potion from her newest spellbook. Her nails were a soft thrum beating against the wood as you shivered from the oncoming waves of warmth spreading through you. “Is it working,” she sighed, slightly annoyed. “Are you feeling.. different?”

You couldn't bring yourself to answer her, body beginning to ache as you attempted to focus on anything, “What- what was that?”

“Oh, so you now you have enough brain power to ask?” Amarantha tisked you as she moved, your eyes suddenly drawn to the sway of her hips, far more than usual. “That, pet, was a potion meant to make the person who consumes it cave to their more primal needs.”

“It's sex magic,” you clarified quickly. “I can read between lines.”

Amarantha glared at your blunt response, “Is it working then?”

“Does it look like it is,” your tone was becoming more clipped, dangerous to use with her regardless of the two of you being friends.

You two had known each other and stood by each other's side for years. You had always blindly followed, believing in Amarantha and her goals for your homelands. Your faith in her was unmatched. Your loyalty undying. You would follow her to the grave, your Fates intertwined in a way that you both didn't want to acknowledge.

And, perhaps, you gave blind faith too easily as heat turned to pain, a whimper tearing through your throat. “I can help you,” she moved to you with a grace that made your skin crawl. “Do you want me to touch you?”

“I'm so mad at you,” you grit the sentence out. “You should have-”

“You could have asked,” she cut you off in a bored tone. “You could have looked at the book.”

“I trusted you.”

“That is your mistake, not mine. You know I thrive in magic and potions.”

The tense between you two grew, rising to a fever pitch before she sighed. Amarantha moved closer again, her hands sliding under the shirt you were wearing, “I can help,” the shirt came off without you responding. “Don't you want to feel better?”

It was a haze of motions from there, soft kisses with a lingering taste of wine, nails scratching down your chest, your skirt sliding down your thighs. She had played you for a fool, yet here you were, caving to her desires as she secretly got what she'd wanted. Her hands Were soft as she finally got to memorize every dip and curve, deciding she owned every inch of you that she touched.

She memorized every shiver, every time you let out a soft gasp or whine as she began kissing her way down, tasting the unique salt of your skin. When she final reached her destination, she only chuckled. “You are just a desperate thing. Whiny and needy.” You blushed at comment, opening your mouth to defend yourself. “Pathetic,” she whispered. “You are just absolutely pathetic. Doing whatever you can to earn my love and affection. Is that all you are, y/n? A tool for my pleasure and entertainment?”

It should have stung to hear those words, to hear what she truly thought of your years of loyalty to her. Yet all it did was settle arousal further into your body.

It was new, exciting. Being mocked by her was having an affect on your body neither of you could have predicted. Amarantha seemed to notice, her tone becoming more cruel as she continued to degrade you and kiss your thighs.

“Now spread your legs and behave, whore,” she kissed along your heat as she commanded you. “I earned this treat and you're going to hand it to me.”

She wasted no time, burying her face into you, tasting what she had decided was gold between your thighs. Every lick was planned, rhythmic, never allowing you a moment of peace to breathe. A hand reached up to caress your breast, pinching your nipple as she flicked your aching clit.

Her potion had you reeling from every touch, every soft vibration her moaning made against you. You could have died right here, right now, and you would have died happy.

She showed no signs of letting up on you as she pushed her tongue into you, pads of her fingers taking over the swollen bundle of nerves where her tongue had been. “Already,” she clicked her tongue with a smirk as your legs began to shake, “how disappointing.”

Perhaps it was her tone. Perhaps it was the potion. Perhaps it was everything, but you fell apart then and there as her motions began again, an even deeper haze seeming to lock in as you tangled your hand into her soft red hair. She worked you through the high, smirking against you as she knew what was to come.

You had been mindless for her before this. So eager to please and do what you could to make her happy.

Now you'd have no choice. Not with the permanent effects this potion had.

You shouldn't have trusted her and Amarantha knew that deep down as she put a collar and leash on you, making you sit as she read through her new spellbook.

“Ah, there it is! See, pet? A way to steal powers,” she dog eared the page before grabbing your chin. “You belong like this and I am going to ruin you.”

General Taglist:

@hnyclover @glitterypirateduck @slytherinindisguise @mischiefmanagers @bloodicka @starsinyourseyes @the-sweet-psycho @mariahoedt @rinalouu @sarawritestories @starryhiraeth @starswholistenanddreamsanswered @cumuluscranium @loneliestluvr @eternallyelvish @azrielsmate3 @daughterofthemoons-stuff @meritxellao @aria-chikage @hungryforbatboys @lilah-asteria @fandomrejects @sleepybesson @tayswhp @itsswritten @milswrites @littlest-w01f

[skemford]

Decided to refresh my knowledge of bendy protagonists personalities/quirks and i can say that i forget how distant canon Audrey is from fanon one sometimes

Here's relatively short list with Audrey character analysis+random tibbits (environmental/gameplay/voice lines)

(I'll appreciate if someone will interact+most of it is under the cut!)

1. Her workplace is an unorganized mess

On the right side: a couple of empty teacups, empty paper sheets, unopened envelope, books/notebooks, a toy ball and keys in the middle of the desk, storyboards that are UNRELATED to what she was working on;

On the left side: donut that she kept close to her elbow & storyboards while she was drawing + to-do list for a day

There's no WAY she'll be able to keep anything tidy. If you hc her and Bendy to have a familiar bond post game, she'll be as messy if not messier. Her home might be a wreck.

2. She easily distracts

- Audrey is working overtime and claims that she has "only eight hundred more frames to go" until the next deadline

But was she actually *actively* working?

She has unrelated items on her desk (listed above) and jumps on the first opportunity to get a coffee.

If she really did wanted to have a drink, she literally has a soda machine close to her office doors.

Some brands of soda do have caffeine in them, right? Getting a coffee looks more like an excuse for a walk.

Bonus point: if you'll stay in her office without getting up (for 15 minutes), she'll acknowledge that she has no time to waste and will return to work instead.

- "Well, the coffee's good and all. But this work's gotta get done"

Worth to acknowledge: this girl has "employee of the month" award and some kind of animation award (boris statue) in her office .

Does she stays overtime everyday to finish something? Or other Archgate employees are even worse at their jobs, somehow?

3. She uses dry sarcasm or makes jokes a lot

Honestly, it happens really often and should be brought up in fan content more imo.

Due to the images limit i can't put a lot of examples with screnshoots but I'll quote some of them.

- "i think you and i have very different definitions of alright" (toward Allison)

- "Looks like he's having a bad day" (about dead lost one with the gent pipe)

- "Ok! Yeah! And that totally makes sense" (reaction to an easter egg)

- "That's one leap of faith i definitely won't make" (about the pit in animation alley)

4. Audrey gets defensive when someone starts to talk over her or when she feels overwhelmed

Audrey either will deny what was said or will acknowledge it by being sarcastic

Prominent example of this is her reaction to Memory!Joey at the hotel:

- "Oh,now you knew my father. Well, newsflash! I didn't even knew my father...or my mother. Or anyone else in my family" (after Joey says that she has "adventurous spirit of her father")

- "What? Are you crazy?... Who do you think you are?" (after the reveal of her being created by the ink machine)

+ Similar behaviour can be seen in her short interaction with Twisted Alice (Susie).

Audrey prefers to keep conversation equal between both sides and when it fails to work, she'll either stay silent or will express frustration (which can be seen with her replying "no" to Twisted Alice and not saying anything afterwards)

5. She seems to trust Allison enough to be vulnerable around her

After leaving the spider lair, she'll try to reach to Allison through the speakers

- "Alice? Are... you there?... Alice!"

She'll acknowledge that she feels scared and after Allison won't sound reassuring enough, Audrey's hand will be visibly shaking.

Allison is the only character Audrey has opened to; you'll never see her being that vulnerable with anyone else

(She is honest with Henry but not on this level)

It makes me wish they had more interactions; Allison for sure was really important in early development of the game.

6. She's blunt

Through the game Audrey is a type of person who says whatever is on her mind without hiding her intentions too much.

She's emotional and rarely thinks twice (most of her decisions are impulsive or sometimes irrational) which reflects on the way she talks.

It's often slips out through sarcasm when she gets defensive/tries to cope but it's also happens in relatively safe environment (for example, when she talks with Betty):

- "Are you...very old?" (Wilson's mansion, bedroom)

This one liner is the most random question you can say to a stranger; I doubt it was very well thought out from her side

7. Audrey easily trusts people which makes her easy to manipulate

I couldn't skip this one.

When Wilson has created a story about his "poor lost father" as a bait and Audrey did believed in this, there are multiple reasons for "why"

This either could come from her being "goodhearted" or the circumstances being used against her

- She went through whole "father trauma" in one day without being able to process anything & get proper answers:

An idea of "saving" another father (Nathan Arch) who she could've knew more than her own father (Nathan says in one tape that he meet young animators at least once) could've hit her really close to home

- Audrey never actually got a real answer on how to leave the cycle, teaming up with Wilson (who was able to enter and leave) could've looked like the only one way back

(I do acknowledge that writing in DR could've been better at places but if you do think about it in this way,it makes sense)

7.1. She is empathetic

I think that this part says everything for itself and it doesn't need to be explained. Thought, she's the one who decide if someone deserves it.

- She felt bad for hurting Bendy on accident & apologized when she was able to

- When she met Allison for the last time, she "gave" her this name, remembering that she doesn't like to be called 'Alice'

- At the end of the game she wants to try to make the cycle better for everyone.

Twisted Alice (Susie) was included which means that Audrey doesn't hold grudges against her (even with the latest one wanting to kill her previously)

8. Audrey puts her arm through an ink container without hesitation or any side thoughts

IT IS a game mechanic and lore wise you can relate it to her being an ink creature

But honestly? It's in character for Audrey.

We're talking about someone who decided to go to great lengths to catch an aquarium fish (that's kept as a pet) and wanted to use it...for a recipe.

8.1. She doesn't mind eating out of trashcans

If you think that wanting to use someone's pet for a recipe is too weird, you're actually wrong. But eating out of trashcan (when you have other options) may be.

Thought, she drives a line on a food that has flies or other insects on it (like "chocolate cake")...i guess in other cases, it's fine to her.

~~~~~~~

Trivial things:

- Bendy seems to be her favourite cartoon character.

She calls him "little guy" in prologue and keeps close to her storyboards where he's the main character:

In the cycle, she acts joyful when she first stumbles upon the real deal.

- She loves chocolate donuts

- Audrey uses dark eyeshadows (can be seen only in prologue custscene. It's hard to notice at first)

- Her breakfast from to-do list are toasts

- She has abstract Bendy painting in her office

- It can be speculated that she's uncomfortable with being touched (or with someone being physically close), unless, she's the one who initiates it

~~~~~~~~~

[rainboneish]

there has been a lot of discussion about who the character on the left could possibly be, and until we get confirmation from gege i think it’s impossible to say for sure. People have theorized about it being his mother, kenjaku in the form he originally met them in, or someone representing a bigger concept (eg. the first person he killed without a proper reason, or, based on the miko dress, a representation of how sorcerers/religious institutions rejected him for his appearance), which are all decent possibilities

all of those possibilities aside, there is only one character we have seen in the story who fits the general appearance of the character (except for the miko robes). Yorozu’s original appearance is shown to have long straight black hair in a hime cut, like the woman in the picture

her and uraume are also on the same sides of sukuna in the heian era panel we got

the main counter arguments to it being Yorozu (other than her habitual nudity not lining up with the character in chapter 271 wearing a priestess’ robes) that i have seen is that using her as an opposite to Uraume doesn’t really make sense, but i would like to argue that it does. Let’s look at the connection both of them have with Sukuna

Uraume is Sukuna’s most faithful retainer. (People disagree on if their bond is a master-servant bond, if their feelings are more romantic or platonic but ultimately that doesn’t matter here) Uraume is someone who, according to Gege, was allowed to stick by Sukuna because he enjoyed their cooking, a trait that is not immediately connected to his power or status as the strongest. Yes it’s tied into cannibalism, but ultimately, while Uraume clearly admires Sukuna’s power, they don’t seem to want anything except to be allowed to stay by his side and help him in any way they can. They never try to reach for the position as the strongest, they just become strong enough to be able to stick by his side. It is possible that their bond is partially based on them both being social outcasts in some way (though we don’t know if that truly was the case for Uraume, people have just been speculating based on them seeming removed from the gender binary, but i am not an expert on gender identity in heian era japan).

In any case, if Uraume is considered a symbol of the “good path”, which they seem to be by the implication of “going north” with sukuna, they would represent the unconditional care that Sukuna rejected (from yuji, and in general because of his fear of rejection that Mahito pointed out in that final interaction) in his first life

So then, if the other person is indeed Yorozu, she would have to represent the path of the Strongest in history, the path of isolation we saw Sukuna follow.

The first thing a lot of people think of with Yorozu is her obsession with/love for Sukuna, but let’s dig a little deeper into the circumstances of those feelings.

Yorozu’s love for Sukuna is a twisted and unrequited one, based on her obsession with his power. She does not understand him and he is shown to be unimpressed by her advances and (while there are other, “bath” related reasons, Sukuna refused to connect with her in the way she wants to. She wanted to alleviate his loneliness by killing him and taking the mantel of the strongest and the loneliness that comes with it as her own. Even Sukuna laughs off the idea that her love is true. While it’s not fleshed out on screen/in the panels we get, it’s quite likely that her infatuation with Sukuna started because of his overwhelming power, making her feelings fully dependent on his mantel as the strongest and the path of violence that he chose. Her last act is to give Sukuna a new version of Kamutoke. She, like Kashimo, thought Sukuna was beautiful because of his power, only trying to connect with him through power.

in addition to that, she was acknowledged and appointed by the Fujiwara so it is possible that the miko robes are what she was supposed to wear, similar to Utahime and the whole cover of jujutsu tech being a religious school, even if she clearly didn’t.

so yeah, if south for sukuna is love through acknowledge as the strongest, and north is unconditional love/companionship removed from power, i think Yorozu can represent the path Sukuna was on in his first life

[proshippers-against-censorship]

Long ask incoming so i really apologise for that lol.

in my honest opinion yaelokre is going about this incredibly wrong. but the way people have been talking about not only their characters (to be clear im not saying this because of "blah blah they're children" fake morality stuff or whatever lmao im a proshipper myself—but one of the main characters is quite literally meant to represent/be keath themself) but about them themself (sending them rape threats, threatening to draw them having sex with their characters?? I've seen a lot on the internet these past couple days, especially in proship spaces, which is so upsetting to me because I had so much more faith in our community 😭)... All this is incredibly disgusting to watch. and disheartening.

Are they going about this incredibly irresponsibly? Yes! Is it naive for them to expect that no rule 34 is created whatsoever? Yeah, probably! But they did explicitly say they dont want the characters directly representing their own childhood (including one who's basically their own persona) sexualised, much less have it sent directly to them (which it was—that's how we even got to this point, anyway) and going ahead and mocking this boundary directly, and then encouraging people to do it out of spite feels... off to me. dunno. (To be clear i think, once again, their actions are incredibly dumb and irresponsible. They're not justified in doing any of that and im not trying to say they are lol.)

(And, while we're here, there's a difference between gigantic heavily funded capitalist projects like disney, and Some Guy working on one deeply personal thing all by themself for free. Do whatever you want with like. Thousand dollar franchises with no specific human faces behind them, but it feels so weird to tear into someone's passion project theyre making out of love for free. Idk where else in my message this point fits so I'm leaving it here.)

I can't help but be reminded of antis tearing into my own work to "fix" it simply because i was a proshipper. On paper people can do whatever they want with fiction, can't they? Of course—but taking a story i made to cope with my trauma and spitefully twisting it to their own wants for no reason other than because I was a proshipper is still harrassment, still done with malice, and—proship/anti stuff removed—an objectively fucked up and mean fucking thing to do. Artists making shit for free do not owe you anything and that includes not owing you their comfortability with people interacting with their personal projects they are sharing with others (for free!! When they don't have to!!!) in certain ways. The same way they also don't owe you being comfortable with unprompted criticism and whatever else.

The "fiction is fiction" argument doesn't hold up when it starts to hurt real people. They aren't a bad person simply for not wanting their personal project sexualised (which—you could argue "that's not the problem, the problem is how theyre going about handling it it," which i agree with; but there are several posts on this very blog and countless others mocking them entirely for simply wanting their work not sexualised, and several posts encouraging others to make sexual content of their characters out of spite. Im not saying it's sexual harrassment but god it does start to feel like it's somewhere in that realm.) This isn't the first time anything like this has happened in their community, ive been here since the beginning, and in the beginning they were so unbelievably calm and polite about their boundaries and then people started directly dming them nsfw and things spiraled and here we are.

I've used the pottery analogy to explain this before—imagine someone puts a ceramic sculpture down on a table. It belongs to them, and they're very clearly proud of it. You could push it off the table and break it if it makes you happy, you won't even face any real consequences if you do. They'll just be really upset, rightfully so—it's their thing that they physically made. Maybe they even made it as a coping mechanism, only they know for sure. And they ask you to handle it gently if you decide pick it up. There's a billion things you theoretically could do, having now been made aware of this clear boundary, but only two are right—either handling it gently, or simply not picking it up in the first place.

You're a shitty person if you push it off the table. Using excuses like "there are lots of people in this room, someone was going to decide to break it eventually" doesn't suddenly absolve you morally because you are a sentient being, not a mindless robot slaving to statistics. Maybe statistically it was going to get broken eventually, it still doesn't make it right because you chose to break it yourself, directly going against what they asked you to do when handling their property, simply because it made you happy. I know full well you would not purposely damage or otherwise ignore clear boundaries or guidelines when it comes to someone's physical shit in real life. The concept of having boundaries about your own things that you made and own is not new and having to follow others' boundaries is not you being oppressed it's just being a decent human being.

Fictional characters' feelings don't matter more than real peoples'. But your own real person feelings of Mild Disappointment at not being to make porn for something you (evidently) don't even like that much ALSO don't matter more than the creator's massive upset and discomfort at direct representations of them (real person!!!) being sexualised.

TL;DR: yeah it's stupid of them to try to Anne Rice this whole situation. And yes they deserve to be called out for it and face the consequences for their actions. But let's... not treat them like it's so bafflingly unreasonable and evil of them for simply not wanting people to sexualise characters who are meant to be a direct representation of them (real person!!!!) as a child and let's EXTRA not break their boundaries even further. Their actions are stupid, yes. But their desires are like. A perfectly normal thing to want, if a little naive. harrassment is still harrassment. Being spiteful and vicious isn't suddenly okay when you're on the "right side" with the Right Opinions doing it. Being anti-harrassment doesn't only apply to people you like.

This ask isn't meant to come off as hostile or mean or anything so I sincerely apologise if it does. Wishing you the best. I also apologise if anything in this ask reads wrong it's late at night and im recovering from a concussion lol.

Fair enough.

I'm team 'break rules, not boundaries'.

By all means, show their Anne Rice approach is stupid by creating nsfw and properly tagging it and posting it to proper spaces. Fill R34 with that. Create nsfw fanworks on AO3 with proper tags. Go ham. But they clearly don't want to see it, so don't send it to them.

You wouldn't send porn of characters to any other creator without them asking. And you shouldn't be sending rape threats either. That's fucked up.

There's a difference between acting out of spite and acting out of malice, and I won't dispute the fact that some people are taking things quite far and doing the latter.

You can say a rule is dumb without taking steps to directly harm.

[yggdraseed]

An Incomplete Analysis of the Sukunadome

I stress the point that this is an inherently incomplete analysis. It's getting late, I'm tired and unhappy, and… well, the fight isn't over yet, so there's no way this analysis could be complete even if I felt like it. However, it's on my mind, and I feel the need to start exerting myself more on these things. Sometimes sweat is the better medicine. I know this is a long one and doesn’t have any pictures, but if we all support each other, we’ll get through it together.

Full disclosure, I wish more people had gotten filtered by this fight and just stopped talking about Jujutsu Kaisen by now. Like yeah, I think it's great different people see things in different ways, but let's all be honest with ourselves here, most of the people criticizing this fight are not doing so with any sort of literary or artistic perspective or good faith. Most of it is Gojo fans who are still crying, seething, vomiting, pissing, and shitting over the fact that the character they attached their ego to didn't win Jujutsu Kaisen like they wanted. If this describes you, well, this post will probably do you some good, but I'm confident nobody who takes the stance that Gojo should have won would have the space in their mind for what I'm about to say about Sukunadome.

Because that's what I'm calling it. "The Sukuna Cycle" was maybe a little funny for a week or two, but like most memes about this series, it wasn't really based on the story so much as it was on an agenda. Kusakabe was part of the fight since Yuji and Higuruma entered, and up until Miguel, we knew all the combatants who would be tagging in were there. We knew Yuta was off dealing with Kenjaku and would return, we knew Maki was in play, and there really weren't a lot of switches. Just Choso leaving and coming back, Ui Ui retrieving Higuruma's and Gojo's corpses, and… you know, actually, I think that's it. Sure isn't as much as the "Sukuna Cycle" memes made it out to be, huh?

Okay, if you haven't noticed yet, I'm a big JJK fan and a big JJK fandom hater. I think JJK has the worst Western internet fanbase I've seen in a long time, with only a few oases scattered across the internet where you can find intelligent life. Like it's insane what kind of bullshit a person can convince themselves of.

However, I'm not analyzing JJK's fanbase, I'm analyzing JJK. Someday we'll litigate whether or not Lobotomy Kaisen was really funny enough to justify how badly it ruined this fanbase's ability to objectively, productively engage with with one of the most competently written and culturally impactful manga to come out this century. Today is not that day.

So Sukuna's got four arms and knows how to use them. He's got four eyes and so much sass one mouth wasn't enough for the amount of trash he's got to talk to the youths of today. Just on a basic level, having four arms would be such an insignificant power in any other Shonen as to almost be a joke. Yet with how jujutsu sorcery functions as a power system and how adept Sukuna is at using every possible advantage at his disposal - even going so far as to take what probably should be disadvantages and twist them to work for him - having the ability to make hand seals while fighting hand-to-hand, and being able to chant without interrupting his breathing, are inseparable from Sukuna's godlike fighting ability. I love how something seemingly so mundane is such a huge x factor for Sukuna.

We continually see how Sukuna is a complex, but fundamentally vile antagonist. He has a very rich, detailed view of the world, but one that fundamentally reduces every other human being to be his playthings and food. It's just that Sukuna says, "Don't like it? Then get stronger." It's a very Social Darwinist, late stage capitalist view to be coming from the Heian Era, and I think that maybe it's intentional. Shitty people are shitty in mostly the same ways, it's just they find new things to be shitty about or to use to be shitty with.

Like if that were all it is, it'd make Sukuna so effective as a villain to hate and would slot so nicely into Jujutsu Kaisen's overarching social and political commentary. Cruelty within suffering, selfishness as a strength and a weakness, the unfairness of how the strength to pursue one's agency is unevenly distributed and how the haves don’t realize how easily they could have instead been have-nots, it's all there.

But there’s this inherent charisma to Sukuna that I think is intentional. He has this noblesse oblige where he’s so inherently aware of his greatness that he doesn’t have a problem with giving credit where credit is due. Like he talks all the trash when he’s fighting Jogo, but where Gojo’s insults come across as puerile and blunt, Sukuna’s always displaying this wit to him. And when the battle’s over, he acknowledges that even though Jogo wasn’t as strong as him, he was stronger than most and could have gone even further if he hadn’t held himself back. He starts off belittling Gojo in their fight, but by the end, he expresses a profound respect and gratitude towards Gojo. Like it’s a very warped form of those sentiments, but I think it’s sincere. Even with Ishigori, when Sukuna fails to cut him the first time, he just acknowledges it was disrespectful to hold back and that he’ll give it full force the next strike.

Something to keep in mind is that everything Megumi warned Yuji about when it comes to ancient sorcerers applies to Sukuna as well. They’re not treated as uniformly, unambiguously evil anymore than anyone else in JJK is, and are acknowledged as having fundamentally different world views about violence and the value of human life. Kashimo, for instance, seems to value his life only because he’s able to risk his life and lay it on the line. They’re people from an era where children died so young that parents often gave them numbered names so as to not get too attached until they’d see if their kids actually were going to make it or not. If you didn’t give your whole life over to a goal, you probably wouldn’t achieve it. Whereas modern sorcerers, modern people, have all these complex and sometimes contradictory views and needs, ancient sorcerers show a tendency to shave everything away except their one singular conviction because that was what you had to do in an era of much shorter life expectancies and peril on all sides. You’d be very lucky to accomplish one life goal, let alone as many as people of today set out to achieve: graduating high school, graduating college, getting a job, starting a family, and hopefully having one or two passions on the side. Fundamentally different worldviews from fundamentally different periods of history.

And Sukuna is no different. His goal is simple: partake in the many colors and flavors of humanity through mortal combat in the arena of sorcery. Sukuna’s love for sorcery runs deep. He’s always curious about different cursed techniques, even ones that are pedestrian to a sorcerer of his level, like Nanako’s smartphone-based technique. He reminds me of a quote from Baki: “Someone who works hard can never beat someone who enjoys himself.” Sukuna has clearly put forth great effort to master sorcery, but clearly doesn’t see it as work. He sees it as just doing what he enjoys and is good at.

Unfortunately for everyone else, he enjoys killing and is extremely good at it. Sukuna is the ultimate ethical heat death of the “live for yourself, cherish your own agency, don’t let yourself be controlled” mindset that is the ideological starting point of JJK. It’s a very dark, extreme interpretation of Buddhist non-attachment, where even compassion is an attachment to ultimately shed. Sukuna lives perfectly freely, including being free from guilt or compassion.

Naturally, there’s an exception. All things seem to have exceptions. In Sukuna’s case, that would be Uraume. I’ve been fascinated by their dynamic since we first learned of Uraume’s allegiance to Sukuna during Shibuya and I still can’t wait to know more. Suffice to say, Sukuna dotes on Uraume, forgiving their mistakes and seeming to enjoy their company not just because of their service to him, but because their existence makes him happy. I’m reminded of Power in Chainsaw Man, how she was seemingly incapable of empathy or mercy until she met Meowy.

Honestly, Sukuna reminds me a lot of a lot of characters in Chainsaw Man. People who are trying to climb from this state of misery, of struggling just to meet basic desires, and learning to be human. Yet Sukuna is so strong he never needed to learn to be human. He never needed to cooperate with others to survive — or at least, doesn’t seem to believe he did — and so he never saw the value in it. And so he’s basically brute forced his way around having to undergo an arc like Denji’s, and has instead ended up a hedonistic black hole devising all these complicated philosophical arguments to justify what is, really, a very simplistic, predatory desire to only satisfy his basic material wants and creative interests and nothing else for anyone else.

But like, it’s not that simple. If you give to others, you get something immaterial in return. I can’t quantity it or define it, but I’m sure most of you know what I mean. The happiness that comes from taking care of others’ needs, and the deeper levels beyond that happiness. Like I do believe that’s the subtext behind Binding Vows as metaphor: that you almost never give without getting in return. You might not get the same thing back, in the same form, but being changed by the act of putting the needs and wants of others before your own even temporarily still is part of the exchange. It’s part of becoming complete as a human being.

Sukuna has defied that exchange and broken the cycle, and I don’t think it’s inherently for his own benefit. There are some thing about being human that you don’t just get to opt out of, no matter how much you claim you’re more than or less than human. Even if Sukuna doesn’t think he’s lost something of value, he has. And that something of value is inherent to the whole point of this final battle.

Jujutsu Kaisen is basically working on two big problems. There are lots of ideas at play in the series, but there are two fundamental problems for which every fiight, every character arc, every turn of the gears consitutes part of the calculus to solve one or both of those problems.

The first problem, a thematic and philosophical one: “How do you love and fight for something when you know you’re going to die?”

The second problem, a metatextual one: “Is there any artistic and social value left in the Shonen formula as it stands in the modern day?”

And this fight is, ultimately, where GeGe is showing their work. It’s where Yuji has to defeat Sukuna, if not in terms of out-boxing him, then in terms of prevailing over his beliefs about humanity and the world as a whole.

GeGe has stripped Yuji of everything that is supposed to determine the worth of a Shonen protagonist’s victory. He’s not fighting alone, he didn’t go off and train all by himself, he trained with a lot of powerful, smart people who helped him. And Yuji is arguably not even the most important participant in the fight. So why should we care if Yuji wins?

The answer is so simple it’s easy to lose track of it. Yuji is risking his life to rescue someone, his friend, from being exploited, and to save the people of Japan from being exploited. Even after everything that’s happened, Yuji plants his fucking feet and takes a stance that no, shithead, there is such a thing as the right thing. Maybe it isn’t obvious all the time, and it sure as hell isn’t always easy to know what it is, but he knows now with certainty what it isn’t: to exploit others or to destroy yourself. We can find our answers somewhere in-between.

Sometimes we can’t resolve our problems with a tidy solution that makes everyone happy and sometimes we have to carve a piece of ourselves out and give to something we won’t be sure to see the fruition of, but that’s just life. It doesn’t mean we have to throw away all hope for things to get better. Even if the world won’t become utopian, it can still become better, no matter how many nihilists hide their own inequities behind assertions that there is no point.

Nihilism is not a solution to the problems of life, it is the choice to run away and hide. To give into nihilism is to give up the fight even while other people are still fighting all around you.

So that’s the fucking point of the Sukunadome. Nobara already said it better than anyone else has before she made Mahito look like the bitch he was and always will be: “Sometimes you need to fight even when you know you can’t win.” Because you won’t always win and you won’t escape death, nor will you know what lies beyond death. However, you can still live according to your principles and fight for the things you see as meaningful even if other people don’t.

That is why so many characters have come and gone from the fight. All gave some, some gave all. Nobody is truly useless — even if Miwa self-deprecatingly jokes about being useless, she still was the one thing standing between Maki and Malevolent Shrine’s eviscerating hellscape. Even Amai’s sweets-conjuring joke technique saved Hana from a would-be fatal fall and helped to supply sugar to the brains of people using reverse cursed technique in Shoko’s triage. Larue couldn’t do much, but they caught Sukuna’s eye at the perfect time for Yuji to land a Black Flash, and that means something. It all means something.

Given how deeply GeGe clearly respects Hunter X Hunter, I want to end off by citing one of the quotes in Hunter X Hunter that has been the most impactful for me and I suspect has been about as impactful on GeGe: “It seems small things… infinitesimally small things… are needed to build the entire universe. The size of a thing has nothing to do with its power.” We always seem to direct our senses to the superlatives. The largest, the oldest, the loudest, the things that hit the hardest. But while it would be wrong to throw those out, we often lose sight of how many little, important things there are in the midst of those huge, important things.

Seeing someone’s smile when you remembered something they said that showed you were listening to them. The feeling of a warm breeze on a summer morning. The smell of honeysuckle on your walk home. Waking up to rain on a Sunday. The taste of watermelon. Getting married. Having your heart broken. Songs that make you smile, songs that make you cry — songs that do both, and songs that make you feel things you can’t describe. When you’re always looking to those immense, monolithic things, always comparing your seemingly small, seemingley meaningless life to them, you lose sight of just how meaningful all of it is.

Just because it doesn’t have cosmic, absolute meaning doesn’t make it meaningless. Every little thing that means something to you is worthy of being cherished. The people around you, the things that bring you happiness, even if that happiness is going to ebb and flow. It’s all worth fighting for and living for. It just takes bravery and conviction to keep fighting and keep living with authenticity and love. And if there’s an artistic value, a greater meaning to Shonen, now and always, it’s the unerring, unabashed belief that there’s a reason to aim high and not give up.

Because sometimes, life hurts. But if it’s just pain, Yuji Itadori will never stop. We’ll see what I have to amend, reconsider, or elaborate on when the fight is finished. I hope this gave some of you a new way to look at it.

[buffyfan145]

Just saw this new interview with Leon Wadham who plays Kemen on "Rings of Power" and it's got me wondering again who exactly are going to be the 9 Nazgûl and he just shot up on possible candidates going by what we've seen on the show and know about them from the books. We've already had some major hints that one of the main season 3 plotlines will be revealing who the 9 men ringbearers are and while I do think we might get some new cast members for a few I think we already do know some. Spoiler speculation for s3 and beyond behind a cut and what storylines I think are coming.

Leon talked in this article about what happened in ep 2.5 and how bad it already is in Númenor and how much worse it'll be when Sauron and the rings get there. For those that aren't that familiar with the books some of the 9 likely are from Númenor but not all. This is why Sauron is likely still going to be in Middle Earth for most of s3 to give out the rings to those that live there before he lets himself get captured to go back to Númenor. This makes me think it's got something to do with Isildur and when he goes back as he's key to help his father and brother (who should be cast soon) lead the Faithful out and save them by bringing them to Middle Earth likely in season 4.

So before that happens I do think Sauron will be back in his Halbrand form pretending to be a man to persuade some of 9 and other men to his side. Then we add in what could happen with Galadriel in the finale too as he still hasn't made the One Ring yet at the end of s2 (this has already been confirmed) and there's so many theories that she might be with him for a time either to convince him to not attack the elves in Imladris/Rivendell or she gave into his darkness for a chance. Either way I do think she's involved somehow with this storyline too as in the books this is one of those gap times with her as after Eregion falls she doesn't show up again till she finds Lothlorien and already has her baby daughter, so the show had room to give her a new storyline as long as in the end she goes back to the light and finds out her husband is still alive or came back from the dead.

Back to the 9 I do think Kemen and Theo likely are 2 of them. One of them could even be the Witch King of Angmar and I'm leaning towards Kemen as the Witch King is speculated by most book fans to be from Númenor and having royal blood. Kemen being Ar-Pharazon's son helps with that and the hints we got. Plus, knowing the Witch King is the leader of the other 8 too and takes over Angmar early in the 3rd Age while Sauron is in Dol Guldor. I know there's a theory Theo could be this character too as we don't know who his father is/was, so it'll depend on how Sauron interacts with these two characters in s3/s4 as he already met both of them. But will point out with what Kemen did in the last episode knowing if he's the Witch King how he meets his end to a woman feels a bit like justice. LOL 😏

Then I also wonder about Eärien. She was created for the show so they can do whatever they want with her and it makes me wonder if she ends up being one of the 9 too, especially since she's in a relationship with Kemen. It'd be a twist as the only female ringbearer we know of is Galadriel, so if this happens she would be the 2nd. Plus, if Kemen turns out to be the Witch King she would be his queen. Which then brings up in a way what Sauron wanted with Galadriel and that 2 of the men ringbearers would be a couple. I would really like this twist and knowing how Tolkien did write a lot of things happening twice in different ways, and it would be tragic for Elendil's family though as she'll become a Ringwraith, while her father and brothers not only save some of the Faithful but start the line that leads to Aragorn.

So I do think they are 3 of the 9, and that leaves 6 more to be revealed which could be some of the minor roles but I think others will be new actors added. 😀

[inamindfarfaraway]

Stumbled across your post on Carmilla and Cain from one of my favorite artist and just wanted to say that I loved that post incredibly!!

I loved the way you articulated the ability for free will to shatter heavens expectations! It had me thinking about free will in general so thank you for sharing that goodness!

Thank you! This analysis just came to me as a fun little observation, I wasn’t expecting it to gain so much traction. Free will is very thematically important to Hazbin Hotel, isn’t it? Lucifer believed in the good it could do, but accidentally created evil by giving it to humanity and fell for it. Since then he’s seen all the pain free will can cause and become embittered. Charlie, however, believes like he used to and fought for human souls passionately and selflessly enough to bring him back around. The Elder Angels who ordered the Exterminations and the Exorcists who carry them out seem to alternately hate and fear free will’s power, and by their indiscriminate condemnation of sinners as inherently irredeemable, not want to acknowledge it at all.

If the theory that Adam could live on as a sinner in Hell turns out to be true, I’d love to see his character and thoughts on his mortal family and free will explored, because he must have SO much baggage, which could explain (though not excuse) him being The Worst. An interesting detail in the backstory Charlie reads is that he’s never actually stated to eat the forbidden fruit. We see Eve take it, but not him. Maybe the reason that he’s in Heaven, but we never see or hear of Eve or their children in either afterlife, is that in this canon’s version of Genesis, he’s obedient and didn’t commit the original sin, only to be cast out anyway. Regardless of what exactly happens in Eden, he and Eve are forced to fend for themselves in the wilderness. Suddenly they need survival instincts. They can bleed and starve and get sick and loads of animals want to eat them. They have existential dread. Not to mention the marital tension. Why? Because the same angel who stole his first wife messed with his second one! As a result, people can sin. They can hurt each other. This allows Cain to invent murder on his brother. He’s then cursed to wander the Earth, eternally living with his guilt and grief. Oh, and where can dead souls live on now? Where might Abel be trapped forever? Hell, a dimension made of evil, everything bad about the new and degraded human experience taken to the ultimate extreme. You’ll never guess why it exists (Lucifer. It’s Lucifer again). So Adam loses two kids with one stone that was indirectly thrown by one fucking bird guy. Can you imagine how you would feel, having lived that life?

You would have issues. A lot of issues.

No wonder he scorns redemption so much. In his eyes, free will is synonymous with sin - with suffering. But thinking damned souls to be evil incarnate at least lets him take vengeance. It lets him feel the wrathful satisfaction of physically stabbing and hacking his way through representatives of the force that cost him paradise. Broke his family. Killed his child. Maybe he was a genuinely good person when he died. For the most part. Maybe stewing in all that unprocessed trauma while watching the horrors of human history unfold and being venerated and indulged in the perfect afterlife without any of his family changed him for the worse. If you can have a redemption arc in Hell, you can have a corruption arc in Heaven.

After all, Lucifer lost faith in humanity over time. But he has Charlie. Adam’s ‘daughters’ in Heaven are the Exorcists (he calls them “[his] girls” and names them, so he probably creates them), of which I bet Lute was the first. That’s a really twisted dynamic. Like, “From now on, my kids are killing people on MY terms”. Lute having parallels with Charlie makes her being the new main villain even better!

This got out of hand. What I mean to say is, the first human family and how they relate to the theme of free will have huge potential for exploration and development. And if Adam is reborn as a sinner, it would be precisely the Hazbin Hotel blend of heartbreaking and hilarious to have him reunite with Eve, Abel, Seth, etc. in Hell and they’re all like “What. The FUCK?” and his whole horrible personality just collapses in on itself.

[pennamenotfound]

I feel like one of the reasons that the Bells Hells are so interesting and compelling to me is that they’re all so angry. Anger is so interesting to me because of its volatility. The way it can, more than any other emotion, be twisted. Think of how much more volatile Percy was in campaign one because of his revenge boner than Caleb in campaign two with his deepset guilt and grief.  

And like, sure, we had anger before in the other campaigns.

Like Percy was super angry obviously, and Vex had her rage, and Scanlan had his moment (what’s my mother’s name) in Campaign one, and you could probably pull moments for the rest of Vox Machina. Grog’s a barbarian, he rages all the time. Plus with his herd. Okay, sure. Vax certainly had his moments. Keyleth at Raishan. (I don’t think Pike realy had any real anger moments in her arc.) But their stories don’t rely on their anger as much as Percy and Vex, and not nearly as much as Bells Hells. 

In the Mighty Nein, there’s Beau who is super angry at the world, justifiably so, but the rest of the party not so much. Caleb and Yasha are guilt and grief. Cad’s faith. Jester definitely had her problems with emotion, but anger wasn’t really part of it so much as learning to let herself feel something other than happy. Fjord’s journey to Melora was much more about introspection, Veth’s journey back to herself was certainly emotionally taxing for her, but it’s back to greif and loss for her. Kingsley is all about discovery, and Essek was about finding friendship. 

But Bells Hells. They’re all so angry. With maybe the exception of Chetney, but he’s also a werewolf which is its own sort of instability. 

Ashton’s a given---Tal’s so good at anger in his characters. Perfect punk, angry at the world, angry at their situation. *chef’s kiss* perfect barbarian

Imogen has such rage bubbling. “We’re gonna sunder you, Delilah Briarwood” for one, but also, with her mother. With her powers. 

Fearne with her parents. The way she was discovering her anger had so much potential, and I really wanted to see her actually throw some fireballs or something.

Orym. I saw the look on Liam’s face when he had that insight check whisper from Tuldus. Dude, Otohan and the Ruby Vanguard killed his husband and his dad (I know, father in law, but Orym says dad.) He’s the nice one, he’s said it before himself, but... under the surface, i think he’s got some rage in him. 

FCG. Oh, FCG, with their unpredictable rage mode. Trying so desperately to be the caretaker when they don’t even know what they are. The professor in Yios gave him a lot of good information, but there’s a lot they don’t know. 

For me, with FCG and Orym both, it’s a lot of aren’t you tired of being nice? Don’t you want to go apeshit?

And then Laudna. Laudna, with the most to be angry about. She was murdered by the Briarwoods, and spent the next thirty years with her murderer in her head. Looking like a corpse. Not knowing if she was dead or alive. Being chased out of towns all over Tal’Dorei until she ran all the way to Marquet. No friends, even before she died, before Imogen. And she’s really the most interesting to me. Because we don’t see a lot of rage with her. Even with Percy in Whitestone, it’s forgiveness. It’s understanding. The only time I remember in the campaign her really being angry was when FCG turned on the party that time, and that was related to Delilah’s manipulations. 

Orym said once something like she had the worst thing out of all of them happen, and yet she’s the happiest, and how is that? And she goes, well, because the worst thing that’s happened to me already happened. 

And it’s so interesting to me because we could, in another universe, have another Ashton in Laudna. Because, really, very similar things happened to them. Both died. Both put back together not quite right, not quite in control of their situation. Feared, even. 

But she’s so loving, caring, and not wrathful, and honestly, I’d kind of love to see some anger from her. And I think we might see it if Imogen gets hurt.

Anyway i’m unhinged about bells hells. I love vox machina and mighty nein but I’ve connected most to bells hells because I’ve been watching CR since CR3 started, and I love my angy bois. 

[absolutebl]

I'd like to specify a request for good Thai shows that just finished. They're my favorite for many reasons, and I also enjoy getting to learn more Thai words.

Good 2023 Thai BL That Recently Finished (to Binge!)

(I actually held off answering this one until a few had ended this week because I didn't have many for 2023. It's not been great year for Thai BL so far IMHO. Now South Korea is KILLING it. So is Japan.. in a different way.)

My School President

9/10

GMMTV gave us a classic high school set Thai BL with tropes like messy boys singing their feelings that made this one Love Sick for the modern age with all the gentle sweetness and pining ache, but none of the dated damaging tropes or issues.

Yes, we’ve seen it all before, but I still ADORED this. And there is a lot to be said for the classics being re-executed perfectly. Who let my BL be this wholesome and funny? This show was fantastic, it’s only flaw was the singing (and that’s my baggage).

My favourite GMMTV BL offering to date. And yes, I've watched them ALL. (YouTube)

Step By Step

9/10

This was Thailand’s answer to The New Employee, and everything I loved about that show I loved about this one.

This was an office romance between stern boss and sweet subordinate that felt more authentic to an office environment than previous Thai BLs of this ilk. And that authenticity added tension to the narrative and character development (how novel). Now that might be because it has western source material, or it might be because it is actually kind of old-fashioned (it’s been years since I worked as an office grunt). I also really enjoyed the brothers’ relationship, and kinda wished they hadn’t attempted (and failed) to give said brother his own side BL.

(Gaga & YouTube & Viki)

La Pluie

9/10

This BL takes to task the fated mates trope and what it means to have love chained intimately to predestination. It’s about how faith in destiny before choice diminishes the authenticity of emotion, relationships, and connection. This is a high concept to examine through the lens of a BL.

By activating + examining the soulmates trope this show is challenging a foundation of romance: the idea that there is one person meant to be your one romantic partner all your life. This means that we, as viewers, spend much of the show worried about it having a happy ending, and that’s the source of both its brilliance and tension: would the narrative have the strength to truly challenge its own romantic core?

But, ultimately, all this elevated complexity was executed in a somewhat shaky manner with the narrative derailing into some serious pacing issues and characters manipulated by miscommunication. However, with good chemistry and decent acting all around, plus some excellent high heat and representation of consent and a few other rare tropes, this one has to (like it’s sibling show My Ride) earn a 9/10.

I enjoyed it even as it made me think. (iQIYI)

Make a Wish

8/10

PNR (from Sammon: Manner of Death & Triage) about a doctor who can see the dead and strikes a bargain with a wish-granting irreverent tree angel - naturally they fall in love.

Stars Fluke Natouch opposite not-Ohm, but who cares bc Fluke has chemistry with everybody. Once again the Thai afterlife is incredibly bureaucratic but I enjoyed the premise and the unfolding of the story (it’s not predictable but still satisfying and with nice little twist). I like that the doctor is just gay af and has a fag hag bestie and everything.

The cast is excellent but the comedic stylings are too overblown and tonally off. It had sad parts and did make me cry but is ultimately happy with a great sex scene, good smiley kisses, and all the agency. (grey)

Moonlight Chicken

8/10

I enjoyed this complicated little show, even though it’s spectacularly messy gay with lots of shrapnel and authentic pain.

I thought EarthMix turned in their most compelling performance to date. But it was GeminiFourth who stole my heart.

That said, the most interesting central relationship was that of Jim & Li Ming, their father-son angst mixed with evident affection made me tear up.

This was more slice of life than it was BL, but it ended happily so I’m not mad at it. (YouTube)

Never Let Me Go

8/10

Bodyguard romance where poor boy must watch over rich boy for family obligation reasons. Simple premise well executed with a few bumps that made it feel like it was trying to tackle too much (when it wasn’t).

Still, an enjoyable show that benefited from being handed to PondPhuwin who did a stellar job with their roles and chemistry. Is it going into permanent rewatch rotation? No, but a solid GMMTV offering. Of GMMTV passing out new series to established pairs this has been the most successful IMHO. PondPhuwin were about 10000x better in this than FUTS (and that's FUTS's fault, not theirs).

It's typically Thai in that its a bit bloated and has a confusing plot, but at least it HAD a plot and the central relationship is solid and loyal. Their Our Skyy 2 follow up is great. And very much adds to the cannon in a fun way rather than feeling superfluous - making this show ultimately 14 eps rather than the usual 12. (YouTube)

Destiny Seeker

8/10

A darn near perfect pulp featuring 3 likable grumpy/sunshine pairings with uncomplicated iterations of enemies to lovers. At least one half of each does a decent amount of pining and there’s good chemistry, classic tropes, and communication rep. It’s fun and full of linguistic jokes.

Sublimely cheesy but a good rainy day offering with tons of rewatch potential. (WeTV)

Bed Friend

8/10 (Triggers include: child abuse, attempted rape, family abuse)

Office frienamies transition a flaming hot one night stand into a f-buddy relationship that is built on a puppy/cat dynamic (and kinks into it at one point). Our puppy is loyal, smitten, and protective with endlessly longing eyes, while our cat is snarky, prickly, and deeply damaged (ALL THE TRIGGERS).

NetJames give lovely high-heat with excellent chemistry and tuned-in performances of surprising depth, unfortunately the story ultimately failed them. Had the show had the strength of its convictions and kept to a tighter, darker, harsher 8 eps it would have been the first high heat to earn a 10/10 from me, but once they fussed with it, it dropped to a solid 8/10.

Could have been great but was overworked. Still if high heat is your thing, this one will not let you down. (YouTube)

Between Us

8/10

Featuring the hugely popular side characters from 2019′s Until We Meet Again, Win Team (played by Studio Wabi Sabi's most popular, and commercially viable, pair BounPrem - Long Khong, You Never Eat Alone, Seven Project, Even Sun), adaptation of the y-novel Hemp Rope.

It’s a serviceable series about hot swimmers flirting and dealing with family drama in a sweetly earnest manner, but ultimately it squanders the talent in play. I would’ve preferred a cleaner narrative arc, less angst and more plot, fewer couples, and a shorter series.

That said, there’s nothing objectively wrong, sub-standard, or off-putting about this show. And it has lots of consent and other good qualities.

It’s fine. Watch along here. (iQIYI)

This list dated July 16 2023, not responsible for anything that came after, that'll probably be in end of year wrap ups.

[gryphis-eyes]

⊙ ἀγάπη

" Unable to perceive the shape of You, I find You all around me. Your presence fills my eyes with Your love, It humbles my heart, For You are everywhere. "

⊙ Welcome to this Shape of Water love reading, yes I finaly took my balls and make a love pac hehehe this reading isn’t truly a prediction its more of an assumption about what your ideal partner would be based on your present self but you can technically see this reading as a way to confirm who your next partner would be y’know. It was supposed to be longer but I decided to do it chill since im still a bit rusted lol but I really miss being active on tumblr. For more explaination, the ”core card” is found by additioning the numbers of the cards you picked with Lenormand, for me its a card that show the core/hidden part of a reading but you can use this method in other ways.

◇ Deck used : Rider Waite (only court cards), Lenormand

Masterlist ⊙

 

🜄 Pile 1  

♤ Key, book, ship 【core : coffin】

Court card : king of cups

They seem like someone who’s heart and mind are often clashing but despite it they are quite emotional intelligent, by this I mean that they might be very emotional by nature but they did learn to manage their emotions OR they take an intellectual approach to their feelings, is it a good thing or not ? Well its up to them because this kind of behavior can become toxic for themselves but i got a lot of cards who refer to them being very intelligent. They probably follow a specific philosophy or are into litterature in general, there is this dark academia vibe to them. Very hardworking, full of knowledge but never got enough at the same time, they got bof ”personal intelligence” and academic intelligence, talking to them about various subject must be a great experience for sure. Their intelligence and serious aspect make them quite sensual people might often look at them even if they dont seem to care about other’s look they seem introverted to me. Its like if someone stopped them to compliments them they would be a bit awkward like ”uh? Thank you I guess?”. Very INTP vibe. To be honest I was persuaded that I'll pick the King of Swords to them because of their vibe but not, its the King of cups with the Coffin as the core card so we got someone who have a cold exterior and keep their good side to themselves and to a very close group of people. They have been through tuff situation in their life, would I dare say that they might have experienced depression ? I see them as a melancholic King of cups, imagine an King alone on a cliff looking at the sea, so many thoughts are passing by from a strange theory about a myth to a sad realisation that they are indeed, a hopeless lover. Seems like someone needs to go under that shell to see their true self and heart (but not in a savior way, y’know).

🜄 Pile 2  

♤ Mouse, whip, house, 【core ; whip】

Court card : queen of pentacles

Your ideal partner seem to be... interesting for sure, when I took the first cards I was a bit worried but the last one put the pieces togheter. Basically you got someone who ready to risk it all just to have a quiet and comfy life in their house (the house can also symbolise your relationship), listen to Faith from Karen Aoki the lyrics match them but most importantly for the one who get the reference from where the song come from you might understand the reading in a quite twisted way haha. The character who’s listening to this song is a pretty bad person with a very clean and kind exterior. Of course im not saying that your ideal partner is 100% this character but they remind me of him because he goes as far as killing people to have his quiet life but your reading is LESS extreme haha it just reminded me of him a lot in a softer way. Your ideal partner might even had broken many hearts because they know what they worth and what they want in life and in love, probably even in work and we got an other hopeless lover. They are so focused on perfection that sadly, they became pessimistic wether its because things are too slow, they are faaar from their ideal life or just sometimes they ask themselves if they are good enough or ask for too much in the end but it doesn’t last long since they will quickly get a reminder to not make the bar lower. However when they finally get something wether its a person an animal or an object they take extremely good care of ”it” they are very nurturing and caring, probably got a sweet voice (and touch ?). Once they settle its for the long run, I get something  that they might need a reminder of not being too possessive with their partner because of course a partner is an other human being you can’t predict everything they would do, its the sad truth even the most loving wife can turn into a backstaber (that’s an exemple of course) they are probably terrified of the idea of being cheated on. Especially since they seek their ideal life it probably attract people with the intention to take and disappear. They need a big hug if you want my opinion they probably got some hard time with family and people while growing up. They need love and they know it.

🜄 Pile 3

♤ Sun, cross, Fox, 【core ; bouquet】

Court card ; King of wands

Alright you got the incarnation of the sun here, a golden person ! Very charismatic (and they know it) they make the room light up and when they smile the world is illuminated (I'll stop give it to their ego now). Your ideal partner’s personality remind me of Giorno from jjba. The big light of the sun is balanced by the cross and the fox who add some shade in a good way. Life have been hard on them and so they had to be a fox to survive, sneak their way into situation maybe even got to have jobs that they hated just to get enough money to escape their nasty place. Despite still having a hard time in life they keep up and seem to be always in all of their glory, they are a true born leader and dont mess around. I think if you try to trick them you'll fall from high ground since they are used to hardship nothing can stop them and their heart of gold will always feed their inner flame ! Like the sun they shine bright but alone, despite being great leaders they also do well alone and seem to value those hermit period. People might always say that they are about to fail or that their situation look doomed but you know what ? Even if its need to have some failed attempt they always end up wining,  like I said they are very determined and probably stubborn about their goal. Its someone that you can trust. They got the vibe of the movie Fantastic Mr.Fox, maybe they put a lot of effort into being impressive for ”the public”? Like if someone tell them they can’t do something they will be like ”oh really?” and end up doing this thing better than necessary. Its nice, its amazing but they need some rest and to stop feeling the need to show off all the time haha they know their limit and their worth so they know how to chose their battles, simply because of those things it look like they are always wining.

[blackswampotter]

Season 1 of The Acolyte is over and I have some thoughts. A lot of thoughts, actually.

Acolyte spoilers below

What a weird show

I ultimately end up feeling the same way I did early on; it's a pretty average show with some great action held back by clunky dialogue, poor pacing, and several fairly dull characters.

And, I could probably leave it there, but I feel like that would ignore a lot of the most interesting elements.

Some of the show's best moments and emotional beats are centered around the character of Master Sol and his death and posthumous betrayal works really, really well. It's probably the most effective thing in the show and gave some genuine pathos to the last episode.

Osha and Mae swapping roles - something started in episode 5 - was also a compelling direction for the show.

Osha's fall to the dark side feels very unique compared to some we've seen before and I think it's because the show positions the Jedi as the antagonists in the end.

It's not framed as tragic, it's framed as brave and almost righteous in a twisted way. As though she's finally becoming who she was really meant to be.

But, you can't really talk about Osha and Qimir without talking about the Reylo sized elephant in the room...

The sequel trilogy had lightning in a fucking bottle with these two. Their chemistry is unreal and the pining, longing glances sell you on the enemies to lovers direction they were moving in.

In the end, Reylo sort of fizzled out with TRoS being unwilling to fully commit to, well, much of anything. But, the Reylo fandom was, and still is, massive.

With The Acolyte, Leslye Headland appears to be trying to capitalize on that kind of dynamic and it's just nowhere near as compelling.

Part of that is the lack of tension between them. Qimir feels so toothless compared to Kylo. Rey and Kylo push against one another. There's hostility, fear, and even some spite.

But, Qimir is just there to facilitate Osha's story. He doesn't feel like an independent actor playing off Osha in an interesting way.

Their dynamic feels like a sanitized and sanded down version of Reylo without any of rough edges that actually made Reylo compelling.

Finally, there's the Glup Shitto of it all.

So, somebody who looks an awful lot like Legends Darth Plagueis shows up for five seconds and I imagine that's going to be the biggest point of discussion online.

It's hilarious because he's just sort of there, poking his head around the corner like he's part of the goddamn Scooby gang.

My initial prediction was that Qimir was going to be revealed to be a Knight of Ren (Kylo's theme can be heard when he shows up), but now I'm wondering if he is, in fact, being trained by Plagueis.

Perhaps he and Osha will break away from Plagueis in season 2 and create the Knights of Ren, but that's assuming we get a season 2.

The response to this show has been disgusting from the beginning. Just mountains of idiots who hate anything with diversity and go out of their way to read everything in the most bad faith way possible.

I don't even think the show is all that great, but it's not because there are women and people of color in it.

It's kind of ironic then that this show, in a lot of ways, gives that crowd exactly what they've always wanted - over the top saber action, high fantasy Jedi/Force stuff, and Darth Plagueis.

I guess we'll see if they change their tune or if their whinging is enough to prevent a season 2 from being greenlit, because I honestly think the show deserves to keep going, even if I think it's pretty far from perfect.

[bltngames]

A Better Late Than Never Look at "Knuckles"

Note: I get pretty casual with spoilers as I go.

So after consuming 5 out of 6 episodes of the Knuckles show when it was new, and then waiting two weeks (I was busy with other things!) to watch the finale, I think I'm finally in a place where I can talk about how I felt about it.

From the earliest adopters, I'd heard that this show was trash. Some went so far as to call it one of the worst things in the Sonic franchise, period. 

It's not the worst thing in the Sonic franchise. I don't even necessarily think it's bad. But I would also struggle to call it good. It's... a little more nuanced than that.

The story brings us back to Knuckles the Echidna in the weeks following the end of the second Sonic the Hedgehog movie. Having helped in the defeat of Doctor Robotnik, Knuckles finds himself restless. He's a big mish-mash of different barbarian, viking, and warrior stereotypes, and he can no longer quench his thirst for combat, something that's starting to drive his friends crazy.

Knuckles convenes with the spirits of his ancestors (Pachacamac, played by Christopher Lloyd) and learns he must take on an understudy and train them in the ways of the warrior, much like his father did with him. However, we also learn that Knuckles is now the last of his kind (something the movies never elaborated on, I don't think) and thus his understudy has to be someone from outside his species. 

Pachacamac tells Knuckles to seek out Wade Whipple, the dopey deputy of Green Hills, Montana, and educate him in the ways of the ancient Echidna warriors. Wade recently lost a bowling tournament to a particularly snarky 8 year old girl scout, and so Knuckles and Wade go on a road trip to the National Bowling Stadium in Reno, Nevada so that Wade can reclaim his title, conquer his battleground, and become a true warrior.

Right away, there's a lot wrong with the Knuckles series, and most of it happens in the first three episodes.

Though we should be used to it by now, how fast and loose the movies play with Sonic game lore is pretty annoying. In the years since that second Sonic movie, we've seen the release of the Super Mario Bros. movie, and while that's not exactly a perfect movie in itself, it is maybe one of the most faithful and respectful game adaptations ever released. 

The Knuckles series building a twisted Frankenstein of Sonic game lore now feels increasingly frustrating by comparison, especially as it rewrites the movie's own history in order to borrow from the more story-heavy games. The first Sonic movie shows us a whole tribe of Echidna warriors trying to capture a young toddler Sonic for unknown reasons. Though it's been almost two years since the last time I saw it, when Knuckles is introduced in the second movie, I don't think it's ever mentioned he's the last of his kind. We just know he's looking for Sonic for the same nebulous reasons the rest of his tribe were hunting him down in the first movie. The "Last Echidna" stuff comes from the games, and now it eventually gets mentioned in this series.

As a sidebar: I'm aware there's an off-hand piece of dialog in the Sonic 2 Movie Prequel comic that mentions Knuckles is the last Echidna, but that's a flimsy promo comic and none of it feels canon to me. That comic also has a cameo by the Chaotix and features way more Sonic environments than the movies ever will, making it feel disconnected to the actual movies.

Like it's fun, don't get me wrong, but it's also like when the Spider-man games based on the Sam Raimi movies would bring in characters from the comics, like Shocker or Mysterio. You KNEW if the movies ever dealt with those characters for real, they'd be completely different from what was in the games. The promo comic casually mentioning Knuckles is the last Echidna may as well have been nothing more than fluff for all anyone knew. 

In fact, it gets mentioned in the Knuckles series that The Owl Tribe -- the same creatures who we saw protecting Sonic in the first movie -- have apparently exterminated the entire Echidna race. It's only been, what, seven years? Eight years? So what's going on there? Who are the good guys? Who are the bad guys?  The Echidnas apparently wanted to kill Sonic, and the Owls were willing to commit genocide to protect him, and this all seems like some pretty heavy stuff for a series that still refuses to define what this "power" everybody has actually is.

It feels extra obnoxious considering the proximity to the upcoming Sonic the Hedgehog 3 movie, which is openly an adaptation of Sonic Adventure 2. There's more than a little Echidna lore that needs to be set up in order for parts of that game to make sense (if it ever did), and it's obvious they have little interest in carrying that forward in the movies, content instead to make up their own lore. And what we've seen of that so far doesn't necessarily seem to be better, it just seems to be different. Like they dug themselves into a hole and now have to dig back out in a different direction -- more damage control to cover for that first movie twisting up the source material.

Ultimately it ties back around to the fact that I don't think this is what Sonic fans were hoping for. There were a lot of directions to take a Knuckles solo project, and they made it into a road trip buddy comedy between two of the weakest characters. Movie Knuckles is a one-note Klingon stereotype and it feels like Idris Elba is sleepwalking through a lot of this chest thumping "heart of the warrior" stuff.

And Adam Pally as Wade Whipple was okay in small doses, but he wasn't exactly breaking new ground as the bumbling small town deputy. Putting these two guys in a box together is kind of a bad idea.

And for the first three episodes, it is. Wade and Knuckles have absolutely zero chemistry together. Most shows would have a little hint that these two guys like each other, but it's more that Knuckles wants to train Wade for selfish reasons (satisfying his ancestors) and Wade is kind of a dumb puppy who does what everyone else tells him to, sight unseen. 

We also get new B-tier villains for our B-tier show, who swagger in like they missed the audition for their gig on Mighty Morphin' Power Rangers (no shade meant towards my sentai fans in the audience). They're GUN Agents, either current or former, and have apparently been selling weapons tech to a genuinely dangerous killer only known as "The Buyer."

Actually, another small sidebar: it was kind of strange to see Knuckles rated "PG" (for some mild swearing), but Paramount+ constantly inundate me with advertisements for Dora the Explorer, Minecraft, and The Loud House. This is actually my first, real, honest exposure to The Loud House, both in its cartoon and live action form. It feels like a show made for the whitest children on earth and if I have to see that little girl with the shrimp bowl fart again I'm going to throw my TV into the street.

Anyway, Knuckles: for the most part, the villains only really exist to remind us that this ties to the Sonic the Hedgehog movie universe while also providing goons for our heroes to fight. 

If I'm being real, I was actually a little confused by the presence of the GUN Agents. The Knuckles show is kind of bad at establishing whether they still work for GUN or not. We do get a scene where they go rogue, but it's never clear if they're just overachievers who get results, or if they are actual card-carrying bad guys who are breaking off for a solo career. I just figured they were here as a flimsy setup for the third Sonic movie.

Mostly, though, it's a lot of fluff. Knuckles or Wade gets into trouble, and they accidentally stumble out of one bad situation into another, over and over, for a good 90 minutes. Very few jokes land, it doesn't feel very funny, it's a confusing mixture of new lore and stuff borrowed from the games, and it feels like the show is a mess that's constantly spinning its wheels. 

Wade, now branded as a fugitive for being seen fighting GUN Agents (again: current or former?), accidentally and conveniently finds himself at his mother's doorstep seeking asylum. On the jewish holiday of Shabbat. Now, I'm not jewish, but it seems like Shabbat can happen on literally any Friday, yet the Knuckles series treats it like an annual holiday like Christmas or Halloween. Regardless, it seems like Wade happens to catch his mother on a Shabbat where she's already preparing a big meal, since Wade's older sister, an FBI agent, also happens to be in town. Which is also weirdly convenient. Wade, feeling like he can't disappoint his mom, sits down and they have a meal together, only to be assaulted by bounty hunters looking to claim the price on Wade's head.

This episode starts a kind of turning point for the Knuckles series. Over an hour into this three hour ordeal, and it finally provides some threads of character development for Wade Whipple. We learn his estranged father is a legendary bowling champion, who will also just so happen to be at the big bowling tournament Knuckles is ushering him towards. Knuckles has a cozy moment with Wade's mother, and we learn more about how much she hates Wade's father for breaking up their family.

The fourth episode finds Wade facing down yet another bounty hunter. Earlier I mentioned Wade lost a bowling tournament to an 8 year old girl -- specifically, he lost a placement match for a bowling team known as The Renegades. The captain of The Renegades is a man known as Jack Sinclair, and when he rejects Wade's entry into the team, he casually mentions a bounty hunter gig he runs on the side. Now, Jack's back to claim the $100k bounty, and Knuckles has decided that it's time for Wade to solve this problem on his own.

Ultimately, this means Wade is forced to convene with Knuckles' ancient ancestors for himself, leading to, of all things, a rock opera in a spectral bowling alley where we learn more of Knuckles' origin. If the Shabbat dinner episode finally budged the needle a little bit, this rock opera episode is the kick in the pants this series should have opened with.

We get Wade in a Knuckles costume, a puppet of Knuckles' dying father that's definitely a reference to Archie's controversial Sonic writer Ken Penders, dancers in owl costumes, and a genuinely impressive prop of a "Fire Demon" (Iblis from Sonic 2006) operated by an entire squad of bodysuit actors. It's a lot of fun and I even found myself starting to laugh at the jokes! It only took, what, two hours?

As the rock opera explains, after Knuckles watched all of his friends and family get slaughtered by the owl tribe, Knuckles wandered the galaxy, hopeless. Knowing he was the only one who could protect the master emerald, he challenged this fire demon to claim the power of The Flames of Disaster. The demon nearly killed Knuckles, but by keeping the warrior's spirit in his heart, he summoned the strength to defeat Iblis once and for all and claim The Flames of Disaster as his own. Thus, Wade learns that a warrior's true strength comes from within, giving him the push needed to have a final showdown with Jack Sinclair. 

And then something else weird happens: the final two episodes of the show turn into something completely different. 

In my opinion, the more the Knuckles show gets away from Knuckles himself, the better it gets. Even though I thought the rock opera origin story was great, the less we have to worry about their jumbled up lore, the better. And these last two episodes of Knuckles get about as far away from the Echidna as they can get, turning into a late 2000's sports comedy in the vein of something like "Balls of Fury", "Hot Rod" or "Blades of Glory." Except here, the stand-in sport of choice is bowling.  

It's actually pretty funny how much the previous four episodes just stop mattering entirely. Like, the bounty on Wade vanishes. Being a wanted criminal (former or current) has no bearing on his ability to attend the bowling tournament despite apparently being national news not even 48 hours earlier. It's never mentioned or brought up again. 

Knuckles almost exits the show entirely. He spends most of the final two episodes relaxing in a hotel room, leaving Wade to carry almost literally everything else by himself. We get introduced to Cary Elwes as Wade's father Pistol Pete, who summons the same level of ham and cheese we last got from him in Robin Hood: Men in Tights. 

And... It works. It's not the greatest thing on earth, but compared to where this show started, once the bowling tournament kicks off, it's literally the best part of the whole series. The jokes get even funnier. We get all these different themed bowling teams, everybody in special costumes, with dumb names like "Ball Busters" and "Split for Brains." The editing gets really energetic and creative, too, with lots of flashy split screen cuts set to music. 

It feels like somebody had been sitting on a decade-old bowling comedy script and dusted it off for these last two episodes. It stops being the Knuckles show and starts being the Wade Whipple show, and is surprisingly better for it. 

But then, that's not entirely true. It's still the Knuckles show, and almost begrudgingly, they have to make up a reason for Knuckles to have a big fight at the end. It's almost funny how blatant it is -- there's so much focus on Wade's showdown with his Dad that when they cut back to Knuckles it feels kind of forced. Like they realized Wade is getting all of the pathos and character development but they still needed to show Knuckles doing something, anything, so here's a big robot that needs punching. 

It's not terrible, and Wade eventually joins him, tying into his overall journey of believing in himself and becoming "a warrior", but it does feel kind of tacked on regardless. There's this general vibe of the show getting lost in the bowling tournament and then going "Oh, right. That guy."

Listen, I'm not here to evangelize this show. It's kind of an inconsistent mess. It's jammed full of obnoxious needle drop musical interludes, there's tons of REALLY blatant product placement, and just like with the previous two Sonic movies, whenever it makes direct references to game lore, it feels more pandering (and increasingly sloppy) than anything else. It takes its sweet time expanding on both its title character and his poorly chosen side kick. A lot of it made me cringe more than laugh. 

But it does eventually hit a stride and I'd be lying if I said I didn't enjoy the back half of it. You can really see the show start to find its footing once you hit that Shabbat episode, and by the end of the rock opera, Knuckles had finally won me over... by getting further and further away from Knuckles himself. 

And... that's not really a great endorsement, now is it.