#i hate romance why am i so invested in this?

[iamafule]

The Wizards of Once Twice magic spoiler warning

Reading the Wizards of Once and BODKIN LIKES WISH!!

[www-pinkhearse]

I’m sorry

[tevanbegins]

My beloved Bucktommies, hear me out for I have rambled about some important stuff ahead related to Tommy's comeback situation for S8:

Let's not forget that the Access Hollywood interview with Lou Ferrigno Jr. and Oliver Stark would never have been arranged if Buck and Tommy's love story wasn't meant to be long-term, or continue developing further into the next season. It was a small but still a very crucial piece of press.

Why? Because it's not like it was done right after 7x04 when the hype around bi-Buck was at its peak. Instead, it was done during the second-half of the season, that too when the Bobby-focused episodes were airing. Plus, it was a major TV network interview, not some random podcast/youtube interview!

Also, they could have only had Oliver out there if the showrunner or PR team thought Lou as Tommy was inconsequential to this storyline. They evidently wanted to create buzz not only around Buck's bisexual arc but around his romance with Tommy as well, with this press. Why do all of that if the character was going to disappear shortly?

I am not clear about how it all works but I am sure Tim and his team must have discussed Tommy's future when they decided to extend Lou's contract beyond the pre-decided 4 episode appearances last season. Because why even bother showing that tiny dinner scene with Tevan in the finale if they didn't want to show us where the relationship stood?

And don't let the naysayers get into your head and compare this with the happy Buck-Natalia scene from the season 6 finale and how she was written off after that. Remember that the writers supposedly wrote that episode as a possible series finale given the uncertainty around the show's future after Fox cancelled it. But then ABC picked it up and the writers had to resume the storylines from where they had left them off.

The actress playing Natalia refused to come back, probably because I am assuming she thought her part was done and the show was supposed to end and so she took up other work. Plus there was the whole strike thing too in between. She was just a supporting character and her contract extension may not have been under consideration while they were filming season 6, because they didn't know for sure at the time if another network would renew them for a new season. And because of her refusal they had to scrap that storyline later.

The situation is quite different with Lou. The season 8 renewal announcement came early when the first-half of season 7 was on air. Therefore, Tim and the writers have had the luxury to put some plans in place for the upcoming season in advance because the renewal was official. And this must include whether or not they wanted to keep Tommy around post season 7!

And if Lou agreed to do 2 more episodes last season, I believe he must have agreed to be there for season 8 too — because if the last two episodes of S7 have served any purpose, it has been to tell us that Buck and Tommy are going strong and even the firefam approves of their relationship, deliberately cementing their relationship status as they move forward into the upcoming season.

So this can't have been all for nothing. The only reason Tommy wouldn't be in S8 is if Lou himself declined or if the filming dates were clashing with his other projects, none of which seems to be likely given the points I have discussed above. Besides, we all know how deeply invested Lou is in playing Tommy and passionate about his storyline with Buck. He wouldn't quit a role that's clearly so important and dear to him just because of the BoBs' stupid vendetta against him; he has big dreams for his career to let this childish hate towards him get in the way of a good opportunity. And he knows and sees how much we as his fans love, support, and appreciate him!

So to conclude, I have faith Tommy will be back! He has to be!!! 💫

___

[lurkingshan]

10 Things I Love About Triage

I am extraordinarily late to this party but I am here to scream about Triage, a show which I started on a whim after a stray comment from @incandescentflower and subsequently finished in two sittings. This drama has been on my list forever (I didn't watch it live because the distribution was wacky) and then it just kept getting overlooked as I fought to keep up with the deluge of Thai BL coming at us at all times. But I am very glad I finally hunted it down and made the time and I would like to tell you why!

Hello Again, Dr. Sammon

I am on record as a Sammon fan. She is one of the best writers working in Thai BL and she has a knack for mystery and suspense. Her narratives are always really well constructed with tight plotting and smart character work, and Triage is no exception. This story feels confident, steady, and complete in a way few Thai BLs do.

The time travel rules are blessedly consistent

Part of what makes the story sing is it's a time travel plot that actually gets the particulars right. In a time loop, the details are everything, and this show understands that. The series of events are consistent, the rules of the time travel mechanics are clearly explained, and when our protagonists learn something new, it always lines up with something we'd gotten hints about before or gives us new context for old information. There are no loose threads in this show.

My boy Tin is going through it

Tin is a fantastic protagonist. He starts the show disillusioned with his work and hilariously grumpy about this time loop situation--he is a busy ER doctor and he does not have time for this--but as he starts to piece together how the loop works he gets more methodical in his approach, and eventually becomes emotionally invested in his mission to save Tol. Tin felt really well-calibrated in that he was smart and he tried all the things you would be shouting at the screen for him to try, but he's still a human being with flaws and insecurities and so he makes mistakes, learns, and has to try again. The show really successfully put us in the frustration with him.

Tol makes for an interesting damsel

Because he's kind of an asshole! Tol is rude and disrespectful when he first meets Tin, he hangs around with some truly awful bullies, he treats Rit like garbage, and he's all around an arrogant dick. Until he isn't. I like the choice to make the focus of our mission such a difficult character, not only because it makes Tin's challenge that much harder, but also because it invites us to consider the reasons why someone might be behaving the way he is and whether they can be redeemed.

This show has everything: action, romance, and agony

It's truly an emotional rollercoaster all the way through, and you can't relax for a moment. The pacing is relentless through most of the show, and even as a bond develops between Tin and Tol and they begin a tentative romance, danger is lurking around every corner. As soon as these boys started making out in episode 9 I knew something awful was coming for me and IT SURE DID.

Jinta, the ultimate frenemy

On that note let's talk about Jinta, my nemesis!! Jinta is some kind of unspecified deity/whimsical god and the one who appears to be responsible for putting Tin and Tol in this loop. Is he trying to help them? Is he trying to torture them? I definitely think it's both! He seems to delight in showing up to taunt Tin as he struggles to figure out how to get through to Tol, and when it's Tol's turn on the merry-go-round he sends him to the darkest timeline for his high stakes final attempt to save Tin just because he can. I love/hate you, sir!

Sing and Gap and the darkest timeline

Speaking of which, can we talk about how appropriate it is that Sing and Gap are a couple only in the darkest timeline? I don't know if people were shipping this for real during the live watch, but I definitely was not and so I started cackling when we got to the worst possible timeline and Sing was suddenly calling Gap his boyfriend. Sammon, you are hilarious and I salute you.

Fantastic side characters

Let's talk about the sides I did love. First of all, aside from his weird aggressive flirting/not flirting thing with Gap, I actually did like Sing's friendship with Tin a lot. I also loved the hospital gang who were around to alternately tease and help Tin, most especially Toy and Fang. Toy is a sweetheart and a gossip who never misses a trick, and Fang is an actual badass who first cracked the case with that evil doctor and saved Tin's life. They are fabulous. Rit was also an excellent character with a lot of complexity and he added some much needed depth to the school storyline (does anyone else think he was basically the proto-DFF Non?). And while Mai and Heart were not my favorite people, I did appreciate that the show gave them a sympathetic portrayal instead of making them evil villains (we had the organ harvesters for that).

That beautiful clocktower

I must give a shoutout to this gorgeous clocktower featured in several important scenes. I got so excited every time it showed up. Fun fact: in the first clocktower scene I was like oh hey I recognize that from gifs, but it can't be that scene because it's too early for a kis--TIN WHAT ARE YOU DOING! (I was right, it was too early for a kiss and Tol was Big Mad but bless you for going for it anyway, Tin).

The romance is balanced and rootable

And on that note, let me give a shoutout to the romance part of this story for actually feeling balanced. This is not an epic swoony love affair, but more a story of two people putting in the time to understand and empathize with each other. Sometimes in these kind of time loop stories the romance can end up feeling very one-sided because one character is holding all the knowledge and all the cards. But in this show we have the neat trick of Tol taking over the loop to try to save Tin in the final arc, which means he got to go through a similar process of getting to know the darkest version of his lover and figuring out how to get through to him. I was delighted by all the events of the long loop playing out again, but this time with Tin being the obstinate one. Tol got a taste of his own medicine and it left me feeling like they were both equally invested in this relationship.

TL;DR: If you haven't watched this yet, you really should! It's a fast binge and a great time with some Thai BL favorites. It's unfortunately still not available for international streaming, but it's very easy to find grey now and it's worth the effort. Go forth!

[handsomeamoeba]

WRONG.

Try again.

Actually let's get into this. As someone who loves a great many fantasy RPGs including BG3, Skyrim, and Dragon Age, let me explain what BG3 gets that Skyrim misses, in my opinion.

And this is the big one: the characters in BG3 feel like real fucking people. They have backstories, demonstrable feelings about the events and the other characters, they react to the things you do and they develop as people as you further your relationships. Even minor NPCs often feel fleshed out with distinct personalities and opinions. Hell, going out of my way to cast Speak to Animals is usually rewarded with at least one charming remark. I have never given even a little bit of a shit about 99% of Bethesda NPCs. I usually choose to travel without a companion rather than with unless I need a pack mule to carry my stuff, because their primary function seems to be to get in my way, set off traps, or attract aggro. I can't remember most characters' names unless I'm actively playing. I'm more likely to casually murder people in Skyrim than I am in BG3 or DA because Bethesda hasn't really made any of their NPCs feel like real people, and consequentially I feel no guilt. By comparison I tried to do an evil run of DA:O and gave up the instant I had to kill Wynne (the grandmotherly spirit healer) when she refused to let me go through with my plans, because I hated doing it. Lydia will watch me gut an innocent man and do NOTHING because she has no life, existence, or personality outside of me, the player. This extends to romances, obviously. While optional in all the games, most people will pursue a romance path in BG3 or DA for the additional character arcs it brings to the characters, the emotional nuances they unlock. In Skyrim romance is a box you tick of tasks to complete. In fact, once you marry them, most marriage candidates personalities change *completely* because all spouses have the same few stock dialog lines. That is, if they had a personality to begin with (again, see Lydia). You know how everyone wants to romance unromanceable characters in Bethesda games? Like Brynjolf in Skyrim, or Nick Valentine in FO4? It's because Bethesda actually bothered to give them stories and opinions.

Honestly, this extends to the player character themselves. To a certain extent every player character is a blank slate, but in BG3 and DA it at least feels possible to develop a feeling about who that character is and what they would or would not say or do. I've tried to do that with the Dragonborn and rarely feel strong feelings about them or have strong opinions about what kind of person they are. The only one I've made who I have much of an idea about is my wood elf Parafina, who is Chaotic Evil. Which again is an option I only pick because no one in Skyrim feels real.

The stakes also feel more real in BG3, more personal. Obviously there's the central quest involving the tadpoles, but more than that, it is about a credible threat to your world and the people and communities in it and the people you love. There are tons of reasons to invest yourself emotionally in the narrative. I have never, ever completed the main storyline in Skyrim nor picked a side in Skyrim's civil war. Why would it? Basically nothing happens if I choose not to. Furthermore, if you're not playing as a Nord (which I usually don't), why would you care about Skyrim as a place? You are a faceless, voiceless (pun intended) outsider who gets microaggressed at every turn being asked to choose between two different flavors of fascist. Also dragons are back but like... listen, I don't care? They get pretty easy to pick off at a certain point, it's like swatting flies, they're just a nuisance on the way to my daily errands. And isn't that such a common story? Don't you know so many people who don't really bother with the main storylines of Skyrim? Yeah it's one of the bestselling games of all time but I feel like the fact that most people don't really care about its narrative should be a sign of failure. We all know it's mostly maintained its popularity due to the modding community.

Ultimately both games have rich worlds which reward exploration with little secrets and environmental storytelling. But BG3 feels more "meaningful" because they give me reasons to care about what happens. The writers worked hard to give the game emotional resonance. So I come to the two games for different experiences. I go to BG3 to engage with an interesting story. I go to Skyrim for the quick serotonin hit of completing tasks and hoarding items.

[batmanisagatewaydrug]

Happy Halloween season, thanks to you, I’ve come to terms with the fact that me wanting to read fucked up dark romance horror erotica about the devil in post ww2 Appalachia that will make me question my existence and also my sanity because why is this making me wet to celebrate the start of spooky season is ok actually. Even good for the ecosystem that is my body and recommended for my mental health

Also I saw a list of books you recced and started reading love hate and clickbait and holy shit I hate these characters so much but I am so weirdly compelled by and invested in their lives and this is quickly turning into one of my favourite books and single handedly broke my month long reading slump (which unfortunately caused me to miss sapphic September :( )

this is so beautiful I love this for you

[absolutebl]

Genuine Question: Given how much people hate problematic topics in BL eg: kp, mame, love syndrome, etc. why is everyone so damn excited about Only Friends? Like we know nothing about the show. It's GMMTV so how sexy is it going to get? you know, like it's GMMTV. I like the cast as much as anyone and particularly FirstKhao but I don't see this 'sexiness' everyone is going so crazy over? Is it some bts thing like I know the director is jojo and he's gay. Is that why everyone so excited? Is it because we just haven't gotten anything really brilliant this year that gets the whole BL fandom together and that's why people are hoping this will, is that what's going on? I like everyone involved well enough but 'sexy', 'crazy', 'problematic', 'high heat'... I don't get it.

Only Friends & Jojo

Genuine answer.

Okay so this question got me invested enough to get off the phone, over to the laptop, and onto hotel wifi, which means typos rather than dictation homophones, but there it is.

I guess what I am saying it...

mistakes will be made

From the tenor of your question methinks you have not watched Friend Zone? It's a 2 part series. Mostly messy hets but...

Also a TON of broad spectrum queer rep (lesbian, bi, ace, demi). Real queers, not sanitized for straight consumption.

Because yeah, GMMTV will get messy and go into higher heat levels in a late night way (not in a KP way).

But actually what has most people excited about Only Friends is it being sourced in this man:

Jojo Tichakorn Phukhaotong

Jojo is a screenwriter (originals) and director, openly gay, multifaceted and a little experimental, naturally talented (on the job trained - he's an archaeologist originally), and he is behind:

The Warp Effect, Friend Zone and MOST importantly (IMHO)...

3 Will Be Free

There are others too, but for the purposes of this post, those are the 3 that count. I think of him a little as the GMMTV director version of Ohm's acting.

Jojo specializes in:

ensemble pieces,

good chemistry (NOT necessarily high heat, so by this I mean actor chemistry with each other all around - couples, cast, team, production)

working with and finding actors within GMMTV's stable who work well together (even if that means busting up a pair),

a queer lens,

queer rep,

and often very messy story (as in he is not invested in the traditional beats of a romance, let alone a BL).

AND he can shoot action (this is a specific skill set for directors and it's NOT easy),

thus he will shoot his sex/intimacy & COMEDY scenes as if they WERE action sequences.

This makes his stuff particularly exciting to watch. It's dynamic, there's a lot of movement, the eye is caught and dragged places. He doesn't use dirty/peekaboo framing or central aperture or manga style (not with INTENT the way trained directors do). In fact he does none of those things I harp on about because I like the romance stuff.

He's not being clever with us. He's being honest, but still applying skill. His stuff not quite raw, but also not really directed. You can tell he gives his actors a script, throws them together and then instructs them to just BE THOSE CHARACTERS. He has a light touch, he trusts them. He's not fussy or nit-picky. He's not doing a million takes to get that sene exactly how he envisions it. His ensemble pieces are just that, group projects.

His eye is wide, even for intimacy, by which I mean: he controls and watches for multiple actors at once when there are a lot of them on screen together, without them feeling stiff.

His style is quite organic but not too gritty.

Struggling to understand what I mean?

For example, watch a Jojo "group of friends chatting" scene where everyone is just standing around then watch the same thing in, say, SCOY. You'll see what I mean. SCOY is also a very queer ensemble piece, but it will feel quite stiff, unnatural, and "planned" (staged) by comparison.

For the giffers out there you might notice that Jojo's stuff is particularly difficult to gif cleanly? This is why.

I find him an exciting director. I didn't cover him in my directors overview because at the time he hadn't done much BL (and frankly, he still hasn't). It's not his focus.

I think Only Friends is actually not likely to be very BL. Queer = yes, BL = NO. He won't hit the tropes and there is no reason to assume it will end happily for all couples (if any). That's not Jojo's point of view.

He doesn't play our game. As a result, some of those excited by the idea of this show (or excited the general enthusiasm & anticipation around it), may be doomed to disappointment.

It's one of the reasons you don't see me getting excited about it.

I'm a fan of specifically the fluffy side of BL, this will NOT be that. And I can appreciate a director without necessarily liking the stories he tells.

I am industry enough to acknowledge Jojo's skill (and I LOVE 3 Will Be Free - just not as a BL), but I don't always like his narratives. No matter how good he is, his stuff is not why I personally watch Thai BL.

It's GMMTV, so how sexy is it going to get?

Again, see Friend Zone. GMMTV has a late night pantheon, mostly for het, but they will get salacious. Lots of cheating and terrible decisions. There will be no archetypes. Characters will exist in grey areas, even the "good" characters. There will be no paladins in this show. No seme/uke.

To answer this frankly?

Only Friends will get soap opera or telenovella sexy but no more. So we will be in Midnight Chicken territory, not Bed Friends.

I think the words being bandied about:

'sexy', 'crazy', 'problematic', 'high heat'

are used here on tumblr (and in fandom) as an attempt to articulate expectations set up by Jojo's style.

Most viewers only react emotionally to the tenor of a director with this set of skills. That's fine, that's what the production company wants: A visceral emotional reaction.

But I hope I've managed to clarify from a film-critic perspective what's bringing this sensation about?

But ALSO seeing a bunch of, essentially, lower heat pure BL pairs, have to push themselves into messy queer spaces? (Notice GMMTV only let the more established actors into this one? No JoongDunk, no GeminiFourth)

This is probably really what everyone is excited about.

They are gonna see their favorites cheat, sleep around, be gay (not BL gay, but actual gay). Some are legitimately excited about this, some are shipper excited, and the BL-stans who don't know Jojo are doomed to disappointment.

I'm mostly excited by how messy this is gonna make the fandom.

Su su na.

(source)

[m3r1m4r5u333]

I feel like many people misunderstand us, the unhinged, insufferable people with OTPs so. Here's a quick guide into the mind of an rabid buddie shipper.

I'm not clinging to buddie because I fail to see how awesome Buck's bi growth is. I AM BI!!! You think I don't get how awesome this bi character, this story arc, this bi representation is? Get out. Don't tell me, a bisexual how I should watch and experience a bisexual character. I drive my own brain, thanks.

And I know that it's possible to multi-ship. You don't need to tell me that!!

People need to understand that multi-shipping isn't some grand, epic personality trait that always comes with maturity, that the people who don't multiship are just wee dumb babies.

I may sound like I'm 14. I am not. I am very much not. I'm OLD. So old. And guess what that means? I know myself!!! That's maturity, too. And who I am... Is someone who falls hard, and obsessively.

I know I am just not built to be a multi-shipper. I have tried, sometimes. I have tried so hard. And realised, that's just not me. Multi-shipping is never as fun, and interesting or rewarding to me as focusing on my One True Pair. It just makes me feel suffocated, to attempt to like something I don't really find much joy in.

That doesn't mean that I hate the actors or characters who are "getting in the way" of my ship. Nope. I actually often adore the characters and actors, and the writing. I can also see and appreciate what some other character means for my OTP's growth.

Like in this case... Lou, playing Tommy? Not only do I love his acting choices (so funny, so skilled) but he also, he sounds like a lovely guy. I'm a fan!! Also, damn he's fine, I need a bucket for my drool.

And Tommy, the character...? I think the character is interesting - and don't get me started on "problematic", the shaming is futile. I am all in for fucked up, problematic characters. If you don't get why, you should really read some literary classics. Fucked up, problematic characters are art, they make you think, they broaden world-views. My best educators have been the monsters, and I will take this stand to my grave.

Demand for "unproblematic" is demand for censure, and censure is just another form of oppression. Want characters without flaws? Go watch Teletubbies. Ffs, even moomins have flaws. (Of course they do, Tove Jansson was a freaking amazing writer.)

Anyway. The point here is.

I am a mono-shipper. And I love slowburns, I love the romance of them, I get attached to ships. And I'm queer.

But where are the queer slowburns? I have been waiting for a slow-burn queer romance for so long. I CRAVE IT. Getting that, truly, would be queer history, a revolution.

And I see the potential for it in buddie!! The spark, the history, the journey. It has the potential to be the greatest queer slow-burn I've ever experienced.

You think I'd just abandon a ship like that, a slowburn like that, for some fast food, cooked up in what... Two episodes? Pffft. I invest. I am waiting for my roast to cook.

So yeah. I'm not going anywhere. I will watch, and let my freak flag fly, and I will have the time of my life. If buddie never becomes canon? Well so what. I can deal. It's not my first rodeo. Disappointment isn't actually deathly, you know. Trying to avoid disappointment kills hope, and enthusiasm. So yeah, I refuse to manage my expectations. I'm all in, and enjoying this mad ride.

"Well, I'd still take you."

"You think so?"

"I KNOW."

[imageingrunge]

A needlessly thorough review of DATV so I can move on with my life:

WHAT I LIKED:

The story pacing flows better without all that open world slog from DAI I am not bombarded by 50 side quests that have no baring on anything other than rp flavor

The game is pretty, CC is nice

They gave you far more opportunities to flesh out your Rook's background than in DAI and da2 but it's not as fun has having a mini origin story from DAO

no fall damage and if u run out of a combat zone ur companions follow u too

Hossberg wetlands really remind me of dragon age awakenings and I like the way the blight looks there, it gave me a nice nostalgic feeling for the older games

WHAT I DID NOT LIKE (IN DETAIL)

Voice Acting & Dialogue

It is really hard to be invested in a game that feels the need to recap everything you just experienced from 5 minutes ago, (verging on insulting my intelligence) and the silliest part is while i do hate this I got so checked out after act 2 I needed the recap 

A lot of the dialogue and banter is just empty small talk and meaningless pleasantries that sucked the life out of me, had me longing for the days of hearing Ohgren's beer belches reverberate off the walls in the deep roads:

 Voice acting is really consistent, I hated it when you never knew how your inquisitor would sound in DAI sometimes too serious for a funny comment or like yelling at Cassandra and cullen over nothing - Rook is more consistent but it comes at a loss of personality every line is uttered in the same annoying tone that had me being like damn can he stfu already (da2 was ideal voice acting for me if they cant deliver that again just go back to a voiceless protagonist)

Me whenever my rook opened his mouth: i was getting violent on that skip button

The dialogue between rook and their companions holds it back from being enjoyable at all really- here's some examples:

Emmerich's personal quest in act 2: "I want to do this immortality rite it's a very high honor in my order but rook I might die in the process permanently, I am an orphan and afraid of dying" Rook: "You could die?!?! That's awful". In Origins you can have a conversation with Wynn about her inevitable death and respond in a manner similar to rook and Wynn teases you by saying "well i'm not going to live for ever dear" it made me smile and sad about not being able to really help her. Did not feel that way Emmerich though, Im so uninterested in him as a character my response and feelings are "old people die all the time" and then 'wait why the fuck haven't you done this immortality ritual yet instead dragging me over here to collect some flowers"

Companions & Romance

the flirt options aren't all that flirty, its just rook being nice, all the romance content seems behind a 'romance locked in' moment (that comes in so late in the game u already forgot who u were even flirting with at times) so you can't hop ur way from one bed to another before deciding on 'the forever one' (remember when I could ride the iron bull then break up and be with Cullen- I don't think that’s an option here)

The companions are all pretty forgettable, I did everyone's personal quest (with the exception of Taash tried to kill a dragon for them n failed so bad i just moved on) and forgot there was even an approval system with them or that I was supposed to pick choices for them. It felt like i was on a train going in one direction where it did not matter what I said or did to them they would be fine. It’s like I've lost and gained nothing by doing these quests. The deepest thing I learned about Emmerich is that he is a 50 yr old orphan scared of dying. And it makes me not care all that much about them beyond “I just need you to function enough to get me to the end of the game sure Taash embrace being Rivaini, yes Harding live peacefully w that Titan shit inside you idc… Lucanis..ahh what was ur issue again I forget”

I made Lucanis live peacefully with Spite (stuck as an abomination that's supposed to be as volatile as Anders & Justice) Let Emmerich become a lich and no one batted an eye. Everyone just heehee haw hawing over Emmerich's new skeleton form and I forget about spite a lot unless he comments on something i've killed. Was there supposed to be some moral quandary? to make Emmerich a lich I had to "kill off" Manfred... the walking skeleton who might as well have been a rock with a pair of googly eyes attached to him for all i care

I don’t want to help Bellara light funeral pyres in a puzzle game play style that isnt a deep message about death. I want Aveline's speech about reading her favorite book to her dying father after hawke lost thier mother.

For Neve's romance, it took the whole world falling part and everyone dying for her to kiss me for a 2 time and then pity fuck me and afterword she’s like I’m leaving don’t want to be too distracting. All these lines carry no weight like bad actors w no chemistry

jaw on the floor comparing this (first time I said "i love you" to neve)

to the first time I said it to cullen and how he treats u before the big battle

I get that she isn't lovey dovey but at 70 hrs in and 2 kisses it feels like she just dont love me </3

Combat - as a spellblade mage*

combat was this weird mix of sometimes fun sometimes a new and unique form of human torture (wydm press shift 4 times n hold down e then press V C and 2 IM ON A KEYBOARD!) Once u make it past level 20 u are immortal but ur enemies are sponges I dreaded every single dragon fight despite that being my favorite thing to do in DAI. Don't ever want to see another Ogre in my life they body me into corners that hitting space can't save me from.

At some point u just gotta run around the place a lot hoping ur companions can do the damage for you bc the mobs aren’t interested in them at all. i was spamming 2 n slamming on that E key hopping it would be over n done with already, If i wanted to play a flashy monster hunter game, well then id play tw3 at least that combat is fun.

Lore & Story building

At the end of Trespasser, I was under the impression that the conflict in DATV would revolve around solas amassing an army of elves all over Thedas to rebel against the Evanuris. He had a whole network of Spies working against the Inquisition and the Antaam, and planned to restore the elven people, upend their religious views, and try to tear down the veil as a way of atonement. So I was understanding of there only being 3 import choices ( 1- who you romanced, 2- Save or redeem Solas 3- Disband or Keep inquisition). But that's not the story we get; instead its this??

The veil jumpers are like engineering mages with no ties to Solas beyond being an elves. There is no religious struggle they just seem to accept that these Gods have always been evil and need to be stopped. Solas is just a one man army trapped in the fade off screen for like 70% of the game. Should I have just kept the inquisition around after all? The only mention I got was my disbanded inquisition choice was inky going "my name still carries weight in southern thedas" and it seemed like disbanding or keeping it would have an affect on how easy or hard it would be to stop Solas but no it really doesn't at all

“It doesn’t feel like a Dragon Age game”

A criticism I rarely take seriously because that can mean so many different things? Like what is it the atmosphere? The aesthetics? The “dArK fAnTasy” none of these things have ever stayed consistent in any dragon age game. And I’d say DA franchise lost its teeth/edge when dai rolled around it was pretty light in the world of dark fantasy

However…theyre kinda right this time around....

It doesn’t feel like a dragon age game because they removed a lot of the lore your were exposed to in the previous games to the point where this might as well be another game all together. (i am not even a lore nerd but i do need something there to feel like i am in a dragon age game)

Yes the city is named Minrathos you were are told of its cultural significance and history as the seat of the empire but looks like a shittier version of kirkwall (and I kept getting lost going around the map so I hated it even more for wasting my time) Honestly the city felt super high tech and out of place in a fantasy setting imo, I missed it when everyone lived in a wooden hovel in the middle of the woods.

There is no reason for the venatori to follow Elgarnan and ghilian'nan or for the Qunari either but it all gets hand waved away with "they offered us power"

Reading the Inquisitors letters made me feel like im in a spinoff game and the real story is happening somewhere else. And sad to like baby take me with you!! i want to save u from this nightmare

A lot of the factions are sanitized to the point of being boring Darvin's little 'we're warden we don't do blood magic that's just not right" baby I let the wardens sacrifice elves to Corphyeus 3 weeks ago :/

Qunari Culture

So the whole reason you were fighting the Antaam in DAI was because they believed you were in cahoots with Solas, who's whole plan to them is to sow chaos and disorder- that is a HUGE no no in the Qun so they see it as their sacred duty to stop you. The Qunari we meet in DATV mindless npc mooks who attack you not because your with Solas but because the Evil elven gos promised them uhh power n shit for stopping you. Like I know I did not just waste my time in DAI reading about how egalitarian the Qun is everyone is like a Hive, they depend on each other so selfishness is rooted out so wtf was going on in Treviso with these guys. A whole culture decimated down to being darkspawn mobs part 2

What made me never want to play another DA game ever again:

Everything you ever did in Orlais, Ferelden, Kirkwall is pointless. No matter what the last letter from the Inquistor is "yeah the blight reached the south Denerim is gone, ferelden is blighted beyond repair, we took back Skyhold but barely. The Venatori disposed of whoever you put in charge of Orlais and there's giant leviathans rising out the sea in Ostwick"  There is no conclusion to this it's just the state of the world now

I cant even pretend my non solas romanced Inky is happy and safe after all this? My hof and Alistar might as well be dead for all that it ever mattered. I get that the devs wanted a clean slate but did they have to burn my house down and salt the fields? It feels so spiteful and mean, like they wanted to make a whole separate game and tack on the "dragon age" title to it for money. If they're not interested in the lore or world building why should I? it made me fully checked out of the rest of the story. Like damn idgaf about elgar'nan and the other one give me back Redcliff

TLDR I dont know if i should be sad that I still care about this or glad its over either way im blocking all datv tags n moving on

[nqmonarch]

Red Flags in HSR Characters

I have a problem of simping for the most red flagged characters except I can't handle red flags. Like violence makes me nope the fuck out of any relationship, I am so scared of getting hurt in any way, shape, or form. In real life I'm fucking terrified of being manipulated into being dependent on someone because I've experienced that shit and it isn't fun. Hate being insulted, degraded, all of that.

But the red flagged characters are just too cool???

Like Dr. Ratio, sure he's a pompous shit and would probably end up degrading you which I hate but he's so cool?! So I need to find some way to make him into this weird yellow flag without making myself into some super genius because no way is that gonna happen.

So instead put him in like a tutor AU, he's teaching you and when you get something wrong he gives you such a side ways insult. Like it takes a minute to realize it's an insult, it's worded in such a creative peculiar way. The second it registers you begin doing ten times worse on every question. It doesn't take long for him to realize that being told you're shit isn't inspiring to everyone. So he takes a... kinder approach. He's still a hard ass and strict but he's actively trying to do better and you can tell, when he starts a sentence suddenly stops and then brings that sentence in a completely different direction. You both end up learning. You end up learning the material and he ends up learning how to be somewhat better at dealing with people whose ideal day isn't being insulted.

Then there's the aeons. i simp for all of them, like how can you not??? Especially Nanook (using he/him pronouns for Nanook), Yaoshi, IX, and Aha. Now first off IX isn't a red flag IX is a lovely little black hole who I will defend with my life. But the other three??? They're as red as a stop sign.

Like sure, Nanook would probably destroy you the first chance he gets. Maybe Nanook is the destruction because he wants to be destroyed. I, I don't know man. Like he's so beautiful but how the hell do you even write romance with him? That isn't just like destroying the love interest.

Maybe he's had an insatiable urge to destroy everything ever since the dawn of his existence and he can't remember why. He's always been filled with rage, hatred, toward everything that's existed. Then he sees you and it all comes rushing back toward him. Your death, the hole it filled, the only thing that could really be blamed was the universe. It was everyone and everything's fault. So he would destroy it all to protect you.

Still a red flag but man I'm trying my best, no matter what Nanook will always be a red flag. Yaoshi on the other hand... surely there's a way I can make Yaoshi into a yellow flag after all they just want to help.

Yaoshi who would save your entire planet, heal every individual part of the ecosystem and every person, just to see you smile. They would ask nothing in return and instead remain by your side, enjoying the beautiful of the world. Then the mara strikes, people begin to lose their minds and themselves and you're left to beg them for a way to reverse this. But this is the price of life.

Yaoshi assures you that this is natural but they still watch on in horror as you inevitably succumb to the mara as well. Only then do they try to figure out how to fix it.

The further I get the more hopeless I become. Then there's Aha...

They probably found you entertaining at first, a human full of surprises and excitement, someone that could survive any trial. Then you grew on them a bit more and they found himself becoming attached. Aha wasn't supposed to be attached but this of course just makes an opportunity for more entertainment! Now they're actually invested and can experience the nail biting tension of all this drama!

Just another form of entertainment, it'll be a shame when you're gone though.

Then there's all the other beautiful red flags Ruan Mei, Jing Liu, Blade, Luocha, and Aventurine and Sunday seem like red flags as well even though they're not out. Like if bad to date why do I want to date?

Their red flags are a part of them and it's hard to work around it, so sometimes you just gotta embrace it. Life's rough man. In the end it's my fault for liking red flags. I'll just stick to Jing Yuan for now, peak husband material.

[uhgood-girl]

why jikook?

i've been asking myself this a lot recently bc well, why them? why not tkook? or ynmin? hell, jihope even, they're underrated as hell honestly, have you seen that hot tub video? hobi was ready to unhinge his jaw to swallow jimin whole (and who (jk) could blame him.)

but jikook, in a not joking way, hits different. they always have. it's been years at this point that i've been deep in this rabbit hole (within the larger bts rabbit hole, my god, how deep does it go) but i don't recall making the conscious decision to fall in.

maybe a little background?

i'm a fake love army. actually, if we're getting technical, i'm an outro tear army bc it was in the comments of the freshly released fake love music video that i saw someone recommend outro tear if i enjoyed fake love and then it was over for me. extremely not fake love at first listen, who's voice is second on this track? i NEED to know. i'm a yoongi/rapline bias to this day. fake love still fucks though, don't get me wrong, it's a never skip for me.

for that first year and then some, i consumed backlogged content like it was my day job. i am a prone to hyper-fixations hermit, basically, who was going to stop me? my therapist? nah, she picks her battles.

i watched everything i could get my grubby little hands on like someone would be testing me on it later. (shoutout qdeoks, you were so real) i didn't open stan twitter for the first time till probably the end of 2018, really just in time to be slapped in the face full force with the shitshow that was a hate campaign against these boys i was deeply invested in by then, the likes of which i had never experienced in an online space up to that point. it was a truly, truly wild era, don't ever let anyone tell you differently.

all that to say, i've been here for a hot minute and i developed my own first impressions on bts and the members as individuals in a vacuum. no one had to point jikook out to me, they stuck out on their own.

potentially relevant disclaimer before we continue: i am really really queer. i grew up in the united states conservative deep south and had to change high schools my sophomore year bc i was outed and then violently ostracized for being in a relationship with my same sex best friend at the time. it is safe to say i have a lot of feelings about and experience even when it comes to having to be low key (understatement lol) about who you love. i am not here just to make my barbies kiss.

actually, on that note, jikook wouldnt even be my chosen barbies out of bts. if we're in true fantasy delulu hours here, i would want yoonjin to be real. god, that would be the stuff, they're so old married as it is. peak romance.

i think the first place jikook ever truly caught my attention were the memories dvds. jimin has always been a sweet, bby angel taking care of all his members but i remember thinking that he seemed to pay a little extra, special attention to jungkook. and of course, why not, jk's the maknae after all. all of them have always been doting on him and deservedly so. but in those briefly shown really serious, quiet moments, jimin was often first in line. a spot very easy for him to obtain tbh as jk never seemed to be very far from him anyway. maybe if you've never in real time lived the satellite jeon accusations (hi pandemic army, bless you, i hope you make it to 2025 when we have them all back without restrictions) you might find them easier to dismiss but it was so consistent back then in all of the content being released. and once noticed, i don't know how anyone ever un-notices it. but i was in deep before i even realized the water was boiling.

should i talk about why not tkook? or ynmin, for me? i'm just pulling those as examples bc i know they're the popular contenders here but all joking in the beginning of this post aside, none of the other members interpersonal relationships, in any configuration (sadly, RIP yoonjin romance), have ever struck me as anything other than puppy crush/deep friendship/family. and that's not bc i don't think over half of those men aren't queer in some form or fashion because WHEW, that is an entirely different post and we simply do not have the time to unpack rn but it's not for lack of looking.

i started in a vacuum, but i have by no means stayed there, i walked in all of those front doors and sat down and said "convince me." i've got the time and lack of life, i am ready to be won over. what have i missed?

to this day i still regularly try and check my own confirmation bias, i'm obviously looking for jikook at this stage but i'm still ready on my toes if any of the others want to get crazy. (yoonjin i am rooting for you, we're all rooting for you)

and i'm not here to really persuade or sway anyone one way or another either. there are a 1000 other blogs on this site that can probably offer you better explanations, specific clips, and detailed break downs of moments throughout the years and even then people are going to see what they want to see. i just wanted to write some of my own thoughts down finally.

though...i guess if i had to point to any one single piece of "evidence" it would definitely be tried and true gcf tokyo? but if watching that the first time didn't ring through you like a gunshot, i def don't think there's anything i could say beyond that.

honestly, i think so much of "why jikook" for me boils down to the pit in the bottom of my stomach that i used to get when i first began to notice them. when i got past the initial warm fuzzies inspired by the sincerity of their interactions, my immediate second emotion was concern.

i remember the first time i heard some of the other boys make an offhand joke about them being a couple and i got anxious, fast. i thought hide, hide better, please be safe. i began to pay extra attention to the other members in general too when jikook would do things and felt like i could sometimes see a similar anxiety to my own in their expressions. for a long time, i just worried about them and where i saw other people rejoice in their more obvious moments, i was slow to celebrate.

despite my initial hesitation, it's now been about 5 years since the first time they ever made me double take. they're a few years younger than me but i feel like we've been growing up together. (parasocial? idk her.) they're less conspicuous these days, and for lots of obvious reasons, but i feel like overall, their confidence in themselves and each other is quite high. i know that's probably a funny thing to say in light of this last week especially, but i stand by it. i've seen this song and dance before. i have managed my own expectations in the past, taken full steps back only to be beaten anew over the head so many times with enough "coincidences" i felt borderline foolish to try and deny anything. jikook are truly some sort of neuro-spicy pattern recognition drug, i swear.

and i've never really gotten to talk about any of this with anyone before! i'm shy irl, and shy online apparently bc i have just been lurking around the outer lines of this circle this whole time like some creepy creep but i've decided i'm over it. fuck it. growth.gif. idk that i have anything important or new to contribute to the conversation but my god, no one else seems to let that stop them so i might as well take my turn on the soapbox, no?

so 📢 JIKOOK REAL (?) jikook sus. jikook make bandaged queer little heart go boom boom.

[verycharismaticdragon]

Currently reading a Korean webnovel instead of Chinese ones and this is making me conceptualize something, let’s see if I can put it in words…

My musings started with realizing that I’ve become very used to this cnovels thing where the main pairing is literally stated in the summary. Not the case for the k-novel I’m reading, and therefore I’m experiencing Pain and Suffering, — torn between my every instinct screaming that the author is setting up the OT3 endgame, and trying to lower my expectations to avoid disappointment. (And the novel is ongoing so I can’t even get spoilers for the ending :) girl help.)

As you may’ve guessed, I found myself strongly preferring the Chinese variant; but as to why exactly it was so important for my enjoyment to know the main couple… it took me a bit to figure out.

I mean, it’s not like I’m reading exclusively for romance, okay? Fannish activity-wise, sure, I tend to get fixated on ships (though even then, not all the time), but when it comes to reading (or any media intake, really), it’s not necessarily what I’m most interested in. Among my beloved titles, there are many where there’s no canon or fanon couple I'm attached to — and more than a few where there’s a canon couple that I neither love nor hate, just accept. So why did I get so attached to the concept of being, essentially, spoiled the endgame couple beforehand?

The key word that made it click was: promise. After all, it’s not like knowing the names of the characters that get together tells me anything about if they will be interesting or boring together, if they will be good for each other or make me scream “break up!” a million times. But it is a solid promise that these two people ARE gonna be a couple. 

And thinking about the word promise reminded me of discussions on plot twists that I’ve seen on here, about what makes a good plot twist and what makes a bad one — specifically, the phrase “narrative promise” that someone came up with. Basically, narrative promise is in the set up and the build up. If the plot twist betrays the narrative promise, it will not work, and it will be hated by the audience, who’ll feel like their emotional investment into the story was mocked.

The thing about the narrative promise, and why this term stuck with me, is that it’s actually applicable more broadly than just for shock-factor plot twists. For example: what is queerbaiting, if not betraying the narrative promise that the two characters are gonna be together? The fans see the narrative promise — the set up and the build up that would be unequivocally romantic for a het couple — and expect it to be fulfilled; only to be called delusional by the very creators that gave them this expectation. 

And this brings me to the next point: the catch of the “narrative promise” is that it’s never a guarantee. You can be completely sure the author is setting up X, only for them to turn around and do something completely different. (Possibly while calling you a little bitch for having the stupidity to invest your feelings into their creation, too.) After a while, a fan learns to manage their expectations. To not bet too much on anything, even if it feels like there’s no other way it can go. To wait until the end of the season or the last chapter before allowing themselves to get attached; to hold back on deciding whether something is good or not, lest they hype up something they will want to bury and forget later.

And this is where we circle back to c-novels, and to spoiling the main couple in the summary. Except I hesitate to call it “spoiling” because, as discussed, it actually heightens my enjoyment. For a simple reason: this practice takes the narrative promise from its nebulous, uncertain status to something concrete and real. Only for this one aspect and with the minimal-est amount of information possible, but still. That’s one thing I don’t have to guess about or doubt myself on (am I seeing things? is there a heterosexual explanation another way to read this? will the author simply kill off one of the characters before the end so that they don’t have to decide whether to make them explicitly queer?), and one thing I can count on (whatever else happens in the plot, I’ll still have this). It’s easy to invest emotionally into those characters and their relationship, when you have an assurance of their happy ending.

Ofc, I’m not saying that I don’t invest emotionally into relationships or characters other than the main CP — just that it is easier. And I would even say having this one(1) hard promise makes it easier to invest into other elements of the work, too, as it makes for a sort of safety net even if something else is disappointing or painful. 

Like, say you are invested in one couple with great chemistry and one side character. In case of a pre-stated ship, even if the side character dies, at least you still have the canon couple. So it’s not like all of your emotional connection to the book is lost, and you can probably bear with the loss of that character by writing everybody lives AU or something. But if the side character dies AND the couple you were invested in gets broken up or killed off or straight-married with other ppl… then doesn’t that make the entire thing into one massive disappointment? to the point that you might even regret picking up the book that made you care only to slap you in the face?.. 

So yeah, having even just one ship guaranteed is very comforting. And then I thought, well, doesn’t this apply to another type of fiction that I’m very familiar with?

Fanfiction?

Which, since very early on, has adopted the practice of putting the endgame ship in the header of the fic. And which, probably not coincidentally, is often a response to a broken (or at the very least not brought to its logical conclusion) narrative promise. And which always felt uniquely easy to read for me… 

See, prior to getting on this little thought train, I always assumed the ease was due to pre-existing familiarity with canon. You know, not having to learn the entire new setting, already having attachment to the characters… But now that I’ve connected these dots, I thought about times I read fics for fandoms I wasn’t familiar with, and originals formatted as fics — and really, wasn’t it always about the narrative promise made solid? 

Esp with how fics make it even broader than cnovels, by having extensive tags and ratings and such. Getting into a fic, you have a pretty clear idea of what may or may not happen in the story, even if you don’t know what exactly will happen or how. And a fic can fail to live up to the premise set up by ship/rating/tags — but not completely turn its back on it. 

(Well, normally. But in those exceptional cases where tags are misleading, at least you have something to point to when saying, “this is not what I was promised”. The ficwriter can hardly claim they don't understand why you expected [ship] to happen when they personally tagged their work as containing that ship — unlike the traditional media creators, who can always play the "you were totally misunderstanding my intentions the entire time" card.)

And having a solid promise like this, it turns out, takes lotsa pressure off starting a New Unfamiliar thing. I do, in fact, trust like that! So it’s no wonder that there were periods in my life when I would only consume fanfiction, because it was so much easier than extending trust to new titles. And it’s no wonder that what brought me back to being an avid reader were Chinese webnovels that use a practice very similar to what we have in fandoms.

I guess I understand myself better now! Still wish I knew if that k-novel's author is /j or /srs about the ot3 though.

[notedchampagne]

Trick or Treat! I haven't read tlt yet, and I'm sure I would like it, but my pet peeve is that most of the "synopses" I see are basically just "lesbian necromancers in space!" and even the back of the book that I've seen just doesn't give me much of an idea of the plot? I'm sure I would like it, but it's hard to know what it's actually About 😔

treat. thats a similar gripe i have as well! i think its good for attracting an audience but it doesnt do much to get them hooked aside from "it has lesbians in it". if you want to get a genuine tlt fic rec from me i wrote this in goodreads. yes sorry i started a goodreads i just needed to keep track of what books i read:

the locked tomb series is about the horrors of love, the tragedy of relationships beyond romance, why codependency is not as fun as you think, the joy of sacrifices, how imperialism affects culture affects people affects imperialism, and most importantly: the humor of not knowing what the fuck is going on. i PROMISE you that tamsyn ties all of these together perfectly.

gideon the ninth is about the intimacy of hating someone youve known your whole life, the all-consuming desire to make something out of yourself and how it can destroy you if youre not careful, how no man is an island, and how you are not immune to propaganda. it is also a murder mystery. i ALSO promise tamsyn writes this all in efficiently.

throughout the series, muir's gimmick is choosing the person least equipped to narrate objectively: the points of view are opinionated, ignorant, humorous, and challenging to get through if you're someone that asks "can this PLEASE be explained now??" she sets up dominoes in seemingly random places at random times, and then knocks it all over in a beautiful cascade of information that makes you feel thrilled and sick. the series is incredibly rereadable from the layers of foreshadowing and theming between all three (soon to be four) books, but for your first run you HAVE to be patient. you HAVE to be willing to be entertained. the payoff of being invested in this series is glorious; it's red-string 'am i crazy' hype. i have a google doc listing off theme connections and details that i started for fun. the characters are MEAN, which i value with my life. gideon and harrowhark are 17 and 18 years old and they act like it: they're funny, theyre self-flagellating, theyre bitchy, theyre unreasonable, etc etc. every character flaw is consistent with their being.

my biggest gripes with the series is that the worldbuilding is too weak for what i can see it being and the memes can be a little niche. the setting and necromancy is moreso a tool for the characters, so theres a lot of beautiful tidbits and descriptions, but you're not going to get any rules or meta beyond surface-level aesthetics. personally, "lesbian necromancers in space" does not cut it for me. if you were raised catholic though, this book might strike a chord with you. if you were raised catholic AND you are a lesbian, youre the target audience. i hope you have fun YOU WILL LIKE THIS SERIES/BOOK IF YOU LIKE: tragedy, character juxtaposition, the teen butch struggle, the exploration of love and toxic dynamics, mystery, sci-fi written like a fantasy novel, catholic theming, death theming, enemies to lovers but worse, freaky white girls, dyke drama, lesbians that have problems bigger than dyke drama, swordfighting, character duos, morally gray characters YOU MIGHT NOT LIKE THIS BOOK/SERIES IF YOU DISLIKE: being confused, being left in the dark for too long, unreliable narrators, morally gray characters, loose/light worldbuilding

[ltrllynbdy]

So a few years ago I bought this trilogy called captive prince but after reading a few chapters of the first book I kind of gave up on it. I normally don't have a problem with exploring darker themes in a story but captive prince in particular was unenjoyable for me at that time

Later, I was bored with nothing much to do, so I decided to check my bookshelves, found captive prince and started reading and boy I am so glad that I did! I finished the books in a few days and proceeded to read all the short stories.

First of all, before I get to praise the book, I want to say my main criticism about the books: "the slavery stuff in the first book is badly written". Don't get me wrong, Captive prince does not glorify slavery like some haters suggest. I'm not exactly opposed to writing slavery in fiction and there are many political/historical fictional stories that have main characters trying to abolish slavery. It's a common theme.

Captive prince is not much different from the main character ,Damen ,who used to be a slaver himself, gets turned into a slave and tries to abolish it by the end of the series.

It's a fine idea on surface level but there's one big problem with it , I'd like to call it the "Erasmus problem". The first book of captive prince heavily suggested that there were slaves like Erasmus who liked to have a master and I want to believe it's Damen being biased and bigoted because of his privileged upbringing but the story itself still falls apart. There are also instances where sexual slavery becomes apparent and uncomfortable. So if any of these bothers you like it bothered me, the first book of CP is definitely not for you.

OK now for the positives:

From the second book onward, this trilogy becomes a masterpiece.

This story is truly an enemy to love. Most of the other enemies to lovers stories that I have read are just characters either having a simple rivalry or a petty misunderstanding. They dislike each other because one character ignored the other when they were kids , or because they are simply on a different sports team. Captive prince does not shy away from giving the main characters good and logical reasons to hate each other and even hurt each other to an extreme for great and understandably human reasons. They have hurt each other a lot and have no business ever falling in love and still somehow manage to grow and understand and develop something special and unique and I think it's beautiful.

The slow burn: The romance starts only after the entire first book (in which they just hate each other) and most of the second book (where they get to know and understand each other), it's not the slowest burn I've ever read but for a book with characters like these two, it's necessary. and well written

Captive prince's author is extremely brave in making the first book and one of the main characters deliberately hateable with a seemingly unreliable narrator: I don't think I've ever read a story where I hate the first book and enjoy the rest. First impressions are very important and when people don't like an entire first book they probably wouldn't try to continue. I have no idea how and why this author managed to make people still invested enough to publish the second and third book but I'm glad that it happened. It was so enjoyable reading the story from one character's perspective and going from absolutely hating the other character to loving him and understanding him. with the unreliable narrator that is Damen.

The world building, writing and the political story: This may not be the greatest political story with the greatest worldbuilding I've ever read but considering the genre that is m/m romance, I think it's excellent. Let's face it, it's not common for m/m romance to do worldbuilding and politics well. I don't want to seem mean but I've read a decent amount of books and m/m romance and very few of them were actually satisfying to me in terms of politics. Captive prince was one of the rare gems. There might be a few plot holes for me here and there but seeing the characters struggle with each other and plan things out , helping each other or getting fooled by each other in a romance story focusing on mostly only two characters was great to see. I also found some aspects of Homonormativity in the world hilarious. Unless you are married, you are not allowed to be straight in Vere because they hate bastards lol

Despicable villain: This story has the worst and most hateable villain I've ever read in an m/m story. This again goes back to the author being brave enough to write the story the way it is since a lot of romance writers don't dare tackle some really darker aspects.

Subversion of Tropes and Exploration of Power Dynamics : This one was a little hard for me to put into words but basically the series delves into power dynamics in relationships, politics, and society, offering nuanced portrayals of domination, submission, and consent and I don't necessarily mean sexually. In most romance stories, whenever character 1 goes to character 2's kingdom as a lover or sex slave (usually character 1 is the female character in a straight romance) you'd almost always see them have one specific power dynamic. In Captive prince, their characters and their dynamics clashes and changes rapidly and as the story goes on, Damen as a king becomes almost equal to Lauren (I would argue he even becomes politically more powerful than Laurent during certain parts of the story considering Laurent remains a prince for the most part but I digress)

Flawed and human characters who hurt each other without actually romanticizing toxicity: One thing that some people criticize about captive prince and I disagree with, is that it has a toxic relationship. I have to mention that there's basically no actual relationship between the characters until the end of the story and when they do get into a relationship they are a very sweet couple. I think people call them toxic because they were flawed and literal enemies who hurt each other because of it but that's not what I call toxic. Toxicity implies that them being together (they were not together) poisons their life. Both characters manage to grow and understand each other. Damen in particular is a character who you don't see his flaws at first but it becomes more evident how privileged and naive he was and he changes a lot as well as Laurent.

Overall I think excluding the slavery aspects of book 1 which are badly written, this story hits the mark of everything I need in a romance book and I just needed to talk about it. Thanks for coming to my ted talk!

[infiniteetcetera]

Potentially controversial statement here but I swear this is not an attack just a genuine question: why do people assume Lucien will genuinely want/be heartbroken by Elain???

A point I see so often attacking Elain/defending Elucien is that Lucien has “been through too much to be heartbroken again” and “deserves happiness” and “SJM loves his character and wouldn’t just take his mate away” but like…why do we equate mates with happiness and Lucien with liking Elain at all??

Obviously, Lucien is far more willing to try out the bond than Elain is. We know he’s attracted to her physically (but let’s be fr she’s obviously attracted to him too, our fox boy is hot) but beyond that there’s like…nothing to it?? They don’t talk, he doesn’t know her particularly well, the time they spend together is awkward, and Elains initial impression on a lot of people is being simple/boring (I am NOT saying Elain actually is these things, just that’s the vibe she gives off to people as other characters have noted).

I think Lucien is definitely curious about Elain, he grew up believing a mating bond was this big powerful perfect thing and thought he lost his mate ages ago. Elain doesn’t make sense as a mate to him, which seems to make him all the more curious about her. I think there’s also a lot of guilt tied up between them too, we know Lucien feels bad about what he did to Feyre and how he was involved with what happened to the sisters. We also know Lucien is a well bred polite courtier of a man. All these things together make it seem perfectly reasonable why Lucien still tries to speak to Elain, buy her gifts, acts how one would expect a male to act with his mate, is put off by her cold shoulder, etc but I genuinely don’t believe he has real feelings for her beyond the bond (yetttt) because…literally how could he???

Again this really isn’t me hating on Elain, she’s lovely but a pretty private/complex character as well and Lucien doesn’t know her. I’ve seen so many posts lately about how “Lucien would be so crushed to know what happened on Solstice” or “Elain has to grovel for liking Azriel because it’s wrong” or even just the insinuation (which silly goofy characters like Rhys make themselves) that Lucien is ready to blood duel and start throwing hands for Elain and again I just REALLY DONT SEE IT. I think he’s curious about the bond and willing to see the whole mess through but Lucien really has no reason to want Elain any more than she wants him. I know apparently the bonds “effect the males more” or whatever but if Cassian’s ridiculous “I’ll let Rhys threaten my mate any day” self has taught us anything it’s that it’s reallyyyyyy not that simple.

I don’t know I just feel like there’s this weird babying of Lucien’s character I’ve seen a lot in the fandom recently that completely misunderstands him. Like our boy was spitting 10/10 rizz in the first book and gets called hot by 90% of the characters, he is not some underdog here. Elain is not above him and he really doesn’t need her. The love triangle is really more a fandom thing than some actual competition between the characters. Even if Azriel wasn’t involved Elain would still act the same way toward Lucien and I honestly think if he really wanted her/ if they had a connection prior to being told they are mates he’d be handling the situation differently. For now, I think people are assuming he’s a lot more invested than he actually is.

Obviously this is a romance series and there will be drama involving the Elain/Lucien/Azriel love triangle in the next book because that’s been what’s laid out, but if Elain just turned around and said “sorry respectfully I want someone else let’s break this bond” I really don’t think Lucien would be “heartbroken” or “crushed” over it. Again, there’s this whole weird “mating bonds drive males crazy” thing up in the air but I’ve failed to see any real examples in the ACOTAR universe that show me these bonds are a good thing so I’ll believe it when I see it🤧

IDK, overall I know this series is about the sisters but I love Lucien’s character so much and really want to see more of him (and believe there’s a lot to unravel there) and people threatening to not read the rest of the series if next book is Elriel because “Lucien’s been through enough” just seems silly to me because I think his happy ending has nothing to do with Elain. It might involve Elain, yes, but Lucien also has a father, a mother, and a brother out there who are all decent people that would love him which he hasn’t gotten to explore yet. I’m also convinced this man could pull any male or female in Prythian if he wanted so I don’t think just because she’s framed as his big love interest now Elain is his only option.

I know a lot of people feel strongly about their side of the love triangle but I just really want to see all these characters happy and think a lot of people are overthinking it😭 I think SJM has equal probability of making Elucien a great 10/10 ship and ruining their potential and making them Nessian 2.0 so I’m much more concerned with these characters being written well and getting a real happy ending than who that ending is with. I also think ACOTAR has been very limited in scope thus far and Lucien is one of the few characters with the possibly to break out of that mold and get us out of the night court for a bit (yes this is me once again asking for a Lucien TOD book😔✨) . He could still 100% wind up with Elain, but I really just don’t imagine the love triangle/build up to that being as dramatic as people think. Lucien and Az are both decent respectful males and as long as neither oversteps I really just see it coming down to what Elain wants and whatever her choice is I think both characters will respect it and be able to move on perfectly fine.

[ricanvvas]

Hinata Hyuga Slander and why it is obnoxiously idiotic.

I actually thought the Hinata Slander was a joke or one or two people sided with it. But I am totally taken aback to realize that it’s actually real—and a little popular—it’s real?

Prepare for a run down through Naruto Series kids, because some few fellas clearly did not watch it properly. Either that, orrr…they’re filled with unreasonable hatred for a character who should be the last to be hated. By literally anybody.

I’m going to try to keep this short (I’m lying), but there are going to be topics on Hinata I’m going to go over so it’s not a messy bunch and rather organized and you can skip to which ever you find most relevant.

Before anything, a remark, I never overly cared for Hinata’s existence and she isn’t even in my top 15 Naruto characters but that does not mean I dislike her nor do I look down at her character. Now imagine a person like me going out of their way to take time and write an entire blog for her—yeah, it’s that ridiculous.

There will be that one person—and I’m saying this beforehand—who will barely skim through this and childishly reply to my blog. Catch me caring though!

All of the topics will include manga based evidence as well as a breakdown of the scene and what they portray, therefore, canon reasonings. There are plenty of other and more evidence out there, I will only provide some and main ones that back up claims. Here are topics I will be going over:

Hinata Hyuga as an anime character/character writing

Personality

Goals & Dedications

Skills & Strength

Incessant Love for Naruto Uzumaki

#1 Character Writing

While many people believe that Kishimoto is terrible at writing female characters, I’d like to disagree. Females like Temari, Konan, Ino, and Karin all pass the main checkmarks of being an exceptionally “good” character; a solid background/past, special abilities, and set personality. What I do agree with though is that he does not know how to put them to use, and it is obvious why. These females were not the only ones tossed aside—so were good characters like Lee, Neji, Jiraiya, and so on, all because of the author’s obsession with the Uchiha as well as Sasuke’s story.

Hinata is included in the “good” character checklist, and rather exceeds. The difference between her and the rest of the women is that she is the best representation of an individualistic woman and had incredible character development.

↓ How did we go from a girl so easily shaken and brought down with mere words

↓ To the girl who had the guts to charge against an Akatsuki member,

↓ And seeked frontlines during the war?

It may look like it’s only for the sake of Naruto, but it’s not entirely the reason, only partial. Everybody was set on saving Naruto anyway, instead of fighting the war themselves because they knew Naruto was their key to winning.

Hinata’s introduction may have started with her admiration for Naruto Uzumaki, and it did play a big part, but her entire existence never just revolved around romance. She had way more to her. Hinata’s character itself promotes women empowerment despite her not being the main female protagonist.

Through her writing, we learn that women don’t need to not seek love in order to be independent and a powerful female with goals and dedications that have nothing to do with romance. Hinata is a perfect example of this.

As a side-side character, Hinata excels in character writing, and is interesting enough to keep the audience invested in her existence. The next few manga pages and break-downs will explain it well.

#2 Personality

Her personality did not revolve around her undying love for Naruto only. She was her own person, too.

↓ While shy and timid, Hinata is also a pure and kind hearted soul, as we do not know any character she actually has bad blood with, making her somebody easy to be around with. She’s very gentle, making the atmosphere around her almost tranquil.

↓ Her conflict with Neji was very one-sided, and despite his harsh treatments, she still used honorifics and respected him.

↓ Yes, she might be a soft human being, but not to the point she is unable to pick out flaws in other people.

She seems more warmed up in Shippuden than she was in Classic, and it’s fair to say that ever since Chunin exams, she had gained confidence with the help of Naruto’s cheering. Confidence in herself and her skills. (Panels above may help)

Something to keep in mind is that Neji was known to be more cold, arrogant, and stronger than Sasuke during this time, by Kakashi’s words.

↓ Yet Hinata did not back away even after being told to, multiple times I believe, even by Kiba himself.

↓ This was the beginning of her journey of trying to be more assertive about herself, as she believes she could keep on going without chickening out.

↓ And she didn't back away when someone from the Hyuga Clan told her to do so--she was persistent.

Hinata was never meant to be somebody with great leadership skills; she has always been a follower, almost, who takes a lot of inspiration from people she looks up to. The obvious person, Naruto, and Neji were mentioned.

#3 Goals & Dedications

Her goal had never been only to be a wife and a lover to Naruto. It was one of her goals, the hope to get Naruto to acknowledge her, which he did several times. But that was not it, there was more.

Hinata did not seem so close with her family, so she had no certain goals regarding the Hyuga Clan. She was almost avoiding them and was deemed to be a shinobi, which she probably preferred, participated, and found likeness to, rather than the next heir to the Hyuga Clan, simply because her father did not believe her feather-like personality was fit for it, nor did Hinata seem too interested to lead a clan with such twisted rules and laws.

Despite her father's harsh, degrading words (and Neji's), she did not let it effect her because she continued to get stronger later on.

Hinata always wanted to be self-assured, and wanted to be as confident as Naruto always has been. She wanted to be of use, somehow. Refer to #2, second last image.

↓ Here, too, we see her admitting that she never believed in herself, until she did.

"I stared liking myself a little more..." shows she had very little fondness for herself.

Hinata wanted to change herself for a very long time. She did not ever want to stay the way she used to be--scared.

Another admittance,

But then...

All of these images show that Hinata had something she was thriving for, something she was dedicated to achieve that was not just romance. So, props to Hinata (and Tenten, but that's another story) for actually having a goal/objective.

#4 Skills & Strength

All powers Hinata has been shown to use/possess:

Byakugan (Kekkei Genkai)

Gentle Fist (Specific Taijutsu)

The Eight Trigrams (Air Palm, Palm Rotation, 64-Palms)

The Gentle Step; Twin Lion Fist

The Eight Trigram; Twin Lions Surging Shots (Utilizes Hagoromo's Chakra)

Hamura Otsutsuki's Chakra

And some others I might’ve missed

I'm not going to make this section breaking down each ability, but I'm going to use this information to factually prove that Hinata has more amounts of known and used abilities than probably all female characters, as well as like 90% of overall Naruto characters or something. And she's definitely stronger than a lot of characters, logically, despite her not having been in fights very often.

During younger years, Hinata Hyuga was put against Neji Hyuga—once again, claimed to be possibly stronger than Sasuke at that time—and Hinata was actually able to put up with Neji. For a bit, or a while, it doesn't matter. For a young, scared girl who has never been in a fight before to be able to do so speaks for her skills.

Inexperienced against the nearly strongest genin, one filled with hatred, among her generation, Hinata exceeded enough.

↓ In Shippuden, we even get a scene where she protects Neji!

There's a very few people Hinata actually canonically fought, but when she did, she did plenty well for being a side-side character.

↓...And that same side-side character, Hinata Hyuga, was the only kunoichi in the entire show to actually land a hit on Pain, during Pain Arc. The inevitable praise.

Here comes the cries of, “but she was flung LOL” “hinata didn’t achieve shit from this” “he threw her like she was nothing”

Frankly, those are most ignorant things you can say regarding her actions. To stand up against an Akatsuki member? That takes a lot of balls, considering that nobody was standing up for Naruto, and practically gave up, giving into Pain’s near-victory.

The entire point was not even to defeat Pain—it was to defend Naruto. And in doing so, she stalled for a bit, preventing him from immediately killing Naruto. In that amount of time, the few who remained could’ve backed her up, they could’ve offered some sense of rescue, but because of twist of fate, and the expected, Hinata was unable to keep Pain off of Naruto. It brought her to near-death, triggering Naruto Uzumaki’s 9-Tail-Fox.

Hinata was the fiercest woman. She wasn’t stupid, she accepted she was weaker and couldn't win before she even got onto the battle field. But she tried.

The scene was never about physical strength to begin with; it was her strong mindset and dedication. She was aware of the consequences and still stepped in, demonstrating her everlasting commitment for Naruto. This entirely proves that she not only had great self-development, she had the audacity to stand against the strongest Akatsuki member (excluding Obito), who killed a Legendary Sannin.

#5 Incessant Love for Naruto Uzumaki

In the entirety of Naruto Anime existence (excluding Boruto), only one of its movies have been considered canon, that being Naruto: The Last.

While I hoped it would show us Naruto promoting to Hokage, all of it was focused on Hinata and Naruto's relationship, and we found out a lot through it. Like, a lot.

There are very few couple/characters in Naruto that actually have past together/some story and strong reasoning to start liking their love interest. Such characters being Kushina, Karin, Konan (the K's lol), and of course, Hinata.

There are filler episodes that go before The Last, but I wouldn't count them (even if they add on to the actual story), but in The Last, we figure out that Hinata and Naruto first met when he protected her from getting bullied due to her Byakugan, and he gets beaten up for it.

"Never go back on my word" was one of Naruto's internal rules that he stuck by and it made up his entire personality, almost. Hinata really seemed to respect it and use it for herself.

She tend to turn his imperfections into motivations,

Those feelings seem to get more bold in Shippuden and more confronting. So much so she did not hesitate to put her life on the line for the boy. Not "just because." Hinata gave a list of unavoidable reasonings, that we were able to point out, too.

And vice-versa, she did make a difference in Naruto's life pre-marriage. She gave him courage, motivation, and a reason to keep going. Refer to the fourth image in this section, too.

Then, our closure, he finally realized that Hinata has been there for him since the beginning of the times (also in The Last).

“…but…but…! Hinata is a stalker! She was always watching Naruto! She’s so creepy!”

Okay, but her canonically shown watching Naruto was like, twice in 700 episodes… ↓

And...honestly...it's not really...that...deep...lol? Old Japanese humor. And don't act like girls nowadays don't stalk the shit out of the boy they like--let's get real here. Just get over it. It's an exaggerated cartoon.

People have different views when it comes to love. But one thing I heavily disagree with are weak or false reasonings to fall in love with somebody. You’ll screw yourself over. Seeing a guy walk through the door and finding him physically attractive should not be your reason to “fall in love” and keeping that reason forever; you’re falling in love with his body, not him. It could be the start of your interest. Taking your time to get to know what kind of individual they are, and then accepting their personality, and falling in love with that person is guaranteed success. Reasons are important.

And Hinata understood that well, unlike someone who didn’t (I’m throwing shade!)

(A very quick addition and counter-argument I might get is that Hinata was the cause of Neji's death. I didn't want to put this into an entire section because it'll involve mentioning Neji's own character. But to be frank, Neji chose to protect Hinata and died that way. And I idiotically love Neji far more than Hinata. You don't need somebody's permission to protect them, nor did Neji do it just because he was the lower branch of the Hyuga Clan. Neji and Hinata’s relationship was beyond that. Way beyond. Reread the manga, or even rewatch the anime, and listen and figure out why he did what he did. It had nothing to do with Hinata being a higher rank than him, at least not entirely at all.)

__________________________________________

I was going to add another section titled, "Comparison", but because of image restrictions and as well as the thought that this blog is only about Hinata, I scratched it out.

I don't even praise Hinata. She isn't my favorite Naruto female, either. Personally, for me, she just existed as a character. But I'd be damned if I threw any dirt on her for any reason.

If anything, I believe Hinata Hyuga's character is underappreciated in the way she should be appreciated. She's not just some...loyal, attractive girl (hell, Kishimoto never canonically even drew her with tight/exposing clothing, they were always baggy. So, screw the anime studio.) She was a figure of a powerful woman, better written than any other female in Naruto, and a strong individual, with more story than several, several other characters.

So when I heard "Hinata Slander" was a real thing, truly, I was baffled. I'll admit my blog was quite messy despite my effort to keep it organized with main claims and obvious evidence, but there are still multiple more panels that back up everything I've mentioned that make up Hinata's character.

After all this, I really don't think there's anything that can be said against her in the context (and lie) of "she is a horrible character." And there aren't a lot of characters she can fairly be compared to, anyway. She's just awesome.

As a person, and a side-side anime character, Hinata Hyuga undeniably exceeded.

"Hinata Slander" is fake. Find something better to do than embarrassing yourself.