#i hate myself for actually writing this

[tshortik]

I love you messy artstyle i love you visible brush strokes I love you textures and rough edges I love you imperfections I love you roughness and colour blobs I love you scratchy sketches and bold stylisation and dirt and imperfections I love you ugly and raw emotion!!!!! ❤️

[save-the-villainous-cat]

could you write something with the hero and villain fake dating? (you totallt dont have to if you dont want to or something I just wanted to ask cus I loveee the trope!)

"Kiss me," the villain said.

"No fucking way." A horrible blush started to spread over the hero's neck. The worst thing about this was that this had been their idea in the first place.

They were ashamed to admit it but when they had arrested the villain a few months ago, they had suggested to the judge a different kind of punishment. At the time, there wasn't much evidence of the villain's criminal activities, so the hero had thought it to be more practical if the villain had to work together with other heroes. As a kind of community service.

After all, the villain was smart when it came to these schemes.

However, for whatever reason, they had been paired together. The hero didn't quite know what to do with themselves now. Ever since the mission had started, their brain wasn't functioning at all. It was quite self-explanatory. The villain was incredibly attractive and they were joking around, seizing every opportunity to flirt with the hero.

The hero suspected it to be some scheme to throw them off their game. But they couldn't be sure.

"These guys over there have been eyeing us the entire evening. If you ask me, they're not buying our little act." The villain let their fingertips ghost over the hero's knuckles and the hero's heart started to throb. The hero didn't turn around to look at the suspicious people the villain had been talking about. Their mind was somewhere else entirely.

On this after show party, they were supposed to observe highly influential people for suspicious activity. An election was coming up and although the hero loathed politics, it was obviously the right thing to do. They weren't supposed to be the ones being observed.

Usually, the hero wasn't very fond of undercover work. They were a horrible liar and improvisation wasn't their strong suit either. For the last few days, the villain had saved them more than once from embarrassing slip-ups. It was quite pathetic.

"And you have been flirted with already," the villain said. Somehow, their voice sounded bitter.

"They were just being nice," the hero said. They shifted on their chair. If someone was indeed observing them, maybe kissing the villain was the right thing to do. God, the hero didn't have much experience and they feared they would make a fool out of themsleves once again.

The villain probably had a new lover every week or so.

"They wanted to buy you a drink."

"Ehh," the hero said. "It doesn't really matter, does it?"

"It's compromising the mission."

"Is that person who wanted to buy me a drink one of those guys who have been 'eyeing' us the entire evening?" the hero asked. They leaned over and took the villain's hand. Whenever they looked into the villain's eyes, their stupid heart skipped a beat but they tried to come closer, to appear more in love.

It was quite strange for them to display physical intimacy in public. They had never really considered themselves to be fit for relationships - work got in the way every single time but the villain brought enough casualness into the (fake) relationship to somewhat ease the hero's nerves.

The villain didn't answer their question, though.

"All I am trying to say is: when someone wants to buy you a drink, we don't look like a couple," the villain said. Their eyes dropped to the hero's lips and the hero leaned over, holding onto the villain's hand.

"Well, you could have come with me to the bar," the hero said. They shrugged and took a sip of their drink with a shaky hand the villain observed a little too long.

"I will keep that in mind." The villain followed the little veins on the hero's wrist of the hand that was holding onto them. The hero was so nervous they weren't sure if they had to cry or laugh.

"Okay, be honest. Is someone watching?" the hero asked. They managed to scoot over towards the villain.

The villain's eyes were still on the hero, observed every little move. To say the villain could be relentless was an understatement.

"They have the audacity to check you out." The villain's voice was low, even though their mouth formed a sweet smile. The hero hadn’t even realised how tight their grip was around the villain's hands. "Probably some disgusting perv. I can’t blame them, though. You look incredible."

The villain leaned in, touched the hero's forearm gently and immediately, the hero’s heart sped up.

"You have to be very careful or I will actually fall in-"

And then, the hero kissed them.

For whatever reason, they kissed them. They put their flat hand on the villain's neck and pulled them close until their lips met. Later, the hero would blame their own nervousness but truthfully, they didn't know exactly why they did it.

The hero considered themselves inexperienced - rightfully so - and heard their own heartbeat in their ears as the villain smiled against their lips. The hero felt clumsy and stupid; they didn't know exactly what they were doing. So, it was even more embarrassing when the villain put a hand on their thigh, squeezed softly and responded with slow kisses, forcing the hero to adapt.

Although the hero was painfully aware of their own nervousness, they were also calming down slowly. The villain was guiding them through it perfectly and they hated themselves for being in need of it.

Eventually, the hero pulled away and found it to be quite hard to look into the villain's eyes.

"Impressive," the villain murmured. Their smirk wasn't leaving their face.

"Sorry, I- uh-"

"Don't apologise."

"Oh, yes, uh..." The villain leaned over once more until they could whisper into the hero's ear.

"You did so well, don't you know that?"

"Are - are they still watching us?"

"No, my love." The villain gave the hero a peck on their temple. "How do you feel?"

"Nervous," they admitted.

"You're not really a fan of being undercover, are you?" The villain took their hand and the hero squeezed it, trying somehow to stop their hands from shaking.

"It's my least favourite thing about this job," the hero said. They took in a deep breath and tried to gather their thoughts.

The villain could be so sweet - the reassurance and the gentleness were so foreign to the hero that it scared them. Most of the time, their job was focused on performance and results. There wasn't much space for emotions. They weren't used to someone praising them.

"Don't worry, you are amazing at this," the villain purred. "If it's too much for you, we can always leave."

"But the mission..."

"Well, if you want my honest opinion: I couldn't care less about it. I am just enjoying my time with you."

The hero had to chuckle.

"You are terrible."

"It's your call. I can take the blame if your boss gives you an earful."

"Really?"

"Really."

Once they were back in their hotel room, the hero dared to sleep in the bed with the villain next to them and awoke unsurprisingly in their arms in the morning.

[mosaickiwi]

Home Away From

I love hopeless agony almost as much as tooth rotting fluff??

Post-kidnapping Angel adjusting (badly) to the new normal.

might do a part 2 where it gets even worse idk ← my last words before i get thrown out of the plane

Kidnapping, imprisonment, codependency, etc.

proceed with caution

Eyes straight forward, you had to keep yourself occupied fiddling with the edge of a couch cushion. Every single one had a few loose threads from how often you worried away at them. 

Twelve… thirteen… fourteen neatly aligned book spines on the lowest shelf behind the dark haired man kneeling in front of you. A full, hardcover collection of your favorite webcomic, each book signed and dedicated to you. Maybe you'd force yourself to read them all again. For the third time since your arrival.

"Angel."

It was hard to keep track of how long you'd been here—in this house far removed from Corland Bay, with everything you ever wanted in a forever home. All those wild, fantasy-ridden dreams you joked about with Ren, and then [REDACTED], were true now.

And yet your supposed fiancé carried you over the threshold of that forever home kicking and screaming. 

"Still not talking?"

His hand reached for yours, fingers gently lacing between your own before you eventually pulled away. You saw their real reaction in the corner of your vision. By now, you knew him as obsessively as he knew you—there wasn't much he could hide anymore. The pain in his blue eyes lingered for too long this time.

It hurt. You hated to see that look on his face. But you hated being trapped here so much more than that. Why couldn't he understand?

Realistically, a silent treatment would get you nowhere. A few hours had turned to days, then weeks, and he was still soft-spoken and doting towards you. There was hardly a difference in the man you proposed to, and the one that bolted the front door shut from the outside on the few occasions they left for supplies.

You were too used to domestic life, too docile compared to that first day—sometimes you'd lose yourself and forget you were a prisoner. All your old hobbies still occupied your days while he sat nearby, and it just felt natural to include the only person you ever saw. To call his name and read a passage from a book aloud for him to laugh, or casually scoot closer to him for warmth during a movie.

Those moments when you forgot felt like they could slot in between all your old memories with ease.

"I'm sorry, love. I only wanted t'keep you safe," he whispered.

His breath almost tickled your legs, followed by the feel of his forehead resting against them. The urge to brush a hand through their hair—an innocent gesture you did at least daily back home—hurt just as much to ignore.

Were it not for their words of apology, even now could've been another memory. Who could fault you for falling into habits of comfort with the one who lived for you, and you alone?

The silent treatment was the best you could do.

💜🖤💜🖤💜🖤

Tired and disoriented, you woke up alone in your bedroom. The pink haired plushie you normally cuddled had disappeared somewhere, probably tossed to a corner of the room in your fitful sleep. Your usual replacement for a space heater was nowhere to be found, either.

Had he stayed up late? You called their name. "Ren?"

A muted commotion in the hallway outside, then the door creaked open. "Angel?" your beloved hacker answered back cautiously.

"Are you coming to bed?"

There was no response for a long moment. But soon enough, his familiar footsteps sounded against the floor.

You sat up and pulled the blanket to the side for them. As he settled in, you cuddled close, resting one arm over their chest while your head laid in its rightful place atop his shoulder. You managed to lean up and find their lips for a quick kiss before closing your eyes.

Though you couldn't see his face, you imagined the blush that painted his cheeks at every piece of affection you gave. With the thought fresh in your mind, you drifted off.

💜🖤💜🖤💜🖤

Hours later you woke again, your rest this time far more peaceful in their embrace. A pitiful, lazy groan left you as you stretched, then opened your eyes to greet your partner.

[REDACTED] was silently looking down at you, propped up on one arm. 

You reached up to cup his cheek and smiled at him. He leaned into your touch like always, but their usual loving gaze was laced with hesitation. As if waiting for something. Anxious of what could bother him, your hand followed the line of his jaw down to their neck, past the tattooed heart of your name, and settled on a piece of jewelry. 

Was that correct? It felt off. A long moment passed as you fiddled with it, trying to figure out what was so out of place about that silver chain, until it hit you.

The golden ring was back on his necklace, instead of on your finger where it belonged. Where it used to belong.

Weeks, or maybe even months ago, when they kept you in a careful hold while locking the bedroom door behind them—you'd thrown that ring in his face the second he let you go. 

For all the scratches and bite marks you'd put on his arm, tearing at skin that was already long scarred, he hadn't shown a hint of worry. Not until they bent down to get the ring that hit their chest and clattered to the floor.

It was the same worried face you saw now.

Your hand stilled, and before you could even whisper the words you wanted to yell, he slipped from the bed to give you space. The door clicked shut behind them to trap you in with your thoughts.

How could you be so stupid? Weak? They didn't have to try at all to wear you down; you did it all on your own. He tore you away from friends and family, yet here you were, forgetting yourself to play house with him. Then you took it a step further and let him sleep in your bed.

Nails dug into the pillow under your head, but instead of throwing it you squeezed it tight to your chest. You bit your lip to hold back the tears, glaring down at the empty spot on your ring finger that had only now begun to match the skin around it.

Another foolish dream to pile with all the others.

As much as you wanted to hope they would see reason one day and bring you back home to make things right—a thought far past irrational by now—you had to mourn the life taken from you.

You knew them, you knew them. Always seeking your favor so quickly that any argument quelled before it had a chance to begin, but stubborn when he felt it necessary.

If the first answer was a no… the next one and the next one wouldn't change. You should've accepted it the second he locked the door.

Ren was the only person you'd ever see again.

[stagefoureddiediaz]

We’ve been looking at this all wrong the entire time...

So my brain is a weird place that I don’t fully understand, but sometimes it connects dots and I figure something out that has been staring us in the face the entire time! Lets just say it explains so many things - right down to the very pointed use of tommy calling Buck Evan!

This all stemmed from me looking at colour theory and costuming for Buck and Eddie (and by extension Tommy) season 7 again, because I was going to try write the buddie costume metas for episodes 9 and 10 that I never managed to get done before we started season 8 I will hopefully get to those posts, but this post - while technically about Tommy and his costumes (yes me ant Tommy person writing a post on him I know!) it does also look at the costuming for Buck and to a lesser extent Eddie more widely across the season and what the colours used actually mean - getting some distance and some time on the season has been a blessing!

Im not going to go into it in detail, but, broadly speaking the show has given each character a signature colour - this doesn’t mean they wear it all of the time - but they do wear it a lot of the time and especially in key scenes - characters can have more than one key/ signature colour, and it can change and develop over time. We can ignore season 1 because it was a pilot season and very often shows won’t choose to establish a signature colour for a character (911 s1 is all over the place from a costuming perspective - because they had several designers working across the 10 episodes but since s2 we’ve had much more continuity with Alayna Bell-Price at the helm for most of it). So for example Athena’s signature colour is mostly black with white and khaki green also in the mix. She’s moved away from that subsequently - wearing less black and more white/creams but both colours are still staples of her wardrobe.

Eddie we all know mirrors Athena from a costuming perspective - his signature colours are also black and khaki green with some white/cream as well. The khaki green was much more dominant than the black to begin with - which played into his military past -  that had evened out on the black and khaki front whilst the cream had stayed fairly steady, but now we’re also starting to see a little bit more of it as well as some darker blues. this mirrors Athenas own journey t healing - the more she heals the less Khaki we see and the more white/cream - Eddie is starting to follow the same path from a costume perspective. 

Bucks signature colour has always been blue, but he also wears a fair amount of yellow and grey, so those are his three colours. He obviously wears a lot of other colours, especially white, but white has its own specific use in Bucks costumes that sits separately from his signature colours. 

We all know about yellow/ blue and green blue colour theory - I’ve gone on about it enough (especially yellow blue colour theory and its queer coding) and others such as @lover-of-mine have as well. Well both yellow/blue and green/blue continued to play out in season 7, I’m not going to go into them in too much detail - there are posts on my pinned post that cover that much better and I want to get to the good stuff (and I know you all do too!) 

We do need to remember that Buck and Eddie very very rarely wear blue and green in scenes together - if Eddie is in green Buck won’t be in blue, and vice versa - this is because of the ties to blue/green being Buck and Eddies break up colours - the colours they wear opposite their respective girlfriends when the relationships are ending. This is a little less set for Eddie - who actually wears white/cream much more when he’s ending relationships than blue or green - but the one time he has actively done the breaking up he was in green.

As I was starting to do a bit of work on the 7x9 and 7x10 metas, I ended up going back and looking over the Buck and Eddie costumes for the season as a whole, and how Tommy fit into all of that as well - as we’ve all been billing him as Eddie lite.

While I do still think there is an element of Tommy being Eddie lite, I don’t actually think that is what the show has been doing -that concept is a bit of a red herring. I’m sorry that this is likely to get a bit convoluted and wordy - but my brain is  still reeling and incoherent so bear with me - I hope it all makes sense.

Right this post is super long so the rest is going below the cut! I hope you enjoy!

Because I was looking for Eddie and Tommy parallels in the costuming for the season, I had been looking at the choice to put Eddie in red/black for his dinner date with Kim and Buck being in green for the scene at Bucks loft, and the fact that back in 7x04 Tommy had been dressed in the same colours - a red henley which was shot with black giving it a red/black colour way. I naturally started looking at the other Eddie - Tommy costume parallels - and there are plenty - lots of the khaki green we see Eddie in - playing into Tommys own military background.

These are Tommy’s scenes - where he wasn’t in uniform of some description (which is a good chunk of his scenes to be fair) 

7x04 

at the hangar - white tee, greenish stone coloured shirt and a tan jacket with stonewash jeans

at the court - light grey marl cut off hoodie and bright blue shorts

at Bucks loft - red/black short sleeve henley and stone wash jeans

7x05

at the restaurant -dark khaki green shirt (I would also like to point out the blue green colour theory here with the addition of tommy having a blue phone case - which is relevant later I promise!)

coffee meet up - light grey henley and navy blue hoodie with mid wash jeans

7x06

karaoke club - navy blue short sleeved henley

7x10

light grey marl tee and greenish denim shirt 

So what you can see from this is that besides the use of henley’s, the only time we get actually get direct reference to Eddies costuming is through the use of khaki green and his first outfit at the hangar. There is of course the direct parallel of the red/black colour way I spoke of before, but, beyond that if you look you’ll see that Tommys outfits actually parallel Bucks far far more. I would even argue the Henley’s are more similar to Buck than Eddie - because they are short sleeved and Eddies are invariably long sleeved.

Bucks colours are blue and grey - and so are Tommy’s - particularly in scenes that are 1-1 with Buck. What I’m trying to get at and will explain is that this has never ever been about Tommy being Eddie lite - this is all about Tommy being Buck - Buck’s subconscious if you will. (I know you all this I’m completely mad at this point - but stick with me!) I have a lot to say about all of this which will explain the why of it all and how we ended up here so we’re going to go through it Tommy costume by Tommy costume!

Lets start with the hangar scene - the most Eddie like Tommy looks throughout the entire season. this is very much intentional - this is about the red herring of it all, but it is also about Eddie (I’m not discrediting anything we’ve talked about regarding Tommy being Eddie lite etc - it is all relevant - but that’s what makes it such a good red herring!) and about Buck being an unreliable narrator. This is in part why we also still see Buck in his too short trousers and his white sneakers. This is his journey (the sneakers), but he’s still trapped in his old self at this moment in time - but aware that he doesn’t fit his skin anymore (as an aside I will be writing a post about Bucks trousers and their changing fit throughout the seasons at some point soon!)

Script wise the key lines are plentiful - the entire scene is full of double meaning. We get Buck stating that he is ‘happy where he’s at’ and Tommy’s response of ‘you’re thinking of changing things up’. viewed through the idea that Tommy is a version of Buck, this then plays out as an internal conflict - a battle about wanting what you already have - being happy with what you have, but also wanting to change things.

Eddie saying ‘you aren’t thinking of leaving us are you’ and Bucks response ‘I’m keeping my options fluid.’ Eddie needing reassurance that what they have isn’t going to change, while Bucks reply is about him not really being sure of himself - of who he is - keeping his options open because he’s figuring out if he wants to change - the line is said to and directed at Eddie so its about Buck keeping his options open about possibly changing their dynamic - becoming something more, even in the face of Eddie not wanting things to be different.  Tommy stating in this scene that Buck doesn’t need to leave the 118 to get certified to fly - that its something he could do for fun on his days off - becomes even more loaded through the internal monologue lens - Buck considering how he can stay at the 118 and have the joy, fun and benefits of ‘flying’ when he isn’t at work - that he could fly with Eddie (Eddie going flying with Tommy to do something fun and date like is a very literal visual metaphor for Bucks internal monologue - showing him what it could be like if he changed things up). There not being three tickets - only two is also important - its again a metaphor this time about how if Buck and Eddies relationship changes - it would only change for the two of them - it would become a relationship that doesn’t have room for another in it. When I say that’s about Chris not being involved it sounds really harsh, but the reality is Chris cannot be a a part of Buddie - he cannot be a part of something romantic. it isn’t saying Chris isn’t important or central to Buck and Eddie - simply that he cannot be a factor in a romantic relationship - that has to be just between Buck and Eddie alone - its kind of about Eddie (and also to a certain extent the same is true for Buck) not being able to hide behind Chris anymore when it comes to Buck.

Fundamentally its all tied back to his death in season 6 (we even get the being struck by lightening reference from Buck just to bring that aspect home) and subsequent resurrection and rebirth  (post linked on my pinned post if anyone wants to read it!). we have to keep at the front of our minds that Buck has died and that is still playing on his mind - its still influencing who he is and who he is becoming and it was all throughout season 7 - even if it wasn’t obvious or stated.

The basketball costume is actually the one that has always stood out for me - Its the most Buck outfit of all Tommys outfits. The bright blue shorts especially. 

So in that scene, which we know is supposed to read as being from Bucks view point, not only are we getting golden haloed super happy bouncy Eddie - Eddie the way Buck sees him -  but Buck is also projecting and seeing Tommy in the place he (Buck) has always existed in. It’s a visual representation of what Buck talked about with Maddie and Tommy replacing him in Eddies life.  Its unreliable narrator buck in visuals he’s seeing Eddie replacing him with Tommy - occupying the same places Buck has and more - from the calendar to the basketball court.

But that’s actually wonderful, because not only does it give us information on how Buck views himself (as expendable/replaceable) and how he thinks others view him - because if he thinks he’s similar to Tommy (which for a purely visual stand point he is - Lou looks more like Oliver than Ryan) but it also gives us information about the reality of how much Buck is actually intwined in Eddies (and Christophers) life - its telling us that Buck is in fact on Eddies calendar (and therefore fridge - fridge magnet theory for the win!) and how much space and conversation he occupies in the Diaz’s everyday life.

So he isn’t actually seeing Eddie in Tommy at all - he’s actually seeing the version of himself he doesn’t think he is but wants to be in Tommy. The version of himself that takes Eddie to vegas etc - that’s the Buck that Buck wants to be - the one openly flirting with Eddie and taking him on dates etc. That’s why the vegas fight is so seemingly ott (especially when you think about the fact Tommy and Eddie have known each other a week or so at most by this point) its the grand gesture Buck wishes he could be making.

All of this also makes Bucks ‘attack on Eddie’ more telling (it’s still the boy pulling the girl he likes pig tails in the playground concept) because Eddie is being receptive to all of these advances by Tommy - adding further weight to the Buck being jealous of and threatened by Tommy. 

Tommy is this version of Buck swooping in and doing all this stuff that Buck wants to be doing (subconsciously still at this point - willful ignorance be winning) but either didn’t know how to or didn’t know Eddie if would be receptive to. Remembering that this is all Bucks viewpoint of things its essentially Bucks brain showing him what dating Eddie would be like and Buck being Buck misunderstands what his brain is telling him (forever misunderstanding the assignment).

There is a second aspect to this and it ties into Tim’s comments about the hamster wheel Buck has a been stuck on and it being time he got off it - the hamster wheel is actually multifaceted and has more than one meaning. The most important is that the hamster wheel hasn’t ever been about his relationships or about the women he’s dating (or men now). The hamster wheel he’s stuck on is actually the fact that he’s built this strong relationship and family with Eddie and Chris - (you don’t find it son you make it) and its something safe and stable and predictable in his life. Getting off that hamster wheel is about being brave and moving that relationship - that family dynamic onto the next level - removing the platonic aspect of their family and making it a fully formed family for real - romantic love and all - so the ‘platonic’ family is the hamster wheel he actually needs to get off of. 

The other aspect of Tommy actually being Buck and the hamster wheel of it all is that hamster wheels are solitary pursuits - the implication is that Buck is the one standing in his own way - and coming back to the basketball game we see that played out in the moment where Buck tries to literally run through Tommy - only you can’t act out at yourself, and Tommy is a literal solid unmoving barrier and Buck won’t get past himself by just trying to bulldoze his way through.

This all then plays into the final Buck and Tommy scene of the episode - in bucks loft. I already spoke above about the red/black of it all, but now with the added concept of Tommy being A version of Buck things start to become more interesting. The red/black of it all is a warning (and the poker date red/black velvet suit and eddies red and black suit from s6 actually play into this as well!) - its dark romance - ‘forbidden’ dangerous romance or love. So for Eddie and his date with Kim that meaning is very self explanatory. The two season 6 suits are also fairly self explanatory - for Eddie again its the dangers of looking for romance that isn’t on your own terms and for Buck at the poker game its about the danger of falling in love with the person you are when you aren’t being truly yourself. Tommy being a version of Buck and this concept is a little more murky - essentially is about a similar thing to his poker suit - with a twist - its about the danger of seeing more value and loving a version of yourself that ‘used to exist’ as well as a version of yourself that you think will make you more attractive to others.

We do also need to Talk about Bucks costume here as well - the fact that it fits him almost perfectly - he’s in well fitted if slightly loose jeans and a navy shirt that isn’t tight with buttons not clinging on for dear life (to the same extent). The colouring is still on the dark side - so its not entirely positive - much in the same way that other scenes with buck in a dark navy shirt are moments where things go a bit askew for Buck (think the  taylor ‘I kinda love you for it’ scene from s5 as an example). The implication is that - before Tommy comes along Buck is at his most content with who he is - he’s fitting into his skin better than he has in a long while but it’s not perfect. This is key, firstly because of how the scene unfolds and secondly, because of how he is then costumed from here on out for the rest of the season.

I do also want to mention the yellow blue colour coding in this scene and that is mostly done through the lighting - Buck is in blue and the light behind him is always yellow - he is surrounded by yellow light. In contrast - Tommy is barely touched by the yellow light - not until Buck starts to figure things out - then we get him briefly touched by the yellow light - the rest of the time he is lit very cooly - which is in contrast to the warmth of the loft - and further plays into the idea of Tommy being a stand in for Evan - Evan who isn't loved and accepted in the same way Buck is - Evan who Buck needs to learn to love.

If we look at the script for this scene, it also fits in perfectly with the idea of Bucks internal monologue.  Tommy and Eddie being ‘buddie’s’ making perfect sense is a literal aside to the audience telling them that Buddie makes perfect sense - but it is more than that. This is where I have to bring up the ‘Evan’ of it all. I know a lot of us shudder with horror because of the fact Tommy only ever calls Buck ‘Evan’ and how both jarring and rude it is. How it shows how little Tommy knows Buck. We’ve always known it was being done intentionally. Well, if we view the use of Evan through the lens of Tommy being a version of Buck and things become clearer.  Because Tommy is basically the old version of Buck - the Buck who existed before he knew Eddie - before he joined the 118. And this is where the choice to bring back Tommy specifically for this role becomes a really smart one - because ‘Evan call me Buck Buckley’ was Tommys replacement at the 118. Tommy who has a problematic past that has never been dealt with on screen. This isn’t about the nature of the problematic past. This is the show playing on the idea of Buck’s software upgrades - before Buck 1.0 there was Evan, and using who Buck replaced at the 118 as a plot device to actually dig into Evan more so that Buck can deal with, accept and move on from Evan and become who Buck is meant to be.

Tommy saying he couldn’t replace Buck furthers this - because Buck cannot go back to being Evan - Evan can never replace Buck. invoking Christopher adds weight to this - because Chris never knew Evan - he’s only ever known Buck and Buck is ‘his Buck’ and irreplaceable. Tommy then stating his jealousy is about Evan feeling the lack of family that he grew up with - the recognition that as Buck he has made a family for himself - Bucks assertion that Tommy (Evan) was a part of it is valid - because without Evan Buck couldn’t build the family he has. The entirety of this conversation is about Buck choosing to ‘get to know’ his past (remember this is coming of the back of Buck crossing out the ‘LEY’ on his nameplate in s6 and his struggles with his parents acceptance in that season before the lightening strike), choosing to learn about Evan and embrace him as a part of Buck.  

Bucks assertion that he was ‘trying to get [Tommys] attention and it being exhausting’ is part of that as is the confusion Tommy expresses. The choice for Buck to use the word ‘exhausting’ - it’s Bucks subconscious trying to get his own attention - its his subconscious telling Buck that he’s exhausting himself by not listening to what his inner voice is saying. It’s of course a play on Buck being called exhausting by other people (and is perhaps why he doesn’t have the confidence to listen to that inner voice) and that also plays into the Evan of it all and how Buck views himself. Tommys confusion also plays into that - bucks own mind is confused - it was getting ready to ‘pursue’ Eddie but now we’re pivoting into what is essentially self love.

The continued bringing up of Eddie also makes sense with the contact of Tommy being alt Buck - because Eddie Eddie Eddie fills Bucks heart and mind - Both Evan and Buck recognise Eddies importance if not his full relevance in this moment. The resulting kiss then becomes less about Bucks bi awakening (I am not diminishing the importance of that in any way shape or form - its a vital aspect of Bucks journey) and more about Bucks decision to pursue loving himself - this ties into his statement ‘it wasn’t about me wanting to leave the 118 - it was about wanting to get to know you’ - its about Buck wanting to get to know himself - on the other side of his death and resurrection. It’s a continuation of his comments about Natalia ‘seeing him perhaps better than he sees himself’ - it’s about Buck starting to see himself better now he’s died and essentially been reborn and bout Buck now being in a place where he feels ready to confront that idea of being reborn and becoming someone new.

At the restaurant in 7x05 we have Tommy in an Eddie colour, but in a shirt that is much more Bucks style. There is also the green/blue colour play with Tommy stating Buck isn’t ready and Tommys ‘mismatched’ clothing bears that up - the play is on Bucks lingering confusion and uncertainty about what he wants - is it the Eddie side of things we’re pursuing the self love of Evan aspect we’re looking to explore? The entire scene is not just about Bucks first ‘date with a dude’ its also about Bucks fumbled attempts at self love - at not getting it right - its why Bucks outfit doesn’t fit him- why they’re now too big and baggy (I wrote about this in my costume meta for that episode - which like all the other costume posts can be found linked on my pinned post).  The innuendo about closets and Buck going into masculine bro mode is as much about his nervousness about being on a date with Tommy and being seen as it is about the fact that a man practicing self love is still taboo and so often met with derision - hiding that you are pursuing that is a kin to hiding queerness - at the start - until you get to a good place with it.

We side step into the Buck and Eddie loft scene briefly to look at Bucks confession to Eddie - I could write a whole thing on Eddies acceptance of Buck and its importance - but that is for a different post that isn’t already a million words long! what I want to mention in this scene is the why Buck can’t stop thinking about Tommy of it all - how it is essentially establishing the idea that Buck is starting to listen to himself.  He can’t stop thinking about Tommy because it isn’t Tommy he can’t stop thinking about it’s actually himself - Evan - in a learning to love himself and embrace who he is and was kind of way - all being done through a bi lens. it is essentially about Buck doing the thing he needs to do to be ready for a forever relationship with Eddie - which is love and accept himself - all of himself and acknowledging that to Eddie.

Buck switches back to better fitting clothes for the coffee date - and tommy is now dressed back in Buck colours and no trace of anything resembling Eddie in sight - making it clear that Buck has chosen to pursue himself. To get himself to the place he needs and wants to be first - the line about not knowing what it is he’s ready for but being ready for something is key - its a very self love line, but it also puts a very clear time frame on things - it makes it clear that Tommy is not endgame - because Bucks choosing self love and embracing and understanding ‘Evan’ isn’t his end game but a part of his bigger journey - a part of becoming who he needs to be to achieve what he actually wants - to get him to his endgame.

Then we have the Karaoke - brief scene(s). There isn’t really a huge amount in these scenes. But I do want to point out two things - the awkwardness of Buck and Tommys hug - and how that plays into the tentative nature of Bucks self love journey - and also Eddies behaviour towards Tommy - and the way it was very very clearly a lot cooler than we saw in 7x04.

We all jumped on the Petty Eddie train - and I agree there is an element of that. But - there is also the fact we are not seeing that scene through Bucks eyes - its through external eyes and we are therefore seeing the actual reality of Eddie and Tommys friendship - in that it isn’t this heightened date like - flirty new love type relationship - its simply two people who are loosely friends. Its remarkably normal and no threatening - only furthering the entire purpose of 7x04 being from Bucks viewpoint and Tommy being an alt Buck rather than an alt Eddie. It also therefore serves to further establish the Buddie of it all (but we all already knew that!). Tommy is still in Buck colours and the short sleeved henley is still something I would put more into the Buck costume camp than the Eddie one - especially in this season! 

The final Tommy scene and costume is the date at Bucks loft and the conversation about daddy kink. I still don’t like this scene (which has a lot more to do with execution and the script than the actual daddy kink of it all) but I am much more sanguine about it now that I understand what it is setting up.

Bear with me here I probably won’t make sense, but with the knowledge that Tommy is actually buck lite - a less good and developed version buck (Evan and in part the version of Buck that Buck himself thinks he is) the daddy kink scene actually becomes about setting up Buck addressing his past and his actual real daddy issues - because bucks past self sees his worth in those issues and without them it means both Evan and Buck have no worth. Buck confronting and dealing with them and choosing to forgive and move on means the end of Buck and Tommy because Tommy is no longer needed - he has served his purpose and Buck would be ready to start his future - Evan stays in the past and Buck completes his rebirth and closes his lightening strike arc.

Onto Bucks season 8 journey - Bringing Gerrard in to Bucks arc rather than the others who have far more connection to Gerrard now begins to make much more sense. Tommys past under Gerrard actually echoes Bucks past - in different ways and to vastly different degrees, but the parallel is there.  S1 Buck being a play boy and sleeping around and not treating women especially well (objectifying them etc) because of his own hang ups - is a pale echo of Tommy being closeted and racist sexist and homophobic under Gerrard. Like I said before - Buck is a pale imitation to Tommy here and that’s intentional (more in a sec) because once Tommy is under the wing of Bobby when he takes over the 118 we see him begin to grow and change. Buck follows the same pattern - Bobbys guidance pulls him away from his destructive behaviours and sets him onto the right path (Bobby is arguably the birther of Buck - Look I could write a whole thing off the back of my death and resurrection of Buck post about Bobbys role as God - the heavenly father - in Bucks life and how that is the overarching theme of Bobby and the show but I don’t have the time tbh!) to ‘redemption’.

Bucks behaviour is very intentionally not as bad as Tommys behaviour, because if Tommy is the plot device meant to essentially represent Bucks subconscious and how he views himself, then the reason we haven’t been shown Tommy atoning for any of his past sins and behaviours is because Buck hasn’t forgiven himself for his own. Buck is his own worst critic and will self flagellate to a ridiculous degree - and again with him being an unreliable narrator - he views his past indiscretions as being the equivalent of Tommys - therefore in his mind he hasn’t yet done enough to deserve absolution (Buck and Bobby being father and son in this as well!). 

Which brings me to s8 and the return of Gerrard and what Bucks arc is going to be (this is slightly incoherent and not fully formed - I’m still percolating!). Gerrard being central to Bucks arc - and Bucks push back is imo going to be about Buck taking a good look at himself and recognising/ facing up to and accepting his past. And that actually does come down to the daddy issues of it all. Because if Bobby is as good as Bucks dad - and allowed him (and his subconscious in the form of Tommy) to develop and grow - then Gerrard is Phillip Buckley (obviously a heightened more terrible version of reality in the same way Tommy is a much worse version of Buck) who parented Evan through apathy and taking the easy route - we saw Evan pushing back against Phillip in Buck Begins and being rewarded for it and thus establishing Bucks self destructive and self sacrificing pattern of behaviour. Acting out and getting hurt got him attention - so Buck acting out against Gerrard is this reduced and will ultimately have the same results just in an essentially more destructive way.  This is is a good thing - because this is about Buck recognising that he is worth and acting out etc is detrimental to him progressing as a person - its going to actively prevent his self love journey to flourish (and this is why in part I maintain my belief that Tommy is going to, if not encourage Bucks behaviour, then at least tell him to go along with Gerrard demands - for an easy life and also part of why I don’t think we’ll see a huge amount of Tommy - at least to begin with - until we get to a point where Buck is really motoring on the self love journey and getting to the point where he needs to do some pre break up face to face conversations that move him forward!).  It’s about forgiving and accepting his father for how Evan was raised - Bucks arc is going to be about forgiving himself and allowing himself to be happy, and he cannot do that if he doesn’t go through the Gerrard stuff - which is essentially a type of therapy. That’s also where I think the golf comes into it - it’s a metaphor for Buck building bridges, gaining understanding and accepting his past with his father - the metaphor of the driving range being the idea of standing side by side and performing the same thing, but landing in different places. There is also the concept of improving ones self and choosing to not repeat the mistakes of the past.

It also means the thing Tim said about Buck and Tommy becoming more comfortable with one another makes much more sense, and why he’d flip the question to talk about Eddie and about Eddie feeling a bit left out in the cold but not out in the cold! Buck is becoming more comfortable with himself and while he’s doing that and learning to be happy etc as I described above. Eddie is going to feel left out - because this is about Buck not Eddie - because it’s about Buck being ready for forever with Eddie - and Eddie ultimately cannot be a part of that journey - Buck has to do it for himself in the same way that Buck cannot help or be there while Eddie goes through his reckoning with the Catholic Church, and faiths place in his life and also dealing with the ghost of Shannon and his mother issues(because he has those and they are all set up to go in s8 - Chris being in Texas really sets that up nicely!

Bahaha Tim I’ve finally figured out your question answering methods and how they tell us all we need to know!! 

All this to say - Tommy is actually alt Buck - not Eddie lite (I mean he is still also that but it’s a bit of a red herring) he is a plot device for the biggest thing about Buck as a character and it all means Buddie here we come!

Thank you so so much if you have read this epic piece of waffle - I hope you enjoyed and I truly look forward to hearing all your thoughts on this and to you being as insane about it as I am!

Tagging some people who asked (and some who didn’t but might be interested anyway!)

@spotsandsocks @exhuastedpigeon @lover-of-mine @fruityfirehose @leothil

@bewitchedbewilderedbisexual @theladyyavilee @livingwherethesidewalkends @craigyxo

@izzysbeans @buddiediaz118 @inell @hotshotsxyz @winterskydragonx

[justfeelme]

I just want kill myself but i’m scared. I guess i’m just coward…

[denkies]

The BSD 5 Opening, Tetsu no Ori, is a love song from Atsushi to Akutagawa

Let's start at the beginning of the song, with the accompanying scenes.

Putting Atsushi and Akutagawa with those specific lyrics was probably not a silly mistake done by complete coincidence. But let's keep going!

These lyrics specifically pertain to Atsushi's feelings after Akutagawa's death. Both "places" in these lyrics refer to the afterlife-- somewhere only seen after death, and somewhere Atsushi doesn't want Akutagawa to go.

"A place you can't go" can also be foreshadowing that Akutagawa doesn't go to the afterlife. He becomes a vampire. On that note, Atsushi believes that Akutagawa can be woken up from his brainwashed state-- and actually begins to succeed in chapter 108. He doesn't believe Akutagawa to be in the afterlife, because he has faith that he's still there.

The anime opening ends with those lyrics, but the full song continues. I'll be talking about some specific parts, which pertain to the topic.

This one is pretty quickly explained, as Akutagawa and Atsushi quite literally symbolize Yin and Yang, even physically. The line about being unable to ignore the "bug in the iron cage" comes up later!

Past tense, expressing the sorrow that came after the heat of battle. "The loss of ecstacy" seems to reference the 2 battles that they won against Fukuchi, as the ecstacy of winning was taken from them.

"That we can only be slaves to something; knowing that you will lose." is referencing these rewritten battles again -- Fukuchi tells them that they won, but he went back in time (chapter 87). In the lyrics, Atsushi recognizes that they are slaves to Fukuchi's sword, that they can't win.

"Knowing that you will lose" might also reference Atsushi's thoughts on Akutagawa's sacrifice. Atsushi knows that the escape route was only for him; that Akutagawa's first and foremost priory was getting Atsushi out alive. Knowing that he couldn't have saved Akutagawa from Fukuchi, because Akutagawa didn't want to be saved. He was going to lose, in every scenario, to keep Atsushi safe.

And finally, this part. "You've already taken flight; you've become a butterfly," again, referencing Akutagawa's death. Funnily enough, I think this also ties into Akutagawa not actually being dead. Butterflies symbolize the soul, death, and rebirth. All of these are relevant to him in vampire form, so equating him to a butterfly isn't too far off. It's also very pretty and sweet.

The line about the iron cage comes up again, this time, Atsushi revealing himself to be the "bug in the iron cage." The entire sequence seems to be about Atsushi's grief, that he can't ignore and is trapped in like a cage.

His desire to be free is also tied to him wishing to be reunited with Akutagawa. "You've already taken flight / If I could fly now, outside the iron cage..." I think it conveys that Atsushi wants to escape this grief, but only if it means reuniting with Akutagawa once more.

Lastly, as my evidence, the song title "Tetsu no Ori" (鉄の檻) literally means "Iron Cage". The song itself is about Atsushi being trapped in his grief, and love, after Akutagawa's death.

I rest my case.

[menlikeair]

NEW YORK AINT THE SAME WITHOUT YOU. [aidan shaw x fem!afab!reader]

mdni. smut. mentions of alcohol, mentions of cheating. intoxication. language. age-gap. oral m receiving. angst! unprotected sex, aidan is kind of an asshole, be warned.

words: 3.3k

new york city drummed on balmy summer nights and the heat only amplified its pulse. people from all walks of life were carving out their own spaces in a city that never slept.

except for you, alone in your apartment. left to your own devices with nothing but the hum of sparse traffic outside and the patter of rain against your window. it poured heavily and bounced from the pavement, adding a rhythmic backdrop to the humid summer night.

the city seemed to mock your solitude with the straight downpour.

on the other side of chelsea, in stark contrast to your state, aidan stepped out of the club into a relentless sheet of rain, his mind a whirlwind. neon lights reflected off the wet pavement, casting a glow around him.

betrayal still stung, and in true aidan shaw fashion, rain or shine, baby, he had once told you. he kept his promises.

the street bloomed white under two jittered flashes of lightning.

“juliet, give me my sin again!” he shouted, his voice cracked and carried a lazy slur. if you hadn’t known this tone so well, you’d almost mistake it for a teenager shittily spewing out shakespeare in hopes of getting some while his little juliet’s parents weren’t home.

you stepped from the bed and to the window to confirm what you already knew. it only took a small squint through the flowy curtains. it would almost be romantic if he wasn’t sopping wet and pathetic with a cocky shit-eating grin plastered across his handsome face as he caught a glimpse of you peering down at him.

you paced down each step before slinging the walk-up apartment’s heavy oak door open.

he leaned forward with both hands against the stairs gate, trying to keep his balance as the water soaked through his clothes and he laughed deeply to himself.

“really cute, but in case you didn’t notice, people live here, romeo.” you hissed and reached down to pull him up the stairs by the collar of his shirt.

aidan trudged up the narrow staircase closely behind you as you stomped. each step creaked under his weight.

“that was stupid, wasn’t even funny,” you mumble and glance at him from over your shoulder as your hands fumble with the keys in the lock.

“i come by it honestly.” he placed his hand over his heart and grinned mockingly.

the air inside your place was thick with the scent of fresh paint and sawdust. remnants of ongoing renovations.

he stumbled slightly, catching himself on the doorframe as he craned his neck to look around you. he surveyed the construction disaster of your so-called ‘living room.’

“well, look at you, little miss la-dee-da.” he pressed past you through the entrance.

“you’re dripping all over my rug,” you muttered from behind him.

“am i?” he sneered back at you.

his gaze flickered to the half-finished bookshelf in the corner.

“i’m quite the handyman, sugar.” he declared as he stripped himself of his jacket and tossed it onto a loveseat sitting awkwardly in the middle of the room.

“could’ve done this for you in a day if you kept me around long enough…” his finger glided over the drywall dust that had collected on a stack of books against the wall before turning to walk closer to you.

“so. what’s new, pussy-cat?”

the tone in his voice seemed to imply he was toying with you. the response was caught in your throat like an air bubble with no escape way.

you studied him quickly, almost obsessively. everything about him was different. they say hair holds memory, and for your own sake, you hoped that had been true. aidan had rid himself of his lengthy cupid curls, and as his broadly toned abdomen pressed against his clinging white dress shirt, you guessed a gym membership was included in the deal.

“what are you doing here, aidan?” you tiredly muttered, trying to hide any expression of shame that dared to ghost across your expression.

“thought i’d see what you were up to, troublemaker.” he grinned deviously, raising his eyebrows as he swayed a bit. he slowly turned on his heels to continue his track around your disastrous living room.

“man, the tunnel! great little place, you been?” he leaned down to pick and prod around at all of the misplaced trinkets on your coffee table. a dull thump of an overplayed club hit rang through his ears, and a few too many straight whiskeys clung to him.

you glanced at him and your mouth fell into a slightly o-shape in a lousy attempt to force the words out of your throat.

the audacity.

you rolled your eyes, “yeah, the tunnel. heard of it.” you mocked back sarcastically.

he hummed in response before letting a short huff of breath out. he turned to face you once again.

“anyway,” he raised his eyebrows and stepped close. too close for comfort. his broad frame towering over you made your heart thump harder and your mouth go dry.

“i think you got some explainin’ to do, little lady.” he expressively pouted his bottom lip.

“you look…different…” you squeaked embarrassingly in response and cleared your throat to divert the attention away from yourself.

“i thought you’d like it.. look like one of those limp-dick wall-street boys you’ve been runnin’ around with lately..” he grinned as his hands wrapped around the small of your waist to manually pull your body closer to his, leaving a suffocatingly insufficient amount of space between the two of you.

his words took you by surprise. on very rare occasions had you heard the man speak with hostility, it just wasn’t his thing, so you wondered why the words left his lips so naturally and smoothly.

“you’re very drunk..” your hands landed on his wide shoulders as you arched your back in a lousy attempt to create any amount of extra space with the man who effortlessly towered over you.

“no, ma, i ain’t.” his deep voice mocked an exaggerated southern drawl as his body leaned closer to dispel the newly added space.

you huffed, exasperated. a strap from your ivory nightdress slipped down your shoulder. you brought a hand up and pinched the bridge of your nose in frustration and took a step away from his grasp.

images of a night months ago flashed through your mind. you remembered the dull headache that pounded between your eyes as sunlight poured through your apartment's cracked window. slamming doors and jumping up to run to the window, hoarsely yelling out for aidan, to tell him it wasn’t what it looked like.

but it was exactly what it looked like.

some lousy bartender with a pierced eyebrow sprawled across your bed right beside you in his underwear, there was no way to explain.

so, you didn’t.

you took your last look at aidan as he quickly hurried away from your apartment for the last time. until now. no email with an explanation or apology. no phone calls, no letters. and, at last, he was here for his closure.

he stepped away and leaned back against his palms on the island bar that separated your tiny living room and kitchen. an unfamiliarly smug smirk painted across his defined face. you caught a glimpse of his ribcage snugly pressed against the damp white fabric of his dress shirt, the newly toned muscle between each column of bone made your breath hitch. rainwater trickled from his brow onto the linoleum below his feet.

“aidan, i’m sorry,” you muttered apologetically. your expression softened as you searched for the words to explain, “i was very drunk and my friends.. they wouldn’t stop pressuring me.” your teeth sunk into your bottom lip as you continued.

“always in my ear about me losing my youth dating someone older, and��”

the shame flashed across your face sent a fresh wave of irritation through him. a deep hum from aidan stopped you and you watched as he tilted his head to the side to examine you. his hard expression didn’t change and your blood went cold as you realized that soft spot in his heart for you had long since turned rock-solid.

he adjusted his hips as his thick length twitched impatiently against his left thigh.

“you left me hangin’, baby, high and dry..”

he sucked his left cheek between his teeth and tsked, glancing down at his feet and he leaned back further against his palms, stretching his toned body.

you threw your hands up with a shrug of your shoulders in defeat “i’m sorry, i don’t know what else to say…”

aidan took one hand he was leaning against and completely grasped around your wrist to pull you a step closer.

“come here. what are you standing so far for?” he relaxed, looking down at you as he examined the surprised micro-expressions lighting your face up. the feeling of your wrist in his hand made his already-drunk thoughts spin. his jaw went slack as his body pressed into you with ease.

“you can’t just do this.” you hoarsely stammered, the pressure around your wrist applying as he pulled you closer.

“do what?” the man grinned against you teasingly. he turned his body and boxed you into the counter, bracketing you against the faux marble.

aidan's broad six-foot-five frame completely engulfed you. his hand released your wrist before snaking around your hips to pull you into his torso.

“busting in like you own the place and—” you sunk your teeth into your bottom lip and pressed into him closer, motioning over his body with your eyes

“this.”

you nervously toyed with the neckline of his shirt, slipping your fingers underneath to slide against his collarbone.

aidan’s breath hitched as your fingers traced against him. his eyes darkened, and he leaned in closer. the heat between you was palpable, and every inch of your body was hyper-aware of his proximity.

he ducked his head down and hunched over you, slowly pressing a kiss against your mouth and using his tongue to push through your lips like an intruder. you melted into him. thoughtlessly, like second nature.

and for a sudden, hopeless moment, you missed him. you missed his weight against you. his lips on yours just like this, slacking your jaw to allow his hot tongue to slip against yours as his hungry hands palmed your ass through a thin and nearly iridescent night dress.

you felt his thickness twitch against you, behind the constricting material of his tightening dress pants.

you were drunk on the way he smelled.

it was overtly masculine, everything about him was and always had been. heavy, earthy, and warm, the tinge of whiskey lingered on his lips and the scent of oak on his skin long after he’d left his workshop.

he pulled away to step forward, guide you into the living room, and sit in the heavy oak chair he’d designed with his own hands, sprawled back cockily. it creaked beneath his weight.

go on, baby.

you didn’t know whether it was his husky voice that had commanded you or your subconscious guiding you to pay your karma, but you obliged.

watching him loosen his belt, you lowered yourself to your knees and scooted forward.

“pretty girl,” he muttered to himself and tsked his tongue against his teeth in thought.

“you hurt me, you know that?” he felt better when he wasn’t made of steel with you.

his head tilted to the side to examine your flushed face and you instinctively pulled him out of his boxers. you craned your neck forward to trail a lick up the underside of his cock. his familiarity and warmth made heat coil low in your belly, pooling wet and anxious between your legs. he held you off, just enough so that he could watch you struggle forward trying to take him into your mouth fully.

he twitched against your tongue, huffing out a sharp breath. the uneven hitch of his breath urged you to continue and you take him into your mouth further. your throat constricted wildly, and he hissed through his teeth.

the two of you belonged to each other once again, the salvia pooling in your mouth, running down his length as your mouth and lips did the apologizing that your words couldn’t, belonged to him. his hand at the back of your head which felt like security, raising his hips to fuck up into your mouth. his groans belonged to you, just as they always had.

you whimpered softly as he tugged your hair to pull you from his flushed cock. a line of spit hung off your bottom lip, sticking to your chin. you wiped away tears from your clumped eyelashes with the back of your hand and sunk your teeth into your plump bottom lip eagerly. the need to please him was sudden and violent. his strong hand caught in the soft tangle of your hair.

his face was stricken with an expression you couldn’t quite grasp. with his nostrils flared and jaw clenched, you could recognize anger. but his softened gaze and furrowed eyebrows felt like sincerity, guilt. he couldn’t tell if he wanted to fuck a lousy apology out of you or send you to bed and leave as if nothing had ever happened in his drunken haze.

he used his large hand to wrap around his shaft and drag his slick tip against your open lips before pulling you down onto him once again.

your apology was warm around him, pressing up against the back of your throat.

it hurt in the way it was supposed to hurt — your guilt scorching away inside you.

he forced you down, filling your mouth with his cock, tears clouded your vision. your whimpers were garbled, broken things around his cock.

he’d been the one to teach you how to take it without a fuss, maybe he didn’t hear you over the resounding crashes of thunder and your window rattling on his hinges. couldn’t see the tears welling when you fluttered your eyes open up to him as he tilted his head back against the chair in a guilt-stricken haze of pleasure.

his gaze fell onto you, and his strong hand released the grasp on your hair.

“come here.” the man muttered, motioning you up with his head.

your fingers hooked at the straps of the flowing night-dressed and it fell to pool around your ankles. you stepped out of it, slipped onto his lap to straddle him, and closed your eyes as you sunk onto him with ease. he didn’t give you time to adjust to him before he rocked his hips to fill you completely.

a sharp hiss of an inhale left through your teeth as his tip reached far deeper than you had been used to in your time apart.

he leaned forward and groaned against your warm skin as his hips guided themselves upwards, he closed his eyes. his hands grasp around your waist to steady you and hold you in place as your legs shook in response. his head dipped down and his lips and tongue sloppily grazed your nipple.

“ ‘m sorry. ” your words left your lips like a soft cry as his cock reached deeply inside you, making your head fall backward, torso and breasts arching further against his mouth.

“you’re always doin’ shit you need to be sorry for.” he grunted into your skin and pulled you from his cock with both hands on the sides of your waist. he angled himself back and slowly rocked into you with a moan.

“gotta have the patience of a fuckin’ saint with you.” his jaw clenched as his thrusts went harder, deeper than you could handle.

you whined, an attempt to writhe away from him, but it was no use. you were his, and his strong hands around you made it impossible to lift yourself from him. your fingers dug into his wide shoulders over the translucent material of his damp shirt.

“it’s too much, it’s—” you took a ragged gasp as he pressed deep inside, screwing your eyes tightly shut.

he leaned closer as your body cautiously moved up and down.

any expression of guilt or shame had long been replaced by something else. anger, hunger, and he wanted you to feel it.

“it hurts, baby? does it?” he tilted his head with his slack jaw, a ghost of a smirk tugged the corner of his lip while watching you nod weakly through half-lidded eyes.

his free hand reached between you to draw slow circles against your swollen clit with the pad of his thumb.

“how bad does it hurt?” he sneered at you. his words were like venom. any ounce of sympathy had long since flown out of the window by now. he hoped it hurt.

at least this is the type of pain you could contort and manipulate into some kind of unsettling pleasure. you should consider yourself lucky.

he pressed further and you arched forward with a gasp, your lips trembled as they tried to form words that were no longer there, letting out a desperate sequence of moans, whimpers, and sobs. you answered his thrusts with weak rolls of your hips, pulsing around him. enveloping him. your body seemed to respond with a will of its own.

you thread your fingers into his hair at the nape of his neck. you leaned forward to kiss him, sloppily and still salty from his pre-cum. your surrender was sweet on his tongue and he trapped it in his mouth, it belonged to him, anyway.

his thumb continued its path against your clit, spelling his name against you slowly, long and drawn out so you wouldn’t forget.

you were close, desperately so, and your hand slipped down to brace yourself against his chest. you pant into his mouth, sinking and drawing him further inside. he buried his face into your neck, and rocked his hips against you. he felt your throat constrict, your breasts heaving against his chest as he lazily worked his name against your clit with the pad of his thumb, over and over.

you kept making those pretty sounds, clasping your fingers into his hair and holding yourself steady on his broad chest. his orgasm convulsed through him as he moaned, a ripping noise from his mouth that ricocheted through his brain and against the thin skin of your neck. he rocked unthinkingly into you, riding out the rolling tremors that racked his body.

aidan swallowed unevenly, his breath escaping his swollen lips in shaky bursts. his thumb left your swollen clitoris. you whined sweetly in response, trying to rock yourself against his toned naval for any kind of friction. the constricting tightness as you wordlessly begged for more made his hips jolt in over-sensitivity. the feeling dizzied him, striking into the sides of his skull.

he braced himself and stands with your legs wrapped around his waist.

he carried you through the hallway effortlessly and laid you onto the unmade bed with ease.

when he pulled out, you whined and writhed in discomfort, the feeling of anxious excitement pooled somewhere deep in the pit of your stomach. you wanted him, his hungry mouth against you, coaxing you to an undeserving climax with his tongue. not tonight.

he dropped his pants around his ankles and stepped out. from his thighs, he pulled the elastic waistband of his boxers back around his hips snugly and tugged the uncomfortably damp shirt over his head.

aidan watched as he leaked from between your legs, coating your inner thighs. he reached between to gather a bit of it. he brought his two middle fingers up to press past your lips and onto your tongue, watching intently through bleary eyes as you suck him clean.

with a soft groan, he laid down to pull you onto your side and flush against him. he wrapped his arms around you, tucking your head under his chin. you leaned forward to press a ghost of a kiss against his neck.

every breath you took sent the thud of your heartbeat thumping through your head.

you could feel the man radiating heat, his eyes fluttered closed tiredly. you listened intently to the rapid thrum of his heart against his chest.

[withonly-sweetheart]

I think you should stick to real life and not write because all of your work is extremely disturbing, not just to me but I can confirm a plethora of people in the Resident Evil community. If you know what's good for you, you'll stop before you become like one of those Dead Dove authors.

hi

so uhm here's the thing fam... this is an app called tumblr? right? still with me? and on this app, people can do whatever they wish and follow whatever content they want to.

so if my work is disturbing to you, just block me. not that hard, is it? and sincerely i don't think anything in my work is more disturbing than what you'll find in modern literature, ex booktok.

and what's wrong with ddni... i support all writing bc its.. writing.. like you put words onto something and it creates a story. if you have a problem with the content of those stories then TALK TO ME ABOUT IT. TELL ME WHATS WRONG, OR BLOCK ME?

because what you've done here makes no sense, personally. i'd like to see one case where my work is "disturbing" because i take pride in my work, even if you don't.

lowkey shrugging you off bc... the haters gonna hate but im just gonna shake shake shake... my queen taylor said that.

yeah wtv anon <3 have a nice life n i hope whoever is making u feel stormy today fixes it so you can be in a better mood!

[gossippool]

i know my favourite characters HATE to see me coming❗️❗️

[offbrandhand]

Thought I was done? Nope!!!!

I was almost done bc this background made me want to kms

[anxiouspotatorants]

Actually you know what I need to rant about this: while literati is technically a good girl x bad boy dynamic it is written so incredibly well and avoids so many pitfalls and stereotypes that it makes a good girl x bad boy hater like myself (I’m only half joking — I don’t think any trope is inherently good or bad but I tend to dislike most pairings with this dynamic) fall head over heels for their story and relationship.

So much of what makes the two of them work is the contrast between how others perceive them and how they truly are. Don't get me wrong, there are plenty of people who understand who Rory is as a person (Lorelai, Lane, Paris, Richard and Emily to a certain degree for starters), but she's constantly met with the expectation that she just does good and is supposed to make everyone proud 24/7. Stars Hollow as a group especially are big on this, as seen f. ex. through how Taylor takes Rory's one comment about an inappropriate DVD and twists the whole thing into a censorship crusade and makes Rory its poster-child even though she wants nothing to do with it and tells him so repeatedly. But instead of hearing Rory disagree with him (like he would Lorelai and Luke) he assumes that she actually agrees with him - and why shouldn't she when she's the perfect sunshine paragon of good who would never disagree with her elders? Also her grandparents treat her as incredibly fragile and childlike, like she must be too innocent to ever do anything wrong and so whenever she does something it has to be somebody else's fault (usually Lorelai, but occasionally Jess or whoever else was present). Time and time again Rory is treated like something innocent and naive and weak — but not by Jess. He sees her as a person.

And it obviously goes the other way too. Jess is treated like shit by pretty much everyone else. Either people hate him unprovoked or very much provoked (he did do a lot of pranks in his first few weeks and while I'm a Dean-hater I'm not blind to how much Jess picked fights with him), or they’ve simply given up on him. He tells Rory himself that every authority figure he had back in New York gave up on him too, from teachers to principals to his very own mother. But Rory doesn’t treat him like a lost cause, she treats him like the smart, brilliant and asshole-ish teen that he is. By having faith in him she also often holds him more accountable than others. Where f. ex. Lorelai or the other adults just roll their eyes, Rory physically drags Jess into doing his shifts at the diner. While others write him off, Rory chews Jess’ ear out for not helping Luke more and for willfully making enemies out of the Stars Hollow adults.

They don't put each other on pedestals or below each other. Jess doesn’t try to make a sinner out of Rory and she doesn’t try to make a saint out of him. There’s genuine respect between them. They expect each other to have integrity and treat others with kindness and honesty, and the rest is good old chemistry and common interests.

I particularly love how in so many of their scenes (especially pre-relationship) when they spend time alone they just get to be these goofy nerdy kids. They argue about controversial authors and dig through records shops and eat hot dogs and make fun of each other and try to make each other laugh. It’s not just sexual chemistry as it too often is in a dynamic like this (and often uncomfortably sexual when writing teenagers - looking at you Gossip Girl), and not just well written intellectual chemistry — they have platonic chemistry too. A hell of a lot of it actually.

While I don’t think ASP wrote them through a purely deconstructionist lens on the good girl x bad boy dynamic (if she did plan on writing the dynamic at all), there is something to be said about how where many around them treat them like stereotypes they treat each other like people. To so many people, Rory is a perfect small town princess, a little miss sunshine with booksmarts for days but too delicate and sweet for anything with grit and weight. To a lot of the same people and many more Jess is a pathetic brutish and maniacal lost cause, hell personified in a chainsmoking leather-wearing teenager. But to each other they are actual human beings. Kind and mean and flirtatious and scared and reckless and smart. Rory really thinks that with the right motivation and mindset Jess can be the kind who does (and at the end wrote) incredible things. Jess really believes that with a little more practice and support to step out of her comfort zone she can be the amazing journalist she wishes to be.

They don’t have this stupid «we’re so bad for each other but we can’t stay away» thing that too many trope users rely on and don’t even justify in the plot. Everyone else might think they’re not fit for each other, but they knew they were each other’s person from the very first day.

[puppyeared]

its so hard to watch time pass when things like careers and assignments exist. what do you mean im supposed to take that seriously

[buttercupshands]

my friendship with canon ended now fanon is my new best friend

but first a cute bird

basically my mind decided that it's now free to draw whatever AUs and stuff that I want including random stuff like this

and this!

I think my way of coping with 423 is just... ignoring it ever existed so now it's just this and an occasional canon stuff

but good for him he deserves to have all the fun fanon can offer

fun fact: this was the first sketch out of all of them in this post!

[funkyfreshinthebuilding]

arching my spine so my ass still looks fat when im on the phone alone in my room

also he's smoking the truffula weed if anybody was curious

[kjdkive]

bubbles and kisses — mark lee.

warnings: lots of fluff cause im lonely and this is mainly for me, suggestive coments, cursing, mark being so sweet it will make you cry cause you will never have him (if there's more i need to warn lmk)

a/n: was feeling a little down and wrote this. hope you like it. english' not my first language so if any mistake please understand and also let me know cause mistakes make me want to throw up

"hi, baby." you greeted your boyfriend as you entered the appartment you shared with him.

mark looked up from his phone, as he was resting on the sofa and inmediatly stood up so he could give you a hug. "hi, my baby." he said while he gave you a kiss on the cheek, smiling but it dissapeared "why do you sigh? is everything alright?"

you smiled. you loved how he noticed the very small details. "it's nothing, babe, i'm just tired. i've been dealing with a lot of clients... the annoying ones." you gave him a little kiss with a little smile.

"oh, i'm sorry, it's okay, you're home now so i guess that's better, right?" mark asked and you nodded. "well, how about i prepare you a nice, warm bath? how does that sound?"

"oh, it sounds amazing, but would you do that for me? it's okay if i just shower." you asked him, you didn't want to bother him. he was probably more tired than you.

"yeah, of course." he brushed your hair out of your face. "i'd prepare you a million baths." he smiled, while giving you another kiss. "meanwhile, why don't you eat the pasta i bought you? cause you know i can't cook for shit, and it's still warm." you laughed and nodded to his offer.

he went away to your shared bathroom and you went to the kitchen to eat the pasta he told you about. he was right, it was still warm, and it was also really good. while you ate, you scrolled on your phone, texted back a few friends that you hadn't replied to because you've been busy with your job and if you weren't doing something related to your job you were sleeping. it was hard to maintain your life, boyfriend, friends, co-workers, clients. you just wanted a break.

"y/n! bath's ready, come here!"

"i'm coming, hold up!"

you saved the left overs of the pasta in the fridge and headed straight to the bathroom. when you opened the door, you were shocked, you couldn't believe what your boyfriend had done even though it was ultra common with him. the bathroom was full of your favorite candles, therefore it was smelling to your favorite scent, the tub was full of bubbles just how you liked it, there was your favorite playlist playing in the background and your favorite person was just there checking the perfect water temperature.

"oh my god, mark, babe, you did not."

"i did, you deserve this after a long, rough day." he smiled. "now, come here." you went to him and he grabbed your cheeks and gave you a long kiss on the lips. "okay, now, let me." he started by taking off your blazer because you were still wearing office attire and then he began to unbotton your blouse.

"fuck yeah, i'm getting laid tonight." you said, while mark now was taking off your blouse.

all he did was laugh. "jesus christ, y/n, stop being a pervert, we're not having sex tonight i'm still tired from yesterday, bro. now just enjoy this and be quiet." mark got on his knees and started taking off your trousers, holding your hands so you get ouf them when the trousers were now at your feet. "do you want me to take off your panties too?"

you had to be honest, he looked so good on his knees ready to take off everything that was on you but you had to shake off the thought. his question, though, was very straight forward, and it made you feel shy and vulnerable. you didn't say anything, you just nodded, letting him know that he could do whatever he wanted to do. and he did. before taking off your underwear, he made sure to give some light kisses to your legs and all you could do was carress his hair. he took the off and then stood up to unhook your bra.

the thing is: he never, once, looked at your body; even though he has seen all of you thousands of times in different contexts, this was different. this was so delicate, so intimate. you felt so safe even in this very vulnerable state, and you knew he would never do anything to hurt you.

he finished taking everything off and gave you a kiss again. "you look beautiful, baby, now get in." he held your hand while you walked on the steps the tub had. you felt like yourself again. the water was perfect, the bubbles felt right on your skin, the smell of the candles flodded your nose. it was all perfect, thanks to your boyfriend.

"aren't you getting in with me?" you asked him.

"i showered before you got home, so don't worry." he kissed your forehead. then he grabbed your hair and tied it in a bun so you wouldn't get it wet.

you just sat there, hugging your knees, feeling the warmth of the water and thinking how you were a really lucky girl to have someone like mark lee in your life and also, to be able to call him your boyfriend. hopefully, one day, your husband.

you opened your eyes and saw your boyfriend sitting on the steps there beside you, just staring at you. "what are you looking at, mark lee?" you asked him.

"just how pretty you are." and he looked really pretty too, resting his head on his hand, on his favorite black t-shirt and pajama pants.

"stop." you smiled.

"you're blushing, you'reeee blushing." he made fun of you and stood up a little bit to give you another kiss, which apparently, kissing you was something he couldn't stop doing tonight. "do you want me to go so you can have some alone time?" he asked.

"no, don't go." you said, inmediatly. "stay with me, please?"

"whatever you want, baby."

you held his hand and gave it a little kiss while you made it rest on your knees. and just stayed there, enjoying his prescence. the silence, the water, the scent and just him. it was perfect, but only because mark was there with you. and not only now, he was there every step of the way just as you were with him.

something hard to find, but totally worth it.

[piromina]

huge props to marinette for spinning up that lie so fast and on the spot, too. I thought I was good but damn. of course she must have had a general idea of what she was going to say to adrien beforehand going off of gabriel's "make me look good" and her own love telling her that the truth would hurt adrien even more, but that's just a very vague idea. she could not have possibly spun up that entire story of a lie in her head beforehand with all that was going on - dealing with all the truths coming in one after the other, the crying, the emotional trauma, getting the kwamis back -

and of course, there's adrien. he is one of the highest things on her list of priorities, his safety being the first thing she needs to take care of. the problem is, she doesn't know how. the only thing she can do in that situation is lie. a small lie. just one to make it better for now and then she can make it a long-term lie later. make sure no one else finds out.

and once she started telling the lie, once the first words were out of the mouth, it was all improvisation. her next words showed up in her head as she was going, spinning up a believable story, just good enough to be taken as the truth. she rambled - a rookie mistake for liars - but you couldn't blame her. she's a professional liar, almost, with her superhero identity, but this one is different. just one hour after learning the truth she had to cover up all this with no warning beforehand.

she couldn't tell adrien the truth. but she couldn't do much to comfort him either. ladybug couldn't tell him something only marinette knows.

she had to lie. she had to come up with something on the spot. those words would haunt her for the rest of her life - that lie was all she could think about for the next couple of months because she had to make it work. she had to keep the truth and make everything work out. it wasn't a big deal. she just had to tell adrien something, anything that would comfort him! what would comfort him about his father? what would convince him that he was a good guy this whole time? that he was a, a, a hero! yes, she would tell him that. it was a white lie! she wasn't a bad person! she just had to tell adrien that his father was a hero so that he would never have to know the truth and suffer like she did. he was a hero.

was.

once that word came out of her mouth, there was no going back.