#i had a big dream

[xlivr]

i should. be a bitch all day today this is ridiculous

[egophiliac]

crossing my fingers and wishing upon every star that chapter 10 finally brings us the tweel cards 🤞🤞

[tzarrz]

i listen to fog lake too much

[sirenetica]

It's time for spring... ...We'll try again next fall

[azurechicken]

It is a good thing that the BG3 team is attentive and we get updates all the time, but where does it end? If they are going to continue changing stuff about the game per request, what will be there left of what they envisioned in the first place? Especially for character traits and dialogue, like making them kinder and more likeable, just because there were two more people asking for it and they happened to see it. I just don't want to see characters shift into generic ones just because of a need to respond to everyone's ideas

[justcallme-ange]

Decided to warm up my comic drawing muscles with a short page. Dream’s version of “For you the world” Something, something - Dream gets reminded that he’s important.

Context is the Syndicate is doing some demo on Pandora and Dream got a little too close to the action.

[somegrumpynerd]

A little animation I made of Dream and Nightmare for fun, it's pretty short and simple but not bad for my second go at animation I think ^^

The music is from here, I highly recommend listening to the full thing cause it's so beautiful!

Quick explanation for the song and a gif version under the cut

So when I was first dipping my toes into utmv stuff like a year ago, I made a slideshow for my sister with a bunch of au Sanses, let her guess what kinda vibe she thought they had and then gave her a list of names/ aus to see if she could figure out who was who (she did surprisingly well and I'm proud of her).

Well, when I first showed her pictures of Dream her immediate reaction was "this guy looks like he's from zelda" and it's just always stuck with me. Somewhere along the way I started headcanoning Dream playing some kind of instrument when they were kids and when I heard the pan flute version of zelda's lullaby everything kind of fell into place.

So here they are, having a little moment of peace finally, brothers together again c:

[strawberri-draws]

Manifesting boothill and robin next event 🙏

[titsnotbrains]

gota few peple asking for me to shake my tits but i wasnt shure wich way they ment so i desided to just do both:)

[missescalientee]

The past JD ex's who got back together with him club. I feel like they'd have a lot to talk about

Freesia is @zivazivc

[lesbokyoko]

nice dream

[remitro]

a pale imitation of the real thing

more random doodles for funsies ^_^

[egophiliac]

don't think I'm not still obsessing over 7-12

[shopwitchvamp]

Witch Vamp is MARRIED

It's official, as of 7/28/24 Witch Vamp's business partners @jessdean & @themikeydeano are also partners for life 😎

[sysig]

Recently had a silly Handplates dream where Papyrus was trying to snoop around Gaster and Alphys’ lab, but didn’t know who Alphys was and so was trying to pass it off as his own lab lol (Patreon)

[yupuffin]

I think the aspect of the 2.7 story that felt most impactful to me was something that was previously addressed in the Penacony main story, but was reemphasized and expanded upon with Sunday being the narrative focus of this update:

Sunday is scared.

His motivation to protect the people and things important to him -- Robin is an excellent example -- manifests as a desire for control, to eliminate potential dangers. This motivation is based in fear; he's afraid to lose what he has to factors beyond his control, like the bullet that nearly took his sister's life.

And part of the "true paradise" he longs for involves preventing the sense of powerlessness that accompanies that fear. He believes that humanity sleeps because "we are afraid to awaken from our dreams." Indeed, the appeal of the "sweet dream" of Penacony is freedom from the uncontrollable and inevitable tragedies of the waking world.

It's part of what made him such an effective villain in the Penacony arc; even though you may disagree vehemently with his actions, you can understand with and sympathize the rationale behind them. In his mind, absolute control over the Dreamscape -- the elimination of frightening unknowns -- is the most effective way to keep everyone safe and happy. However, this undermines the real freedom and autonomy of the affected populace, many of whom are unaware of the Dreamscape's true nature.

In the 2.7 update, Sunday is "nerfed after turning into a good guy," to use March's words. Previously, he enjoyed immense social status as the head of the Oak Family -- and as the imposing, invulnerable, "final boss"-style antagonist. Now, his role is effectively reversed; he's a fugitive who has to disguise himself to evade the potential consequences of simply being seen.

He's an incredibly vulnerable position.

Not just physically -- as the audience, we also get intimate insights into his feelings and thought processes. Now he recognizes the scope of the harm he was previously willing to cause in the name of absolute control, and shoulders the responsibility of dealing with the repercussions.

His newly evident guilt and shame is emotionally moving on its own...

...and becomes even more poignant when you realize that guilt and shame and vulnerability has been a crucial aspect of his character from the very beginning. After all, so much of his deep-seated fear of the unknown stemmed from him blaming himself -- his lack of control over the situation -- for Robin's unforeseen injury.

I found the scene at the Dream's Edge the most touching in this update. Sunday's conversation with Robin is a bit of a paradox: he is deeply sincere and vulnerable in speaking to his own sister, yet guarded because he must avoid revealing his true identity. And Robin, in turn, directly provides an alternate outlook on Sunday's character, describing him as though to someone who's never met him, as though he isn't there.

And Robin's perspective reaffirms that Sunday's apparent invulnerability was essentially a facade. He may have been the head of the Oak Family, and the imposing final boss, but at the same time, on the inside, he was continually paralyzed by fear.

Sunday has always been vulnerable. He has always been scared.

And I think what makes the conclusion to the 2.7 story so satisfying and triumphant is that Sunday begins to properly address his fear, his persistent guilt and shame. He moves beyond simply acknowledging it, and recognizes not just how indulging his fear can bring further harm, but also what good things (that otherwise wouldn't occur) can happen when he overcomes it -- as it were, when he doesn't let his fear control him.

I'm going to be real, I probably had an intelligent-sounding conclusion for this, but... it took me several weeks to write this and I've forgotten any idea i might have had previously, so let's just say he definitely hit me right in the feels. 🤣