#i feel like that's good enough for tagging characters yeah?

[lamentable-comedy]

I made a supercut of every instance of the word partner (or partnership) in Black Sails... mostly as a side effect of wanting to analyze how the word was used in the show. More information/breakdown under the cut.

"Partner", "partners", or "partnership" is said a total of 92 times in the show, not counting 11 times when it's part of a "previously on". Of those 92 instances, 11 are in Season One, 24 are in Season 2, 33 are in Season 3, and 24 are in Season 4. Some form of the word gets said at least once in all but eight episodes (1x01, 1x05, 3x01, 3x04, 3x09, 4x02, 4x03, and 4x05). The episode with most instances is 3x02 with a grand total of 7. In the video, the clips are arranged in chronological order according to when they appear in the show. I used the transcript site to double-check my work so I'm pretty confidant I didn't miss anything.

A lot of the time the relationships that get called partnerships also get referred to with other terms (friendship, alliance, husband/wife), either at different times than they're called partnerships or in conjunction with the term, but "partner" as a term interests me because it is non-specific in a way that allows for it to hold a lot of different meanings, sometimes all at once. Black Sails is clearly very specific about what terms are used for relationships, just as it is specific about what name a character is called by, and often there is significance placed on moments when a relationship is called a partnership. (Miranda and Flint in 2x06, Jack and Anne in 2x10, Flint and Sliver in 3x03, etc.)

SO I've made a full chart with details on each of the 92 instances which you can look at here. It has the episode each instance is from, who says it, and to what partnership they are referring. Generally this is pretty straightforward, though sometimes a character is directly referencing one partnership in a way that implicitly applies the label to another, i.e. when Silver says he's "not the first to have been a partner to [Flint] in this way", he is referring to himself as Flint's partner, but also implicitly stating that Gates and Miranda were each Flint's partner as well. Whenever this happens I've noted it in the chart. I've also noted when characters are speaking hypothetical partnerships that do not (yet) exist, or do not (yet) exist in the form they are currently discussed, and when partnerships are referred to in the past tense.

Highlights of some stuff I found interesting:

Silver and Flint are referred to as partners (or as having a partnership) a total of 7 times, and implicitly labelled as such once. This is more than any other partnership between individuals, and depending on how you count more than any partnership between groups, too (see below). The first time they're ever referred to as partners is by Silver in 3x03

Jack and Anne are just behind them with a total of 6, followed by Eleanor and Rogers with 5

The individual relationships between Jack and Max, and between Max and Anne are each referred to using some form of partner/partnership three times, and Jack, Anne, and Max a group of three are referred to using the term once by Max and once by Jack-- though when Jack uses it (while speaking to Marion Guthrie) he doesn't specify who he's speaking about could arguably also be including Featherstone, and possibly Idelle

The pirate and maroon alliance is referred to using partners/partnership 6 times (7 if you count one instance where Flint is used as synecdoche for the pirates as a group), and there are two instances of partner/partners being used when discussing another person or group joining the alliance (Jack in the first case, and Julius and his men in the second), for a total of 9 times that some form of the alliance is discussed using partners/partnership

Other than Flint, the only person who is ever referred to as Silver's partner is Max

Eleanor says partner (or some variation) more than any other character, for a total of 14 times. Runners up are Max (12) and Vane (9)

4 out of the 9 times Vane uses partner/partnership, he's talking about a partnership between Eleanor and someone, though that someone is not always him. Of the remaining 5 instances, two are in reference to his partnership with Teach and two involve Jack in some way (one with the two of them and Flint, and one in the context of Jack joining the pirate/slave alliance)

Max never uses the word partner to describe any relationships that she is not directly a part of, unless you count one instance of speaking broadly about her own experiences in a way that also includes Eleanor's (when she says the chair "demands you win partners" to get it)

Flint doesn't say any form of the word partner until 3x05, though before that point there are other people who call him their partner or apply the term to relationships he has

Thomas says "partner" a total of 3 times, two referring directly to Flint and one speaking generally but in a conversation about a partnership between him and Flint. Miranda says "partners" twice, both times about herself and Flint

"Partner" is used as a verb exactly once, by Madi

Madi, Mr. Scott, and the Maroon Queen each only say partner(s) once (they're not the only characters who only say it once, but i did think the family pattern was neat)

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[piko-power]

My Personal Headcanon On Why Amy's Love For Sonic Died Down Lately (and their dynamic)

When they were younger, Amy's love for Sonic was pretty extreme, and Sonic was, understandable, uncomfortable for the most part. He knows she means well, but that girl needs to calm down.

She can fight, but sometimes her hammer could only stun her enemies for a while. (It took her a long time to get rid of that robot that has been chasing her around Station Square.) She wasn't fully independent yet, even if she fought on her own a couple of times.

She often follows Sonic and his friends around. She is part of the team, but she was not a strong as she is now at the time yet.

She admires Sonic. A LOT. And Sonic knows that. Obviously, he could only run away from something like that, since he is NOT ready for that kind of thing, and whether Amy takes the hint or stop, she still loves him.

...BUT, I think things were slightly starting to change between her and Sonic after Lost World.

Remember this line?

You remember that? Okay, okay. Here's another totally unrelated question:

Before the events of Lost World, when was the last time Amy said "I love you" to Sonic out loud?

...YEP. 😈 (Unless I'm missing something, let me know lmao)

As more games and adventures come out, the characters get slightly older, and Amy is 12 to 13 now, and she is most certainly at that age where her body starts to change, but especially on how she views Sonic.

She knows she loves Sonic, but it was this moment during her change where she actually wanted to admit that she loves him.

I believe that Amy was all about sharing her affection to him not through confessions, but through obvious hints. Sonic totally got it, and there was no need to confess. Sonic knows she loves her.

...But she never said it. And she almost did, but she never did again for a while.

I think this was the moment in her life where, oh, God, she actually loves Sonic. SHE LOVES HIM, WHAT.

And she was looking back at all the times she had with Sonic that she can now see were unpleasant to Sonic (At least that's what she thinks) and that's probably why she isn't so expressive about her love to him than how she used to back then.

She wasn't sure what to do with this realization, and sets aside it for a while, and nearly stayed as her casual, peppy self... until the Eggman War happened.

During the 6 months of being with the Resistance, fighting Eggman's army all day and all night, all she can think of was Sonic.

She dreams that he still with not just her, but with her friends. She just wanted to see Sonic again, she just wants to be with her hero again.

But I'd like to think that she was also thinking about how she used to treat Sonic back when they were younger, how Sonic would almost always run away from her whenever she asks him out, or always look so uncomfortable whenever she gets so close to him.

Cringing at those memories big time, she wanted to change and hopefully when Sonic is okay and comes back, she can be better for him.

...Or will he still find her uncomfortable regardless? Would he even be happy to see her at all if he did survive?

But, hold on! She can't just give up her love for Sonic! He made her who she is today! A peppy, nature-loving, hammer-swinging, confident, brave... loud-mouth... annoying... Sonic obsessed... weak... pathetic... lonely little girl.

If she gives up on Sonic, it'll be like she gave up on the one hedgehog who saved her life. If she didn't she'll still be the same ol' Amy.

I also like to think she had parents a long while before she met Sonic, and was even expecting a little sister, but a robot invasion happened from where she was and attacked her parents and instead of trying to save them, after getting hurt, she ran away, hoping that they'll come back okay. But they never did.

She was all alone, and needed someone, a friend, a new family, someone who will hold her hand, anyone, to be there for her. But she was ignored by lots, and at that point, she's better off by herself, but still longed for company.

Eventually though, her tarot cards told her her future hero, and there might be hope after all. She encountered Sonic, held onto the belief of the cards tight, and the rest is history.

So, with that headcanon in mind, not only did Amy loose her parents that she didn't save because of her cowardliness (she was only so little at the time that happened) and also Sonic, who she thought will be her only hope, but now gone.

She doesn't even care if he did come back, he'd probably hate her now after everything she did to him, always talking about their "future wedding" or forcing him to go to Twinkle Park.

For the last few months of the war, it was nothing but Amy mentally beating herself up for either refusing to change or moving on, and they are both not fine choices.

She loves Sonic, but he does not love her, and she finally, finally realized it. And it's probably for the best if no body loved her at all.

But of course Sonic did survive and all of her worries wash away in an instant, she's just not expressive about her love for Sonic AT ALL now, since she's still worried about it but rather not mention it to Sonic because it doesn't matter.

If Sonic doesn't love her, then her feelings don't matter to him, and according to Amy herself, that is okay.

But also, I'd like to think that Sonic was thinking about his friends a lot up in the Death Egg for the past months, sometimes it's Tails (worried for his safety), sometimes it's Shadow (because he's wondering why he would join Eggman.) At some point, for a few days, Amy was in his mind the longest, and he felt bad about how he thought he was rude and pushy to her.

He wondered if she's not thinking about it too much, and if she is, will she give up on him? Yeah, he doesn't feel the same and still not looking for a relationship, but it's so strange but interesting how anyone could ever like someone like Sonic the Hedgehog. Amy was never afraid to show that, and she probably might be now.

He couldn't help but feel guilty. They were kids when she was like this, but he was so... arrogant at the time too. Not a lot happened at the time yet. He'd always have trouble expressing how much he value his friends, until he shattered the Paradox Prism. (I'd like to think Prime took place before Forces. It makes sense.)

She is such a sweet girl, and he probably made her believe that he didn't care for her. Just because he doesn't feel the same, that doesn't mean he hates her at all.

He wished he never ran away from Amy... Worrying for his little bro and wishing to be a good person for Amy was when Sonic cried in the Death Egg for the first and only time.

Frontiers, in my opinion, is kind of confirming their dynamic now. Sonic is a lot more sincere and kinder to Amy and she is not all hyperactive and lovey to Sonic. There is probably a real reason for this now.

They are both hiding their feelings from them, and they are both unaware of this. Amy, hiding her mental issues from Sonic, and Sonic, hiding his guilt away from Amy.

None of those things are important now. Sonic is with Amy and Amy is with Sonic. They are here with each other. They can be finally be better for each other now.

They don't care if they'll ever be something more when they get older. None of that matters anymore. They are here with each other. They can be finally be better for each other now.

Maybe someday they'll both talk about it, but for now, the present is important. They care about each other too much to think about it right now.

It's the kind of love that is unbreakable. It doesn't even have to be romantic. It's just love. Love is important for everyone, in any form. It's something Sonic and his friends need. And especially Sonic and Amy.

Amy Rose is the living embodiment of love, and without her, a lot would go downhill for Sonic and co. Heck, if it weren't for her, Shadow wouldn't have never remembered Maria's promise, which lead him to save the world with Sonic, before he temporarily disappeared from their lives for a while.

She is always there to lend a helping hand for anybody, even bad guys like Metal Sonic, and despite what she had been through, both in Forces and headcanon wise, she still fights back, even without her hammer.

She will pick you back up on your feet, reminding you that you are important and that you are loved, and that you should never give up. It's pretty much the words of encouragement she herself needed also...

She is still the happy, hyper, butt-kicking hedgehog we all know and love, but she still need someone to pick her back up on her feet after so long. Thankfully, she has her friends and her blue hero. The hero who made her who she is today.

I think Amy has no idea how important she thought she is, but Sonic does. Sonic knows fully well how important she is to a lot of people. It's about time he returns the favor to her. It's his turn to remind her how much a lot of people love her.

How much he loves her.

And I feel like The Murder of Sonic the Hedgehog was the moment where their dynamic really shined, but also the starting point of their relationship not only healing, but also the next chapter of what's to come for them.

Everyone, friends old and new, gathered around for a special birthday. A birthday for the confident, unshakable, and radiant Amy Rose.

It was such a special moment in Amy's life. After years of chasing and following the people she look up to, she is part of the team, but most importantly, she is part of the family.

She is fully realized as someone more than just a fangirl, but someone strong, courageous, creative, kind and a big inspiration for others.

I feel like this moment here...

-is where Amy is eternally grateful to call her friends her family. A family she thought she'll never have again. She's not alone anymore, and as long as they're by her side, she'll never will be again.

Her chasing days are over. She's finally caught up to them. She's finally home.

And it's all thanks to Sonic.

If it weren't for him, she'd probably be alone forever. Her past moments with Sonic might be embarrassing to look back on for a while, but they are good memories regardless, because they involve him.

Sonic saved her life in more ways than one, and despite everything, he's grateful to have her too.

He cares about her. He really does... And in her eyes, that all she needed to know. As long as Sonic loves her in his own way, she'll be happy.

Amy hasn't given up on Sonic. As long as Amy always supports him, he'll be happy.

Maybe sometime in the future, they can talk about their problems, but that's a story for another time. At this point, they need to. Right now, they are happy. They are okay.

They are here for each other. They are finally better for each other now.

"You guys won't ever leave me, right?"

"Wouldn't dream of it."

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[lightbulb-warning]

i used to freehand comics all the time as a child and since the part i liked was the drawing part i would just draw panel after panel because i didn't want to stop drawing to think about icky icky words, plus the story TOTALLY still made perfect sense! to me! and noone else, but 'whoooo caaaaares omgggg its not like comics and sequantial art are a communicative meeediummmm lmaoooooo'. i spent my entire childhood telling myself stuff like "oh pfft I know this story by heart- ill SIMPLY remember the dialogue and write it later" ...and. I can't help but admire baby maiora's (call that a minora ba tm tsk) fucking audacity? hubris? confident wrongness? kid couldn't even remember to finish the comics in the first place? INCREDIBLE levels of unearned self assurance, wish that were me, genuinely- what an icon!!! anyway i think i have forever cursed myself

[hplonesomeart]

Heyyy….so I’m back to posting arts momentarily I guess (not like I went anywhere though. Still spending my life staring at a iPad screen for nine hours straight….hate this routine I loosely call “living” so much hahahahaha chronically online potato sack. Not doing so hot I can’t even anymore!)

Anyways uh-so I have a lot of scraped things because I’m loosing energy to do creative works I can’t keep pushing myself. Kinda accepted that I’ve weighed myself down exhausted myself with all this pressure and I need to let go. But it’s hard and honestly the last thing I want is fatigue again. But guess it’s a cycle for a reason huh. Can’t fight it off, just stuck powerless and letting it happen begrudgingly

So I made this unfinished gif (you can tell because the hand is missing and the background looks unidentifiable. Plus cigarette smoke just gave up on existing wow so relatable). Honestly I kinda set myself up to get stuck on the process of this anyways since I don’t like animating on Procreate. The layering frames system is a pain to navigate. Only reason I wanted to animate Mr. Puzzles using Procreate is for some level of gained “experience” and added brush diversity for the glitch effect. But guess it wasn’t enough to keep my attention. Started it on August 5th, probably abandoned it two days later or so. I don’t know it feels like a long long time ago by now but that’s just because I’ve been overwhelmed mentally and can’t keep track of days passing bye

And this is the simplified version (aka what I started with originally as a drawn base messy sketchy illustration)

[thedrotter]

not-yet-dead-person

silly comic of a conversation in-game i thought was too funny not to make something proper for instead of a doodle ww

(timelapse + wip images (thus silly process commentary in read more if you like artist commentary :3)

i think the sketch looks silly and goofy and funny so i find it important to share with you the mere presence of the faces i drew on it. i drew it on top of the boxes without staying inside its borders because i find my proportions can get wonky if i draw them cropped in a restricted space. and I feel trapped otherwise and i will draw BAD!!! give me spaceeeee to go wild!!!!

the head circles are there for emotional support

very low res speedpaint because truth is the canvas was much bigger than the space where my comic was placed. i didnt account when exporting my timelapse in 720px that that tiny space would look so pixelated ... but it's able to be percieved, so its okay.

(i will now comment on my process and it is not brief sorry)

usually i would try to clean up my sketches and figure out what goes on top before jumping into linework, but since there are multiple panels and drawings i chose to jump into inking right away for the sake of brevity. i just went in with a brush that uses pen pressure and drew what was needed. i added extra line thickness and contrast in areas around the face because it helps direct your eyes there more easily that way.

according to her equipment rei has a chain belt but i only remembered it existed once I was going to color, and i did not like that discovery... I chose to ignore it to maintain my peace. i already have the color palettes for these characters figured out, and i didnt really want to think about a new element at the moment www I tend to overthink those things a lot so i skipped it

the rest is rather straightforward! not that anything else wasn't, but in here i could turn my brain off and sing. linework and sketching require mumbling so i cannot turn my brain off. just block in the characters with a solid color so i can have a mask (something along those lines,) where the color can stay inside. then just color in !!!

Base colors just had slight cell shading on the skin, and for the hair i airbrush a bit of the skincolor in low opacity near the forehead... I'm not sure what it means, but i can look at the faces easier with it somehow. i like the gentle subtlety it adds even if you cant really tell. it makes things look nice.

background was just me blocking in the color of the wall and floor, shade the wall a bit, then slap a noise and free use wood texture on top. work smarter not harder ! yet it took a bit to make it look stylistically fitting with the characters, and even now i think bottom middle panel looks odd. whatever!!!

for the middle panel i thought itd be funny if the background was a solid silly and colorful one to contrast the next panel's sketchy black one. a contrast to how the word widow is seen. on that note my handwritting is not pointy. i gaslighted my hand into thinking that it was indeed pointy in that moment so i could write "not-yet dead person" in letters that didn't seem cute. my hand did not fall for it but it complied anyway

that's basically it! I'm not sure what else i could say that doesn't feel barebones because it really is that straightforward. if you're curious I used clip studio paint for this. only special brush used was for linework (a brush named Lemon Brush), the rest used were just the default. my computer gets the least credit. it was trying to convince me a 20mb file was going to nuke it all the time and hardly let me save multiple times so i do not appreciate it

[utilitycaster]

Sort of a distant tangent off my post about Ashton, but I'm growing more and more suspicious of the fandom claim that there's no time for small RP moments in Campaign 3. I do think that it's been challenging to get deeper party bonding or serious conversations that aren't about the big philosophical questions they're facing, since those do take much more time; but then I think about Calamity, or Candela Obscura. I can genuinely give you at least a couple paragraphs about pretty much every relationship in the two Circles, or in the Ring of Brass. I can also point to no shortage of small moments between characters in the Mighty Nein Aeor or Vox Machina Vecna endgame episodes, which were all extremely plot-heavy and fast-paced, and D20 consistently nails character relationships in a fraction of the time.

I think it really does come down to, as Brennan Lee Mulligan always says, the character creation phase. Laying down a solid groundwork in which everyone has a detailed, rich backstory and sense of personality and relationship history (in the case of characters who knew each other prior to the start of the series) is absolutely crucial, and even in the case of characters who don't know each other before going in, a good amount of time spent in character creation ensures that it's easier for them to develop those interpersonal relationships on the fly. I know in actual play there's some degree of finding the character as you play, but there are games for which there is a very short runway, and I don't think it ever hurts to do more extensive character prep than the bare minimum. And if there are gaps, I think it also helps to go back and fill those in mid-way, away from the table - Travis clarifying Chetney's backstory being a great example that allowed the history of Chetney and Deanna to feel realized and full, despite only a few episodes.

I'll also be blunt: most of the time when people complain that there aren't moments because the plot keeps moving...they're mad about shipping. Which has always rung hollow to me. It was a common complaint in C2, that no time was taken for character relationships, despite them taking an entire half of an episode for the Beauyasha date and despite no shortage of moments for all three of the other couples (and plenty of platonic moments between friends). The issue was never a lack of time; it was that the characters they wanted to talk to each other didn't actually have the relationship in canon that the fans had dreamed up, and so, when the chips were down, they went to other people.

It takes two seconds to say something like "I hold their hand", even in the middle of plot-heavy adventuring. If someone doesn't say it, it's rarely the GM rushing them; it's the player either choosing not to do so, or not remembering to do so, and either of those is quite revealing regarding how the player feels about that relationship and where it stands in their priorities.

[bibiana112]

One of my favorite character traits that Junpei has is how as much as he's protective and caring to his favorite people and impulsively jumps into danger to help others if he has an opportunity to without wanting anything in return and highly values the promises he makes he just seems to also always be more curious than he is sensible or empathetic, he gets so caught up on the horrors he sees but he has such a hard time looking away, he's right to analyze and be intrigued by the ninth man's remains but he stands around staring at it until he pukes, in the showers you can interact with the wall behind which lies "Snake's" corpse and he will pick up more details about it each time you click on it until he has to mentally rip himself away because it's not that he can't keep looking at it it's that he better look away and focus on getting out, and the way he talks to Clover about the body with every minutiae she wouldn't want to hear is like his brain connects faster to his mouth than it can connect to his sense of morality sometimes which I guess turned out to be a good thing in this one case or just good common sense in general like there's other minor things he blurts out at times, he's stated to not have tact be his strongest suit, he's insensitive on accident trying to fumble through interactions even if he's entirely confident on what he's saying he's soo sharp when he has a goal in mind but he's soo dense if he's trying to just exist my man is so traumatized and his brain always seems to default to taking the most of any given situation in as possible to desensitize himself instead of any other response and sometimes it pushes his mind to be so single mindedly entranced on not ending up that way too that he'll describe a mangled body in excruciating detail to a grieving relative even if that's his friend and even if he feels guilty about it immediately as soon as he catches up with what just left his mouth instead of staying in his thoughts

[great-tusk]

ughhh I need to stop having mental breakdowns over little things.

[cuteniaarts]

2 hour rough drawing of Ehuang, my precious Green Opal child who I don’t draw nearly enough <3

[goldentigerfestival]

I love the vocal nuance in this exchange, but also posting this for my differences posts because this is one of the changes that infuriates me the most. Yuri didn't threaten Ioder, did not threaten him with a weapon, and just said he'd punch him in a lazy, half joking voice (half joking as in, he really doesn't want to hear that - that's just his way of saying so; but that's not the voice of someone who is super angry and threatening).

My other huge grievance is that this is a recurring issue between them in the dub. Yuri is pretty much always vocally rude to Ioder. Ioder has done nothing to wrong him or anyone and has only ever done good for the people where he's able to.

Yet despite Ioder being nothing but sincere, honest and polite with Yuri, in fact even happy to see him here and there, dub Yuri is outright tonally rude to him leading right up this scene where he threatens Ioder in this dark voice. Meanwhile he's actually just supposed to be… lazily telling Ioder he'll punch him in his Yuri Lowell way of saying "I don't want to hear that".

The dub really just wanted to turn Yuri into this dark edgelord and I hate that for my goofy, silly boy.

[alfhildr-the-word-weaver]

Currently watching this very cliche (but still decently enjoyable) Christmas movie and it has this horse girl subplot where the older sister is falling in love with horses, but there are these long, lingering shots where she's looking at this female farmhand working with the horses, and she keeps talking about how great and cool that farmhand is, and I can't decide whether it's actually a burgeoning lesbian subplot or just a heavy accidental implication, but it really does feel soooo close to overtly romantic.

Anyways my hot new ship is these two. Time to build it from the ground up ;)

[apocalypse-boogie]

I gotta be honest, I don’t engage with the Criminal Minds fandom (despite having watched all of the original show + Evolution and read up on as much of the spin-offs as I could) because I don’t like how prevalent the racism and sexism and infantilization is in the fandom. There’s just enough of all that shit upfront that I don’t want to dig any deeper than I already have. I’m good, I get enough of that shit in fandoms that I’ve been apart of for years I’m not gonna let this shit sully my love for this show anymore than it already has (especially considering the show’s writing itself is not devoid of these faults).

I’d rather just love the show and dissect it and write analysis and fanfic for it and shit on my own.

My fav characters (just cause & kind of in best to least order): Penelope Garcia (she’s literally me, I love her), Derek Morgan, Emily Prentiss, Jordan Todd, Matt Simmons, David Rossi.

[iceeericeee]

I wonder how many tags i can add on to this

[narwhalandchill]

wuwa rambles incoming, on the negative side ish (?)

so i also ended up downloading wuwa to test it out despite being fairly confident in the assessment that it Will not be a long term thing for me (and yeah stand behind that one after day 1 and some today) and like

firstly yes the state of the game is in shambles lmao like it really wasnt finished in time for release in terms of performance and polish At All. on my side luckily the overall experience has been more or less okay on medium graphics with some glitches and a total of two crashes but its still like. this isnt an optimized game at all. ppl rly have been taking genshin being incredibly cautious with new systems and additions (so that the game actually Functions) for granted i suppose 💀 and or consistently taken the most uncharitable angle towards it . like yes we shouldve had xyz since forever but i 100% believe theres actual spaghetti code behind things taking long and that hoyo genuinely wants to be very careful w it for good reason. but yeah artifact presets where still

secondly as much as the world is like, pretty and vast with many sceneries that make for a beautiful vignette to Look at and all kinds of trinkets to run towards and engage w for that quick dopamine release, i think the fact that the story and lore of the world is just so fucking inconsequential and terribly communicated makes it just. Incredibly hard to Feel anything for it. its like a cake with stunning decorations except u take a bite and realize its all just fondant and no actual flavor. its just there. i dont have any thoughts nor feelings for it bc the worldbuilding is such a failure that i care neither for this place nor the characters whose stories are supposed to be selling me on the entire game. and that really sucks bc this place really Does look stunning in places and i Wish they would give me something to care about but its just the backdrop for the (admittedly fun) pokemon echo farm and ur exploration progress and the combat system

character-wise i also just dont mesh with vast majority of them much. they dont stand out enough from one another and no one except for like scar has actually made me very intrigued about anything at all regarding the world. designs vary from ugh to fine with some that i do like but they still arent like . the kind of Instant recognizable design that just Hits. they look fine but they lack the (jenshin) impact that makes you want to forfeit ur mortal possessions to them

now there is One (1) exception to this to be fair and thats sanhua but thats Literally just bc she is so fucking gender envy to me design wise. like its almost perfect just like that. literally if only her top wasnt open in the back . Id wear that shit SO hard for My scifi fantasy waves that wuther self insert oh my god. she looks like a middle school OC id make JSJSKSKDKUSKDK i love herrr literally the only reason i continue playing tbh . And she has ice powers too she is literally made For Me 💀

(jen forbidden lore tldr a niche finnish Banger of a fantasy book series that rewired my brain at 10 had an Excellently written girl protag who among other things gained op draconic ice powers of eternal winter and since then that simply became My main character daydream self elemental power of choice Always hsjsjsjskvkd)

the combat i think is where wuwa stands out and it definitely lets u engage more with the enemies. like ultimate evasion and counters Feel satisfying and building up ur characters unique mechanic like sanhuas ice constructs for her powered up charge atk Feels satisfying i def think theres a lot of potential there but in terms of A Future Meta in a gacha that wants money idk where things would ultimarely go in the future. but ya that stuff is solid.

enemy designs are also cool but suffer from that same lack of context to make me intrigued w the world theyre a part of. like cool eldritch creature ig but it doesnt give heebie jeebies the same way as seeing like. the husks in the chasm for the first time. where u instantly go oh fuck How. Why. Who were they. bc u know there Will be a relevant answer . etc . which is a shame. make me fear for my life smh

anyway for me my pulls have been like ridiculously bad i am genuinely not joking that getting sanhua on my first starter banner multi is the only reason i stuck w it. like. prior to this morning and getting aalto from the 20 free pulls . i have not received a Single non f2p new 4*. i have chixia c3 who i do Not like. yangyang c2. baizhi c1. Literally i kid you not the other new 4* i pulled today was . Yuanwu. so like considering the event and log in thats also c1 yuanwu c1 sanhua (latter of which i obvi have no issue w). and then my starter 5* was the worst case scenario 💀 Walmart gaming i mean. if u think hes cute cool but i am not at All enthused. id have taken Anyone over him lmao

so thats fun . i mean its fine im not gonna play long term i like sanhua and playing her w baizhi and someone like yangyang or aalto its fine for what i intend to do w it for now. & none of the future 5* rly appeal to me either

ultimately the game definitely has potential but it just. released too soon in a shoddy state and in many ways (mostly relating to its open world) i think is too reliant on just resembling genshin without actually innovating on top of that foundation or distinguishing itself from it. and the failure of its story to make players care about its world At All doesnt help. Do i think the world and lore are shit w 0 potential? well obviously no bc its so poorly communicated i cant even fucking tell you what it is About. but any possible potential there was definitely not utilized how it should so eh

now personally i have absolutely no horse in this toxic drama clownfest of a gacha game war arms race other than its not worth the time nor effort. so i truly have no particular feelings of fervent support nor some schadenfreude about kuro and for competitions sake i Do hope they manage to salvage the situation and that wuwa manages to flourish in the end but ironically enough the genshin "killer" number two more or less seems to have went the way of the other one aka ToF. so thats something i suppose lmao

Like there is something very painfully ironic about it all and it is hysterical in that sense. at least that much i can admit hsiajsks. But truly if some ppl find that wuwa offers them sth better than genshin then good for em, dont let my highly lukewarm reception ruin ur enjoyment. just end the fucking drama farm and disingenuous claims to gas up ur own cope and hype

(and to be clear. i would Not have played like 8 hours yesterday if i wasnt genuinely engaged w trying the game out and having fun lol. its just very clear to me that this early rush of ADHD dopamine oh new game new things to burn through new exploration shinies short term quick fun is very likely all wuwa is going to have on offer for me personally)

anyway thats just me so feel free to share yalls thoughts too if ud like