#i feel like maybe i just don't exist and maybe that's why no one seems to care about the things try to share

[spitdrunken]

Your Mr. Scarletella dear lord that was delicious!! I’m kinda obsessed w the concept of not knowing what you’re doing is bringing someone pleasure or at least not until they’ve cum from it. I praise you and I hope for more fics of that kind in the future <3

You're not sure why Mr. Scarletella has seen a bit more fidgety than usually lately. None of his behaviours present in typical, human ways. So, whereas you might have fiddled with your fingers, paced back and forth or talked too much, he's been eerily quiet and constantly distoring the space around him. Colours warp and twist. Sometimes, you'll blink and he'll be beside you. Then, you blink again, and he'll be in front of you. Before you know it, he's behind you again.

You simply can't shake the feeling something's going on. You stop walking. (Where had you been going again...?)

"You hurt?" You ask. "Upset? Troubled? Many quick... Move." Mr. Scarletella, usually eager to respond in his own way, remains quiet. He does appear right besides of you. You reach out for him, the brush of your fingers hovering right above his non-existent body. "Me want help you. You understand?"

"Me understand," he says. His voice is accompanied by more static than usual. The whole air around him seems to hum. Beyond that, his face looks a little different too, but you can't quite put your finger on it. "Me like you. Me want touch. Me want give you [...]... Happy. Enjoyable." He lowers his head a little, averting his face from yours. "You understand?"

You don't know one of the words he used. You try to repeat it. "[...]... Me not understand."

Mr. Scarletella tilts his umbrella a little towards you. "My body. ...Container. You want?" He shifts his hand so he is holding the handle of the umbrella out towards you. He wants you to hold it, it seems. If that'll make him happy, you're happy to oblige, though you don't quite see the significance. You smile at him.

"Me want. Give me." When you take it from him, you catch a glimpse of his face. It becomes obvious now what had been unclear to you before. A reddish flush has settled on his face, wide eyes only staring at your face for a moment before darting away. That should've been your first warning sign.

Even though he'd told you the umbrella could be touched, it's still a surprise that your hand doesn't go straight through it. There's a weight to the object that you hadn't expected. The handle seems to hum and vibrate in your hand with some kind of unseen power.

You twirl the handle in your hand, gliding your hands over the material. It's squishier than you would've thought. It's like holding an approximation of an umbrella made by someone who had only ever seen the object, rather than touched it themselves. You search and fiddle for the button to shut the top, just to make it a bit easier to carry, but you can't seem to find it. Static teases the edge of your hearing. You only see Mr. Scarletella out of the corner of your eye.

You twirl the handle in your hand, gliding your hands over the material. It's squishier than you would've thought. It's like holding an approximation of an umbrella made by someone who had only ever seen the object, rather than touched it themselves. You search and fiddle for the button to shut the top, just to make it a bit easier to carry, but you can't seem to find it. Static teases the edge of your hearing. You only see Mr. Scarletella out of the corner of your eye.

You sigh a little, your hands fiddling with the material before groping up and down the main body. Maybe it's unable to be closed? That would suck. Brow furrowed in thought about your silly little task, you extend your arm and press down on the outer canopy, trying to get it to fold in with no luck. When you push it in, it just pops back out again. Your arm is starting to ache from the weight. You squeeze the handle a bit tighter.

Then, Mr. Scarletella whines. Or, at least, you think he does. The noise is fragmented with so much static and garbled noise that it's hard to entirely tell. You whip around to face him, finding him in an entirely different position than before. He's slumped against the wall, feet facing outward, with an even deeper flush on his face as his fingernails scratch at his cheeks. His eyes are wide and his shoulders shake.

He looks downright loopy. He's lost control of his form, back having sunk several inches into the concrete wall behind him. Behind his fingers, he's grinning, eyes half-lidded and gaze unfocused. The sight sends an immediate, unmistakable shot of arousal through your body.

You're immediately overwhelmed with the desire to ruin him even more. If you had been able to touch him, you would've practically pounced on him, pulling his hand away and pressing your lips against his. Since that isn't possible, you lift up the umbrella and kiss it instead, intent on finding out how many more noises you can pull out of him now that you know what you're doing.

[nsharks]

bleeding blue | part twenty-one preview

The last bed you laid in smelled like lemon mint detergent. It was the full bed in your sister's guest room. Everything was crisp and white. They rarely had guests besides you. Some of your clothes stayed in that closet, one of your toothbrushes stayed in the connected bathroom, waiting for your visits. You'd awaken that last morning not thinking you'd never sleep in bed for another five years. You left it unmade.

This bed smells like pine and warmth.

Ghost's room is small and dimly lit. The ceiling slants so that one end is not tall enough for him to fully stand. There's a dresser and a nightstand, leaving only a sliver of floorspace.

After the metal latch on the door clicks shut, Ghost lays the blanket down and grabs a pillow for himself. That leaves the bed to you. Springs creak beneath your weight as you silently slip under a heavy, rustic quilt. The years-embedded scent of him wraps around you like a drug-induced fog. For some reason, you hesitate to move, lying frozen as he flicks off the light. You wonder if he always locks the door, or if he did it for you. So you feel more certain they won't try anything.

Only after you hear his shuffling around as he lays down do you allow yourself to get comfortable. You cocoon your body under the quilt and turn to your side, closing your eyes.

A thought reopens them minutes later. You roll onto your back and speak into the swollen darkness. "Have you known about this Switzerland place?"

For a moment, you think he's already asleep. Then, from below the bed by your feet, he says, "Heard of it."

"That is what you guys talked about, isn't it?" you ask absentmindedly.

"Among other things."

You sit up so you can see him, but all that you can make out is a dark shadow. "Care to share?"

"Some things are on a need-to-know basis," is all he gives.

"And I don't need to know?"

"Precisely."

It stings; you don't know why. A hand sweeps through your hair as you audibly exhale. "Some team we make, huh? Or I guess we're only a team when you need me to do something for you."

You quickly realize how petulant you must sound. A grumbled swear, then more shuffling. The shadow sits upright. "They asked me to go with them. I said no. Too far. Too many variables that are hard to predict, and she's not ready for them. Happy?"

You bite your lip. Relief sits in place of the slight uncertainty since your conversation with Nereida. Joining them was shut down. You wouldn't tell her, but it sounds asinine, whether or not that commune exists. Risky at best, fatal at worst. You're tempted to ask him how many days he thinks they'll recoup here before continuing their journey, but opt for sleep instead. He seems done with the conversation, too, lying back down. Then, you have the best sleep you've had in years in his bed.

When the sun turns pink, you awaken to a room void of Ghost. He's gone. It should be expected, but you'd thought he might wake you up to train like normal. Though, the past twenty-four hours haven't been normal. You look around, the details of his room more visible now in the morning. On the nightstand beside you, there is a stack of books and you scan the titled spines. Mostly classics. One Hemingway. All tattered and read frequently. Beside them lays a silver chain attached to a dog tag. You gently finger the engraved metal so as not to move it out of place: Simon Riley. 

Snooping through his things is more tempting than you're willing to admit. You slip out of bed, socked feet silently padding over to the dresser. There are mostly papers. His map, a notepad with scribbled half-cursive on it, and then a faded photo beneath it. You freeze, breath hitching, as if you've done something dangerous just by stumbling upon it. Curiosity is thick in your chest, difficult to ignore. Gentle fingers reach to shift it out, revealing a picture that you know right away is of Blue and her mom. Blue is a baby. Maybe one year old. A woman with light brown hair holds her up, sitting on a bench in front of a playground. She's pretty and young. There is a sadness when you wonder if this is the only picture he has of them-before her death. Then, there is another feeling. You swallow it. 

You quickly slip the photo back just the way you found it and leave the room. 

[cosmerelists]

Ranking Cosmere Families Based Whether I'd Want to Attend Their Thanksgiving Dinner

If they, you know, actually celebrated Thanksgiving or if I existed in their universe and could attend. But anyway.

[Last Thanksgiving special: How They'd Cook a Turkey]

1. Kholin Family Dinner: No Thank You

Let the various eras of the Kholin family spread out before you: is there ANY iteration of that family whose Thanksgiving Dinner you'd want to attend? We have the Blackthorn Era, where Dalinar is getting drunk and trying not to make eyes at his brother's wife and also Sadeas is probably there. We have Way of Kings era where Dalinar thinks he might be going crazy and is always in a lowkey fight with Adolin. We have post-Oathbringer where you sit at that table knowing that Dalinar killed his kids' mother. Is there any moment when a Kholin family dinner wouldn't be awkward for a guest? Even Shallan being there isn't enough to win me over. I'm staying home.

2. Kelsier's Crew: Sure!

I think a holiday dinner with Kelsier's crew would actually be delightful. I think that whatever else they had going on at the time, they'd make an effort to put that aside and have a good time.

3. Kiin's Family Dinner: Hell yeah

Kiin (Sarene's uncle in Elantris) is canonically an amazing cook. Like, I'd LOVE to be at their family dinner. Plus, Sarene seems to have a nice time hanging out with them. Sure their kids squabble a bit, but nothing major.

4. Stormblessed Family Dinner: M-Maybe?

I feel like this is strongly era-dependent. Join them when Kaladin and Tien are kids? Yeah, I think that would be all right. There might be tension between Lirin and Kaladin, but Hesina and Tien are there to defuse it. After the two kids are taken to war? I-I'm leaving that couple alone to grieve, I think. Post-Kaladin-Radiant time? That's REALLY book-dependent. Got weird between Kaladin & Lirin for a while there. I don't want to be there for their yearly argument about whether it's ever okay to kill someone. Maybe I'll just help Hesina in the kitchen.

5. Tress Family Dinner: Definitely!

Yeah! Tress is a great cook, her parents are AWESOME, and if Charlie is there too, all the better. Like, this one is a no-brainer yes please.

6. Bridge 4 Dinner: Yeah!

Especially if it's post-Radiants, so that (a) we're not all enslaved in Sadeas' war camp and (b) there are women too. I bet Rock's Thanksgiving stew would be delicious. Kaladin would be late, but you know what, it's okay. He's very busy.

7. Court of the Gods Thanksgiving Dinner: Maybe If I Were Younger...

Listen, I'm sure it's a raucous good time. There's lots of food, it's really good, everyone looks hot, and everyone is very drunk. Not REALLY my scene, though. I might go if I were invited, but if Tress's family had already offered, I mean...

8. Idrian Royal Family Dinner: I'll Pass

For one thing, I feel like the food would not be very good since my impression of Idris is that everything is...gray. But even beyond that, the family dynamics do not sound fun. I mean, their dad sold his least favorite daughter into what he thought was deadly sex slavery. Their mom doesn't even have a name. It just feels so awkward.

9. Noodle Shop Thanksgiving Dinner: Yeah!

Going out to eat is a great way to not have to cook for Thanksgiving dinner. And Design's Noodle shop--or even later under the new owners--feels like a great place to get some food. Depending on why I'm there, I might even get some free sympathy noodles if I have nowhere else to go! Y-Yay!

10. Lopen Family Dinner: Yes!

I definitely would say yes if invited to eat with Lopen and his many cousins. Remember when Elhokar was there for a minute, and Lopen's mother kept making him eat more? I am going to be SO STUFFED and it is going to be SO worth it.

11. Ladrian Family Dinner: Totally

I'd love to have dinner with Wax and Steris and presumably Wayne and Marasi and possibly MeLaan! I bet the place settings will be fancy and that I'll have to bone up on my etiquette rules--but then, Wayne will be there so surely my using the wrong fork will go largely unnoticed. Anyway, these people seem pretty fun to hang out with, and I bet the food and whiskey are both good.

12. Montane Family Dinner: S-Sorry, Can't Make It...

As much as I love Threnody as a concept, I don't want to hang out in a small circle of silver-ringed "safety" while knowing that murderous ghosts await any mistake outside. I just don't feel like it would be a relaxing time. Plus, you know, Silence's grandmother is literally a ghost in a locked room like right over there. That's a family dynamic I don't care to experience.

[wingedshadowfan]

⚠️arcane s2 spoilers⚠️

i just saw someone say "vi put on a uniform for caitlyn but caitlyn never took hers off", even going as far as saying that caitvi shouldn't have ended up together bcuz they have the dynamic of "oppressor and oppressed". tell me you've never paid attention to a single thing caitlyn's done or said in either season without telling me😭😭 (this is my nth post abt this bcuz it pisses me off when ppl mischaracterize her so when you see underlined text, it's linked to a more detailed post)

are we forgetting when she traded her weapon, her gun, her only protection away for a shimmer/medication/potion thing w/ that fucked up undercity dude with the glasses (the one who became the first of the glorious evolution) for vi and hugged him as thanks?

when she saw ekko's commune, his tree, and validated ekko's feelings about piltover and enforcers but also told him the cycle of violence needs to be broken because the undercity needs healing - something ekko could understand even in his anger and hurt.

when she confronted her own parents abt how the government doesn't care about zaun and the situation there, and then took it straight to the council. when jayce, her literal childhood best friend and basically a brother to her, now a councilor, ASKED HER IF SHE KNOWS WHO MADE ONE OF JINX'S BOMBS AND SHE WENT "no, well, uh-" because vi held her hand. she asked him, in front of everyone, "what happened to you" when he suggested using hextech to invade zaun.

even when vi got sick of trying to change things through the council, caitlyn kept telling her there must be another way and they just needed to make a new plan. oil and water, vi said, and that she was stupid to think it would work, but caitlyn's response was, what about us? what about the actual people, not their value as representatives of a group, a stereotype, one of many indistinguishable units? we aren't oil and water.

ppl say she used to view zaunites as just "creeps, crooks and villains" and after seeing more from them through vi, she changed it to "innocent helpless victims", which obv is dehumanizing since you don't recognize a person's capability for both good and evil and only see them as a stereotype. but she's always recognized both kinds of people exist in the undercity and that being "good" or "bad" isn't that simple. ppl seem to be mad she didn't try and dismantle piltover's entire police force like that would be possible or a solution to zaun's problems. she has a strong moral compass and a sense of justice - innocents should be protected and criminals prosecuted, zaunites or topsiders. if you steal, you should go to jail. but when you come from the dark alleys of zaun and poverty and deprivation is all you know, you're way more likely to steal, and when enforcers are prejudiced against you, you're more likely to face excessive violence and maybe serve a longer sentence. and this is why she tells the council that there are good people down there, that there is rampant poverty, famine, a drug problem, etc. her focus is on the daily humanitarian struggles of the average people.

you guys will twist yourselves in knots to make excuses for jinx, justify her actions and forgive her for what she's done (when she literally, aside from murdering a bunch of people and destroying a fuckton of stuff because she was insane, unstable and uncontrollable, literally directly prevented zaun from getting sovereignty by blowing up the council) but you don't recognize caitlyn's entire change in character started when jinx tried to blow her up multiple times, kidnapped her, tried to get vi to kill her, blew up the council killing her mother and then (this wasn't jinx but caitlyn doesn't know that) turned the councilor memorial statue reveal to a massacre. see: this very accurate post.

"caitlyn never took her uniform off" well maybe because she was scared of jinx, paranoid, angry, grieving her mother, seeking justice and buckling under the pressure of becoming head of house kiramman. perfectly normal reactions considering the circumstances. she even acknowledged to jayce how upsetting it was to realize this hate she harbored for jinx had started to undo a lot of the work she did towards understanding the undercity and zaunites better and seeking to help them. but i believe she thought jinx was a hazard to them too.

i have a whole other post diving into this, as well as why she wanted vi to "put on a uniform" (temporarily until they caught jinx, and not just bcuz she thought vi was "one of the good ones" but bcuz she wanted her close, under her protection and equipped w/ all resources and privileges available to piltover, not to mention ppl are seriously undermining the fact that vi played a role in that conflict too) and why she made the mistake of going too far in her pursuit of jinx - most notably becoming rougher and jailing people, poisoning the air as a battle tactic, endangering isha, hurting vi, assuming the commander position and pursuing jinx even harder. but this post isn't about that, it's about other ways in which she metaphorically took off her uniform, and even the way she wore it.

caitlyn wasn't happy as a commander, she wasn't going on a power trip, she didn't "become a dictator all too willingly" like ppl are saying. and yes, that doesn't mitigate the damage she did to zaun but she had clear goals she was pursuing, none of which involved harming innocents (but protecting them), and she even confronted ambessa when she thought her right hand was out of line, which caused tension between them. though blinded by a desire for revenge, she remained concerned with the undercity's state and realized ambessa was manipulating her, even saying something like "why is peace always a justification for violence?" to her. the cost of what she was doing was too much for her. all things considered, commander caitlyn wore her uniform in the best possible way.

and she took it off as soon as she saw what was on the line. vi's father turned monster would go berserk when injected by singed, innocents would be ripped to shreds, and he'd be captured and used as a weapon by ambessa (against the undercity or whomever). for all of these reasons, caitlyn betrayed ambessa. she double crossed her, and the way she acted it out matters, not just because vi, who she'd decked the last time she saw, called her "cupcake". but because it was the right fucking thing to do.

i have a separate post about caitlyn's implied guilt about the things she'd done, about her knowing she couldn't undo those mistakes. this is what made her so desparate to try to make up for them that she not only send the guards away so vi could free jinx (another brilliant analysis here), but it also resulted in the way she fought ambessa tooth and nail alongside mel - like she had a death wish. she, a sniper, sacrificed her eye so she could remove ambessa's talisman by cutting it free with the dagger she took out of her own side. and even in the very end, when she asks vi if she's still in this fight, it could be interpreted as the fight for zaun too since she gave sevika, a zaunite, an ally of jinx, her mother's councilor seat.

so don't fucking talk to me about how she "never took her uniform off" for vi, when she's done that so many times metaphorically (and their last scene is literally one of the very few in the entire show where she isn't wearing any insignia), and she's done it for zaun too. and maybe even more so than that - it's how she wore it that matters. what she did with her privilege and her power - her character and agency.

season two is at fault for mismanaging the piltover/zaun conflict and not focusing on it enough in its latter half, as well as also not showing any proper longer caitvi conversations that might've taken place, in favor of... glorious evolution alien robots??

[alltimefail]

Why doesn't Edwin call Charles, "Charlie?"

I shared the isolated audio of Charles' death scene where his "friends" taunted him as they killed him, and in that video, they called him "Charlie." This confirmed what many people in fandom already believed: Charles, a sporty teenage boy in the 80s, would not have gone by his proper first name and likely went by a nickname/shortened version of his name instead.

Now that we know that to be true, it does beg the question: why does Edwin call him Charles? I told you all not to get me started on this in the tags, but you stinkers want me to yap, so let's get into it! 😜

This is a very uninteresting answer, but I think Edwin does not call Charles "Charlie" simply because Charles did not introduce himself as such. Had he introduced himself as Charlie, I don't think Edwin would call him anything else.

This actually brings us to the "meat" of this analysis, and the more important question we need to ask: why would Charles choose not to introduce himself as "Charlie" if that's what people seemed to call him?

I have a couple of theories:

The first one: when Charles meets Edwin he's in a fragile state. A boy he's never seen in all his time at school approaches him, seeming to come out of thin air, just to bring him a lantern without any strings attached (even though Charles cannot give him anything in return). Charles has never experienced that kind of unconditional kindness in his life, and I'm sure that alone was enough to be a bit earth-shaking, mind-scrambling, and intimidating.

But it doesn't end there! The boy who brings the lantern is also claiming to be dead. Delerium/hallucinations are a common symptom of hypothermia so Charles could have though that Edwin was not real or was maybe even some kind of angel-like figure coming to keep him company in his final moments. I mean, the boy's wearing a dated school uniform, enters in a halo glow of golden light, and can walk through walls...it's not the wildest conclusion to jump to.

I think either of thos things individually or a combination of having your guard up, being a bit frazzled from the whole "dying" thing, and believing you're in the presence of an ethereal deity (combined with the fact that you're a people pleaser at your core) is enough to feel compelled to introduce yourself not in formal manner. Not to mention if Edwin introduced himself first, hand outstretched in a formal matter and proper posh accent on full display (something I can totally see him doing), Charles might have felt a bit silly calling himself by such a casual title.

While I think all of this can be varying degrees of true, however, my biggest personal headcanon is that Charles might not have introduced himself as Charlie because who's to say he LIKED that nickname? My circumstances were similar to Charles' growing up, I also had many nicknames from friends and family that I didn't ask for but was given anyway against my will... and I always hated it. Still cringe at some of them to this day, actually! So I think it's possible that Charlie Rowland met Edwin Payne, with all his formal stature and proper professional-sounding name, and took the opportunity to choose what he'd like to go by, without the influence of family or friends. In that way, his chosen identity that would kick off the rest of his existence moving forward (unknown to him at the moment, but true from a narrative standpoint nonetheless) serves as a "Taking your power back" moment for Charles who literally just heard the name "Charlie" being hurled at him as he begged for mercy from people who were supposed to be his friends. Even if he tolerated the nickname "Charlie" before, it certainly wouldn't have fond associations following the event that ended his life (if it had any positive associations to begin with).

Again, speaking from experience, Charlie also sounds like the kind of nickname that could be sugar-sweet on some tongues, innocent even, (his mother cooing over a young Charles), but terrifying from an abusive figure... a scathing kind of mockery. I've always imagined that Charles' dad more than likely called him Charlie, for example, and not in a fond, loving way (in the same way his so-called "friends" were not doing so in a loving way).

So yeah, why would Charles WANT to go by Charlie?

Now that we've established that, we can go back to Edwin...what you came here for!

All that in mind, I still don't see Edwin as the nickname type at all. From a romance standpoint I could maybe see him using a few dated, sappy endearments, but we don't ever hear him use a casual name toward anyone. In his lifetime Charlie would have been a perfectly normal name, but the kind of "fond" nicknaming practices and casual male friendships that happened in 1989 were not common practices in 1916, the Edwardian era. Even with his infinite fondness of Charles, I could never see Edwin uttering "Charlie." It doesn't feel right.

Plus, let's be honest: Edwin says Charles' name with enough love and reverence that he doesn't need to use an endearment. His tone says it all (lol).

Beyond that though, like I said above, I can't see Edwin feeling to impulse to call him "Charlie" because that's not how Charles introduced himself. Edwin strikes me as the kind of person that would be like, "If he wanted to be called Charlie, he surely would have said as much" and left it at that. But a name like Charlie also conveys a sort of youthfulness, and while he and Charles are 16 forever, technically, they have been detached from their lives for a long time and they're MUCH older than 16 in experience and in their professional life.

The only question I was left with, and one I've seen several people ponder, is why Charles would suggest they call The Night Nurse Charlie, (like from Charlie's Angels), as it seems a bit strange if his own name is Charlie/he went by Charlie. My answer/interpretation isn't that exciting, but it's one I feel makes the most sense: I honestly think this can easily be explained away by the fact that Charles is so far removed from that identity and so dissociated from his life that he no longer associates the name "Charlie" with himself in any way. Like it literally didn't even occur to him, in that moment, that Charlie/Charles are so similar because he has built a barrier in his mind between himself and that nickname; they're two entirely different identifiers to him. Whether that be a coping mechanism, or simply just something he wasn't thinking so deeply about (it has been 30 years since anyone called him that, except for Brad and Hunter in Port Townsend), we can't say for sure. However, it's clear Charles does not want to go by Charlie, and at least now we can safely assume why.

Let me know your thoughts! Do you agree with my interpretation? Do you have your own opinion that I didn't cover? Feel free to share with me!

Keep streaming Dead Boy Detectives & screaming about it ! Hugs to each and every one of you! 💜

[fuckyeahisawthat]

Re-skimmed through a bunch of Dune Messiah last night because why not and now I am having thoughts:

The thing that sticks with me most is the tone. It's melancholy, it's eerie, it's unsettled and weird. Cannot think of a more pitch-perfect director for it than Denis Villeneuve. He's gonna nail it.

There is...not that much...actual story? Denis has referred to it in interviews as "a small book" and I'm like my guy it is 350 pages. But there are actually not that many plot beats. It's just that every. single. scene. is WILDLY overwritten. The real challenge of adapting Dune is not the giant worms or the dense complicated worldbuilding or the fact that actors have to say the name "Duncan Idaho" repeatedly with a straight face. It's that there are pages and pages and PAGES of internal monologue that have to be externalized somehow for film.

After a re-skim my gut instinct for "how much story goes in a feature film" is that if you just wrote out the dialogue and action that happens in every scene in the book in screenplay format you'd end up with...maybe about an hour of material? Which is great, actually, because it means there is room to add stuff. Like a whole new independent plotline for Chani if they decide to do that.

It may seem insane to add things to an adaptation of what's notoriously one of the wordiest series in classic sci-fi but it's worth remembering that they added quite a bit to Dune Part Two. Most of the first hour of the movie--almost everything before the worm ride except for Jessica drinking the Water of Life--is stuff that isn't in the book. And it's the best part of the movie essential to making the movie work as well as it does. Yes, they also cut elements from both parts (the dinner scene, the whole plotline where Gurney thinks Jessica is a Harkonnen spy, Thufir Hawat's fate, Leto II the Elder, murder toddler Alia) but I understand why each of those elements was cut or changed in the service of cinematic storytelling.

There's an interview (can't remember which one) with Jon Spaihts, the other co-writer of the scripts along with Denis, where he talks about how Dune is like a stage play, with so many of what would be the big action set pieces happening off-page. I kept thinking about that comparison while reviewing Dune Messiah because in addition to the scenes that do exist being wordy and internal as fuck, an absolutely insane list of major events/reveals/emotionally significant moments happen off-page. The list of things that we don't actually see in the main action of the story, that we're only told about after they happen, includes:

Chani finding out Irulan has been secretly dosing her with birth control for YEARS

People trying to capture a sandworm and take it off planet

Chani and Paul finding out Chani is pregnant after 12 years of trying to conceive

Paul flying an ornithopter carrying his extremely-about-to-go-into-labor partner while blind

CHANI DYING (first time reading I did NOT know this was coming and damn near threw my Kindle across the room at the way the information was delivered)

Alia executing a bunch of people including a Bene Gesserit Reverend Mother

Paul walking into the desert at the end

You could add all these moments into a scene-for-scene film adaptation of the book and probably still have room to add more material.

The other thing that jumps out is that Paul doesn't really...govern...much. Like there's this whole subgenre of post-Dune/Dune Messiah-era fic that's just some combination of Paul, Chani, Irulan and sometimes Feyd traipsing around the palace having feelings while vague politics happens in the background, but I forgot that Dune Messiah is actually kinda like that??

There is a whole thread of Paul feeling kind of abstractly bad about being Space Hitler but he does not, in fact, actually do anything about it. And like yes both bureaucracies and religious movements can grow to have a life of their own that seems beyond the control of any one person. But also my dude you are the Emperor of the Known Universe. Someone is signing those space checks for the Endless War budget. You are not powerless here.

The one thing that really, clearly drives Paul to actively do things in the plot is not feeling guilty about having unleashed catastrophic religious war on the universe. It is protecting his family. Chani, Alia, his unborn children, and you could probably throw in Duncan by the end. That is what motivates him to act at key moments, and to want to hold on to power. And hey, y'know, if I'd experienced almost everyone I'd ever known getting murdered in a single night, I would probably get a bit intense about that too! It makes sense from a character point of view!

I'm very curious to see how these threads interweave with each other in the film, because the Villeneuve films put a lot of emphasis on Paul's agency and the fact that he may be constrained by shitty circumstances thousands of years in the making, but he still makes choices within that context. I can't see the narrative allowing film!Paul to get away with the same Poor Little Dictator routine as in the book. There are a few ways they could play this but I think the most interesting one is kinda the way they started going at the end of Part Two. Which is that as soon as you start reaching for that kind of power, then power becomes its own end and you will end up doing increasingly horrific things to maintain it. I think it would be quite interesting if the film shows us Paul not just being like "woe is me" but actively choosing to make the world worse because his trauma-driven fear of losing the people he loves makes him cling ever more desperately to power for its own sake.

If they went this route I think it would make Paul's decision at the end hit even harder. FWIW I actually really like Paul walking off into the desert at the end of the book. I think it brings things full circle with his relationship to the Fremen and creates this beautiful arc going back to the duel with Jamis. He first won a place among the Fremen through respecting their customs even though he really did not want to fight and kill someone he had no beef with. And by respecting the Fremen custom of the blind walking off into the desert, he proves himself to be fully Fremen and protects his children not by making them heirs to the throne but by making them Fremen.

And yeah, to a modern audience here on Earth it can look like "Paul conveniently fucks off and doesn't have to raise his newly-motherless children." And we can have a whole discussion about the unexamined ableism of the idea of someone who's gone blind voluntarily choosing death so as to "not be a burden" on their community. But neither of those readings is really the point here. Within the logic of Fremen cultural values, where the survival of the group as a whole is more important than the life of any one individual ("your water belongs to the tribe" etc.) Paul's choice is a willing and intentional self-sacrifice (see also: fedaykin) that wins him huge respect. There's a line in the book about Paul that's like "He would be one of them forever now" and damn if that didn't give me shivers. Like!! The political-symbolic implications!!! Which maybe I'm particularly attuned to because I just wrote a whole fic about what does it mean for an outsider to become Fremen but hmm something something Paul's final* act not being an exercise of Imperial power but an expression of kinship with an oppressed group and that being the thing that's needed to keep his family safe even if he is not physically present with them...IT IS RICH SYMBOLIC TERRITORY.

(*Yes yes I know about events in the next book. Shush.)

This kind of stuff is why I tend to think Chani may start out in a very different place in the story but the end will still be pretty close to what's in the book. It's too thematically powerful and tragic to go any other way.

But also...if they change things around enough that she is still alive at the end of the movie...I won't be sad about it.

[li2zyek0y0mi]

About Trant's overdose of considering

（and， of course, some TrantJean）

Only one person continues. You are right if you think what I said is wrong.

In addition, I'm sorry that I didn't use the word anxiety very well. It should be ok？I guess it's ok to replace it with a synonym for overthinking....Most of.However, I think anxiety is actually the most appropriate, because this thing is really a bit pathological.

I saw a work about TrantJean a few days ago, the most interesting part is that author wrote about Trant's anxiety. I remember the content is if Jean wins the most sad and other awards, the rest are the most anxious awards win by Trant.Something like that.

Yeah.And almost no one have described Trant's issues before,everyone seems to pay more attention to Jean's psychological problems,so forget that Trant is also a kind of loser too actually(bcs,he looks he cosplay a loser every day).I'm not denying Jean's problem, I'm just saying that Trant's anxiety is also a interesting theme in their relationship too.

Why do I think there is something wrong with him too:I don't know if this is my illusion. He was a little nervous when he was in the fishing village.And Jean said that he "forced" Trant to stay....

Oh,by the way, I suppose that this is a symptom of exaggerating language to a bad level,Jean maybe just brong things about Harry's situation up to Trant and Trant told Jean that he may not be able to do it(his anxiety.),he didn't think that his petty tricks which is he's really very smart in fact can be useful for the situation.Jean comforted him then and took him to the fishing village, so,he said "FORCE",actually, it doesn't have to be like that.

Back to the theme. My personal theory is Trant is always anxious about almost everything,it means,he Always think the worst of things, and then this is still like magic film （or science fiction film) level,something really really won't happen at all.But he is very worried about these things.Bcs...He's too smart..... (maybe.)

Otherwise, it's hard to explain why he was acting like↓

Trant Heidelstam - "Uhm..." He takes a step back. "I don't *quite* know what I'm doing here. I was asked to participate as an expert -- I think I need to manage your expectations a little. I'm at best an enthusiast in cognitive science."

"My background is in something else entirely. I engage in *neurology*..." -- he makes air quotes -- "...on a merely theoretical level. In fact, I should probably get going..."

You can't say that he was afraid of his colleagues,right....?Absolutely can't be that,even if he doesn't know Kim very well,they met before,just at Field Building.....

But Trant's anxiety,or we should say overthink, this is a just one thing always exists until he die,it's hard to fix this.....

But this is actually not a particularly big problem most of the time.

I think(What the hell,who can send this user into a mental hospital？)....Jean maybe the first person who knows about Trant is a overthinker(of course, Mikeal's mother might knows that too.).

So the relationship of TrantJean is not only Trant helps Jean deal with his depression,but also Trant needs someone really understand him(Even if he doesn't know he has such a desire actually)so to comfort him after he's worried too much and feels bad. However, it is worth mentioning that this comfort is maybe not necessarily necessary. Jean's presence with him is his greatest comfort. Oh sorry,the comfort in this paragraph,you know,they are many ways of comfort in fact.

This is why I said before that this is a mutually supportive emotion.Maybe today is Trant helps with negative thoughts,tomorrow would be Jean hug and kiss Trant after Jean knows Trant overthinked again.From this, it can be extended: today Jean said that he wanted to break up because he was afraid of delaying Trant. Tomorrow Trant thought too much and asked Jean very quietly about have Jean ever thought about breaking up with him? He mayb is not the best choice for Jean......But they will go on. They haven't broken up ! This is actually quite sweet....Like , be a inalienable part of each other,you are a half of me and I'm a half of you too although we probably don't fall in love or even meet/just passing by in other, tens of thousands of other parallel worlds, but now,at this moment,we have each other,that's enough.

In my opinion, this is simply the happiest thing in the world,I'm gald that Trant and Jean are colleagues, glad to see them happy because of each other's existence,glad to know they heal each other just like human tissue heals wounds although it may hurts they two but they will become closer because Trant needs Jean and so do Jean.....Oh......

[manic-sapphic]

one of the scenes at the heart

between adora and catra that absolutely makes me feel like the earth is giving way underfoot - every damn time i've watched it.

initially, it seems to me like adora reads catra's "no" as the beginning of catra trying to talk her out of it again, but catra quickly clarifies. she's not going anywhere, no matter what happens. cause if it doesn't work and everything ends, there's no where else catra would rather be. and if it does work but is going to destroy adora, catra's honestly probably more than willing to have it - and likely is even hoping it will - destroy her too, if she's by adora's side.

cause sure, maybe catra tried to leave in the middle of the night after adora took the failsafe, feeling like, once again, adora was choosing to leave her behind- only in a far more heartbreaking and permanent way. and even after melog reads that bitch and bucks her off to give her a good lil shock to her system and tries to push her to go back, she refuses. but then melog tackles her to the ground and gets her to let some real feelings out - says them, even if just to melog - still something she'd never have done before. give her true feelings a voice and let them exist. let them be real & fully accepted that they are.

which we all know is immediately followed by a clone appearing, melog cloaking them both just in time. but once they follow and catra realizes prime's found a way to go after the heart sooner than expected and is undertaking that endeavor at that very moment - all the uncertainty, her insecurities, her reflex to suppress her feelings for adora due to the emotions triggered by her abandonment issues & sw meddling - all go out the fucking window. she hops on melog and they rush back to warn adora. but of course she's already headed to the heart - somewhere i'm sure, given the circumstances with prime infecting the planet - catra knows is bound to be dangerous for adora to be.

so catra sees her only way to get there in time, and takes the hand of the last person she'd ever want to, and goes to find adora.

and after everything that happened between going to look for adora and reaching the heart together, only to find she couldn't transform and had no hope of surviving it - catra refuses to leave when adora tells her to get as far away as she can, hoping it would keep catra safe. but if i was catra, i'd be thinking "don't you fuckin tell me to go away - if you get to choose to stay down here, so do i." which is kinda how i read her refusal to leave.

and i think maybe it's part of why adora doesn't protest. but also, i think she realizes it would be a waste of breath in her fragile state - catra's not going anywhere no matter what she says. and honestly, watching the tears that stream down adora's face when catra says she's staying with her no matter what - i think that's what adora really wanted anyway. it wasn't about having someone with her so she wouldn't be alone - she wanted catra with her. but likely felt it would be too selfish to say.

luckily, catra saved her the trouble of having to. cause catra finally realized that whether adora wants to leave or stay, no matter the situation, she can always choose to stay with adora, so long as she wants catra there. no pride in the way, nothing petty left to prove, no more interest in winning. where adora goes, even if it's into the abyss, catra wants to choose to stay by her side from now on, where ever that might lead. cause that's where she's always wanted to be.

just as catra says to glimmer and bow when she runs into them after appearing w shadow weaver, she'll stay and find her cause she "can't lose her again." which, to me, means - if it comes down to it, and adora does go - catra wants to go with her.

[volivolition]

wiggles my fingers at you ouuuu… you want to tell me about solace so bad…

HKJGG wiggles my fingers back lovingly!!! i really do, i fuckin LOVE solace :3 hey did you know i really like making fake skill descriptions?

SOLACE

Follow the north star. Find light in even the darkest places. Cool for: Optimists, Recovering lost souls, Sweet summer children

Solace is the skill you tucked away long ago, at the bottom of Pandora's box. The little one that tells you: despite it all, there is still hope. It needs a lot of nurturing -- and it's far from being the most helpful for police work -- but taking care of it is basically self-care. It enables you to find the glow in yourself that you often ascribe to gold lungs or brilliant halos in others. It encourages you to wake up and watch the sunrise, to play board games with someone you love, to forgive yourself and let yourself be a gentler kind of animal. Constantly looking forward to a brighter future, it also helps shield your morale from damage.

At high levels, Solace gives you a heightened sense of childlike optimism - which isn't always the sense to lead with in this precariously harsh world. Always looking for the bright side will blindside you with naivety. At low levels, however, you may just extinguish whatever keeps your soul alight. You've already lost her once. You may not survive the desolation if you let her disappear again.

[the-busy-ghost]

Me normally: Let people love what they love

Me, after a Test Match Special commentator expresses their belief that the new All Creatures Great and Small is somehow "better" than the 1978 version: This is pure insanity and TMS can no longer be trusted on anything, how can they even be trusted to know about cricket, do they have no TASTE

[icewindandboringhorror]

I find it kind of silly that so many of those "time based life rule" sayings are like ~deep serious guidelines~ of some sort, but then there's that one other Well Known Rule that's just like "hrmm can I eat something off of the ground or not"

[talkorsomething]

I have Got to get more transgender

[anxiously-going]

.

[machinavocis]

.

[medicinemane]

One issue I have is there's a whole lot of things where it's like "I'm actually nearly on your side, I'm very sympathetic to this, I just need one or two issues addressed and then I'd be with you on this... you just have to kinda... walk me through how this thing that feels like a kinda big problem isn't a problem"

And pretty much always it's just kinda like "oh, well it's not a problem, so don't worry about it"

...mhh... yeah... but I need some actual proof. I want to trust you, but I need something that actually deals with it, not to just basically be told to have faith... I have no faith, I'm a faithless person

And it's such a shame cause... instead of being able to work along side people I tend to hover off to the side trying to support it in my own small ineffective ways cause... I just have serious issues no one's ever bothered to address

Just sucks, you know?

[carpe-mamilia]

Sorry @buttonhouseparty, I thought all your tags perfectly encapsulated what I thought when I first saw this post so I'm putting them here:

#hasn't it always been like this though? I feel like we've had this conversation ever since the beginning #obv I love the captain. but the fandom has always emphasised him heavily over other characters #even ben said that it surprised him how much the story resonated with fans #(alison is literally the main character and she gets less attention) #and since the start there's been the critique that the fandom never talks about anyone else #with the response always: well. you talk about other characters then. you create the content you want to see. #however the reasonable answer to that is #why bother to do that when you know other fans won't be interested + won't engage with it #I've always felt like: I absolutely hear that critique and I do understand the captain bias is annoying + potentially problematic #but people do fandom for fun and they're just going to focus on their fave #it puts me in the odd position of feeling like I'm 'contributing to the problem' whenever I reblog #and it makes me feel vaguely guilty for not enjoying the show in the right way

[...] #also I'm here as a comedy fan so I'm not very interested in doing deep dives on the characters' trauma #I like a bit of angst but I also like a compilation video of captain noises #I mean I'll reblog cap ship fanart #I love to see it and I like doing my part in sharing around other people's creative work #but I also adore a post discussing the idiots' writing and influences #but that's not what this fandom loves to do so I don't expect to see many posts like that

#AND I think many fans were deeply disappointed by the xmas finale and have wandered off to other things #the ppl who are still here are still enjoying shipping and sharing pics of ben looking hot #which is fine. that's a fun hobby! but I get that it's far from satisfactory for the whole ghosts community #anyway yeah. we've argued this one to death over the past five years and it just makes everyone fall out. I don't know what the answer is

controversial take but being a longtime ghosts fan over the past few months has just been watching the captain become increasingly more prevalent in tags and fan content to the point where almost no other character’s stories or personalities are explored and usually if they are, it’s in relation to the captain.

I’m gay, a lesbian, and the amount of fanbases I’ve seen fall to mostly straight women and become a whirlpool of one white, conventionally attractive gay man played by a straight man has been so disappointing. the captain is not the only character in ghosts. he is not the deepest or most tragic character in ghosts. it is a found family themed show. we, gay people, do not exist as tragic entertainment to be fetishised. the women in this show are rarely mentioned in comparison to the captain, Kitty had multiple scenes about her abusive sister, is implied to come from a horrific colonialist background and basically came out as asexual in season 5 and nobody talked about it, Mary died in a way that was so horrific they didn’t even show it on camera but havers had five minutes of screen time and he is everything now, apparently.

it’s to the point where you can’t escape it, no matter what tags related to the show you do or don’t follow. I’ve seen it before with the way the good omens fanbase changed from people who respected this incredible story criticising blind faith in religion with queer characters that inherently further that message into people calling them “uwu husbands” or whatever.

I’m not particularly angry, I’m just sad to see that the internet has turned into this again. I love the captain. I love ben, he’s a fantastic actor that I grew up admiring!!! but the captain is not the entire show and I think we need to think about why he takes up like. 85% of fan works.